lost boys
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lost boys book about a bookTRANSCRIPT
11
LOST BOYS
THE JOURNEYBook by Tari Eguruzewith Illustrations by Josh Sherwell
2
An aerial view of the Walled City in 1973, just a few years after the final crop of multi-storey buildings had begun to replace earlier stone and wooden houses. Spreading out
in low canopy to the south and west are the tin shacks of the sai Tau Tsuen Squatter settlement, which was not
cleared until 1985.
LAMBOT, I. and GIRARD, G. (1999) City of Darkness: Life In Kowloon City
Watermark Publications
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The City of Darkness By Madison J. Cawein
Wide-walled it stands in heathen landsBeside a mystic sea,
With streets strange-trod of many a god,And templed blasphemy.
Far in the night, a rose of lightIt shines beside the sea;
But overhead an unknown dreadImpends eternally.
There is a sound above, aroundOf music by the sea;
And weird and wide the torches glideOf pagan revelry.
There is a noise as of a voiceThat calls beneath the sea;
And all the deep grows pale with sleepAnd vague expectancy.
Then slowly up--as from a cupSeethes poison--lifts the sea;
Wild mass on mass, as in black glass,The town glows fiery.
Red-lit it glowers like Hell’s dark towersSet in the iron sea;
And monster swarms with awful formsRoll though it cloudily.
Still overhead the unknown dread,Whose shadow dyes the sea,
At wrath-winged wait behind its gateTill God shall set it free.
A taloned flash, an earthquake crash,And, lo! upon the sea,
Black wall on wall, a giant pall,Night settles hideously.
And where it burned, a rose inurned,Red in the vasty sea,
The phantasm of the dread aboveSits in immensity.
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77
LOST BOYS
THE JOURNEYBook by Tari Eguruzewith Illustrations by Josh Sherwell
Lost Boys
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Contents
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Page 12
Page 16
Page 24
Page 26
Page 50
Kowloon Walled City
Setting
Story
Characters
Comic
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Kowloon Walled City
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Kowloon Walled City is the very basis for this story. It’s setting, atmosphere, architecture, history, and mythology all inform it’s scope and development.
Nicknamed Hak Nam,(The City of Darkness) was located within the Kowloon district of Hong Kong, China.
It was demolished in 1993 after decades of growth, before the site was finally resurrected as Kowloon Walled City park in 1996. Where only the memories and immortalized footprint of the former mini-metropolis used to be housed.
The population o f the City was recorded to house roughly 33,000 residents in 1987 alone. With some sources claiming the numbers reached even up to 50,000 soon after. With a population density of 1,255,000/km squared. Whereas Hong Kong’s total population density was only 6,700/km squared in 2009.
Kowloon Walled City was undoubtedly the largest slum in the world.
It is described as representing the darkness of Hong Kong. From crime, to the poorest living conditions.
Despite impossibly surviving and expanding over the last thousand years, the city was also well know to be saturated with crime, especially during the 1950’s to the 1970’s. When the Triad, a notorious Chinese organized crime syndicate, ruled the City.
Even at the time of it’s emergence, the walled city was regarded as a six and a half acre slum. It was a legal no mans land; a notorious city of darkness and sin.
During the Sung Dynasty (960-1297), it was known as Kuan-Fu Cha’ng - Kowloon. Where the site housed originally a small fort for the Imperial Soldiers who controlled the salt fields of north eastern coast of Kowloon.
During the Sung Dynasty (960-1297), it was known as Kuan-Fu Cha’ng - Kowloon. Where the site housed originally a small fort for the Imperial Soldiers who controlled the salt fields of north eastern coast of Kowloon.
In 1847 a wall was constructed. It became a symbol for the occupants of Kowloon, cementing the name of the Walled City once and for all. The wall itself measuring at roughly recorded as fifteen feet wide, and thirteen feet high of granite. It held one hundred and nineteen cannons for defence against the threat of the British.
Over the years, the walled city expanded into a settlement in addition to serving as a defensive structure. Surviving assaults and attacks from both outside and within it’s walls.
The city is a marvel of a structure, surviving the test of time and decay.
And therein lies our story...
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THE CITY OF...
...DISILLUSION...
...CONSOLIDATION...
...CORRUPTION...
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...DEPRIVATION...
....THE CITY OF DARKNESS.
...SOLITUDE...
...DESPERATION...
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Setting
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The Slope is the fictional setting for the story.
While constructing the story it was decided early on that the story would be set in two distinct location; a ‘nice’ and ‘bad’ city environment.
The latter is The Slope, heavily based on Kowloon Walled City. While the former is loosely based on Victoria Harbour’s Central and Western District of Hong Kong.
While Kowloon Walled City was situated within the main land of Hong Kong, The Slope was decided to be isolated on a small island, as if separated from the rest of the world. Which in part is the reason the city became so corrupted.
The conditions of the city are also inspired in part by the current real world equivalent of a ‘shanty metropolis’ in the form of São Paulo s favela district in Brazil, South America.
The shanty towns were originally the self built dwellings of the freed American slaves from the north.
Now they serve as the still largely self built and ungoverned dwell-ings for the poorest residents of São Paulo. The homes are made from any available materials, ranging from wood, metal or plas-tics; literally any materials they can get their hands on.
The modern applications of favelas began to emerge from the 1970’s similarly to the modern development of Kowloon’s Walled City. Even within the favelas, crime, organized or otherwise, commonly associated with drug use, was very prevalent in the towns.
The connotations of the similari-ties between the favelas and the Walled City are painfully clear.
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THE SLOPE
HARBOUR CITY
HARBOUR INTERBRIDGE
MOUNTAINSIDE CITY
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NORTHERN WATER DISTRICTNEUTRAL EARTH TERRITORY
WESTERN METAL DISTRICT
EASTERN WOOD DISTRICT
SOUTHERN FIRE DISTRICT
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THE WHITE TIGRESS OF THE WESTWENDY SILVERSTONE
THE BLACK TORTOISE OF THE NORTHDOMINIC SILVERSTONE
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DAISUKE MATSUMOTO
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Story
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The comic is a story about a gang of young misfits getting in (way) over their heads.
The setting is an isolated, and almost dystopian, city ruled by crime and poverty.
The story follows the lives of the LOST BOYS as they get themselves involved with the darker inner workings of the city.
The idea for the story is born from the idea that just as Kowloon Walled City represents the crime and degradation of Hong Kong, the characters of the story represent the various aspects of the city they live in. The darkest parts, as well as the stark differences in quality of life.
The story focuses of how central characters are personally affected by the crime which rules over their city, and how they deal with it in response.
Even the reactions to the events which befall the characters are directly influenced by the personality of the city.
Through the events of the story it will be easier to understand how such an environment can shape a person.
To be able to see how people would act and live, or the personalities they would subsequently take on when forced to live in such an environment, with no real hope of liberation.
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Characters
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The basis for the characters is that they were initially inspired by the protagonists of Tekkonkinkreet a Seinen Manga by Taiyo Matsumoto, originally released between 1993 and 1994 as apart of an ongoing series. Later adapted as a feature length Anime film in 2006.
The story featured orphaned street kids who lived in a city similarly ruled by crime, trying their best to protect it.
They also are very similar to concept of the Lost Boys from J.M. Barrie’s Peter Pan stories, which featured a group of orphaned boys who did not want to grow up and were led by Peter himself.
The characters themselves are reflections of the atmosphere and state of the city.
They represent the crime and corruption oft he city itself. Although conversely, they also represent the good or the hopeful aspects of the city trying their very best not to be corrupted along with everything else.
The development and progression of the story is dependant on the exploration and development of the characters’ personalities.
Each character, like all people, have differing perceptions and reactions to the world around them.
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MX
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My City
I need to defend it.
Our territory.
What else would I do?
There are so many cracks—
So many faults—
So many problems—
Who else is gonna deal with it, if not us?
We need to protect our home from them.
If the adults won’t do it—
Then it’s down to us.
This is my city.
And I’m it’s defender.
Mark Alexander
MX aka Max aka Fox
“The Leader “
The boisterous central protagonist of the story. MX is an orphan who grows up in a pseudo-foster care programme under the supervision of his ‘big brother’ Tedd.
With no real family of his own, he has developed a strong bond the city itself as if it was apart of his family.
Over the years he has developed relationships with several other equally troubled kids (albeit troubled for drastically different reasons than his own), and they have taken it upon themselves to declare themselves the protectors of the city.
He doesn’t believe many other people have the best of intentions when they claim to be helping, so him and his team of Lost Boys have taken it upon themselves to protect the city in their own way.
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KC
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My Family. My Home
This place is my home.
Your home is where your family is.
You are used to the sights and smells—
The patterns and the moods.
They all become commonplace—
Like a habit.
You don’t always have to like it—
but you can’t choose your family.
Your stuck with them.
It’s where you’re safest.
With what you’re familiar with.
My family. My Home.
Cacey Jun-Hallowell
KC aka Cat
“The Partner “
Of the four members of the group, KC is deemed best to lead besides MX. She has a similar philosophy when it comes to who and how the city should be protected and she understands how MX regards the bonds between himself, his friends, and the city.
She was initially attracted to join MX due to the new role she would have in her life. She would finally have her own identity.
KC is one of many children of the owners of the Jun-Hallowell Thai Restaurant which is striving within the depths of the Slope. Her siblings and cousins all work in restaurant along with her parents.
Despite coming from such a large family, she feels almost lost within them and considers herself just another face in the crowd.
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JR
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The Labyrinth
We live in a maze.
We move through it all the time, but we still don’t know what lies
behind the next corner.
Each step is a gamble—
It’s just luck if we make it to next path.
We’re all lost.
We can decide the direction or the specific path,
But ultimately, we’re still lost.
We don’t know where the path will lead to,
Or when we’ll reach the end.
We’re just moving around blind.
Lost in the chaos and the dark-ness.
Jerome Logan Jr.
JR aka Junior aka Bat
“The Brains “
JR is undoubtedly the most ‘gifted’ of the group. His story is also the most radically different.
He comes from a wealthy family of three with both his mother and father, who both live and work across from The Slope in the Harbour district.
He is the top of his class in school and is expected to follow in footsteps of his father working directly for Mr. Silverstone himself.
JR’s life is already laid out clearly ahead of him. He joins the Lost Boys in the hopes of freeing himself and, similarly to KC, develop his own unique identity. Besides just being the best and brightest of J.M. Barrie Academy and succeeding the Logan name.
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GT
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The Light
I see the lights, where others see darkness.
Things aren’t always as bad as they seem.
There is a whole world to explore down here—
And so many people who want to share their light.
But not everyone see’s things the same.
Sometimes the lights go out for them.
They can’t see anything—
Or find anyone—
Only darkness.
That’s my job.
I’m there to help—
And to guide others to light just beyond.
Grant Kent
GT aka Bear
“The Muscle “
GT is the one who keeps the group together. He has a very innocent positive outlook on life and greatly appreciates being apart of the Lost Boys, as much as the others.
He doesn’t come from a particularly financially stable home, living only with his mother, not knowing his father his entire life.
His school life was also not a very positive environment for him as he was constantly picked on by the other students. Mostly for being bigger than everyone else, but for also not being the brightest in the class.
Though he was bullied a lot initially, he never lashed out against others and always seemed quite happy.
He was eventually befriended by MX when MX took it upon himself to protect GT from a certain group of troublemakers.
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Tedd
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Onwards and Upwards
Things change.
The world improves itself.
People die.
What comes next is down to us.
We can lay down the foundations of our future —
And build up from there.
It was his job to help us up into world —
And now it’s my turn.
I’ll help to build him up —
To maintain him.
He’ll go far if I let him.
The only way out, is up.
Theodore Alexander
Tedd aka Teddy
MX’s older ‘brother’. He is in reality MX’s foster brother who recently became MX’s legal guardian, living in a home provided by the city’s social care programme.
He was raised by MX’s father along with MX and Cyn so he feels he is MX’s real family. When their father died, Tedd made it his personal duty to always look after MX and keep him safe (a task which proves far too difficult to keep on a daily basis).
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Cyn
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The Plan
Things don’t always go according to plan.
You can’t plot out every detail without knowing all the facts.
I had to do what was best —
For us —
For him.
He’ll get there eventually.
And if he does, then I’ll join him.
For now —
This is where I belong —
Right between the cracks —
Planning out as I go.
Cynthia Alexander
Cyn aka Sin
Despite being MX’s older sister, she hasn’t been apart of MX’s life ever since their father died. Even MX was far too young to feel much of a familial bind between them.
Cyn currently works as a personal aid to Mr. Silverstone. Working far too close to the controlling corruption of the city.
Despite her strained relationship with Tedd and MX, she still never fails to set aside some money for MX to live on. Whether he knows it or not.
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Mr. Silverstone
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The Kingdom and the Prison
This is my Kingdom and my prison
Every acre—
Every square inch of this place, is mine to control as I see fit.
Nobody takes a step out of line without me knowing about.
For all they know, I’m behind every door-
Beyond every corner.
I am always and everywhere.
Never anywhere else.
This is my prison—
And I am the warden.
This is my kingdom—
And I am the King.
Dominic Silverstone
The Tortoise of the North
“The Brains “
Silverstone is a wealthy philanthropist who, along with his wife, took it upon themselves to clean up The Slope.
They arrived in the Harbour District about 15 years prior with intentions to ‘clean up’ the streets.
Silverstone primarily focused on creating better living conditions for the residents. Including safer and better environments for the youths in the city.
Eventually he met and partnered with Daisuke Matsumoto, an existing wealthy business tycoon who was the existing sole financier of The Slope.
Eventually, through this pairing, Silverstone became heavily involved with the hierarchy of crime which controlled the city, falling deeper and deeper in darkness. Despite his best efforts.
He now believes that the best way to protect the city is from within the belly of the beast itself.
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Mrs. Silverstone
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Patience
It’s takes a great belief to see what God intended for us.
It would be so easy to ignore Him.
Too easy to go about our lives, without goodness at all.
I waited for Him and saw my place.
The ones furthest from His light are the ones who shield
themselves with their own darkness.
My place is to help others return to Him-
To help others to believe in His miracles.
But that requires me to guide whoever I can through their own darkness, labyrinth, or prison.
It requires a great belief and patience to do His work.
Wendy Silverstone
The Tigress of the West
“The Partner “
The estranged wife of Silverstone.
While no longer as personally involved in the affairs of The Slope, she is still an equal party shareholder of the trio that is the private council who fund the development of the Slope.
When she and Mr. Silverstone originally arrived in the Slope, she focused on mainly targeting and helping individuals personally affected by the crime and conditions of the Slope. Including victims of drugs or violence.
While her husband noticeably began his decent into the corruption of the city, Wendy made the decision to take a step back from her self appointed duties, worrying for her safety as she was now out numbered two to one.
Her husband, didn’t follow the same action and they soon drifted part.
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Mr. Matsumoto
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Daisuke Matsumoto
The Dragon of the East
“The Muscle “
The rumoured notorious crime boss of crime syndicate operating within the Harbour District and The Slope.
Before the Silverstones appeared he was the sole private financier of The Slope. As the city was ungoverned, and more or less abandoned the government, Matsumoto saw it as an opportunity to expand his empire the one place he would have no challengers.
My Empire. My Legacy
Everything is within my control.
My power cannot be stifled.
I will build my empire —
My legacy.
I will live on in through all that I control.
My achievements will stand tall for the world too see —
For al to remember —
And for all to fear.
I will live on.
My legacy —
My empire.
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Mr. Alexander
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Home
Never let go of where you come from.
Your home is where your fondest memories have been embeded.
The ground —
The walls —
Your entire surroundings are saturated with memories of who
you were.
Your memories are what make you safe —
They are what you return to when the world lets you down.
Never let go of where you came from.
Remeber your home.
Peter Alexander
The Phoenix of the South
“The Leader “
The deceased father of MX, Cyn, and Tedd.
Former business partner of both Mr. and Mrs. Silverstone, as well as Mr. Matsumoto.
Along with his former business partners, he was one of the four ‘Great Beasts’ who controlled The Slope ten years prior to his death.
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The Masqueraders
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A Job
We go where we are needed.
Wherever he needs work done.
Our services cover all aspects of his territory.
Wherever —
Whenever —
We go.
And what we get the job done.
The Masqueraders
Not much is known about Mr. Silverstone’s aptly named ‘Masqueraders’.
Their identities are known only to Mr. Silverstone himself.
All that is known about them is that they carry out Mr. Siilverstone’s dirty work, with nothing but a smile on their cold faces...
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Comic
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LOST BOYS
“... a story about a gang of young misfits getting in (way) over their
heads.
The setting is an isolated, and almost dystopian, city ruled by
crime and poverty.
The story follows the lives of the LOST BOYS as they get
themselves involved with the darker inner workings of the
city....”
Story & Script byTari Eguruze
Art byJosh Sherwell
50
Issue #1Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
“LOST BOYS”
SCRIPT (ISSUE #1)
Written by
Tari Eguruze
18 Frere Street
Battersea
London
England
U.K
SW11 2JA
075 4080 5290
5151
LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
“LOST BOYS”
SCRIPT (ISSUE #1)
Written by
Tari Eguruze
18 Frere Street
Battersea
London
England
U.K
SW11 2JA
075 4080 5290
52
Illustrations by Josh Sherwell
Issue #1Page 01
Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
2
PAGE ONE (four panels)
CREDITS PAGE
PANEL 1.
BACK-VIEW CLOSE-UP of MX with his hood up.
PANEL 2.
BACK-VIEW CLOSE-UP of JR with his hood up.
PANEL 3.
BACK-VIEW CLOSE-UP of KC with her hood up.
PANEL 4.
BACK-VIEW CLOSE-UP of GT with his hood up.
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
2
PAGE ONE (four panels)
CREDITS PAGE
PANEL 1.
BACK-VIEW CLOSE-UP of MX with his hood up.
PANEL 2.
BACK-VIEW CLOSE-UP of JR with his hood up.
PANEL 3.
BACK-VIEW CLOSE-UP of KC with her hood up.
PANEL 4.
BACK-VIEW CLOSE-UP of GT with his hood up.
Script by Tari Eguruze
54
Issue #1Page 02 & 03
Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
3
PAGE TWO & THREE (eight panels)
PANEL 1.
WIDE-VIEW of the Slope.
MX (THOUGHT):
“This is our city.”
PANEL 2.
CLOSE-UP of The Slope.
MX (THOUGHT):
“The Slope—
MX (THOUGHT):
—aka Gangland.”
PANEL 3.
CLOSE-UP of a street.
MX (THOUGHT):
“Population: Thirty three thousand, four hundred, and sixty
two.”
PANEL 4.
CLOSE-UP of a dark alleyway.
MX (THOUGHT):
“To survive in this city, you need to be the one on-top.”
PANEL 5.
CLOSE-UP silhouettes of figures running through an alleyway.
MX (THOUGHT):
“You need to be the one that everyone knows to be afraid of.”
Illustrations by Josh Sherwell
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
3
PAGE TWO & THREE (eight panels)
PANEL 1.
WIDE-VIEW of the Slope.
MX (THOUGHT):
“This is our city.”
PANEL 2.
CLOSE-UP of The Slope.
MX (THOUGHT):
“The Slope—
MX (THOUGHT):
—aka Gangland.”
PANEL 3.
CLOSE-UP of a street.
MX (THOUGHT):
“Population: Thirty three thousand, four hundred, and sixty
two.”
PANEL 4.
CLOSE-UP of a dark alleyway.
MX (THOUGHT):
“To survive in this city, you need to be the one on-top.”
PANEL 5.
CLOSE-UP silhouettes of figures running through an alleyway.
MX (THOUGHT):
“You need to be the one that everyone knows to be afraid of.”
Script by Tari Eguruze
56
Issue #1Page 02 & 03
Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
4
(continued)
PANEL 6.
Bottom left panel.
OVERHEAD-POV looking down at the alleyway from above, watching
the figures run.
MX (THOUGHT):
“Otherwise, you’re as good as nothing.”
PANEL 7.
Bottom middle panel.
BACK-VIEW CLOSE-UP of MX kneeling down on a rooftop looking down
at the alley, with his hood up.
MX (THOUGHT):
“Unfortunately...being on top sometimes means you need to put
others in their place—
PANEL 8.
Bottom right panel.
CLOSE-UP of MX’s face smiling.
MX (THOUGHT):
—and remind them exactly who is boss.”
Illustrations by Josh Sherwell
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LOST BOYS
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Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
4
(continued)
PANEL 6.
Bottom left panel.
OVERHEAD-POV looking down at the alleyway from above, watching
the figures run.
MX (THOUGHT):
“Otherwise, you’re as good as nothing.”
PANEL 7.
Bottom middle panel.
BACK-VIEW CLOSE-UP of MX kneeling down on a rooftop looking down
at the alley, with his hood up.
MX (THOUGHT):
“Unfortunately...being on top sometimes means you need to put
others in their place—
PANEL 8.
Bottom right panel.
CLOSE-UP of MX’s face smiling.
MX (THOUGHT):
—and remind them exactly who is boss.”
Script by Tari Eguruze
58
Issue #1Page 04
Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
5
PAGE FOUR (five panels)
PANEL 1.
Run down bathroom INTERIOR.
FRONT-VIEW of a rival gang of four beaten children burst into a
run down bathroom.
RIVAL GANG LEADER:
In here!
PANEL 2.
POV of the bathroom interior.
PANEL 3.
POV of the bathroom interior.
PANEL 4.
CLOSE-UP of a rival gang member looking at his broken hand.
RIVAL GANG MEMBER:
My hand is fucking broken…
PANEL 5.
WIDE-VIEW of the four rival gang members hiding out in the
bathroom.
RIVAL GANG MEMBER 2:
I told you this was a stupid idea!
Illustrations by Josh Sherwell
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LOST BOYS
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Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
5
PAGE FOUR (five panels)
PANEL 1.
Run down bathroom INTERIOR.
FRONT-VIEW of a rival gang of four beaten children burst into a
run down bathroom.
RIVAL GANG LEADER:
In here!
PANEL 2.
POV of the bathroom interior.
PANEL 3.
POV of the bathroom interior.
PANEL 4.
CLOSE-UP of a rival gang member looking at his broken hand.
RIVAL GANG MEMBER:
My hand is fucking broken…
PANEL 5.
WIDE-VIEW of the four rival gang members hiding out in the
bathroom.
RIVAL GANG MEMBER 2:
I told you this was a stupid idea!
Script by Tari Eguruze
60
Issue #1Page 05
Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
6
PAGE FIVE (six panels)
PANEL 1.
CLOSE-UP of MX’s bat being struck against a pipe outside.
PANEL 2.
CLOSE-UP of a gang member turning around, startled by the sound
of MX’s bat in the distance.
RIVAL GANG MEMBER:
What was that?
PANEL 3.
CLOSE-UP of two scared rival gang members.
RIVAL GANG MEMBER 2:
Have they found us?
PANEL 4.
CLOSE-UP of the rival gang leader.
RIVAL GANG LEADER:
Sous, check it out.
PANEL 5.
SIDE-VIEW of a gang member run towards the bathroom exit.
PANEL 6.
FRONT-VIEW of the rival gang member watch and listen behind the
bathroom door.
RIVAL GANG MEMBER:
Shh…
Illustrations by Josh Sherwell
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LOST BOYS
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Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
6
PAGE FIVE (six panels)
PANEL 1.
CLOSE-UP of MX’s bat being struck against a pipe outside.
PANEL 2.
CLOSE-UP of a gang member turning around, startled by the sound
of MX’s bat in the distance.
RIVAL GANG MEMBER:
What was that?
PANEL 3.
CLOSE-UP of two scared rival gang members.
RIVAL GANG MEMBER 2:
Have they found us?
PANEL 4.
CLOSE-UP of the rival gang leader.
RIVAL GANG LEADER:
Sous, check it out.
PANEL 5.
SIDE-VIEW of a gang member run towards the bathroom exit.
PANEL 6.
FRONT-VIEW of the rival gang member watch and listen behind the
bathroom door.
RIVAL GANG MEMBER:
Shh…
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7
PAGE SIX (four panels)
PANEL 1.
CLOSE-UP of MX patiently waiting on the opposite side of the
bathroom door.
PANEL 2.
SIDE-VIEW of a rival gang member with his ear against the door.
RIVAL GANG MEMBER:
I think I hear something.
PANEL 3.
SIDE-VIEW of MX waiting outside on the opposite side of the
bathroom door grinning, with his bat over his shoulder.
PANEL 4.
CLOSE-UP of MX’s foot crashing the door, knocking of the rival
gang member as he exclaims in shock and agony.
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Copyright © 2012 by Tari Eguruze
7
PAGE SIX (four panels)
PANEL 1.
CLOSE-UP of MX patiently waiting on the opposite side of the
bathroom door.
PANEL 2.
SIDE-VIEW of a rival gang member with his ear against the door.
RIVAL GANG MEMBER:
I think I hear something.
PANEL 3.
SIDE-VIEW of MX waiting outside on the opposite side of the
bathroom door grinning, with his bat over his shoulder.
PANEL 4.
CLOSE-UP of MX’s foot crashing the door, knocking of the rival
gang member as he exclaims in shock and agony.
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8
PAGE SEVEN (one panel)
PANEL 1.
FRONT-VIEW of the LOST BOYS standing just within the entrance of
the bathroom INTERIOR. GT is in the back, MX is at the front
with a wide grin on his face. KC is on the left, and JR is on
the right.
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8
PAGE SEVEN (one panel)
PANEL 1.
FRONT-VIEW of the LOST BOYS standing just within the entrance of
the bathroom INTERIOR. GT is in the back, MX is at the front
with a wide grin on his face. KC is on the left, and JR is on
the right.
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9
PAGE EIGHT (four panels)
PANEL 1.
FRONT-VIEW of MX hitting someone across the face with his bat.
PANEL 2.
FRONT-VIEW of KC kicking someone in their side.
PANEL 3.
FRONT-VIEW of GT punching someone in the face with his left
fist.
PANEL 4.
FRONT-VIEW of JR standing over someone on the floor.
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Copyright © 2012 by Tari Eguruze
9
PAGE EIGHT (four panels)
PANEL 1.
FRONT-VIEW of MX hitting someone across the face with his bat.
PANEL 2.
FRONT-VIEW of KC kicking someone in their side.
PANEL 3.
FRONT-VIEW of GT punching someone in the face with his left
fist.
PANEL 4.
FRONT-VIEW of JR standing over someone on the floor.
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10
PAGE NINE (four panels)
PANEL 1.
FRONT-VIEW CLOSE-UP of JR with his hood up. His eyes are
shadowed out.
JR (WHISPERS):
….Enough.
PANEL 2.
BACK-VIEW of MX sitting on someone chest, about to strike the
gut between his legs.
JR (OP):
That’s enough Max.
PANEL 3.
CLOSE-UP as MX turns his head over his shoulder
PANEL 4.
MX’s CLOSE-UP POV looking up at JR.
KC (OP):
He’s right.
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10
PAGE NINE (four panels)
PANEL 1.
FRONT-VIEW CLOSE-UP of JR with his hood up. His eyes are
shadowed out.
JR (WHISPERS):
….Enough.
PANEL 2.
BACK-VIEW of MX sitting on someone chest, about to strike the
gut between his legs.
JR (OP):
That’s enough Max.
PANEL 3.
CLOSE-UP as MX turns his head over his shoulder
PANEL 4.
MX’s CLOSE-UP POV looking up at JR.
KC (OP):
He’s right.
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11
PAGE TEN (five panels)
PANEL 1.
FRONT-VIEW of KC stand with her hands on her hips.
KC:
Anymore and there’ll be no one left to say who did this to them.
PANEL 2.
BACK-VIEW of MX sitting on someone chest.
PANEL 3.
FRONT-VIEW of JR cautiously waiting for MX’s response.
PANEL 4.
FRONT-VIEW of KC cautiously waiting for MX’s response.
PANEL 5.
BACK-VIEW of MX standing up.
MX:
…fine.
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11
PAGE TEN (five panels)
PANEL 1.
FRONT-VIEW of KC stand with her hands on her hips.
KC:
Anymore and there’ll be no one left to say who did this to them.
PANEL 2.
BACK-VIEW of MX sitting on someone chest.
PANEL 3.
FRONT-VIEW of JR cautiously waiting for MX’s response.
PANEL 4.
FRONT-VIEW of KC cautiously waiting for MX’s response.
PANEL 5.
BACK-VIEW of MX standing up.
MX:
…fine.
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12
PAGE ELEVEN (four panels)
PANEL 1.
CLOSE-UP of MX as he turns his head to reveal a huge smile on
his face.
MX:
We’re done.
PANEL 2.
WIDE-VIEW of MX walk past JR, KC, and GT.
PANEL 3.
CLOSE-UP of MX walk through the exit with his had on the
doorframe.
MX:
Come on GT, let’s get outta here.
PANEL 4.
BACK-VIEW CLOSE-UP of MX as he salutes.
MX:
It’s been fun fellas.
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Copyright © 2012 by Tari Eguruze
12
PAGE ELEVEN (four panels)
PANEL 1.
CLOSE-UP of MX as he turns his head to reveal a huge smile on
his face.
MX:
We’re done.
PANEL 2.
WIDE-VIEW of MX walk past JR, KC, and GT.
PANEL 3.
CLOSE-UP of MX walk through the exit with his had on the
doorframe.
MX:
Come on GT, let’s get outta here.
PANEL 4.
BACK-VIEW CLOSE-UP of MX as he salutes.
MX:
It’s been fun fellas.
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13
PAGE TWELVE (four panels)
PANEL 1.
OVERHEAD-VIEW of the rival gang sprawled out on the floor.
PANEL 2.
BACK-VIEW of MX, KC, JR, and GT run down the alleyway.
PANEL 3.
FRONT-VIEW a resentful rival fang member sit up against the
wall, batterd, bruised, and bloody.
PANEL 4.
CLOSE-UP of a rival gang member wiping blood from his nose.
RIVAL GANG MEMBER:
Fuckin’…Lost Boys…
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Copyright © 2012 by Tari Eguruze
13
PAGE TWELVE (four panels)
PANEL 1.
OVERHEAD-VIEW of the rival gang sprawled out on the floor.
PANEL 2.
BACK-VIEW of MX, KC, JR, and GT run down the alleyway.
PANEL 3.
FRONT-VIEW a resentful rival fang member sit up against the
wall, batterd, bruised, and bloody.
PANEL 4.
CLOSE-UP of a rival gang member wiping blood from his nose.
RIVAL GANG MEMBER:
Fuckin’…Lost Boys…
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Copyright © 2012 by Tari Eguruze
14
PAGE THIRTEEN (four panels)
PANEL 1.
OVERHEAD-VIEW of an abandoned playground.
PANEL 2.
CLOSE-UP of a playhouse.
PANEL 3.
Playhouse INTERIOR. The cover of the entrance to their
underground cave hideout is open.
PANEL 4.
WIDE-VIEW of the cave. There is a ladder stretching up towards
the hole.
JR sitting on a chair.
KC sitting on a backwards chair.
GT sitting cross legged on a mat.
MX on a bean bag chair.
MX:
Okay…what the fuck was that all about, Jerome?
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Copyright © 2012 by Tari Eguruze
14
PAGE THIRTEEN (four panels)
PANEL 1.
OVERHEAD-VIEW of an abandoned playground.
PANEL 2.
CLOSE-UP of a playhouse.
PANEL 3.
Playhouse INTERIOR. The cover of the entrance to their
underground cave hideout is open.
PANEL 4.
WIDE-VIEW of the cave. There is a ladder stretching up towards
the hole.
JR sitting on a chair.
KC sitting on a backwards chair.
GT sitting cross legged on a mat.
MX on a bean bag chair.
MX:
Okay…what the fuck was that all about, Jerome?
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15
PAGE FOURTEEN (four panels)
PANEL 1.
CLOSE-UP of a agitated MX sit sprawled out on a bean giant bean
bag looking up at the ceiling.
PANEL 2.
FRONT-VIEW of JR sit on a chair with his elbows on his thighs.
He looks as if he is holding back some resentment for MX.
PANEL 3.
CLOSE-UP.
JR looks up, with a calmer expression.
JR:
You didn’t have to go so far. Just shake them up a little. You
didn’t need to chase them down and beat the crap out of them.
PANEL 4.
SIDE-VIEW of MX sits sprawled out on a bean giant bean bag. He
puts his head up looking towards JR.
MX:
We needed to show ‘em. They were in our territory. What, are we
just supposed to let that slide?
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Copyright © 2012 by Tari Eguruze
15
PAGE FOURTEEN (four panels)
PANEL 1.
CLOSE-UP of a agitated MX sit sprawled out on a bean giant bean
bag looking up at the ceiling.
PANEL 2.
FRONT-VIEW of JR sit on a chair with his elbows on his thighs.
He looks as if he is holding back some resentment for MX.
PANEL 3.
CLOSE-UP.
JR looks up, with a calmer expression.
JR:
You didn’t have to go so far. Just shake them up a little. You
didn’t need to chase them down and beat the crap out of them.
PANEL 4.
SIDE-VIEW of MX sits sprawled out on a bean giant bean bag. He
puts his head up looking towards JR.
MX:
We needed to show ‘em. They were in our territory. What, are we
just supposed to let that slide?
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16
PAGE FIFTEEN (three panels)
PANEL 1.
FRONT-VIEW of JR lean forward with his hands up chest level.
JR:
Okay, I get it. But we—
PANEL 2.
CLOSE-UP of KC look up.
KC:
Guys…chill. It’s done. They got the message. Hopefully we won’t
have to see them again.
PANEL 3.
FRONT-VIEW of KC, she is trying to liven the mood, and relieve
the tension of the group.
KC:
The Lost Boys are back on top right? Let’s just enjoy that for a
minute without bickering between ourselves for once. Whadya say
Bear?
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Copyright © 2012 by Tari Eguruze
16
PAGE FIFTEEN (three panels)
PANEL 1.
FRONT-VIEW of JR lean forward with his hands up chest level.
JR:
Okay, I get it. But we—
PANEL 2.
CLOSE-UP of KC look up.
KC:
Guys…chill. It’s done. They got the message. Hopefully we won’t
have to see them again.
PANEL 3.
FRONT-VIEW of KC, she is trying to liven the mood, and relieve
the tension of the group.
KC:
The Lost Boys are back on top right? Let’s just enjoy that for a
minute without bickering between ourselves for once. Whadya say
Bear?
Script by Tari Eguruze
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17
PAGE SIXTEEN (four panels)
PANEL 1.
CLOSE-UP of GT smile. His eyes are closed and no teeth are
showing.
PANEL 2.
CLOSE-UP of MX looks to the left pouting.
PANEL 3.
CLOSE-UP of JR looks to the right frowning.
PANEL 4.
CLOSE-UP of KC looks ahead with her eyes closed. She exhales.
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Copyright © 2012 by Tari Eguruze
17
PAGE SIXTEEN (four panels)
PANEL 1.
CLOSE-UP of GT smile. His eyes are closed and no teeth are
showing.
PANEL 2.
CLOSE-UP of MX looks to the left pouting.
PANEL 3.
CLOSE-UP of JR looks to the right frowning.
PANEL 4.
CLOSE-UP of KC looks ahead with her eyes closed. She exhales.
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Copyright © 2012 by Tari Eguruze
18
PAGE SEVENTEEN (four panels)
PANEL 1.
OVERHEAD-VIEW of the park.
The Lost Boys walks away in opposite directions.
JR and KC walk away side by side.
MX walks away with his bat over his shoulder.
GT walks behind MX.
PANEL 2.
BACK-VIEW of MX.
MX:
See you tomorrow guys. Usual time. Cat…’Bat’.
PANEL 3.
FRONT-VIEW of JR and KC walking.
PANEL 4.
CLOSE-UP of JR’s face looking down.
JR (WHISPERS):
…Yeah…
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Copyright © 2012 by Tari Eguruze
18
PAGE SEVENTEEN (four panels)
PANEL 1.
OVERHEAD-VIEW of the park.
The Lost Boys walks away in opposite directions.
JR and KC walk away side by side.
MX walks away with his bat over his shoulder.
GT walks behind MX.
PANEL 2.
BACK-VIEW of MX.
MX:
See you tomorrow guys. Usual time. Cat…’Bat’.
PANEL 3.
FRONT-VIEW of JR and KC walking.
PANEL 4.
CLOSE-UP of JR’s face looking down.
JR (WHISPERS):
…Yeah…
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19
PAGE EIGHTEEN (four panels)
PANEL 1.
OVERHEAD-VIEW of a street.
PANEL 2.
BACK-VIEW of MX and GT walking down a street.
PANEL 3.
SIDE-VIEW of MX’s upper body looking to his upper left.
MX:
You alright to go from here?
PANEL 4.
MX’s POV looking up at GT’s face looking down and smiling.
GT:
I’ll be alright. See you tomorrow Max!
Illustrations by Josh Sherwell
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Copyright © 2012 by Tari Eguruze
19
PAGE EIGHTEEN (four panels)
PANEL 1.
OVERHEAD-VIEW of a street.
PANEL 2.
BACK-VIEW of MX and GT walking down a street.
PANEL 3.
SIDE-VIEW of MX’s upper body looking to his upper left.
MX:
You alright to go from here?
PANEL 4.
MX’s POV looking up at GT’s face looking down and smiling.
GT:
I’ll be alright. See you tomorrow Max!
Script by Tari Eguruze
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Copyright © 2012 by Tari Eguruze
20
PAGE NINETEEN (five panels)
PANEL 1.
OVERHEAD-VIEW of MX and GT.
MX stands at the end of a street before a crossing.
GT runs ahead across the street.
PANEL 2.
BACK-VIEW of GT running backwards waving and smiling back
towards MX.
GT:
…Fox!
PANEL 3.
FRONT-VIEW of MX stand smiling and waving with his left hand.
Holding the bat down by his side with his right.
PANEL 4.
MX’s POV watching GT run ahead.
PANEL 5.
CLOSE-UP of MX with no smile on his face. His arm going limp
after waving.
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Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
20
PAGE NINETEEN (five panels)
PANEL 1.
OVERHEAD-VIEW of MX and GT.
MX stands at the end of a street before a crossing.
GT runs ahead across the street.
PANEL 2.
BACK-VIEW of GT running backwards waving and smiling back
towards MX.
GT:
…Fox!
PANEL 3.
FRONT-VIEW of MX stand smiling and waving with his left hand.
Holding the bat down by his side with his right.
PANEL 4.
MX’s POV watching GT run ahead.
PANEL 5.
CLOSE-UP of MX with no smile on his face. His arm going limp
after waving.
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21
PAGE TWENTY (four panels)
PANEL 1.
SIDE-VIEW of MX turn around to walk down the street.
PANEL 2.
WIDE-VIEW of MX walk to the right from where he stopped at the
crossing.
PANEL 3.
FRONT-VIEW CLOSE-UP of MX walking down the street with his bat
over his shoulder.
PANEL 4.
MX;s POV of Tedd sitting on the stairs leading up to an
apartment.
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Copyright © 2012 by Tari Eguruze
21
PAGE TWENTY (four panels)
PANEL 1.
SIDE-VIEW of MX turn around to walk down the street.
PANEL 2.
WIDE-VIEW of MX walk to the right from where he stopped at the
crossing.
PANEL 3.
FRONT-VIEW CLOSE-UP of MX walking down the street with his bat
over his shoulder.
PANEL 4.
MX;s POV of Tedd sitting on the stairs leading up to an
apartment.
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Copyright © 2012 by Tari Eguruze
22
PAGE TWENTY ONE (four panels)
PANEL 1.
CLOSE-UP of MX’s head and shoulders. MX rolls his eyes.
MX:
Teddy…
PANEL 2.
BACK-VIEW of Tedd stand up, spot MX in front, watching.
PANEL 3.
MX’s POV looking up at Tedd, cross with his arms folded.
TEDD:
Max...
PANEL 4.
Tedd’s POV looking down at MX, looking away.
Illustrations by Josh Sherwell
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Copyright © 2012 by Tari Eguruze
22
PAGE TWENTY ONE (four panels)
PANEL 1.
CLOSE-UP of MX’s head and shoulders. MX rolls his eyes.
MX:
Teddy…
PANEL 2.
BACK-VIEW of Tedd stand up, spot MX in front, watching.
PANEL 3.
MX’s POV looking up at Tedd, cross with his arms folded.
TEDD:
Max...
PANEL 4.
Tedd’s POV looking down at MX, looking away.
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Copyright © 2012 by Tari Eguruze
23
PAGE TWENTY TWO (five panels)
PANEL 1.
SIDE-VIEW CLOSE-UP of Tedd.
MX (OP):
I’ve told you before. You don’t need to wait up for me every
night.
PANEL 2.
BACK-VIEW of Tedd standing before Tedd.
PANEL 3.
Tedd’s POV looking down at MX gesturing Tedd to move.
MX:
So you gonna move, or…
PANEL 4.
FRONT-VIEW of Tedd unfold his arms and sighs.
TEDD:
Of course I do…
PANEL 5.
FRONT-VIEW of MX walk through the door, Tedd stands just outside
watching MX.
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Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
23
PAGE TWENTY TWO (five panels)
PANEL 1.
SIDE-VIEW CLOSE-UP of Tedd.
MX (OP):
I’ve told you before. You don’t need to wait up for me every
night.
PANEL 2.
BACK-VIEW of Tedd standing before Tedd.
PANEL 3.
Tedd’s POV looking down at MX gesturing Tedd to move.
MX:
So you gonna move, or…
PANEL 4.
FRONT-VIEW of Tedd unfold his arms and sighs.
TEDD:
Of course I do…
PANEL 5.
FRONT-VIEW of MX walk through the door, Tedd stands just outside
watching MX.
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Copyright © 2012 by Tari Eguruze
24
PAGE TWENTY THREE (five panels)
PANEL 1.
OVERHEAD-VIEW of KC and JR walk walking in the distance.
TEDD (OP):
…I need to make sure that you come back.
PANEL 2.
FRONT-VIEW of KC and JR walk together down a road side by side.
KC has her hands on the back of her head.
KC:
I’ll talk to him. Just please…think about it tonight. Please
Jerome…
PANEL 3.
CLOSE-UP of KC turn to JR.
KC:
We’re a team. But we’re friends first.
PANEL 4.
JR’s POV of KC walks down into a sub-level house.
PANEL 5.
WIDE-VIEW of JR walk down the street.
JR (OP):
…Right…
Illustrations by Josh Sherwell
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Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
24
PAGE TWENTY THREE (five panels)
PANEL 1.
OVERHEAD-VIEW of KC and JR walk walking in the distance.
TEDD (OP):
…I need to make sure that you come back.
PANEL 2.
FRONT-VIEW of KC and JR walk together down a road side by side.
KC has her hands on the back of her head.
KC:
I’ll talk to him. Just please…think about it tonight. Please
Jerome…
PANEL 3.
CLOSE-UP of KC turn to JR.
KC:
We’re a team. But we’re friends first.
PANEL 4.
JR’s POV of KC walks down into a sub-level house.
PANEL 5.
WIDE-VIEW of JR walk down the street.
JR (OP):
…Right…
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25
PAGE TWENTY FOUR (five panels)
PANEL 1.
WIDE-VIEW of JR walking towards Harbour City.
JR (OP):
“…Friends…”
PANEL 2.
FRONT-VIEW of a tall building in the Harbour City skyline.
PANEL 3.
Zoom in and see a man in a chair on the phone from behind.
PANEL 4.
BACK-VIEW CLOSE-UP behind Silverstone a chair on the phone. His
face is obscured.
CYN (OP):
That’s right. They should be arriving in the city anytime now,
Sir.
SILVERSTONE:
Good. Keep me informed.
PANEL 5.
CLOSE-UP of Silverstone’s hand hanging up the phone.
Illustrations by Josh Sherwell
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
25
PAGE TWENTY FOUR (five panels)
PANEL 1.
WIDE-VIEW of JR walking towards Harbour City.
JR (OP):
“…Friends…”
PANEL 2.
FRONT-VIEW of a tall building in the Harbour City skyline.
PANEL 3.
Zoom in and see a man in a chair on the phone from behind.
PANEL 4.
BACK-VIEW CLOSE-UP behind Silverstone a chair on the phone. His
face is obscured.
CYN (OP):
That’s right. They should be arriving in the city anytime now,
Sir.
SILVERSTONE:
Good. Keep me informed.
PANEL 5.
CLOSE-UP of Silverstone’s hand hanging up the phone.
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Copyright © 2012 by Tari Eguruze
26
PAGE TWENTY FIVE (four panels)
Long widescreen panels.
PANEL1.
WIDE-VIEW of the Masqueraders lower body walking down street.
Splashing in puddles.
PANEL 2.
Raining. WIDE-VIEW of the Masqueraders upper body walking down
street.
PANEL 3.
Raining. WIDE-VIEW of the Msqueraders faces.
PANEL 4.
Raining. A man smoking under a ledge, hiding from the rain.
Illustrations by Josh Sherwell
101101
LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
26
PAGE TWENTY FIVE (four panels)
Long widescreen panels.
PANEL1.
WIDE-VIEW of the Masqueraders lower body walking down street.
Splashing in puddles.
PANEL 2.
Raining. WIDE-VIEW of the Masqueraders upper body walking down
street.
PANEL 3.
Raining. WIDE-VIEW of the Msqueraders faces.
PANEL 4.
Raining. A man smoking under a ledge, hiding from the rain.
Script by Tari Eguruze
102
Issue #1Page 26
Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
27
PAGE TWENTY SIX (eight panels)
Panels laid out like a 2x4 boxed grid.
2 columns & 4 rows.
“Wide” panels are twice as long as “Narrow” rows.
PANEL 1.
Narrow.
Raining. He suddenly notices the Masqueraders and squints as if
straining to see.
PANEL 2.
Wide.
Raining. POV watching the Masqueraders approach. From afar.
PANEL 3.
Wide.
CLOSE-UP. Eyes widen in shock.
PANEL 4.
Narrow.
Raining. POV looking down as he frantically reaches into his
pockets.
PANEL 5.
Narrow.
Raining. Front view. His head is down while still in his pocket.
PANEL 6.
Wide.
CLOSE-UP of his eyes looking desperate.
PANEL 7.
Wide.
Raining. Very CLOSE-UP of the Masqueraders walking.
PANEL 8.
Narrow.
Blood flying.
Illustrations by Josh Sherwell
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
27
PAGE TWENTY SIX (eight panels)
Panels laid out like a 2x4 boxed grid.
2 columns & 4 rows.
“Wide” panels are twice as long as “Narrow” rows.
PANEL 1.
Narrow.
Raining. He suddenly notices the Masqueraders and squints as if
straining to see.
PANEL 2.
Wide.
Raining. POV watching the Masqueraders approach. From afar.
PANEL 3.
Wide.
CLOSE-UP. Eyes widen in shock.
PANEL 4.
Narrow.
Raining. POV looking down as he frantically reaches into his
pockets.
PANEL 5.
Narrow.
Raining. Front view. His head is down while still in his pocket.
PANEL 6.
Wide.
CLOSE-UP of his eyes looking desperate.
PANEL 7.
Wide.
Raining. Very CLOSE-UP of the Masqueraders walking.
PANEL 8.
Narrow.
Blood flying.
Script by Tari Eguruze
104
Issue #1Page 27
Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
28
PAGE TWENTY SEVEN (four panels)
Long widescreen panels.
PANEL 1.
Raining. His cigarette falling midair.
PANEL 2.
Raining. His cigarette lands in a puddle.
PANEL 3.
Raining. The puddle fills with Blood.
PANEL 4.
Raining. View from back of the Masqueraders walking away.
Illustrations by Josh Sherwell
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
28
PAGE TWENTY SEVEN (four panels)
Long widescreen panels.
PANEL 1.
Raining. His cigarette falling midair.
PANEL 2.
Raining. His cigarette lands in a puddle.
PANEL 3.
Raining. The puddle fills with Blood.
PANEL 4.
Raining. View from back of the Masqueraders walking away.
Script by Tari Eguruze
106
Issue #1Page 28
Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
29
PAGE TWENTY EIGHT (three panels)
Long widescreen panels.
Panel 2 is taller than the other two Panels.
PANEL 1.
Raining. Pan out showing just an arm on the ground, the gang is
walking off in the distance.
MX (THOUGHT):
Gangland…
Panel 2.
Raining. Man is sprawled out on his back, beaten and bloody with
a white mask on his face. A pool of blood mixing with rain
puddles.
MX (THOUGHT):
…Population: Thirty three thousand, four hundred, and sixty one.
Panel 3.
Raining. CLOSE-UP of the mask Masq. Leader’s mask.
THE END
Illustrations by Josh Sherwell
107107
LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #01 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
29
PAGE TWENTY EIGHT (three panels)
Long widescreen panels.
Panel 2 is taller than the other two Panels.
PANEL 1.
Raining. Pan out showing just an arm on the ground, the gang is
walking off in the distance.
MX (THOUGHT):
Gangland…
Panel 2.
Raining. Man is sprawled out on his back, beaten and bloody with
a white mask on his face. A pool of blood mixing with rain
puddles.
MX (THOUGHT):
…Population: Thirty three thousand, four hundred, and sixty one.
Panel 3.
Raining. CLOSE-UP of the mask Masq. Leader’s mask.
THE END
Script by Tari Eguruze
108
Issue #2Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
“LOST BOYS”
SCRIPT (ISSUE #2)
Written by
Tari Eguruze
18 Frere Street
Battersea
London
England
U.K
SW11 2JA
075 4080 5290
109109
LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
“LOST BOYS”
SCRIPT (ISSUE #2)
Written by
Tari Eguruze
18 Frere Street
Battersea
London
England
U.K
SW11 2JA
075 4080 5290
110
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
2
PAGE ONE (three panels)
CREDITS PAGE
PANEL 1.
OVER HEAD-VIEW of Harbour City.
PANEL 2.
FRONT-VIEW of an apartment building with a fire escape routes on
the side.
PANEL 3.
CLOSE-UP of a window to the apartment building.
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
3
PAGE TWO (four panels)
PANEL 1.
FRONT-VIEW through a window of an apartment building. Vaguely
see three people sitting at a dinning table together.
PANEL 2.
FRONT-VIEW of JR is sitting at a dining table with his mother
and father. Mother on the left, JR in the middle, and the father
on the right. JR’s father is reading a newspaper. JR is in full
pajama shirt and trousers. With slippers if seen. Mother is
business-casual. She has fine curly hair a ponytail. Father is
business-casual. Simple short hair with a lip-length moustache.
PANEL 3.
CLOSE-UP of JR’s father lowering his newspaper to reveal the top
half of his face.
PANEL 4.
JR’s POV looking down at a plate of food. Sausage, bacon, egg
beans, hash browns.
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
2
PAGE ONE (three panels)
CREDITS PAGE
PANEL 1.
OVER HEAD-VIEW of Harbour City.
PANEL 2.
FRONT-VIEW of an apartment building with a fire escape routes on
the side.
PANEL 3.
CLOSE-UP of a window to the apartment building.
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
3
PAGE TWO (four panels)
PANEL 1.
FRONT-VIEW through a window of an apartment building. Vaguely
see three people sitting at a dinning table together.
PANEL 2.
FRONT-VIEW of JR is sitting at a dining table with his mother
and father. Mother on the left, JR in the middle, and the father
on the right. JR’s father is reading a newspaper. JR is in full
pajama shirt and trousers. With slippers if seen. Mother is
business-casual. She has fine curly hair a ponytail. Father is
business-casual. Simple short hair with a lip-length moustache.
PANEL 3.
CLOSE-UP of JR’s father lowering his newspaper to reveal the top
half of his face.
PANEL 4.
JR’s POV looking down at a plate of food. Sausage, bacon, egg
beans, hash browns.
112
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
4
PAGE THREE (five panels)
PANEL 1.
FRONT-VIEW of JR is sitting at the table with a fork heading to
his mouth. His eyes are downcast.
PANEL 2.
CLOSE-UP of JR’s mother stood up at the end of the holding her
plate in hand.
PANEL 3.
FRONT-VIEW of JR sitting at the dining table with a glass of
orange juice to his lips. His eyes are downcast. His mother is
seen with the palm of her hand on his head. Only the mother’s
torso upto below her eyes are in frame.
PANEL 4.
CLOSE-UP of JR’s face. Only showing below his eyes and the cup
to his mouth.
PANEL 5.
Blacked out panel.
NEWS ANCHOR (OP):
“—dead body found in streets, during the early hours of the
morning.”
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
5
PAGE FOUR (three panels)
PANEL 1.
BACK-VIEW of the dining table. JR and the father are looking at
the television, while sitting on the dining table. JR in the
middle.
The father on the right. There is a sofa in front of the wall
mounted TV. There are two sofa chairs either side of the sofa.
PANEL 2.
CLOSE-UP of the TV screen.
A news anchor is sitting at a desk.
PANEL 3.
CLOSE-UP of JR’s cup of juice toppled over on the table.
JR (OP):
…No…
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
4
PAGE THREE (five panels)
PANEL 1.
FRONT-VIEW of JR is sitting at the table with a fork heading to
his mouth. His eyes are downcast.
PANEL 2.
CLOSE-UP of JR’s mother stood up at the end of the holding her
plate in hand.
PANEL 3.
FRONT-VIEW of JR sitting at the dining table with a glass of
orange juice to his lips. His eyes are downcast. His mother is
seen with the palm of her hand on his head. Only the mother’s
torso upto below her eyes are in frame.
PANEL 4.
CLOSE-UP of JR’s face. Only showing below his eyes and the cup
to his mouth.
PANEL 5.
Blacked out panel.
NEWS ANCHOR (OP):
“—dead body found in streets, during the early hours of the
morning.”
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
5
PAGE FOUR (three panels)
PANEL 1.
BACK-VIEW of the dining table. JR and the father are looking at
the television, while sitting on the dining table. JR in the
middle.
The father on the right. There is a sofa in front of the wall
mounted TV. There are two sofa chairs either side of the sofa.
PANEL 2.
CLOSE-UP of the TV screen.
A news anchor is sitting at a desk.
PANEL 3.
CLOSE-UP of JR’s cup of juice toppled over on the table.
JR (OP):
…No…
114
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
6
PAGE FIVE (five panels)
PANEL 1.
FRONT-VIEW outside a block of flats.
PANEL 2.
CLOSE-UP of hands holding and biting a sandwich.
PANEL 3.
FRONT-VIEW of GT sitting on a sofa bed eating a sandwich. He is
in a baggy t-shirt and tracksuit bottoms, bare foot.
PANEL 4.
GT’s mother’s POV looking at GT through a doorway.
PANEL 5.
BACK-VIEW of. A woman leans against a doorway. She is in a tank
top and leopard print tight trousers. Necklace, wrist bracelets
and hooped earrings. She has frizzy curly hair.
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
7
PAGE SIX (five panels)
PANEL 1.
FRONT-VIEW of GT lower his sandwich and look up.
PANEL 2.
BACK-VIEW of the woman as she approaches GT and leans down.
PANEL 3.
CLOSE-UP BACK-VIEW of the woman. The woman is mostly out of
frame.
Her arm is outstretched and the palm of her hand is on GT’s
cheek.
PANEL 4.
CLOSE-UP of GT’s smiling face while the hand caresses his face.
PANEL 5.
CLOSE-UP of GT mouth with no smile.
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
6
PAGE FIVE (five panels)
PANEL 1.
FRONT-VIEW outside a block of flats.
PANEL 2.
CLOSE-UP of hands holding and biting a sandwich.
PANEL 3.
FRONT-VIEW of GT sitting on a sofa bed eating a sandwich. He is
in a baggy t-shirt and tracksuit bottoms, bare foot.
PANEL 4.
GT’s mother’s POV looking at GT through a doorway.
PANEL 5.
BACK-VIEW of. A woman leans against a doorway. She is in a tank
top and leopard print tight trousers. Necklace, wrist bracelets
and hooped earrings. She has frizzy curly hair.
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
7
PAGE SIX (five panels)
PANEL 1.
FRONT-VIEW of GT lower his sandwich and look up.
PANEL 2.
BACK-VIEW of the woman as she approaches GT and leans down.
PANEL 3.
CLOSE-UP BACK-VIEW of the woman. The woman is mostly out of
frame.
Her arm is outstretched and the palm of her hand is on GT’s
cheek.
PANEL 4.
CLOSE-UP of GT’s smiling face while the hand caresses his face.
PANEL 5.
CLOSE-UP of GT mouth with no smile.
116
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
8
PAGE SEVEN (five panels)
PANEL 1.
BACK-VIEW of the woman as she walks through the front door.
Se is mostly out of frame as she closes the door behind her.
PANEL 2.
WIDE-VIEW of GT standing in the living room alone. His arm is
limp as if just finished waving.
PANEL 3.
OVER HEAD-VIEW of GT stand in the living room alone.
PANEL 4.
GT’s POV looking to the left at the kitchen. The sink is
overflowing with dishes. There is a small TV sitting on the
kitchen counter.
PANEL 5.
CLOSE-UP of the TV screen. A news anchor is sitting at a desk.
NEWS ANCHOR (OP):
“—no witnesses at the moment. But the one who called it in—”
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
9
PAGE EIGHT (four panels)
PANEL 1.
WIDE-VIEW of the streets of China Town. Downstairs restaurant
and apartment above it are in view.
PANEL 2.
WIDE-VIEW of a bedroom. There is a bunk bed and two sleeping
bags on the floor, facing opposite ends.
PANEL 3.
FRONT-VIEW of the top bunk. KC under the covers, facing the
wall.
PANEL 4.
CLOSE-UP of KC’s scrunched up closed eyes.
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
8
PAGE SEVEN (five panels)
PANEL 1.
BACK-VIEW of the woman as she walks through the front door.
Se is mostly out of frame as she closes the door behind her.
PANEL 2.
WIDE-VIEW of GT standing in the living room alone. His arm is
limp as if just finished waving.
PANEL 3.
OVER HEAD-VIEW of GT stand in the living room alone.
PANEL 4.
GT’s POV looking to the left at the kitchen. The sink is
overflowing with dishes. There is a small TV sitting on the
kitchen counter.
PANEL 5.
CLOSE-UP of the TV screen. A news anchor is sitting at a desk.
NEWS ANCHOR (OP):
“—no witnesses at the moment. But the one who called it in—”
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
9
PAGE EIGHT (four panels)
PANEL 1.
WIDE-VIEW of the streets of China Town. Downstairs restaurant
and apartment above it are in view.
PANEL 2.
WIDE-VIEW of a bedroom. There is a bunk bed and two sleeping
bags on the floor, facing opposite ends.
PANEL 3.
FRONT-VIEW of the top bunk. KC under the covers, facing the
wall.
PANEL 4.
CLOSE-UP of KC’s scrunched up closed eyes.
118
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
10
PAGE NINE (six panels)
PANEL 1.
WIDE-VIEW of the Thai restaurant. Three children/teenage sized
people are setting tables, in white kitchen uniforms. Behind
them show KC standing at the bottom of a staircase through a
doorway in the distance. She has a white shirt, white apron and
white trousers on.
PANEL 2.
FRONT-VIEW of KC standing at the bottom of some stairs.
PANEL 3.
KC’s unless POV of KC from the top of the stairs.
PANEL 4.
FRONT-VIEW. A man in a white kitchen uniform runs down the
stairs. KC stands to the side of the doorway at the base of the
stairs.
PANEL 5.
WIDE-VIEW of the restaurant, the man is arguing with the others
setting the tables.
PANEL 6.
CLOSE-UP of KC looking clutching the doorway.
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
11
PAGE TEN (six panels)
PANEL 1.
BACK-VIEW of KC sitting on a chair in the restaurant, wearing an
apron and a back-pack.
PANEL 2.
SIDE-VIEW of KC eating an apple.
PANEL 3.
KC’s POV looking at the empty restaurant. There is a TV in the
top left corner of the room.
PANEL 4.
FRONT-VIEW of KC look up while chewing.
PANEL 5.
CLOSE-UP of the TV screen. A news anchor is sitting at a desk.
PANEL 6.
CLOSE-UP of the apple falling to the floor. See KC’s legs
dangling on the chair.
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
10
PAGE NINE (six panels)
PANEL 1.
WIDE-VIEW of the Thai restaurant. Three children/teenage sized
people are setting tables, in white kitchen uniforms. Behind
them show KC standing at the bottom of a staircase through a
doorway in the distance. She has a white shirt, white apron and
white trousers on.
PANEL 2.
FRONT-VIEW of KC standing at the bottom of some stairs.
PANEL 3.
KC’s unless POV of KC from the top of the stairs.
PANEL 4.
FRONT-VIEW. A man in a white kitchen uniform runs down the
stairs. KC stands to the side of the doorway at the base of the
stairs.
PANEL 5.
WIDE-VIEW of the restaurant, the man is arguing with the others
setting the tables.
PANEL 6.
CLOSE-UP of KC looking clutching the doorway.
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
11
PAGE TEN (six panels)
PANEL 1.
BACK-VIEW of KC sitting on a chair in the restaurant, wearing an
apron and a back-pack.
PANEL 2.
SIDE-VIEW of KC eating an apple.
PANEL 3.
KC’s POV looking at the empty restaurant. There is a TV in the
top left corner of the room.
PANEL 4.
FRONT-VIEW of KC look up while chewing.
PANEL 5.
CLOSE-UP of the TV screen. A news anchor is sitting at a desk.
PANEL 6.
CLOSE-UP of the apple falling to the floor. See KC’s legs
dangling on the chair.
120
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
12
PAGE ELEVEN (four panels)
PANEL 1.
CLOSE-UP of the apple and apron on the floor. KC is seen running
through the front door of the restaurant in the distance.
PANEL 2.
CLOSE-UP of the TV screen. A news anchor is sitting at a desk.
NEWS ANCHOR (OP):
“—that another tragedy has befallen on our city so soon—”
PANEL 3.
CLOSE-UP of a dead body sprawled out with a mask on its face.
PANEL 4.
CLOSE-UP of the mask.
TEDD (OP):
Max! What-Where are you going!?
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
13
PAGE TWELVE (five panels)
PANEL 1.
SIDE-VIEW. Tedd is standing in front of a chair, at a dining
table. MX is seen standing with his back to Tedd at the other
end of the table. A chair behind MX is toppled over. MX is
wearing his fox uniform.
TEDD:
Max! Not now! What’s going on?
PANEL 2.
FRONT-VIEW of Tedd.
TEDD:
Do you know something about this?
PANEL 3.
BACK-VIEW of MX.
MX:
I need to go…
PANEL 4.
BACK-VIEW of MX turn his head over his shoulder slightly.
MX:
We need to deal with this!
PANEL 5.
BACK-VIEW of MX run out of the door of the dining room.
121121
LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
12
PAGE ELEVEN (four panels)
PANEL 1.
CLOSE-UP of the apple and apron on the floor. KC is seen running
through the front door of the restaurant in the distance.
PANEL 2.
CLOSE-UP of the TV screen. A news anchor is sitting at a desk.
NEWS ANCHOR (OP):
“—that another tragedy has befallen on our city so soon—”
PANEL 3.
CLOSE-UP of a dead body sprawled out with a mask on its face.
PANEL 4.
CLOSE-UP of the mask.
TEDD (OP):
Max! What-Where are you going!?
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
13
PAGE TWELVE (five panels)
PANEL 1.
SIDE-VIEW. Tedd is standing in front of a chair, at a dining
table. MX is seen standing with his back to Tedd at the other
end of the table. A chair behind MX is toppled over. MX is
wearing his fox uniform.
TEDD:
Max! Not now! What’s going on?
PANEL 2.
FRONT-VIEW of Tedd.
TEDD:
Do you know something about this?
PANEL 3.
BACK-VIEW of MX.
MX:
I need to go…
PANEL 4.
BACK-VIEW of MX turn his head over his shoulder slightly.
MX:
We need to deal with this!
PANEL 5.
BACK-VIEW of MX run out of the door of the dining room.
122
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
14
PAGE THIRTEEN (four panels)
PANEL 1.
CLOSE-UP as MX grabs his bat from the umbrella holder next to
the door.
TEDD (OP):
Who’s we? Max!
PANEL 2.
CLOSE-UP of MX grabbing the door handle.
PANEL 3.
CLOSE-UP. Tedd’s hand slams in the middle of the door.
TEDD (OP):
Listen to me!
PANEL 4.
BACK-VIEW. Tedd stands behind MX as he holds onto the door
handle
TEDD:
No! Not again. Just tell me what’s going on.
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
15
PAGE FOURTEEN (five panels)
PANEL 1.
MX’s POV looking up at a distressed Tedd.
TEDD:
Why do you keep doing this to yourself? To us?
PANEL 2.
SIDE-VIEW. MX’s upper body, still holding the door handle. His
eyes are downcast and shadowed out. Tedd stands behind him with
his hand on the door, looking down at MX.
TEDD (OP):
We’re supposed to be a family now. Whatever it is, we can help
you.
PANEL 3.
CLOSE-UP of MX’s mouth.
MX:
But we’re not…
PANEL 4.
MX’s POV looking up at a Tedd, Tedd looks disappointed.
MX (OP):
We’re not family.
PANEL 5.
CLOSE-UP of MX’s hand turning the door handle.
MX:
Now let me go.
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
14
PAGE THIRTEEN (four panels)
PANEL 1.
CLOSE-UP as MX grabs his bat from the umbrella holder next to
the door.
TEDD (OP):
Who’s we? Max!
PANEL 2.
CLOSE-UP of MX grabbing the door handle.
PANEL 3.
CLOSE-UP. Tedd’s hand slams in the middle of the door.
TEDD (OP):
Listen to me!
PANEL 4.
BACK-VIEW. Tedd stands behind MX as he holds onto the door
handle
TEDD:
No! Not again. Just tell me what’s going on.
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
15
PAGE FOURTEEN (five panels)
PANEL 1.
MX’s POV looking up at a distressed Tedd.
TEDD:
Why do you keep doing this to yourself? To us?
PANEL 2.
SIDE-VIEW. MX’s upper body, still holding the door handle. His
eyes are downcast and shadowed out. Tedd stands behind him with
his hand on the door, looking down at MX.
TEDD (OP):
We’re supposed to be a family now. Whatever it is, we can help
you.
PANEL 3.
CLOSE-UP of MX’s mouth.
MX:
But we’re not…
PANEL 4.
MX’s POV looking up at a Tedd, Tedd looks disappointed.
MX (OP):
We’re not family.
PANEL 5.
CLOSE-UP of MX’s hand turning the door handle.
MX:
Now let me go.
124
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
16
PAGE FIFTEEN (five panels)
PANEL 1.
SIDE-VIEW of Tedd standing back from the door. The door is wide
open.
PANEL 2.
Tedd’s POV looking out of the door. MX is seen at the bottom of
the stairs, about to run to the left.
PANEL 3.
BACK-VIEW of MX running down the road.
PANEL 4.
CLOSE-UP of Tedd’s face.
TEDD (WHISPERS):
Please, Max…
PANEL 5.
CLOSE-UP of MX’s face.
TEDD (OP):
…just come back…
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
17
PAGE SIXTEEN (four panels)
PANEL 1.
OVER HEAD-VIEW of MX running down the road into the city.
PANEL 2.
WIDE-VIEW of the City Skyline.
PANEL 3.
OVER HEAD-VIEW of a black car driving down a road in the
distance.
PANEL 4.
Zoom closer to the top of the car.
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
16
PAGE FIFTEEN (five panels)
PANEL 1.
SIDE-VIEW of Tedd standing back from the door. The door is wide
open.
PANEL 2.
Tedd’s POV looking out of the door. MX is seen at the bottom of
the stairs, about to run to the left.
PANEL 3.
BACK-VIEW of MX running down the road.
PANEL 4.
CLOSE-UP of Tedd’s face.
TEDD (WHISPERS):
Please, Max…
PANEL 5.
CLOSE-UP of MX’s face.
TEDD (OP):
…just come back…
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
17
PAGE SIXTEEN (four panels)
PANEL 1.
OVER HEAD-VIEW of MX running down the road into the city.
PANEL 2.
WIDE-VIEW of the City Skyline.
PANEL 3.
OVER HEAD-VIEW of a black car driving down a road in the
distance.
PANEL 4.
Zoom closer to the top of the car.
126
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
18
PAGE SEVENTEEN (six panels)
PANEL 1.
SIDE-VIEW of JR seated at the back of a car.
PANEL 2.
CLOSE-UP of JR’s face.
JR (THOUGHT):
I should’ve told them already.
PANEL 3.
SIDE-VIEW of JR seated at a desk in a classroom. He is in a
black school uniform. Black blazer, black tie, white shirt,
black shorts, black shoes.
PANEL 4.
CLOSE-UP of JR’s face.
JR (THOUGHT):
It’s not right. It’s not who I wanted to be.
PANEL 5.
FRONT-VIEW of JR walking down hallway in school.
JR (THOUGHT):
I shouldn’t have gotten myself caught up in all of this.
PANEL 6.
CLOSE-UP of JR’s mouth.
JR (THOUGHT):
We’re in way over our heads.
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
19
PAGE EIGHTEEN (six panels)
PANEL 1.
BACK-VIEW of a person falling. JR stands in a fighting pose
ahead of him, in a white karate uniform.
PANEL 2.
OVER HEAD-VIEW of the martial arts practice room. Students watch
as JR fighting the other student.
PANEL 3.
BACK-VIEW of JR walking away towards the locker room.
JR (THOUGHT):
It was just a stupid game.
PANEL 4.
SIDE-VIEW of JR’s face.
JR (THOUGHT):
Things got out hand far too quick. We lost control.
PANEL 5.
SIDE-VIEW of JR stand in front of an open locker. He is in a
vest and boxer shorts and socks.
JR (THOUGHT):
We couldn’t even admit that things were different. But they
were…WE were.
PANEL 6.
JR’s POV as he looks down at himself. He is wearing his lost
boys uniform
JR (THOUGHT):
We became something else entirely.
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
18
PAGE SEVENTEEN (six panels)
PANEL 1.
SIDE-VIEW of JR seated at the back of a car.
PANEL 2.
CLOSE-UP of JR’s face.
JR (THOUGHT):
I should’ve told them already.
PANEL 3.
SIDE-VIEW of JR seated at a desk in a classroom. He is in a
black school uniform. Black blazer, black tie, white shirt,
black shorts, black shoes.
PANEL 4.
CLOSE-UP of JR’s face.
JR (THOUGHT):
It’s not right. It’s not who I wanted to be.
PANEL 5.
FRONT-VIEW of JR walking down hallway in school.
JR (THOUGHT):
I shouldn’t have gotten myself caught up in all of this.
PANEL 6.
CLOSE-UP of JR’s mouth.
JR (THOUGHT):
We’re in way over our heads.
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
19
PAGE EIGHTEEN (six panels)
PANEL 1.
BACK-VIEW of a person falling. JR stands in a fighting pose
ahead of him, in a white karate uniform.
PANEL 2.
OVER HEAD-VIEW of the martial arts practice room. Students watch
as JR fighting the other student.
PANEL 3.
BACK-VIEW of JR walking away towards the locker room.
JR (THOUGHT):
It was just a stupid game.
PANEL 4.
SIDE-VIEW of JR’s face.
JR (THOUGHT):
Things got out hand far too quick. We lost control.
PANEL 5.
SIDE-VIEW of JR stand in front of an open locker. He is in a
vest and boxer shorts and socks.
JR (THOUGHT):
We couldn’t even admit that things were different. But they
were…WE were.
PANEL 6.
JR’s POV as he looks down at himself. He is wearing his lost
boys uniform
JR (THOUGHT):
We became something else entirely.
128
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
20
PAGE NINETEEN (five panels)
PANEL 1.
OVER HEAD-VIEW of the abandoned park. JR is walking through the
park, towards a playhouse.
JR (THOUGHT):
Look at me now. I never wanted any of this.
PANEL 2.
BACK-VIEW of JR crouching through the playhouse door.
JR (THOUGHT):
I just wanted to be something. Something I can call my own.
Something other than…perfect.
PANEL 3.
Playhouse INTERIOR.
BACK-VIEW of JR crouched over a sewer hole entrance in the
floor.
JR (THOUGHT):
The violence, the bullying…it was never apart of the plan.
PANEL 4.
CLOSE-UP of JR up through the hole.
JR (THOUGHT):
…Not mine…
PANEL 5.
JR’s POV looking down the hole at MX and the Lost Boys below.
JR (THOUGHT):
…It was his.
MX:
You’re late.
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
21
PAGE TWENTY (five panels)
PANEL 1.
BACK-VIEW of lost boys all standing in the cave, watching JR
climb down the ladder.
PANEL 2.
JR stands on the ground facing the ladder.
JR (THOUGHT):
It was always his ‘plan’.
PANEL 3.
FRONT-VIEW of JR as he turns around.
JR (THOUGHT):
This ends tonight.
PANEL 4.
JR’s POV of the lost boys looking at him. MX has his arms
crossed. KC has her right arm on her hip. Other arm is hanging
down. GT stands with his arms by his side.
PANEL 5.
CLOSE-UP of MX.
MX:
We’re have you been? We need to deal. Now.
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THE JOURNEY
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
20
PAGE NINETEEN (five panels)
PANEL 1.
OVER HEAD-VIEW of the abandoned park. JR is walking through the
park, towards a playhouse.
JR (THOUGHT):
Look at me now. I never wanted any of this.
PANEL 2.
BACK-VIEW of JR crouching through the playhouse door.
JR (THOUGHT):
I just wanted to be something. Something I can call my own.
Something other than…perfect.
PANEL 3.
Playhouse INTERIOR.
BACK-VIEW of JR crouched over a sewer hole entrance in the
floor.
JR (THOUGHT):
The violence, the bullying…it was never apart of the plan.
PANEL 4.
CLOSE-UP of JR up through the hole.
JR (THOUGHT):
…Not mine…
PANEL 5.
JR’s POV looking down the hole at MX and the Lost Boys below.
JR (THOUGHT):
…It was his.
MX:
You’re late.
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
21
PAGE TWENTY (five panels)
PANEL 1.
BACK-VIEW of lost boys all standing in the cave, watching JR
climb down the ladder.
PANEL 2.
JR stands on the ground facing the ladder.
JR (THOUGHT):
It was always his ‘plan’.
PANEL 3.
FRONT-VIEW of JR as he turns around.
JR (THOUGHT):
This ends tonight.
PANEL 4.
JR’s POV of the lost boys looking at him. MX has his arms
crossed. KC has her right arm on her hip. Other arm is hanging
down. GT stands with his arms by his side.
PANEL 5.
CLOSE-UP of MX.
MX:
We’re have you been? We need to deal. Now.
130
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
22
PAGE TWENTY ONE (five panels)
PANEL 1.
SIDE-VIEW of JR facing MX and the Lost Boys.
MX:
Somethin’ big’s gon down. A major step into our territory.
PANEL 2.
CLOSE-UP of MX turning his back to walk to his seat.
MX:
We need to decide what we’re gonna do ‘bout it.
PANEL 3.
FRONT-VIEW of GT sit onto his mat cross legged.
PANEL 4.
SIDE-VIEW of MX slump into his bean chair.
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
23
PAGE TWENTY TWO (five panels)
PANEL 1.
BACK-VIEW of KC approaching JR standing in front of the ladder.
PANEL 2.
CLOSE-UP of KC holding onto JR’s hands with two hands.
PANEL 3.
SIDE-VIEW of KC’s looking at JR.
MX (OP):
K? What’s the matter? Let’s start.
PANEL 4.
JR’s POV of KC.
PANEL 5.
KC’s POV of JR.
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THE JOURNEY
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
22
PAGE TWENTY ONE (five panels)
PANEL 1.
SIDE-VIEW of JR facing MX and the Lost Boys.
MX:
Somethin’ big’s gon down. A major step into our territory.
PANEL 2.
CLOSE-UP of MX turning his back to walk to his seat.
MX:
We need to decide what we’re gonna do ‘bout it.
PANEL 3.
FRONT-VIEW of GT sit onto his mat cross legged.
PANEL 4.
SIDE-VIEW of MX slump into his bean chair.
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
23
PAGE TWENTY TWO (five panels)
PANEL 1.
BACK-VIEW of KC approaching JR standing in front of the ladder.
PANEL 2.
CLOSE-UP of KC holding onto JR’s hands with two hands.
PANEL 3.
SIDE-VIEW of KC’s looking at JR.
MX (OP):
K? What’s the matter? Let’s start.
PANEL 4.
JR’s POV of KC.
PANEL 5.
KC’s POV of JR.
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Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
24
PAGE TWENTY THREE (five panels)
PANEL 1.
OVER HEAD-VIEW of the cave. KC walks to her seat. MX iss lumped
in his bean bag.
PANEL 2.
CLOSE-UP of MX.
MX:
J? Let’s go.
JR (OP):
No.
PANEL 3.
MX sits up frowning.
MX:
What was that?
PANEL 4.
MX’s POV looking up at JR.
PANEL 5.
CLOSE-UP of JR’s face.
JR:
I’m done.
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
25
PAGE TWENTY FOUR (three panels)
PANEL 1.
Front view of MX standing with his eyes closed, smirking.
MX:
Look, ‘Jerome’—
JR:
NO. I’m done.
PANEL 2.
CLOSE-UP of MX’s face. He’s glaring at JR.
PANEL 3.
Large Panel.
SIDE-VIEW of JR facing MX. They’re both screaming at each other.
MX’s arms are up in the air.
JR:
I said I’m done. I’m not interested in getting caught up in all
this. Let alone a murder. We’re Just KIDS Max!
MX:
Bullshit, Jerome! You knew what this was when you joined! And
you took part in your own share of violence, just like the rest
of us. Don’t try and act all high and mighty this far into the
game.
JR:
It’s not a game Max. It never was. And we shouldn’t be playing.
MX:
…
JR:
And now the real players are at our doorstep. We need to quit.
ALL of us. I’m leaving, now. And I hope the rest of you will do
the same.
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
24
PAGE TWENTY THREE (five panels)
PANEL 1.
OVER HEAD-VIEW of the cave. KC walks to her seat. MX iss lumped
in his bean bag.
PANEL 2.
CLOSE-UP of MX.
MX:
J? Let’s go.
JR (OP):
No.
PANEL 3.
MX sits up frowning.
MX:
What was that?
PANEL 4.
MX’s POV looking up at JR.
PANEL 5.
CLOSE-UP of JR’s face.
JR:
I’m done.
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
25
PAGE TWENTY FOUR (three panels)
PANEL 1.
Front view of MX standing with his eyes closed, smirking.
MX:
Look, ‘Jerome’—
JR:
NO. I’m done.
PANEL 2.
CLOSE-UP of MX’s face. He’s glaring at JR.
PANEL 3.
Large Panel.
SIDE-VIEW of JR facing MX. They’re both screaming at each other.
MX’s arms are up in the air.
JR:
I said I’m done. I’m not interested in getting caught up in all
this. Let alone a murder. We’re Just KIDS Max!
MX:
Bullshit, Jerome! You knew what this was when you joined! And
you took part in your own share of violence, just like the rest
of us. Don’t try and act all high and mighty this far into the
game.
JR:
It’s not a game Max. It never was. And we shouldn’t be playing.
MX:
…
JR:
And now the real players are at our doorstep. We need to quit.
ALL of us. I’m leaving, now. And I hope the rest of you will do
the same.
134
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
26
PAGE TWENTY FIVE (four panels)
PANEL 1.
BACK-VIEW of the cave. JR is climbing back up the ladder. The
others stand around looking at JR.
PANEL 2.
OVER HEAD-VIEW of JR climbing up the ladder. See the Lost Boys
below.
PANEL 3.
OVER HEAD-VIEW CLOSE-UP of KC looking up.
JR (THOUGHT):
Sorry, KC…
PANEL 4.
CLOSE-UP of JR as he climbs nearing the top. Barely see the Lost
Boys below.
JR (THOUGHT):
…I’m out.
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
27
PAGE TWENTY SIX (five panels)
PANEL 1.
Playhouse INTERIOR.
See JR’s hand reaching the top.
See someone’s foot outside the door of the playhouse.
PANEL 2.
CLOSE-UP of a Masquerader’s leg.
PANEL 3.
FRONT-VIEW of a Masquerader’s upper body. He is grabbing the
collar of a boy who was beaten up in the bathroom from the gang
in the previous issue.
RIVAL GANG MEMBER:
…It’s here.
PANEL 4.
OVER HEAD-VIEW of the abandoned park from above. The
Masqueraders are surrounding the playhouse. Three members are
holding metal bats in hand.
One member is holding the boy. One member, the leader, has his
hands in his pockets.
PANEL 5.
CLOSE-UP of a Masq. Leader’s masked face.
MASQ. LEADER:
Showtime.
THE END
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
26
PAGE TWENTY FIVE (four panels)
PANEL 1.
BACK-VIEW of the cave. JR is climbing back up the ladder. The
others stand around looking at JR.
PANEL 2.
OVER HEAD-VIEW of JR climbing up the ladder. See the Lost Boys
below.
PANEL 3.
OVER HEAD-VIEW CLOSE-UP of KC looking up.
JR (THOUGHT):
Sorry, KC…
PANEL 4.
CLOSE-UP of JR as he climbs nearing the top. Barely see the Lost
Boys below.
JR (THOUGHT):
…I’m out.
Lost Boys • Script • Volume #1, Issue #02 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
27
PAGE TWENTY SIX (five panels)
PANEL 1.
Playhouse INTERIOR.
See JR’s hand reaching the top.
See someone’s foot outside the door of the playhouse.
PANEL 2.
CLOSE-UP of a Masquerader’s leg.
PANEL 3.
FRONT-VIEW of a Masquerader’s upper body. He is grabbing the
collar of a boy who was beaten up in the bathroom from the gang
in the previous issue.
RIVAL GANG MEMBER:
…It’s here.
PANEL 4.
OVER HEAD-VIEW of the abandoned park from above. The
Masqueraders are surrounding the playhouse. Three members are
holding metal bats in hand.
One member is holding the boy. One member, the leader, has his
hands in his pockets.
PANEL 5.
CLOSE-UP of a Masq. Leader’s masked face.
MASQ. LEADER:
Showtime.
THE END
136
Issue #3Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
“LOST BOYS”
SCRIPT (ISSUE #3)
Written by
Tari Eguruze
18 Frere Street
Battersea
London
England
U.K
SW11 2JA
075 4080 5290
137137
LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
“LOST BOYS”
SCRIPT (ISSUE #3)
Written by
Tari Eguruze
18 Frere Street
Battersea
London
England
U.K
SW11 2JA
075 4080 5290
138
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
2
PAGE ONE (three panels)
CREDITS PAGE
PANEL 1.
OVER HEAD-VIEW of the Lost Boys in the cave.
PANEL 2.
FRONT-VIEW of JR climbing up ladder out of hole in the
playhouse.
PANEL 3.
CLOSE-UP of the Masq. Leader’s mask.
MASQ. LEADER:
Showtime.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
3
PAGE TWO (four panels)
PANEL 1.
FRONT-VIEW of MX walking forwards. He looks furious.
MX:
Screw him. We don’t need him anyway. If he doesn’t want to be
here…then fuck ‘em.
PANEL 2.
SIDE-VIEW of MX pacing in front of GT and KC. GT looks worried
while fiddling with his fingers. KC stands with her arms folded
looking firmly at MX.
PANEL 3.
CLOSE-UP of KC as she stares at MX.
PANEL 4.
CLOSE-UP of MX stopping and turning to face KC.
MX:
…What?
139139
LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
2
PAGE ONE (three panels)
CREDITS PAGE
PANEL 1.
OVER HEAD-VIEW of the Lost Boys in the cave.
PANEL 2.
FRONT-VIEW of JR climbing up ladder out of hole in the
playhouse.
PANEL 3.
CLOSE-UP of the Masq. Leader’s mask.
MASQ. LEADER:
Showtime.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
3
PAGE TWO (four panels)
PANEL 1.
FRONT-VIEW of MX walking forwards. He looks furious.
MX:
Screw him. We don’t need him anyway. If he doesn’t want to be
here…then fuck ‘em.
PANEL 2.
SIDE-VIEW of MX pacing in front of GT and KC. GT looks worried
while fiddling with his fingers. KC stands with her arms folded
looking firmly at MX.
PANEL 3.
CLOSE-UP of KC as she stares at MX.
PANEL 4.
CLOSE-UP of MX stopping and turning to face KC.
MX:
…What?
140
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
4
PAGE THREE (five panels)
PANEL 1.
FRONT-VIEW of JR crouching just in front of the cave entrance,
evaluating the situation.
MX (OP):
WHAT?!
PANEL 2.
JR’s POV of the playhouse door. He’s see’s a leg outside.
PANEL 3.
CLOSE-UP of JR crouch down further.
JR (WHISPERS):
Shit.
MASQ. LEADER (OP):
Don’t be shy! We just wanna talk. But first things First…
PANEL 4.
CLOSE-UP blur as metal bat swings
PANEL 5.
CLOSE-UP of JR looking around terrified.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
5
PAGE FOUR (six panels)
PANEL 1.
Small Panel.
CLOSE-UP of a Masquerader strike the playhouse with a metal bat.
PANEL 2.
Small Panel.
CLOSE-UP of a Masquerader strike the playhouse with a metal bat.
PANEL 3.
Small Panel.
CLOSE-UP of a Masquerader strike the playhouse with a metal bat.
PANEL 4.
OVER HEAD-VIEW three Masqueraders surrounding the playhouse,
striking with their bats. Two other members watch from behind.
One member is holding the boy, while the Masq. Leader stands
with his hands in his pockets.
PANEL 5.
SIDE-VIEW of the Masq. Leader’s face. Partially se his face
beneath his mask.
PANEL 6.
The Rival Gang Member’s face from the side. He looks incredibly
tense and terrified. See his collar is still being gripped
tightly by his apprehender.
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
4
PAGE THREE (five panels)
PANEL 1.
FRONT-VIEW of JR crouching just in front of the cave entrance,
evaluating the situation.
MX (OP):
WHAT?!
PANEL 2.
JR’s POV of the playhouse door. He’s see’s a leg outside.
PANEL 3.
CLOSE-UP of JR crouch down further.
JR (WHISPERS):
Shit.
MASQ. LEADER (OP):
Don’t be shy! We just wanna talk. But first things First…
PANEL 4.
CLOSE-UP blur as metal bat swings
PANEL 5.
CLOSE-UP of JR looking around terrified.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
5
PAGE FOUR (six panels)
PANEL 1.
Small Panel.
CLOSE-UP of a Masquerader strike the playhouse with a metal bat.
PANEL 2.
Small Panel.
CLOSE-UP of a Masquerader strike the playhouse with a metal bat.
PANEL 3.
Small Panel.
CLOSE-UP of a Masquerader strike the playhouse with a metal bat.
PANEL 4.
OVER HEAD-VIEW three Masqueraders surrounding the playhouse,
striking with their bats. Two other members watch from behind.
One member is holding the boy, while the Masq. Leader stands
with his hands in his pockets.
PANEL 5.
SIDE-VIEW of the Masq. Leader’s face. Partially se his face
beneath his mask.
PANEL 6.
The Rival Gang Member’s face from the side. He looks incredibly
tense and terrified. See his collar is still being gripped
tightly by his apprehender.
142
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
6
PAGE FIVE (four panels)
PANEL 1.
CAVE INTERIOR.
SIDE-VIEW of the Lost Boys notice something above.
KC:
What the hell IS that?
PANEL 2.
CLOSE-UP of MX looking up.
MX:
Trouble.
PANEL 3.
SIDE-VIEW of JR jumping down the hole.
PANEL 4.
JR’s POV of the Lost Boys below.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
7
PAGE SIX (four panels)
PANEL 1.
CAVE INTERIOR.
SIDE-VIEW of GT diving to catch JR.
GT skids across the ground on his side with his arms up.
PANEL 2.
FRONT-VIEW of JR land on top of GT, who catches him in an
embrace.
PANEL 3.
CLOSE-UP of JR, pushing himself up. Squinting as if in pain.
JR:
Ugh…thanks, GT…
KC (OP):
LOOK OUT!
PANEL 4.
OVER HEAD-VIEW as piece of the playhouse debris falls towards
MX.
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
6
PAGE FIVE (four panels)
PANEL 1.
CAVE INTERIOR.
SIDE-VIEW of the Lost Boys notice something above.
KC:
What the hell IS that?
PANEL 2.
CLOSE-UP of MX looking up.
MX:
Trouble.
PANEL 3.
SIDE-VIEW of JR jumping down the hole.
PANEL 4.
JR’s POV of the Lost Boys below.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
7
PAGE SIX (four panels)
PANEL 1.
CAVE INTERIOR.
SIDE-VIEW of GT diving to catch JR.
GT skids across the ground on his side with his arms up.
PANEL 2.
FRONT-VIEW of JR land on top of GT, who catches him in an
embrace.
PANEL 3.
CLOSE-UP of JR, pushing himself up. Squinting as if in pain.
JR:
Ugh…thanks, GT…
KC (OP):
LOOK OUT!
PANEL 4.
OVER HEAD-VIEW as piece of the playhouse debris falls towards
MX.
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Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
8
PAGE SEVEN (four panels)
PANEL 1.
OVER HEAD-VIEW of the Masqueraders standing around the cave hole
entrance. The playhouse debris is scattered them.
PANEL 2.
SIDE-VIEW of the Masq. Leader.
PANEL 3.
View behind the Masq. Leader walk towards the cave hole
entrance.
PANEL 4.
SIDE-VIEW of the Masq. Leader standing over the cave hole
entrance. His hands are in his pockets.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
9
PAGE EIGHT (four panels)
PANEL 1.
SIDE-VIEW of the Masq. Leader bend over, leaning face-down as he
looks down the hole. His hands are in his pockets.
MASQ. LEADER:
Mister Silverstone has a message for you…‘kids’.
PANEL 2.
Lost boys POV looking up at the Masq. Leader looking down.
MASQ. LEADER:
You’re done.
PANEL 3.
Masq. Leader’s POV, looking down at the Lost Boys in the cave.
MX is on his ground next to apiece of the playhouse debris,
clutching his right arm. KC kneels next to MX. GT is helping JR
stand.
MASQ. LEADER (OP):
Game over.
PANEL 4.
CLOSE-UP of the Masq. Leader’s masked face.
MASQ. LEADER:
Go home.
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Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
8
PAGE SEVEN (four panels)
PANEL 1.
OVER HEAD-VIEW of the Masqueraders standing around the cave hole
entrance. The playhouse debris is scattered them.
PANEL 2.
SIDE-VIEW of the Masq. Leader.
PANEL 3.
View behind the Masq. Leader walk towards the cave hole
entrance.
PANEL 4.
SIDE-VIEW of the Masq. Leader standing over the cave hole
entrance. His hands are in his pockets.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
9
PAGE EIGHT (four panels)
PANEL 1.
SIDE-VIEW of the Masq. Leader bend over, leaning face-down as he
looks down the hole. His hands are in his pockets.
MASQ. LEADER:
Mister Silverstone has a message for you…‘kids’.
PANEL 2.
Lost boys POV looking up at the Masq. Leader looking down.
MASQ. LEADER:
You’re done.
PANEL 3.
Masq. Leader’s POV, looking down at the Lost Boys in the cave.
MX is on his ground next to apiece of the playhouse debris,
clutching his right arm. KC kneels next to MX. GT is helping JR
stand.
MASQ. LEADER (OP):
Game over.
PANEL 4.
CLOSE-UP of the Masq. Leader’s masked face.
MASQ. LEADER:
Go home.
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Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
10
PAGE NINE (four panels)
PANEL 1.
CLOSE-UP of MX’s face, his eyes are downcast looking down.
MASQ. LEADER (OP):
No more gang.
PANEL 2.
CLOSE-UP of KC’s face, her eyes are downcast looking down.
MASQ. LEADER (OP):
No more ‘kigurumis’.
PANEL 3.
CLOSE-UP of GT’s face, his eyes are downcast looking down.
MASQ. LEADER (OP):
No more.
PANEL 4.
CLOSE-UP of the Masq. Leader’s masked face’s mouth.
MASQ. LEADER (OP):
You’re done.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
11
PAGE TEN (four panels)
PANEL 1.
View behind the Masq. Leader bent over.
PANEL 2.
SIDE-VIEW CLOSE-UP of the Masq. Leader’s
PANEL 3.
View behind the Masq. Leader walk away from the cave hole
entrance.
See the other Masqueraders standing in front of him. One is
still holding the Rival Gang Member from earlier.
PANEL 4.
BACK-VIEW CLOSE-UP of the Masq. Leader. His right arm is raised,
gesturing behind him.
MASQ. LEADER:
Drop him.
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Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
10
PAGE NINE (four panels)
PANEL 1.
CLOSE-UP of MX’s face, his eyes are downcast looking down.
MASQ. LEADER (OP):
No more gang.
PANEL 2.
CLOSE-UP of KC’s face, her eyes are downcast looking down.
MASQ. LEADER (OP):
No more ‘kigurumis’.
PANEL 3.
CLOSE-UP of GT’s face, his eyes are downcast looking down.
MASQ. LEADER (OP):
No more.
PANEL 4.
CLOSE-UP of the Masq. Leader’s masked face’s mouth.
MASQ. LEADER (OP):
You’re done.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
11
PAGE TEN (four panels)
PANEL 1.
View behind the Masq. Leader bent over.
PANEL 2.
SIDE-VIEW CLOSE-UP of the Masq. Leader’s
PANEL 3.
View behind the Masq. Leader walk away from the cave hole
entrance.
See the other Masqueraders standing in front of him. One is
still holding the Rival Gang Member from earlier.
PANEL 4.
BACK-VIEW CLOSE-UP of the Masq. Leader. His right arm is raised,
gesturing behind him.
MASQ. LEADER:
Drop him.
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Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
12
PAGE ELEVEN (six panels)
PANEL 1.
View of the Rival Gang Member resisting being dragged. Only the
lower body of the Masqueraders dragging him is in view.
RIVAL GANG MEMBER:
He-HEY! W-w-wait!...I…I…
PANEL 2.
FRONT-VIEW of the Masq. Leader walking forwards with his hands
in his pockets. In background, see the other members standing
around. One member is dragging the boy upto the hole.
RIVAL GANG MEMBER:
HEY! No! Please, WAIT!
PANEL 3.
CLOSE-UP of the boy screaming.
RIVAL GANG MEMBER:
Please….don’t…
PANEL 4.
FRONT-VIEW of a Masquerader has his arm outstretched, holding
the boy over the hole.
PANEL 5.
Rival Gang Member’s POV looking up at the Masqueraders.
PANEL 6.
Masqueraders POV looking down at the Rival Gang Member.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
13
PAGE TWELVE (four panels)
PANEL 1.
CLOSE-UP of the Rival Gang Member falling down the hole.
See GT’s arms hands at the top of the ladder at the rim of the
cave hole entrance.
PANEL 2.
FRONT-VIEW of the Masqueraders walking forwards. The other
Masqueraders have their backs to the hole, walking forwards.
Spot GT leaping out of the hole in the background.
GT (THOUGHT):
I have to do this.
PANEL 3.
CLOSE-UP of GT leaping out of the hole.
GT (THOUGHT):
Now, More than ever.
PANEL 4.
CLOSE-UP of a Masquerader whipping his head around behind him.
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Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
12
PAGE ELEVEN (six panels)
PANEL 1.
View of the Rival Gang Member resisting being dragged. Only the
lower body of the Masqueraders dragging him is in view.
RIVAL GANG MEMBER:
He-HEY! W-w-wait!...I…I…
PANEL 2.
FRONT-VIEW of the Masq. Leader walking forwards with his hands
in his pockets. In background, see the other members standing
around. One member is dragging the boy upto the hole.
RIVAL GANG MEMBER:
HEY! No! Please, WAIT!
PANEL 3.
CLOSE-UP of the boy screaming.
RIVAL GANG MEMBER:
Please….don’t…
PANEL 4.
FRONT-VIEW of a Masquerader has his arm outstretched, holding
the boy over the hole.
PANEL 5.
Rival Gang Member’s POV looking up at the Masqueraders.
PANEL 6.
Masqueraders POV looking down at the Rival Gang Member.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
13
PAGE TWELVE (four panels)
PANEL 1.
CLOSE-UP of the Rival Gang Member falling down the hole.
See GT’s arms hands at the top of the ladder at the rim of the
cave hole entrance.
PANEL 2.
FRONT-VIEW of the Masqueraders walking forwards. The other
Masqueraders have their backs to the hole, walking forwards.
Spot GT leaping out of the hole in the background.
GT (THOUGHT):
I have to do this.
PANEL 3.
CLOSE-UP of GT leaping out of the hole.
GT (THOUGHT):
Now, More than ever.
PANEL 4.
CLOSE-UP of a Masquerader whipping his head around behind him.
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Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
14
PAGE THIRTEEN (five panels)
PANEL 1.
SIDE-VIEW of GT tackling the Masqueraders to the ground.
GT (THOUGHT):
I need to work twice as hard to protect us now.
PANEL 2.
SIDE-VIEW CLOSE-UP of the Masqueraders being pinned to the
ground by GT.
GT (THOUGHT):
Cos’ if JR leaves…
PANEL 3.
Back-view of the three other Masqueraders turning their heads
behind them.
GT (THOUGHT):
…then it’s up to me to pick up the slack.
PANEL 4.
OVER HEAD-VIEW of the three Masqueraders running towards GT.
GT (THOUGHT):
I’m strong! That’s how I can help! I can protect MX, like he
protected me.
PANEL 5.
Back-view CLOSE-UP of the Masq. Leader’s head turn to the side
slightly. Partially see his face behind the mask.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
15
PAGE FOURTEEN (four panels)
PANEL 1.
BACK-VIEW of GT punching a Masquerader.
GT (THOUGHT):
He needs me.
PANEL 2.
CLOSE-UP of GT punching a Masquerader.
GT (THOUGHT):
He said that I’m apart of the gang…
PANEL 3.
CLOSE-UP of GT’s face as he’s punching the Masquerader.
GT (THOUGHT):
…one of the team.
PANEL 4.
CLOSE-UP of A cracked mask fall to the ground with specks of
blood on it.
GT (THOUGHT):
He said that we’re a family…
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Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
14
PAGE THIRTEEN (five panels)
PANEL 1.
SIDE-VIEW of GT tackling the Masqueraders to the ground.
GT (THOUGHT):
I need to work twice as hard to protect us now.
PANEL 2.
SIDE-VIEW CLOSE-UP of the Masqueraders being pinned to the
ground by GT.
GT (THOUGHT):
Cos’ if JR leaves…
PANEL 3.
Back-view of the three other Masqueraders turning their heads
behind them.
GT (THOUGHT):
…then it’s up to me to pick up the slack.
PANEL 4.
OVER HEAD-VIEW of the three Masqueraders running towards GT.
GT (THOUGHT):
I’m strong! That’s how I can help! I can protect MX, like he
protected me.
PANEL 5.
Back-view CLOSE-UP of the Masq. Leader’s head turn to the side
slightly. Partially see his face behind the mask.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
15
PAGE FOURTEEN (four panels)
PANEL 1.
BACK-VIEW of GT punching a Masquerader.
GT (THOUGHT):
He needs me.
PANEL 2.
CLOSE-UP of GT punching a Masquerader.
GT (THOUGHT):
He said that I’m apart of the gang…
PANEL 3.
CLOSE-UP of GT’s face as he’s punching the Masquerader.
GT (THOUGHT):
…one of the team.
PANEL 4.
CLOSE-UP of A cracked mask fall to the ground with specks of
blood on it.
GT (THOUGHT):
He said that we’re a family…
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Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
16
PAGE FIFTEEN (three panels)
PANEL 1.
FRONT-VIEW of GT holding the gang members collar in hand. The
three other gang members surrounding him.
GT (THOUGHT):
He said…
PANEL 2.
CLOSE-UP of Masqueraders behind him, holding his bat up beside
his head, ready to swing.
MASQUERADER:
Lights out, kid.
PANEL 3.
FRONT-VIEW of GT holding still pinning a Masquerader. One gang
member behind him swings his bat, about to strike GT across the
head.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
17
PAGE SIXTEEN (four panels)
PANEL 1.
FRONT-VIEW of GT being thrown to the ground. Rolling from his
side onto his front.
GT (THOUGHT):
I did it.
PANEL 2.
OVER HEAD-VIEW of three Masqueraders surrounding GT, striking
him with their bats. The Masq. Leader is kneeling down where the
cracked mask is on the ground. The beaten member is on his
knees, about to stand up.
GT (THOUGHT):
I protected him, again.
PANEL 3.
CLOSE-UP of GT’s face on the ground, darkened and smeared in
blood and dirt.
GT (THOUGHT):
I’ll take on all of MX’s pain.
PANEL 4.
SIDE-VIEW of the Masq. Leader crouched, looking at the cracked
mask in his hand.
GT (THOUGHT):
I’ll be the one to get hurt, so MX doesn’t have to…
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Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
16
PAGE FIFTEEN (three panels)
PANEL 1.
FRONT-VIEW of GT holding the gang members collar in hand. The
three other gang members surrounding him.
GT (THOUGHT):
He said…
PANEL 2.
CLOSE-UP of Masqueraders behind him, holding his bat up beside
his head, ready to swing.
MASQUERADER:
Lights out, kid.
PANEL 3.
FRONT-VIEW of GT holding still pinning a Masquerader. One gang
member behind him swings his bat, about to strike GT across the
head.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
17
PAGE SIXTEEN (four panels)
PANEL 1.
FRONT-VIEW of GT being thrown to the ground. Rolling from his
side onto his front.
GT (THOUGHT):
I did it.
PANEL 2.
OVER HEAD-VIEW of three Masqueraders surrounding GT, striking
him with their bats. The Masq. Leader is kneeling down where the
cracked mask is on the ground. The beaten member is on his
knees, about to stand up.
GT (THOUGHT):
I protected him, again.
PANEL 3.
CLOSE-UP of GT’s face on the ground, darkened and smeared in
blood and dirt.
GT (THOUGHT):
I’ll take on all of MX’s pain.
PANEL 4.
SIDE-VIEW of the Masq. Leader crouched, looking at the cracked
mask in his hand.
GT (THOUGHT):
I’ll be the one to get hurt, so MX doesn’t have to…
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Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
18
PAGE SEVENTEEN (four panels)
PANEL 1.
Masq. Leader’s POV dropping the mask.
PANEL 2.
SIDE-VIEW of the Masq. Leader standing up, leaning over a tiny
bit, but his legs are straight. His hands in his pocket.
PANEL 3.
Masq. Leader’s POV looking to the side as the Gang members
strike GT with the bats.
LEADER:
Enough.
PANEL 4.
BACK-VIEW of the Masqueraders surrounding GT. The Masq. Leader
is seen in the background walking away with his back showing.
LEADER:
We’re leaving.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
19
PAGE EIGHTEEN (four panels)
PANEL 1.
CAVE INTERIOR.
MX suddenly looking up. His mouth is open and his eyes are
swelling with tears.
MASQUERADERS (OP):
…Bring the kid with us.
PANEL 2.
BACK-VIEW of MX attempting to climb up the ladder of the cave
with his left arm, while his right arm hangs limp at his side.
KC and JR stand behind him watching. The Rival Gang Member sits
on the ground behind JR.
PANEL 3.
SIDE-VIEW of MX falling backwards.
PANEL 4.
BACK-VIEW of KC and JR run upto MX.
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THE JOURNEY
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
18
PAGE SEVENTEEN (four panels)
PANEL 1.
Masq. Leader’s POV dropping the mask.
PANEL 2.
SIDE-VIEW of the Masq. Leader standing up, leaning over a tiny
bit, but his legs are straight. His hands in his pocket.
PANEL 3.
Masq. Leader’s POV looking to the side as the Gang members
strike GT with the bats.
LEADER:
Enough.
PANEL 4.
BACK-VIEW of the Masqueraders surrounding GT. The Masq. Leader
is seen in the background walking away with his back showing.
LEADER:
We’re leaving.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
19
PAGE EIGHTEEN (four panels)
PANEL 1.
CAVE INTERIOR.
MX suddenly looking up. His mouth is open and his eyes are
swelling with tears.
MASQUERADERS (OP):
…Bring the kid with us.
PANEL 2.
BACK-VIEW of MX attempting to climb up the ladder of the cave
with his left arm, while his right arm hangs limp at his side.
KC and JR stand behind him watching. The Rival Gang Member sits
on the ground behind JR.
PANEL 3.
SIDE-VIEW of MX falling backwards.
PANEL 4.
BACK-VIEW of KC and JR run upto MX.
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Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
20
PAGE NINETEEN (four panels)
PANEL 1.
SIDE-VIEW of JR’s hand on MX’s shoulder.
PANEL 2.
BACK-VIEW of MX shrug JR off.
PANEL 3.
CLOSE-UP BACK-VIEW of MX reaching for the ladder again.
PANEL 4.
SIDE-VIEW CLOSE-UP of MX’s face.
RIVAL GANG MEMBER (OP):
It’s useless idiot…
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
21
PAGE TWENTY (four panels)
PANEL 1.
BACK-VIEW of KC AND JR turn behind. MX doesn’t turn around.
RIVAL GANG MEMBER (OP):
Your arm’s busted. And if we go back up there—
PANEL 2.
FRONT-VIEW of the Rival Gang Member sitting on the ground he
looks up at the others with a sneer.
RIVAL GANG MEMBER (OP):
—they’ll kill us too.
PANEL 3.
SIDE-VIEW of MX walking past JR and KC. His head is down, eyes
closed.
JR (WHISPERS):
Max…
PANEL 4.
FRONT-VIEW of MX shoving the boy to the wall with his left hand.
JR (OP):
Max!
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Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
20
PAGE NINETEEN (four panels)
PANEL 1.
SIDE-VIEW of JR’s hand on MX’s shoulder.
PANEL 2.
BACK-VIEW of MX shrug JR off.
PANEL 3.
CLOSE-UP BACK-VIEW of MX reaching for the ladder again.
PANEL 4.
SIDE-VIEW CLOSE-UP of MX’s face.
RIVAL GANG MEMBER (OP):
It’s useless idiot…
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
21
PAGE TWENTY (four panels)
PANEL 1.
BACK-VIEW of KC AND JR turn behind. MX doesn’t turn around.
RIVAL GANG MEMBER (OP):
Your arm’s busted. And if we go back up there—
PANEL 2.
FRONT-VIEW of the Rival Gang Member sitting on the ground he
looks up at the others with a sneer.
RIVAL GANG MEMBER (OP):
—they’ll kill us too.
PANEL 3.
SIDE-VIEW of MX walking past JR and KC. His head is down, eyes
closed.
JR (WHISPERS):
Max…
PANEL 4.
FRONT-VIEW of MX shoving the boy to the wall with his left hand.
JR (OP):
Max!
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Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
22
PAGE TWENTY ONE (four panels)
PANEL 1.
OVER HEAD-VIEW of MX pinning the boy to the wall with his left
forearm. JR and KC run up behind MX.
JR (OP):
Stop!
KC (OP):
Max!
PANEL 2.
Rival Gang Members POV looking up at MX. MX looks hysterically
angry.
JR (OP):
Stop it Max! Just wait a minute!
PANEL 3.
FRONT-VIEW of JR trying to talk MX down.
JR:
Beating up this kid won’t help. We’ll think of something.
PANEL 4.
CLOSE-UP of MX whip his head around. His eyes puffed up and
bulging with tears.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
23
PAGE TWENTY TWO (four panels)
PANEL 1.
BACK-VIEW of MX with his head down. JR is on his left, while KC
is on his right.
KC:
We’ll get GT back. If they were gonna kill him, they would have
done it up there.
PANEL 2.
KC’s POV looking at MX.
KC (OP):
We’ll save him.
PANEL 3.
SIDE-VIEW of MX shoves the boy down as he stands back.
PANEL 4.
FRONT-VIEW of the boy fall to the ground.
TEDD (OP):
Max!
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
22
PAGE TWENTY ONE (four panels)
PANEL 1.
OVER HEAD-VIEW of MX pinning the boy to the wall with his left
forearm. JR and KC run up behind MX.
JR (OP):
Stop!
KC (OP):
Max!
PANEL 2.
Rival Gang Members POV looking up at MX. MX looks hysterically
angry.
JR (OP):
Stop it Max! Just wait a minute!
PANEL 3.
FRONT-VIEW of JR trying to talk MX down.
JR:
Beating up this kid won’t help. We’ll think of something.
PANEL 4.
CLOSE-UP of MX whip his head around. His eyes puffed up and
bulging with tears.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
23
PAGE TWENTY TWO (four panels)
PANEL 1.
BACK-VIEW of MX with his head down. JR is on his left, while KC
is on his right.
KC:
We’ll get GT back. If they were gonna kill him, they would have
done it up there.
PANEL 2.
KC’s POV looking at MX.
KC (OP):
We’ll save him.
PANEL 3.
SIDE-VIEW of MX shoves the boy down as he stands back.
PANEL 4.
FRONT-VIEW of the boy fall to the ground.
TEDD (OP):
Max!
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Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
24
PAGE TWENTY THREE (four panels)
PANEL 1.
Tedd’s POV looking down at MX from above.
TEDD (OP):
Max! What happened. Are you alright?
PANEL 2.
CLOSE-UP SIDE-VIEW of MX’s face, his eyes widen in shock.
MX (WHISPERS):
…Tedd?
PANEL 3.
FRONT-VIEW of MX looking up.
PANEL 4.
SIDE-VIEW of Tedd standing over the cave hole entrance where the
playhouse used to be. Tedd wears a undone, simple, black, knee
length jacket.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
25
PAGE TWENTY FOUR (three panels)
PANEL 1.
CLOSE-UP SIDE-VIEW of Tedd looking down the hole.
MX (OP):
Tedd! Get us out of here! They took him!
PANEL 2.
SIDE-VIEW of MX, KC, and JR looking up.
MX (WHISPERS):
They took him…
PANEL 3.
Dark van INTERIOR.
CLOSE-UP of an unconscious GT lying on his side, dirty and
bloody.
MX (OP):
GT…
THE END
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Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
24
PAGE TWENTY THREE (four panels)
PANEL 1.
Tedd’s POV looking down at MX from above.
TEDD (OP):
Max! What happened. Are you alright?
PANEL 2.
CLOSE-UP SIDE-VIEW of MX’s face, his eyes widen in shock.
MX (WHISPERS):
…Tedd?
PANEL 3.
FRONT-VIEW of MX looking up.
PANEL 4.
SIDE-VIEW of Tedd standing over the cave hole entrance where the
playhouse used to be. Tedd wears a undone, simple, black, knee
length jacket.
Lost Boys • Script • Volume #1, Issue #03 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
25
PAGE TWENTY FOUR (three panels)
PANEL 1.
CLOSE-UP SIDE-VIEW of Tedd looking down the hole.
MX (OP):
Tedd! Get us out of here! They took him!
PANEL 2.
SIDE-VIEW of MX, KC, and JR looking up.
MX (WHISPERS):
They took him…
PANEL 3.
Dark van INTERIOR.
CLOSE-UP of an unconscious GT lying on his side, dirty and
bloody.
MX (OP):
GT…
THE END
162
Issue #4Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
“LOST BOYS”
SCRIPT (ISSUE #4)
Written by
Tari Eguruze
18 Frere Street
Battersea
London
England
U.K
SW11 2JA
075 4080 5290
163163
LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
“LOST BOYS”
SCRIPT (ISSUE #4)
Written by
Tari Eguruze
18 Frere Street
Battersea
London
England
U.K
SW11 2JA
075 4080 5290
164
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
2
PAGE ONE (four panels)
CREDITS PAGE
PANEL 1.
NIGHT.
OVER HEAD-VIEW of a Dark van drives along a road in Harbour
City, approaching Silverstone’s tower.
PANEL 2.
Van INTERIOR.
FRONT-VIEW of Four Masqueraders sit in the van on benches, two
on either side. GT is on sprawled out on the ground of the van,
dirty and bloody. A screen-wall with a small barred window is
between the back of the van and the driver’s seat.
PANEL 3.
CLOSE-UP on GT’s face as lies on the ground with his eyes half
open.
MASQ. LEADER (OP):
It won’t be long now—
PANEL 4.
CLOSE-UP of the Leader turning over his shoulder to through the
window on the screen-wall. The Leader is the passenger seat,
next to the driver.
MASQ. LEADER:
—Try not to die on us, kid.
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
3
PAGE TWO (four panels)
PANEL 1.
OVER HEAD-VIEW of the Abandoned Park EXTERIOR. Police officers
and paramedics are scattered around the place. Tedd is talking
to a police officer. MX, KC, and JR are each being seen by a
paramedic. There is police tape around the playhouse debris and
cave. Tedd wears a undone, simple, black, knee length jacket.
PANEL 2.
BACK-VIEW of Tedd talking with an officer.
PANEL 3.
BACK-VIEW of Tedd turn over his left shoulder. The officer
stands before him still talking.
PANEL 4.
Tedd’s POV watching MX stand and push past the paramedic trying
to help him. MX’s right sleeve is rolled up past his elbow. His
right arm is bandaged up. His bat is on the ground by his feet.
165165
LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
2
PAGE ONE (four panels)
CREDITS PAGE
PANEL 1.
NIGHT.
OVER HEAD-VIEW of a Dark van drives along a road in Harbour
City, approaching Silverstone’s tower.
PANEL 2.
Van INTERIOR.
FRONT-VIEW of Four Masqueraders sit in the van on benches, two
on either side. GT is on sprawled out on the ground of the van,
dirty and bloody. A screen-wall with a small barred window is
between the back of the van and the driver’s seat.
PANEL 3.
CLOSE-UP on GT’s face as lies on the ground with his eyes half
open.
MASQ. LEADER (OP):
It won’t be long now—
PANEL 4.
CLOSE-UP of the Leader turning over his shoulder to through the
window on the screen-wall. The Leader is the passenger seat,
next to the driver.
MASQ. LEADER:
—Try not to die on us, kid.
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
3
PAGE TWO (four panels)
PANEL 1.
OVER HEAD-VIEW of the Abandoned Park EXTERIOR. Police officers
and paramedics are scattered around the place. Tedd is talking
to a police officer. MX, KC, and JR are each being seen by a
paramedic. There is police tape around the playhouse debris and
cave. Tedd wears a undone, simple, black, knee length jacket.
PANEL 2.
BACK-VIEW of Tedd talking with an officer.
PANEL 3.
BACK-VIEW of Tedd turn over his left shoulder. The officer
stands before him still talking.
PANEL 4.
Tedd’s POV watching MX stand and push past the paramedic trying
to help him. MX’s right sleeve is rolled up past his elbow. His
right arm is bandaged up. His bat is on the ground by his feet.
166
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
4
PAGE THREE (four panels)
PANEL 1.
SIDE-VIEW of Tedd turning to run away from the officer.
TEDD:
He-hey! Max, wait!
PANEL 2.
CLOSE-UP of KC standing opposite a paramedic, looking to the
side, noticing MX. She has a blanket wrapped around her
shoulders.
TEDD (OP):
Max!
PANEL 3.
KC’s POV of MX walking towards the exit of the park area,
holding his bat in his left hand. Tedd is seen running up behind
him.
TEDD:
You can’t go after GT by yourself.
PANEL 4.
FRONT-VIEW of KC walking away from her paramedic, dropping her
blanket.
KC (THOUGHT):
This was a test of loyalty.
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
5
PAGE FOUR (four panels)
PANEL 1.
OVER HEAD-VIEW of MX stopped just before the alley connecting to
the park. Tedd stands behind him. KC is seen running upto MX
from behind Tedd. JR is seen slowly walking up beside Tedd.
KC (THOUGHT):
If I didn’t go, what would that say about me? GT was my friend
too.
PANEL 2.
CLOSE-UP BACK-VIEW of MX.
TEDD (OP):
You’re going to get yourself killed.
PANEL 3.
SIDE-VIEW of Tedd. KC runs past him.
TEDD:
Is that what you want?
PANEL 4.
SIDE-VIEW CLOSE-UP of JR stop beside Tedd.
TEDD (OP):
You and the rest of your friends.
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
4
PAGE THREE (four panels)
PANEL 1.
SIDE-VIEW of Tedd turning to run away from the officer.
TEDD:
He-hey! Max, wait!
PANEL 2.
CLOSE-UP of KC standing opposite a paramedic, looking to the
side, noticing MX. She has a blanket wrapped around her
shoulders.
TEDD (OP):
Max!
PANEL 3.
KC’s POV of MX walking towards the exit of the park area,
holding his bat in his left hand. Tedd is seen running up behind
him.
TEDD:
You can’t go after GT by yourself.
PANEL 4.
FRONT-VIEW of KC walking away from her paramedic, dropping her
blanket.
KC (THOUGHT):
This was a test of loyalty.
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
5
PAGE FOUR (four panels)
PANEL 1.
OVER HEAD-VIEW of MX stopped just before the alley connecting to
the park. Tedd stands behind him. KC is seen running upto MX
from behind Tedd. JR is seen slowly walking up beside Tedd.
KC (THOUGHT):
If I didn’t go, what would that say about me? GT was my friend
too.
PANEL 2.
CLOSE-UP BACK-VIEW of MX.
TEDD (OP):
You’re going to get yourself killed.
PANEL 3.
SIDE-VIEW of Tedd. KC runs past him.
TEDD:
Is that what you want?
PANEL 4.
SIDE-VIEW CLOSE-UP of JR stop beside Tedd.
TEDD (OP):
You and the rest of your friends.
168
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
6
PAGE FIVE (three panels)
PANEL 1.
CLOSE-UP BACK-VIEW of MX.
MX:
Who else is gonna save him, if we don’t?
PANEL 2.
BACK-VIEW of MX as KC runs to his side.
MX (OP):
The cops maybe scared shitless of Silverstone. But I’m not.
PANEL 3.
FRONT-VIEW of Tedd and JR.
MX (OP):
If you don’t want to see me get hurt, then stop bitchin’ and
help us! And you too JR?
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
7
PAGE SIX (three panels)
PANEL 1.
FRONT-VIEW of MX and KC.
MX:
Are you with us?
PANEL 2.
CLOSE-UP of JR looking down and to the side, silently avoiding
eye contact.
PANEL 3.
CLOSE-UP of MX’s mouth.
MX:
I guess not.
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
6
PAGE FIVE (three panels)
PANEL 1.
CLOSE-UP BACK-VIEW of MX.
MX:
Who else is gonna save him, if we don’t?
PANEL 2.
BACK-VIEW of MX as KC runs to his side.
MX (OP):
The cops maybe scared shitless of Silverstone. But I’m not.
PANEL 3.
FRONT-VIEW of Tedd and JR.
MX (OP):
If you don’t want to see me get hurt, then stop bitchin’ and
help us! And you too JR?
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
7
PAGE SIX (three panels)
PANEL 1.
FRONT-VIEW of MX and KC.
MX:
Are you with us?
PANEL 2.
CLOSE-UP of JR looking down and to the side, silently avoiding
eye contact.
PANEL 3.
CLOSE-UP of MX’s mouth.
MX:
I guess not.
170
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
8
PAGE SEVEN (four panels)
PANEL 1.
WIDE-VIEW of MX start running down the alleyway.
KC (THOUGHT):
He didn’t even have to think about. It’s instinct for him.
PANEL 2.
FRONT-VIEW of KC standing sideways with her head down. Spot MX
running in the distance.
KC (THOUGHT):
One of us is in trouble, so a he will literally race halfway
across the city to save him.
PANEL 3.
SIDE-VIEW CLOSE-UP of Tedd shouting.
TEDD:
KC…come on! We’ll sort this out.
KC (THOUGHT):
Tedd was right. It was stupid. What could we do?
PANEL 4.
CLOSE-UP of KC look up.
TEDD (OP):
You need to talk to him. Make him see sense.
KC (THOUGHT):
But that wasn’t the point. We had to go after him. Even if we
didn’t have a plan, we had to go after him.
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
9
PAGE EIGHT (four panels)
PANEL 1.
BACK-VIEW of Tedd still shouting. JR turns around beside and is
beginning to walk away from them.
TEDD:
Godammit MX!
KC (THOUGHT):
That’s what teammates do for eachother. That’s what family does.
Nobody gets left behind.
PANEL 2.
BACK-VIEW of Tedd turn around to look after JR.
KC (THOUGHT):
No matter what he said, Tedd knew that.
PANEL 3.
Tedd’s POV of JR walking away.
KC (THOUGHT):
And so did JR. He’ll come back to us eventually.
PANEL 4.
CLOSE-UP of KC start to run.
KC (THOUGHT):
He’ll be there to save us all.
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
8
PAGE SEVEN (four panels)
PANEL 1.
WIDE-VIEW of MX start running down the alleyway.
KC (THOUGHT):
He didn’t even have to think about. It’s instinct for him.
PANEL 2.
FRONT-VIEW of KC standing sideways with her head down. Spot MX
running in the distance.
KC (THOUGHT):
One of us is in trouble, so a he will literally race halfway
across the city to save him.
PANEL 3.
SIDE-VIEW CLOSE-UP of Tedd shouting.
TEDD:
KC…come on! We’ll sort this out.
KC (THOUGHT):
Tedd was right. It was stupid. What could we do?
PANEL 4.
CLOSE-UP of KC look up.
TEDD (OP):
You need to talk to him. Make him see sense.
KC (THOUGHT):
But that wasn’t the point. We had to go after him. Even if we
didn’t have a plan, we had to go after him.
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
9
PAGE EIGHT (four panels)
PANEL 1.
BACK-VIEW of Tedd still shouting. JR turns around beside and is
beginning to walk away from them.
TEDD:
Godammit MX!
KC (THOUGHT):
That’s what teammates do for eachother. That’s what family does.
Nobody gets left behind.
PANEL 2.
BACK-VIEW of Tedd turn around to look after JR.
KC (THOUGHT):
No matter what he said, Tedd knew that.
PANEL 3.
Tedd’s POV of JR walking away.
KC (THOUGHT):
And so did JR. He’ll come back to us eventually.
PANEL 4.
CLOSE-UP of KC start to run.
KC (THOUGHT):
He’ll be there to save us all.
172
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
10
PAGE NINE (four panels)
PANEL 1.
OVER HEAD-VIEW of Tedd standing. JR walking away to his right,
KC running away to his left.
KC (THOUGHT):
They both will.
PANEL 2.
BACK-VIEW of KC running down the alleyway.
KC (THOUGHT):
MX knew it too.
PANEL 3.
KC’s POV of MX reach the end of the alley and stop with his back
to her.
KC (THOUGHT):
He just couldn’t wait for them to realize.
PANEL 4.
SIDE-VIEW of MX standing.
KC (THOUGHT):
All MX could think about was getting GT back no matter what.
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
11
PAGE TEN (four panels)
PANEL 1.
FRONT-VIEW of MX standing. KC just about catches upto him. Spot
the park on the distance down the alley.
KC (THOUGHT):
He’ll fight whoever he has too. He’ll run as far as he has to.
Nothing will stop him.
PANEL 2.
CLOSE-UP of KC looking slightly flushed.
KC (THOUGHT):
It’s just down to us to catch up to him.
PANEL 3.
KC’s POV of MX looking standing sideways.
KC (THOUGHT):
He’s ahead of us all, yet he’s still waiting for us.
PANEL 4.
SIDE-VIEW CLOSE-UP of MX eyes, with tears streaming down as he
looks unwaveringly angry.
MX (WHISPERS):
We’re going.
KC (THOUGHT):
His teammates are his family.
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
10
PAGE NINE (four panels)
PANEL 1.
OVER HEAD-VIEW of Tedd standing. JR walking away to his right,
KC running away to his left.
KC (THOUGHT):
They both will.
PANEL 2.
BACK-VIEW of KC running down the alleyway.
KC (THOUGHT):
MX knew it too.
PANEL 3.
KC’s POV of MX reach the end of the alley and stop with his back
to her.
KC (THOUGHT):
He just couldn’t wait for them to realize.
PANEL 4.
SIDE-VIEW of MX standing.
KC (THOUGHT):
All MX could think about was getting GT back no matter what.
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
11
PAGE TEN (four panels)
PANEL 1.
FRONT-VIEW of MX standing. KC just about catches upto him. Spot
the park on the distance down the alley.
KC (THOUGHT):
He’ll fight whoever he has too. He’ll run as far as he has to.
Nothing will stop him.
PANEL 2.
CLOSE-UP of KC looking slightly flushed.
KC (THOUGHT):
It’s just down to us to catch up to him.
PANEL 3.
KC’s POV of MX looking standing sideways.
KC (THOUGHT):
He’s ahead of us all, yet he’s still waiting for us.
PANEL 4.
SIDE-VIEW CLOSE-UP of MX eyes, with tears streaming down as he
looks unwaveringly angry.
MX (WHISPERS):
We’re going.
KC (THOUGHT):
His teammates are his family.
174
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
12
PAGE ELEVEN (three panels)
PANEL 1.
CLOSE-UP of MX face as he turns to her. He has a frighteningly
and furiously smile on his face.
MX:
We’re gonna fucking get him back tonight!
KC (THOUGHT):
And he doesn’t leave family behind.
PANEL 2.
FRONT-VIEW of KC.
KC (THOUGHT):
Neither would GT.
PANEL 3.
FLASHBACK.
CLOSE-UP of MX’s furious eyes.
KC (THOUGHT):
And neither will I.
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
13
PAGE TWELVE (five panels)
PANEL 1.
FLASHBACK.
CAVE INTERIOR.
WIDE-VIEW of the Lost Boys in the cave together all looking up.
KC:
What the hell IS that?
MX:
Trouble.
PANEL 2.
FLASHBACK.
OVER HEAD-VIEW of KC looking up.
PANEL 3.
FLASHBACK.
KC’s POV of JR falling down above.
PANEL 4.
FLASHBACK.
FRONT-VIEW of KC.
A blur of GT dives across her.
KC (THOUGHT):
There he goes…
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
12
PAGE ELEVEN (three panels)
PANEL 1.
CLOSE-UP of MX face as he turns to her. He has a frighteningly
and furiously smile on his face.
MX:
We’re gonna fucking get him back tonight!
KC (THOUGHT):
And he doesn’t leave family behind.
PANEL 2.
FRONT-VIEW of KC.
KC (THOUGHT):
Neither would GT.
PANEL 3.
FLASHBACK.
CLOSE-UP of MX’s furious eyes.
KC (THOUGHT):
And neither will I.
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
13
PAGE TWELVE (five panels)
PANEL 1.
FLASHBACK.
CAVE INTERIOR.
WIDE-VIEW of the Lost Boys in the cave together all looking up.
KC:
What the hell IS that?
MX:
Trouble.
PANEL 2.
FLASHBACK.
OVER HEAD-VIEW of KC looking up.
PANEL 3.
FLASHBACK.
KC’s POV of JR falling down above.
PANEL 4.
FLASHBACK.
FRONT-VIEW of KC.
A blur of GT dives across her.
KC (THOUGHT):
There he goes…
176
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
14
PAGE THIRTEEN (five panels)
PANEL 1.
FLASHBACK.
BACK-VIEW of GT diving to catch JR.
JR lands on top of GT, who catches him in an embrace.
KC (THOUGHT):
Typical GT, always there to catch us.
PANEL 2.
FLASHBACK.
KC’s SIDE-VIEW of GT and JR standing up. KC and MX stand around
them looking down.
PANEL 3.
FLASHBACK.
FRONT-VIEW of KC looking up.
KC (THOUGHT):
Can’t have him leave me behind.
PANEL 4.
FLASHBACK.
KC’s POV of playhouse debris being dropped.
PANEL 5.
FLASHBACK.
CLOSE-UP of KC shouting.
KC:
LOOK OUT!
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
15
PAGE FOURTEEN (three panels)
PANEL 1.
FLASHBACK.
FRONT-VIEW of KC running forwards.
KC (THOUGHT):
Shit! What am I doing?
PANEL 2.
FLASHBACK.
KC’s POV of MX get struck by a piece of playhouse debris. He
tries to block with his right forearm.
KC (THOUGHT):
I’m here. I need to act like it.
PANEL 3.
FLASHBACK.
OVER HEAD-VIEW of MX on the ground in pain, gripping his right
arm, next to the debris that hit him. KC is seen running upto
MX. JR is seen kneeling beside MX. GT stands behind JR, just
watching.
MASQ. LEADER (OP):
Mister Silverstone has a message for you…‘kids’.
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
14
PAGE THIRTEEN (five panels)
PANEL 1.
FLASHBACK.
BACK-VIEW of GT diving to catch JR.
JR lands on top of GT, who catches him in an embrace.
KC (THOUGHT):
Typical GT, always there to catch us.
PANEL 2.
FLASHBACK.
KC’s SIDE-VIEW of GT and JR standing up. KC and MX stand around
them looking down.
PANEL 3.
FLASHBACK.
FRONT-VIEW of KC looking up.
KC (THOUGHT):
Can’t have him leave me behind.
PANEL 4.
FLASHBACK.
KC’s POV of playhouse debris being dropped.
PANEL 5.
FLASHBACK.
CLOSE-UP of KC shouting.
KC:
LOOK OUT!
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
15
PAGE FOURTEEN (three panels)
PANEL 1.
FLASHBACK.
FRONT-VIEW of KC running forwards.
KC (THOUGHT):
Shit! What am I doing?
PANEL 2.
FLASHBACK.
KC’s POV of MX get struck by a piece of playhouse debris. He
tries to block with his right forearm.
KC (THOUGHT):
I’m here. I need to act like it.
PANEL 3.
FLASHBACK.
OVER HEAD-VIEW of MX on the ground in pain, gripping his right
arm, next to the debris that hit him. KC is seen running upto
MX. JR is seen kneeling beside MX. GT stands behind JR, just
watching.
MASQ. LEADER (OP):
Mister Silverstone has a message for you…‘kids’.
178
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
16
PAGE FIFTEEN (six panels)
PANEL 1.
FLASHBACK.
WIDE-VIEW of JR and KC kneeling around MX, who they have sitting
up. GT stands behind them, just watching. They are all looking
down.
MASQ. LEADER (OP):
You’re done.
PANEL 3.
FLASHBACK.
CLOSE-UP of KC.
MASQ. LEADER (OP):
Game over.
PANEL 3.
FLASHBACK.
FRONT-VIEW of KC’s family standing outside of their Thai
Restaurant. They are all in white aprons and t-shirts. Some in
chef hats or kitchen caps. KC stands in the middle. There are
ten family members of varying ages and gender.
MASQ. LEADER (OP):
Go home.
PANEL 4.
FLASHBACK.
FRONT-VIEW of the Lost Boys all standing together, smiling.
MASQ. LEADER (OP):
No more gang.
PANEL 5.
FLASHBACK.
FRONT-VIEW of the KC.
MASQ. LEADER (OP):
No more ‘kigurumis’.
PANEL 6.
FLASHBACK.
CLOSE-UP of KC looking down with downcast eyes.
MASQ. LEADER (OP):
No more.
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
17
PAGE SIXTEEN (five panels)
PANEL 1.
FLASHBACK.
BACK-VIEW of KC. See GT turning around to head to the ladder
MASQ. LEADER (OP):
You’re done.
PANEL 2.
FLASHBACK.
CLOSE-UP of KC looking up, curiously looking at GT.
KC (THOUGHT):
There he goes again.
PANEL 3.
FLASHBACK.
KC’s POV of GT about to start climbing the ladder.
KC (THOUGHT):
First priority is to protect us—
PANEL 4.
FLASHBACK.
FRONT-VIEW of KC standing up. To her left JR kneels beside MX,
looking to him as if trying to help. MX looks away from JR.
KC (THOUGHT):
—to keep us together.
PANEL 5.
FLASHBACK.
Right SIDE-VIEW of KC. Her right arm is across her chest, with
her palm wrapped around her upper arm. She looks frustrated.
KC (THOUGHT):
Meanwhile…What am I doing?
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THE JOURNEY
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
16
PAGE FIFTEEN (six panels)
PANEL 1.
FLASHBACK.
WIDE-VIEW of JR and KC kneeling around MX, who they have sitting
up. GT stands behind them, just watching. They are all looking
down.
MASQ. LEADER (OP):
You’re done.
PANEL 3.
FLASHBACK.
CLOSE-UP of KC.
MASQ. LEADER (OP):
Game over.
PANEL 3.
FLASHBACK.
FRONT-VIEW of KC’s family standing outside of their Thai
Restaurant. They are all in white aprons and t-shirts. Some in
chef hats or kitchen caps. KC stands in the middle. There are
ten family members of varying ages and gender.
MASQ. LEADER (OP):
Go home.
PANEL 4.
FLASHBACK.
FRONT-VIEW of the Lost Boys all standing together, smiling.
MASQ. LEADER (OP):
No more gang.
PANEL 5.
FLASHBACK.
FRONT-VIEW of the KC.
MASQ. LEADER (OP):
No more ‘kigurumis’.
PANEL 6.
FLASHBACK.
CLOSE-UP of KC looking down with downcast eyes.
MASQ. LEADER (OP):
No more.
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
17
PAGE SIXTEEN (five panels)
PANEL 1.
FLASHBACK.
BACK-VIEW of KC. See GT turning around to head to the ladder
MASQ. LEADER (OP):
You’re done.
PANEL 2.
FLASHBACK.
CLOSE-UP of KC looking up, curiously looking at GT.
KC (THOUGHT):
There he goes again.
PANEL 3.
FLASHBACK.
KC’s POV of GT about to start climbing the ladder.
KC (THOUGHT):
First priority is to protect us—
PANEL 4.
FLASHBACK.
FRONT-VIEW of KC standing up. To her left JR kneels beside MX,
looking to him as if trying to help. MX looks away from JR.
KC (THOUGHT):
—to keep us together.
PANEL 5.
FLASHBACK.
Right SIDE-VIEW of KC. Her right arm is across her chest, with
her palm wrapped around her upper arm. She looks frustrated.
KC (THOUGHT):
Meanwhile…What am I doing?
180
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
18
PAGE SEVENTEEN (five panels)
PANEL 1.
FLASHBACK.
OVER HEAD-VIEW of the cave. KC stands in front of MX and JR. MX
is trying to get to his feet. JR stands beside him helping him
up. GT is climbing up the ladder about halfway.
KC (THOUGHT):
I couldn’t stop JR…
PANEL 2.
FLASHBACK.
KC’s CLOSE-UP POV of GT climbing up the ladder.
KC (THOUGHT):
…couldn’t save MX.
PANEL 3.
FLASHBACK.
CLOSE-UP OVER HEAD-VIEW looking down at KC.
KC (THOUGHT):
I need to do something!
PANEL 4.
FLASHBACK.
BACK-VIEW of KC walk towards the ladder. GT is just above
halfway.
KC (THOUGHT):
When I’m here, with them, I have a role to play.
PANEL 5.
FLASHBACK.
FRONT-VIEW of JR beside MX, suspiciously looking ahead of him at
KC and JR.
KC (THOUGHT):
I’m not just a face in a crowd.
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
19
PAGE EIGHTEEN (four panels)
PANEL 1.
FLASHBACK.
OVER HEAD-VIEW of KC at the bottom of the ladder.
PANEL 2.
FLASHBACK.
KC’s POV looking up at the rival Rival Gang Member fall down
past GT towards her.
KC (THOUGHT):
—No…
PANEL 3.
FLASHBACK.
CLOSE-UP BACK-VIEW of MX watch the boy fall on KC as they both
tumble to the ground. JR is seen running upto them.
PANEL 4.
FLASHBACK.
CLOSE-UP of MX’s furious eyes.
KC (THOUGHT):
I can’t stop here!
181181
LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
18
PAGE SEVENTEEN (five panels)
PANEL 1.
FLASHBACK.
OVER HEAD-VIEW of the cave. KC stands in front of MX and JR. MX
is trying to get to his feet. JR stands beside him helping him
up. GT is climbing up the ladder about halfway.
KC (THOUGHT):
I couldn’t stop JR…
PANEL 2.
FLASHBACK.
KC’s CLOSE-UP POV of GT climbing up the ladder.
KC (THOUGHT):
…couldn’t save MX.
PANEL 3.
FLASHBACK.
CLOSE-UP OVER HEAD-VIEW looking down at KC.
KC (THOUGHT):
I need to do something!
PANEL 4.
FLASHBACK.
BACK-VIEW of KC walk towards the ladder. GT is just above
halfway.
KC (THOUGHT):
When I’m here, with them, I have a role to play.
PANEL 5.
FLASHBACK.
FRONT-VIEW of JR beside MX, suspiciously looking ahead of him at
KC and JR.
KC (THOUGHT):
I’m not just a face in a crowd.
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
19
PAGE EIGHTEEN (four panels)
PANEL 1.
FLASHBACK.
OVER HEAD-VIEW of KC at the bottom of the ladder.
PANEL 2.
FLASHBACK.
KC’s POV looking up at the rival Rival Gang Member fall down
past GT towards her.
KC (THOUGHT):
—No…
PANEL 3.
FLASHBACK.
CLOSE-UP BACK-VIEW of MX watch the boy fall on KC as they both
tumble to the ground. JR is seen running upto them.
PANEL 4.
FLASHBACK.
CLOSE-UP of MX’s furious eyes.
KC (THOUGHT):
I can’t stop here!
182
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
20
PAGE NINETEEN (five panels)
PANEL 1.
NIGHT.
SIDE-VIEW of MX and KC running down a street. Max holds his bat
in his left hand.
PANEL 2.
BACK-VIEW of MX and KC running down a street.
PANEL 3.
CLOSE-UP of MX look up.
PANEL 4.
MX’s POV of Silverstone’s skyscraper in the distance.
PANEL 5.
OVER HEAD-VIEW of MX and KC running down a street towards the
nice town.
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
21
PAGE TWENTY (five panels)
PANEL 1.
OVER HEAD-VIEW of a black van drive into an empty parking lot
building.
PANEL 2.
BACK-VIEW of the van’s rear double doors open,
PANEL 3.
Left SIDE-VIEW of the Masqueraders disembark, while one drags GT
out.
PANEL 4.
FRONT-VIEW of the van. The Masq. Leader and the driver each have
their doors open and are exiting the vehicle.
PANEL 5.
BACK-VIEW of the Masq. Leader walk forwards. The other
Masqueraders are before him holding GT.
183183
LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
20
PAGE NINETEEN (five panels)
PANEL 1.
NIGHT.
SIDE-VIEW of MX and KC running down a street. Max holds his bat
in his left hand.
PANEL 2.
BACK-VIEW of MX and KC running down a street.
PANEL 3.
CLOSE-UP of MX look up.
PANEL 4.
MX’s POV of Silverstone’s skyscraper in the distance.
PANEL 5.
OVER HEAD-VIEW of MX and KC running down a street towards the
nice town.
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
21
PAGE TWENTY (five panels)
PANEL 1.
OVER HEAD-VIEW of a black van drive into an empty parking lot
building.
PANEL 2.
BACK-VIEW of the van’s rear double doors open,
PANEL 3.
Left SIDE-VIEW of the Masqueraders disembark, while one drags GT
out.
PANEL 4.
FRONT-VIEW of the van. The Masq. Leader and the driver each have
their doors open and are exiting the vehicle.
PANEL 5.
BACK-VIEW of the Masq. Leader walk forwards. The other
Masqueraders are before him holding GT.
184
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
22
PAGE TWENTY ONE (four panels)
PANEL 1.
Masq. Leader’s POV looking down at GT.
MASQ. LEADER (OP):
You awake, Kid?
PANEL 2.
CLOSE-UP of GT groggily looking up.
PANEL 3.
GT’s groggy POV looking up at the Masq. Leader. He has his hands
in his pocket.
MASQ. LEADER:
I’ll take that as a yes.
PANEL 4.
CLOSE-UP of the Masq. Leader’s face mask.
MASQ. LEADER:
Now put on your best smile…
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
23
PAGE TWENTY TWO (five panels)
PANEL 1.
NIGHT.
OVER HEAD-VIEW of the abandoned playground littered with police
and paramedics who are gathering around the area. Tedd is
arguing with a police officer.
MASQ. LEADER (OP):
Mr. Silverstone is just dying to meet you.
TEDD:
So you’re just gonna leave them!
PANEL 2.
SIDE-VIEW of Tedd standing opposite a police officer on the
right having a heat conversation.
TEDD:
They’re just kids! One has been kidnapped, and the others have
run off after those….those thugs!
OFFICER:
I’m sorry son, it’s out of our hands.
PANEL 3.
FRONT-VIEW of Tedd.
TEDD:
Your sorry…
PANEL 4.
BACK-VIEW of JR watching Tedd argue with the police officer.
TEDD:
Isn’t it your job? What’s the matter with you? He only has power
over us if we let him. If the police won’t protect us from
Silverstone, then who will? Huh!
PANEL 5.
CLOSE-UP of JR looking up in shock at hearing the name.
OFFICER (OP):
I’m sorry. We can’t.
185185
LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
22
PAGE TWENTY ONE (four panels)
PANEL 1.
Masq. Leader’s POV looking down at GT.
MASQ. LEADER (OP):
You awake, Kid?
PANEL 2.
CLOSE-UP of GT groggily looking up.
PANEL 3.
GT’s groggy POV looking up at the Masq. Leader. He has his hands
in his pocket.
MASQ. LEADER:
I’ll take that as a yes.
PANEL 4.
CLOSE-UP of the Masq. Leader’s face mask.
MASQ. LEADER:
Now put on your best smile…
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
23
PAGE TWENTY TWO (five panels)
PANEL 1.
NIGHT.
OVER HEAD-VIEW of the abandoned playground littered with police
and paramedics who are gathering around the area. Tedd is
arguing with a police officer.
MASQ. LEADER (OP):
Mr. Silverstone is just dying to meet you.
TEDD:
So you’re just gonna leave them!
PANEL 2.
SIDE-VIEW of Tedd standing opposite a police officer on the
right having a heat conversation.
TEDD:
They’re just kids! One has been kidnapped, and the others have
run off after those….those thugs!
OFFICER:
I’m sorry son, it’s out of our hands.
PANEL 3.
FRONT-VIEW of Tedd.
TEDD:
Your sorry…
PANEL 4.
BACK-VIEW of JR watching Tedd argue with the police officer.
TEDD:
Isn’t it your job? What’s the matter with you? He only has power
over us if we let him. If the police won’t protect us from
Silverstone, then who will? Huh!
PANEL 5.
CLOSE-UP of JR looking up in shock at hearing the name.
OFFICER (OP):
I’m sorry. We can’t.
186
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
24
PAGE TWENTY THREE (five panels)
PANEL 1.
SIDE-VIEW of Tedd arguing with the police officer. See JR
approaching from the background.
TEDD:
Then if you won’t, I’m going after Silverstone myself.
PANEL 2.
FRONT-VIEW of Tedd as he looks down at JR.
TEDD:
I’m sorry, Jerome, I need to go.
PANEL 3.
FRONT-VIEW of Tedd kneeling down with his left hand on JR’s
head. Barely managing a smile.
TEDD:
Your mom will be here soon, just wait for her here okay?
PANEL 4.
FRONT-VIEW of JR look up at Tedd. Tedd hand leaving JR’s head.
PANEL 5.
JR’s POV watching Tedd walk away towards the alleyway exit in
the distance.
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
25
PAGE TWENTY FOUR (four panels)
PANEL 1.
FRONT-VIEW CLOSE-UP of JR.
JR (WHISPERS):
Silverstone…
PANEL 2.
SIDE-VIEW of MX and KC running.
PANEL 3.
SIDE-VIEW CLOSE-UP of MX’s face.
MX (WHISPERS):
Silverstone.
PANEL 4.
FRONT-VIEW OF Tedd strutting down the alleyway, his right hand
is to his ear with a mobile phone in hand.
TEDD (WHISPERS):
Silverstone.
187187
LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
24
PAGE TWENTY THREE (five panels)
PANEL 1.
SIDE-VIEW of Tedd arguing with the police officer. See JR
approaching from the background.
TEDD:
Then if you won’t, I’m going after Silverstone myself.
PANEL 2.
FRONT-VIEW of Tedd as he looks down at JR.
TEDD:
I’m sorry, Jerome, I need to go.
PANEL 3.
FRONT-VIEW of Tedd kneeling down with his left hand on JR’s
head. Barely managing a smile.
TEDD:
Your mom will be here soon, just wait for her here okay?
PANEL 4.
FRONT-VIEW of JR look up at Tedd. Tedd hand leaving JR’s head.
PANEL 5.
JR’s POV watching Tedd walk away towards the alleyway exit in
the distance.
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
25
PAGE TWENTY FOUR (four panels)
PANEL 1.
FRONT-VIEW CLOSE-UP of JR.
JR (WHISPERS):
Silverstone…
PANEL 2.
SIDE-VIEW of MX and KC running.
PANEL 3.
SIDE-VIEW CLOSE-UP of MX’s face.
MX (WHISPERS):
Silverstone.
PANEL 4.
FRONT-VIEW OF Tedd strutting down the alleyway, his right hand
is to his ear with a mobile phone in hand.
TEDD (WHISPERS):
Silverstone.
188
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
26
PAGE TWENTY FIVE (five panels)
PANEL 1.
City Skyline. Silverstone’s building is seen in the centre.
PANEL 2.
Silverstone’s OFFICE INTERIOR.
FRONT-VIEW of an elevator door opening. The Masqueraders and GT
are in the elevator.
PANEL 3.
BACK-VIEW of the Masqueraders walking out of the elevator into a
secretary’s office.
PANEL 4.
SIDE-VIEW of the Masqueraders walk past a secretary’s desk
towards a large double door.
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
27
PAGE TWENTY SIX (five panels)
PANEL 1.
Masq. Leader’s POV looking down at GT. GT has his head down.
MASQ. LEADER (OP):
Wake up kid.
PANEL 2.
CLOSE-UP of GT lift his head up. A line of light shines inn the
centre of his face as the doors open.
MASQ. LEADER (OP):
We’re here.
PANEL 3.
BACK-VIEW of the Masq. Leader pushing the doors open, the other
thugs and GT stand behind him.
MASQ. LEADER:
It’s showtime.
PANEL 4.
WIDE-VIEW of Silverstone’s office. Silverstone stands behind his
desk, looking out of his glass curtain wall.
PANEL 5.
BACK-VIEW CLOSE-UP of Silverstone’s head and shoulder’s as he
turns to look to his left behind him slightly.
189189
LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
26
PAGE TWENTY FIVE (five panels)
PANEL 1.
City Skyline. Silverstone’s building is seen in the centre.
PANEL 2.
Silverstone’s OFFICE INTERIOR.
FRONT-VIEW of an elevator door opening. The Masqueraders and GT
are in the elevator.
PANEL 3.
BACK-VIEW of the Masqueraders walking out of the elevator into a
secretary’s office.
PANEL 4.
SIDE-VIEW of the Masqueraders walk past a secretary’s desk
towards a large double door.
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
27
PAGE TWENTY SIX (five panels)
PANEL 1.
Masq. Leader’s POV looking down at GT. GT has his head down.
MASQ. LEADER (OP):
Wake up kid.
PANEL 2.
CLOSE-UP of GT lift his head up. A line of light shines inn the
centre of his face as the doors open.
MASQ. LEADER (OP):
We’re here.
PANEL 3.
BACK-VIEW of the Masq. Leader pushing the doors open, the other
thugs and GT stand behind him.
MASQ. LEADER:
It’s showtime.
PANEL 4.
WIDE-VIEW of Silverstone’s office. Silverstone stands behind his
desk, looking out of his glass curtain wall.
PANEL 5.
BACK-VIEW CLOSE-UP of Silverstone’s head and shoulder’s as he
turns to look to his left behind him slightly.
190
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
28
PAGE TWENTY SEVEN (five panels)
PANEL 1.
OVER HEAD-VIEW the city streets. A black limousine driving along
the road.
PANEL 2.
FRONT-VIEW of JR and his mother sitting at the back of a car
together.
JR:
Where’s dad?
JR’s MOTHER:
He’s got that important meeting tonight across town remember.
JR:
…With Mr. Silverstone?
JR’s MOTHER:
Yes, that’s right. With Mr. Silverstone. Why?
PANEL 3.
CLOSE-UP of JR looking to the side out of the window of the car.
PANEL 4.
JR’s POV of MX and KC running ahead.
PANEL 5.
OVER HEAD-VIEW of JR’s car turn left, while KC and MX are seen
running straight ahead.
PANEL 6.
BACK-VIEW of MX running. KC stops behind him, leaning over with
her hands on her thighs.
JR (OP):
I…
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
29
PAGE TWENTY EIGHT (six panels)
PANEL 1.
FRONT-VIEW of KC looking exhausted and flushed. She looks up at
MX.
KC:
Max!
PANEL 2.
FRONT-VIEW of MX stopping. See KC behind him walking upto him.
PANEL 3.
CLOSE-UP of MX looking flushed, and out of breath. But still
looks as determined as ever.
PANEL 4.
CLOSE-UP of Tedd frowning.
MX:
Max is in trouble.
PANEL 5.
BACK-VIEW of Tedd crossing a road towards Cyn standing ahead of
him, leaning against a black van. She is in a black suit like
the Masqueraders, but she don’t wear a hat or a mask. She has
brown hair like MX, in a ponytail, down to the middle of her
back.
PANEL 6.
CLOSE-UP of Cyn turn her head to her left over her shoulder to
look at Tedd.
CYN:
Of course he is…
THE END
191191
LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
28
PAGE TWENTY SEVEN (five panels)
PANEL 1.
OVER HEAD-VIEW the city streets. A black limousine driving along
the road.
PANEL 2.
FRONT-VIEW of JR and his mother sitting at the back of a car
together.
JR:
Where’s dad?
JR’s MOTHER:
He’s got that important meeting tonight across town remember.
JR:
…With Mr. Silverstone?
JR’s MOTHER:
Yes, that’s right. With Mr. Silverstone. Why?
PANEL 3.
CLOSE-UP of JR looking to the side out of the window of the car.
PANEL 4.
JR’s POV of MX and KC running ahead.
PANEL 5.
OVER HEAD-VIEW of JR’s car turn left, while KC and MX are seen
running straight ahead.
PANEL 6.
BACK-VIEW of MX running. KC stops behind him, leaning over with
her hands on her thighs.
JR (OP):
I…
Lost Boys • Script • Volume #1, Issue #04 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
29
PAGE TWENTY EIGHT (six panels)
PANEL 1.
FRONT-VIEW of KC looking exhausted and flushed. She looks up at
MX.
KC:
Max!
PANEL 2.
FRONT-VIEW of MX stopping. See KC behind him walking upto him.
PANEL 3.
CLOSE-UP of MX looking flushed, and out of breath. But still
looks as determined as ever.
PANEL 4.
CLOSE-UP of Tedd frowning.
MX:
Max is in trouble.
PANEL 5.
BACK-VIEW of Tedd crossing a road towards Cyn standing ahead of
him, leaning against a black van. She is in a black suit like
the Masqueraders, but she don’t wear a hat or a mask. She has
brown hair like MX, in a ponytail, down to the middle of her
back.
PANEL 6.
CLOSE-UP of Cyn turn her head to her left over her shoulder to
look at Tedd.
CYN:
Of course he is…
THE END
192
Issue #5Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
“LOST BOYS”
SCRIPT (ISSUE #5)
Written by
Tari Eguruze
18 Frere Street
Battersea
London
England
U.K
SW11 2JA
075 4080 5290
193193
LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
“LOST BOYS”
SCRIPT (ISSUE #5)
Written by
Tari Eguruze
18 Frere Street
Battersea
London
England
U.K
SW11 2JA
075 4080 5290
194
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
2
PAGE ONE (four panels)
CREDITS PAGE
PANEL 1.
SIDE-VIEW of Cyn standing opposite Tedd. Cyn on the left, Tedd
on the right. A van is parked beside Cyn.
MX:
Max is in trouble.
CYN:
Of course he is…
PANEL 2.
SIDE-VIEW CLOSE-UP of Cyn.
CYN:
Well?
PANEL 3.
SIDE-VIEW CLOSE-UP of Tedd.
CYN (OP):
What the fuck do you expect me to do about it?
PANEL 4.
WIDE-VIEW of the city skyline. Silverstone’s skyscraper is seen
amongst the buildings.
TEDD (OP):
Cyn…
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
3
PAGE TWO (six panels)
PANEL 1.
WIDE-VIEW of Silverstone’s office INTERIOR.
BACK-VIEW of the Masqueraders standing with GT just watching and
waiting for Silverstone to acknowledge them. Silverstone stands
behind his desk, looking out of his glass curtain wall with his
hands coupled behind his back.
PANEL 2.
Right SIDE-VIEW of the Masq. Leader.
PANEL 3.
CLOSE-UP of GT looking ahead at Silverstone.
PANEL 4.
BACK-VIEW of Silverstone.
PANEL 5.
Right SIDE-VIEW of Silverstone looking out of the window.
PANEL 6.
Silverstone’s POV of the city out of the window.
195195
LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
2
PAGE ONE (four panels)
CREDITS PAGE
PANEL 1.
SIDE-VIEW of Cyn standing opposite Tedd. Cyn on the left, Tedd
on the right. A van is parked beside Cyn.
MX:
Max is in trouble.
CYN:
Of course he is…
PANEL 2.
SIDE-VIEW CLOSE-UP of Cyn.
CYN:
Well?
PANEL 3.
SIDE-VIEW CLOSE-UP of Tedd.
CYN (OP):
What the fuck do you expect me to do about it?
PANEL 4.
WIDE-VIEW of the city skyline. Silverstone’s skyscraper is seen
amongst the buildings.
TEDD (OP):
Cyn…
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
3
PAGE TWO (six panels)
PANEL 1.
WIDE-VIEW of Silverstone’s office INTERIOR.
BACK-VIEW of the Masqueraders standing with GT just watching and
waiting for Silverstone to acknowledge them. Silverstone stands
behind his desk, looking out of his glass curtain wall with his
hands coupled behind his back.
PANEL 2.
Right SIDE-VIEW of the Masq. Leader.
PANEL 3.
CLOSE-UP of GT looking ahead at Silverstone.
PANEL 4.
BACK-VIEW of Silverstone.
PANEL 5.
Right SIDE-VIEW of Silverstone looking out of the window.
PANEL 6.
Silverstone’s POV of the city out of the window.
196
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
4
PAGE THREE (four panels)
PANEL 1.
FRONT-VIEW of Silverstone standing behind the window.
PANEL 2.
CLOSE-UP Left SIDE-VIEW of Silverstone’s face.
SILVERSTONE:
Peter never got along with his father
PANEL 3.
BACK-VIEW of Silverstone.
SILVERSTONE:
He was a tyrannical, abusive, drunk.
PANEL 4.
FLASHBACK
Early 20th Century Setting.
A woman huddles up with her pre-teen son in the corner of the
room.
SILVERSTONE (OP):
His mother, was a timid little thing.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
5
PAGE FOUR (four panels)
PANEL 1.
FLASHBACK
Early 20th Century Setting.
The woman’s POV looking up at the man standing in an imposing
stance.
SILVERSTONE (OP):
Always careful never to rub him the wrong way, or to step on his
toes when he was enjoying his drink.
PANEL 2.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP of the woman’s face, cuddled next to Peter. His eyes
are closed.
SILVERSTONE:
Despite how poorly he treated her and Peter, she still loved
him, and refused to leave.
PANEL 3.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP of Peter open his eyes.
SILVERSTONE:
One day, Peter came to the realization that if his mother would
not stand upto his father, then the task was down to him.
PANEL 4.
FLASHBACK
Early 20th Century Setting.
Peter’s POV watching the man walk away through the adjacent
dorrway.
SILVERSTONE:
He was convinced that it was his duty to protect himself and his
mother from his father.
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THE JOURNEY
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
4
PAGE THREE (four panels)
PANEL 1.
FRONT-VIEW of Silverstone standing behind the window.
PANEL 2.
CLOSE-UP Left SIDE-VIEW of Silverstone’s face.
SILVERSTONE:
Peter never got along with his father
PANEL 3.
BACK-VIEW of Silverstone.
SILVERSTONE:
He was a tyrannical, abusive, drunk.
PANEL 4.
FLASHBACK
Early 20th Century Setting.
A woman huddles up with her pre-teen son in the corner of the
room.
SILVERSTONE (OP):
His mother, was a timid little thing.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
5
PAGE FOUR (four panels)
PANEL 1.
FLASHBACK
Early 20th Century Setting.
The woman’s POV looking up at the man standing in an imposing
stance.
SILVERSTONE (OP):
Always careful never to rub him the wrong way, or to step on his
toes when he was enjoying his drink.
PANEL 2.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP of the woman’s face, cuddled next to Peter. His eyes
are closed.
SILVERSTONE:
Despite how poorly he treated her and Peter, she still loved
him, and refused to leave.
PANEL 3.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP of Peter open his eyes.
SILVERSTONE:
One day, Peter came to the realization that if his mother would
not stand upto his father, then the task was down to him.
PANEL 4.
FLASHBACK
Early 20th Century Setting.
Peter’s POV watching the man walk away through the adjacent
dorrway.
SILVERSTONE:
He was convinced that it was his duty to protect himself and his
mother from his father.
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Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
7
PAGE FIVE (four panels)
PANEL 1.
FLASHBACK
Early 20th Century Setting.
OVER HEAD-VIEW of Peter with his mother in the corner of the
room. A table and chair are tossed over onto their sides.
SILVERSTONE:
He surmised that it was essentially just a waiting game.
PANEL 2.
FLASHBACK
Early 20th Century Setting.
WIDE-VIEW of an office with a ship in a bottle on the desk.
SILVERSTONE:
That once he was old enough, he’d be able to take on his father
all by himself. He had to be both physically and mentally
prepared.
PANEL 3.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP of the Pirate ship inside of a wine bottle.
SILVERSTONE:
And so when the day finally came that the sounds of his mother’s
cries were just too much for him—but just enough to give him the
courage—he took one of his father’s prized impossible bottles…
PANEL 4.
FLASHBACK
Early 20th Century Setting.
Peter’s POV looking down at an unconscious man on the floor in
the office.
SILVERSTONE:
…and cracked his old man over the head with it.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
8
PAGE SIX (four panels)
PANEL 1.
FLASHBACK
Early 20th Century Setting.
BACK-VIEW of Peter standing over the unconscious man. Peter has
a broken bottle in hand. Shards of glass lay around the man’s
head, and a blood is beginning to pool beneath him too.
SILVERSTONE:
That was the end of all his problems…
PANEL 2.
FLASHBACK
Early 20th Century Setting.
FRONT-VIEW of the woman standing between a doorway.
SILVERSTONE:
Or so he thought.
PANEL 3.
FLASHBACK
Early 20th Century Setting.
FRONT-VIEW of Peter turning around, crying and smiling. Still
with the bottle in hand.
SILVERSTONE:
Peter turned to his mother.
PANEL 4.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP of Peter crying tears of joy.
SILVERSTONE:
His eyes swelling with tears.
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
7
PAGE FIVE (four panels)
PANEL 1.
FLASHBACK
Early 20th Century Setting.
OVER HEAD-VIEW of Peter with his mother in the corner of the
room. A table and chair are tossed over onto their sides.
SILVERSTONE:
He surmised that it was essentially just a waiting game.
PANEL 2.
FLASHBACK
Early 20th Century Setting.
WIDE-VIEW of an office with a ship in a bottle on the desk.
SILVERSTONE:
That once he was old enough, he’d be able to take on his father
all by himself. He had to be both physically and mentally
prepared.
PANEL 3.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP of the Pirate ship inside of a wine bottle.
SILVERSTONE:
And so when the day finally came that the sounds of his mother’s
cries were just too much for him—but just enough to give him the
courage—he took one of his father’s prized impossible bottles…
PANEL 4.
FLASHBACK
Early 20th Century Setting.
Peter’s POV looking down at an unconscious man on the floor in
the office.
SILVERSTONE:
…and cracked his old man over the head with it.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
8
PAGE SIX (four panels)
PANEL 1.
FLASHBACK
Early 20th Century Setting.
BACK-VIEW of Peter standing over the unconscious man. Peter has
a broken bottle in hand. Shards of glass lay around the man’s
head, and a blood is beginning to pool beneath him too.
SILVERSTONE:
That was the end of all his problems…
PANEL 2.
FLASHBACK
Early 20th Century Setting.
FRONT-VIEW of the woman standing between a doorway.
SILVERSTONE:
Or so he thought.
PANEL 3.
FLASHBACK
Early 20th Century Setting.
FRONT-VIEW of Peter turning around, crying and smiling. Still
with the bottle in hand.
SILVERSTONE:
Peter turned to his mother.
PANEL 4.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP of Peter crying tears of joy.
SILVERSTONE:
His eyes swelling with tears.
200
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
9
PAGE SEVEN (four panels)
PANEL 1.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP of the broken bottle dripping with blood still gripped
by the bottle neck in his right hand.
SILVERSTONE:
His father’s blood dripping from the broken bottle—still firmly
sealed in his right hand—expecting a rush of gratitude and
praise from the woman he risked it all for.
PANEL 2.
OVER HEAD-VIEW of the woman charge towards Peter in a monstrous
fasion with her arms up in the air. Peter steps back afraid. The
man’s body still lying at their feet.
SILVERSTONE:
Instead…she barreled at him, screeching like a banshee, rabid
and seething with fury.
PANEL 3.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP of the rabid and furious woman charge forwards, crying
and screaming.
SILVERSTONE:
And in one quick instinctive motion from Peter…
PANEL 4.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP of Peter’s horrified and astonished expression. Specks
of blood across his face.
SILVERSTONE:
He was Peter Pan, the orphan.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
10
PAGE EIGHT (four panels)
PANEL 1.
FLASHBACK
Early 20th Century Setting.
BACK-VIEW of Peter with a man and woman both lying at his feet.
The bottle still in hand.
SILVERSTONE:
Forever reliving the brutality of his action which led him to
his current position.
PANEL 2.
FLASHBACK
Early 20th Century Setting.
OVER HEAD-VIEW of Peter standing in the office, with the man and
woman lying at his feet in pools of blood.
SILVERSTONE:
Refusing to grow up, and believing that all was as it once was,
when he safe within the embrace of his mother.
PANEL 3.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP of Peter drop the bottle.
SILVERSTONE:
If only he had never grown up.
PANEL 4.
FLASHBACK
Early 20th Century Setting.
BACK-VIEW of Peter running out of the room through the door.
SILVERSTONE:
If only he hadn’t taken responsibility.
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THE JOURNEY
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
9
PAGE SEVEN (four panels)
PANEL 1.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP of the broken bottle dripping with blood still gripped
by the bottle neck in his right hand.
SILVERSTONE:
His father’s blood dripping from the broken bottle—still firmly
sealed in his right hand—expecting a rush of gratitude and
praise from the woman he risked it all for.
PANEL 2.
OVER HEAD-VIEW of the woman charge towards Peter in a monstrous
fasion with her arms up in the air. Peter steps back afraid. The
man’s body still lying at their feet.
SILVERSTONE:
Instead…she barreled at him, screeching like a banshee, rabid
and seething with fury.
PANEL 3.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP of the rabid and furious woman charge forwards, crying
and screaming.
SILVERSTONE:
And in one quick instinctive motion from Peter…
PANEL 4.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP of Peter’s horrified and astonished expression. Specks
of blood across his face.
SILVERSTONE:
He was Peter Pan, the orphan.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
10
PAGE EIGHT (four panels)
PANEL 1.
FLASHBACK
Early 20th Century Setting.
BACK-VIEW of Peter with a man and woman both lying at his feet.
The bottle still in hand.
SILVERSTONE:
Forever reliving the brutality of his action which led him to
his current position.
PANEL 2.
FLASHBACK
Early 20th Century Setting.
OVER HEAD-VIEW of Peter standing in the office, with the man and
woman lying at his feet in pools of blood.
SILVERSTONE:
Refusing to grow up, and believing that all was as it once was,
when he safe within the embrace of his mother.
PANEL 3.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP of Peter drop the bottle.
SILVERSTONE:
If only he had never grown up.
PANEL 4.
FLASHBACK
Early 20th Century Setting.
BACK-VIEW of Peter running out of the room through the door.
SILVERSTONE:
If only he hadn’t taken responsibility.
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Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
11
PAGE NINE (four panels)
PANEL 1.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP SIDE-VIEW of Peter running to the left.
SILVERSTONE:
If only he accepted his life for what it was.
PANEL 2.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP of Peter’s face as he is running.
SILVERSTONE:
If only.
PANEL 3.
FLASHBACK
Early 20th Century Setting.
BACK-VIEW of Peter opening the front door.
SILVERSTONE:
No more bed time stories.
PANEL 4.
FLASHBACK
Early 20th Century Setting.
OVER HEAD-VIEW of a woman lying in a pool of blood on the floor.
SILVERSTONE:
No more mother.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
12
PAGE TEN (four panels)
PANEL 1.
FLASHBACK
Early 20th Century Setting.
OVER HEAD-VIEW of a man lying in a pool of blood on the floor.
SILVERSTONE:
No more father.
PANEL 2.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP of a pirate ship model floating in a puddle of blood.
SILVERSTONE:
Only the image of his father’s ship, laying beside his head,
wading in a puddle of his own blood, keeping him up all night
for the rest of his life, as long as he lives.
PANEL 3.
FLASHBACK
Early 20th Century Setting.
BACK-VIEW of the front door wide open.
SILVERSTONE:
Forever immortalized in the world of his mind.
PANEL 4.
CLOSE-UP Right SIDE-VIEW of Silverstone’s face.
SILVERSTONE:
Peter Pan of Neverland, the boy who never grew up.
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THE JOURNEY
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
11
PAGE NINE (four panels)
PANEL 1.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP SIDE-VIEW of Peter running to the left.
SILVERSTONE:
If only he accepted his life for what it was.
PANEL 2.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP of Peter’s face as he is running.
SILVERSTONE:
If only.
PANEL 3.
FLASHBACK
Early 20th Century Setting.
BACK-VIEW of Peter opening the front door.
SILVERSTONE:
No more bed time stories.
PANEL 4.
FLASHBACK
Early 20th Century Setting.
OVER HEAD-VIEW of a woman lying in a pool of blood on the floor.
SILVERSTONE:
No more mother.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
12
PAGE TEN (four panels)
PANEL 1.
FLASHBACK
Early 20th Century Setting.
OVER HEAD-VIEW of a man lying in a pool of blood on the floor.
SILVERSTONE:
No more father.
PANEL 2.
FLASHBACK
Early 20th Century Setting.
CLOSE-UP of a pirate ship model floating in a puddle of blood.
SILVERSTONE:
Only the image of his father’s ship, laying beside his head,
wading in a puddle of his own blood, keeping him up all night
for the rest of his life, as long as he lives.
PANEL 3.
FLASHBACK
Early 20th Century Setting.
BACK-VIEW of the front door wide open.
SILVERSTONE:
Forever immortalized in the world of his mind.
PANEL 4.
CLOSE-UP Right SIDE-VIEW of Silverstone’s face.
SILVERSTONE:
Peter Pan of Neverland, the boy who never grew up.
204
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
13
PAGE ELEVEN (six panels)
PANEL 1.
BACK-VIEW of Silverstone turn around, walking towards the right
of his desk.
PANEL 2.
Left SIDE-VIEW of Silverstone walk across the room, picking his
trench coat and hat from a coat stand.
MASQ. LEADER (OP):
Er…Great story boss…
PANEL 3.
CLOSE-UP of the Masq. Leader.
MASQ. LEADER:
What should we do with the kid.
PANEL 4.
FRONT-VIEW of Silverstone holding his coat draped over his right
forearm, his hat in hand, not looking up while speaking.
SILVERSTONE:
Hmmm. Just dump him. He’s leant his lesson.
PANEL 5.
CLOSE-UP of Silverstone placing his hat on his head.
SILVERSTONE:
Haven’t you boy?
PANEL 6.
CLOSE-UP of GT looking down, he is still being held by his
collar.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
14
PAGE TWELVE (five panels)
PANEL 1.
SIDE-VIEW of Silverstone walk through the Masqueraders and GT,
pushing open the door. The Masq. Leader looks to Silverstone as
he walks past.
MASQ. LEADER:
Uh-huh. Right…
PANEL 2.
Masq. Leader’s POV of Silverstone walk upto the secretary’s desk
through the open crack of the door as it closes.
PANEL 3.
SIDE-VIEW of Silverstone at the desk.
PANEL 4.
Secretary’s POV looking up at Silverstone, towering above her.
SILVERSTONE:
Let Logan know I’m on my way down now.
PANEL 5.
FRONT-VIEW of the secretary’s desk. BACK-VIEW of Silverstone
walking away left towards the elevator. The secretary is on the
phone looking to Silverstone.
SECRETARY:
Yessir.
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THE JOURNEY
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
13
PAGE ELEVEN (six panels)
PANEL 1.
BACK-VIEW of Silverstone turn around, walking towards the right
of his desk.
PANEL 2.
Left SIDE-VIEW of Silverstone walk across the room, picking his
trench coat and hat from a coat stand.
MASQ. LEADER (OP):
Er…Great story boss…
PANEL 3.
CLOSE-UP of the Masq. Leader.
MASQ. LEADER:
What should we do with the kid.
PANEL 4.
FRONT-VIEW of Silverstone holding his coat draped over his right
forearm, his hat in hand, not looking up while speaking.
SILVERSTONE:
Hmmm. Just dump him. He’s leant his lesson.
PANEL 5.
CLOSE-UP of Silverstone placing his hat on his head.
SILVERSTONE:
Haven’t you boy?
PANEL 6.
CLOSE-UP of GT looking down, he is still being held by his
collar.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
14
PAGE TWELVE (five panels)
PANEL 1.
SIDE-VIEW of Silverstone walk through the Masqueraders and GT,
pushing open the door. The Masq. Leader looks to Silverstone as
he walks past.
MASQ. LEADER:
Uh-huh. Right…
PANEL 2.
Masq. Leader’s POV of Silverstone walk upto the secretary’s desk
through the open crack of the door as it closes.
PANEL 3.
SIDE-VIEW of Silverstone at the desk.
PANEL 4.
Secretary’s POV looking up at Silverstone, towering above her.
SILVERSTONE:
Let Logan know I’m on my way down now.
PANEL 5.
FRONT-VIEW of the secretary’s desk. BACK-VIEW of Silverstone
walking away left towards the elevator. The secretary is on the
phone looking to Silverstone.
SECRETARY:
Yessir.
206
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
15
PAGE THIRTEEN (four panels)
PANEL 1.
FRONT-VIEW of the Masq. Leader push through the door, walking
out of Silverstone’s office. GT is being held by the other thugs
behind the Leader.
PANEL 2.
CLOSE-UP of the Leader’s face. He nods slightly to Silverstone.
PANEL 3.
Masq. Leader’s POV of Silverstone in the elevator shaft as the
doors are closing.
PANEL 4.
CLOSE-UP of Silverstone’s face and shoulders, the elevator doors
are five inches from closing. Silverstone looks ahead and nods
slightly.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
16
PAGE FOURTEEN (five panels)
PANEL 1.
BACK-VIEW of Cyn getting into her black van.
CYN:
You’ve been with him all this time—
PANEL 2.
SIDE-VIEW of Cyn in the driver’s seat closing the door.
CYN:
—you probably know him better than I do—
PANEL 3.
CLOSE-UP of Tedd’s left hand grabbing the door before it shuts.
CYN (OP):
—I’m sure you can handle this…
TEDD:
LOOK!
PANEL 4.
Tedd’s POV looking up at Cyn squinting and scowling, looking
down at Tedd.
TEDD:
Max is in trouble. I can’t do this alone. He’s gone AWOL-again-
and he needs to know that his family are here for him.
PANEL 5.
Cyn’s POV looking down at Tedd. Tedd is standing between her and
the door, scowling and looking up at her, with an unwavering
strong expression. His left arm still firmly holding the door
open.
TEDD:
If he’s got himself into something that he can’t handle alone,
and has the urge to run, then it’s US he needs to run to! We
need to find him, and help him. Now.
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THE JOURNEY
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
15
PAGE THIRTEEN (four panels)
PANEL 1.
FRONT-VIEW of the Masq. Leader push through the door, walking
out of Silverstone’s office. GT is being held by the other thugs
behind the Leader.
PANEL 2.
CLOSE-UP of the Leader’s face. He nods slightly to Silverstone.
PANEL 3.
Masq. Leader’s POV of Silverstone in the elevator shaft as the
doors are closing.
PANEL 4.
CLOSE-UP of Silverstone’s face and shoulders, the elevator doors
are five inches from closing. Silverstone looks ahead and nods
slightly.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
16
PAGE FOURTEEN (five panels)
PANEL 1.
BACK-VIEW of Cyn getting into her black van.
CYN:
You’ve been with him all this time—
PANEL 2.
SIDE-VIEW of Cyn in the driver’s seat closing the door.
CYN:
—you probably know him better than I do—
PANEL 3.
CLOSE-UP of Tedd’s left hand grabbing the door before it shuts.
CYN (OP):
—I’m sure you can handle this…
TEDD:
LOOK!
PANEL 4.
Tedd’s POV looking up at Cyn squinting and scowling, looking
down at Tedd.
TEDD:
Max is in trouble. I can’t do this alone. He’s gone AWOL-again-
and he needs to know that his family are here for him.
PANEL 5.
Cyn’s POV looking down at Tedd. Tedd is standing between her and
the door, scowling and looking up at her, with an unwavering
strong expression. His left arm still firmly holding the door
open.
TEDD:
If he’s got himself into something that he can’t handle alone,
and has the urge to run, then it’s US he needs to run to! We
need to find him, and help him. Now.
208
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
17
PAGE FIFTEEN (four panels)
PANEL 1.
SIDE-VIEW of Cyn’s upper body turn to look ahead while in the
van. Her hands are on the steering wheel.
CYN:
Fine—
PANEL 2.
CLOSE-UP of Cyn’s mouth.
CYN:
—Get in.
PANEL 3.
OVER HEAD-VIEW of Tedd running around the Van to get in the
passenger seat.
TEDD (OP):
Good. We’re are we going?
CYN (OP):
Where else?
PANEL 4.
OVER HEAD-VIEW of the city.
CYN (OP):
To see my boss…
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
18
PAGE SIXTEEN (five panels)
PANEL 1.
BACK-VIEW of Silverstone walking towards the exit of his
building. He is heading towards a revolving door.
PANEL 2.
CLOSE-UP BACK-VIEW of Silverstone walking through the Revolving
door.
PANEL 3.
CLOSE-UP SIDE-VIEW of Silverstone walking out of the building.
DOOR MAN (OP):
Mr. Silverstone.
PANEL 4.
Silverstone’s POV looking at a black car before him, the door
held open the doorman.
PANEL 5.
BACK-VIEW of Silverstone getting into the car, the doorman holds
the door open.
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LOST BOYS
THE JOURNEY
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
17
PAGE FIFTEEN (four panels)
PANEL 1.
SIDE-VIEW of Cyn’s upper body turn to look ahead while in the
van. Her hands are on the steering wheel.
CYN:
Fine—
PANEL 2.
CLOSE-UP of Cyn’s mouth.
CYN:
—Get in.
PANEL 3.
OVER HEAD-VIEW of Tedd running around the Van to get in the
passenger seat.
TEDD (OP):
Good. We’re are we going?
CYN (OP):
Where else?
PANEL 4.
OVER HEAD-VIEW of the city.
CYN (OP):
To see my boss…
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
18
PAGE SIXTEEN (five panels)
PANEL 1.
BACK-VIEW of Silverstone walking towards the exit of his
building. He is heading towards a revolving door.
PANEL 2.
CLOSE-UP BACK-VIEW of Silverstone walking through the Revolving
door.
PANEL 3.
CLOSE-UP SIDE-VIEW of Silverstone walking out of the building.
DOOR MAN (OP):
Mr. Silverstone.
PANEL 4.
Silverstone’s POV looking at a black car before him, the door
held open the doorman.
PANEL 5.
BACK-VIEW of Silverstone getting into the car, the doorman holds
the door open.
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Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
19
PAGE SEVENTEEN (four panels)
PANEL 1.
WIDE-VIEW of the car interior backseat. There is a wide “U”
shape sofa as the backseat. Jerome Logan sr. is sitting in the
back of the car as Silverstone sits opposite him.
PANEL 2.
CLOSE-UP of Logan sr.
PANEL 3.
FRONT-VIEW of Silverstone taking his hat off, obscuring his
face.
LOGAN:
Dominic.
PANEL 4.
CLOSE-UP of Silverstone’s face.
SILVERSTONE:
Logan.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
20
PAGE EIGHTEEN (four panels)
PANEL 1.
Silverstone’s BACK-VIEW POV of the driver with his head turned
to his right.
SILVERSTONE (OP):
We’re late—
PANEL 2.
SIDE-VIEW of the car starting to drive off. See the building
entrance behind, the doorman standing beside the revolving door.
Watching the car drive off.
SILVERSTONE (OP):
—Let’s go.
PANEL 3.
Doorman’s POV watching the car drive off.
PANEL 4.
OVER HEAD-VIEW of the car driving through the city.
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Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
19
PAGE SEVENTEEN (four panels)
PANEL 1.
WIDE-VIEW of the car interior backseat. There is a wide “U”
shape sofa as the backseat. Jerome Logan sr. is sitting in the
back of the car as Silverstone sits opposite him.
PANEL 2.
CLOSE-UP of Logan sr.
PANEL 3.
FRONT-VIEW of Silverstone taking his hat off, obscuring his
face.
LOGAN:
Dominic.
PANEL 4.
CLOSE-UP of Silverstone’s face.
SILVERSTONE:
Logan.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
20
PAGE EIGHTEEN (four panels)
PANEL 1.
Silverstone’s BACK-VIEW POV of the driver with his head turned
to his right.
SILVERSTONE (OP):
We’re late—
PANEL 2.
SIDE-VIEW of the car starting to drive off. See the building
entrance behind, the doorman standing beside the revolving door.
Watching the car drive off.
SILVERSTONE (OP):
—Let’s go.
PANEL 3.
Doorman’s POV watching the car drive off.
PANEL 4.
OVER HEAD-VIEW of the car driving through the city.
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Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
21
PAGE NINETEEN (five panels)
PANEL 1.
CLOSE-UP of MX’s exhausted face as he’s running down the street.
KC is seen beside him on the left, and slightly behind him, just
as exhausted.
PANEL 2.
BACK-VIEW of MX and KC running.
KC:
Max…
PANEL 3.
KC’s exhausted face as she tries to speak.
KC:
Max!
PANEL 4.
Left SIDE-VIEW of MX and KC. KC is seemingly stopping. MX is
looking at KC.
PANEL 5.
CLOSE-UP of MX eyes shift to the right.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
22
PAGE TWENTY (six panels)
PANEL 1.
POV of Silverstone’s car driving around a corner in the
distance.
PANEL 2.
FRONT-VIEW of MX stopping and looking curiously ahead.
MX:
That car…
PANEL 3.
FRONT-VIEW of KC, with her hands on her thighs, bent over
slightly.
KC:
What?
PANEL 4.
FRONT-VIEW of MX pointing behind him towards the street he saw
the car. He looks frantic. BACK-VIEW of KC standing in front of
him.
MX:
Did you see it? It came from his building!
PANEL 5.
BACK-VIEW of KC. See MX turn and run across the street.
MX:
Come on!
PANEL 6.
CLOSE-UP of KC roll her eyes.
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Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
21
PAGE NINETEEN (five panels)
PANEL 1.
CLOSE-UP of MX’s exhausted face as he’s running down the street.
KC is seen beside him on the left, and slightly behind him, just
as exhausted.
PANEL 2.
BACK-VIEW of MX and KC running.
KC:
Max…
PANEL 3.
KC’s exhausted face as she tries to speak.
KC:
Max!
PANEL 4.
Left SIDE-VIEW of MX and KC. KC is seemingly stopping. MX is
looking at KC.
PANEL 5.
CLOSE-UP of MX eyes shift to the right.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
22
PAGE TWENTY (six panels)
PANEL 1.
POV of Silverstone’s car driving around a corner in the
distance.
PANEL 2.
FRONT-VIEW of MX stopping and looking curiously ahead.
MX:
That car…
PANEL 3.
FRONT-VIEW of KC, with her hands on her thighs, bent over
slightly.
KC:
What?
PANEL 4.
FRONT-VIEW of MX pointing behind him towards the street he saw
the car. He looks frantic. BACK-VIEW of KC standing in front of
him.
MX:
Did you see it? It came from his building!
PANEL 5.
BACK-VIEW of KC. See MX turn and run across the street.
MX:
Come on!
PANEL 6.
CLOSE-UP of KC roll her eyes.
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Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
23
PAGE TWENTY ONE (seven panels)
PANEL 1.
FRONT-VIEW of KC running across the street.
PANEL 2.
CLOSE-UP FRONT-VIEW of a black van driving fast.
PANEL 3.
CLOSE-UP of KC looking to her right surprised as the car heads
towards her.
PANEL 4.
BACK-VIEW of MX stop and whip his head around.
PANEL 5.
MX’s POV of a black van speed down the road KC was running
across. KC isn’t in sight. The Masq. Leader is seen in the
passenger seat.
PANEL 6.
CLOSE-UP POV of the Masq. Leader in the passenger seat of the
van as it drives off.
PANEL 7.
CLOSE-UP of MX face looking shocked and horrified.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
24
PAGE TWENTY TWO (seven panels)
PANEL 1.
FRONT-VIEW of KC falling on her back. She jumped out of the way
of the van.
PANEL 2.
BACK-VIEW of KC on the ground, MX runs up to her.
PANEL 3.
FRONT-VIEW of KC getting up.
PANEL 4.
FRONT-VIEW of MX pulling KC up. MX looks almost rabid as he is
screaming at KC.
PANEL 5.
CLOSE-UP of KC.
PANEL 6.
BACK-VIEW of KC and MX looking towards the van in the distance.
PANEL 7.
SIDE-VIEW of KC facing left. A blur of MX is seen running past
KC.
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Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
23
PAGE TWENTY ONE (seven panels)
PANEL 1.
FRONT-VIEW of KC running across the street.
PANEL 2.
CLOSE-UP FRONT-VIEW of a black van driving fast.
PANEL 3.
CLOSE-UP of KC looking to her right surprised as the car heads
towards her.
PANEL 4.
BACK-VIEW of MX stop and whip his head around.
PANEL 5.
MX’s POV of a black van speed down the road KC was running
across. KC isn’t in sight. The Masq. Leader is seen in the
passenger seat.
PANEL 6.
CLOSE-UP POV of the Masq. Leader in the passenger seat of the
van as it drives off.
PANEL 7.
CLOSE-UP of MX face looking shocked and horrified.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
24
PAGE TWENTY TWO (seven panels)
PANEL 1.
FRONT-VIEW of KC falling on her back. She jumped out of the way
of the van.
PANEL 2.
BACK-VIEW of KC on the ground, MX runs up to her.
PANEL 3.
FRONT-VIEW of KC getting up.
PANEL 4.
FRONT-VIEW of MX pulling KC up. MX looks almost rabid as he is
screaming at KC.
PANEL 5.
CLOSE-UP of KC.
PANEL 6.
BACK-VIEW of KC and MX looking towards the van in the distance.
PANEL 7.
SIDE-VIEW of KC facing left. A blur of MX is seen running past
KC.
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Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
25
PAGE TWENTY THREE (three panels)
PANEL 1.
BACK-VIEW of KC and MX running down the street.
PANEL 2.
OVER HEAD-VIEW of KC and MX running down the street. The van
seen in the distance Heading towards a building with an open
garage in the distance.
PANEL 3.
OVER HEAD-VIEW of the city. See Silverstone’s car driving
towards an office building. See Cyn’s van driving towards the
same office building.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
26
PAGE TWENTY FOUR (five panels)
PANEL 1.
FRONT-VIEW of a garage door open.
PANEL 2.
FRONT-VIEW of a black van driving forwards. The Masq. Leader is
in the left passenger seat.
PANEL 3.
BACK-VIEW of the black van driving.
PANEL 4.
SIDE-VIEW of the black van driving into the garage.
PANEL 5.
FRONT-VIEW of the garage door close.
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THE JOURNEY
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
25
PAGE TWENTY THREE (three panels)
PANEL 1.
BACK-VIEW of KC and MX running down the street.
PANEL 2.
OVER HEAD-VIEW of KC and MX running down the street. The van
seen in the distance Heading towards a building with an open
garage in the distance.
PANEL 3.
OVER HEAD-VIEW of the city. See Silverstone’s car driving
towards an office building. See Cyn’s van driving towards the
same office building.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
26
PAGE TWENTY FOUR (five panels)
PANEL 1.
FRONT-VIEW of a garage door open.
PANEL 2.
FRONT-VIEW of a black van driving forwards. The Masq. Leader is
in the left passenger seat.
PANEL 3.
BACK-VIEW of the black van driving.
PANEL 4.
SIDE-VIEW of the black van driving into the garage.
PANEL 5.
FRONT-VIEW of the garage door close.
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Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
27
PAGE TWENTY FIVE (five panels)
PANEL 1.
FRONT-VIEW of MX and KC running.
PANEL 2.
CLOSE-UP of MX shouting.
MX:
There!
PANEL 3.
BACK-VIEW of MX and KC approaching a garage door.
PANEL 4.
Left SIDE-VIEW of KC and MX standing in front of the garage
door.
PANEL 5.
BACK-VIEW of MX and KC standing outside of the garage door. The
door slowly opens.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
28
PAGE TWENTY SIX (four panels)
PANEL 1.
WIDE-VIEW of the city.
PANEL 2.
CLOSE-UP of Tedd in the car.
TEDD:
No doubt he’s behind everything. Please tell me you didn’t know
anything about this?
PANEL 3.
CLOSE-UP of Cyn in the car.
CYN:
I’m maybe a lot of things Teddy, but I would never have let
Silverstone send them after Max.
PANEL 4.
FRONT-VIEW through the windscreen of Tedd and Cyn in the van.
TEDD:
Them?
CYN:
…
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Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
27
PAGE TWENTY FIVE (five panels)
PANEL 1.
FRONT-VIEW of MX and KC running.
PANEL 2.
CLOSE-UP of MX shouting.
MX:
There!
PANEL 3.
BACK-VIEW of MX and KC approaching a garage door.
PANEL 4.
Left SIDE-VIEW of KC and MX standing in front of the garage
door.
PANEL 5.
BACK-VIEW of MX and KC standing outside of the garage door. The
door slowly opens.
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
28
PAGE TWENTY SIX (four panels)
PANEL 1.
WIDE-VIEW of the city.
PANEL 2.
CLOSE-UP of Tedd in the car.
TEDD:
No doubt he’s behind everything. Please tell me you didn’t know
anything about this?
PANEL 3.
CLOSE-UP of Cyn in the car.
CYN:
I’m maybe a lot of things Teddy, but I would never have let
Silverstone send them after Max.
PANEL 4.
FRONT-VIEW through the windscreen of Tedd and Cyn in the van.
TEDD:
Them?
CYN:
…
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Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
29
PAGE TWENTY SEVEN (three panels)
PANEL 1.
FLASHBACK
WIDE-VIEW of Silverstone standing in front of the Masqueraders,
Mrs. Silverstone, Mr. Matsumoto, a shadowed out Mr. Alexander,
Cyn and Jerome Sr.
CYN (OP):
…Silverstone…and his Masqueraders…
PANEL 2.
FLASHBACK
Cyn’s memory of the Masqueraders.
WIDE-VIEW of the Masqueraders.
CYN (OP):
Silverstone’s personal goons.
PANEL 3.
FLASHBACK
CLOSE-UP of the Masq. Leader.
CYN (OP):
And their leader? He’s a special kind of crazy…a real piece of
work…
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Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
29
PAGE TWENTY SEVEN (three panels)
PANEL 1.
FLASHBACK
WIDE-VIEW of Silverstone standing in front of the Masqueraders,
Mrs. Silverstone, Mr. Matsumoto, a shadowed out Mr. Alexander,
Cyn and Jerome Sr.
CYN (OP):
…Silverstone…and his Masqueraders…
PANEL 2.
FLASHBACK
Cyn’s memory of the Masqueraders.
WIDE-VIEW of the Masqueraders.
CYN (OP):
Silverstone’s personal goons.
PANEL 3.
FLASHBACK
CLOSE-UP of the Masq. Leader.
CYN (OP):
And their leader? He’s a special kind of crazy…a real piece of
work…
Lost Boys • Script • Volume #1, Issue #05 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
30
PAGE TWENTY EIGHT (five panels)
PANEL 1.
FRONT-VIEW OF Logan sr. and Silverstone in the backseat.
PANEL 2.
FRONT-VIEW of MX and KC running.
PANEL 3.
FRONT-VIEW of Tedd and Cyn in the front seat.
PANEL 4.
WIDE-VIEW of the Masq. Leader standing in a very wide garage
storage warehouse with GT on the ground behind him. The garage
is dark, with light shining in as the garage door opens.
PANEL 5.
CLOSE-UP of the Masq. Leader’s masked face.
MASQ. LEADER:
Showtime.
THE END
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Issue #6Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
“LOST BOYS”
SCRIPT (ISSUE #6)
Written by
Tari Eguruze
18 Frere Street
Battersea
London
England
U.K
SW11 2JA
075 4080 5290
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Copyright © 2012 by Tari Eguruze
“LOST BOYS”
SCRIPT (ISSUE #6)
Written by
Tari Eguruze
18 Frere Street
Battersea
London
England
U.K
SW11 2JA
075 4080 5290
224
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
2
PAGE ONE (three panels)
CREDITS PAGE
PANEL 1.
CLOSE-UP SIDE-VIEW of the Masq. Leader facing Left.
PANEL 2.
WIDE-VIEW SIDE-VIEW of the Masq. Leader standing opposite MX and
KC. MX and KC stand just in front of the closing garage door,
inside of the warehouse. The Masq. Leader stands further inside,
with GT on the floor, at his feet, behind him.
PANEL 3.
CLOSE-UP SIDE-VIEW of MX and KC facing right.
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
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2
PAGE ONE (three panels)
CREDITS PAGE
PANEL 1.
CLOSE-UP SIDE-VIEW of the Masq. Leader facing Left.
PANEL 2.
WIDE-VIEW SIDE-VIEW of the Masq. Leader standing opposite MX and
KC. MX and KC stand just in front of the closing garage door,
inside of the warehouse. The Masq. Leader stands further inside,
with GT on the floor, at his feet, behind him.
PANEL 3.
CLOSE-UP SIDE-VIEW of MX and KC facing right.
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
3
PAGE TWO (four panels)
PANEL 1.
BACK-VIEW of MX and KC. Spot the Masq. Leader ahead of them in
front of GT.
PANEL 2.
CLOSE-UP of MX’s hand tighten around the bat in his left hand.
It’s held backwards so the bat is facing behind him.
PANEL 3.
SIDE-VIEW of a blur of MX running left. KC is still standing.
PANEL 4.
BACK-VIEW of MX running, KC is running behind him.
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
4
PAGE THREE (five panels)
PANEL 1.
FRONT-VIEW of MX running forwards, looking up, swinging the bat
in front his face.
PANEL 2.
FRONT-VIEW of the Masq. Leader raising his fists in a boxing
pose.
PANEL 3.
CLOSE-UP of the Masq. Leader punching downwards just below his
chest.
PANEL 5.
BACK-VIEW OF THE Masq. Leader punch MX’s bat as it swings in
front of him. KC is running up behind MX.
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
4
PAGE THREE (five panels)
PANEL 1.
FRONT-VIEW of MX running forwards, looking up, swinging the bat
in front his face.
PANEL 2.
FRONT-VIEW of the Masq. Leader raising his fists in a boxing
pose.
PANEL 3.
CLOSE-UP of the Masq. Leader punching downwards just below his
chest.
PANEL 5.
BACK-VIEW OF THE Masq. Leader punch MX’s bat as it swings in
front of him. KC is running up behind MX.
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
5
PAGE FOUR (four panels)
PANEL 1.
WIDE-VIEW of the warehouse exterior.
PANEL 2.
OVER HEAD-VIEW of the city.
PANEL 3.
OVER HEAD-VIEW of Silverstone’s limousine park outside of an
office skyscraper. Spot a doorman opening the door for
Silverstone as he steps out of the car.
PANEL 4.
BACK-VIEW of Silverstone and Logan walk towards the building
entrance.
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
6
PAGE FIVE (four panels)
PANEL 1.
SIDE-VIEW of Silverstone and Logan walk through some doors into
the building.
PANEL 2.
Building foyer interior. Looks like a hotel reception area.
Silverstone’s POV of Daisuke Matsumoto sitting in a sofa chair,
surrounded two bodyguards either side.
PANEL 3.
CLOSE-UP of Silverstone sneering.
SILVERSTONE:
Daisuke.
PANEL 4.
CLOSE-UP of Matsumoto grip the armrests of the chair as he
stands. His upper body is out of frame.
MATSUMOTO:
Dominic.
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
6
PAGE FIVE (four panels)
PANEL 1.
SIDE-VIEW of Silverstone and Logan walk through some doors into
the building.
PANEL 2.
Building foyer interior. Looks like a hotel reception area.
Silverstone’s POV of Daisuke Matsumoto sitting in a sofa chair,
surrounded two bodyguards either side.
PANEL 3.
CLOSE-UP of Silverstone sneering.
SILVERSTONE:
Daisuke.
PANEL 4.
CLOSE-UP of Matsumoto grip the armrests of the chair as he
stands. His upper body is out of frame.
MATSUMOTO:
Dominic.
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
7
PAGE SIX (five panels)
PANEL 1.
BACK-VIEW of Matsumoto stand, his bodyguards standing behind him
at his sides. Matsumoto approaches Silverstone and Logan.
PANEL 2.
SIDE-VIEW of Matsumoto extend his hand towards Silverstone to
shake his hand.
PANEL 3.
CLOSE-UP of a hard faced Matsumoto.
MATSUMOTO:
Dominic. There is much history between us. Surely I have earned
a friendlier greeting by now?
PANEL 4.
CLOSE-UP of Silverstone’s hard face.
PANEL 5.
CLOSE-UP of Silverstone’s smirk.
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
8
PAGE SEVEN (five panels)
PANEL 1.
WIDE-VIEW of Silverstone and Matsumoto in a handshake, semi-hug.
Logan stands beside Silverstone. Matsumoto’s guards stand behind
him.
SILVERSTONE:
Apologies, Daisuke. How are you, my friend?
MATSUMOTO:
I am very well.
PANEL 2.
FRONT-VIEW of Matsumoto slightly bow his head.
MATSUMOTO:
Logan.
PANEL 3.
FRONT-VIEW of Logan bow his head slightly to Matsumoto.
LOGAN:
Matsumoto-sama.
MATSUMOTO (OP):
How is your son? His studies are going well I would hope.
PANEL 4.
SIDE-VIEW of Logan standing opposite Matsumoto.
LOGAN:
Yes. Jerome is doing excellently. I am very proud.
MATSUMOTO:
That is good to hear. Now…
PANEL 5.
FRONT-VIEW of Matsumoto’s serious expression.
MATSUMOTO:
…Are you prepared, Dominic?
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
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8
PAGE SEVEN (five panels)
PANEL 1.
WIDE-VIEW of Silverstone and Matsumoto in a handshake, semi-hug.
Logan stands beside Silverstone. Matsumoto’s guards stand behind
him.
SILVERSTONE:
Apologies, Daisuke. How are you, my friend?
MATSUMOTO:
I am very well.
PANEL 2.
FRONT-VIEW of Matsumoto slightly bow his head.
MATSUMOTO:
Logan.
PANEL 3.
FRONT-VIEW of Logan bow his head slightly to Matsumoto.
LOGAN:
Matsumoto-sama.
MATSUMOTO (OP):
How is your son? His studies are going well I would hope.
PANEL 4.
SIDE-VIEW of Logan standing opposite Matsumoto.
LOGAN:
Yes. Jerome is doing excellently. I am very proud.
MATSUMOTO:
That is good to hear. Now…
PANEL 5.
FRONT-VIEW of Matsumoto’s serious expression.
MATSUMOTO:
…Are you prepared, Dominic?
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
9
PAGE EIGHT (five panels)
PANEL 1.
FRONT-VIEW of Silverstone.
MATSUMOTO (OP):
For her.
PANEL 2.
CLOSE-UP of Silverstone.
SILVERSTONE:
I am. But the sooner we finish our business here, the better.
PANEL 3.
SIDE-VIEW of Silverstone and Logan standing opposite Matsumoto.
SILVERSTONE:
I have a few…unexpected matters to attend to.
PANEL 4.
BACK-WIDE-VIEW of Matsumoto, Silverstone and Logan and walk
towards the elevator doors.
MATSUMOTO:
Very well. Let us finish our business here and return to our
duties, before the city has a chance to fall back into disarray.
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
10
PAGE NINE (five panels)
PANEL 1.
SIDE-VIEW of MX stumble backwards.
PANEL 2.
CLOSE-UP of KC catching him.
PANEL 3.
FRONT-VIEW of MX leaning backwards against KC.
PANEL 4.
CLOSE-UP of MX and KC.
PANEL 5.
KC’s POV of the Masq. Leader standing in front of them, about to
“this is Sparta” kick them down.
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
10
PAGE NINE (five panels)
PANEL 1.
SIDE-VIEW of MX stumble backwards.
PANEL 2.
CLOSE-UP of KC catching him.
PANEL 3.
FRONT-VIEW of MX leaning backwards against KC.
PANEL 4.
CLOSE-UP of MX and KC.
PANEL 5.
KC’s POV of the Masq. Leader standing in front of them, about to
“this is Sparta” kick them down.
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
11
PAGE TEN (five panels)
PANEL 1.
BACK-VIEW of KC shove MX to the left,
PANEL 2.
CLOSE-UP of MX drop to the floor.
PANEL 3.
CLOSE-UP of MX looking up.
MX:
KC!
PANEL 4.
SIDE-VIEW of the Masq. Leader kicking KC. Shehas her arms upto
her chest blocking the kick.
PANEL 5.
FRONT-VIEW of KC straining to block.
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
12
PAGE ELEVEN (four panels)
PANEL 1.
FRONT-VIEW of the Masq. Leader switch legs to “flurry kick at
KC”.
PANEL 2.
SIDE-VIEW of the Masq. Leader jumping and kicking at KC as he
switches legs.
PANEL 3.
BACK-VIEW of the Masq. Leader as he kicks at KC.
PANEL 4.
FRONT-VIEW of MX standing up.
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
12
PAGE ELEVEN (four panels)
PANEL 1.
FRONT-VIEW of the Masq. Leader switch legs to “flurry kick at
KC”.
PANEL 2.
SIDE-VIEW of the Masq. Leader jumping and kicking at KC as he
switches legs.
PANEL 3.
BACK-VIEW of the Masq. Leader as he kicks at KC.
PANEL 4.
FRONT-VIEW of MX standing up.
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
13
PAGE TWELVE (four panels)
PANEL 1.
MX’S POV OF THE Masq. Leader kicking KC to his right. GT is on
the ground to his left.
PANEL 2.
CLOSE-UP of GT.
PANEL 3.
CLOSE-UP of MX.
MX (whispers):
Just wait for me a little longer GT.
PANEL 4.
BACK-VIEW of MX run up behind the Masq. Leader.
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14
PAGE THIRTEEN (four panels)
PANEL 1.
CLOSE-UP SIDE-VIEW of the Masq. Leader turn to look over his
right shoulder at MX approach.
PANEL 2.
Masq. Leader’s POV watching MX charge towards him.
PANEL 3.
CLOSE-UP of KC grab the Masq. Leader’s ankle.
PANEL 4.
CLOSE-UP of the Masq. Leader dramatically whip his head around
to face KC.
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Copyright © 2012 by Tari Eguruze
14
PAGE THIRTEEN (four panels)
PANEL 1.
CLOSE-UP SIDE-VIEW of the Masq. Leader turn to look over his
right shoulder at MX approach.
PANEL 2.
Masq. Leader’s POV watching MX charge towards him.
PANEL 3.
CLOSE-UP of KC grab the Masq. Leader’s ankle.
PANEL 4.
CLOSE-UP of the Masq. Leader dramatically whip his head around
to face KC.
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
15
PAGE FOURTEEN (four panels)
PANEL 1.
WIDE-VIEW of KC twist the Masq. Leader’s leg to the right,
resulting in him falling to the right. MX is seen leaping in the
air.
PANEL 2.
FRONT-VIEW of MX leap up swinging the bat down.
PANEL 3.
MX POV of the Masq. Leader trying to brace himself with an arm
and look up at MX. MX’s shadow is seen over him.
PANEL 4.
FRONT-VIEW of the Masq. Leader swing his legs around, and twist
his body “break-dance style”.
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Copyright © 2012 by Tari Eguruze
16
PAGE FIFTEEN (four panels)
PANEL 1.
FRONT-VIEW of the Masq. Leader kick up in the air at MX. His
foot strikes MX in the chest.
PANEL 2.
CLOSE-UP of MX wince in pain.
PANEL 3.
CLOSE-UP of the Masq. Leader’s face.
PANEL 4.
CLOSE-UP of MX wrap around the leader’s leg.
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Copyright © 2012 by Tari Eguruze
16
PAGE FIFTEEN (four panels)
PANEL 1.
FRONT-VIEW of the Masq. Leader kick up in the air at MX. His
foot strikes MX in the chest.
PANEL 2.
CLOSE-UP of MX wince in pain.
PANEL 3.
CLOSE-UP of the Masq. Leader’s face.
PANEL 4.
CLOSE-UP of MX wrap around the leader’s leg.
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
17
PAGE SIXTEEN (three panels)
PANEL 1.
WIDE-VIEW of the Masq. Leader slam his leg down with MX. KC is
seen running behind the leader, scooping up the bat which has
dropped on the ground.
PANEL 2.
CLOSE-UP of KC grabbing the bat.
PANEL 3.
WIDE-VIEW of KC whack the leader across the face with the bat.
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18
PAGE SEVENTEEN (three panels)
PANEL 1.
WIDE-VIEW of the mask flying through the air.
PANEL 2.
OVER HEAD-VIEW of the mask fall to the ground face-up.
PANEL 3.
CLOSE-UP of the cracked mask on the ground.
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18
PAGE SEVENTEEN (three panels)
PANEL 1.
WIDE-VIEW of the mask flying through the air.
PANEL 2.
OVER HEAD-VIEW of the mask fall to the ground face-up.
PANEL 3.
CLOSE-UP of the cracked mask on the ground.
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
19
PAGE EIGHTEEN (four panels)
PANEL 1.
FRONT-VIEW of large double doors of a conference room opened
slightly.
PANEL 2.
CLOSE-UP of the gap between the double doors.
MRS. SILVERSTONE (OP):
I’ve made my decision.
PANEL 3.
WIDE-VIEW of the conference room.
There is an oval shaped table.
Mrs. Silverstone sits in the centre.
Matsumoto is sitting on the left. Mikoto sits next to him.
Silverstone is sitting on the right. Logan sits beside him.
PANEL 4.
FRONT-VIEW CLOSE-UP of Mrs. Silverstone’s upper body.
MRS. SILVERSTONE:
Dominic is right. It’s been too long. We need to take action and
consolidate the city.
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
20
PAGE NINETEEN (five panels)
PANEL 1.
CLOSE-UP of Matsumoto’s hand’s slam on the table.
MATSUMOTO (OP):
NO!
PANEL 2.
SIDE-VIEW CLOSE-UP of Mrs. Silverstone look to her left
slightly, with a look on annoyance on her face.
MATSUMOTO (OP):
The phoenix is dead!
PANEL 3.
FRONT-VIEW CLOSE-UP of Silverstone look up at Matsumoto, with a
hint of annoyance.
MATSUMOTO (OP):
The southern district is ours for the taking!
PANEL 4.
FRONT-VIEW of Matsumoto stand as he begrudgingly addresses the
room. Mikoto sits and watches closely for any confrontation.
MATSUMOTO:
I will not be made to wait any longer. He who is the most fit to
lead should—
MRS. SILVERSTONE(OP):
He?
PANEL 5.
BACK-VIEW of Matsumoto with a view of Mr. and Mrs. Silverstone
ahead of him.
MRS. SILVERSTONE:
Sit down Daisuke.
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Copyright © 2012 by Tari Eguruze
20
PAGE NINETEEN (five panels)
PANEL 1.
CLOSE-UP of Matsumoto’s hand’s slam on the table.
MATSUMOTO (OP):
NO!
PANEL 2.
SIDE-VIEW CLOSE-UP of Mrs. Silverstone look to her left
slightly, with a look on annoyance on her face.
MATSUMOTO (OP):
The phoenix is dead!
PANEL 3.
FRONT-VIEW CLOSE-UP of Silverstone look up at Matsumoto, with a
hint of annoyance.
MATSUMOTO (OP):
The southern district is ours for the taking!
PANEL 4.
FRONT-VIEW of Matsumoto stand as he begrudgingly addresses the
room. Mikoto sits and watches closely for any confrontation.
MATSUMOTO:
I will not be made to wait any longer. He who is the most fit to
lead should—
MRS. SILVERSTONE(OP):
He?
PANEL 5.
BACK-VIEW of Matsumoto with a view of Mr. and Mrs. Silverstone
ahead of him.
MRS. SILVERSTONE:
Sit down Daisuke.
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
21
PAGE TWENTY (four panels)
PANEL 1.
Matsumoto’s POV of Mrs. Silverstone lecturing Matsumoto.
MRS. SILVERSTONE:
This isn’t a democracy. And either way, you sure as heck don’t
get a say in any of it.
PANEL 2.
FRONT-VIEW of Matsumoto sit down.
MRS. SILVERSTONE (OP):
We divide the territory equally between the three of us.
PANEL 3.
FRONT-VIEW of Silverstone nodding slightly.
MRS. SILVERSTONE (OP):
Dom?
SILVERSTONE:
Fine…but—
PANEL 4.
Silverstone’s POV of Mrs. Silverstone rolling her eyes and
gesturing towards him.
MRS. SILVERSTONE:
Yes, the children will get whatever they’re owed. But they are
not fit to take over from where he left off.
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
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22
PAGE TWENTY ONE (five panels)
PANEL 1.
CLOSE-UP of Mrs’ Silverstone look towards Logan, gesturing
towards him.
MRS. SILVERSTONE:
I trust Logan can help look over any paperwork that needs to be
checked?
PANEL 2.
CLOSE-UP of Logan look up at Silverstone.
PANEL 3.
Logan’s SIDE-VIEW POV of Silverstone looking forwards. And nod
slightly.
PANEL 4.
FRONT-VIEW of Logan look forwards to Mrs. Silverstone and nod.
MRS. SILVERSTONE:
That’s right ma’am.
PANEL 5.
CLOSE-UP OF Mrs. Silverstone scowl slightly.
MRS. SILVERSTONE:
…Good.
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Copyright © 2012 by Tari Eguruze
22
PAGE TWENTY ONE (five panels)
PANEL 1.
CLOSE-UP of Mrs’ Silverstone look towards Logan, gesturing
towards him.
MRS. SILVERSTONE:
I trust Logan can help look over any paperwork that needs to be
checked?
PANEL 2.
CLOSE-UP of Logan look up at Silverstone.
PANEL 3.
Logan’s SIDE-VIEW POV of Silverstone looking forwards. And nod
slightly.
PANEL 4.
FRONT-VIEW of Logan look forwards to Mrs. Silverstone and nod.
MRS. SILVERSTONE:
That’s right ma’am.
PANEL 5.
CLOSE-UP OF Mrs. Silverstone scowl slightly.
MRS. SILVERSTONE:
…Good.
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
23
PAGE TWENTY TWO (four panels)
PANEL 1.
WIDE-VIEW of the conference room. Mrs. Silverstone stands.
MRS. SILVERSTONE:
Then we’re adjourned.
PANEL 2.
BACK-VIEW of Matsumoto still seated. Mrs. Silverstone approaches
in his direction.
MRS. SILVERSTONE:
It’s always a pleasure, Daisuke.
PANEL 3.
FRONT-VIEW of Matsumoto seated. He looks like as if he is
seething with fury. Mrs. Silverstone walks past him and pats him
on the shoulder slightly.
MRS. SILVERSTONE:
See you in three months.
PANEL 4.
BACK-VIEW of Mrs’ Silverstone approach the doors about to leave.
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
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24
PAGE TWENTY THREE (five panels)
PANEL 1.
SIDE-VIEW CLOSE-UP of Mrs. Silverstone push open the doors about
to walk through.
MRS. SILVERSTONE:
…Dom.
PANEL 2.
FRONT-VIEW of Silverstone and Logan standing.
SILVERSTONE:
…Wendy.
PANEL 3.
FRONT-VIEW of Daisuke stand as Mikoto whispers some information
to him.
PANEL 4.
CLOSE-UP of Matsumoto smirk.
PANEL 5.
Matsumoto’s POV of Silverstone and Logan walking out of the
room.
MATSUMOTO (OP):
Ah, Dominic!
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
24
PAGE TWENTY THREE (five panels)
PANEL 1.
SIDE-VIEW CLOSE-UP of Mrs. Silverstone push open the doors about
to walk through.
MRS. SILVERSTONE:
…Dom.
PANEL 2.
FRONT-VIEW of Silverstone and Logan standing.
SILVERSTONE:
…Wendy.
PANEL 3.
FRONT-VIEW of Daisuke stand as Mikoto whispers some information
to him.
PANEL 4.
CLOSE-UP of Matsumoto smirk.
PANEL 5.
Matsumoto’s POV of Silverstone and Logan walking out of the
room.
MATSUMOTO (OP):
Ah, Dominic!
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
25
PAGE TWENTY FOUR (three panels)
PANEL 1.
Matsumoto’s POV of Silverstone and Logan walking towards the
exit of the room.
MATSUMOTO:
I hope your prior business hasn’t gotten away from you during
our meeting.
PANEL 2.
WIDE-VIEW OF Silverstone and Logan on the right near the exit,
watching Matsumoto and Mikoto approaching from the left.
SILVERSTONE:
Thank you, old friend. I’ll look into it now. Sorry I can’t stay
and catch up.
PANEL 3.
FRONT-VIEW of Matsumoto standing opposite Silverstone.
SILVERSTONE:
I’ll arrange something for next time.
MATSUMOTO:
I’ll look forward to it.
PANEL 4.
BACK WIDE-VIEW of Silverstone, Matsumoto, Logan, and Mikoto
leave the room through the double doors.
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
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26
PAGE TWENTY FIVE (four panels)
PANEL 1.
CLOSE-UP of the gap between the double doors.
PANEL 2.
CLOSE-UP of the doors close.
PANEL 3.
Black panel.
PANEL 4.
BACK-VIEW of the Masq. Leader walking.
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Copyright © 2012 by Tari Eguruze
26
PAGE TWENTY FIVE (four panels)
PANEL 1.
CLOSE-UP of the gap between the double doors.
PANEL 2.
CLOSE-UP of the doors close.
PANEL 3.
Black panel.
PANEL 4.
BACK-VIEW of the Masq. Leader walking.
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
27
PAGE TWENTY SIX (five panels)
PANEL 1.
BACK-VIEW of the Masq. Leader kneel down to pick up his mask.
PANEL 2.
Masq. Leader’s POV looking at the cracked mask on the ground as
he is about to pick it up.
PANEL 3.
FRONT-VIEW of the Masq. Leader kneeling with the mask in his
hand. The warehouse interior seen behind him.
PANEL 4.
CLOSE-UP of the Leader place the mask on his face.
PANEL 5.
CLOSE-UP of the mask fall to the ground where it was cracked.
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
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28
PAGE TWENTY SEVEN (three panels)
PANEL 1.
SIDE-VIEW of the Leader stand, still holding half of the mask to
his face.
PANEL 2.
SIDE-VIEW of the Leader turn his head over his shoulder slightly
to look behind him.
PANEL 3.
CLOSE-UP of the Leader’s face, half covered by a cracked mask.
Only one bloodshot eye showing, and an equally menacing grin
beneath his mask half showing too. His face is bruised and
bloody.
MASQ. LEADER:
You fucking brats!
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28
PAGE TWENTY SEVEN (three panels)
PANEL 1.
SIDE-VIEW of the Leader stand, still holding half of the mask to
his face.
PANEL 2.
SIDE-VIEW of the Leader turn his head over his shoulder slightly
to look behind him.
PANEL 3.
CLOSE-UP of the Leader’s face, half covered by a cracked mask.
Only one bloodshot eye showing, and an equally menacing grin
beneath his mask half showing too. His face is bruised and
bloody.
MASQ. LEADER:
You fucking brats!
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
29
PAGE TWENTY EIGHT (three panels)
PANEL 1.
The Leader’s POV of MX, KC, and GT all on the floor, beaten,
bruised, and bloody.
PANEL 2.
BACK-VIEW of MX trying to lift his head and look up.
PANEL 3.
CLOSE-UP of MX’s bruised, and bloody face, with a huge grin and
blood between his teeth.
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
30
PAGE TWENTY NINE (five panels)
PANEL 1.
CLOSE-UP of the cracked mask being thrown before MX on the
ground.
MASQ. LEADER (OP):
Here…
PANEL 2.
BACK-VIEW of the Leader turn around and begin to walk away.
MASQ. LEADER:
A souvenir.
PANEL 3.
SIDE-VIEW of MX look at the Mask fragment ahead of him.
PANEL 4.
CLOSE-UP of MX try to stand.
PANEL 5.
BACK-VIEW of MX trying to stand. Spot the Masq. Leader in the
distance standing behind the warehouses ‘garage door’ as it
opens. Light is coming in as it opens up.
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Copyright © 2012 by Tari Eguruze
30
PAGE TWENTY NINE (five panels)
PANEL 1.
CLOSE-UP of the cracked mask being thrown before MX on the
ground.
MASQ. LEADER (OP):
Here…
PANEL 2.
BACK-VIEW of the Leader turn around and begin to walk away.
MASQ. LEADER:
A souvenir.
PANEL 3.
SIDE-VIEW of MX look at the Mask fragment ahead of him.
PANEL 4.
CLOSE-UP of MX try to stand.
PANEL 5.
BACK-VIEW of MX trying to stand. Spot the Masq. Leader in the
distance standing behind the warehouses ‘garage door’ as it
opens. Light is coming in as it opens up.
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
31
PAGE THIRTY (three panels)
PANEL 1.
BACK-VIEW of the Masq. Leader being bathed in light as the door
opens.
MASQ. LEADER:
Good luck with your friend.
PANEL 2.
CLOSE-UP BACK-VIEW of the Leader leave waving behind him.
MASQ. LEADER:
I’ll see you again…
PANEL 3.
OVERHEAD-VIEW of the warehouse interior. MX kneels over GT. KC
is starting to stand.
MASQ. LEADER (OP):
Real soon…
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
32
PAGE THIRTY ONE (three panels)
PANEL 1.
CLOSE-UP of GT’s face as MX kneels over him.
MX:
GT! GT! Are you alright? We’re here! It’s Max!
PANEL 2.
FRONT-VIEW of MX and KC kneel over GT.
KC:
We’re safe now. We’ll get you out of here.
PANEL 3.
CLOSE-UP of GT’s smiling face with his eyes still closed.
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Copyright © 2012 by Tari Eguruze
32
PAGE THIRTY ONE (three panels)
PANEL 1.
CLOSE-UP of GT’s face as MX kneels over him.
MX:
GT! GT! Are you alright? We’re here! It’s Max!
PANEL 2.
FRONT-VIEW of MX and KC kneel over GT.
KC:
We’re safe now. We’ll get you out of here.
PANEL 3.
CLOSE-UP of GT’s smiling face with his eyes still closed.
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
33
PAGE THIRTY TWO (four panels)
PANEL 1.
SIDE-VIEW of JR sit at his work desk, typing. A window is beside
him.
PANEL 2.
FRONT-VIEW of JR look out of the window.
PANEL 3.
FRONT-VIEW of JR’s window. See him looking through it.
PANEL 4.
JR’s POV of his city district, the bridge, and the slope in the
distance.
LOGAN (OP):
Junior?
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
34
PAGE THIRTY THREE (four panels)
PANEL 1.
WIDE-VIEW of JR hugging his dad.
JR:
Dad!
PANEL 2.
FRONT-VIEW of JR’s mother standing in the doorway smiling.
PANEL 3.
BACK-VIEW of JR’s mother walk into the room with JR and Logan.
PANEL 4.
CLOSE-UP of JR’s face as he hugs his parents.
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34
PAGE THIRTY THREE (four panels)
PANEL 1.
WIDE-VIEW of JR hugging his dad.
JR:
Dad!
PANEL 2.
FRONT-VIEW of JR’s mother standing in the doorway smiling.
PANEL 3.
BACK-VIEW of JR’s mother walk into the room with JR and Logan.
PANEL 4.
CLOSE-UP of JR’s face as he hugs his parents.
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
35
PAGE THIRTY FOUR (five panels)
PANEL 1.
EXTERIOR of the local hospital in the Harbour City.
PANEL 2.
WIDE-VIEW of the hospital INTERIOR. The children’s ward. MX, KC,
and GT are all in hospital beds. KC family is around her bed.
GT’s mother is crying over GT’s bed. MX is alone.
PANEL 3.
FRONT-VIEW of MX in bed.
PANEL 4.
CLOSE-UP of MX get out of bed.
PANEL 5.
CLOSE-UP of MX’s lower body jump on the floor beside his bed,
dressed only in a hospital gown. He is bandaged up slightly.
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
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36
PAGE THIRTY FIVE (four panels)
PANEL 1.
BACK-VIEW of MX run upto the end of GT’s bed.
PANEL 2.
SIDE-VIEW of KC turn to look at GT and MX.
PANEL 3.
FRONT-VIEW of GT and MX smiling.
PANEL 4.
CLOSE-UP of Tedd run into the room walk in through the hospital
doors.
TEDD:
Max!?
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Copyright © 2012 by Tari Eguruze
36
PAGE THIRTY FIVE (four panels)
PANEL 1.
BACK-VIEW of MX run upto the end of GT’s bed.
PANEL 2.
SIDE-VIEW of KC turn to look at GT and MX.
PANEL 3.
FRONT-VIEW of GT and MX smiling.
PANEL 4.
CLOSE-UP of Tedd run into the room walk in through the hospital
doors.
TEDD:
Max!?
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
37
PAGE THIRTY SIX (three panels)
PANEL 1.
FRONT-VIEW of MX turn to watch Tedd run in.
TEDD:
Max!?
PANEL 2.
SIDE-VIEW of Tedd stop and look around.
MX:
Teddy…
PANEL 3.
BACK-VIEW of Tedd run to hug MX.
TEDD:
Max! Max, are you alright?
PANEL 4.
SIDE-VIEW of MX hugging Tedd. MX has a wide smile on his face.
TEDD:
Look at you? Are you alright?
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
38
PAGE THIRTY SEVEN (five panels)
PANEL 1.
CLOSE-UP BACK-VIEW OF Cyn walk through the doors watching MX and
Tedd.
MX:
I’m fine…
PANEL 2.
CLOSE-UP of MX notice Cyn walk in. The happy expression on his
face disappears.
PANEL 3.
WIDE-VIEW of Cyn stand opposite Tedd and MX.
CYN:
I just came to drop him off.
PANEL 4.
FRONT-VIEW on Cyn looking down with a slightly worried
expression.
CYN:
You’re okay now, right?
PANEL 5.
Cynthia’s POV looking down at MX as he nods.
CYN (OP):
Good…
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38
PAGE THIRTY SEVEN (five panels)
PANEL 1.
CLOSE-UP BACK-VIEW OF Cyn walk through the doors watching MX and
Tedd.
MX:
I’m fine…
PANEL 2.
CLOSE-UP of MX notice Cyn walk in. The happy expression on his
face disappears.
PANEL 3.
WIDE-VIEW of Cyn stand opposite Tedd and MX.
CYN:
I just came to drop him off.
PANEL 4.
FRONT-VIEW on Cyn looking down with a slightly worried
expression.
CYN:
You’re okay now, right?
PANEL 5.
Cynthia’s POV looking down at MX as he nods.
CYN (OP):
Good…
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
39
PAGE THIRTY EIGHT (six panels)
PANEL 1.
FRONT-VIEW of Tedd standing behind MX.
PANEL 2.
FLASHBACK.
Silverstone’s Office INTERIOR.
BACK-VIEW of Cyn and Tedd stand opposite Silverstone’s desk.
TEDD:
A deal?
SILVERSTONE:
That’s right.
PANEL 3.
FLASHBACK.
CLOSE-UP of Silverstone sitting at his desk.
SILVERSTONE:
I’m doing you a favour, kid. Take it or leave it.
PANEL 4.
FLASHBACK.
SIDE-VIEW of Cyn standing opposite Tedd.
SILVERSTONE (OP):
Talk some sense into him, will’ya Cyn?
PANEL 5.
FLASHBACK.
FRONT-VIEW of Tedd.
SILVERSTONE (OP):
I’m just looking out for you kids. For his sake.
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
40
PAGE THIRTY NINE (six panels)
PANEL 1.
WIDE-VIEW of Matsumoto’s office INTERIOR.
Matsumoto stands on a balcony just outside of his office window.
SILVERSTONE (OP):
“It’s what he would’ve wanted for you.”
PANEL 2.
Mikoto’s POV of Matsumoto from behind.
MIKOTO:
Matsumoto-sama.
PANEL 3.
FRONT-VIEW of Matsumoto turning to face behind him, spot Mikoto
behind him.
MATSUMOTO:
Mikoto?
PANEL 4.
SIDE-VIEW of Mikoto facing Matsumoto. She hands a Masq. Leader’s
mask fragment to Matsumoto.
PANEL 5.
Matsumoto’s POV of the Mask fragment in hand.
PANEL 6.
BACK-VIEW of Matsumoto turn and throw the fragment over the
balcony side.
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40
PAGE THIRTY NINE (six panels)
PANEL 1.
WIDE-VIEW of Matsumoto’s office INTERIOR.
Matsumoto stands on a balcony just outside of his office window.
SILVERSTONE (OP):
“It’s what he would’ve wanted for you.”
PANEL 2.
Mikoto’s POV of Matsumoto from behind.
MIKOTO:
Matsumoto-sama.
PANEL 3.
FRONT-VIEW of Matsumoto turning to face behind him, spot Mikoto
behind him.
MATSUMOTO:
Mikoto?
PANEL 4.
SIDE-VIEW of Mikoto facing Matsumoto. She hands a Masq. Leader’s
mask fragment to Matsumoto.
PANEL 5.
Matsumoto’s POV of the Mask fragment in hand.
PANEL 6.
BACK-VIEW of Matsumoto turn and throw the fragment over the
balcony side.
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
41
PAGE FORTY (nine panels)
PANEL 1.
WIDE-VIEW of Matsumoto with a maniacal grin on his face as he
stands with his arms out, just having thrown the mask fragment
over the balcony ledge.
MATSUMOTO:
This is MY city! My empire! My legacy!
PANEL 2.
CLOSE-UP of Silverstone’s face. A contemplative expression.
SILVERSTONE (THOUGHT):
“This is my kingdom. My prison.”
PANEL 3.
CLOSE-UP of Mrs. Silverstone’s face. A mischievous slight grin
on her lips.
MRS. SILVERSTONE (THOUGHT):
“This is my time to set things right.”
PANEL 4.
CLOSE-UP of Tedd’s face. Eyes shut, with a relived smile.
TEDD (THOUGHT):
“This is my chance to get him out of here.”
PANEL 5.
CLOSE-UP of Cyn’s face. With a slightly ashamed look of regret.
CYN (THOUGHT):
“This is how I’ll make it up to him.”
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42
(continued)
PANEL 6.
CLOSE-UP of JR’s face. A relieved smile is on his face.
JR (THOUGHT):
“This is my way out.”
PANEL 7.
CLOSE-UP of KC’s face.
KC (THOUGHT):
“This is where my family are. My home.”
PANEL 8.
CLOSE-UP of GT’s face. Eyes squinted shut, with a wide smile.
GT (THOUGHT):
“This is how I we helped each other.”
PANEL 9.
CLOSE-UP of MX’s face. Eyes shut, with his wide signature smile.
MX (THOUGHT):
“This is…”
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
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42
(continued)
PANEL 6.
CLOSE-UP of JR’s face. A relieved smile is on his face.
JR (THOUGHT):
“This is my way out.”
PANEL 7.
CLOSE-UP of KC’s face.
KC (THOUGHT):
“This is where my family are. My home.”
PANEL 8.
CLOSE-UP of GT’s face. Eyes squinted shut, with a wide smile.
GT (THOUGHT):
“This is how I we helped each other.”
PANEL 9.
CLOSE-UP of MX’s face. Eyes shut, with his wide signature smile.
MX (THOUGHT):
“This is…”
Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
43
PAGE FORTY ONE & FORTY TWO (eight panels)
PANEL 1.
J.M. Barrie School INTERIOR.
CLOSE-UP of MX’s feet walk down the hall.
MX (THOUGHT):
“…OUR city.”
PANEL 2.
CLOSE-UP of MX’s back as he walks down the hall.
MX (THOUGHT):
“The Slope—
MX (THOUGHT):
—Home.”
PANEL 3.
CLOSE-UP SIDE-VIEW of MX as he walks down the hall.
MX (THOUGHT):
“Population: Thirty three thousand, four hundred, and sixty
one.”
PANEL 4.
CLOSE-UP of MX’s feet walk down the hall.
MX (THOUGHT):
“To survive in this city, you need to know who your family are.”
PANEL 5.
Classroom INTERIOR.
WIDE-SIDE-VIEW of JR’s class.
MX (THOUGHT):
“You need to be able to look out for your friends, as they would
for you.”
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44
(continued)
PANEL 6.
BACK-VIEW of MX enter the classroom.
MX (THOUGHT):
“You won’t survive alone.”
PANEL 7.
CLOSE-UP of JR looking up in shock.
JR:
Ma—
MX (THOUGHT):
“Sometimes...that just means you need to fight tooth and nail—
PANEL 8.
FRONT-VIEW of MX standing in the J.M. Barrie school uniform.
With his wide signature smile.
MX (THOUGHT):
—and remind them exactly who their friends are.”
MX:
Mornin’ Jerome!
THE END
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Lost Boys • Script • Volume #1, Issue #06 • Tari Eguruze
Copyright © 2012 by Tari Eguruze
44
(continued)
PANEL 6.
BACK-VIEW of MX enter the classroom.
MX (THOUGHT):
“You won’t survive alone.”
PANEL 7.
CLOSE-UP of JR looking up in shock.
JR:
Ma—
MX (THOUGHT):
“Sometimes...that just means you need to fight tooth and nail—
PANEL 8.
FRONT-VIEW of MX standing in the J.M. Barrie school uniform.
With his wide signature smile.
MX (THOUGHT):
—and remind them exactly who their friends are.”
MX:
Mornin’ Jerome!
THE END
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