lesson plan q 4- week 2
TRANSCRIPT
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Lesson Plan in English 10
QUARTER 4
Date: January 11, 2016 Day 4- MondayI. Objective/s Use quotation marks or hanging indentation for direct
quotes !"10#$-%%-&&&d-1'6'6(II. Sbject !atte" To#ic$ )ases of *ronouns
S%ill/s$ %tudy %ki++!ate"ials$ modu+es, mani+a aer, orksheetRe&e"ence$ .rade 10 #M age/s 20-22 .rade 10 $. age/s-
III. Lea"ning Tas%s $eachers $asks %tudents $asks
' &ntroduction:
$o make riting e3ectie,
the use of direct quotation
marks is em+oyed, quoting
direct+y hat the seaker
has said and to emhasi5e
ideas in a tet'
7' #esson *roer/Discussion
#et us +earn ho to use
them correct+y:
*resent the ru+es on
using quotationmarks'
*roide eam+es'
7' #esson *roer/Discussion
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nsers to $ask 21. "Mary is trying hard in school
this semester," her father said.
2. "No," the taxi driver said
curtly, "I cannot get you to theairport in fifteen minutes."
3. "I believe," Jac
remared, "that the best time of
year to visit !urope is in the
spring. "t least that#s $hat I read
in a boo entitled Guide to
Europe."
%. My &rench professor told me
that my accent is
abominable. This sentence is
correct as is.
'. (he ased, "Is Time amaga)ine you read regularly*"
+. &lannery #-onnor probably
got the title of one of her stories
from the $ords of the old popular
song, "" ood Man Is /ard to
&ind."
0. hen did oosevelt say, "e
have nothing to fear but fear
itself "*
. It seems to me
that "hip" and "cool" are $ords
that are going out of style.4. 5esterday, John said, "6his
afternoon I#ll bring bac your
boo Conflict in the Middle East "7
ho$ever, he did not return it.
18. "-an you believe," 9ot ased
me, "that it has been almost five
years since $e#ve seen each
other*"
$ask 2 = &ndiidua+
&n the fo++oing sentences ut in quotation
marks hereer they are needed, and
under+ine ords here ita+ics are needed'
1' Mary is trying hard in schoo+ this semester,her father said'2' "o, the tai drier said curt+y, & cannot getyou to the airort in >fteen minutes'' & 9e+iee, Jack remarked, that the 9est timeof year to isit !uroe is in the sring' t +eastthat?s hat & read in a 9ook entit+ed .uide to!uroe'4' My @rench rofessor to+d me that my accentis a9omina9+e'
A' %he asked, &s $ime a maga5ine you readregu+ar+y;6' @+annery B?)onnor ro9a9+y got the tit+e ofone of her stories from the ords of the o+dou+ar song, .ood Man &s 8ard to @ind'C' hen did sh is, & 9e+iee, J'D' %a+inger?s 9est short story'12' )ertain+y, Mr' Martin said, & sha++ e+ainthe ho+e situation to him' & kno that he i++
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11. "" :erfect 9ay for
;ananafish" is, I believe, J. 9.
(alinger#s best short story.
12. "-ertainly," Mr. Martin
said, "I shall explain the $hole
situation to him. I no$ that he$ill understand."
I'. Evalation ' 7e+o are sentences ith direct quotations'
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Assign)ent A** +otations , othe" #nctation as nee*e*. So)e
sentences a"e co""ect -ithot a**itions.
1' 8an said *+ease 9ring me a g+ass of +ka-%e+t5er'
2' $he trou9+e ith schoo+ said Murie+ is the c+asses'' & kno hat &m going to do after my +ast >na+ hisered
++yson'
4' Jason admitted & hae ery oi+y hair' & ash it tice a day'
A' $hats a 9eautifu+ ring ec+aimed 7o9 here did you 9uy i
6' "o one said Mi++ie is +eaing this house' e hae a mess to
c+ean u
C' )andace said that her nehe from Miami ou+d arrie on
9us'
' $im said My niece i++ 9e on the same 9us as your nehe
E' Maria said that you ou+d he+ me ith my a+ge9ra'
10' i++ you +ease he+ me ith my +a9 reort for 9otany;
asked Jessica
*reared 9y:
OSEIA P.
OSTATIO
%%$- &
"oted:
UA P. ARERA
*rincia+
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• sk the students to
atch the ideo K&ts
More @un in the
*hi+iines'
• 8ae do $ask 1-More
@un in the *hi+iines'!ected nsers:
)irc+e: C,10C is+ands
ca++y the
!ng+ish #anguage;4' Do you think that
the socia+ media,
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articu+ar+y
youtu9e, is more
e3ectie in
romoting a
camaign than
other forms ofcommunication, +ike
the rint media;A' )an e say that it is
rea++y more fun in
the *hi+iines;6' &f you ere gien a
change to trae+ for
free, hich
destination i++ you
isit >rst;
)' #esson *roer/Discussion
• .ie inut on rimary
and secondary sources
of information'• *roide eam+es'
hen conducting a research
in the socia+ sciences,
humanities esecia++y
history(, arts, or natura+sciences, the a9i+ity to
distinguish 9eteen rimary
and secondary source
materia+ is essentia+'
7asica++y, this distinction
i++ustrates the degree to
hich the author of a iece is
remoed from the actua+
eent 9eing descri9ed,
informing the reader as to
hether the author is
reorting imressions >rst
hand or is >rst to record
these immediate+y fo++oing
an eent(, or coneying the
eeriences and oinions of
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othersQthat is, second hand'
%ee ttached discussion(
D' .enera+i5ation• 8o imortant is
understanding of
rimary and secondary
sources of information
in making a socia+
research;
!' +ication
+y hat you hae +earned9y c+assifying and te++ing
hether the materia+s +isted
are rimary or secondary
sources of information'
nsers:
$ask 2'1
1' *2' %' *
4' *A' %6' %C' %' * Journa+/Diary(E' %10'*
$ask 2'2
1' )2' 7' 7
@)D@
4' A' F!%
$ask 2' 1' .rounded
)an you c+assify and te++ hether the materia+s +isted 9e+o
a rimary or a secondary source of information' rite P if
materia+ is *rimary or S if the materia+ is secondary'
IIII 1' #etters and Diaries IIII 6'
!ncyc+oaedia IIII 2' 8istory tet9ook IIII C' "esaer IIII ' .oernment
documents
IIII ' Journa+s
IIII 4' Manuscrits IIII E' Maga5ines
IIII A' Oideo tae IIII 10' rtifacts
$ask 2'2 Ruestions and nsers1' hat is a rimary source; mu+ti+e choice(' source used often7' source found in an imortant 9ook +ike an encyc+oedia)' source created at the time of an eent 9y an indiiduaho as thereD' source created after an eent has haened2' hat is a secondary source; mu+ti+e choices(' source hich is someone?s second choice to use forresearch
7' source created after an eent has haened 9y someonot resent at the eent)' second iece of information ritten a9out an eentD' source created at the time of an eent' )heck a++ 9e+o hich are rimary sources'' !ncyc+oedia artic+e7' Diary)' *hotograh
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D' Maga5ine artic+e u9+ished at the current time(!' $et9ook@' Museum artifact.' &nterie8' )ommentaries&'
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Date: January 14, 2016 Day C- $hursdayI. Objective/s !+ain ho the e+ements seci>c to a genre
contri9ute to the theme of a articu+ar +iterary
se+ection !"10#$-&a2'2( !ress areciation for sensory images used
!"10#$-&a2'2'1(II. Sbject !atte" Selection$ $he #itt+e *rince 9y ntoine de %aint
!ueryS%ill/s$ #iterature!ate"ials$ modu+es, mani+a aer, orksheetRe&e"ence$ .rade 10 #M age/s 410-41A .rade 10 $. age/s- 2C-2
III. Lea"ning Tas%s $eachers $asks %tudents $asks
*re+iminary $asks
' )hecking of ssignment
7' nitions in co+umn 7' rite the +etter of the correc
anser on each 9+ank'
7 IIIII 1' $ame a' 9reath +ong and +oud IIIII 2' "eg+ect 9' no +onger i+d IIIII ' %igh c' to fai+ to gie the
roer care or attention IIIII 4' 7urro d' a ceremonia+ act IIIII A'
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1' hat is the c+i a9out;2' hat do they do in the
c+i;' DB you a+so the same
things to your friends;
4' hat e+se do your friendsdo that erent mentioned
in the c+i;A' )an you consider
someone youe Tust met
a friend;6' 8o can you say that
someone is a friend;
)' 7ackground of the uthor
• 8ae the +earners read the
+ife of the author for them tosee the connection of the
tet to its riter'
D' Motie Ruestion
• s you the se+ection >nd out
the meaning of this:Khat is essentia+ is inisi9+e
in the eye'L
!'
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imortant;A' hat is the fos secret;
Do you agree ith it;6' Do you think you hae
tamed another erson and
hae 9een tamed as e++;
• Di3erentiated tasks
• *resent and e+ain ru9rics
9efore the di3erentiated
tasksI'. Evalation %ee attached qui5(Inst"ctional (ecision Assign)ent
*reared 9y:
OSEIA P. OSTATIO
%%$- &
"oted:
UA P. ARERA
*rincia+
Date: January 1A, 2016 Day -@ridayI. Objective/s #isten to sim+ify, reorgani5e, synthesi5e,
and ea+uate information to eand ,
reie, or udate kno+edgeII. Sbject !atte" To#ic$ #isten for sim+ying, organi5ing,
synthesi5ing,ea+uating information
S%ill/s$ #istening/riting!ate"ials$ modu+es, mani+a aer, orksheetRe&e"ence$ .rade 10 #M age/s 416 .rade 10 $. age/s- C0-C1
III. Lea"ning Tas%s $eachers $asks %tudents $asks
• nished tasks
2OUR TE3T
• *reare the students for
the +istening actiity'
• *resent the grahic
organi5er• *rocessing:
1' ho is the erson
%ee attached organi5er(
)ontents: 1' *ersons name
2' !ar+y +ife
' @ami+y +ife
4' MaTor accom+ishments
A' $hree interesting facts
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9eing ta+ked a9out in
the tet;2' 8o did she >rst
start her career as a
i+ot;
' hy is she animortant erson in
the >e+d of aiation;4' hat are the
di3erent theories of
her disaearance;A' hat are the
di3erent theories of
her disaearance;6' &f hat you hae
heard is >ction, ho
ou+d you haeended her story;
• !+ain ith the
students ho to make
sim+ify, re-organi5e,
synthesi5e, and
ea+uate information to
eand, reie, and
udate kno+edge'• *roide eam+es
• 8ae the students
genera+i5e the concets
and ays to reorgani5e
information using
grahic organi5er'
• 8ae the students
accom+ish the grahic
organi5er ith the
information from the+istening tet'
!ected nsers:
*ersons "ame: me+ia !arhart
#istening $et
7i9+iograhy, me+ia !ahart ' 6-6E(
$ask 1' E( *roTect
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!ar+y #ife:
• %he as 9orn in
tchison, ansas on Ju+y
24, 1EC, here she
sent her chi+dhood in
arious tons, inc+udingtchison and ansas
)ity, ansas and Des
Moines, &oa'• t age 1E, me+ia
attended Bgont5 %choo+
near *hi+ade+hia,
*ennsy+ania
• %he en+isted as a nurse
aide at %adina Mi+itary
8osita+ in $oronto,)anada'
• me+ia enro++ed as a
remedica+ student at
)o+um9ia Uniersity in
"e Fork'
@ami+y #ife:
• %he as a daughter of a
rai+road attorney'• 8er arents diorced'
MaTor ccom+ishments:
• %he urchased her >rst
air+ane, a inner
irster in 1E22'
• &n 1E2, me+ia 9ecame
the >rst erson to Gy
from 8aaii to the
merican main+and'
• &n 1EA, me+ia Toined
the facu+ty of *urdueUniersity as a fema+e
career consu+tant'
• &n June 1EC, me+ia
em9arked uon the >rst
around-the =or+d Gight
at the equator'•
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$hree interesting facts:
• %he as one of the
or+ds most ce+e9rated
aiators'
• %he took u aiation as
a ho99y, taking odd To9sto ay for her Gying
+essons'
• %he disaeared after
com+eting to-thirds of
her historic Gight ith
her naigator @rederick
"oonan'I'. Evalation %ee attached qui5'Inst"ctional (ecision
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II. Sbject !atte" To#ic$ !anding ideas using cohesion andcoherenceS%ill/s$ riting!ate"ials$ modu+esRe&e"ence$ .rade 10 #M age/s 416-41C .rade 10 $. age/s- C1-C2
III. Lea"ning Tas%s $eachers $asks %tudents $asks
• %im+e reca++ on ho to
sim+ify, reorgani5e
information'
FBU< D&%)BO!
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Assign)ent*reared 9y:
OSEIA P. OSTATIO
%%$-
"oted:
UA P. ARERA
*rincia+
Date: January 1E, 2016 Day 10- $uesdayI. Objective/s .et fami+iar ith technica+ terms in research
II. Sbject !atte" To#ic$ $echnica+ terms in research aerS%ill/s$ riting!ate"ials$ modu+es, mani+a aerRe&e"ence$ .rade 10 #M age/s 2C - 2E .rade 10 $. age/s- 2C-2
III. Lea"ning Tas%s $eachers $asks %tudents $asks
• %im+e reca++ of the
eected outut of the
+esson = research
&ntroduction
)' #esson *roer/Discussion
I'. EvalationInst"ctional (ecision
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*reared 9y:
OSEIA P. OSTATIO
%%$- &
"oted:
UA P. ARERA
*rincia+
Date: January 20, 2016 Day 12- ednesdayI. Objective/s .et fami+iar ith technica+ terms in research
II. Sbject !atte" To#ic$ )ases of *ronounsS%ill/s$ .rammar!ate"ials$ modu+es, mani+a aer, orksheetRe&e"ence$ .rade 10 #M age/s 2C - 2E .rade 10 $. age/s- 2C-2
III. Lea"ning Tas%s
$eachers $asks %tudents $asks' &ntroduction:
7 1' ctiating *rior no+edge
)' #esson *roer/Discussion
)' #esson *roer/Discussion
I'. Evalation
Inst"ctional (ecision
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Assign)ent
*reared 9y:
OSEIA P. OSTATIO
%%$- &
"oted:
UA P. ARERA
*rincia+
Date: January 21, 2016 Day 14- $hursdayI. Objective/s .et fami+iar ith technica+ terms in research
II. Sbject !atte" To#ic$ )ases of *ronounsS%ill/s$ .rammar!ate"ials$ modu+es, mani+a aer, orksheetRe&e"ence$ .rade 10 #M age/s 2C - 2E
.rade 10 $. age/s- 2C-2III. Lea"ning Tas%s
$eachers $asks %tudents $asks' &ntroduction:
7 1' ctiating *rior no+edge
)' #esson *roer/Discussion
)' #esson *roer/Discussion
I'. EvalationInst"ctional (ecision
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"o' of +earners needing reinforcement/remediationIIII
Assign)ent
*reared 9y:
OSEIA P. OSTATIO
%%$- &
"oted:
UA P. ARERA
*rincia+
Date: January 2A, 2016 Day 1-Monday
I. Objective/s
gures of seech/+iterary deicesII. Sbject !atte" To#ic$ @igures of seech/+iterary deicesS%ill/s$ #iterature!ate"ials$ modu+es, mani+a aer, orksheetRe&e"ence$ .rade 10 #M age/s 42-424 .rade 10 $. age/s- 2-
III. Lea"ning Tas%s $eachers $asks %tudents $asks
FBU< JBU
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9ridging gas;LKhy is it imortant to
9ridge ga'L
• !+ain the c+ass that the
ena9+ing task/>na+ task is a
cu+tura+ maing reort atthe end of this +esson'
2OUR IITIAL TASS
ctiating *rior no+edge(
$ask 1 Magic %quare
• 8ae the students anser
the Magic %quare
• )heck ansers'
• *roide inut for >gures of
seech and +iterary deices
hich seem not fu++y
understood 9y the
students'
ey to corrections
16 7 A ) E D 4
! 2 @ 11 . C 8 14
& J 10 6 # 1A
M 1 " B 12 * 1
• sk the students to do $ask
2' Making %trange
• sk the student Khat is a
a+k that is fe+t; Dance(• 8ae the students anser
the to o9Tects that ere
9eings, +aces, and concets' &t is
marked ith ords K+ike or as'L.'
Bnomatooeia
C' ords hose sounds are c+ose to
the sound they are meant to deict'8' Bymoron ' sym9o+ism deice here the
meaning of a greater, often a9stract,
concet is coneyed ith the aid of
a more materia+ o9Tect or idea 9eing
used as an eam+e'&' *arado E' +iterary deice herein the
author uses seci>c ords and
hrases that eaggerate and
oeremhasi5e the 9asic cru of the
statement in order to roduce a
grander, more noticea9+e e3ect' J'
*ersoni>cation
10' $he ractice of attaching human
traits and characteristics to
inanimate o9Tects, henomena, andanima+s'' %imi+e 11' $he ractice of attaching human
traits and characteristics to
inanimate o9Tects, henomena, and
anima+s'#' #itotes 12' &no+es creating a fracture of
sorts ith a sentence here the to
searate arts are distinguisha9+e
from one another yet intrinsica++y
+inked to one another'M' na+ogy 1' +iterary deice that he+s to
esta9+ish a re+ationshi 9ased onsimi+arities 9eteen to concets or
ideas'"' ++egory 14' +iterary deice as it a++os the
author to use contradictory,
contrasting concets +aced
together in a manner that actua++y
ends u making sense in a strange,
and s+ight+y com+e manner'B' )aesura 1A' discreet ay of saying
something un+easant ithout
direct+y using negatiity'
*' Deus !Machina
16' +iterary deice that uses ordsin quick succession' &t 9egins ith
+etters 9e+onging to the same sound
grous'
$ask 2' Making %trange .uess
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descri9ed di3erent+y'
• sk them to sketch the
image and ca++ some
mem9ers of the c+ass to
share their anser'
1' %he is a sno queen earing her go+den-9ron
gon and her ru9y scetre ru+ing her frosty
kingdom that surrounded ith ice-co+d a++s and
the shiering dark sea'
anser( IIIIIIIIIIIIIIIIIIIIII
2' 9a++et dancer dressed in a go+den-ye++o tutu
a choco+ate-co+ored to' %he had this 9+ushing
face and her s+ight+y rusty tiara hi+e earing h
faourite nude 9a++et shoes' %he dances gracef
ith her hite ri9oon at the midd+e of the stage
ith hi+e curtains'
anser(: IIIIIIIIIIIIIIIIIIII
I'. EvalationInst"ctional (ecision
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Date: January 26, 2016 Day 2-$uesdayI. Objective/s !+ain the +iterary deices used
II. Sbject !atte" To#ic$@igures of seech/+iterary deicesS%ill/s$ #iterature
!ate"ials$ modu+es, mani+a aer, ictureRe&e"ence$ .rade 10 #M age/s 42A-42 .rade 10 $. age/s- -4
III. Lea"ning Tas%s $eachers $asks %tudents $asks
2OUR IITIAL TASS
• sk the students to reca++
imortant >gures of seech
and +iterary deices de>ned'
•
Direct students attention to $ask *icasso• )a++ o+unteer to read
research on the +ife and
ork K$he eeing omanL
9y *a9+o *icasso
• 8ae them erform sma++
grou task'
$ask 1 ( *icasso
na+y5e one of *icassos most famous aintings' .ue
its tit+e and anser the questions that fo++o'
$it+e: IIIIIIIIIIIIIIIIIIIIIII
1' hat image is seen in the ainting;2' hat is the eression of the image;
!+ain the detai+s to suort your anser'' Do you think the ainting is an accurate
reresentation of rea+ity; !+ain your anser'
*icture
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2OUR TE3T
• sk the students to un+ock
the u55+e 9y orking ithin
grou'
• *rocess the actiity and hostudents arried ith the
so+utions to the u55+e'
• *rocess questions:1' 8o did you >nd the
actiity;2' ere you cha++enged
hen you ere so+ing
the u55+es;' )an you te++ the c+ass
other u55+es that you
kno;4' &f you ere going to
eerience eerything a++
oer again, do you think
you i++ hae a di3erent
ercetion shou+d you
hae no rior kno+edge
a9out it; &f you i++
descri9e eerything as
though for the >rst time,
ho are you going toicture them;
nsers:
1' e are counting on you2' friend in need' %temother4' )aught in the momentA' Diided highay6' %eason $icket
Ooca9u+ary ords
$ask 2 4( *u55+ing
Un+ock the u55+e 9y orking ithin your grou' 7e s
to discuss ho you came ith the so+ution' +so, ass
a grou mem9er to te++ ho you arried at your ansto the u55+e' %ee age 426(
I'. EvalationInst"ctional (ecision
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"o' of +earners /in mastery +ee+ IIIIIIIIIIIIIIIIIII
"o' of +earners needing reinforcement/remediationIII
Assign)ent
*reared 9y:
OSEIA P. OSTATIO
%%$- &
"oted:
UA P. ARERA
*rincia+