leonardo da vinci. study of human proportion: the vitruvian man. c. 1492. pen and ink drawing....

35
Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource, NY. [Fig. 8-1]

Upload: rolf-green

Post on 17-Dec-2015

216 views

Category:

Documents


2 download

TRANSCRIPT

Page 1: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492.Pen and ink drawing. 13-1/2 × 9-5/8 in.

Cameraphoto Arte, Venice / Art Resource, NY. [Fig. 8-1]

Page 2: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Frank Gehry and Vlado Miluni´c. The Rasin Building, also known as the Dancing House or “Ginger and Fred,” Prague, Czech Republic. 1992-96.

© Curva de Luz / Alamy. [Fig. 8-2]

Page 3: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Taj Mahal, Agra, India. Mughal period, c. 1632–48.Scala / Art Resource, NY. [Fig. 8-3]

Page 4: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Enguerrand Quarton. Coronation of the Virgin. 1453–54.Panel painting. 72 × 86-5/8 in.

Giraudon/Art Resource, NY. [Fig. 8-4]

Page 5: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Some different varieties of asymmetrical balance. Line art.[Fig. 8-5]

Page 6: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Jan Vermeer. Woman Holding a Balance. c. 1664.Oil on canvas. 15-7/8 × 14 in., framed: 24-3/4 × 23 × 3 in.

Widener Collection. Photo: Richard Carafelli. Photograph © Board of Trustees, National Gallery of Art, Washington, D.C. [Fig. 8-6]

Page 7: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Childe Hassam. Boston Common at Twilight. 1885–86.Oil on canvas. 42 × 60 in.

Museum of Fine Arts, Boston. Gift of Miss Maud E. Appleton. 31.952. Photograph © 2004 Museum of Fine Arts, Boston. All Rights Reserved. [Fig.

8-7]

Page 8: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Ida Applebroog. Emetic Fields. 1989.Oil on canvas. 8 panels, 102 × 204-1/2 in.

Whitney Museum of American Art, New York/ gift of Jean Lignel 99.100a-h. Courtesy Ronald Feldman Fine Arts, New York. [Fig. 8-8]

Page 9: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Rose window, south transept, Chartres Cathedral. c. 1215.Erich Lessing/Art Resource, NY. [Fig. 8-9]

Page 10: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Mescalero Apache coiled basket. early 20th century.Arizona State Museum, University of Arizona,Tucson.Photo: Jannelle Weakly. (26496-x-2). [Fig. 8-10]

Page 11: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Anna Vallayer-Coster. Still Life with Lobster. 1781.Oil on canvas. 27-3/4 × 35-1/4 in.

Toledo Museum of Art (Toledo, Ohio), Purchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey, 1968.1A. [Fig. 8-11]

Page 12: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Georges de La Tour. Joseph the Carpenter. c. 1645.Oil on canvas. 18-1/2 × 25-1/2 in.

Gerard Blott/Réunion des Musées Nationaux / Art Resource, NY. [Fig. 8-12]

Page 13: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Anselm Kiefer. Parsifal I. 1973.Oil on paper. 127-7/8 × 86-1/2 in.

Tate, London / Art Resource, NY. Courtesy of the artist and Gagosian Gallery. [Fig. 8-13]

Page 14: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Larry Poons. Orange Crush. 1963.Acrylic on canvas. 80 × 80 in.

Albright-Knox Art Gallery / Art Resource, NY. Albright-Knox Art Gallery, Buffalo, New York. Gift of Seymour H. Knox, 1964. Art © Larry

Poons/Licensed by VAGA, New York, NY. [Fig. 8-14]

Page 15: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Diego Velázquez. Philip IV, King of Spain. 1652–53.Oil on canvas. 17-1/2 × 14-3/4 in.

Erich Lessing/Art Resource, NY. [Fig. 8-15]

Page 16: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Diego Velázquez. Portrait of Queen Mariana. c. 1656.Oil on canvas. 18-3/8 × 17-1/8 in.

Meadows Museum, SMU. Algur H. Meadows Collection. MM78.01. [Fig. 8-16]

Page 17: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Diego Velázquez. Las Meninas (The Maids of Honor). 1656.Oil on canvas. 10 ft. 3/4 in. × 9 ft. 3/4 in.

Scala / Art Resource, NY. [Fig. 8-17]

Page 18: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Diego Velázquez. Las Meninas (The Maids of Honor), detail. 1656.Oil on canvas. 138 × 276 cm.

Erich Lessing/Art Resource, NY. [Fig. 8-18]

Page 19: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Do-Ho Suh. Public Figures. 1998–99.Fiberglass/resin, steel pipes, pipe fittings. 10 × 7 × 9 ft.

Courtesy of the Artist and Lehmann Maupin Gallery, New York. [Fig. 8-19]

Page 20: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Claes Oldenburg and Coosje van Bruggen. Spoonbridge and Cherry. 1988.Stainless steel and aluminum painted with polyurethane enamel.

29 ft. 6 in. × 51 ft. 6 in. × 13 ft. 6 in.Collection Walker Art Center, Minneapolis. Gift of Frederick R. Welsmen in honor of his parents, William and Mary Weisman, 1988. © Claes Oldenburg and

Coosje Van Brugen. [Fig. 8-20]

Page 21: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Hokusai. The Great Wave off Kanagawa, from the series Thirty-Six Views of Mount Fuji. 1823–29.

Color woodcut. 10 × 15 in.©Historical Picture Archive/CORBIS. [Fig. 8-21]

Page 22: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Felix Gonzalez-Torres. Untitled. 1991.Billboard, overall dimensions vary with installation.

Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. The Museum of Modern Art, New York, NY, U.S.A. © The Felix Gonzalez-Torres Foundation. Courtesy of Andrea Rosen Gallery, New York. [Fig. 8-22]

Page 23: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Polyclitus. Doryphoros. 450 BCE.Marble. height 84 in.

Alfredo Dagli Orti / The Art Archive at Art Resource, NY. [Fig. 8-23]

Page 24: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Parthenon. 447–438 BCE.Pentelic marble. 111 × 237 ft. at base.Studio Kontos Photostock. [Fig. 8-24]

Page 25: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Judith F. Baca. La Memoria de Nuestra Tierra, preliminary drawing. 1996.Acrylic on canvas. 9 × 23 ft.

USC Student Topping Center. © 1997 Judith F. Baca. Courtesy of the artist. Photo © SPARC, Venice, CA. [Fig. 8-25]

Page 26: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Judith F. Baca. La Memoria de Nuestra Tierra. 1996.Acrylic on canvas. 9 × 23 ft.

USC Student Topping Center. © 1997 Judith F. Baca. Courtesy of the artist. Photo © SPARC, Venice, CA. [Fig. 8-26]

Page 27: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Jacob Lawrence. Barber Shop. 1946.Gouache on paper. 21-1/8 × 29-3/8 in.

The Toledo Museum of Art, Toledo, Ohio. Purchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey. 1975.15. Photo Credit: Photography Incorporated, Toledo. © 2012 The Jacob and Gwendolyn Lawrence Foundation, Seattle/Artists Rights Society (ARS), New York. [Fig. 8-27]

Page 28: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Auguste Rodin. Gates of Hell with Adam and Eve. 1880–1917.Bronze. 250-3/4 × 158 × 33-3/8 in.

Stanford University Museum of Art. Photograph by Frank Wing. [Fig. 8-28]

Page 29: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Auguste Rodin. The Three Shades. 1881–86.Bronze Coubertin Foundry, posthumous cast authorized by Musée Rodin, 1980.

75-1/2 × 75-1/2 × 42 in.Iris & B. Gerald Cantor Center for Visual Arts at Stanford University. Gift

of the B. Gerald Cantor Collections. [Fig. 8-29]

Page 30: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Laylah Ali. Untitled. 2000.Gouache on paper. 13 × 19 in.

Courtesy Laylah Ali and 303 Gallery, New York. [Fig. 8-30]

Page 31: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

James Lavadour. The Seven Valleys and the Five Valleys. 1988.Oil on canvas. 54 × 96 in.

Collection of Ida Cole. Courtesy of the artist and PDX, Portland, OR. [Fig. 8-31]

Page 32: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Louise Lawler. Pollock and Tureen. 1984.Cibachrome. 28 × 39 in.

Courtesy of the Artist and Metro Pictures. [Fig. 8-32]

Page 33: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Las Vegas, Nevada. c. 1985.Steve Vidler/SuperStock. [Fig. 8-33]

Page 34: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Elizabeth Murray. Just in Time. 1981.Oil on canvas in two sections. 106 × 97 in.

The Philadelphia Museum of Art / Art Resource, NY. Art © 2012 Artists Rights Society (ARS), New York/ADAGP, Paris/Succession Marcel Duchamp.

[Fig. 8-34]

Page 35: Leonardo da Vinci. Study of Human Proportion: The Vitruvian Man. c. 1492. Pen and ink drawing. 13-1/2 × 9-5/8 in. Cameraphoto Arte, Venice / Art Resource,

Claude Monet. The Railroad Bridge. 1874.Oil on canvas. 21-4/5 × 29-2/5 in.

The Philadelphia Museum of Art / Art Resource, NY. [Fig. 8-35]