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2011-20 1 2 Season Love forbidden, not forgotten Luisa Fernanda La rondine Rigoletto Roméo & Juliette

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Page 1: Love forbidden, not forgotten - Florida Grand Opera · Love forbidden, not forgotten ... artists in productions of Verdi’s Rigoletto and Gounod’s Roméo et Juliette. ... is a

2011-2012 Season

Love forbidden,not forgotten

Luisa Fernanda La rondine Rigoletto Roméo & Juliette

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Dear Florida Grand Opera Subscriber,I am delighted to invite you to join us for Florida Grand Opera’s 2011-2012 season, which will begin with our first-ever presentation of a zarzuela, Federico Moreno Torroba’s Luisa Fernanda, in a remarkable production from Madrid’s Teatro Real. Zarzuela, a traditional form of Spanish musical theater, has been championed by the world’s great Hispanic opera singers, including Montserrat Caballé, Pilar Lorengar, Alfredo Kraus, and Teresa Berganza. The great tenor Plácido Domingo actually began his magnificent career singing zarzuela and has kept it in his repertory over the years. This Teatro Real production has been seen at Milan’s La Scala, Washington National Opera, and Los Angeles Opera, and we are proud to be able to present it to our South Florida audience. It promises to be a highlight of the season.

The season will also include Florida Grand Opera’s first-ever production of Puccini’s La rondine, which has been enjoying renewed worldwide popularity, and truly remarkable artists in productions of Verdi’s Rigoletto and Gounod’s Roméo et Juliette.

I hope you will join me in welcoming FGO’s new Music Director, Ramon Tebar, who will assume that role during the 2011-2012 season. His conducting of our 2010 Lucia di Lammermoor and our recent Turandot has been enthusiastically received by our audience and critics alike, and his artistic vision and leadership will be an important contribution to our maintaining the highest musical standards.

This is a season that I’m sure we will long remember, and I look forward to enjoying it with you!

Sincerely,

Robert M. HeuerGeneral Director and CEO

Photo of Luisa Fernanda © Javier del Real for Teatro Real

Maestro Ramon Tebar and Bob Heuer

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LUIS

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NA

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AFlorida Grand Opera presents its first zarzuela, Federico Moreno Torroba’s

Luisa Fernanda. Zarzuela, a popular Spanish form of musical theater,

incorporates both spoken dialogue and singing. Luisa Fernanda, which had

its premiere in Madrid in 1932, is considered to be the last great romantic

zarzuela. People throughout the Spanish speaking world are familiar with

its great musical scenes.

Luisa Fernanda takes place during the republican-monarchist conflicts of

1868 in Spain, during which Luisa, the heroine, finds herself in a romantic

triangle with Javier, a dashing young army officer, and Vidal, a wealthy

landowner. The production originates from Madrid’s Teatro Real and will

be conducted by Pablo Mielgo and directed by Emilio Sagi. Below is an

introduction to zarzuela by Plácido Domingo, who inspired this production.

FEDERICOMORENOTORROBA

Sung in Spanish with English and Spanish projected titles.

A co-production of Florida Grand Opera and SaludArte Foundation.

This production is made possible by a generous gift from

Photos © Karin Cooper for Washington National Opera, Javier del Real for Teatro Real, and Armin Bardel for Theater an der Wien. Photo of Plácido Domingo © Greg Gorman for Los Angeles Opera.

An introduction to zarzuela from an expert!Zarzuela is a traditional Spanish musical genre that is frequently compared to the works of Gilbert and Sullivan and the Viennese operettas of Johann Strauss. For most of you, zarzuela is merely a difficult word to pronounce. For me, the word zarzuela represents something very special — they are the lullabies I heard my parents sing during my first days of life as they gently cradled me in their arms. My parents were both great singers of zarzuelas — this very traditional and very beloved operetta-like music of Spain.

Plácido Domingo

Subscribe Today! www.FGO.org or 800.741.1010

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“Against my will, I have loved you always… when you loved me, when you long forgot me.”

LUISA TO JAVIER, ACT III

MADRID, SPAINSET IN

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LA

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Written when Puccini was unquestionably the most popular opera

composer in the world, La rondine is finally gaining the popularity it

deserves, with new productions frequenting the world’s premiere opera

houses and finest sopranos coveting the leading role of Magda. Its

combination of romantic melodies and 20th century musical styles perfectly

defines the atmosphere of Paris, where Magda abandons a comfortable

life as a kept woman to pursue true romantic love in the south of France.

La rondine means “the swallow” and refers to the bird that flies south

for the winter. Magda is faced with circumstances that force her to be

completely honest with herself; heartbroken, she returns to Paris and her

old life. Following her triumphant performance as Liù in Turandot, soprano

Elizabeth Caballero returns to FGO to sing Magda’s ravishing music.

GIACOMOPUCCINI

Subscribe Today! www.FGO.org or 800.741.1010

Sung in Italian with English and Spanish projected titles.

This production is made possible by a generous gift from the Arthur F. and Alice E. Adams Foundation and the Adams Supporting Foundation.Photos © Carol Rosegg for New York City Opera.

CAST MAGDA Elizabeth Caballero LISETTE Corinne Winters PRUNIER Daniel Shirley/James Barbato RAMBALDO Craig Colclough

PRODUCTION CONDUCTOR Ramon Tebar DIRECTOR Nicola Bowie PRODUCTION DESIGNER Ralph Funicello COSTUME DESIGNER Sam Kirkpatrick

Elizabeth Caballero Corinne Winters Craig Colclough

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“If I could live again the joy of that hour!”MAGDA, ACT I

PARIS, FRANCESET IN

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RIG

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The deformed court jester Rigoletto is famous for mocking the husbands of

the women the Duke has seduced. When Rigoletto’s own daughter, whom

he has kept carefully hidden, falls victim, he vows to have revenge. But

repaying evil with evil goes horribly wrong, and Rigoletto learns that he

has reaped what he has sown. This first work of Verdi’s maturity began

a series of masterpieces that would come to define Italian grand opera.

Rigoletto has continued to fascinate and thrill audiences for more than

150 years.

Outstanding American baritone Mark Walters returns to FGO in the

title role, and fresh from their debuts at the Metropolitan Opera, tenor

Michael Fabiano and former FGO Young Artist Rachele Gilmore appear as

the Duke and his victim Gilda.

GIUSEPPEVERDI

Sung in Italian with English and Spanish projected titles.Photos © Ken Howard for San Diego Opera.

Rachele GilmoreMark WaltersMichael Fabiano

CAST THE DUKE Michael Fabiano RIGOLETTO Mark Walters GILDA Rachele Gilmore COUNT MONTERONE Joo Won Kang SPARAFUCILE Ray Aceto MADDELENA Dana Beth Miller

PRODUCTION CONDUCTOR Andrew Bisantz DIRECTOR Jeffrey Marc Buchman

Subscribe Today! www.FGO.org or 800.741.1010

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“Give an old man back his daughter; it costs you nothing, and she is everything in the world to me.”

RIGOLETTO, ACT II

MANTUA, ITALYSET IN

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RO

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Shakespeare’s famous play has inspired many operas over the years, but

none as enduring or successful as Charles Gounod’s creation. From the

breathtaking love duet at sunrise to the opera’s shattering conclusion in the

tombs of the Capulets, Gounod’s lushly romantic music captures perfectly

the unrestrained passions of youth and the tragedy visited on the lovers and

their bitter rival families.

Soprano Sarah Coburn returns to FGO as Juliette, following her highly

acclaimed Rosina in our 2010 production of Rossini’s The Barber of Seville.

French tenor Sébastien Guèze, who sings Christian in FGO’s production of

Cyrano, returns to FGO as Roméo.

CHARLESGOUNOD

Sung in French with English and Spanish projected titles.

This production is made possible by a generous gift from Randy Gage.Photos © Michal Daniel for The Minnesota Opera.

Sarah Coburn Sébastien Guèze Jonathan G. Michie

CAST ROMÉO Sébastien Guèze JULIETTE Sarah Coburn MERCUTIO Jonathan G. Michie FRIAR LAURENT Craig Colclough

PRODUCTION CONDUCTOR Joseph Mechavich DIRECTOR David Lefkowich PRODUCTION DESIGNER Erhard Rom COSTUME DESIGNER Jennifer Caprio

Subscribe Today! www.FGO.org or 800.741.1010

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“But what sudden light through yonder window breaks?”ROMÉO, BENEATH JULIETTE’S WINDOW, ACT II

VERONA, ITALYSET IN

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OPENING NIGHT SATURDAYS SAT 7 PMLuisa Fernanda Nov 12La rondine Jan 21Rigoletto Jan 28Roméo et Juliette Apr 21

Seating SectionTicketPrice perSubscription

Tax-DeductibleDonationwith this Seat

TotalPrice perSubscription

First Tier n Grand Tier Box $752 $3,500 $4,252

Orchestra Level n Prime Orchestra Rows A-J $676 $1,500 $2,176

n Prime Orchestra Rows K-T $676 $500 $1,176

n Orchestra Box $676 $500 $1,176

n Front Orchestra $528 — $528

n Orchestra Circle $388 — $388

Second Tier n Mezz Box/Mezz Row A $388 $250 $638

n Mezz Rows B-G $236 — $236

Third Tier n Lower Balc Box/LB Row A $236 — $236

n Lower Balc Rows B-H $148 — $148

Fourth Tier n Upper Balc Box/UB Row A $108 — $108

n Upper Balc Rows B-N $64 — $64

FRIDAYS • SECOND SATURDAYS FRI 8 PM SAT 8 PMLuisa FernandaLa rondineRigolettoRoméo et Juliette

Nov 18Jan 27Feb 3

Apr 27

Nov 26 Feb 4

Feb 11May 5

Seating SectionTicketPrice perSubscription

Tax-DeductibleDonationwith this Seat

TotalPrice perSubscription

First Tier n Grand Tier Box $676 $1,000 $1,676

Orchestra Level n Prime Orchestra Rows A-J $528 $500 $1,028

n Prime Orchestra Rows K-T $528 $250 $778

n Orchestra Box $528 $250 $778

n Front Orchestra $388 — $388

n Orchestra Circle $288 — $288

Second Tier n Mezz Box/Mezz Row A $288 $125 $413

n Mezz Rows B-G $204 — $204

Third Tier n Lower Balc Box/LB Row A $204 — $204

n Lower Balc Rows B-H $112 — $112

Fourth Tier n Upper Balc Box/UB Row A $84 — $84

n Upper Balc Rows B-N $60 — $60

TUESDAYS • WEDNESDAYS • SUNDAYS TUE 8 PM WED 8 PM SUN 2 PMLuisa FernandaLa rondineRigolettoRoméo et Juliette

Nov 15Jan 24Jan 31Apr 24

Nov 23Feb 1Feb 8

May 2

Nov 20Jan 29Feb 5

Apr 29

Seating SectionTicketPrice perSubscription

Tax-DeductibleDonationwith this Seat

TotalPrice perSubscription

First Tier n Grand Tier Box $500 $475 $975

Orchestra Level n Prime Orchestra Rows A-J $388 $150 $538

n Prime Orchestra Rows K-T $388 $100 $488

n Orchestra Box $388 $100 $488

n Front Orchestra $288 — $288

n Orchestra Circle $236 — $236

Second Tier n Mezz Box/Mezz Row A $236 $100 $336

n Mezz Rows B-G $184 — $184

Third Tier n Lower Balc Box/LB Row A $184 — $184

n Lower Balc Rows B-H $84 — $84

Fourth Tier n Upper Balc Box/UB Row A $64 — $64

n Upper Balc Rows B-N $32 — $32

MiamiP E R F O R M A N C E S

SANFORD & DOLORESZIFF BALLET OPERA HOUSE

Adrienne Arsht Center for the Performing Arts of Miami-Dade County

1300 Biscayne BoulevardMiami, FL 33132

www.FGO.org F 800.741.1010

For a detailed seating map, go to www.fgo.org/maps

*Prices reflect a 25% discount off single ticket prices.

Buy 3 operas and get 1 free Four operas in Miami*

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FortLauderdaleP E R F O R M A N C E S

AU-RENE THEATER

Broward Center for the Performing Arts

201 Southwest 5th AvenueFort Lauderdale, Florida 33312

www.FGO.org F 800.741.1010

THURSDAYS THU 7:30 PMLuisa Fernanda Dec 1Rigoletto Feb 16Roméo et Juliette May 10

Seating SectionTicketPrice perSubscription

Tax-DeductibleDonationwith this Seat

TotalPrice perSubscription

Include any performance of La rondine in Miami for an additional

Orchestra Level n Prime Orchestra Rows H-S $450 $1,000 $1,450 $150

n Prime Orchestra Rows T-Z $450 $500 $950 $150

n Orchestra Box $450 $500 $950 $150

n Front Orchestra $282 — $282 $94

n Upper Orchestra $201 — $201 $67

n Side Rear Upper Orchestra $135 — $135 $45

Mezzanine n Front Mezz/Mezz Box $282 — $282 $94

n Mezzanine $180 — $180 $60

n Side Rear Mezzanine $126 — $126 $42

Balcony n Lower Balcony/Balc Box $105 — $105 $35

n Upper Balcony $48 — $48 $16

SATURDAYS SAT 8 PMLuisa Fernanda Dec 3Rigoletto Feb 18Roméo et Juliette May 12

Seating SectionTicketPrice perSubscription

Tax-DeductibleDonationwith this Seat

TotalPrice perSubscription

Include any performance of La rondine in Miami for an additional

Orchestra Level n Prime Orchestra Rows H-S $450 $500 $950 $150

n Prime Orchestra Rows T-Z $450 $250 $700 $150

n Orchestra Box $450 $250 $700 $150

n Front Orchestra $282 — $282 $94

n Upper Orchestra $201 — $201 $67

n Side Rear Upper Orchestra $135 — $135 $45

Mezzanine n Front Mezz/Mezz Box $282 — $282 $94

n Mezzanine $180 — $180 $60

n Side Rear Mezzanine $126 — $126 $42

Balcony n Lower Balcony/Balc Box $105 — $105 $35

n Upper Balcony $48 — $48 $16

Buy 3 operas and get 1 free Three operas in Fort Lauderdale and one opera in Miami*

For a detailed seating map, go to www.fgo.org/maps

*Prices reflect a 25% discount off single ticket prices.

NEWSTARTTIME

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FRIEND OF THE OPERA

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WhenyoumakeagifttoFGO,youwillbecomepartofthe“innercircle,”whereyouwillexplorebehindthescenes;meetthestars,directors,anddesignersof the season productions; and enjoy all benefits available to our members. See below for a comprehensive list of annual fund benefits.

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Why Subscribe? PRIORITY SEATING Subscribers get the best seats available, and they’re yours for every performance on your series. Subscribers have the option to keep or upgrade seats when renewing each season. TICKET FLExIBILITY If your schedule changes, you can change your tickets in advance for another performance, subject to availability. You can do this in person or mail at no charge, or by phone for a nominal fee. SAvE MONEY When you subscribe for 4 operas, you are paying for 3 operas and getting one FREE. ADvANCED SINGLE TICKET SALES As a subscriber, you will have the opportunity to purchase single tickets before they go on sale to the general public, ensuring the best available seating. LOST OR FORGOT YOUR TICKETS? No problem. If you arrive without your tickets, we can give you location passes for your subscription seats. SUBSCRIBER NEWSLETTER Our new Subscriber Newsletter will give you a behind-the-scenes glimpse of FGO, background on composers, artists, information on upcoming events and more! FLExIBLE PAYMENT OPTIONS Lock in your seats with as little as 25% down. Certain restrictions apply.

WORLD-CLASS OPERA The sets, the costumes, the staging, the voices! The best reason to subscribe is that you’re guaranteed to see every glorious moment and hear every magnificent note of world-class opera.

GROUPS SAvE EvEN MORE! Groups of 15 or more receive even greater discounts.

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o Adrienne Arsht Center for the Performing Arts o Broward Center for the Performing Arts

SEATING REQUEST* TOTALSERIES SECTION # OF SEATS SEAT PRICE TICKET PRICE

$ $ If you are subscribing to a Broward Center 4-Opera Series, please select your Miami performance date for La rondine:o Sat, Jan 21 o Tue, Jan 24 o Fri, Jan 27 o Sun, Jan 29 o Wed, Feb 1 o Sat, Feb 4*All seating is based upon availability. If your requested seats are not available, we will assign the closest available seats.

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Mail: FLORIDA GRAND OPERA | 8390 NW 25TH STREET | MIAMI, FL 33122-1504

Seating confirmations are sent in July. Subscribers have until August 31, 2011, to cancel their subscription. After that date all sales are final. Donations are not refundable.Castingandrepertoirearesubjecttochange.Childrenmustbeatleastsixyearsoldtoattend.

TICKET EXCHANGESYouneverhavetomissaperformance.Asasubscriberyoumayexchangeyourticketsifyoucannotattend.Ticketsmaybeexchangedupto4p.m.onthedayofaweekdayperformanceor4p.m.onFridaybeforeaweekendperformance.Ticketsmaynotbeexchangedafteraperformancehasoccurred.Thereisnoservicechargetoexchangeticketsbymailorinperson.Subscribersmaynowexchangeticketsbytelephoneforafeeof$1.75perticket.Ifticketsareexchangedforahigher-pricedsection(orahigherpricedperformance),youmustpaythedifference.Ifticketsareexchangedforalower-pricedsection(oralower-pricedperformance),wecannotrefundthedifference.Asalways,ticketexchangesaresubjecttoavailability.Feessubjecttochange.

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Front and back cover photos from Roméo et Juliette © Michal Daniel for The Minnesota Opera

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