learn.stleonards.vic.edu.au · l ibretto v ocal b ook book by david simpatico songs by matthew...
TRANSCRIPT
L I B R E T T O V O C A L B O O K
Book by David SimpaticoSongs by Matthew Gerrard and Robbie Nevil; Ray Cham,
Greg Cham and Andrew Seeley; Randy Petersen andKevin Quinn; Andy Dodd and Adam Watts;
Bryan Louiselle; David N. Lawrenceand Faye Greenberg; Jamie Houston
Music Adapted, Arranged and Produced by Bryan LouiselleBased on a Disney Channel Original Movie Written by
Peter Barsocchini
© Disney
NNOOTTIICCEE:: DDOO NNOOTT DDEEFFAACCEE!!Should you find it necessary to mark cues or cuts, use a soft black lead pencil only.
NNOOTT FFOORR SSAALLEEThis book is rented for the period specified in your contract. It remains the property of:
PPLLEEAASSEE RREETTUURRNN AALLLL MMAATTEERRIIAALLSS TTOO::
Music Theatre International (Australasia)C/O Hal Leonard Australia
4 Lentara CourtCheltenham, Victoria 3192, AustraliaEmail: [email protected]
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
The Cliques and Characters of East High SchoolThe JOCKS
TROY BOLTON, captain of the basketball teamCHAD DANFORTH, number two on the basketball team, Troy’s best friendZEKE BAYLOR, has a secret passion for bakingJason, the strong, silent typeOther Jocks
The THESPIANS
SHARPAY EVANS, president of the Drama ClubRYAN EVANS, vice-president of the Drama ClubJames, an earthworm expressionistSusan, overwrought with emotionCathy, a little too eagerAlan, has a flair for coutureCyndra, has operatic aspirationsPerformance Art Kids
The BRAINIACS
GABRIELLA MONTEZ, the shy new girl at schoolTAYLOR MCKESSIE, president of the Science ClubMARTHA COX, has a secret passion for hip-hopKratnoff, a history buffOther Brainiacs
The SKATER DUDES
Ripper, has a secret passion for the celloMongo, a little slow on the uptakeOther Skater Dudes
Other STUDENTS
JACK SCOTT, the PA announcer, a.k.a. the Velvet Fog of East HighKELSI NEILSON, the mousey composer of Juliet and RomeoWildcat CheerleadersParty Kids, guests in ski-lodge flashbackFans/Spectators at the basketball championship game and the Science Decathlon
The ADULTS
Karaoke M.C., voiceover in ski-lodge flashbackMS. DARBUS, drama teacherCOACH BOLTON, basketball coach, Troy’s dadMs. Tenny, voiceover chemistry teacherModerator, voiceover science decathlon moderator
H I G H S C H O O L M U S I C A L — I I I —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
Scenes and Musical NumbersACT ONE1. East High School Steps (& Ski Lodge) — MONDAY, 7:45 AM . . . . . . . . . . . . . . . . . . . . .p. 1
#1 Wildcat Cheer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .COMPANY . . . . . . . .1
#2 Start of Something New . . . . . . . . . . . . . . .TROY, GABRIELLA, COMPANY . . . . . . . .4
#3 Start of Something New (Playoff) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx/band . . . . . . . .9
#4 Homeroom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . . . .9
2. Ms. Darbus’s Homeroom — MONDAY, 8:00 AM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9
#5 Gabriella’s Phone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx . . . . . . .10
#6 School Bell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx . . . . . . .11
#7 Announcement Transition 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . . .11
#8 Hallway . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . . .11
3. Hallway — MONDAY, 8:15 AM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12
#9 Announcement Transition 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . . .14
#10 Basketball Practice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . . .15
4. Gym — MONDAY, 8:30 AM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
#11 Get’cha Head in the Game . . . . . . . . . . . . . . . . . . . . . . . . . . . . .TROY, JOCKS . . . . . . .15
#12 Get’cha (Playoff) into Lab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .TROY, JOCKS . . . . . . .20
5. Chemistry Lab — MONDAY, 2:00 PM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
#13 Sharpay Dials . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx . . . . . . .22
#14 The Plot Thickens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx/band . . . . . . .23
#15 Announcement Transition 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . . .24
#16 Detention . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . . .24
6. Theater — MONDAY, 3:00 PM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
#17 Announcement Transition 4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . . .29
7. Theater — TUESDAY, 3:00 PM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
#18 Auditions (Bop to the Top /What I’ve…) . . . .THESPIANS, MS. DARBUS . . . . . . .29
#19 What I’ve Been Looking For . . . . . . . . . . . . . . . . . . . . . . . .RYAN, SHARPAY . . . . . . .33
#20 School Bell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx . . . . . . .35
#21 What I’ve Been Looking For (Reprise) . . . . . . . . . . . . .TROY, GABRIELLA . . . . . . .39
8. Various Places — TUESDAY, Evening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42
#22 Cellular Fusion . . . . . . . . . . . . . . . . . . . . . . . . .CHAD, TAYLOR, COMPANY . . . . . . .42
9. Cafeteria — WEDNESDAY, Noon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
#23 Stick to the Status Quo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .COMPANY . . . . . . .44
ACT TWO#24 Entr’acte (Stick to the Status Quo) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . . .51
1. Rooftop Garden — WEDNESDAY, 12:30 PM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51
#25 Rooftop Garden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . . .51
— I V — H I G H S C H O O L M U S I C A L
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H I G H S C H O O L M U S I C A L — V —
#26 I Can’t Take My Eyes Off of You . . . . . . . . . . . . . . . . . .TROY, GABRIELLA . . . . . . .53
#27 Sharpay’s Locker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . . .55
2. Sharpay’s Locker — WEDNESDAY, 12:30 PM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55
#28 Study Hall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx/band . . . . . . .56
3. Study Hall — WEDNESDAY, 1:00 PM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .56
#29 Wildcat Cheer (Reprise) . . . . . . . . . . . . . . . . . . . . . . . . . . . .CHEERLEADERS . . . . . . .58
4. Gym — WEDNESDAY, 3:30 PM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59
5. Locker Room / Lab — WEDNESDAY, 4:00 PM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
#30 Counting on You . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .JOCKS, BRAINIACS . . . . . . .64
#31 Taylor’s Cell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx . . . . . . .68
#32 When There Was Me and You . . . . .GABRIELLA, TROY, JOCKS, BRAINS . . . . . . .69
6. Isolated Spaces — WEDNESDAY, Evening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .69
#33 Boom Box Rehearsal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . . .71
7. Rehearsal Room — THURSDAY, 12:30 PM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
#34 Boom Box / Theater . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . . .74
8. Theater — THURSDAY, 12:45 PM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .74
#35 Gabriella’s Cell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx . . . . . . .74
#36 Start of Something New (Reprise) . . . . . . . . . . . . . . . . .TROY, GABRIELLA . . . . . . .75
#37 Study Hall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . . .77
9. Study Hall — THURSDAY, 1:00 PM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .77
#38 Announcement Transition 5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . . .77
#39 Sorry, Troy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . . .78
#40 We’re All in This Together . . . .CHAD, TAYLOR, KELSI, JOCKS, BRAINS . . . . . . .80
10. Lab / Theater / Locker Room & Gym — FRIDAY, 3:00 PM . . . . . . . . . . . . . . . . . . . . . . .83
#41 Bumpy Ride . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . . .84
#42 Bop to the Top . . . . . . . . . . . . . . . . .SHARPAY, RYAN, BRAINIACS, JOCKS . . . . . . .84
#43 Meltdown . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx . . . . . . .87
#44 In the Lab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . . .88
#45 In the Theater . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . . .88
#46 Kelsi Tries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . . .91
#47 Breaking Free . . . . . . . . . . . . . . . . . . . . . . . .TROY, GABRIELLA, COMPANY . . . . . . .92
11. Gym — FRIDAY, 5:00 PM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .95
#48 Game Buzzer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx . . . . . . .95
#49 Wildcat Vamp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . . .95
#50 We’re All in This Together (Reprise) . . . . . . . . . . . . . . . . . . . . . .COMPANY . . . . . . .98
#51 High School Musical Megamix . . . . . . . . . . . . . . . . . . . . . . . . . . .COMPANY . . . . . .102
#52 Exit Music (Bop to the Top) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .106
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
Authors’ Notes
As you venture into the hallowed halls of High School Musical, the most
important thing to remember is to have as much fun as you possibly
can. When we sat down to adapt the immensely popular Disney
Channel movie for the stage, the first thing we did was sing the music
from our high school days at the top of our lungs: Godspell, Elton John,
Jesus Christ Superstar, Billy Joel, Sweeney Todd, Meatloaf… (yes, we’re
dating ourselves). Two hours and two sore throats later, we were back
in high school. And that’s what you can do for the audience: bring
them back to the days of high school – even if some haven’t even been
to high school yet!
The characters of High School Musical may seem exaggerated on the
surface, but there is something very real and recognizable in each of
them. Ms. Darbus is kooky, eccentric and in search of her own personal
spotlight; at the same time she is deeply devoted to her students and
encourages them to risk in order to grow. Ryan invests a lot in being
slick and flashy, but when he gets an opportunity to step out from his
sister’s shadow, he learns a valuable lesson. Jack Scott, a new character
created to move the story along from scene to scene, is shy and insecure
in front of the rest of the kids, but in front of the P.A. mic he is smooth,
confident and articulate (he has to be so we know what’s going on!).
We’ve done our best to craft these characters on the page through
speech, action and song – now it’s your job to show the audience what
makes them tick. And you’ll do that best by bringing your own
experience to the table, finding your own way into the characters, and
bringing them to fresh, new life on stage. There is no “one right way”
to do a part, design a set, or stage a number, so commit to your choices,
keep your passion alive, and have a blast!
We join the rest of the development team at Disney Theatrical
Productions in dedicating our stage adaptation of Disney’s High School
Musical to all the drama teachers in the world who have inspired,
cajoled and launched us into the theatre, providing a wide-open ocean
of possibilities and a lifeboat to keep us afloat. Hip-hop hooray!
David Simpatico Bryan Louiselle
— V I — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
ACT I
SCENE 1: EAST HIGH SCHOOL STEPS (& SKI LODGE) —
MONDAY, 7:45 AM
(On the stage curtain hangs a long, hand-made banner: WILDCATS WELCOMEBACK! The house lights go down and the music starts.)
DRUM MAJOR (V.O.)
C’mon, Wildcats!
#1 — Wi ldca t Cheer Company
ALL
WILDCATS, SING ALONG
YEAH, YOU REALLY GOT IT GOIN’ ON
WILDCATS IN THE HOUSE
EVERYBODY SAY IT NOW
(The curtain rises, revealing the WILDCATS CHEERLEADING SQUAD on the frontsteps of East High. It’s the first day after winter break. STUDENTS run in, wave toeach other, find friends, and add their voices to the cheer. Cliques form instantly:JOCKS, BRAINIACS, SKATER DUDES and THESPIANS.)
WILDCATS EVERYWHERE
WAVE YOUR HANDS UP IN THE AIR
THAT’S THE WAY WE DO IT
LET’S GET TO IT
TIME TO SHOW THE WORLD
(JACK SCOTT, the nerdy school announcer, trips over his own feet and falls, booksflying. The Jocks, members of the Wildcats Basketball Team, laugh and help him up.The Jocks high-five each other. CHAD DANFORTH, the hot-wired number-two man,flags down TROY BOLTON, the team captain. The Jocks, including ZEKE BAYLOR,fall into place around their leader.)
CHAD
Yo, doggie! Troy, my hoops boy!
TROY
Hey, Chad. Dudes... Happy New Year.
CHAD
(televangelist)
Oh yes, my brothers, it will be a Happy Wildcat New Year, because this Friday weplay the league championship game, with you, Mr. Troy Bolton, leading us to infinityand beyond!
H I G H S C H O O L M U S I C A L — 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
JOCKS
Hallelujah!
ALL
WILDCATS, SING ALONG
YEAH, YOU REALLY GOT IT GOIN’ ON
WILDCATS IN THE HOUSE
EVERYBODY SAY IT NOW
(SHARPAY and RYAN EVANS make their entrance — fraternal twins, fashion plates,president and vice-president of the Drama Club. Sharpay is the alpha dog, older thanRyan by eight minutes.)
ZEKE
(watching Sharpay)
Guys, here she comes. Man, she’s gorgeous.
CHAD
Hey, the ice princess has returned from the North Pole.
ZEKE
(finding the nerve to address Sharpay)
Hi, uhm, you know, I mean, hi Sharpay, how are—
(Without even glancing at Zeke, Sharpay blows past him.)
RYAN
(wanting to be friendly)
Hi Troy. Getting ready for the big game?
(Sharpay pushes Ryan out of the way so she has a clear path to Troy.)
SHARPAY
(with a calculated flip of her hair)
Hi, Troy.
TROY
(couldn’t be less interested)
Hi, Sharpay.
(Sharpay and Ryan walk away. Chad leads the Jocks in wolf howls.)
ALL
WILDCATS EVERYWHERE
WAVE YOUR HANDS UP IN THE AIR
THAT’S THE WAY WE DO IT
— 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(ALL)
LET’S GET TO IT
TIME TO SHOW THE WORLD
(Lost in the mix of cliques is GABRIELLA MONTEZ, a shy beauty who hangs by theedge of the crowd. TAYLOR MCKESSIE, president of the Science Club, arrives with acouple of her Brainiac girlfriends, including MARTHA COX. Taylor eyeballs thehowling display by Chad and the Jocks.)
TAYLOR
Ah, behold the zoo animals heralding the New Year. How tribal.
SHARPAY
They were heralding my entrance, dear.
TAYLOR
La Diva speaks! So what did you do over the break, Sharpay, your nails or yourscales?
(Sharpay sings a fast run up the scales, and content that she has impressed heraudience, turns away from them.)
Scales. Just like all the other snakes.
(Gabriella laughs with the others. KELSI NEILSON, a nerdy, klutzy composer, dropsall her books. Taylor and Gabriella help her pick them up.)
ALL
WILDCATS EVERYWHERE
WAVE YOUR HANDS UP IN THE AIR
THAT’S THE WAY WE DO IT
LET’S GET TO IT
C’MON, EVERYONE
TAYLOR
(extending her hand)
Hi, I’m Taylor McKessie. You must be new.
GABRIELLA
Gabriella Montez. Hi. Yeah, my mom just got transferred. Again.
TAYLOR
Welcome! Moving can be such a drag. Did you at least do something fun over thewinter break?
GABRIELLA
Oh, you know... my Mom took me on a ski trip. All I did was read.
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TAYLOR
(happy)
Excellent, another bookworm!
SHARPAY
With all those cute boys on the slopes? Why do you think Prada makes all thatfabulous après ski wear?
(fingers form an “L” on her forehead)
Loser!
GABRIELLA
Well, uhm, actually, I did meet a boy.
TAYLOR
See? So make with the newsflash, sister! I’m all ears.
#2 — Star t o f Someth ing New Troy , Gabr i e l l a , Company
(Troy regales his friends with stories of his winter break. Gabriella and Troy faceoffstage so they don’t see each other.)
TROY
It was the best trip. The slopes were perfect! And I met the hottest little snowbunny ever!
GABRIELLA
You’ll never guess how I met him.
(During the next few lines, Gabriella and Troy are backed towards each other by theirfriends.)
CHAD
How’d you meet her?
TAYLOR
Snowboarding?
TROY
Snowboarding.
GABRIELLA
Singing! He was pretty good, too!
TROY
Man, she was so hot, the slopes turned to slush.
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CHAD
(to the Guys)
Yeah, so did Troy.
TAYLOR
Singing?
GABRIELLA
They threw a contest for the kids. It was kind of romantic, you know?
M.C. (V.O.)
(big)
Can you say “karaoke”?!!!
ALL
Karaoke!!!
(As they shout, the Students face upstage and freeze, becoming Party Kids. Now in“karaoke flashback,” Troy and Gabriella look like deer in headlights, terrified of makingfools out of themselves. Still not seeing each other, they reluctantly pick up twomicrophones. As they bump into each other, back to back, the lights change to give themsome “atmosphere.” They turn and stare into each other’s eyes. Like an avalanche, it’slove at first sight.)
TROY
I’m Troy. I can’t sing.
GABRIELLA
Gabriella. Me either.
TROY
They’re all looking at us.
GABRIELLA
I will if you will.
TROY
LIVING IN MY OWN WORLD
DIDN’T UNDERSTAND
THAT ANYTHING CAN HAPPEN
WHEN YOU TAKE A CHANCE
GABRIELLA
I NEVER BELIEVED IN
WHAT I COULDN’T SEE
I NEVER OPENED MY HEART
TO ALL THE POSSIBILITIES
H I G H S C H O O L M U S I C A L — 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
TROY, GABRIELLA
OH, I KNOW
THAT SOMETHING HAS CHANGED
NEVER FELT THIS WAY
GABRIELLA
AND RIGHT HERE TONIGHT
TROY, GABRIELLA
THIS COULD BE THE START
OF SOMETHING NEW
IT FEELS SO RIGHT
TO BE HERE WITH YOU, OH
AND NOW LOOKIN’ IN YOUR EYES
I FEEL IN MY HEART
THE START OF SOMETHING NEW
(Troy and Gabriella are happily stunned at how good they feel singing with each other.)
M.C. (V.O.)
And now, get those lips ready for the big New Year’s kiss, ‘cause here it comes in...
PARTY KIDS, M.C. (V.O.)
10! 9! ...
(The countdown continues under the next four lines of dialogue, in time with the music.Gabriella checks her watch — she’s late.)
GABRIELLA
Oh, no, I have to go, I promised my mom, New Year’s thing—
TROY
Hurry, put in your phone number, I’ll do it too—
(Quickly, Gabriella and Troy exchange phones and plunk in their own numbers. Theyhand their phones back to each other, snap their pictures fast, just as the New Yearhits.)
GABRIELLA
I had such a great time with you—
TROY
Me too!
PARTY KIDS, M.C. (V.O.)
(finishing the countdown)
... 4! 3! 2! 1! Happy New Year!!!
— 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(The Students turn front, and we are back on the steps of East High. Troy turns toChad and the Jocks, Gabriella to Taylor and the Brainiacs.)
TROY
It was awesome!
GABRIELLA
It was like a dream.
TROY
I made a New Year’s resolution to call and ask her out on a date.
CHAD, TAYLOR
You know what my New Year’s resolution is?
GUYS, GIRLS
Tell it!
CHAD
I’M GONNA WORK MY JUMP SHOT
TAYLOR
GONNA WORK THE EQUATION
CHAD
I’M GONNA WIN THE GAME
TAYLOR
I’M GONNA WIN THE PRIZE
SHARPAY
BE THE STAR JUST LIKE ALWAYS
RYAN
BE THE STAR, NOT THE SIDEKICK
ZEKE
GET SHARPAY TO OPEN UP HER EYES
ALL
I KNOW THIS YEAR
THAT SOMETHING HAS CHANGED
NEVER FELT THIS WAY
I KNOW IT FOR REAL
THIS COULD BE THE START
OF SOMETHING NEW
IT FEELS SO RIGHT
H I G H S C H O O L M U S I C A L — 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(ALL)
TO BE HERE WITH YOU, OH
AND NOW I CAN REACH THE SKIES
I FEEL IN MY HEART
THE START OF SOMETHING NEW
THE START OF SOMETHING NEW
THE START OF SOMETHING NEW
CHAD
Sounds like a great New Year’s!
TROY
I think it’s going to be a great New Year for all of us!
GUYS
THIS YEAR I KNOW IT’S GONNA HAPPEN
GONNA HAPPEN FOR ME!
RYAN
IT’S GONNA HAPPEN FOR ME!
GIRLS
I DIDN’T KNOW IT BEFORE
BUT NOW IT’S EASY TO SEE
GUYS
OH, IT’S SO EASY TO SEE
ALL
IT’S THE START
OF SOMETHING NEW
IT FEELS SO RIGHT
TO BE HERE WITH YOU, OH
AND NOW I CAN REACH THE SKIES
I FEEL IN MY HEART
THAT IT’S THE START
OF SOMETHING NEW
IT FEELS SO RIGHT
TO BE HERE WITH YOU, OH
AND NOW I FINALLY REALIZE
I FEEL IN MY HEART
THE START OF SOMETHING NEW! OH!
THE START OF SOMETHING NEW! OH!
— 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(ALL)
THE START OF SOMETHING NEW! OH!
THE START OF SOMETHING NEW!
#3 — Star t o f Someth ing New (P layo f f ) s f x /band
(The school bell rings. The Students run to their homeroom classes and sit listening tothe morning announcements. Lights up on Jack Scott sitting at a mic in anannouncer’s booth. The moment he turns on the mic, be becomes a hip, velvet-foggedDJ.)
JACK SCOTT
Yo yo yo, Wildcats, listen up for the very first morning announcements of the brandnew year. This is Jack Scott, the Velvet Fog of East High with the Homeroom 411 onwhat’s going down and comin’ up this week. The Science Decathlon finals are onFriday; see Taylor “Learning Curve” McKessie for more skinny on the hooey.
(fast)
During free period, the Science Club will meet in Room 213 and then switch midwaywith the AV Club in Room 312 for the next two and a half-sessions, then reverse andalternate their schedules for the second half of the winter quarter. The SkydivingClub will be meeting at 3:00 p.m. on the roof deck, and the First-Aid Club will bewaiting for them down in the parking lot below. All for now, Peeps.
#4 — Homeroom band
SCENE 2: MS. DARBUS’S HOMEROOM — MONDAY, 8:00 AM
(Troy and Gabriella are among the last to sit, just catching the end of the morningannouncements. He catches a quick glimpse of her, but can’t believe his eyes. She sitsin the back of the class. Before Troy can take another look, MS. DARBUS, the schooldrama teacher, enters her homeroom with a grand flourish. She is eccentric, to say theleast, but her eccentricity is fueled by a genuine love of theatre and of teaching. Asmall, hand-held gong sits on her desk.)
MS. DARBUS
(with simple clarity)
“But, soft! What light through yonder window breaks? It is the east, and Juliet isthe sun. Arise, fair sun, and kill the envious moon, Who is already sick and palewith grief, That thou her maid art far more fair than she.”
(Ms. Darbus bangs her gong. Sharpay, Ryan and Kelsi applaud.)
Thank you... thank you very much. Well, once again, they forgot to announce theauditions for the winter musical, Juliet and Romeo, written by our very own Kelsi
H I G H S C H O O L M U S I C A L — 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(MS. DARBUS)
Neilson. Kelsi, stand up and take a bow.
(Kelsi sinks lower in her chair and hides her head behind a book. One hand risestentatively to accept the very tepid applause from the class.)
It’s a delicious neo-feminist adaptation of Shakespeare’s classic tragedy ofstar-crossed lovers... with three — count ‘em three — tap numbers! By thinkingoutside the box, Kelsi has brilliantly swapped out a tragic ending with a happyending, in which the two lovers both live... and move to Albuquerque! It’s simplybursting with sword fights, meddling parents and teenagers caught in the grip offorbidden love. If you kids can’t relate to that, I’ll eat my gong. Now there’ll besingle auditions for the supporting roles and chorus, as well as pairs auditions forour two leads.
(At the mention of the musical, Chad leads the Jocks in a round of dry raspberries.)
Mr. Danforth, this is a place of learning, not a football court. Save your bilabialfricatives for someone of your own primitive esthetic.
(Troy slips his cell phone from his pocket and dials.)
This year, as always, the Drama Club faces a dearth of male participants, so pleasecome in and audition. I’m offering you the chance to spread your wings into boldnew horizons. I’m offering you the timeless allure of the greasepaint, the magicalpower of the Klieg light! All right— I’m offering you extra credit.
#5 — Gabr i e l l a ’ s Phone s fx
(A cell phone starts a wild musical ring. At the first ring, Ryan and Sharpay pull outtheir cell phones.)
Ah, the dreaded cell phone symphony returns to our crucible of learning! Sharpayand Ryan Evans, your phones please, and I’ll see you in detention.
(Ms. Darbus lifts a plastic bucket that is labeled: CELL BLOCK D. But the musicalringing continues. Ms. Darbus searches the room. Gabriella digs her phone from thebottom of the backpack. By now Ms. Darbus looms over her.)
We have zero tolerance for cell phones during class. So, we’ll get to know each otherat detention. Phone, please... and welcome to East High, Miss Montez.
(notices Troy’s phone)
Mr. Bolton, I see your phone is involved. Splendid. We’ll see you in detention aswell.
(Ms. Darbus extends the bucket for Troy’s phone. Chad practically leaps out of hischair.)
CHAD
That’s not even a possibility, Ms. Darbus— your honor, sir... because we havebasketball practice after school and Troy is—
— 1 0 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
MS. DARBUS
That’s thirty minutes for you, too, Mr. Danforth, count ‘em!
TAYLOR
(whispers to Gabriella)
That could be tough for Chad, since he probably can’t count that high.
MS. DARBUS
Taylor McKessie, thirty-five minutes.
TAYLOR
But I’ve never had detention in my life!
MS. DARBUS
Well then, Happy New Year!
(Ms. Darbus whirls around, suddenly Cerberus, the snarling, three-headed watchdog ofHades.)
This ain’t my first time at the rodeo, kiddies! Shall the carnage continue?
#6 — Schoo l Be l l s f x
(calls off the dogs)
Ah, saved by the bell. You may collect your phones after detention. Have awonderful day.
(The Students run out the door.)
#7 — Announcement Trans i t i on 1 band
(Lights up on Jack in the booth.)
JACK SCOTT
Attention, custodial staff: a nauseous freshman just shared his pancakes all over thethird floor corridor. We’re talking major spewage, folks, so watch out for—
(Ms. Darbus steps into the booth, hands Jack a note, and leaves.)
Sorry, Peeps, this just in: Please remember to sign up for the school musical, Juliet andRomeo, by red-hot composer babe Kelsi Neilson. Until later, this is Jack Scott, theVelvet Fog of East High.
(Lights out on Jack.)
#8 — Hal lway band
H I G H S C H O O L M U S I C A L — 1 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
SCENE 3: HALLWAY — MONDAY, 8:15 AM
(Troy waits outside in the hall for Gabriella. They stare at each other in disbelief,finishing each other’s sentences.)
GABRIELLA
I don’t—
TROY
(whispering)
—believe it.
GABRIELLA
Me—
TROY
(whispering)
—either. But how...
GABRIELLA
We just moved here to Albuquerque. I can’t believe you live here, too. I looked foryou at the lodge on New Year’s Day, but—
TROY
(whispering)
We had to leave first thing.
GABRIELLA
(whispering now too)
Why are you whispering?
TROY
Oh, well... I told my friends I went snowboarding, but I didn’t tell them about thesinging thing.
GABRIELLA
Too much for them to handle?
TROY
It was cool. But, my friends— that’s not what I do. That was like a different person.
GABRIELLA
Pretty crazy, right, meeting up again like this?
TROY
Hey, I was gonna call you... like a bunch of times—
— 1 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
GABRIELLA
And?
TROY
(embarrassed)
And, you know, I mean, like, well, I mean—
GABRIELLA
You chickened out.
TROY
Kinda.
(Pause. Troy blushes. Gabriella smiles at the thought that he was scared to call her.)
GABRIELLA
Cool.
(Troy and Gabriella look at the bulletin board, where the audition sign-up sheets forJuliet and Romeo are posted. Behind them, the ever-eavesdropping Sharpay listens totheir conversation.)
TROY
Hey... now that you’ve met Darbus the Deranged, I’ll bet you can’t wait to sign upfor the show.
GABRIELLA
(laughs)
I won’t be signing up for anything here for a while. I just want to get to know theschool. But if you signed up, I’d consider coming to the show.
TROY
That’s completely impossible.
(Sharpay swoops into their conversation like a hungry vulture. She speaks fast, so noone can interrupt her.)
SHARPAY
I wouldn’t think “impossible” is even in your vocabulary, Troy.
(indicates Gabriella)
So nice of you to show our new classmate around.
(to Gabriella)
Troy is such a sweetheart, isn’t he? He’s the star of the basketball team, just like I’mthe star of the Drama Club. We’re perfect for each other, don’t you think? Are wehaving lunch together, Troy? Oh, look, the sign-ups for the musical.
(Sharpay forces her way between Troy and Gabriella and signs her name across theentire sign-up sheet.)
H I G H S C H O O L M U S I C A L — 1 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(SHARPAY)
(to Gabriella, butter wouldn’t melt...)
Oh... were you going to sign up, too? I’m so sure we could find something for you.The ugly old Nurse is lots of fun.
GABRIELLA
No, no. I was just looking over the bulletin board. Lots going on at this school.
(indicates Sharpay’s over-the-top signature)
Wow. Nice penmanship.
(Gabriella hurries away, leaving Troy with Sharpay.)
SHARPAY
I missed you during vacation, Troy. So, what’d you dooooooo, hmmmmmmmm?
TROY
(couldn’t be less interested)
Practiced basketball. Snowboarding. More basketball.
(checks his watch)
Gotta go, practice and all.
(Troy zooms away, free from Sharpay’s clutches.)
SHARPAY
You’re so dedicated. Just like me.
(afterthought, calling after Troy)
I hope you’ll come watch me in the musical? Promise?
(after a beat)
Maybe it’s my hair.
(Sharpay trots off.)
#9 —Announcement Trans i t i on 2 band
(Lights up on Jack in the booth.)
JACK SCOTT
Hey Wildcats, it’s request time again, and this one goes out from Vice PrincipalVinnie Ichikawa to the person who took the air out of his tires—
(COACH BOLTON, the hard-nosed basketball coach and Troy’s father, steps into thebooth. He hands a note to Jack and leaves.)
Sorry folks... seems we have another request that goes something like this: “TroyBolton, get your butt to basketball practice on the double or you are grounded for aweek!” Later, Peeps.
— 1 4 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
#10 — Baske tba l l Prac t i c e band
(We hear a coach’s whistle blow.)
SCENE 4: GYM — MONDAY, 8:30 AM
(Basketball practice. Coach Bolton is in the middle of a team pep talk.)
COACH BOLTON
And remember, the chain is only as strong as its weakest link. When the going getstough—
JOCKS
—the tough get going!
COACH BOLTON
I guess you know that one. Okay, men, give me ten minutes of weave drills... and letme see some hustle!
(Coach Bolton blows his whistle. The Jocks run drills. Troy runs in, late.)
TROY
Sorry I’m late, Coach!
#11 — Get ’ cha Head in the Game Troy , J o cks
(Troy immediately partners with Chad. They take turns guarding each other in a little“pressure” drill.)
Hey, you know that school musical thing? Pretty cool that Darbus is giving extracredit just for auditioning.
CHAD
(surprised)
Do you think LeBron James or Shaquille O’Neal ever auditioned for their schoolmusical?
TROY
(covering his enthusiasm)
But, you know... like the extra credit is good for college and all.
CHAD
(still not understanding where Troy’s head is)
You know what’s better? A big, fat basketball scholarship!
(Coach Bolton stands behind them and bounces a basketball off Troy’s head.)
H I G H S C H O O L M U S I C A L — 1 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
TROY
Oww!
COACH BOLTON
You’re the team captain, Bolton. Get your head in the game!
CHAD
(sotto voce)
Man, your dad’s tough.
TROY
(turns to Jocks, taking charge)
All right, let’s kick it in. Run the shuffle drill.
(The Jocks fall into place.)
COACH SAID TO FAKE RIGHT
AND BREAK LEFT
WATCH OUT FOR THE PICK
AND KEEP AN EYE ON DEFENSE
GOTTA RUN THE GIVE AND GO
TAKE THE BALL TO THE HOLE
AND DON’T BE AFRAID TO SHOOT THE OUTSIDE “J”
UH, JUST KEEP YOUR HEAD IN THE GAME
JOCKS
UH, JUST KEEP YOUR HEAD IN THE GAME
TROY
AND DON’T BE AFRAID TO SHOOT THE OUTSIDE “J”
JOCKS
UH, JUST KEEP YOUR HEAD IN THE GAME
TROY
YOU GOTTA GET’CHA, GET’CHA HEAD IN THE GAME
JOCKS
WE GOTTA GET OUR, GET OUR, GET OUR, GET OUR
HEAD IN THE GAME
TROY
YOU GOTTA GET’CHA, GET’CHA HEAD IN THE GAME
— 1 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
JOCKS
WE GOTTA GET OUR, GET OUR, GET OUR, GET OUR
HEAD IN THE GAME
TROY
COME ON, GET’CHA, GET’CHA HEAD IN THE GAME
JOCKS
WE GOTTA GET OUR, GET OUR, GET OUR, GET OUR
HEAD IN THE GAME
TROY, JOCKS
YOU GOTTA GET’CHA, (GET OUR,) GET’CHA (GET OUR)
HEAD IN THE GAME
WE GOTTA GET OUR, GET OUR, GET OUR, GET OUR
HEAD IN THE GAME
WOO!
TROY
LET’S MAKE SURE THAT WE GET THE REBOUND
‘CAUSE WHEN WE GET IT, THEN THE CROWD WILL GO WILD
A SECOND CHANCE, GOTTA GRAB IT AND GO
MAYBE THIS TIME WE’LL HIT THE RIGHT NOTES
(Suddenly, Troy loses himself in a melodic riff. The Jocks become a dream back-up boyband.)
JOCKS
YOU’VE GOT TO SEE HER AGAIN
(Troy snaps back into focus.)
TROY
WAIT A MINUTE— NOT THE TIME OR PLACE
WAIT A MINUTE— GET MY HEAD IN THE GAME
WAIT A MINUTE— GET MY HEAD IN THE GAME
WAIT A MINUTE, WAIT A MINUTE
GOTTA GET MY, GET MY HEAD IN THE GAME
JOCKS
YOU GOTTA GET’CHA, GET’CHA, GET’CHA, GET’CHA
HEAD IN THE GAME
H I G H S C H O O L M U S I C A L — 1 7 —
JOCKS
DOO DOO DOO DOO DOO
TROY
I’VE GOT TO SEE HER A—
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
TROY
I GOTTA GET MY, GET MY HEAD IN THE GAME
JOCKS
YOU GOTTA GET’CHA, GET’CHA, GET’CHA, GET’CHA
HEAD IN THE GAME
TROY
COME ON, GET MY, GET MY HEAD IN THE GAME
JOCKS
YOU GOTTA GET’CHA, GET’CHA, GET’CHA, GET’CHA
HEAD IN THE GAME
TROY, JOCKS
I GOTTA GET MY, (GET’CHA,) GET MY (GET’CHA)
HEAD IN THE GAME
JOCKS
YOU GOTTA GET’CHA, GET’CHA, GET’CHA, GET’CHA
HEAD IN THE GAME
WOO!
(Troy takes another detour into his thoughts and boy band returns.)
TROY
WHY AM I FEELING SO WRONG?
JOCKS
YOU HAVE TO ASK YOURSELF
IS YOUR HEAD IN THE GAME? OO...
TROY
MY HEAD’S IN THE GAME
BUT MY HEART’S IN THE SONG
JOCKS
WHAT’S IT GONNA BE?
TROY
SHE MAKES THIS FEEL SO RIGHT
Should I go for it? Better shake this, yikes!
(Troy and the Jocks snap back to reality.)
— 1 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
JOCKS
BALL UP! BOO-YAH! BOO-YAH!
NOW WE GOT THE SWERVE ON, NOW BREAK
MAKE THE PASS, CLEAN THE GLASS
TAKE ANOTHER SWIPE FROM THE CHARITY STRIPE
MAKE THE SLAM DUNK, GET THE INSIDE, OUTSIDE
DUNKADELIC DUNKADELIC
KEEP YOUR HEAD, DON’T FORGET
AND TROY BOY TROY BE CUTTIN’ THE NET
TROY
YOU GOTTA GET’CHA, GET’CHA HEAD IN THE GAME
JOCKS
YOU GOTTA GET’CHA, GET’CHA, GET’CHA, GET’CHA
HEAD IN THE GAME
TROY
YOU GOTTA GET’CHA, GET’CHA HEAD IN THE GAME
JOCKS
YOU GOTTA GET’CHA, GET’CHA, GET’CHA, GET’CHA
HEAD IN THE GAME
TROY
COME ON, GET’CHA, GET’CHA HEAD IN THE GAME
JOCKS
YOU GOTTA GET’CHA, GET’CHA, GET’CHA, GET’CHA
HEAD IN THE GAME
TROY, JOCKS
I GOTTA GET MY, (GET’CHA,) GET MY (GET’CHA)
HEAD IN THE GAME
YOU GOTTA GET’CHA, GET’CHA, GET’CHA, GET’CHA
HEAD IN THE GAME!
TROY, JOCKS
GET’CHA HEAD IN THE GAME!
(Coach Bolton blows the whistle. The Jocks head for the locker room.)
H I G H S C H O O L M U S I C A L — 1 9 —
JOCKS
WHOA....
TROY
GET’CHA HEAD IN THE GAME
GET’CHA HEAD IN THE GAME!
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
#12 — Get ’ cha (P layo f f ) in to Lab Troy , J o cks
TROY
YOU GOTTA GET’CHA, GET’CHA HEAD IN THE GAME
JOCKS
YOU GOTTA GET’CHA, GET’CHA, GET’CHA, GET’CHA
HEAD IN THE GAME
TROY
YOU GOTTA GET’CHA, GET’CHA HEAD IN THE GAME
JOCKS
YOU GOTTA GET’CHA, GET’CHA, GET’CHA, GET’CHA
HEAD IN THE GAME
TROY
COME ON, GET’CHA, GET’CHA HEAD IN THE GAME
JOCKS
YOU GOTTA GET’CHA, GET’CHA, GET’CHA, GET’CHA
HEAD IN THE GAME
TROY, JOCKS
I COTTA GET MY, (GET’CHA,) GET’ MY (GET’CHA)
HEAD IN THE GAME
I GOTTA GET’CHA, GET’CHA, GET’CHA, GET’CHA
HEAD IN THE GAME!
TROY, JOCKS
GET’CHA HEAD IN THE GAME!
(Students in white lab coats run on and throw themselves into their work.)
SCENE 5: CHEMISTRY LAB — MONDAY, 2:00 PM
(MS. TENNY, the chemistry teacher, writes a long equation on the chalkboard. The teacherand board are invisible, placed out over the audience by the focus of the Students.)
MS. TENNY (V.O.)
You have two minutes to solve this “Relationship between Energy and PrincipalQuantum Number” equation. Class, give it your best shot.
— 2 0 — H I G H S C H O O L M U S I C A L
JOCKS
WHOA...
TROY
GET’CHA HEAD IN THE GAME!
GET’CHA HEAD IN THE GAME
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(Gabriella works through her equation. Sharpay slithers in next to her. Taylor sits atthe next table.)
SHARPAY
So, it seemed like you knew Troy Bolton?
GABRIELLA
(distracted, checking the work on her pad)
Not really, I just asked him for directions.
SHARPAY
Troy doesn’t usually interact with new students.
GABRIELLA
Why not?
(Gabriella looks at her calculation... not the same as Ms. Tenny’s. She’s reluctant to sayanything.)
SHARPAY
It’s pretty much basketball 24/7 with him. Plus, he’s such a bully, always picking onthe smaller kids.
(Taylor overhears Sharpay painting a fictional portrait of Troy.)
GABRIELLA
(absorbed in her equation)
That’s nice.
SHARPAY
He hates math. And chemistry... don’t get him started on chemistry. I don’t thinkhe’s opened a book since Sally, Dick and Jane — says he didn’t “get it.” Typical jock,right?
GABRIELLA
(still absorbed)
Cool.
SHARPAY
And he’s a meat eater... with a flatulence problem. Ask anybody.
(Watching Ms. Tenny complete the equation, Gabriella re-checks her own calculation.She raises her hand.)
GABRIELLA
Ms. Tenny?
MS. TENNY (V.O.)
Yes, Gabriella?
H I G H S C H O O L M U S I C A L — 2 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
GABRIELLA
Oh... I’m sorry... I was just— I mean, I think it should be 10 to the negative 18thpower, that’s all.
(Taylor perks up, interested. Sharpay is annoyed that she has to stop talking.)
MS. TENNY (V.O.)
10 to the negative 18th power? That’s quite impossible.
(We hear the sound of Ms. Tenny clicking her calculator. Taylor works her calculatoras well, as do most of the other Students in class.)
Well, Ms. Montez... I stand corrected. I’m very impressed. And welcome aboard!
(Taylor excitedly takes a seat next to Gabriella. Sharpay tries to grab back theconversation.)
SHARPAY
Did you know Troy spent a year in juvenile hall? Something to do with cats andlawn mowers...
TAYLOR
(à la Glinda from The Wizard of Oz)
Be gone! You have no power here!
SHARPAY
Whatever.
(Sharpay moves back a seat, but continues to eavesdrop on Taylor and Gabriella.)
#13 — Sharpay Dia l s s f x
(Sharpay takes out her spare phone, dials and whispers into it.)
TAYLOR
Well, I’m impressed. You’re a genius.
GABRIELLA
Please, it’s just an equation.
(Gabriella sees Sharpay talking on the phone.)
SHARPAY
(into her phone)
Ryan, it’s me...
GABRIELLA
I thought Ms. Darbus took your phone away.
— 2 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
SHARPAY
(covering the phone, to Gabriella)
What? We always carry a spare... in case our agent calls.
(Sharpay turns away to continue her secret conversation.)
TAYLOR
Look, our Science Decathlon team has a big regional match on Friday. We’ve neverwon it before, but with you on our side, we might stand a chance.
GABRIELLA
Thanks, but I think I’ll pass for now. I just want to get acclimated to the new schooland all.
TAYLOR
Well... promise you’ll think about it?
GABRIELLA
Promise.
#14 — The P lo t Th i ckens s fx /band
(The school bell rings. Students race out of class, tossing off their lab coats. Sharpaystands downstage. A light comes up on Ryan, also on the phone.)
RYAN
Troy Bolton was looking at our audition list.
SHARPAY
Again? He was hanging around with that Montez hag this morning and they wereboth looking at the list. There’s something freaky about her. Did you Google herlike I asked?
RYAN
(scans the printouts)
Yeah, it’s like she has an extra brain or something. So why is she interested in ourmusical?
SHARPAY
She’s interested in Troy, barfboy. I need you to plant those printouts in Taylor’slocker ASAP, okay?
RYAN
No problemo, boss. But why am I doing that?
H I G H S C H O O L M U S I C A L — 2 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
SHARPAY
Look, there’s no harm in making certain that Gabriella is welcomed into schoolactivities that are appropriate for her. You know, the ones that keep her far awayfrom Troy Bolton!
(Lights out on Sharpay and Ryan.)
#15 — Announcement Trans i t i on 3 band
(Lights up on Jack in the booth.)
JACK SCOTT
Well, Wildcats... it’s time to kiss today goodbye and point me towards detention, soall you evil-doers better get your butts to the theater immediately or face the wrathof Darbus the Merciless. This is Jack Scott signing off.
(Lights out on Jack.)
#16 — Detent i on band
SCENE 6: THEATER — MONDAY, 3:00 PM
(Detention. Ms. Darbus stands in the center of the Students gathered around her onthe stage. She holds her gong.)
MS. DARBUS
Yes, my brave little detention menagerie, we thespians often use animals to help usbuild the characters we play. Be the bear! Be the ostrich! Be the monkey! You’re alldoing brilliantly! Chum chum chum now, explore...
(Ms. Darbus bangs her gong. Sharpay struts across the stage like an ostrich. Ryanbecomes a squirrel, looking for nuts. But Sharpay pokes him, waiting for him to joinher as an ostrich, which he begrudgingly does.)
Wait wait wait— Ryan, do you want to be an ostrich?
SHARPAY
Totally.
MS. DARBUS
Ryan?
RYAN
It’s okay... ostriches are cool, I guess.
MS. DARBUS
For Sharpay, maybe, but what about you?
— 2 4 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
RYAN
Me?
MS. DARBUS
Yes, unless you want to live the rest of your life in the shadow of your sister’sostrich...
(Sharpay gives Ryan a “don’t you dare” look. But Ryan looks at Darbus, who giveshim a look of encouragement. He transforms back into his squirrel and scampers awayacross the stage. Miffed, Sharpay walks away like an angry ostrich. The other Studentstentatively join the thespic twins in the exercise, becoming monkeys, birds, etc.JAMES, an enthusiastic but mostly talent-free Thespian, becomes an earthworm.Gabriella works on a self-conscious canary. Taylor runs in late, takes in the room andadapts immediately. Becoming a horse, she gallops over to Gabriella, looking like shejust won the lottery. She holds Web printouts.)
TAYLOR
(to Gabriella, beaming)
The answer is yes!
GABRIELLA
Huh?
TAYLOR
I’m so glad you changed your mind about the Science Decathlon. With credentialslike these, we’ll win that title, for sure.
(Taylor shows Gabriella the Googled pages from her locker.)
GABRIELLA
(stunned)
Where did those come from?
TAYLOR
Didn’t you slip them in my locker?
GABRIELLA
Of course not.
(Now Taylor is confused. So is Gabriella. Sharpay has an ear trained on Taylor andGabriella, but keeps her poker — uhm, ostrich — face.)
TAYLOR
Well, we’d love to have you on the team. We meet almost everyday after school.Please?
GABRIELLA
I don’t know. I mean, I need to catch up on the curriculum here before I think aboutjoining any clubs...
H I G H S C H O O L M U S I C A L — 2 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
SHARPAY
(turns around, still as ostrich)
But what a perfect way to get caught up... meeting with the smartest kids in theschool. What a generous offer, Taylor!
TAYLOR
We’ve never ever won the Science Decathlon. You could be our answered prayer.
GABRIELLA
(still reluctant)
Well... okay, I guess I can do it.
TAYLOR
(hugging Gabriella)
Yay!
GABRIELLA
Okay, so like quid pro quo: what do you know about Troy Bolton?
TAYLOR
Troy? I wouldn’t consider myself an expert on that particular sub-species... unlessyou speak cheerleader, as in:
(in cheerleader-ese)
“Isn’t Troy Bolton just the hottie super bomb?”
GABRIELLA
I guess I don’t speak cheerleader.
TAYLOR
Which is why we exist in an alternative universe to Troy the Basketball Boy.
GABRIELLA
Have you tried to get to know him?
TAYLOR
He has his clique, I have mine. Watch how it works in the cafeteria when you havelunch with us. You’ll see.
(On the other side of the stage, Chad and Troy act like monkeys.)
TROY
I mean, you don’t think being in the musical could be fun, like even a little?
CHAD
You’re a hoops dude, not a musical singer person.
TROY
I’m not talking about me — no way!
— 2 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
CHAD
Good, because you can’t expect the rest of us to be focused on the game if you’re offsomewhere singing in leotards.
TROY
Whoa, no one said anything about leotards...
CHAD
Maybe not yet, my friend, but just wait!
(Ms. Darbus bangs her gong.)
MS. DARBUS
Lovely work, all of you. James, I had no idea an earthworm could have such depth,such pain. Now, gather in a circle for our last little exposure to the magic that istheatre.
(The Students circle around her.)
This is called the Ball of Noise. The idea is to pass around an invisible ball, whilemaking some kind of sound to go with it. Once passed to the next person, the ballcan land in any part of the body. You are limited only by your own imaginations.I’ll start.
(Ms. Darbus holds her hand up, which is suddenly shaking wildly. She makes a funnysound to go with it. Then she “tosses” the ball of sound to Taylor, who comes center,and finds her own unique gesture and sound. The ball passes to Gabriella, Sharpay,Ryan, Chad, and finally to Troy. He freezes, holding the “ball,” not sure what to do.)
Do whatever you feel, Troy. There are no wrong answers. Remember, you’re onlylimited by your own imagination. Now go!
(Troy takes the center of the circle. The ball of noise becomes a basketball, and heperforms a wild Harlem Globetrotters routine with it. At the end, he holds it over hishead, but it “grows” and gets heavier. He struggles to keep the ball up.)
Wonderful, Troy. Everyone else, help him before the ball crushes him under its weight!
(The other Students close in to help Troy. They all hold up what is now a boulder of aninvisible ball and raise their voices to lift it up. Coach Bolton storms into the theater.)
COACH BOLTON
(spots Ms. Darbus)
Where’s my team, Darbus?!
(sees the ball of noise activity)
And what the heck are they doing here?!?
(The Students stop the game, frozen by Coach Bolton’s anger. Troy and Chad try to hide.)
H I G H S C H O O L M U S I C A L — 2 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
MS. DARBUS
It’s called a Ball of Noise, Coach Bolton.
(gestures to the stage)
I run my detention my way; you can run yours your way. These students need to beexposed to the arts by any means necessary.
COACH BOLTON
(to Ms. Darbus)
May we have a word?
(points to Troy and Chad)
You two, into the gym, right now.
(Troy and Chad leap up. Gabriella watches them go. They snag their cell phones fromthe bucket as they fly out the door.)
MS. DARBUS
(to Students)
Detention is over for today. You’ve all done wonderfully. It was an honor and aprivilege watching you risk, risk, risk. I expect to see some of you tomorrow afternoon atthe auditions. Please remember to be on time. Scoot, now. You may collect your phones.
(The Students pull their phones from the bucket and exit. While Ms. Darbus and CoachBolton go at it, Sharpay lags behind and eavesdrops.)
COACH BOLTON
Chad and Troy are my two star players — you can’t have them acting like idiotswhen they should be at practice!
MS. DARBUS
They were not acting like idiots, they were acting like actors! If Troy and Chad weretheatre performers instead of athletes, would you seek preferential treatment forthem? I think not.
COACH BOLTON
Darbus, we are days away from the biggest game of the year.
MS. DARBUS
And we are in the midst of auditions for our winter musical. This school is aboutmore than sweaty young men in baggy shorts flinging balls for buckets.
COACH BOLTON
Baskets. The West High Knights have knocked us out of the playoffs for three years.
MS. DARBUS
Yes, and despite your consistent track record of defeat, the school board still sees fitto allocate ten times the amount of money for school athletics as it does for the artsprograms.
— 2 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
COACH BOLTON
Win, lose, it doesn’t matter. I’m trying to teach these kids about having a goal, aboutteamwork, something they can use as adults.
MS. DARBUS
(seeing some possible common ground)
Which is precisely what I am trying to instill in them.
COACH BOLTON
(not taking the bait)
How, by making them scream at the top of their lungs?!?
MS. DARBUS
Philistine!
COACH BOLTON
Crack pot!
(Words finally failing her, Ms. Darbus bangs her gong in Coach Bolton’s face. Heblows his whistle in her face. Sharpay smiles and runs off. The lights go down on theperennial fight.)
#17 — Announcement Trans i t i on 4 band
(Lights up on Jack in the booth.)
JACK SCOTT
Hey, Peeps, welcome back to another train-wreck of a school day. The auditions forJuliet and Romeo will start at 3:00 p.m. sharp, so ye verily forsootheth dudes betterreveth yonder vocal chords. This is Jack Scott, over and out in 5-4-3-2-and 1!
(Lights out on Jack.)
SCENE 7: THEATER — TUESDAY, 3:00 PM
(Lights up on Thespians warming up for the big audition.)
#18 — Audi t i ons (Bop t o the Top / What I ’v e . . . ) Thesp ians , Ms . Darbus
(Kelsi sits at the piano, accompanying the Thespians as they step forward to sing. Ms.Darbus sits in the house, a big smile on her face. She bangs her gong to open the auditions.)
GROUP 1
I BELIEVE IN DREAMING
SHOOTING FOR THE STARS
H I G H S C H O O L M U S I C A L — 2 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
GROUP 2
BABY TO BE NUMBER ONE
YOU’VE GOT TO RAISE THE BAR
GROUP 3
A KICKIN’ AND A SCRATCHIN’
GRINDING OUT MY BEST
ALL
ANYTHING IT TAKES TO CLIMB
THE LADDER OF SUCCESS
MS. DARBUS
Next!
(James leaps out of the group and stands next to the piano. He has the worst sense ofpitch in the world.)
JAMES
IT’S HARD TO BELIEVE
THAT I COULDN’T SEE
YOU WERE ALWAYS THERE BESIDE ME
MS. DARBUS
Such improvement from last year, James.
(to other Thespians)
Now, don’t be shy... who’s next?
(Next is SUSAN, whose audition is overwrought with melismatic emotion.)
SUSAN
IT’S HARD TO BELIEVE
THAT I COULDN’T SEE
YOU WERE ALWAYS THERE BESIDE ME
MS. DARBUS
That’s lovely, Susan. Such emotion, such... uhm... joie de vivre! Next!
GROUP 1
WORK OUR TAILS OFF EVERY DAY...
GROUP 2
WORK OUR TAILS OFF EVERY DAY...
GROUP 1
WE’VE GOT TO BUMP THE
— 3 0 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
ALL
COMPETITION
BLOW THEM ALL AWAY
MS. DARBUS
Next!
(CATHY steps up, the next Ethel Merman, and belts it out.)
CATHY
THOUGHT I WAS ALONE
WITH NO ONE TO HOLD
BUT YOU WERE ALWAYS THERE BESIDE ME
MS. DARBUS
What an innovative choice of tempo! Next!
(Next up is ALAN, nervous to the point of inaudibility. But he is a very sharp dresser.)
ALAN
THOUGHT I WAS ALONE
WITH NO ONE TO HOLD
BUT YOU WERE ALWAYS THERE BESIDE ME
MS. DARBUS
Alan, I admire your pluck, but not as much as I admire those shoes. You simplymust design our costumes! Next!
ALL
I CAN MAKE THIS HAPPEN
I KNOW IT IN MY HEART
ALL I HAVE TO DO IS PROVE
THAT I CAN PLAY THE PART
(CYNDRA’s operatic voice breaks glass for miles around.)
CYNDRA
THIS FEELING’S LIKE NO OTHER
MS. DARBUS
Brava!
CYNDRA
I WANT YOU TO KNOW!
MS. DARBUS
Next!
H I G H S C H O O L M U S I C A L — 3 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
ALL
I’VE DONE ALL THE HOMEWORK
NOW I NEED THE SHOT
PLEASE, MS. D, GIVE ME THE CHANCE
TO SHOW YOU WHAT I’VE GOT
(A trio of Thespians gyrates through a performance-art version of the song, one after theother.)
PERFORMANCE ART KID 1
IT’S HARD TO BELEIVE
MS. DARBUS
Delightful!
PERFORMANCE ART KID 2
THAT I COULDN’T SEE
MS. DARBUS
Delicious!
PERFORMANCE ART KID 3
YOU WERE ALWAYS THERE BESIDE ME
MS. DARBUS
Delovely! Such vision, such risking!
GROUP 1
WORK OUR TAILS OFF EVERY DAY...
GROUP 2
WORK OUR TAILS OFF EVERY DAY...
GROUP 1
WE’VE GOT TO BUMP THE
ALL
COMPETITION
BLOW THEM ALL AWAY
WE’RE GONNA BOP BOP BOP, BOP TO THE TOP
WIPE AWAY YOUR INHIBITIONS
JUMP AND HOP, HOP TILL WE DROP
AND START AGAIN
BOP BOP BOP STRAIGHT TO THE TOP
GOING FOR THE GLORY
— 3 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(ALL)
WE’LL KEEP STEPPING UP AND WE JUST WON’T STOP
TILL WE REACH THE TOP!
BOP TO THE TOP!
MS. DARBUS
Well, people, that was simply brilliant. You’ve given me hope for the future of theAmerican theatre, you truly have. Now, for the lead roles of Juliet and Romeo, we have...
(looks down at her clipboard)
... only one pair signed up.
(looks around)
Is that right? Oh, well... Ryan, Sharpay, show us your stuff.
(Ryan and Sharpay enter.)
KELSI
What key?
RYAN
(lifting a boom box)
Hey, thanks, but we had our rehearsal pianist do an arrangement.
(Ryan puts the boom box on the piano, presses the button, and joins Sharpay in theirstarting positions.)
#19 — What I ’v e Been Look ing For Ryan , Sharpay
(Their performance is sharp and polished, but a bit on the soulless side. During thesong, Troy shows up backstage, hiding from the others. He looks around, hoping to findGabriella.)
(RYAN)
IT’S HARD TO BELIEVE THAT I COULDN’T SEE
SHARPAY, RYAN
YOU WERE ALWAYS THERE BESIDE ME
THOUGHT I WAS ALONE WITH NO ONE TO HOLD
BUT YOU WERE ALWAYS RIGHT BESIDE ME
SHARPAY
THIS FEELING’S LIKE NO OTHER
SHARPAY, RYAN
I WANT YOU TO KNOW
I’VE NEVER HAD SOMEONE
H I G H S C H O O L M U S I C A L — 3 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(SHARPAY, RYAN)
THAT KNOWS ME LIKE YOU DO
THE WAY YOU DO
I’VE NEVER HAD SOMEONE
AS GOOD FOR ME AS YOU
NO ONE LIKE YOU
SO LONELY BEFORE I FINALLY FOUND
WHAT I’VE BEEN LOOKING FOR
SHARPAY
What’s with you and those stupid jazz squares?
RYAN
Too hard? I can dumb it down for you. Again.
SHARPAY
SO GOOD TO BE SEEN, SO GOOD TO BE HEARD
SHARPAY, RYAN
DON’T HAVE TO SAY A WORD
RYAN
FOR SO LONG I WAS LOST
SO GOOD TO BE FOUND
I’M LOVING
SHARPAY, RYAN
HAVING YOU AROUND!
RYAN
THIS FEELING’S LIKE NO OTHER
I WANT YOU TO KNOW
SHARPAY, RYAN
I’VE NEVER HAD SOMEONE
THAT KNOWS ME LIKE YOU DO
THE WAY YOU DO
I’VE NEVER HAD SOMEONE
AS GOOD FOR ME AS YOU
NO ONE LIKE YOU
SO LONELY BEFORE I FINALLY FOUND
WHAT I’VE BEEN LOOKING FOR
DOO DOO DOO, DOOT DOO DOO DOO DOOT DOO
— 3 4 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(SHARPAY, RYAN)
A WOH OH OH OH-OH
DOOT DOO DOO DOO, DOOT DOO DOO DOO DOOT DOO
A WOH OH OH OH-OH
SHARPAY
You!
RYAN
No, you!
SHARPAY, RYAN
No, us!
(Sharpay and Ryan bow to applause. Their theatrical tsunami completely wipes out theother Thespians.)
MS. DARBUS
Ryan, Sharpay, very slick, very polished. You might want to work on some... oh, Idon’t know... some warmth?
#20 — Schoo l Be l l s f x
(The Thespians start to pack up.)
Well, my dears, it seems as if we are out of time.
(looks around)
Any last minute sign-ups for Juliet? Romeo? Anyone? Pretty please? This is yourlast chance. Going once... going twice... anyone at all? No? Oh, well, then I supposewe’re done for today.
(bangs the gong, officially ending the auditions)
You were all incredible. Watch the bulletin board for callbacks, which will be heldsometime next week.
(Ms. Darbus goes over the notes on her clipboard.)
SHARPAY
(to retreating Thespians)
Don’t be discouraged! The Drama Club doesn’t just need performers... it needs fans,too! Buy tickets!
(Kelsi walks across the stage and bumps awkwardly into Sharpay, knocking her intoRyan. Sharpay turns around imperiously.)
H I G H S C H O O L M U S I C A L — 3 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
KELSI
(mustering courage)
Oh, sorry... new glasses. Anyway, I mean... if you do the part, with that particularsong, I was hoping you’d—
SHARPAY
If we do the part?
(laughs, patronizing:)
Kelsi... Kelsi darling, I’ve been in seventeen school productions. And, let’s see, howmany shows have you written?
KELSI
This is the first.
SHARPAY
Which tells us that—?
KELSI
I should write you more solos?
SHARPAY
It tells us that you do not offer direction, suggestion, or commentary. And youshould be thankful that Ryan and I are here to lift your music out of its currentobscurity. Are we clear?
KELSI
Yes, ma’am— I mean, Sharpay.
SHARPAY
Nice talking to you. Love the glasses.
(Sharpay and Ryan exit. Kelsi gathers her music. Gabriella sneaks up on Troy andtaps him on the shoulder.)
GABRIELLA
Hey! You decided to sign up?
TROY
Huh? No way. I just came to give you like moral support. You are auditioning,right?
GABRIELLA
No. Your friends don’t know you’re here, do they?
TROY
Right.
GABRIELLA
You’re not afraid, are you?
— 3 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(Troy and Gabriella smile as they goad each other on.)
TROY
(lying)
Hey, I’m used to all the attention, remember? You’re the one who’s afraid, not me.
GABRIELLA
(lying)
I am not afraid.
TROY
Are too.
GABRIELLA
Am not.
TROY
Are too, are too, are too!
GABRIELLA
(overlapping)
Am not, am not, am not!
TROY
Oh yeah? Prove it. Get up there and show them what you can do.
(Gabriella wrestles with a decision.)
Don’t be afraid. I’ll be right here!
(Gabriella screws up her courage, comes out from behind the prop wall and runs to Ms.Darbus.)
GABRIELLA
I’d like to audition, Ms. Darbus.
MS. DARBUS
Oh, I’m so sorry, my dear, but timing means everything in the world of the theatre.
GABRIELLA
But I—
MS. DARBUS
I’m afraid the individual auditions are long over. And well, there is no one to singwith you for the lead parts.
(Though it is the last thing he wants to do, Troy comes out of the shadows and standsnext to Gabriella.)
H I G H S C H O O L M U S I C A L — 3 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
TROY
Uhm, Ms. Darbus, I uhm... oh boy— I mean, I’ll sing with her.
MS. DARBUS
(suspicious)
Troy Bolton? Where’s your sport posse... or whatever it’s called?
TROY
Team. But I’m here alone. Actually... I’m here to sing with her.
MS. DARBUS
(suspiciously)
Yes, well... I treat these shows just as seriously as your father treats his basketballpractices. I called for the Juliet and Romeo auditions, and you didn’t respond. I amvery sorry, but now we’ve simply run out of time. You’re out of luck, Jack.
(Ms. Darbus goes to gather her things.)
TROY
(under his breath)
Troy.
(With arms full of sheet music, Kelsi trips and sprawls to the floor, scattering papereverywhere. Troy lifts Kelsi up from the ground and collects her charts. Kelsi stares athim, frozen. Troy Bolton has come to her aid? The Troy Bolton? She’s speechless.)
You wrote that song that Ryan and Sharpay just sang?
(Kelsi nods speechless, frozen before the idol of millions.)
KELSI
Uh huh.
TROY
And the entire show?
KELSI
Uh huh.
(Kelsi nods, trying to snap out of her sudden coma.)
TROY
How long did it take you to write it?
KELSI
About two years... I get up at five every day before school. And I’m still working onthe finale...
— 3 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
TROY
Wow, that’s amazing! You’re really dedicated. So why are you afraid of Sharpay?It’s your show.
KELSI
It is?
GABRIELLA
(supporting Troy’s point)
Hello... thank you.
TROY
Isn’t the author of a musical like the playmaker in basketball?
KELSI
Playmaker?
TROY
The person who makes everyone else look good. Without you, there is no show.You’re the playmaker here, Kelsi.
KELSI
I am?
(sits at the piano, fumbles with her music)
You want to hear the way that song is supposed to sound?
#21 — What I ’v e Been Look ing For (Repr i s e ) Troy , Gabr i e l l a
(Kelsi starts playing.)
TROY
Wow, that’s really nice.
(Kelsi pushes music across the piano toward Troy.)
KELSI
It starts out quiet. Go ahead, you first.
(Troy squints at the music then starts quietly, tentatively.)
TROY
IT’S HARD TO BELIEVE THAT I COULDN’T SEE
KELSI
Nice. Keep going.
TROY
YOU WERE ALWAYS THERE BESIDE ME
H I G H S C H O O L M U S I C A L — 3 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
KELSI
(nods to Gabriella)
Now you.
GABRIELLA
THOUGHT I WAS ALONE WITH NO ONE TO HOLD
KELSI
Now together.
TROY, GABRIELLA
BUT YOU WERE ALWAYS THERE BESIDE ME
(As with the karaoke, Troy and Gabriella gain confidence as the song progresses. BeforeDarbus can leave the theater, the sound of Troy and Gabriella’s singing stops her. Shelistens, engaged.)
GABRIELLA
THIS FEELING’S LIKE NO OTHER
TROY
I WANT YOU TO KNOW...
GABRIELLA
I WANT YOU TO KNOW
KELSI
Awesome!
TROY, GABRIELLA
I’VE NEVER HAD SOMEONE
WHO KNOWS ME LIKE YOU DO
GABRIELLA
THE WAY YOU DO...
TROY
THE WAY YOU DO
(Ms. Darbus stands in the house and listens, genuinely moved.)
TROY, GABRIELLA
I’VE NEVER HAD SOMEONE
AS GOOD FOR ME AS YOU
NO ONE LIKE YOU
GABRIELLA
LIKE YOU
— 4 0 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
TROY, GABRIELLA
SO LONELY BEFORE I FINALLY FOUND
WHAT I’VE BEEN LOOKING FOR
(Troy stands with his eyes closed, feeling ecstacy from the singing. Suddenly, Ms.Darbus drops her things and runs over to him. She puts her hand on his shoulder andtalks very intently to him.)
MS. DARBUS
Keep your eyes shut, Troy.
TROY
(opens his eyes)
Ms. Darbus!
MS. DARBUS
Close ‘em, I said!
(Troy closes his eyes again. Gabriella and Kelsi watch the master at work.)
Now, don’t think... just say the first thing that comes to mind. How does it feel?
TROY
Uhm, I don’t know... like I’m flying, you know. Like I’m soaring through the skylike a bird or something.
(A light bulb goes off in Kelsi’s head; she whips out a small notebook and writes downphrases.)
MS. DARBUS
Anything’s possible in the theatre, Troy. You can be whoever you want to be.There’s not a star in heaven you can’t reach, but you have to allow yourself to risk.That’s true for both of you, Ms. Montez. Oh, by the way, you can open your eyesnow, Troy... we’re not doing The Miracle Worker, you know.
TROY
(opens his eyes)
Wow. Thanks, Ms. Darbus.
KELSI
(can hardly contain her excitement)
You two were so amazing! Like it’s exactly what I heard in my head.
MS. DARBUS
(writes on her clipboard)
Bolton, Montez, you got yourselves your callback. Kelsi, finish the finale... and workon it with them.
H I G H S C H O O L M U S I C A L — 4 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(Ms. Darbus exits. Troy and Gabriella look at each other, stunned... now what? Kelsihands them some sheet music.)
KELSI
If you want to rehearse, I’m usually in the music room during free period and afterschool... and sometimes even during biology class. Call me on my cell phone andI’m there! Or if it’s easier, I can give you a wake up call and come over with myaccordion... it’s mobile!
(Lights out.)
SCENE 8: VARIOUS PLACES — TUESDAY, EVENING
#22 — Ce l lu la r Fus ion Chad , Tay lo r , Company
(Cacophony of dialing cell phones. Lights up. Troy and Gabriella call Chad and Taylorto tell them about their callback.)
TAYLOR
GABRIELLA?
CHAD
TROY?
TAYLOR
WHAT’S UP?
CHAD
WHAT’S GOING ON?
TAYLOR, CHAD
MM-HM. OH YEAH? WHAT?! WHEN?
CHAD
NO WAY!
TAYLOR
NO WAY!
TAYLOR, CHAD
GOTTA GO, GOTTA TELL, LIKE YESTERDAY
(Taylor and Chad spread the astonishing news.)
TAYLOR
MARTHA?
— 4 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
MARTHA COX
TAYLOR?
ZEKE
CHAD?
CHAD
ZEKE?
TAYLOR, CHAD
I GOT NEWS, GOT NEWS
MARTHA, ZEKE
GO AHEAD AND SPEAK
TAYLOR, CHAD
GOTTA PASS IT AROUND: GABRIELLA AND TROY
MARTHA COX
DID WHAT? NO WAY!
ZEKE
THAT’S NOT OUR BOY
ALL (SO FAR)
PASS IT AROUND! NOW DON’T BE SLOW!
GOTTA GO, GOTTA TELL EVERYBODY I KNOW
(More dialing.)
KELSI
I NEVER HEARD IT SUNG AS HALF AS GOOD
AS GABRIELLA
TAYLOR, MARTHA
GABRIELLA, GIRL, DON’T YOU CARE ABOUT THE TEAM?
ZEKE, CHAD
DON’T YOU CARE ABOUT THE TEAM
YOUR FRIENDS, THE GAME?
HOW COULD THIS HAPPEN?
H I G H S C H O O L M U S I C A L — 4 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(Sharpay screams as if the mirror just told her, “You may not be the fairest one of them allanymore, toots!” Sharpay and Ryan move next to each other but talk via cell phones.)
SHARPAY
Is this some kind of sick joke? Troy and Gabriella didn’t even audition!
RYAN
And they never even asked our permission to join the Drama Club. I mean, come on!
SHARPAY
Someone’s got to tell that new girl the rules.
RYAN
Right. Uhm, what are the rules again?
(Lights out. Spotlight on Sharpay. She lays down the Five Rules of Successful Cliquedom:)
SHARPAY
Rule Number One: Pick the right clique. Two: Act like your clique. Three: Dress for your clique.Four: Know where your clique clicks. And Rule Number Five: Stick to the status quo!
(Sharpay and Ryan run off.)
SCENE 9: CAFETERIA — WEDNESDAY, NOON
(Lights up on a busy cafeteria. Students are sitting in their respective cliques andbuzzing about the news.)
#23 — St i ck t o the S ta tus Quo Company
(Troy and Chad walk in. Zeke runs over to them.)
ZEKE
Dude, you are so totally awesome!
— 4 4 — H I G H S C H O O L M U S I C A L
SHARPAY
HOW COULD THIS HAPPEN?
RYAN
THEY GOT A CALLBACK!
SHARPAY
IF THIS IS ONE BIT TRUE
I’M GONNA SCREAM AND SHOUT!
OTHERS
WHAT’LL SHARPAY AND RYAN DO?
WHAT’LL SHARPAY AND RYAN DO?
WHAT’LL SHARPAY AND RYAN DO
WHEN THEY FIND OUT?!AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
TROY
Uhm, thanks. Why?
ZEKE
If you can come out in the open about singing, then I can tell my secret, too. I loveto bake.
TROY, CHAD
What?!?
ZEKE
YOU CAN BET THERE’S NOTHIN’ BUT NET
WHEN I AM IN THE ZONE AND ON A ROLL
BUT I’VE GOT A CONFESSION
MY OWN SECRET OBSESSION
AND IT’S MAKING ME LOSE CONTROL
JOCKS
(curious where Zeke is going with this)
EVERYBODY GATHER ‘ROUND
ZEKE
Scones, strudel, even apple pandowdy.
JOCKS
(horrified)
NOT ANOTHER SOUND
ZEKE
I dream of making the perfect crème brulée!
JOCKS
NO, NO, NO, NO! NO, NO, NO
STICK TO THE STUFF YOU KNOW
IF YOU WANNA BE COOL
FOLLOW ONE SIMPLE RULE:
DON’T MESS WITH THE FLOW, NO, NO
STICK TO THE STATUS QUO
(Gabriella and Taylor enter. Martha Cox, looking studious and conservative, runs upto Gabriella.)
MARTHA COX
Gabriella, you’ve changed my entire life!
GABRIELLA
I did?
H I G H S C H O O L M U S I C A L — 4 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
MARTHA COX
LOOK AT ME AND WHAT DO YOU SEE?
GABRIELLA, TAYLOR
INTELLIGENCE BEYOND COMPARE
MARTHA COX
BUT INSIDE I AM STIRRING
SOMETHING STRANGE IS OCCURRING
IT’S A SECRET I NEED TO SHARE
BRAINIACS
(encouraging)
OPEN UP, DIG WAY DOWN DEEP
MARTHA COX
Hip-hop is my passion! I love to pop, lock, break and jam.
KRATNOFF
Is that legal?
BRAINIACS
(shouting her down)
NOT ANOTHER PEEP
MARTHA COX
It’s just dancing. And the truth is, sometimes I think it’s even cooler thanhomework!
BRAINIACS
NO, NO, NO, NO! NO, NO, NO
STICK TO THE STUFF YOU KNOW
IT IS BETTER BY FAR
TO KEEP THINGS AS THEY ARE
DON’T MESS WITH THE FLOW, NO, NO
STICK WITH THE STATUS QUO
(By this point, Troy and Gabriella are standing together, trying to stay clear of thedancing students. A few Jocks and a few Brainiacs join them. RIPPER, a Skater Dude,rushes up to them. Before he can say anything:)
TROY, GABRIELLA
Not you too!
(Ripper stands up and sings a confession to his pals.)
— 4 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
RIPPER
LISTEN WELL, I’M READY TO TELL
TROY, GABRIELLA, FRIENDS
ABOUT A NEED THAT YOU CANNOT DENY
RIPPER
DUDE, THERE’S NO EXPLANATION
FOR THIS AWESOME SENSATION
BUT I’M READY TO LET IT FLY
SKATER DUDES
SPEAK YOUR MIND AND YOU’LL BE HEARD
RIPPER
If Troy can be in a show, then I’m coming clean. I play the cello.
MONGO
Awesome. What is it?
(Ripper plays a wild, “air-cello” solo. The music catches fire through the cafeteria.)
SKATER DUDES
(horrified, in protest)
NOT ANOTHER WORD
MONGO
Do you have to wear a costume?
RIPPER
Jacket and tie.
MONGO
That’s uncalled for!
TROY, GABRIELLA
(encouraging Ripper)
NO, NO, NO, NO
SKATER DUDES
NO, NO, NO
TROY, GABRIELLA
DON’T STICK TO THE STUFF YOU KNOW
IF YOU WANNA GO FAR
GOT TO REACH FOR YOUR STAR
JUST FOLLOW YOUR DREAMS AND GO!
DON’T STICK WITH THE STATUS QUO
H I G H S C H O O L M U S I C A L — 4 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
REBELS
(DON’T STICK WITH THE STATUS QUO!)
NO, NO, NO
DON’T STICK TO THE STUFF YOU KNOW
NO, YOU GOTTA BE TRUE
TO THE THING THAT YOU DO
NO, DON’T BE AFRAID TO SHOW
YOU WON’T STICK TO THE STATUS QUO
(DON’T STICK TO THE STATUS QUO!)
(The cafeteria is now in an uproar. Troy and Gabriella’s callback has turned the entirestudent body upside-down. It’s the Cliques versus the Rebels, competing for members.Sharpay and Ryan enter and witness the chaos.)
SHARPAY
THIS IS NOT WHAT I WANT
THIS IS NOT WHAT I PLANNED
AND I JUST GOTTA SAY
I DO NOT UNDERSTAND
RYAN
SOMETHING’S NOT RIGHT
REBELS
WE CAN DO IT
RIPPER
Gotta play!
CLIQUES
STICK WITH WHAT YOU KNOW
REBELS
WE CAN DO IT
— 4 8 — H I G H S C H O O L M U S I C A L
SHARPAY
SOMETHING IS REALLY...
REBELS
SOMETHING IS CHANGING
SHARPAY
... REALLY WRONG
SHARPAY, RYAN
AND WE GOTTA GET THINGS
BACK WHERE THEY BELONG
REBELS
SOMETHING IS HAPPENING
SOMEHOW I
FINALLY BELONG
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
MARTHA COX
Hip-hop hooray!
SHARPAY
THEY HAVE GOT TO GO
REBELS
WE CAN DO IT
ZEKE
Crème brulée!
CLIQUES
KEEP YOUR VOICE DOWN LOW
NOT ANOTHER PEEP
REBELS
NO!
CLIQUES
NOT ANOTHER WORD
REBELS
NO!
CLIQUES
NOT ANOTHER SOUND
REBELS
NO!
SHARPAY
Everybody quiet!!!
(Sharpay has momentarily taken back her previous territory. A hushed “No no” chantbegins.)
GABRIELLA
It’s just a callback. I mean, is Sharpay really mad?
TAYLOR
Let’s put it this way: no one has beaten out Sharpay for a musical since kindergarten.
ZEKE
Troy, because of you, I’m finally going to give Sharpay a token of my love. Look:
(Zeke reveals a seven-layer coconut cake.)
TROY
I don’t know that this is the best time to give Sharpay a cake.
H I G H S C H O O L M U S I C A L — 4 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(The stage explodes!)
(Over the big finish, Zeke tries to present his cake to Sharpay.)
ALL
QUO! QUO! QUO!
(But when Troy twirls Gabriella, she bumps into Zeke, and the cake goes flying rightinto Sharpay’s face! Sharpay lets out an ear-piercing scream as the cake drips off herface in moist clumps.)
SHARPAY
Someone’s going to pay for this!
(Troy grabs Gabriella’s hand and they run offstage. Sharpay runs off in the otherdirection. Ryan follows her. Blackout. END OF ACT ONE.)
— 5 0 — H I G H S C H O O L M U S I C A L
CLIQUES
NO! NO, NO, NO!
STICK TO THE STUFF YOU KNOW
IF YOU WANNA BE COOL
FOLLOW ONE SIMPLE RULE
DON’T MESS WITH THE FLOW, OH NO!
STICK WITH THE STATUS QUO!
NO, NO, NO!
STICK TO THE STUFF YOU KNOW
IT IS BETTER BY FAR
TO KEEP THINGS AS THEY ARE
DON’T MESS WITH THE FLOW, OH NO!
STICK TO THE STATUS QUO!
STICK TO THE STATUS QUO!
STICK TO THE STATUS QUO!
REBELS
NO, NO, NO! NO!
FOLLOW YOUR DREAM
AND GO!
GO! GO!
GOTTA LIVE! GOTTA GROW! OH NO
DON’T STICK WITH THE STATUS QUO!
NO, NO, NO, NO!
FOLLOW YOUR DREAM
AND GO!
GO! GO!
GOTTA LIVE! GOTTA GROW!
DON’T STICK TO THE STATUS QUO!
DON’T STICK TO THE STATUS QUO!
DON’T STICK TO THE STATUS QUO!
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
ACT TWO
#24 — Entr ’ ac t e (S t i ck t o the S ta tus Quo) band
SCENE 1: ROOFTOP GARDEN — WEDNESDAY, 12:30 PM
(Lights up on Jack Scott. He runs and trips into the announcer’s booth, flicks on the mic.)
JACK SCOTT
This is Jack Scott with a late-breaking Wildcat Newsflash: Students have beenspotted singing and dancing on tables in the school cafeteria! Cliques have gonewild in an unprecedented response to Troy Bolton’s callback for the school musical— one skaterdude was even seen mixing in with the school band string section —oh, the humanity, the humanity!
(Lights out on Jack.)
#25 — Roo f t op Garden band
(Lights up on the rooftop garden, Horticulture Club headquarters. It’s a hidden oasis,filled with flowers in full bloom. Troy and Gabriella run on.)
TROY
Wow, pretty wild, huh?
GABRIELLA
I can’t believe how crazy it got downstairs just because we got called back.
TROY
This is much better, right?
GABRIELLA
Much better. So this is your private hideout?
TROY
Thanks to the Horticulture Club. My buddies don’t even know about it.
GABRIELLA
Looks to me like everyone on campus wants to be your friend.
TROY
Yeah. Unless we lose.
GABRIELLA
Must be tricky being the coach’s son.
H I G H S C H O O L M U S I C A L — 5 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
TROY
He’s gonna freak when he hears about the singing thing.
GABRIELLA
You’re worried?
TROY
My parents’ friends are always saying, “Your son is the basketball guy. You must beso proud.” Sometimes I don’t want to be “the basketball guy.” I just want to be, youknow, me.
GABRIELLA
I saw how you treated Kelsi at the audition yesterday. Do your friends know thatpart of you?
TROY
Are you kidding? To them, I’m “the playmaker dude.”
GABRIELLA
Then they don’t know enough about you, Troy.
(beat)
Playmaker. That’s such an odd phrase.
TROY
(mispronouncing)
How about Pygathorean Theorem? Now that’s pretty whack.
GABRIELLA
Uhm, I think you mean Pythagorean.
TROY
Right. Totally whack!
GABRIELLA
At my other schools I was “the freaky math girl.” That’s all they thought I was...always pointing at me, whispering behind my back. They made me feel like I was afreak and I hated it. That’s kind of why I want to keep a low profile here, you know,so I can just be me.
TROY
But you can’t let people stop you from doing what you want to do. I mean, you arewhat you do, right? Kinda?
GABRIELLA
That’s easy for you to say. You’re the big basketball star — you love the spotlight.I’m a lot happier curling up with a good book.
TROY
Hiding?
— 5 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
GABRIELLA
No.
TROY
Maybe?
GABRIELLA
Well, maybe. I don’t know.
(beat)
Remember in kindergarten... you’d meet a kid, know nothing about them, then tenseconds later you were best friends, because you didn’t have to be anything butyourself?
TROY
Yeah.
GABRIELLA
Singing with you felt like that. Like, safe, you know?
TROY
I never thought about singing, that’s for sure. But when I look at you...
(embarrassed, but mustering courage)
... it’s like anything is possible, you know?
GABRIELLA
(impressed with Troy’s honesty, takes a risk)
So you really want to do the callbacks?
(Pause. Troy weighs his response carefully.)
(backpedaling)
That’s cool— I mean, I guess I don’t want to either.
TROY
No, I’m in.
GABRIELLA
Really? Really?
TROY
Hey, just call me “freaky callback boy.”
#26 — I Can ’ t Take My Eyes Of f o f You Troy , Gabr i e l l a
GABRIELLA
You’re a cool guy, Troy. But not for the reasons your friends think.
H I G H S C H O O L M U S I C A L — 5 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(Troy, swept up in the moment, sings to Gabriella.)
TROY
YOU NEVER KNOW WHAT YOU’RE GONNA FEEL,
YOU NEVER SEE IT COMING, SUDDENLY IT’S REAL
GABRIELLA
OH, IT NEVER EVEN CROSSED MY MIND
THAT I COULD EVER, EVER HOPE TO FIND
SOMEONE LIKE YOU
TROY, GABRIELLA
OH, ALL THINGS CHANGE
WHEN YOU DON’T EXPECT THEM TO
OH, NO ONE KNOWS
GABRIELLA
WHAT THE FUTURE’S GONNA DO
TROY
I NEVER EVEN NOTICED THAT
YOU’VE BEEN THERE ALL ALONG
TROY, GABRIELLA
I CAN’T TAKE MY EYES OFF OF YOU
I KNOW YOU FEEL THE SAME WAY TOO
I CAN’T TAKE MY EYES OFF OF YOU
ALL IT TOOK WAS ONE LOOK
FOR A DREAM COME TRUE
TROY
YEAH WE GOT A GOOD THING GOIN’ ON
GABRIELLA
RIGHT HERE IS RIGHT WHERE WE BELONG
TROY, GABRIELLA
YOU NEVER REALLY KNOW WHAT YOU MIGHT FIND
TROY
NOW ALL I SEE IS
TROY, GABRIELLA
YOU AND I
YOU’RE EVERYTHING I NEVER KNEW
THAT I’VE BEEN LOOKING FOR
— 5 4 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(TROY, GABRIELLA)
I CAN’T TAKE MY EYES OFF OF YOU
I KNOW YOU FEEL THE SAME WAY TOO
I CAN’T TAKE MY EYES OFF OF YOU
ALL IT TOOK WAS ONE LOOK
FOR A DREAM COME TRUE
I CAN’T TAKE MY EYES OFF OF YOU
FEELINGS LIKE I NEVER KNEW
I CAN’T TAKE MY EYES OFF OF YOU
FROM THE START, GOT MY HEART
YEAH, YOU DO
CAN’T TAKE MY EYES OFF OF YOU
TROY
YOU NEVER KNOW WHAT YOU’RE GONNA FEEL
GABRIELLA
YOU NEVER SEE IT COMING, SUDDENLY IT’S REALThanks for showing me your top-secret hiding place. Just like kindergarten.
TROY
Be your best friend.
(Troy and Gabriella smile. And very tentatively, hold hands. Lights fade down.)
#27 — Sharpay ’ s Locker band
SCENE 2: SHARPAY’S LOCKER — WEDNESDAY, 12:30 PM
(Still covered in cake, Sharpay pulls out blouse after blouse from hangers in her locker.She checks them out in her full-length mirror on the inside of the locker door.)
ZEKE
Hey, Sharpay. Now that Troy’s going to be in your show—
SHARPAY
Troy Bolton is not in my show!
ZEKE
Oh, uhm, well, okay... I mean, did you like the cake I made for you?
SHARPAY
No. It doesn’t go with my pants.
H I G H S C H O O L M U S I C A L — 5 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
ZEKE
Ha ha, that’s funny. So, uhm, anyway, like I thought maybe you’d like to come tosee me play ball sometime...
SHARPAY
I’d rather suck the mucous from a dog’s nostrils ‘til his skull caves in.
(Sharpay brushes Zeke aside as she goes off to change her blouse.)
ZEKE
That doesn’t sound very appetizing.
(calling after her)
Wouldn’t you prefer a nice crème brulée? Or maybe some tartufo? Tiramisu?
(beat)
Tiramisu? Why did I say tiramisu? Aarrghh!!!
(Zeke runs off.)
#28 — Study Ha l l s f x /band
(The school bell rings.)
SCENE 3: STUDY HALL — WEDNESDAY, 1:00 PM
(Lights up on the Jocks and the Brainiacs sitting together in a summit meeting. Muchmurmuring and debate going on.)
TAYLOR
You really think that’s going to work?
CHAD
It’s the only way to save Troy and Gabriella from themselves.
(Taylor looks at the Brainiacs. After a brief hesitation, they nod in unison.)
TAYLOR
So what you’re saying is the individual must be sacrificed for the good of the whole?That’s so very Karl Marx.
(beat)
Works for me.
CHAD
We’ll get Troy in the locker room. You guys nab Gabriella in the lab at exactlysixteen hundred hours.
TAYLOR
Whatever. Just work him until he—
— 5 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
CHAD
Troy Bolton is my best friend — I know how to push all his buttons. Remember, theline of communication is crucial to the successful deployment of this covert operation.
TAYLOR
(looks at him with fresh eyes)
I didn’t know you could say that many syllables together in one sentence. I’mimpressed.
CHAD
Thanks... been working on it all night. My watch says thirteen hundred hours,mountain standard time. Are we synchronized?
TAYLOR
Save it for Charlie’s Angels, Chad.
(smiles)
Au revoir, mon ami.
(Taylor and the Brainiacs get up to leave.)
CHAD
I love it when you speak German.
TAYLOR
(considers correcting him, but instead, smiles and says:)
Danke schön.
(As the Jocks and Brainiacs disperse, Sharpay and Ryan pop up from behind two largebooks.)
SHARPAY
Something isn’t right. The Jocks and the Brainiacs mingling in study hall?!?
RYAN
The Jocks rule most of the school, but if they get Troy into the musical, then they’veconquered the entire student body.
SHARPAY
And if the Brainiacs get Gabriella hooked up with Troy Bolton, the Science Club goesfrom drool to cool. And Troy will be hers forever!
(this is war)
Ryan, we need to save our show from people who don’t know the differencebetween a Tony Award and Tony Soprano.
RYAN
But how?
H I G H S C H O O L M U S I C A L — 5 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
SHARPAY
Darbus. I have a plan.
RYAN
(cautioning, à la Ricky Ricardo)
Luuuccyyyyy...
SHARPAY
I’ll tell Darbus that Troy and his dad want to sabotage the auditions because shegave him detention.
RYAN
She’ll never believe that.
SHARPAY
She’ll believe anything I tell her because I’m the president of the Drama Club.
RYAN
Yeah, but the president’s not supposed to lie, Sharpay.
SHARPAY
Yeah, and the vice-president’s supposed to smile, zip it and do what I tell him to do,all right? Now come on!
#29 — Wi ldca t Cheer (Repr i s e ) Cheer l eader s
(Sharpay races off to find Ms. Darbus. Ryan follows close behind, shaking his head.Lights up on the Cheerleaders practicing in the gym.)
CHEERLEADERS
WILDCATS, SING ALONG
YEAH, YOU REALLY GOT IT GOIN’ ON
WILDCATS IN THE HOUSE
EVERYBODY SAY IT NOW
WILDCATS EVERYWHERE
WAVE YOUR HANDS UP IN THE AIR
THAT’S THE WAY WE DO IT
LET’S GET TO IT
C’MON EVERYONEGo Wildcats!
(The Cheerleaders disperse as the Jocks charge into practice.)
— 5 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
SCENE 4: GYM — WEDNESDAY, 3:30 PM
(The Jocks run drills. Troy is absent.)
COACH BOLTON
Show a little hustle, already! What’s wrong with you guys today? The big game isthe day after tomorrow! Where’s your heads at?
TEAM
(as one, without much heart)
In the game, Coach. In the game.
COACH BOLTON
And where is Bolton?
(nothing)
That was an open question.
(again, nothing)
I said—
(Suddenly, cutting off his tirade, Ms. Darbus bursts into the gym and storms right upto Coach Bolton, grabbing the basketball as it is tossed from one team member toanother.)
MS. DARBUS
How dare you?!?
COACH BOLTON
What?
MS. DARBUS
In all my years in the theatre, never have I encountered such childish, small-mindedsubterfuge!
COACH BOLTON
Boys, practice is over. Hit the showers. Now.
(The Jocks run off.)
MS. DARBUS
All right, Bolton — cards on the table right now.
COACH BOLTON
Huh?
MS. DARBUS
Your pathetic male ego is all bent out of shape because I put your stars in detention,so now you’re getting even?
H I G H S C H O O L M U S I C A L — 5 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
COACH BOLTON
What are you talking about, Darbus?
MS. DARBUS
Don’t play dumb with me, Bolton.
COACH BOLTON
I’m not playing!
MS. DARBUS
Some very reliable sources told me all about your little plot to humiliate me and theDrama Club, and I am telling you it ain’t gonna fly!
COACH BOLTON
Save the speeches for the stage.
MS. DARBUS
If you and your all-star son are planning some kind of practical joke in my chapel ofthe arts—
COACH BOLTON
Troy doesn’t even sing.
MS. DARBUS
I guess you don’t know your own son as well as you think you do. But I won’tallow Juliet and Romeo to be made into a farce—
COACH BOLTON
(tries to stifle a laugh)
Juliet and Romeo???
MS. DARBUS
See! I knew it! Very well, Bolton, you leave me no choice: if Troy is actually seriousabout auditioning, he’s going to have to prove it. I won’t allow either one of you tomake fools out of the Drama Club.
COACH BOLTON
Hey, you don’t need my help to do that!
(With a harumph, Darbus slams the ball in Bolton’s gut, turns and exits, but bumpsinto Troy, who runs in, late for practice.)
MS. DARBUS
And you, mister “I’m soaring, I’m flying”—
TROY
(surprised)
Hi, Ms. Darbus.
— 6 0 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
MS. DARBUS
(hurt)
I thought you were genuine, Troy. Wrong again, I guess.
(Ms. Darbus storms out. Troy is confused.)
TROY
(to Coach Bolton)
What was that all about?
COACH BOLTON
You want to tell me something, Bolton? Something about singing?
TROY
(afraid to tell the truth)
Uhm, no. I mean, you know...
COACH BOLTON
No, I don’t know. Darbus the Deranged just chewed my head off because she thinksyou’re plotting something.
TROY
No, like, I mean... I was just helping someone audition, that’s all. It’s nothing.
COACH BOLTON
You bet it’s nothing! In case you’ve forgotten, you have the biggest game of your lifecoming up in two days. Get your head in the game for real, Bolton. Your team isdepending on you.
TROY
I was going to stay and work on my free throws.
COACH BOLTON
Since you were late for practice — again — that’s the least you can do.
(Coach Bolton heads for the coach’s room. Troy begins a drill in the empty gym.Gabriella pokes her head in through one of the doors. Troy waves her in, gesturing forher to keep her voice down, so his dad doesn’t hear.)
GABRIELLA
(looking around)
Wow, so this is your real stage.
TROY
I guess you could call it that. Or just a smelly gym.
(Troy bounces the ball to Gabriella. She dribbles better than he expected.)
Whoa... don’t tell me you’re good at hoops, too?
H I G H S C H O O L M U S I C A L — 6 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
GABRIELLA
I once scored forty-one points in a league championship game.
TROY
No way.
GABRIELLA
Yeah... the same day I invented the PlayStation and the iPod.
(Troy laughs and steals the ball back from Gabriella.)
I’ve been rehearsing with Kelsi.
TROY
I know. Me, too. And I was late for practice, so if I get kicked off the team, it’ll be onyour conscience.
GABRIELLA
Hey, I—
TROY
(he’s kidding)
Gabriella. Chill.
(Gabriella laughs.)
COACH BOLTON (O.S.)
(voice booms in the gym)
I’m sorry, Miss, this is a closed practice.
(Coach Bolton strides back into the gym.)
TROY
But practice is over.
COACH BOLTON
Not until the last player leaves the gym, Bolton. Team rules.
GABRIELLA
Oh, I’m sorry, sir.
TROY
Dad, this is Gabriella Montez.
COACH BOLTON
Your detention buddy?
(Martha Cox pokes her head in the gym and calls to Gabriella.)
— 6 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
MARTHA COX
Pssst, Gabriella... Taylor needs you up in the lab right away.
(gives her the thumbs up)
Hip-hop hooray!
GABRIELLA
I’ll see you later, Troy. Nice to meet you, Coach Bolton.
COACH BOLTON
(sternly)
Goodbye.
(Gabriella makes a hasty exit with Martha. Troy faces Coach Bolton.)
TROY
Detention was my fault, not hers.
COACH BOLTON
You haven’t missed practice in three years. That girl turns up and you’re late twice.
TROY
“That girl” is named Gabriella, and she’s very nice.
COACH BOLTON
Helping you miss practice doesn’t make her “very nice.” Not in my book. Or yourteam’s.
TROY
She’s not a problem, she’s just a girl.
COACH BOLTON
But you’re not just “a guy.” You’re the team leader, what you do affects not only thisteam, but the entire school. Without you completely focused, we won’t win thegame Friday. And championship games don’t come along every day... they’resomething special.
TROY
A lot of things are special.
COACH BOLTON
You blow this chance, you’ll regret it the rest of your life.
TROY
(finally deciding to go there)
You mean, like you?
H I G H S C H O O L M U S I C A L — 6 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
COACH BOLTON
(stung but hiding it)
You’re a playmaker, Bolton, not a singer.
TROY
Did you ever think maybe I could be both? And my name is Troy, Dad, not Bolton!
(Troy heads for the locker room. Coach Bolton watches him, at a complete loss with his son.)
SCENE 5: LOCKER ROOM / LAB — WEDNESDAY, 4:00 PM
#30 — Count ing on You J o cks , Bra in iac s
(Lights up on a split stage. Troy and Gabriella run into the locker room and lab,respectively. The Jocks and Brainiacs are waiting for them.)
TROY, GABRIELLA
Sorry I’m late.
CHAD
Not good enough, Captain.
TAYLOR
Not good enough, Gabriella.
JOCKS, BRAINIACS
Get’cha head in the game!
CHAD
THERE’S A CHOICE THAT YOU HAVE TO MAKE
TAYLOR
AND IT’S PRETTY PLAIN TO SEE
ZEKE
YOU’RE EITHER OUT OR IN
MARTHA COX
YOU EITHER LOSE OR WIN
JOCKS, BRAINIACS
ARE YOU GONNA TURN YOUR BACK ON HISTORY?
TAYLOR
ON THE LEGEND THAT YOU’RE A PART OF?
CHAD
ON THE JOB THAT YOU WERE BORN TO DO?
— 6 4 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
JOCKS, BRAINIACS
DON’T LET US DOWN
YOU GOTTA COME THROUGH
‘CAUSE WE’RE COUNTING ON, COUNTING ON
COUNTING ON YOU
GABRIELLA
What history?
TROY
What legend?
(The Jocks and Brainiacs reveal large flip charts on standing easels. As they announcenames, they flip pages.)
CHAD
“Spider” Bill Natrine.
TAYLOR
Harriet Tubman.
ZEKE
Sam “Slamma-Jamma” Netletter.
MARTHA
Madame Curie.
JASON
“Thunderclap” Hap Haddon.
KRATNOFF
Eleanor Roosevelt.
CHAD
Do you think these Wildcat legends won championships by worrying about someBrainiac chick or auditioning for musicals?
TAYLOR
Do you think these paradigms of education and accomplishment concernedthemselves with Jocks or auditioning for musicals?
JOCKS, BRAINIACS
I don’t think so!
JOCKS
CHECK OUT THE CHAMPIONS WHO CAME BEFORE
HAIL THE HERO THAT YOU COULD BE
H I G H S C H O O L M U S I C A L — 6 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
BRAINIACS
AND PUT AWAY THAT DREAM
‘CAUSE THERE’S NO “I” IN “TEAM”
JOCKS, BRAINIACS
AND THE SACRIFICE IS WORTH IT, WE ALL AGREE
JOCKS
YOU JUST HAVE TO KEEP YOUR FOCUS
BRAINIACS
AND FORGET ABOUT “YOU KNOW WHO”
JOCKS, BRAINIACS
DON’T LET US DOWN
YOU GOTTA COME THROUGH
‘CAUSE WE’RE COUNTING ON, COUNTING ON
COUNTING ON YOU
(Chad and Taylor pull out all the stops and flip over the fourth pages: Coach Bolton as ahigh school sports star, and Troy with a wad of cash in his mouth.)
TROY
That’s my dad!
GABRIELLA
That’s Troy!
CHAD
Heartbreak Bolton. Missed the last basket of the 1981 Championships. Do it forhim, Troy. Give him the championship he always dreamed of.
TAYLOR
Heartbreak Bolton. Another lost-cause, bonehead, Basketballus moronus jock. Butyou... you’re the future of civilization.
JOCKS
YOU’RE NEXT IN THE LINE
YOU’RE PART OF THE CHAIN
AND NOW THAT WE CAN MAKE IT
DON’T BREAK IT!
MARTHA COX
YOU’RE THE HEIR APPARENT
TAYLOR
THAT’S WHAT EVERYONE SAYS
— 6 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
BRAINIACS
FROM FRIDA KAHLO, INDIRA GANDHI
ROSA PARKS, AMELIA EARHART
TO GABRIELLA MONTEZ!
(GABRIELLA MONTEZ!)
(GABRIELLA MONTEZ!)
JOCKS
(overlapping)
Bolton! Bolton! Bolton! Bolton! Bolton!
JOCKS, BRAINIACS
NOW THE PRESSURE IS WAY UP HIGH
WHICH WAY ARE YOU GONNA GO?
YOU GONNA SING A SONG
OR ARE YOU GONNA BE STRONG
TRADE YOUR FANTASIES IN FOR THE THING YOU KNOW
THE DESTINY YOU’VE BEEN HANDED
THE ONLY THING THAT YOU CAN DO?
DON’T LET US DOWN
YOU GOTTA COME THROUGH
‘CAUSE WE’RE COUNTING ON YOU...
TROY
If you guys don’t know that I’ll put one hundred and ten percent of my guts intothat game, then you don’t know me... at all!
JOCKS, BRAINIACS
YEAH, WE’RE COUNTING ON YOU...
GABRIELLA
I thought you were my friends — win together, lose together...
JOCKS, BRAINIACS
WE’RE COUNTING ON YOU...
TROY
I’m for the team. I’ve always been for the team.
JOCKS, BRAINIACS
SO DON’T LET US DOWN...
GABRIELLA
How about what matters for me?
H I G H S C H O O L M U S I C A L — 6 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
JOCKS, BRAINIACS
YOU’ GOTTA COME THROUGH...
TROY
What do you want from me?
JOCKS, BRAINIACS
WE’RE COUNTING ON, COUNTING ON
COUNTING ON, COUNTING ON—
TROY, GABRIELLA
Arrghhh!
(Chad gives Zeke the signal. Unseen by Troy, Zeke dials the cell phone.)
#31 — Tay lor ’ s Ce l l s f x
(In the lab, Taylor’s distinctive ringtone sounds on her phone.)
TROY
(fed up)
I can’t believe you guys! Is this what you guys want to hear:
(Taylor hits the speaker-phone button. Troy’s tirade echoes in both the locker room andon Taylor’s phone:)
Singing means nothing to me! Gabriella means nothing to me! I’ll forget theaudition, forget her, and we’ll go get that championship! Everyone happy now?
GABRIELLA
(shocked, reaching for the phone)
Troy! Troy Bolton!
(Caught, Zeke hands the phone to Troy.)
ZEKE
Uhm, I think it’s for you.
(In the locker room, the Jocks huddle together, listening. In the lab, the Brainiacs do thesame.)
TROY
(confused)
Gabriella? What’s going on?
GABRIELLA
Guess what? I don’t want to do the callbacks, either! Who were we kidding?You’ve got your team, and now I’ve got my team. I’ll do the Science Decathlon, youwin your championship. It’s where we belong. Go Wildcats!
— 6 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
TROY
But I don’t want to—
GABRIELLA
(cutting him off)
Me either. Goodbye!
(Gabriella hangs up. She bursts into tears in front of the Brainiacs. Troy, shattered,sits on the bench and puts his head in his hands. At the sight of their friend’s pain, theJocks and the Brainiacs realize they did a really bad thing.)
#32 — When There Was Me and You Gabr i e l l a , Troy , J o cks , Bra in iac s
TAYLOR
So, uhm, Gabriella... do you want to grab a Coke? No, huh? Okay, uhm, well... seeyou later.
(The Brainiacs awkwardly shuffle toward the door, looking as guilty as sin. Gabriellastays behind.)
CHAD
(to Troy)
Do you want to have some lunch...?
ZEKE
I made a really outstanding foie gras tartlet!
(Chad gestures for Zeke to zip it. The Jocks file out, guilty over what they just did.Gabriella and Troy are left alone in the locker room and lab. They are heartbroken.)
SCENE 6: ISOLATED SPACES — WEDNESDAY, EVENING
GABRIELLA
IT’S FUNNY WHEN YOU FIND YOURSELF
LOOKING FROM THE OUTSIDE
I’M STANDING HERE BUT ALL I WANT
IS TO BE OVER THERE
WHY DID I LET MYSELF BELIEVE
MIRACLES COULD HAPPEN
‘CAUSE NOW I HAVE TO PRETEND
THAT I DON’T REALLY CARE
(The Brainiacs appear upstage and sing backup.)
H I G H S C H O O L M U S I C A L — 6 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(GABRIELLA)
I THOUGHT YOU WERE MY FAIRY TALE
MY DREAM WHEN I’M NOT SLEEPING
A WISH UPON A STAR THAT’S COMING TRUE
BRAINIACS
COMING TRUE...
GABRIELLA
BUT EVERYBODY ELSE COULD TELL
THAT I CONFUSED MY FEELINGS WITH THE TRUTH
BRAINIACS
WITH THE TRUTH...
GABRIELLA
WHEN THERE WAS ME AND YOU
BRAINIACS
WHEN THERE WAS ME AND YOU
(The Jocks appear upstage and backup Troy.)
GABRIELLA
BUT THEN YOU WENT AND CHANGED THE WORDS
NOW MY HEART IS EMPTY
GABRIELLA, TROY
NOW I KNOW YOU’RE NOT A FAIRY TALE
AND DREAMS ARE MEANT FOR SLEEPING
AND WISHES ON A STAR JUST DON’T COME TRUE
AND NOW EVEN I CAN TELL
THAT I CONFUSED MY FEELINGS WITH THE TRUTH
BECAUSE I LIKED THE VIEW
— 7 0 — H I G H S C H O O L M U S I C A L
TROY
I SWORE I KNEW THE MELODY
THAT I HEARD YOU SINGING
AND WHEN YOU SMILED YOU MADE ME FEEL
LIKE I COULD SING ALONG
JOCKS
I KNEW THE SONG
I HEARD YOU SINGING
YOU SMILED AND I FEEL
I COULD SING ALONG
TROY
I’M ONLY LEFT WITH USED TO BE’S
AND ONCE UPON A SONG
JOCKS
AND NOW I’M LEFT
ONCE UPON A SONG
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
GABRIELLA
WHEN THERE WAS ME AND YOU
TROY
I CAN’T BELIEVE THAT I COULD BE SO BLIND
GABRIELLA
IT’S LIKE YOU WERE FLOATING
WHILE I WAS FALLING
AND I DIDN’T MIND
TROY
I DIDN’T MIND
JOCKS, BRAINIACS
OH...
TROY
BECAUSE I LIKED THE VIEW
GABRIELLA
I THOUGHT YOU FELT SO TOO
TROY, GABRIELLA
WHEN THERE WAS ME AND YOU
(Blackout.)
#33 — Boom Box Rehearsa l band
SCENE 7: REHEARSAL ROOM — THURSDAY, 12:30 PM
H I G H S C H O O L M U S I C A L — 7 1 —
TROY, GABRIELLA
WHY DID I LET MYSELF BELIEVE
MIRACLES CAN HAPPEN?
‘CAUSE NOW I’M HAVING TO PRETEND
THAT I DON’T REALLY CARE
I THOUGHT YOU WERE MY FAIRY TALE
MY DREAM WHEN I’M NOT SLEEPING
A WISH UPON A STAR THAT’S COMING TRUE
BUT EV’RYBODY ELSE COULD TELL
THAT I CONFUSED MY FEELINGS FOR THE TRUTH
JOCKS, BRAINIACS
I BELIEVE
IN MIRACLES
‘CAUSE NOW I
REALLY CARE
YOU WERE MY
FAIRY TALE
A WISH COME TRUE
EVERYBODY
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(Sharpay and Ryan rehearse the choreography for their callback; the boom box playstheir accompaniment. They are working their butts off. Suddenly, Ryan throws in hissignature “jazz square” and stomps on Sharpay’s foot.)
SHARPAY
You idiot!
(Ryan turns off the boom box.)
What did I tell you about those stupid jazz squares?
RYAN
Everybody loves a good jazz square — it’s a classic. And why do we always have todo what you say?
SHARPAY
Maybe because I know what I’m doing? Just do what I tell you. I’m not taking anychances, understand? That role is mine! I was born to play it!
RYAN
Somebody in this room ought to chill out, sister. And it ain’t me. We’ll get the roleswe want, we always do.
SHARPAY
I’m not just talking about my role in the play, Ryan. I’m talking about my role inlike... the school. I’m not a Jock, I’m not a Brainiac... but you know what, I’m theStar — that’s my role. And if they take it away from me, who am I?
RYAN
Well... you could just be Sharpay. That’s not so bad, is it?
SHARPAY
Are you brain-dead? No one’s going to like me if I’m just Sharpay! But on stage, Ican be Juliet, I can be Annie Oakley, I can be anyone I want to be, not just dumb oldSharpay. I need something to make me fabulous Ryan. I mean, come on, theynamed me after a flabby dog!
RYAN
Sharpay, we’ve had the leads every year since birth. If we get it again, great. If not,we’ll still be fabulous. Besides, it could be worse. They could have named youPug... or Shih Tzu... or—
SHARPAY
But Troy and that... that thing!
RYAN
Look, maybe Troy would like you more if you were just yourself, for once.
SHARPAY
Pardon me, Dr. Phil, but what do you know? You’re just a kid.
— 7 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
RYAN
I’m only eight minutes younger than you.
SHARPAY
Yeah, well, those are eight important minutes!
(Troy suddenly barges into the room looking for Gabriella, cell phone in hand.)
TROY
Oh, sorry... I didn’t know you were in here.
SHARPAY
(instantly sugar-coated)
Hi Troy. Did you come to ask if I’d switch partners and audition with you? Theanswer is yes! Ryan, you’re fired.
RYAN
Sharpay!
TROY
Uhm, no. Have you seen Gabriella? I’ve really got to talk to her.
SHARPAY
Who?
TROY
(over it, turning to leave)
Forget it!
RYAN
(stopping Troy)
Hey. Last time I saw her, she was in the theater, like about ten minutes ago.
TROY
(surprised)
Thanks, Ryan. You’re all right!
(Troy runs out. Ryan beams. Sharpay fumes like Vesuvius about to erupt.)
SHARPAY
How can you stab me in the back like that, helping the enemy?!?
RYAN
I stabbed you in the back?
SHARPAY
Well, at least you admit it. Now take it from the top, and lose those jazz squares.
(Sharpay hits the boom box. Lights fade down.)
H I G H S C H O O L M U S I C A L — 7 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
#34 — Boom Box / Thea t e r band
SCENE 8: THEATER — THURSDAY, 12:45 PM
(Lights up on the theater, empty except for a few pieces of the Juliet and Romeo set, stillin progress. Gabriella sits on the makeshift balcony, reading. A page of sheet music isnext to her. Kelsi sits at the piano, working on the finale.)
KELSI
Try it again, ok?
(Gabriella reluctantly picks up the sheet music and sings a phrase.)
GABRIELLA
WE’RE FLYING, SOARING...
KELSI
No... switch it around...
GABRIELLA
WE’RE SOARING, FLYING...
KELSI
That’s it!
#35 — Gabr i e l l a ’ s Ce l l s f x
(Gabriella’s phone rings. She turns to answer just as Troy enters from the back of thehouse. They don’t see each other. Kelsi continues working.)
GABRIELLA
(into cell phone)
Troy.
TROY
(into phone)
Gabriella, you have to listen to me. What you heard yesterday, none of that is true. Ididn’t mean any of it.
GABRIELLA
(into phone)
You sounded pretty convincing to me.
— 7 4 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
TROY
(into phone)
Then you didn’t hear the whole thing. I was sick of my friends riding me aboutsinging with you, and I said things I knew would shut them up. The guy you meton vacation is way more me than the guy who said those stupid things.
GABRIELLA
(into phone)
Troy, the whole singing thing is making the school crazy. You said it yourself:everyone is treating you different because of it.
TROY
(into phone)
Maybe that’s because I don’t want to be just “the basketball guy” anymore.Gabriella, when I look in your eyes, I know I can be anyone I want to be, becauseyou look at me without putting like all these limits on me, you know?
GABRIELLA
(into phone)
But your dad—
#36 — Star t o f Someth ing New (Repr i s e ) Troy , Gabr i e l l a
TROY
(into phone)
This isn’t about my dad. This is about me, about how I feel. And I’m not letting theteam down, they let me down. I’m going to sing. What about you?
GABRIELLA
(into phone)
I don’t know, Troy.
(Troy sees Kelsi, who points up to Gabriella. He turns, sees Gabriella, and sings intothe phone.)
TROY
IT FEELS SO RIGHT
TO BE HERE WITH YOU
AND NOW, LOOKING IN YOUR EYES
(Gabriella sees Troy. The phones drop away from their faces.)
I FEEL IN MY HEART
THE START OF SOMETHING NEW
H I G H S C H O O L M U S I C A L — 7 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(Gabriella is stunned... but happy. Troy smiles. Troy makes a “Play It Again, Sam”gesture to Kelsi. Kelsi starts to play along.)
(TROY)
LIVING IN MY OWN WORLD
DIDN’T UNDERSTAND
THAT ANYTHING CAN HAPPEN
WHEN YOU TAKE A CHANCE
GABRIELLA
I NEVER BELIEVED IN
WHAT I COULDN’T SEE
I NEVER OPENED MY HEART
TO ALL THE POSSIBILITIES
TROY, GABRIELLA
OH, I KNOW THAT SOMETHING HAS CHANGED
NEVER FELT THIS WAY
GABRIELLA
I KNOW IT’S FOR REAL
TROY, GABRIELLA
THIS COULD BE THE
START OF SOMETHING NEW
TROY
IT FEELS SO RIGHT
GABRIELLA
TO BE HERE WITH YOU
TROY, GABRIELLA
OH, AND NOW, LOOKING IN YOUR EYES
I FEEL IN MY HEART
THE START OF SOMETHING NEW
(Troy and Gabriella end the song in an embrace. Kelsi runs over and joins in the hug,knocking into them.)
KELSI
We don’t have much time left. The callbacks are next week, but we still have a lot ofwork to do.
TROY
First, we have to talk to our “friends.”
— 7 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
GABRIELLA
Yeah, we have to tell them that we’re going to do the callbacks after all.
KELSI
Well, let’s move it already! We’re burning daylight!
#37 — Study Ha l l band
(Troy and Gabriella are not used to Kelsi showing such strength. They all run off.Blackout.)
SCENE 9: STUDY HALL — THURSDAY, 1:00 PM
(Lights up on the Brainiacs and Jocks sitting together, a dark cloud hanging over theirheads. They know they pulled a dumb stunt.)
TAYLOR
I feel like so demeritorious about what we did.
CHAD
Me too, I think. What are we gonna do now?
(Troy and Gabriella run in, ready to tell off their friends. Kelsi follows close behind.She collides with them as they stop short.)
KELSI
Sorry.
TROY
Guys, we have something we want to tell you.
TAYLOR
No, us first.
GABRIELLA
No, this is important. Troy and I have decided—
TROY
What Gabriella means is—
#38 — Announcement Trans i t i on 5 band
(Lights up on Jack in the booth.)
JACK SCOTT
Hey, all you crazy Wildcats! Just a reminder that the Science Decathlon andbasketball championship game will both start tomorrow afternoon at 3:00 PM, sodon’t be late, baby. Come on out and support your...
H I G H S C H O O L M U S I C A L — 7 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(JACK SCOTT)
(Ms. Darbus appears in the booth and slips a note for Jack to read. She is somewhattroubled by what she is doing, but stands resolute.)
But wait— it looks like we have a late-breaking Wildcat Newsflash...
(reads the note)
The callbacks for Juliet and Romeo have been moved up to... tomorrow at 3:00 PM!?!
(stunned, to Ms. Darbus)
Hey but wait, Ms. Darbus, you can’t. That’s the same time as—
(Ms. Darbus stands firm and points to the mic.)
Sorry, Troy. This is Jack Scott, over and out.
#39 — Sorry , Troy band
(Ms. Darbus takes a deep breath. Lights out on the announcer’s booth. Troy andGabriella look at each other, crestfallen.)
JOCKS, BRAINIACS
What???
KELSI
How can they do this? It’s not fair!
TAYLOR
How can you be in the Science Decathlon...
CHAD
And win the championship...
KELSI
And audition for my show?
TROY, GABRIELLA
We can’t.
TAYLOR
Well, it’s clear now you have no choice.
CHAD
There’s only one thing you can do.
TROY
(resigned)
Yeah, I know.
— 7 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
GABRIELLA
(similarly)
Maybe next year, right?
TAYLOR
Audition for the musical.
TROY
What? But what about the team?
GABRIELLA
I thought you wanted to win the Decathlon?
TAYLOR
So we come in second. That’s no disgrace.
CHAD
Win or lose, we’re teammates. That’s what we’re about. Even if you turn out to bethe worst singer in the world...
ZEKE
... which you might be, because we haven’t actually heard you sing.
KELSI
He’s fantastic! They both are!
TAYLOR
What we did was so wrong. We just want you to know that we’re going to be therecheering for the both of you. In spirit, anyway.
ZEKE
Yeah, Cap... if singing is something you want to do, we should be boosting you up,not tearing you down.
(Just then, Sharpay and Ryan walk by. Sharpay is exultant. Ryan looks embarrassed.)
SHARPAY
(a cappella)
IT’S HARD TO BELIEVE
THAT I COULDN’T SEE
YOU WERE ALWAYS THERE BESIDE MEGood luck at the big game, Troy. Sorry about the callbacks, Gabriella.
(Sharpay dances off, singing. Ryan tries to apologize wordlessly as he follows her off.His silent mime monologue seems to say, “Sorry about the schedule... you’re both reallygreat... Sharpay was dropped on her head at birth.” Troy and Gabriella whisper to oneanother. Not wanting to emulate Sharpay’s selfish ambition, they turn back to the Jocksand Brainiacs with a different plan.)
H I G H S C H O O L M U S I C A L — 7 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
TROY
(announcing)
Yeah, so anyway, we made our decision.
GABRIELLA
I’ll be there for the team, Taylor.
TROY
Me too, guys. It’s just a musical, anyway.
KELSI
Just a musical?!?
GABRIELLA
You know what he means. We can’t be selfish... not when our friends are dependingon us, right Troy?
TROY
Right.
CHAD, TAYLOR, KELSI
But you can’t!
TROY
But we can. See you guys later. Come on Gabriella.
(Troy and Gabriella leave.)
CHAD
We can’t let them do it.
TAYLOR
Yeah, a dream deferred and all that.
CHAD
We have to figure out a way for them do both.
TAYLOR
Team huddle!
CHAD
Hey, you spoke Jock!
TAYLOR
I’m good with foreign languages, remember?
#40 — We’r e Al l in Th i s Toge ther Chad , Tay lo r , Ke l s i , J o cks , Bra in iac s
(The Brainiacs and Jocks huddle up with Kelsi. Much hubbub and excitement. Fromthe mix, these lines pop out:)
— 8 0 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
CHAD
... down to the split second...
KELSI
Jack Scott can help us. He’s announcing the game.
ZEKE
... it’s impossible...
TAYLOR
Leave it to me, I can do anything with my laptop...
(The Jocks, Brainiacs and Kelsi break the huddle with a loud cheer.)
ALL
Go Wildcats!!!
(Chad and Taylor high-five.)
CHAD
YESTERDAY, WE ALL WERE ON OUR OWN ROAD
WE DIDN’T REALLY KNOW
GROUP 1
UH-UH
GROUP 2
UH-UH
ALL
UH-UH
TAYLOR
THAT EACH OF US BRINGS SOMETHING TO THE TABLE
TO HELP THE OTHERS GROW
ALL
OH!
ZEKE
NOW’S THE CHANCE TO TAKE A NEW DIRECTION
KELSI
TO SEE THROUGH OTHER EYES
ALL
TO SEE THROUGH OTHER EYES
MARTHA COX
TO MAKE A CHOICE
H I G H S C H O O L M U S I C A L — 8 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
CHAD
TO MAKE A NEW CONNECTION
ALL
OO!
TAYLOR
TO WIN THE BIGGER
ALL
PRIZE
WE’RE ALL IN THIS TOGETHER
ONCE WE KNOW THAT WE ARE
WE’RE ALL STARS AND WE SEE THAT
WE’RE ALL IN THIS TOGETHER
AND IT SHOWS WHEN WE STAND
HAND IN HAND, MAKE OUR DREAMS COME TRUE
JOCKS
WE’RE ALL HERE, AND SPEAKING OUT WITH ONE VOICE
WE’RE GONNA ROCK THE HOUSE
BRAINIACS
OO-WAH, OO-WAH
THE PARTY’S ON; NOW EV’RYBODY MAKE SOME NOISE
C’MON AND SCREAM AND SHOUT!
JOCKS
HEY! HEY! HEY!
WOO!
TAYLOR, CHAD
WE’VE ARRIVED BECAUSE WE STUCK TOGETHER
WE MAKE EACH OTHER STRONG
JOCKS
WE’RE NOT THE SAME
BRAINIACS
WE’RE DIFFERENT IN A GOOD WAY
ALL
TOGETHER’S WHERE WE BELONG!
(Transition to the next day.)
— 8 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
SCENE 10: LAB / THEATER / LOCKER ROOM & GYM —
FRIDAY, 3:00 PM
(In the locker room, Troy finishes dressing for the big game. In the lab, Gabriella putson her lab coat for the big Decathlon.)
WE’RE ALL IN THIS TOGETHER
WHEN WE REACH WE CAN FLY
KNOW INSIDE WE CAN MAKE IT
WE’RE ALL IN THIS TOGETHER
ONCE WE SEE THERE’S A CHANCE
THAT WE HAVE AND WE TAKE IT
(A light rises center stage on the theater, where Ms. Darbus sets up for the callbacks.Sharpay and Ryan warm up.)
TOGETHER, TOGETHER, TOGETHER, EVERYONE
TOGETHER, TOGETHER, C’MON, LET’S HAVE SOME FUN
TOGETHER, WE’RE THERE FOR EACH OTHER EVERY TIME
TOGETHER, TOGETHER, C’MON, LET’S DO...
(C’MON, LET’S DO...) (C’MON, LET’S DO...) DO THIS RIGHT!
(The Brainiacs and Jocks dance through the theater. The Jocks stop and line up information.)
CHAD
Ms. Darbus, good luck at the callbacks today!
(On cue, the Jocks pull their jackets open. Each one has a big letter on his shirt, and themessage spells out: OLD CRAB MUG.)
MS. DARBUS
(shocked at the effrontery)
Old crab mug?!?
SHARPAY
(vindicated)
See??
TAYLOR
(sotto voce)
Chad! Spelling! Wait—
(The Brainiacs jump to the rescue, rearranging the Jocks so the message now reads: GODRAMA CLUB.)
H I G H S C H O O L M U S I C A L — 8 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
JOCKS
Go Drama Club!
MS. DARBUS
(smiling broadly yet somewhat suspicious)
Fasten your seatbelts, kiddies... it’s going to be a bumpy ride!
#41 — Bumpy Ride band
(The Brainiacs and Jocks criss-cross and file off to their respective competitions. TheJocks join Troy in the locker room. The Brainiacs join Gabriella in the lab. Lights upon Jack Scott.)
JACK SCOTT
Calling all Wildcats... the following events are all starting immediately: the ScienceDecathlon is in the second-floor lab; the auditions for Juliet and Romeo are in thetheater; and the league basketball championship game is in the gym. Wildcats rule,baby!
(In succession, lights up on: Center stage: theater. Ms. Darbus takes her seat in thehouse. Stage right: the locker room transforms into the gym. The Cheerleaders bringon benches. The Jocks huddle up with Coach Bolton and Troy. Stage left: lab. TheBrainiacs sit at their team table. Gabriella and her challenger approach the chalkboard.An invisible Moderator oversees the Decathlon.)
(takes the mic as game announcer)
And the game is just about to begin as the red-hot East High Wildcats take the court,led by team captain Troy Bolton!
MS. DARBUS
Ladies and gentlemen, let the callbacks begin!
MODERATOR (V.O.)
You have exactly five minutes to solve this equation. Ready? Set? And—
(The following happens in quick succession: In the theater, Ms. Darbus bangs her gong.From the gym, we hear the referee’s whistle start the game. From the lab, we hear ahotel desk bell start the Decathlon.)
#42 — Bop t o the Top Sharpay , Ryan , Bra in iac s , J o cks
(In the gym, Coach Bolton, Jocks and Cheerleaders cheer for the team. In the lab,Gabriella holds up her chalk, ready to solve an equation. In the theater, Sharpay andRyan pull out all the stops, performing with amazing skill and zeal.)
— 8 4 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
SHARPAY
I BELIEVE IN DREAMIN’
SHOOTING FOR THE STARS
RYAN
BABY TO BE NUMBER ONE
YOU’VE GOT TO RAISE THE BAR
MODERATOR (V.O.)
Question number 17: valences and chemical bonding.
TAYLOR
You can do these in your sleep, Gabriella!
MODERATOR (V.O.)
No coaching from the sidelines, Ms. McKessie!
JACK SCOTT
And Bolton grabs the rebound!
SHARPAY, RYAN
WORK OUR TAILS OFF EVERY DAY
COACH BOLTON
Take the shot, Troy, take the shot!
SHARPAY, RYAN
WE GOTTA BUMP THE COMPETITION
BLOW THEM ALL AWAY
JOCKS
Yeah!
BRAINIACS
Yeah!
SHARPAY, RYAN
YEAH WE’RE GONNA
BRAINIACS
BOP BOP BOP, BOP TO THE TOP
JOCKS
SLIP AND SLIDE AND RIDE THAT RHYTHM
BRAINIACS
JUMP AND POP, HOP TIL WE DROP
JOCKS, BRAINIACS
AND START AGAIN
H I G H S C H O O L M U S I C A L — 8 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
MODERATOR (V.O.)
Question number 72: isotopes. You have two minutes remaining!
TAYLOR
You can do it, Gabriella. Focus!
MODERATOR (V.O.)
I warned you once, Ms. McKessie.
SHARPAY, RYAN
DO THE BOP BOP BOP
SHARPAY, RYAN, BRAINIACS, JOCKS
TO THE TOP
DON’T EVER STOP
BOP TO THE TOP
BRAINIACS
Yeah!
JOCKS
Yeah!
SHARPAY, RYAN
SHAKE SOME BOOTY AND TURN AROUND
RYAN
(AND AROUND AND AROUND AND AROUND)
SHARPAY, RYAN
FLASH A SMILE IN THEIR DIRECTION
SHARPAY
SHOW SOME MUSCLE
RYAN
DO THE HUSTLE
COACH BOLTON
Way to hustle, guys! Danforth, out. Baylor, you’re up.
MODERATOR (V.O.)
You have thirty seconds remaining to finish the equation.
ALL
BOP BOP BOP, BOP TO THE TOP
WIPE AWAY YOUR INHIBITIONS
STOMP STOMP STOMP, DO THE ROMP
AND STRUT YOUR STUFF
— 8 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(ALL)
BOP BOP BOP, STRAIGHT TO THE TOP
GOING FOR THE GLORY
WE’LL KEEP STEPPING UP
AND WE JUST WON’T STOP...
(In the lab, Gabriella finishes her equation first, races to the timer and hits it. A loudbuzzer ends the round.)
MODERATOR (V.O.)
And the winner is... Gabriella Montez! Team Wildcats takes a two-point lead!
ALL
AND WE JUST WON’T STOP...
JACK SCOTT
Bolton’s in the lane... he shoots... he scores! But the Wildcats are still down by two!
ALL
AND WE JUST WON’T STOP...
(Taylor checks her watch, takes a deep breath, and races her fingers across the keyboardof her laptop.)
TAYLOR
(to herself, as she clicks keys)
All right, Wildcats... let’s get this party started!
ALL
TILL WE REACH THE TOP
BOP TO THE TOP!
#43 — Mel tdown s fx
(We hear an electronic meltdown as the school wiring is sabotaged by Taylor’s laptop.Suddenly, the lights in both the gym and the lab go out. The basketball game andDecathlon come to a halt.)
JACK SCOTT
(piping up fast)
Well, folks, there seems to be a problem with the lights. Until we fix it, or pay theelectrical bills, please make an orderly exit from the gym and head straight to thetheater. Hurry!
(Chad pulls Troy aside.)
H I G H S C H O O L M U S I C A L — 8 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
CHAD
Run, Troy, you only have about five minutes.
TROY
What are you talking about?
CHAD
You want to sing? It’s now or never.
(points to the lights)
It was Taylor’s idea.
TROY
You guys are the best!
CHAD
I know! Now, hurry, man... hurry!
(Troy runs out of the gym as if his life depended on it.)
#44 — In the Lab band
(The Brainiacs file out of the lab as the lights flicker on and off.)
MODERATOR (V.O.)
Just take a seat in the school’s theater until we figure out exactly what’s happeningwith the lights, and then we’ll continue the match.
TAYLOR
Gabriella, what are you still doing here?
GABRIELLA
What do you mean?
TAYLOR
You don’t have much time. My laptop can only hack the school’s electrical grid forabout five minutes. Hurry, Troy’s waiting for you on stage.
GABRIELLA
You did this?
TAYLOR
Buy me a Coke. After you get the lead. Run!
(Gabriella hugs Taylor and runs off.)
#45 — In the Thea t e r band
(From Sharpay and Ryan’s bows, you’d think this was opening night on Broadway.)
— 8 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
MS. DARBUS
Sharpay and Ryan, well done!
(checks her list)
Troy Bolton and Gabriella Montez?
(looks around, truly disappointed)
Troy... Gabriella? Yooo hooo? Well, it would seem you were right, Sharpay.
SHARPAY
(gloating)
See?
MS. DARBUS
Unfortunately, I do.
KELSI
But you have to give them a chance! They’ve been practicing all week and they’rereally, really good. What you’re always talking about, like about reaching for thestars, that’s what they’re doing. Please, just two more minutes. I’ll go look forthem—
MS. DARBUS
(disappointed, crosses off their names)
I’m sorry, Kelsi, but just like in theatre, our lives are defined by our choices. Troyand Gabriella have clearly chosen not to audition.
(to Thespians)
Congratulations to all. The cast list will be posted.
(Kelsi runs backstage. Suddenly, from the back of the house, Troy and Gabriella runinto the theater and head for the stage.)
TROY
Ms. Darbus! We’re here!
MS. DARBUS
I called your names. Twice. Where were you?
GABRIELLA
Please, just this one time?
MS. DARBUS
Rules are rules, Ms. Montez.
TROY
Give us a chance, please, Ms. Darbus.
H I G H S C H O O L M U S I C A L — 8 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
MS. DARBUS
A chance for what, Troy? To make a joke out of something that means the world tome and to your fellow classmates who came to audition?
TROY
But it’s not a joke! I came because I want to give it my best shot.
GABRIELLA
Please, we only have a few more minutes until the lights come back on.
(Ms. Darbus notices that the theater is filling with Students. Basketball Fans pour in,led by Chad and the Jocks. Taylor leads the Brainiacs in, followed by the Spectatorsfrom the Decathlon. They sit in the front rows of the house.)
MS. DARBUS
(softening)
What’s this? A full house?!
SHARPAY
(to Ms. Darbus)
As president of the Drama Club, I have to put my foot down. No preferentialtreatment — those are your words, not mine.
(In the most courageous moment of his life, Ryan steps forward.)
RYAN
Ms. Darbus, Troy wasn’t trying to screw up the auditions. Sharpay lied to youbecause she was afraid of losing the part.
SHARPAY
(Medusa appears)
Shut up!
MS. DARBUS
(with rising authority, to Sharpay)
Is he telling the truth? Did you abuse the presidential privilege and knowingly lie tome?
SHARPAY
(caught)
I didn’t lie... I improvised... a little.
MS. DARBUS
We’ll talk about this later, Ms. Evans. Right now, off the stage!
SHARPAY
But I—
— 9 0 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
MS. DARBUS
Off the stage!!!
(Ryan pulls Sharpay to the side.)
RYAN
It’s all yours, Ms. Darbus.
MS. DARBUS
(relieved and delighted)
Troy, Gabriella, you may start your callback.
GABRIELLA
(looking around)
But we don’t have a pianist—
TROY
We’ll sing without music.
KELSI
(offstage)
Oh, no you won’t!
(charging back on stage)
Pianist here, Ms. Darbus!
SHARPAY
(last-ditch effort at domination)
You really don’t want to do that.
KELSI
(in Sharpay’s face)
Oh, yes, I really do!
(Kelsi races to the piano and opens it with a flourish. She slaps her music down.)
Ready on stage!
MS. DARBUS
(impressed)
Now... that’s showbiz!
(Troy and Gabriella take center stage. She looks at all the faces staring at her. She ispetrified in front of all these Students.)
#46 — Ke l s i Tr i e s band
H I G H S C H O O L M U S I C A L — 9 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(Kelsi starts to play, but Gabriella can’t sing. Kelsi stops.)
GABRIELLA
I can’t do it, Troy. It was so much easier when it was just you and me—
TROY
Then pretend it’s just you and me, like kindergarten, remember? I’m right here.
(Troy nods for Kelsi to start over. Gabriella looks at Troy, gaining confidence from theirconnection.)
#47 — Break ing Fre e Troy , Gabr i e l l a , Company
(TROY)
WE’RE SOARING, FLYING
THERE’S NOT A STAR IN HEAVEN THAT WE CAN’T REACH
GABRIELLA
IF WE’RE TRYING, SO WE’RE BREAKING FREE
TROY
YOU KNOW THE WORLD CAN SEE US
IN A WAY THAT’S DIFFERENT FROM WHO WE ARE
GABRIELLA
CREATING SPACE BETWEEN US
‘TIL WE’RE SEPARATE HEARTS
TROY, GABRIELLA
BUT YOUR FAITH
IT GIVES ME STRENGTH
STRENGTH TO BELIEVE
TROY
WE’RE BREAKING FREE
GABRIELLA
WE’RE SOARING
TROY
FLYING
TROY, GABRIELLA
THERE’S NOT A STAR IN HEAVEN THAT WE CAN’T REACH
TROY
IF WE’RE TRYING
— 9 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
TROY, GABRIELLA
YEAH, WE’RE BREAKING FREE
TROY
YEAH, WE’RE BREAKING FREE
CAN YOU FEEL IT BUILDING
LIKE A WAVE THE OCEAN JUST CAN’T CONTROL?
GABRIELLA
CONNECTED BY A FEELIN’
OH, IN OUR VERY SOULS
TROY
IN OUR VERY SOULS
TROY, GABRIELLA
RISING ‘TIL IT LIFTS US UP SO EVERYONE CAN SEE
TROY
WE’RE BREAKING FREE
(One by one, the Students in the audience rise, dance and sing along with Gabriella andTroy. Coach Bolton enters and watches Troy in disbelief.)
ALL
(gradually adding in)
SOARIN’, FLYIN’
THERE’S NOT A STAR IN HEAVEN THAT WE CAN’T REACH
IF WE’RE TRYIN’, YEAH WE’RE BREAKIN’ FREE
TROY, GABRIELLA
OH, WE’RE BREAKIN’ FREE
ALL
RUNNIN’, CLIMBIN’
TO GET TO THAT PLACE TO BE ALL THAT WE CAN BE
NOW’S THE TIME, SO WE’RE BREAKIN’ FREE
TROY
MORE THAN HOPE, MORE THAN FAITH
GABRIELLA
THIS IS TRUTH, THIS IS FATE
TROY, GABRIELLA
AND TOGETHER, WE SEE IT COMIN’
H I G H S C H O O L M U S I C A L — 9 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
GUYS
MORE THAN YOU, MORE THAN ME
GIRLS
NOT A WANT, BUT A NEED
ALL
ALL OF US BREAKIN’ FREE
(Ms. Darbus is overjoyed, as much with the singing as with the full house. She jumpson stage and dances. It’s clear that Troy and Gabriella have landed the leads. TheStudents rush the stage, joining Troy and Gabriella in celebration. Coach Bolton wipestears from his eyes and pulls Troy aside.)
TROY
I’m sorry, Coach—
COACH BOLTON
No, Troy, I’m sorry. You were fantastic!
TROY
I was?
COACH BOLTON
I’ve been so busy focusing on what I want for you, maybe I’ve missed what youwant for yourself. You can be anything you want, don’t let anyone ever stop you.Okay, Son?
TROY
(a big smile bursts across his face)
Okay... Dad.
(beat)
Now let’s go win that championship!
(Troy and Coach Bolton hug.)
ALL
SOARIN’, FLYIN’
THERE’S NOT A STAR IN HEAVEN THAT WE CAN’T REACH
IF WE’RE TRYIN’, YEAH WE’RE BREAKING FREE
(BREAKIN’ FREE) (BREAKIN’ FREE)
RUNNIN’, CLIMBIN’
TO GET TO THAT PLACE TO BE ALL THAT WE CAN BE
NOW’S THE TIME, SO WE’RE BREAKIN’ FREE
— 9 4 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(ALL)
NOW IS THE TIME TO FREE US
TO TOUCH THE SKY, TO REACH FOR THE HIGHEST STAR!
YOU KNOW THE WORLD CAN SEE US
IN A WAY THAT’S DIFFERENT FROM WHO WE ARE!
(Blackout.)
SCENE 11: GYM — FRIDAY, 5:00 PM
(In darkness, Fans count down the final seconds of the basketball championship game.)
FANS
5—4—3—2—1!
#48 — Game Buzzer s f x
JACK SCOTT
And the Wildcats win!
(Everyone cheers. Lights up on the gym as the whole school, including the Brainiacs,Thespians and Ms. Darbus, run onto the court. The Jocks hoist Troy onto theirshoulders. Students pour out of the stands to mob them.)
#49 — Wi ldca t Vamp band
(Coach Bolton hugs his son. Ms. Darbus approaches.)
MS. DARBUS
Troy, you were simply brilliant.
TROY
I almost forgot the words.
MS. DARBUS
I mean your foul shots! Brilliant.
(Troy gets swept up in the crowd of Fans. Ms. Darbus and Coach Bolton eyeball eachother a moment, then they smile and slap high-fives.)
Your son sure can shoot the hoops.
COACH BOLTON
He’s not a bad singer, either.
MS. DARBUS
I wonder where he gets it from.
H I G H S C H O O L M U S I C A L — 9 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
COACH BOLTON
(attempting to sing)
WE’RE SOARING, FLYING—
MS. DARBUS
No, seriously, where does he get it from?
(Gabriella fights through the crowd and finds Troy.)
TROY
What about your team?
GABRIELLA
We won, too!
(They embrace and are finally about to kiss, when Chad arrives.)
CHAD
(hands basketball to Troy)
Team voted you the game ball, Captain.
(Troy and Chad high-five. Chad finds Taylor.)
So, you’re going with me to the after party, right?
TAYLOR
Like on a date?
CHAD
Must be your lucky day.
TAYLOR
Or yours!
(Taylor laughs and high-fives Chad. Kelsi and Jack Scott approach each other. Withtotally imperfect timing, they both trip and fall. As they help each other up:)
JACK SCOTT
Hey, I really dig your music, babe.
KELSI
I really love your voice!
JACK SCOTT
(voice cracks)
Really? You really like it?
(Kelsi and Jack smile and hug. Ryan pulls Sharpay over to Gabriella.)
RYAN
Go on, tell her.
— 9 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
SHARPAY
All right. All right already!
(to Gabriella, all smiles)
Gabriella, congratulations.
RYAN
And?
SHARPAY
And I’m sorry I lied to Darbus about you and Troy.
GABRIELLA
All’s well that ends well, right?
SHARPAY
Right... I guess I’m going to play the Nurse. Unless you can’t go on, that is... sobreak a leg.
GABRIELLA
Huh?
RYAN
(off Gabriella’s uneasy reaction)
In the theatre, that means good luck.
(Gabriella and Sharpay finally share a hug.)
GABRIELLA
Thanks, Sharpay.
SHARPAY
Don’t mention it. To anyone. Ever.
(Zeke approaches Sharpay.)
ZEKE
Sorry you didn’t get the lead, Sharpay.
SHARPAY
Join the club.
ZEKE
But I still think you’re fantastic.
SHARPAY
You do? I mean, like really?
ZEKE
Like really really.
(Zeke’s smile warms Sharpay’s defenses.)
H I G H S C H O O L M U S I C A L — 9 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
SHARPAY
So where’s that crème brulée you promised me?
(Sharpay and Zeke hold hands. Troy and Gabriella hug in the middle of the boisterouscrowd.)
GABRIELLA
Just like kindergarten, right?
TROY
Only better!
(Gabriella and Troy laugh and share a long-awaited kiss.)
#50 — We’r e Al l in Th i s Toge ther (Repr i s e ) Company
ALL
HEY! HEY! HEY! HO!
ALL RIGHT, HERE WE GO!
TOGETHER, TOGETHER, TOGETHER, EVERYONE
TOGETHER, TOGETHER, C’MON, LET’S HAVE SOME FUN
TOGETHER, WE’RE THERE FOR EACH OTHER EVERY TIME
TOGETHER, TOGETHER, C’MON, LET’S DO THIS RIGHT!
TROY
HERE AND NOW, IT’S TIME FOR CELEBRATION
I FINALLY FIGURED OUT
ALL
YEAH, YEAH!
TROY
THAT ALL OUR DREAMS
ALL
OH!
TROY
HAVE NO LIMITATIONS
THAT’S WHAT IT’S ALL ABOUT
ALL
C’MON NOW!
GABRIELLA
EVERYONE
— 9 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
ALL
OH!
GABRIELLA
IS SPECIAL IN THEIR OWN WAY
WE MAKE EACH OTHER STRONG
ALL
WE MAKE EACH OTHER STRONG
GABRIELLA
WE’RE NOT THE SAME
ALL
WE’RE DIFFERENT IN A GOOD WAY
GABRIELLA, TROY
TOGETHER’S WHERE WE BELONG
TROY, GABRIELLA, RYAN, SHARPAY
WE’RE ALL IN THIS TOGETHER
ONCE WE KNOW THAT WE ARE
WE’RE ALL STARS AND WE SEE THAT
WE’RE ALL IN THIS TOGETHER
AND IT SHOWS WHEN WE STAND
HAND IN HAND, MAKE OUR DREAMS COME TRUE
EV’RYBODY NOW!
ALL
TOGETHER, (ALL) TOGETHER
(ALL) TOGETHER EVERYONE
TOGETHER, (ALL) TOGETHER
(ALL) C’MON LET’S HAVE SOME FUN
(ALL) TOGETHER, (ALL) WE’RE THERE FOR
(ALL) EACH OTHER EVERY TIME
(ALL) TOGETHER, (ALL) TOGETHER
(ALL) C’MON LET’S DO THIS RIGHT!
RYAN
WE’RE ALL HERE
ALL
YEAH!
H I G H S C H O O L M U S I C A L — 9 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
RYAN
AND SPEAKING OUT WITH
ALL
ONE VOICE
RYAN
WE’RE GONNA ROCK THE HOUSE
GROUP 1
ROCK!
GROUP 2
ROCK!
ALL
HOUSE!
RYAN
THE PARTY’S ON
ALL
ON!
RYAN
NOW EVERYBODY MAKE SOME NOISE
C’MON AND SCREAM AND SHOUT
ALL
OH... WOO!
SHARPAY
WE’VE ARRIVED
ALL
ARRIVED?
SHARPAY
BECAUSE WE STUCK TOGETHER
ALL
OH, YEAH!
SHARPAY
CHAMPIONS ONE AND...
ALL
ALL!
WE’RE ALL IN THIS TOGETHER
— 1 0 0 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
(ALL)
ONCE WE KNOW THAT WE ARE
WE’RE ALL STARS AND WE SEE THAT
WE’RE ALL IN THIS TOGETHER
AND IT SHOWS WHEN WE STAND
HAND IN HAND, MAKE OUR DREAMS COME...
WE’RE ALL IN THIS TOGETHER
WHEN WE REACH, WE CAN FLY
KNOW INSIDE WE CAN MAKE IT
WE’RE ALL IN THIS TOGETHER
ONCE WE SEE THERE’S A CHANCE
THAT WE HAVE AND WE TAKE IT
WILDCATS, SING ALONG
YEAH YOU REALLY GOT IT GOIN’ ON
WILDCATS IN THE HOUSE
EVERYBODY SAY IT NOW!
WILDCATS EVERYWHERE
WAVE YOUR HANDS UP IN THE AIR
THAT’S THE WAY WE DO IT
LET’S GET TO IT
TIME TO SHOW THE WORLD!
(Instrumental break. Bows start.)
GIRLS
WE’RE
ALL
ALL IN THIS TOGETHER
ONCE WE KNOW...
GIRLS
THAT WE ARE
WE’RE ALL STARS AND WE
ALL
SEE THAT
WE’RE ALL IN THIS TOGETHER
AND IT SHOWS...
H I G H S C H O O L M U S I C A L — 1 0 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
GIRLS
WHEN WE STAND
HAND IN HAND, MAKE OUR
ALL
DREAMS COME...
WE’RE ALL IN THIS TOGETHER
WHEN WE REACH, WE CAN FLY
KNOW INSIDE WE CAN MAKE IT
WE’RE ALL IN THIS TOGETHER
ONCE WE SEE THERE’S A CHANCE
THAT WE HAVE AND WE TAKE IT
WILDCATS EVERYWHERE
WAVE YOUR HANDS UP IN THE AIR
THAT’S THE WAY WE DO IT
LET’S GET TO IT
C’MON EVERYONE!
(Blackout. END OF PLAY.)
#51 — High Schoo l Mus i ca l Megamix Company
SOLO 1
LIVING IN MY OWN WORLD
SOLO 2
DIDN’T UNDERSTAND
SOLO 3
THAT ANYTHING CAN HAPPEN
SOLO 4
WHEN YOU TAKE A CHANCE
2 SOLOS
I NEVER BELIEVED IN
2 SOLOS
WHAT I COULDN’T SEE.
3 SOLOS
I NEVER OPENED MY HEART
— 1 0 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
3 SOLOS
TO ALL THE POSSIBILITIES
ALL
I KNOW THIS YEAR
THAT SOMETHING HAS CHANGED
NEVER FELT THIS WAY
I KNOW IT FOR REAL
THIS COULD BE THE START
OF SOMETHING NEW
IT FEELS SO RIGHT
TO BE HERE WITH YOU, OH
ALL
THE START OF SOMETHING NEW! OH!
THE START OF SOMETHING NEW! OH!
THE START OF SOMETHING NEW! OH!
THE START OF SOMETHING
GIRLS
YOU GOTTA GET’CHA, GET’CHA HEAD IN THE GAME
GUYS
YOU GOTTA GET’CHA, GET’CHA, GET’CHA, GET’CHA
HEAD IN THE GAME
GIRLS
YOU GOTTA GET’CHA, GET’CHA HEAD IN THE GAME
GUYS
YOU GOTTA GET’CHA, GET’CHA, GET’CHA, GET’CHA
HEAD IN THE GAME
GIRLS
COME ON, GET’CHA, GET’CHA HEAD IN THE GAME
GUYS
YOU GOTTA GET’CHA, GET’CHA, GET’CHA, GET’CHA
HEAD IN THE GAME
H I G H S C H O O L M U S I C A L — 1 0 3 —
GIRLS
AND NOW I FINALLY REALIZE
I FEEL IN MY HEART
GUYS
AND AH—
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
GUYS
THIS FEELING’S LIKE NO OTHER
GIRLS
I WANT YOU TO KNOW
ALL
I’VE NEVER HAD SOMEONE
THAT KNOWS ME LIKE YOU DO
THE WAY YOU DO
I’VE NEVER HAD SOMEONE
AS GOOD FOR ME AS YOU
NO ONE LIKE YOU
SO LONELY BEFORE I FINALLY FOUND
WHAT I’VE BEEN LOOKING FOR
GIRLS
DOO DOO DOO, DOOT DOO DOO DOO DOOT DOO
GUYS
A-WOH OH OH OH-OH
ALL
DOOT DOO DOO DOO, DOOT DOO DOO DOO DOOT DOO
A-WOH OH OH OH
— 1 0 4 — H I G H S C H O O L M U S I C A L
GIRLS
I GOTTA GET MY
GET MY
HEAD IN THE GAME
GET’CHA, GET’CHA, GET’CHA, GET’CHA
HEAD IN THE GAME
GET’CHA HEAD IN THE GAME!
GET’CHA HEAD IN THE GAME!
GET’CHA HEAD IN THE GAME!
GUYS
GET’CHA
GET’CHA
HEAD IN THE GAME
YOU GOTTA
GET’CHA, GET’CHA, GET’CHA, GET’CHA
HEAD IN THE GAME
WOAH!—
GET’CHA HEAD IN THE GAME!
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
ALL
WE’RE GONNA BOP BOP BOP, BOP TO THE TOP
WIPE AWAY YOUR INHIBITIONS
JUMP AND HOP, HOP TILL WE DROP
AND START AGAIN
BOP BOP BOP, STRAIGHT TO THE TOP
GOING FOR THE GLORY
WE’LL KEEP STEPPING UP
AND WE JUST WON’T STOP
TILL WE REACH THE TOP!
BOP TO THE TOP!
GUYS
CHECK OUT THE CHAMPIONS WHO CAME BEFORE
HAIL THE HERO THAT YOU COULD BE
GIRLS
AND PUT AWAY THAT DREAM
‘CAUSE THERE’S NO “I” IN “TEAM”
ALL
AND THE SACRIFICE IS WORTH IT, WE ALL AGREE
GUYS
YOU JUST HAVE TO KEEP YOUR FOCUS
H I G H S C H O O L M U S I C A L — 1 0 5 —
GROUP 1
NO! NO, NO, NO!
STICK TO THE STUFF YOU KNOW
IF YOU WANNA BE COOL
FOLLOW ONE SIMPLE RULE
DON’T MESS WITH THE FLOW, OH NO!
STICK WITH THE STATUS QUO!
NO, NO, NO!
STICK TO THE STUFF YOU KNOW
IT IS BETTER BY FAR
TO KEEP THINGS AS THEY ARE
DON’T MESS WITH THE FLOW, OH NO!
STICK TO THE STATUS QUO!
STICK TO THE STATUS QUO!
STICK TO THE STATUS QUO!
QUO! QUO! QUO!
GROUP 2
NO, NO, NO! NO!
FOLLOW YOUR DREAM
AND GO!
GO! GO!
GOTTA LIVE! GOTTA GROW! OH NO
DON’T STICK WITH THE STATUS QUO!
NO, NO, NO, NO!
FOLLOW YOUR DREAM
AND GO!
GO! GO!
GOTTA LIVE! GOTTA GROW!
DON’T STICK TO THE STATUS QUO!
DON’T STICK TO THE STATUS QUO!
DON’T STICK TO THE STATUS QUO!
QUO! QUO! QUO!
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
GIRLS
AND FORGET ABOUT “YOU KNOW WHO”
ALL
DON’T LET US DOWN
YOU GOTTA COME THROUGH
‘CAUSE WE’RE COUNTING ON, COUNTING ON,
COUNTING ON YOU!
WE’RE ALL IN THIS TOGETHER
WHEN WE REACH, WE CAN FLY
KNOW INSIDE WE CAN MAKE IT
WE’RE ALL IN THIS TOGETHER
ONCE WE SEE THERE’S A CHANCE
THAT WE HAVE AND WE CAN TAKE IT
TOGETHER, TOGETHER
TOGETHER, EVERYONE
TOGETHER, TOGETHER
C’MON, LET’S HAVE SOME FUN
SOARIN’, FLYIN’
THERE’S NOT A STAR IN HEAVEN THAT WE CAN’T REACH
IF WE’RE TRYIN’, YEAH WE’RE BREAKIN’ FREE
(BREAKIN’ FREE) (BREAKIN’ FREE)
RUNNIN’, CLIMBIN’
TO GET TO THAT PLACE TO BE ALL THAT WE CAN BE
NOW’S THE TIME, SO WE’RE BREAKIN’ FREE
NOW IS THE TIME TO FREE US
TO TOUCH THE SKY, TO REACH FOR THE HIGHEST STAR!
YOU KNOW THE WORLD CAN SEE US
IN A WAY THAT’S DIFFERENT FROM WHO WE ARE!
#52 — Ex i t Mus i c (Bop t o the Top) band
— 1 0 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
Musical Numbers
ACT ONE
#1 Wildcat Cheer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .COMPANY . . . . . .109
#2 Start of Something New . . . . . . . . . . . . . . .TROY, GABRIELLA, COMPANY . . . . . .112
#3 Start of Something New (Playoff) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx/band . . . . . .121
#4 Homeroom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .121
#5 Gabriella’s Phone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx . . . . . .121
#6 School Bell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx . . . . . .121
#7 Announcement Transition 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .121
#8 Hallway . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .121
#9 Announcement Transition 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .121
#10 Basketball Practice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .121
#11 Get’cha Head in the Game . . . . . . . . . . . . . . . . . . . . . . . . . . . . .TROY, JOCKS . . . . . .122
#12 Get’cha (Playoff) into Lab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .TROY, JOCKS . . . . . .132
#13 Sharpay Dials . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx . . . . . .134
#14 The Plot Thickens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx/band . . . . . .134
#15 Announcement Transition 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .134
#16 Detention . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .134
#17 Announcement Transition 4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .134
#18 Auditions (Bop to the Top /What I’ve…) . . . .THESPIANS, MS. DARBUS . . . . .135
#19 What I’ve Been Looking For . . . . . . . . . . . . . . . . . . . . . . . .RYAN, SHARPAY . . . . . .142
#20 School Bell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx . . . . . .146
#21 What I’ve Been Looking For (Reprise) . . . . . . . . . . . . .TROY, GABRIELLA . . . . . .147
#22 Cellular Fusion . . . . . . . . . . . . . . . . . . . . . . . . .CHAD, TAYLOR, COMPANY . . . . . .150
#23 Stick to the Status Quo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .COMPANY . . . . . .155
H I G H S C H O O L M U S I C A L — 1 0 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
ACT TWO
#24 Entr’acte (Stick to the Status Quo) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .166
#25 Rooftop Garden . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .166
#26 I Can’t Take My Eyes Off of You . . . . . . . . . . . . . . . . . .TROY, GABRIELLA . . . . . .167
#27 Sharpay’s Locker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .172
#28 Study Hall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx/band . . . . . .172
#29 Wildcat Cheer (Reprise) . . . . . . . . . . . . . . . . . . . . . . . . . . . .CHEERLEADERS . . . . . .173
#30 Counting on You . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .JOCKS, BRAINIACS . . . . . .174
#31 Taylor’s Cell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx . . . . . .181
#32 When There Was Me and You . . . . .GABRIELLA, TROY, JOCKS, BRAINS . . . . . .182
#33 Boom Box Rehearsal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .193
#34 Boom Box / Theater . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .194
#35 Gabriella’s Cell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx . . . . . .195
#36 Start of Something New (Reprise) . . . . . . . . . . . . . . . . .TROY, GABRIELLA . . . . . .196
#37 Study Hall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .199
#38 Announcement Transition 5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .199
#39 Sorry, Troy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .199
#40 We’re All in This Together . . . .CHAD, TAYLOR, KELSI, JOCKS, BRAINS . . . . . .200
#41 Bumpy Ride . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .206
#42 Bop to the Top . . . . . . . . . . . . . . . . .SHARPAY, RYAN, BRAINIACS, JOCKS . . . . . .207
#43 Meltdown . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx . . . . . .211
#44 In the Lab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .211
#45 In the Theater . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .211
#46 Kelsi Tries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .211
#47 Breaking Free . . . . . . . . . . . . . . . . . . . . . . . .TROY, GABRIELLA, COMPANY . . . . . .212
#48 Game Buzzer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .sfx . . . . . .219
#49 Wildcat Vamp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .219
#50 We’re All in This Together (Reprise) . . . . . . . . . . . . . . . . . . . . . .COMPANY . . . . . .220
#51 High School Musical Megamix . . . . . . . . . . . . . . . . . . . . . . . . . . .COMPANY . . . . . .228
#52 Exit Music (Bop to the Top) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .band . . . . . .240
— 1 0 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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(On the stage curtain hangs a long, hand-made banner: WILDCATS WELCOME BACK!The house lights go down and the music starts.)
DRUM MAJOR: C’mon, Wildcats!
8
œGIRLS: jœ ‰ œ œ œn jœ ‰
Wild cats, sing a long,
œGUYS: �Jœ ‰ œ œ œ Jœ ‰
Wild cats, sing a long,
œn œ œ œ œ œ œ œ œ jœ ‰Yeah, you real ly got it go in‘ on.
œ œ œ œ œ œ œ œ œ Jœ ‰Yeah, you real ly got it go in‘ on.
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œ jœ ‰ œ œ œn jœ ‰Wild cats in the house,
œ Jœ ‰ œ œ œ Jœ ‰Wild cats in the house,
œ# œ œ œ œœ œœ œœn œœEv ’ry bod y say it now.
œ# œ œ œ œœ œœ œœn œœEv ’ry bod y say it now.
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œ jœ ‰ œ œ œn jœ ‰Wild cats ev ’ry where
(The curtain rises, revealing the WildcatsCheerleading Squad the front steps of East High.)
œ Jœ ‰ œ œ œ Jœ ‰Wild cats ev ’ry where
œn œ œ œ œ œ œ jœ ‰Wave your hands up in the air.
œ œ œ œ œ œ œ Jœ ‰Wave your hands up in the air.
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œ œn œ œ œ œ œ œThat’s the way we do it, Let’s get
œ œ œ œ œ œ œ œThat’s the way we do it, Let’s get
œ œn œ œ œ œ jœ ‰to it, Time to show the world!
œ œ œ œ œ œ Jœ ‰to it, Time to show the world!
No. 1 Wildcat Cheer (p. 1 of 3)
Wildcat Cheerfrom Disney’s High School Musical
(COMPANY)
1
H I G H S C H O O L M U S I C A L — 1 0 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
& # .. .. 42 nbbbb 445X17-18
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(It’s the first day after Winter Break. STUDENTS run in, wave to each other, find friends, and add their voices to the cheer. Cliques form instantly: JOCKS, BRAINIACS, SKATERDUDES and THESPIANS. JACK SCOTT,the nerdy school announcer, trips over his own feet and falls, books flying. The Jocks laugh and help him up. The Jocks high-five each other. CHAD DANFORTH, the hot-wired number-two man, flags down TROY BOLTON,the team captain. The Jocks including, ZEKE BAYLOR, fall into place around their leader.)CHAD: Yo, doggie! Troy my hoops boy!TROY: Hey, Chad. Dudes... Happy New Year.CHAD: (televangelist) Oh yes, my brothers, it will be a Happy Wildcat New Year, because this Friday we play the league championship game, with you, Mr. Troy Bolton, leading us to infinity and beyond!JOCKS: Hallelujah!
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œGIRLS: jœ ‰ œ œ œb jœ ‰
Wild cats, sing a long,
œGUYS: �Jœ ‰ œ œ œ Jœ ‰
Wild cats, sing a long,
œb œ œ œ œ œ œ œ œ jœ ‰Yeah, you real ly got it go in‘ on.
œ œ œ œ œ œ œ œ œ Jœ ‰Yeah, you real ly got it go in‘ on.
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œ jœ ‰ œ œ œb jœ ‰Wild cats in the house,
œ Jœ ‰ œ œ œ Jœ ‰Wild cats in the house,
œn œ œ œ œœ œœ œœb œœEv ’ry bod y say it now.
œn œ œ œ œœ œœ œœb œœEv ’ry bod y say it now.
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(SHARPAY and RYAN EVANS make their entrance – fraternal twins, fashion plates, president and vice-presidentof the Drama Club. Sharpay is the alpha dog, older than Ryan by eight minutes.)ZEKE: (watching Sharpay) Guys, here she comes. Man, she’s gorgeous.CHAD: Hey, the ice princess has returned from the North Pole.ZEKE: (finding the nerve to address Sharpay) Hi – uhm, you know, I mean, Hi Sharpay, how are –(Without even glancing at Zeke, Sharpay blows past him.)RYAN: (wanting to be friendly) Hi, Troy. Getting ready for the big game?(Sharpay pushes Ryan out of the way so she has a clear path to Troy.)SHARPAY: (with a calculated flip of her hair) Hi, Troy.TROY: (couldn’t be less interested) Hi, Sharpay.(Sharpay and Ryan walk away. Chad leads the Jocks in wolf howls.)
�
No. 1 Wildcat Cheer (p. 2 of 3)
— 1 1 0 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ jœ ‰ œ œ œn jœ ‰Wild cats ev ’ry where
œ Jœ ‰ œ œ œ Jœ ‰Wild cats ev ’ry where
œn œ œ œ œ œ œ jœ ‰Wave your hands up in the air.
œ œ œ œ œ œ œ Jœ ‰Wave your hands up in the air.
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œ œn œ œ œ œ œ œThat’s the way we do it, Let’s get
œ œ œ œ œ œ œ œThat’s the way we do it, Let’s get
œ œn œ œ œ œ jœ ‰to it, Time to show the world!
œ œ œ œ œ œ Jœ ‰to it, Time to show the world!
& ### .. .. 42 nnnbb 444X31-32
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(Lost in the mix of cliques is GABRIELLA MONTEZ, a shy beauty who hangs by the edge of the crowd. TAYLORMCKESSIE, president of the Science Club, arrives with a couple of her brainiac girlfriends, including MARTHACOX. She eyeballs the howling display by Chad and the Jocks.)TAYLOR: Ah, behold the zoo animals heralding the New Year. How tribal.SHARPAY: They were heralding my entrance, dear.TAYLOR: La Diva speaks! So what did you do over the break, Sharpay, your nails or your scales?(Sharpay sings a fast run up the scales, and content that she has impressed her audience, turns away from them.)Scales. Just like all the other snakes. (Gabriella laughs with the others. KELSI NEILSON, a klutzy composer,drops all her books. Taylor and Gabriella help her pick them up.)
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œ Jœ ‰ œ œ œb jœ ‰Wild cats ev ’ry whereœ Jœ ‰ œ œ œ Jœ ‰Wild cats ev ’ry where
œb œ œ œ œ œ œ jœ ‰Wave your hands up in the air.
œ œ œ œ œ œ œ Jœ ‰Wave your hands up in the air.
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œ œb œ œ œ œ œ œThat’s the way we do it, Let’s get
œ œ œ œ œ œ œ œThat’s the way we do it, Let’s get
œ œb œ œœb ˙to it. C‘ mon,
œ œ œ œœb ˙to it. C‘ mon,
‰ Jœœb> œœ> œœN> Óev ’ry one!
‰ Jœ> œ> œ> Óev ’ry one!
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No. 1 Wildcat Cheer (p. 3 of 3)
H I G H S C H O O L M U S I C A L — 1 1 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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GABRIELLA: Well, uhm, actually, I did meet a boy.TAYLOR: See? So make with the newsflash, sister! I’m all ears.
(Troy regales his friends with stories of his winter break.Gabriella and Troy face offstage so they don’t see each other.)TROY: It was the best trip. The slopes were perfect! And I met the hottest little snow bunny ever!GABRIELLA: You’ll never guess how I met him.(During the next few lines, Gabriella and Troy are backed towards each other by their friends.)CHAD: How’d you meet her?TAYLOR: Snowboarding?
MUSIC STARTS
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TROY: Snowboarding.GABREILLA: Singing! He was pretty good, too!TROY: Man, she was so hot, the slopes turned to slush. CHAD: (to the Guys) Yeah, so did Troy.
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TAYLOR: Singing?GABRIELLA: They threw a contest for the kids. It was kind of romantic, you know?M.C.: (V.O.) (big) Can you say “karaoke”?!!!
� �
ALL: KARAOKE!!!(As they shout, the Students face upstage and freeze,becoming Party Kids. Now in “karaoke flashback,” Troyand Gabriella look like deer in headlights, terrified of making fools out of themselves. Still not seeing each other,they reluctantly pick up two microphones. As they bump into each other, back to back, the lights change to give them some “atmosphere.” They turn and stare into each other’seyes. Like an avalanche, it’s love at first sight.)
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TROY: I’m Troy. I can’t sing.GABRIELLA: Gabriella. Me either.TROY: They’re all looking at us.GABRIELLA: I will if you will.
Ó Œ œTROY:
œLiv ing
œ œ œ Jœ .œin my own world,
Ó Œ œ œdid n’t- -
No. 2 Start of Something New (p. 1 of 9)
Start of Something Newfrom Disney’s High School Musical
(TROY, GABRIELLA, COMPANY)
2
— 1 1 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ œ œ œ Œun der stand
Ó Œ ‰ Jœthat
œ œ œ œ œ œ œan y thing can hap pen
Ó Œ œ œwhen you- - - -
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œ œ œ œ Œtake a chance.
Ó Œ ‰ jœGABRIELLA:
I
œ œ œ œ jœ .œnev er be lieved in- -
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what I
œ œ œ ˙could n’t see.
Ó ‰ jœ œ œI never
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Œ ‰ jœ œ œ œ œto all the pos si
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Œ ‰ jœ .œ jœOh, I
Ó Œ ‰ JœnTROY: �
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œn ‰ jœ œ œ œ œknow that some thing has changed,
œ ‰ Jœb œ œ œn œknow that some thing has changed,
œ ‰ œ œ jœn œ jœnev er felt this way,
œ ‰ œb œn Jœ œ Jœnev er felt this way,
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œ ‰ jœ œn œ œ œand right here to night:
œ œn œb Jœ ‰ Ó
jœ ‰ œ œ œn œThis could be the
Œ œ œ œ œThis could be the
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No. 2 Start of Something New (p. 2 of 9)
H I G H S C H O O L M U S I C A L — 1 1 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ ‰ jœ .œ œ œ œstart of some thing new.
œ ‰ Jœ .œ œ œ œstart of some thing new.
œ ‰ jœ .œ œ œ œIt feels so right
œ ‰ Jœ .œ œ œ œIt feels so right
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Jœ ‰ œ œ .œ œ œ œto be here with you.
jœ ‰ œ œ œ ‰ jœOh And
Jœ ‰ œ œ œ ‰ JœOh And
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œ œ œ .œ œ œ œnow, look ing in your eyes,
œ œ œ .œ œ œ œnow, look ing in your eyes,
œ ‰ jœ œ œ œ œI feel in my heart
œ Œ Œ ‰ JœI
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.˙ œ œœ œ œ œ .œ Jœ
feel in my heart
‰ jœ œ œ jœ œ jœthe start of some thing new.
‰ Jœ œ œ Jœ œ jœthe start of some thing new.
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.˙ Œ
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¿ Œ ÓTen!
(Troy and Gabriella are happily stunned at how good they feel singing with each other.)M.C.: (V.O.) And now, get those lips ready for the big New Years' kiss, ‘cause here it comes in –(The countdown begins. Gabriella checks her watch, she’s late.)GABRIELLA: Oh, no, I have to go, I promised my mom, New Year's thing –
�
No. 2 Start of Something New (p. 3 of 9)
— 1 1 4 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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¿ Œ ÓNine!
¿ Œ ÓEight!
¿ ¿ Œ ÓSev en!-
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¿ Œ ÓSix!
TROY: Hurry, put in your phone number, I’ll do it too –(Quickly, they exchange phones and plunk in their own numbers. They hand their phones back to each other, snap their pictures fast, just as the New Year hits.) GABRIELLA: I had such a great time with you –TROY: Me too!
¿ Œ ÓFive!
¿ Œ ¿ ŒFour! Three!
¿ Œ ¿ ŒTwo! One!
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PARTY KIDS, M.C.: (V.O.) Happy New Year!!!(The Students turn front, and we are back on the steps of East High. Troy turns to Chad and the Jocks, Gabriella to Taylorand the Brainiacs.)TROY: It was awesome!GABRIELLA: It was like a dream.TROY: I made a New Year’s resolution to find her again and ask her out on a date.
�GUYS, GIRLS: Tell it!
CHAD, TAYLOR: You know what my New Year’s resolution is?
Ó ‰ jœCHAD: œ œI’m gon na-
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Ó Œ œTAYLOR:
œGon na
œ œ œ œ œ Œwork my jump shot,
œ œ œ œ œ œ œwork the e qua tion,
Ó ‰ jœ œ œI’m gon na
Ó ‰ jœ œ œI’m gon na
œ œ œ œ Œwin the game.
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œ œ œ œ ˙win the prize.
�
Ó Œ œSHARPAY:
œBe the
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Ó Œ œRYAN:œBe the
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star, just like al ways.
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œ œ œ œ Jœ œ ‰star, not the side kick.
Ó Œ œZEKE: œGet Shar
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No. 2 Start of Something New (p. 4 of 9)
H I G H S C H O O L M U S I C A L — 1 1 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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�œ œ œ œ Jœ œ Jœpay to o pen up her eyes.
Œ ‰ jœGIRLS:
œ œI know this
Œ ‰ JœGUYS: œ œ
I know thisœ œ œ Jœ ‰ Ó-
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œn ‰ jœ œ œ œ œyear, that some thing has changed,
œ ‰ Jœb œ œ œn œyear, that some thing has changed,
œ ‰ œ œ jœn œ jœnev er felt this way,œ ‰ œb œn Jœ œ Jœnev er felt this way,
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œ ‰ jœ œn œ œ œI know it for real:
œ ‰ Jœb œ œ œn œI know it for real:
jœ ‰ œ œ œn œœThis could be the
Jœ ‰ œ œ œ œœnThis could be the
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œœ ‰ jœ ..œœ œœ œœ œœstart of some thing new.œœ ‰ Jœ ..œœ œœ œœ œœstart of some thing new.
œœ ‰ jœ ..œœ œœ œœ œœIt feels so rightœœ ‰ Jœ ..œœ œœ œœ œœIt feels so right
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Jœœ ‰ œœ œ ..œœ œœ œœ œœto be here with you.
jœ ‰ œ œ œ ‰ jœOh Andjœœ ‰ œœ œœ œœ ‰ JœOh And
œœ œ œœ ..œœ œœ œœ œœnow, I can reach the skies,œœ œ œœ ..œœ œœ œœ œœnow, I can reach the skies,
No. 2 Start of Something New (p. 5 of 9)
— 1 1 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œœ ‰ jœ œ œ œ œI feel in my heart
œœ ‰ Jœ œœ œœ œœ œœI feel in my heart
.˙ œ œ
..˙ œœ œœ
‰ œ œ œ jœ œ jœthe start of some thing new.
‰ œ œ œ Jœ œ ‰the start of some thing
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CHAD: Sounds like a great New Year's!TROY: I think it’s going to be a great New Year for all of us!
‰ Jœ œ œ œ œ œThe start of some thing new.
‰ jœ œ œ œ œ œThe start of some thing new.
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‰ JœœGUYS: œœ œœ œœ œœ œœ œœ
This year I know it’s gon na
œœ œœ œœ œœ œœ œœ œ œœhap pen, gon na hap pen for me!- - - -
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Ó ‰ jœRYAN: (at pitch)
œ œIt’s gon na
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œ œ œ œ ˙hap pen for me!
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‰ jœœnGIRLS:
œœ œœ œœ œœ œœ œœI did n’t know it be fore
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‰ œ œ œ œ œ œ œbut now it’s eas y to see!
�
˙ œ œ œ œœ
‰ Jœœ(GUYS:)œœ œœ œœ œœ œœ œœ
Oh, it’s so eas y to see!
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No. 2 Start of Something New (p. 6 of 9)
H I G H S C H O O L M U S I C A L — 1 1 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œœ Œ œ œIt’s theœœ Œ œ œœIt’s the
œœ ‰ jœ ..œœ œœ œœ œœstart of some thing new.œœ ‰ Jœ ..œœ œœ œœ œœstart of some thing new.
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œœ ‰ jœ ..œœ œœ œœ œœIt feels so rightœœ ‰ Jœ ..œœ œœ œœ œœIt feels so right
jœœ ‰ œœ œœ ..œœ œœ œœ œto be here with you.
Jœœ ‰ œœ œœ ..œœ œœ œœ œœto be here with you.
jœ ‰ œ œ œ ‰ jœOh And
Jœœ ‰œœ œœ œœ ‰ JœOh And
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œœ œ œœ ..œœ œœ œœ œœnow I can reach the skies,œœ œ œœ ..œœ œœ œœ œœnow I can reach the skies,
jœœ ‰ ‰ jœ œ œ œ œI feel in my heart
Jœœ ‰ ‰ Jœ œœ œœ œœ œœI feel in my heart
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.˙ œ œ
..˙ œœ œœ
jœ ‰ ‰ jœ œ œthat it’s the
Jœœ ‰ ‰ Jœœ œ
that it’s the
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œSOPRANOS:‰ jœ .œ œ œ œstart of some thing new.
œTENORS,ALTOS:
‰ Jœ .œ œ œ œstart of some thing new.
wBARITONES:
oh
œ ‰ jœ .œ œ œ œIt feels so right
œ ‰ Jœ .œ œ œ œIt feels so right
.˙ Jœ ‰
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No. 2 Start of Something New (p. 7 of 9)
— 1 1 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ œ œ .œ œ œ œto be here with you.œ œ œ .œ œ œ œto be here with you.
woh
jœ ‰ œ œ œ ‰ jœOh And
Jœ ‰ œ œ œ ‰ JœOh And
.œ Jœœ œœ Œ
œ œ œ œ .œ œ œ œnow I fin ’lly re a lizeœ œ œ œ .œ œ œ œnow I fin ’lly re a lize
˙ ..œœ Jœœah
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œ ‰ jœ œ œ œ œI feel in my heart
œ ‰ Jœ œ œ œ œI feel in my heart
˙ ..œœ Jœœ
.˙ œ œ
.˙ œ œ
..˙ œœ œœ
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‰ Jœ œ œ œ œ œœthe start of some thing new!
‰ Jœ œœ œœ œœ œœ œthe start of some thing new!
˙ œœ œœ œœ œœOh!
˙ œ œœ œœ œœOh!
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‰ Jœ œ œ œ œ œœthe start of some thing new!
‰ Jœ œœ œœ œœ œœ œthe start of some thing new!
˙ œœ œœ œœ œœOh!
˙ œ œœ œœ œœOh!
‰ Jœ œ œ œ œ œœthe start of some thing new!
‰ Jœ œœ œœ œœ œœ œthe start of some thing new!
- -
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No. 2 Start of Something New (p. 8 of 9)
H I G H S C H O O L M U S I C A L — 1 1 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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˙ œœ œœ œœ œœOh!
˙ œ œœ œœ œœOh!
‰ Jœ œ œ Jœ œ ‰The start of some thing
‰ Jœ œœ œœ Jœœ œœ ‰
The start of some thing
wwnew!
wwnnnew!
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V.S. No. 3 “Start of Something New (Playoff)“
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No. 2 Start of Something New (p. 9 of 9)
— 1 2 0 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
Start of Something New (Playoff)
3
Homeroom
Gabriella’s Phone
School Bell
Announcement Transition 1
Hallway
Announcement Transition
Basketball Practice
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VOCALS TACET
H I G H S C H O O L M U S I C A L — 1 2 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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TROY: Sorry I’m late, coach!
(Troy immediately partners with Chad. They take turns guarding each other in a little “pressure” drill.) Hey, you know that school musical thing? Pretty cool that Darbus is giving extra credit just for auditioning?CHAD: (surprised) Do you think LeBron James or Shaquille O'Neal ever auditioned for their school musical?TROY: (covering his enthusiasm) But you know… like the extra credit is good for college and all. CHAD: (still not understanding where Troy‘s head is) You know what’s better? A big, fat basketball scholarship! (Coach Bolton stands behind them. Bounces a basketball off Troy’s head.)
MUSIC STARTS
5X
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TROY: Oww.COACH BOLTON: You’re the team captain, Bolton. Get your head in the game!
Ó ‰ JœTROY: � œ œ
Coach said to
CHAD: (sotto voce) Man, your dad’s tough. (Troy turns to the Jocks.)TROY: (taking charge) All right, let's kick it in. Run the shuffle drill. (The Jocks fall into place.)
‰ Jœ œ � œn œ œ Œfake right and break left,
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œ œ œ œ œ œn œ œ œ œ œ œ ‰ œ œwatch out for the pick and keep an eye on de fense. Got ta- -
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No. 11 Get’cha Head in the Game (p. 1 of 10)
Get’cha Head in the Gamefrom Disney’s High School Musical
(TROY, JOCKS)
11
— 1 2 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ œ œ œ œ œn œ œ œ œ œdon’t be a fraid to shoot the out side “J.”- -
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‰ J¿ � œ œ œ œ œ œ œ Jœ ‰Uh, just keep your head in the game.
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‰ J¿JOCKS: � œn
�œ œ œ œ œ œ Jœ ‰
Uh, just keep your head in the game.
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Ó Œ � œ œ œYou got ta
‰ J¿ � œ œ œ œ œ œ œ Jœ ‰Uh, just keep your head in the game.
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‰ œ œ ‰ œ œ œ œ œ œ Jœ ‰get ’cha, get ’cha head in the game.
Ó Œ � ¿ ¿ ¿We got ta
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No. 11 Get’cha Head in the Game (p. 2 of 10)
H I G H S C H O O L M U S I C A L — 1 2 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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Ó Œ � œ œ œYou got ta
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ J¿ ‰get our, get our, get our, get our head in the game.
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‰ œ œ ‰ œ œ œ œ œ œ Jœ ‰get ’cha, get ’cha head in the game.
Ó Œ � ¿ ¿ ¿We got ta
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Ó Œ ‰ œ œCome on,
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ J¿ ‰get our, get our, get our, get our head in the game.
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‰ œ œ ‰ œ œ œ œ œ œ Jœ ‰get ’cha, get ’cha head in the game.
Ó Œ � ¿ ¿ ¿We got ta
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Ó Œ � œ œ œYou got ta
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ J¿ ‰get our, get our, get our, get our head in the game.
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No. 11 Get’cha Head in the Game (p. 3 of 10)
— 1 2 4 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ œ ‰ œ œ ‰ œ œ œ œ Jœ ‰get ’cha, get ’cha head in the game.
‰ ¿ ¿ ‰ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿Get our Get our head in the game, We got ta
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¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿get our, get our, get our, get our head in the game, Woo!
Ó Œ ‰ JœLet’s¿ Œ Ó~~~~~
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� œ œ œ œ œ œ œ œ œ œ œ .œ’cause when we get it, then the crowd will go wild.
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‰ œœœJOCKS: œœœ œœœ œœœ œœœ œœœ œœœ
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No. 11 Get’cha Head in the Game (p. 4 of 10)
H I G H S C H O O L M U S I C A L — 1 2 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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‰ œ œ œ œ œ œ œ œ œ œ Jœ ‰Wait a min ute; get my head in the game.-
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‰ œ œ œ œ œ œ œ œ œ œ Jœ ‰Wait a min ute; get my head in the game.-
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‰ œ œ ‰ œ œ œ œ œ œ Jœ ‰get my, get my head in the game.
Ó Œ � ¿JOCKS: ¿ ¿You got ta-
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Ó Œ � œ œ œI got ta
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ J¿ ‰get ’cha, get ’cha, get ’cha, get ’cha head in the game.
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‰ œ œ ‰ œ œ œ œ œ œ Jœ ‰get my, get my head in the game.
Ó Œ � ¿ ¿ ¿You got ta-
No. 11 Get’cha Head in the Game (p. 5 of 10)
— 1 2 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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Ó Œ ‰ œ œCome on,
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ J¿ ‰get ’cha, get ’cha, get ’cha, get ’cha head in the game.- - - -
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‰ œ œ ‰ œ œ œ œ œ œ Jœ ‰get my, get my head in the game.
Ó Œ � ¿ ¿ ¿You got ta-
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Ó Œ � œ œ œI got ta
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ J¿ ‰get ’cha, get ’cha, get ’cha, get ’cha head in the game.
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œ œ ‰ œ œ ‰ œ œ œ œ Jœ ‰get my, get my head in the game.
‰ ¿ ¿ ‰ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿Get ’cha, get ’cha head in the game. You got ta- - -
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No. 11 Get’cha Head in the Game (p. 6 of 10)
H I G H S C H O O L M U S I C A L — 1 2 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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‰ œ(TROY:) œ œ œ œb œ œ œWhy am I feel ing so wrong?
¿ Œ Ó
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You have to ask your self:
-
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~~~~~~
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Œ œœœ, œœœIs your
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My head’s in the game,
œœœb œœœ œœœ œœœ ˙˙b3
head in the game? oo
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but my heart’s in the
˙˙
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Œ œœœb œœœb œœœb Jœœœ œœœ ...˙3
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What’s it gon na be?
˙b Óright.
TROY: Should I go for it? Better shake this, yikes!
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� ‰ JœJOCKS,TROY:
Jœ ‰ œn œ œ œBall up! Boo yah! Boo yah!
œ œ œ œ œ œn j¿CLAP!
J¿ J¿ ‰Now we got the swerve on, now break.- -
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œ œ œ œ œ œ œ ‰ ŒMake the pass, clean the glass.
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œ œ œ œ œ œ œ œ œ œ œ Jœ ‰Take an oth er swipe from the char i ty stripe.- - - -
No. 11 Get’cha Head in the Game (p. 7 of 10)
— 1 2 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ œ œ œ œ œ œ œ œ œMake the slam dunk, get the in side, out side,
¿2 SOLOS:
J¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ Œ3 3
Dunk a del ic! Dunk a del ic!- - - - - -- - -
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�
� œJOCKS: œ œ œ œ œ ‰ ‰ . R¿2 MORESOLOS:
Keep your head, don’t for get, and
Ó Œ � œTROY: œ œYou got ta
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ŒTroy boy Troy be cut ting the net.
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‰ œ œ ‰ œ œ œ œ œ œ Jœ ‰get ’cha, get ’cha head in the game.
Ó Œ � ¿JOCKS: ¿ ¿You got ta
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Ó Œ � œ œ œYou got ta
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ J¿ ‰get ’cha, get ’cha, get ’cha, get ’cha head in the game.
-
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‰ œ œ ‰ œ œ œ œ œ œ Jœ ‰get ’cha, get ’cha head in the game.
Ó Œ � ¿ ¿ ¿You got ta
- -
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No. 11 Get’cha Head in the Game (p. 8 of 10)
H I G H S C H O O L M U S I C A L — 1 2 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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Ó Œ ‰ œ œCome on,
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ J¿ ‰get ’cha, get ’cha, get ’cha, get ’cha head in the game.- - - -
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‰ œ œ ‰ œ œ œ œ œ œ Jœ ‰get ’cha, get ’cha head in the game.
Ó Œ � ¿ ¿ ¿You got ta
- -
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Ó Œ � œ œ œI got ta
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ J¿ ‰get ’cha, get ’cha, get ’cha, get ’cha head in the game.
-
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œ œ ‰ œ œ ‰ œ œ œ œ Jœ ‰get my, get my head in the game.
‰ ¿ ¿ ‰ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿Get ’cha, get ’cha head in the game. You got ta- - -
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¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿get ’cha, get ’cha, get ’cha, get ’cha head in the game. Get ’cha
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿get ’cha, get ’cha, get ’cha, get ’cha head in the game. Woah!
~~~~~~~~~- - - - -
- - - -
No. 11 Get’cha Head in the Game (p. 9 of 10)
— 1 3 0 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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¿ ¿ ¿ ¿ ‰ ¿ ¿ ¿ ¿ ¿ ¿ ‰ ¿ ¿head in the game! Get ‘cha head in the game! Get ‘cha
Y ¿ ‰ ¿ ¿Get ‘cha
¿ ¿ ¿ ¿ Œ Óhead in the game!
¿ ¿ ¿ ¿ Œ Óhead in the game!
~ ~ ~~~~~~~~~~~~~~~~~~~~~~~~~-
-
No. 11 Get’cha Head in the Game (p. 10 of 10)
H I G H S C H O O L M U S I C A L — 1 3 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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Ó Œ � œTROY: œ œYou got ta
(Coach Bolton blows the whistle. )
(The Jocks head for the Locker Room.)
MUSIC STARTS
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‰ œ œ ‰ œ œ œ œ œ œ Jœ ‰get ’cha, get ’cha head in the game.
Ó Œ � ¿JOCKS:¿ ¿You got ta
- - -
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Ó Œ � œ œ œYou got ta
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ J¿ ‰get ’cha, get ’cha, get ’cha, get ’cha head in the game.
-
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‰ œ œ ‰ œ œ œ œ œ œ Jœ ‰get ’cha, get ’cha head in the game.
Ó Œ � ¿ ¿ ¿You got ta
- -
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Ó Œ ‰ œ œCome on,
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ J¿ ‰get ’cha, get ’cha, get ’cha, get ’cha head in the game.- - - -
No. 12 Get’cha (Playoff) into Lab (p. 1 of 2)
Get’cha (Playoff) into Labfrom Disney’s High School Musical
(TROY, JOCKS)
12
— 1 3 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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‰ œ œ ‰ œ œ œ œ œ œ Jœ ‰get ’cha, get ’cha head in the game.
Ó Œ � ¿ ¿ ¿You got ta
- -
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Ó Œ � œ œ œI got ta
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ J¿ ‰get ’cha, get ’cha, get ’cha, get ’cha head in the game.
-
- - - -
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œ œ ‰ œ œ ‰ œ œ œ œ Jœ ‰get my get my head in the game.
‰ ¿ ¿ ‰ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿Get ’cha, get ’cha head in the game. You got ta- - -
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¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿get ’cha, get ’cha, get ’cha, get ’cha head in the game. Get ’cha
(Students in white lab coats run on and throw themselves into their work.)
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿get ’cha, get ’cha, get ’cha, get ’cha head in the game.
~~~~~~~~~- - - - -
- - - -
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¿ ¿ ¿ ¿ ‰ ¿ ¿ ¿ ¿ ¿ ¿ ‰ ¿ ¿head in the game! Get ‘cha head in the game! Get ‘cha
Y ¿ ‰ ¿ ¿Get ‘cha
¿ ¿ ¿ ¿ Œ Óhead in the game!
¿ ¿ ¿ ¿ Œ Óhead in the game!
~ ~ ~~~~~~~~~~~~~~~~~~~~~~~~~-
-
No. 12 Get’cha (Playoff) into Lab (p. 2 of 2)
H I G H S C H O O L M U S I C A L — 1 3 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
Sharpay Dials13
The Plot Thickens
AnnouncementTransition 3
Detention
AnnouncementTransition 4
14
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VOCALS TACET
— 1 3 4 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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JACK SCOTT: Hey, Peeps, Jack Scott welcoming you back to another train-wreck of a school day. The auditions for Juliet and Romeo will start at 3:00 p.m. sharp, so ye verily forsootheth dudes better reveth yonder vocal chords. This is Jack Scott, over and out in 5-4-3-2-and 1! (Lights out on Jack.)
(Lights up on Thespians warming up for the big audition. Kelsi sits at the piano, accompanying the Thespians as they step forward to sing. Ms. Darbus sits in the house, a big smile on her face. She bangs her gong to open the auditions.)
MUSIC STARTS
3X
2 � � œGROUP 1:
œ œ œ œI be lieve in dream
œ œ ˙ Œing,- -
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œ œ œ œ œshoot ing for the stars.
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œ œ œ œ œ œgot to raise the bar!
Ó Œ ‰ jœGROUP 3:
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œ œ œ jœ œ jœgrind ing out my best.
jœ .œ Ó œALL:
œ œ œ œAn y thing it takes- - -
No. 18 Auditions (p. 1 of 7)
AuditionsBop to the Top / What I've Been Looking For
from Disney’s High School Musical(THESPIANS, MS. DARBUS)
18
H I G H S C H O O L M U S I C A L — 1 3 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ œ œ œ ‰ jœto climb the
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Ó ¿MS. DARBUS:
ŒNext!
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Œ ‰ jœJAMES:
œ œ œ œIt’s hard to be lieve
(James leaps out of the group and stands next to the piano. He has the worst sense of pitch in the world.)
œ ‰ jœ œ œ œ œthat I could n’t see
˙ Œ œ œyou were- -
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œ œ œ œ œ œ œal ways there be side me…
4
MS. DARBUS: Such improvement fromlast year, James. (to other Thespians)Now, don’t be shy... Who’s next? (Next is SUSAN, whose audition is overwroughtwith melismatic emotion.)
- -
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Œ ‰ jœSUSAN:
œ œ œ œIt’s hard to be lieve
œ ‰ jœ œ œ œ œthat I could n’t see
˙ Œ œ œyou were- -
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œ œ œ œ œ œ œal ways there be side me…
3
MS. DARBUS: That's lovely,Susan, such emotion, such… uhm… joie de vivre!
Ó ¿MS. DARBUS:
ŒNext!- -
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œGROUP 1:‰ Jœ Jœ ‰ œWork our tails
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œ œ Œ œ œ œoff ev ’ry day.
œGROUP 2:
‰ Jœ Jœ ‰ œWork our tails
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œ œ Œ œ œ œœoff ev ’ry day.
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No. 18 Auditions (p. 2 of 7)
— 1 3 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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‰ Jœœ œ œ œ
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œ œ œ jœ œ ‰com pe ti tion,
œ œ œ Jœ œ ‰com pe ti tion,
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œœ œœ œœ œœ œœ œœblow them all a way!
œ œ œ œ œ œblow them all a way!
Ó ¿MS. DARBUS:
ŒNext!
˙ Ó
˙ Ó- - - -
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Œ ‰ jœCATHY:
œ œ œ œThought I was a lone
(CATHY steps up, the next Ethel Merman, and belts it out.)
œ ‰ jœ œ œ œ œwith no one to hold
˙ ‰ jœ œ œbut you were- -
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œ œ œ œ œ œ œal ways there be side me…
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�MS. DARBUS: What an innovative choice of tempo!
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Ó ¿MS. DARBUS:
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- -
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Œ ‰ jœALAN:
œ œ œ œThought I was a lone
(Next up is ALAN, nervous to the point of inaudibility. But he is a very sharp dresser.)
œ ‰ jœ œ œ œ œwith no one to hold
˙ ‰ jœ œ œbut you were- -
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œ œ œ œ œ œ œal ways there be side me…
5
MS. DARBUS: Alan, I admire your pluck, but not as much as I admire those shoes. You simply must design our costumes!
Ó ¿MS. DARBUS:
ŒNext!- -
No. 18 Auditions (p. 3 of 7)
H I G H S C H O O L M U S I C A L — 1 3 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œGIRLS:
œ œ œ œI can make this hap
œGUYS: œ œ œ œI can make this hap
œ œ ˙ ‰ jœpen, I
œ œ ˙ ‰ Jœpen, I
jœ œ jœ jœ œ jœknow it in my heart.
Jœ œ Jœ Jœ œ Jœknow it in my heart.
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œ œ ˙ Œ
œ œ ˙ Œ
œ œ œ œ œAll I have to do
œ œ œ œ œnAll I have to do
œ œ ˙ ‰ Jœis prove that
œ œ ˙n ‰ Jœis prove that
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œ œ œ œ œ œI can play the part.
œA œ œ œ œ œI can play the part.
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Œ œ œ œThis feel ing’s
(CYNDRA's operatic voice breaks glass for miles around.)
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72 œ œ œ œ œlike no oth er
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I want you to know…
¿MS. DARBUS:¿ Œ ÓBra va!
Jœ .œ Ó
Ó ¿ ŒNext!
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No. 18 Auditions (p. 4 of 7)
— 1 3 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œGIRLS:
œ œ œ œI’ve done all the home
œGUYS: œ œ œ œI’ve done all the home
œ œ Œ Ówork,
œ œ Œ Ówork,
œ œ œ jœ .œnow I need the
œ œ œ Jœ .œnow I need the
œ Œ Óshot.
œ Œ Óshot.
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œ œ œ Jœ œ JœPlease, Ms. D, give me
œ œ œ Jœ œ JœPlease, Ms. D, give me
œ œ jœ ‰ Œ ‰ jœthe chance to
œ œ Jœ ‰ Œ ‰ Jœthe chance to
œ œ œ œ œ œœshow you what I’ve got!
œ œ œ œ œ œshow you what I’ve got!
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Œ ‰ jœPERF. ARTKID 1:
œ œ œ œIt’s hard to be lieve…
(A trio of Thespians gyrates through a performance-art version of the song, one after the other.)
Ó Œ ‰ J¿MS. DARBUS:
De
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Œ ‰ jœPERF. ARTKID 2:
œ œ œ œThat I could n’t see…
¿ ¿ Œ Œ ‰ J¿light ful! De
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Ó Œ œPERF. ARTKID 3:
œYou were
¿ ¿ Œ Óli cious!
œ œ œ œ œ Œal ways there be side…
Ó ‰ J¿ ¿ ¿De love ly!
2
DARBUS: Such vision, such risking!
2- -
- - -
No. 18 Auditions (p. 5 of 7)
H I G H S C H O O L M U S I C A L — 1 3 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œGROUP 1:‰ Jœ Jœ ‰ œWork our tails
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œ œ Œ œ œ œoff ev ’ry day.
œGROUP 2:‰ Jœ Jœ ‰ œWork our tails
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œ œ Œ œ œ œœoff ev ’ry day.
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We’ve got to bump the
œ œ œ jœ œ ‰com pe ti tion,
œ œ œ Jœ œ ‰com pe ti tion,
œœGIRLS:
œœ œœ ‰ jœœ œœÍ
blow them all a way!
œGUYS: œœ œœ ‰ Jœ œœÍ
blow them all a way!
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Ó ‰ Jœ œ œWe’re gon na
Ó ‰ Jœ œ œWe’re gon na
œœ œœ œœ ‰ jœœbop bop bop, bop
œœ œœ œœ ‰ Jœœ
bop bop bop, bop
‰ œœ jœœ œœ Œto the top,
‰ œœ Jœœ œœ Œ
to the top,
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œ œ œ œ œWipe a way your in
‰ œ Jœœ œ œ
Wipe a way your in
jœ œ jœ jœ œ ‰hi bi tions.
Jœ œ Jœ Jœ œ ‰hi bi tions.
œœ œœ œœ ‰ jœœJump and hop, hopœœ œœ œœ ‰ J
œœJump and hop, hop
- - - -
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‰ œœ jœœ jœœ œ jœtill we drop and start
‰ œœ Jœœ J
œœ œ Jœœtill we drop and start
˙ jœ œ jœa gain.
˙˙ Jœœ œœ Jœœ#a gain.
.˙ Œ
..˙ Œ
œœ œœ œœ ‰ jœœBop bop bop straightœœ œœ œœ ‰ J
œœBop bop bop straight
-
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No. 18 Auditions (p. 6 of 7)
— 1 4 0 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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‰ œœ jœœ œœ Œto the top,
‰ œœ Jœœ œœ Œ
to the top,
œ œ œ œ œgo ing for the glo
‰ œ Jœœ œ œ
go ing for the glo
œ œ ˙ Œry.
œ œ ˙ Œry.
- -
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112 œœ œœœœ
œœœœ
We’ll keep step ping up
œ œ œ œ œWe’ll keep step ping up
jœœ œœjœœœœ
œœand we just won’t
Jœ œ jœ œ œand we just won’t
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‰ œœ# jœœ œœ œœtill we reach the
‰ œœ Jœœ œœ œœ
till we reach the
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œœ œœ œœtop!
..˙ Œ
..˙ Œ
œœ ‰ Jœœ œœ œœ
œœBop to the top!
œœ ‰ Jœœ œœ œœ
œœBop to the top!
�
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No. 18 Auditions (p. 7 of 7)
H I G H S C H O O L M U S I C A L — 1 4 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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MUSIC STARTS
KELSI: What key?RYAN: (lifting a boombox) Hey, thanks, but we had our rehearsal pianist do an arrangement. (Ryan puts the boombox on the piano, presses the button, and joins Sharpay in their starting positions.)
(Their performance is sharp and polished, but a bit on the soulless side. During the song, Troy shows up back stage, hiding from the others. He looks around, hoping to find Gabriella.)
4
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Œ ‰ jœRYAN: �
œ œ œ œIt’s hard to be lieve
�
œ ‰ jœ œ œ œ œthat I could ’t see
Ó Œ œSHARPAY:
œyou were
˙ Œ œ œyou were- -
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œ œ œ œ œ œ œal ways there be side me.
œ œ œ œ œ œ œal ways there be side me.
Œ ‰ jœ œ œ œ œThought I was a lone
Œ ‰ jœ œ œ œ œThought I was a lone
œ ‰ jœ œ œ œ œwith no one to hold,
œ ‰ jœ œ œ œ œwith no one to hold,
- - - -
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˙ ‰ jœ œ œbut you were
˙ ‰ jœ œ œbut you were
œ œ œ œ œ œ œal ways right be side me.
œ œ œ œ œ œ œal ways right be side me.
Œ œ œ œThis feel ing’s
�
œ œ œ œ œlike no oth er.
�- - - -
- -
No. 19 What I’ve Been Looking For (p. 1 of 4)
What I’ve Been Looking Forfrom Disney’s High School Musical
(SHARPAY, RYAN)
19
— 1 4 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ‰ jœ œ œ œ œ
I want you to know:
Œ ‰ Jœœ œ œ œ
I want you to know:
œ œ .˙œ œ .˙
œ œ œ œ œI’ve nev er had some
œ œ œ œ œI’ve nev er had some
- -
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œ ‰ jœ œ œ œ œone that knows me like you
œ ‰ jœ œ œ œ œone that knows me like you
jœ .œ ‰ jœ œ œdo, the way you
Jœ .œ ‰ Jœ œ œdo, the way you
œ œ ˙ Œdo.œ œ ˙ Œdo.
&
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21
œ œ œ œ œI’ve nev er had someœ œ œ œ œI’ve nev er had some
œ ‰ jœ œ œ œ œone as good for me as
œ ‰ jœ œ œ œ œone as good for me as
jœ .œ ‰ jœ œ œyou, no one like
Jœ .œ ‰ Jœ œ œyou, no one like
œ œ ˙ Œyou.œ œ ˙ Œyou.
- - -
- - -
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25
Œ œ œ œ œ œSo lone ly be fore
Œ œ œ œ œ œSo lone ly be fore
œ ‰ jœ œ œ œ œI fin al ly found
œ ‰ jœ œ œ œ œI fin al ly found
.˙ ‰ jœwhat
.˙ ‰ jœwhat
œ œ œ œ œ œ œI’ve been look ing for.
œ œ œ œ œ œ œI’ve been look ing for.
- - - - -
- - - - -
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n##n##
29
œ Œ Ó
SHARPAY: What’s with you and those stupid jazz squares?RYAN: Too hard? I can dumb it down for you. Again.
œ Œ Ó
3
3
Œ œ(SHARPAY:)
œ œ œ œSo good to be seen,
�œ ‰ jœ œ œ œ œ
so good to be heard.
�
No. 19 What I’ve Been Looking For (p. 2 of 4)
H I G H S C H O O L M U S I C A L — 1 4 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
&
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35
œ ˙ ‰ jœDon’t
Ó Œ ‰ Jœ(RYAN:)
Don’t
œ œ œ œ œ œ œhave to say a word.
œ œ œ œ œ œ œhave to say a word.
�
‰ Jœ œ œ œ œ œFor so long I was lost,
&
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38
�
œ ‰ Jœ œ œ œ œso good to be found.
�
œ œ œ ‰ jœ œ œI’m lov ing
œ œ œ# œ ˙hav ing you a round.
œ œ œ œ ˙hav ing you a round.
˙ ˙#
˙ ˙- -
- - -
& ###42
Œ œRYAN: œ œThis feel ing’s
œ œ œ œ œlike no oth er.
œ ‰ jœSHARPAY:
œ œ œ œI want you to know:
œ œ .˙- -
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46
œ(SHARPAY:)
œ œ œ œI’ve nev er had some
œ(RYAN:)œ œ œ œI’ve nev er had some
œ ‰ jœ œ œ œ œone that knows me like you
œ ‰ jœ œ œ œ œone that knows me like you
jœ .œ ‰ jœ œ œdo, the way you
Jœ .œ ‰ Jœ œ œdo, the way you
- -
- -
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49
œ œ ˙ Œdo.
œ œ ˙ Œdo.
œ œ œ œ œI’ve nev er had some
œ œ œ œ œI’ve nev er had some
œ ‰ jœ œ œ œ œone as good for me as
œ ‰ jœ œ œ œ œone as good for me as
jœ .œ ‰ jœ œ œyou, no one like
Jœ .œ ‰ Jœ œ œyou, no one like
- - -
- - -
No. 19 What I’ve Been Looking For (p. 3 of 4)
— 1 4 4 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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53
œ œ ˙ Œyou.
œ œ ˙ Œyou.
Œ œ œ œ œ œSo lone ly be fore
Œ œ œ œ œ œSo lone ly be fore
œ ‰ jœ œ œ œ œI fin al ly found
œ ‰ jœ œ œ œ œI fin al ly found
.˙ ‰ jœwhat
.˙ ‰ jœwhat
- - - -
- - - -
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57
œ œ œ œ œ œ œI’ve been look ing for.
œ œ œ œ œ œ œI’ve been look ing for.
jœ ‰ Œ œ œ œDoo doo doo
jœ ‰ Œ œ œ œDoo doo doo
Œ œ œ œ œ œdoot doo doo doo doot
Œ œ œ œ œ œdoot doo doo doo doot
-
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60
‰ .œ Œ ‰ jœdoo a
‰ .œ Œ ‰ Jœdoo a
jœ ‰ jœ ‰ œ ‰ œ œwoh oh oh oh
Jœ ‰ Jœ ‰ œ ‰ œ œwoh oh oh oh
jœ ‰ œ œ œ œDoot doo doo doo
jœ ‰ œ œ œ œDoot doo doo doo
-
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63
Œ œ œ œ œ œdoot doo doo doo doot
Œ œ œ œ œ œdoot doo doo doo doot
‰ .œ Œ ‰ jœdoo a
‰ .œ Œ ‰ Jœdoo a
jœ ‰ jœ ‰ œ ‰ œ œwoh oh oh oh
Jœ ‰ Jœ ‰ œ ‰ œ œwoh oh oh oh
jœ ‰ Œ Œ ¿You!
jœ ‰ Œ Ó-
-
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67
�
Ó ¿ ¿No, you!
Ó ‰ .¿No,
Ó ‰ .¿No,
¿ Œ Óus!
¿ Œ Óus!
�
�
No. 19 What I’ve Been Looking For (p. 4 of 4)
H I G H S C H O O L M U S I C A L — 1 4 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
School Bell20
VOCALS TACET
— 1 4 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
& ### 44 4
TROY: The person who makes everyone else look good. Withoutyou, there is no show. You're the playmaker here, Kelsi.KELSI: I am? (she sits at the piano, fumbles with her music) Youwant to hear the way that song is supposed to sound?
TROY: Wow, that’s really nice. (Kelsi pushes music across the piano toward Troy.)KELSI: It starts out quiet. Go ahead, you first. (Troy squints at the music then starts quietly, tentatively.)
MUSIC STARTS
‰ . rœ� TROY:
œ œ œ œ Jœ � rœ œ œ œ œIt’s hard to be lieve that I could n’t see- -
& ###6
œ ‰ œ œ œ œ œ œ œ œ œyou were al ways there be side me.
KELSI: Nice.Keep going.
- -
& ###7
‰ . rœGABRIELLA:
œ œ œ œ jœ � rœ œ œ œ œThought I was a lone with no one to hold
KELSI: (nods to Gabriella) Now you.
- -
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8
œ �œ
(GABRIELLA:)
œ œ œ œ œ œ œ œ œbut you were al ways there be side me.
KELSI: Now together.
Œ � œ(TROY:) œ œ œ œ œ œ œ œ œ
but you were al ways there be side me.
‰ jœ œ œ œ œ œ œ œThis feel ing’s like no oth er.
(As with the karaoke, Troy and Gabriella gain confidence as the song progresses. Before Darbus can leave the theater, the sound of Troy and Gabriella’ssinging stops her. She listens, engaged.)
�- - - -
- -
No. 21 What I’ve Been Looking For (Reprise) (p. 1 of 3)
What I’ve Been Looking For (Reprise)
from Disney’s High School Musical(TROY, GABRIELLA, KELSI)
21
H I G H S C H O O L M U S I C A L — 1 4 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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10
˙‰ . rœ œ œ œ œ
I want you to know:
KELSI: Awesome!
‰ . Rœœ œ œ œ .œ œ œ œ
I want you to know
œ .œ œ œ ˙
.˙ œ#
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12
œ œ œ œ œ œ � œ œ œ œ œI’ve nev er had some one who knows me like youœ œ œ œ œ œ � œ œ œ œ œI’ve nev er had some one who knows me like you
- - -
-
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13
œ .œ � œ œ œ œ .œ jœ ‰do the way you do.
œ .œ Œ � œ œ œ œ .œdo the way you do.
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###42
42
14
œ œ œ œ œ œ � œ œ œ œ œI’ve nev er had some one as good for me as
(Ms. Darbus stands in the wings, watching, listening, genuinely moved.)
œ œ œ œ œ œ � œ œ œ œ œI’ve nev er had some one as good for me as
œ .œ � œ œ œ œ .œ œ œyou, no one like you. (Like
œ .œ � œ œ œ œ .œ œyou, no one like you.
- -
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###42
42
44
44
42
42
44
44
16
œ .œ œyou.)
œ œ
‰ jœ œ œ œ œ œ � œ œ œ œ œSo lone ly be fore I fin al ly found
‰ Jœ œ œ œ œ œ � œ œ œ œ œSo lone ly be fore I fin al ly found
œ ‰ jœwhat
œ ‰ jœwhat
- - - -
- - - -
No. 21 What I’ve Been Looking For (Reprise) (p. 2 of 3)
— 1 4 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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44
44
19
œ œ jœ .œI’ve been look ing
œ œ Jœ .œI’ve been look ing
.˙ Œ
.˙ Œ
‰ œp
œ .˙for.
‰ Jœp .˙for.
w
œ .œ .˙
�
�-
-
No. 21 What I’ve Been Looking For (Reprise) (p. 3 of 3)
H I G H S C H O O L M U S I C A L — 1 4 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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44
44
7
KELSI: If you want to rehearse, I'm usually in the music room during free period and after school... and sometimes even during biology class. Call me on my cellphone and I’m there! Or if it’s easier, I can give you a wake up call and come over with my accordion... it’s mobile! (Lights out.)
(Cacophony of dialing cell phones. Lights up. Troy and Gabriella call Chad and Taylor to tell them about their callback.)
MUSIC STARTS
7
Ó Œ œTAYLOR:
œGab ri
�
jœ .œn œ Œel la?
�
Ó Œ ‰ jœWhat’s
.˙CHAD:
�Œ
Troy?
-- -
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11
œn Œ Óup?
Ó œ œn œ# œWhat’s go in’ on?
Ó Œ �.jœ-
Mm
.˙ � .jœ# -Mm
.˙� .jœ# -
hm. Oh,
.˙ � .jœ# -hm. Oh,
.˙ Œyeah?
.˙ Œyeah?
-
--
&
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###
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nnnbb
15
œ Œ œ ŒWhat? When?
œn Œ œ ‰ Jœ#What? When? No
Œ ‰ jœf
œn œ œ œNo way! Got ta
.f œ œ œway! Got ta
œ œn œ œ œn œ œ œ œgo, got ta tell, like yes ter day!
œ œn œ œ œn œ œ œ œgo, got ta tell, like yes ter day!
- - -
- - -
-
-
No. 22 Cellular Fusion (p. 1 of 5)
Cellular Fusionfrom Disney’s High School Musical
(CHAD, TAYLOR, COMPANY)
22
— 1 5 0 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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18-21
4
(Taylor and Chad spreadthe astonishing news.)
4
œ#TAYLOR:
œ Œ œMARTHA:
œ ŒMar tha? Tay lor?
�
Ó Œ � œTAYLOR:
œI got
œZEKE:� Œ œCHAD: � œ œChad? Zeke? I got
- -
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24
œ œ jœ œMARTHA:
œ œ œ œ ‰ œGIRLS:
œnews, got news! Go a head and speak. Got ta
œ œ jœ œZEKE: œ œ œ œ ‰ œGUYS: œnews, got news! Go a head and speak. Got ta
-
-
-
-
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bb
25
œ œ œ œ œ œ œ œb œ œ œ jœ jœbMARTHA:
pass it a round, Gab ri el la and Troy… Did
œ œ œ œ œ œ œ œ œ œ œ Jœ ‰pass it a round, Gab ri el la and Troy…
œ œ œ Ówhat? No way!
Œ ‰ JœZEKE: œ œ œ œThat’s not our boy.
- - - -
- - - -
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bb
27
œGIRLS:
œ œ œ œ œ œ œ œ œ œ œ œPass it a round! Now, don’t be slow! Got ta
œGUYS: œ œ œn œ œ œ œ œ œ œ œ œPass it a round! Now, don’t be slow! Got ta
- -
- -
No. 22 Cellular Fusion (p. 2 of 5)
H I G H S C H O O L M U S I C A L — 1 5 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
&
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28
œ œ œ œ œ œ œ œ œb œn œ œgo, got ta tell ev ’ry bod y I know.
œ œ œ œ œ œ œ œ œ œn œ œgo, got ta tell ev ’ry bod y I know.
Jœ ‰ Œ Ó
Jœ ‰ Œ Ó
Ó ‰ jœKELSI:
œ œI nev er
�-- - - -
- - - -
&
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#####
31
œn œ œ jœ œ jœheard it sung as half
�
jœ œ jœ œ œ œ œas good as Gab ri
Ó Œ œTAYLOR,MARTHA:
œGab ri
œn œ# Œ Óel la.
œ œ œ Jœ œ Jœel la girl, don’t you care
-
-
- -
- -
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#####
34
œ œ œ jœ œ jœa bout the team?
œZEKE,CHAD: �œ œ œ Jœ œ JœDon’t you care a bout the team,
�
œ œ œ Jœ ‰ œ œyour friends, the game,
-
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#####
#####
36
�
�sp
‰ Jœ œ œHow could this
Œ œSHARPAY:
œ œHow could this
œGIRLS: P
œ œ œ jœ œ jœWhat ’ll Shar pay and Ry
œœGUYS: P œœ œœ œœ
jœœ œœ Jœœ
What ’ll Shar pay and Ry
œœ> œœ> Œ Óhap pen?
œ> œ> Œ Ó
hap pen?
jœ œ jœ œ Œan do?
Jœœ œœ jœœ œœ Œan do?
Ó ‰ JœRYAN: � œ œ
They got a
�
- - -
-
-
- - -
No. 22 Cellular Fusion (p. 3 of 5)
— 1 5 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
&
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39
œF
œ œ œ jœ œ JœWhat ’ll Shar pay and Ry
œœF œœ œœ œœ Jœœ œœ J
œœWhat ’ll Shar pay and Ry
œ> œ> Œ Ócall back!
Ó Œ œSHARPAY:
If
Jœ œjœ œ Œ
an do?
Jœœ œœ J
œœ œœ Œan do?
�
œ œ œ œthis is one bit
œœf œœ œœ œœ
jœœ œœ Jœœ
What ’ll Shar pay and Ry
œœf œœ œœ œœ Jœœœœ Jœœ
What ’ll Shar pay and Ry
�
œ œ œ œtrue I’m gon na
- - -
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42 œœ œœ œœ œ œ œan do when they find
œœ œœ œœ œ œ œan do when they find
wscream
wÍ
out!?
wÍout!?
˙ Œ œand
w
w
wshout!
& ##### .. ..4X45-46
2
(Sharpay screams as if the mirror just told her, “You may not be the fairest one of them all anymore, toots!”The music settles to a steady pulse. Sharpay and Ryan stand next to each other but talk via cell phones.)
SHARPAY: Is this some kind of sick joke, Troy and Gabriella didn’t even audition!RYAN:And they never even asked our permission to join the Drama Club. I mean, come on!SHARPAY: Someone’s got to tell that new girl the rules.RYAN: Right. Uhm, what are the rules again?
(Lights out. Spotlight on Sharpay. She lays the Five Rules of Successful Cliquedom.)
No. 22 Cellular Fusion (p. 4 of 5)
H I G H S C H O O L M U S I C A L — 1 5 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
& #####47
�U
SHARPAY:
Rule Number One: Pick the right clique.
�U
Two: Act like your clique.
�U
Three: Dress for your clique.
�U
Four: Know where your clique clicks.
�U
And Rule Number Five: STICK TOTHE STATUS QUO!
V.S. No. 23 “Stick to
the Status Quo”
(Sharpay and Ryan run off.)
No. 22 Cellular Fusion (p. 5 of 5)
— 1 5 4 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
& bbb 44 .. ..q=160 3X
2
(Lights up on a busy cafeteria. Students are sitting in their respective cliques and buzzing about the news. Troy and Chad walk in. Zeke runs over to them.)ZEKE: Dude, you are so totally awesome!TROY: Uhm, thanks. Why?ZEKE: If you can come out in the open about singing, then I can tell my secret, too. I love to bake.TROY, CHAD: What?!
2 jœZEKE:
�œ Jœ ‰ œ Jœb
You can bet there’s noth
œ œ œ œ ‰ Jœ œ œing but net when I am-
& bbb7 œ œ œ œ Jœ œ œ œ
in the zone and on a roll.
œ Œ ‰ Jœ œ œBut I’ve got
œ œ œ œ œ œ œ œa con fes sion, my own se- - -
&
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10 œ œ œ œ œ œ œ œcret ob ses sion and it’s mak
�
œ œ œ œ Jœ œ œb œing me lose con trol.
�
œ Œ Ó
Ó Œ ‰ jœœJOCKS:
at pitch Ev
- - - -
-
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œœ œœ œœ œœ œœ œœ œœ œœb’ry body y, gath
œœ œœ œœ œœb œœ Œer ’round.
2X
�
ZEKE: Scones,strudel, even apple pan-dowdy.
Ó Œ ‰ jœœ>JOCKS:
Not- - -
No. 23 Stick to the Status Quo (p. 1 of 11)
Stick to the Status Quofrom Disney’s High School Musical
(COMPANY)
23
H I G H S C H O O L M U S I C A L — 1 5 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
&
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bbb
.. ..
.. ..
17
œœ œœ œœ œœ œœ œœ œœan oth er sound!
�
2X
�
ZEKE: I dream of making the perfect creme brulee.
�
�
�
‰ œJOCKS:
Jœ Jœ œn JœNo, no, no, no!
‰ œ�
Jœ Jœ œn JœNo, no, no, no!
- -
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21
w
œ ‰ Jœœ Jœœ œœ Jœœ
No, no, no;
.˙ ‰ jœstick..˙ ‰ Jœstick
œ œ œ œ jœ œ jœto the stuff you know.
œ œ œ œ Jœ œ Jœto the stuff you know.
&
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bbb
24
œ œ œ ‰ jœ œ œIf you wan
œ œ œ ‰ Jœ œ œIf you wan
œ œ œ œ œ œ œ œna be cool, fol low one
œ œ œ œ œ œ œ œna be cool, fol low one
œ œ œ œb ‰ œ jœnsim ple rule; don’t mess
œ œ œ œ ‰ œ Jœsim ple rule; don’t mess
- - -
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bbb
27
œ œ œ œ jœ œ jœwith the flow, no, no.
œ œ œ œ Jœ œ Jœwith the flow, no, no.
œ œ œ Œ ‰ jœStick
œ œ œ Œ ‰ JœStick
œ œ œ œ jœ œ jœto the sta tus quo!
œ œ œb œœ Jœœ œœ J
œœto the sta tus quo!
www
-
-
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2
(Gabriella and Taylor enter. Martha Cox, looking studious and conservative, runs up to Gabriella.)MARTHA COX: Gabriella, you’vechanged my entire life!GABRIELLA: I did?
2 jœMARTHA:�
œ Jœ ‰ œ JœbLook at me and what
œ œ œ œ Œ ‰ JœGABRIELLA,TAYLOR:
do you see? In -
No. 23 Stick to the Status Quo (p. 2 of 11)
— 1 5 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
& bbb37 œ œ œ œ Jœ œ œ œ
tel li gence be yond com pare.
œ Œ ‰ JœMARTHA: œ œ
But in side- - - - -
& bbb39 œ œ œ œ œ œ œ œ
I am stir ring, some thing strange
œ œ œ œ œ œ œ œis oc cur ing. It’s a se- - - - -
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41 œ œ œ œ Jœ œ œb œcret I need to share.
�
œ Œ Ó
Ó Œ ‰ jœœBRAINIACS:
O
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œœ œœ œœ œœ œœ œœ œœ œœbpen up, dig way-
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œœ œœ œœ œœb œœ Œdown deep.
3X
�
MARTHA COX: Hip hop is my passion! I love to pop, lock, break, and jam.KRATNOFF: Is that legal?
Ó Œ ‰ jœœ>Not
œœBRAINIACS:
œœ œœ œœ œœ œœ œœan oth er peep!- -
&
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3X48
�
MARTHA COX: It's just dancing. And the truth is, sometimes I think it's even cooler than homework!
�
�
�
‰ œBRAINIACS:
Jœ Jœ œn JœNo, no, no, no!
‰ œ�
Jœ Jœ œn JœNo, no, no, no!
w
œ ‰ Jœœ Jœœ œœ Jœœ
No, no, no;
.˙ ‰ jœstick
..˙ ‰ Jœstick
No. 23 Stick to the Status Quo (p. 3 of 11)
H I G H S C H O O L M U S I C A L — 1 5 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
&
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53
œ œ œ œ jœ œ jœto the stuff you know.
œ œ œ œ Jœ œ Jœto the stuff you know.
œ œ œ ‰ jœ œ œIt is be
œ œ œ ‰ Jœ œ œIt is be
œ œ œ œ œ œ œ œter by far to keep things
œ œ œ œ œ œ œ œter by far to keep things
-
-
&
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bbb
56
œ œ œ œb ‰ œ jœnas they are. Don’t mess
œ œ œ œ ‰ œ Jœas they are. Don’t mess
œ œ œ œ jœ œ jœwith the flow, no, no.
œ œ œ œ Jœ œ Jœwith the flow, no, no.
œ œ œ Œ ‰ jœStick
œ œ œ Œ ‰ JœStick
&
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nnn####
.. ..
.. ..
59
œ œ œ œ jœ œjœ
with the sta us quo!
œ œ œb œœ Jœœ œœ Jœœwith the sta us quo!
w
ww
1X
2
(By this point, Troy and Gabriella are standing together, trying to stay clear of the dancing students. A few Jocks and a few Brainiacs join them. RIPPER, a Skater Dude, rushes up to them. Before he can say anything:)TROY/GABRIELLA: Not you too!
2
2
2
-
-
& ####65 jœ
RIPPER:
œ Jœ ‰ œ JœnLis ten well, I’m read
œ œ œ œ ‰ JœT, G, FRIENDS:œ œ
y to tell… A bout a
œ œ œ œ Jœ œ œ œneed that you can not de ny.- - - - -
& ####68
œ Œ ‰ JœRIPPER: œ œ
Dude, there’s no
œ œ œ œ œ œ œ œex plan a tion for this awe
œ œ œ œ œ œ œ œsome sen sa tion but I’m read- - - - - - -
No. 23 Stick to the Status Quo (p. 4 of 11)
— 1 5 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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71 œ œ œ œ Jœ œ œn œy to let it fly.
�
œ Œ Ó
Ó Œ ‰ jœœSKATERDUDES:
Speak
�
œœ œœ œœ œœ œœ œœ œœ œœnyour mind and you’ll
& #### .. ..74
œœ œœ œœ œœn œœ Œbe heard!
4X
�
RIPPER: If Troy can be in a show, then I'm coming clean. I play the cello.MONGO: Awesome. What is it? (RIPPER plays a wild, “air-cello” solo.The music catches fire through the cafeteria.)
Ó Œ ‰ jœœSKATERDUDES:
Not
œœ œœ œœ œœ œœ œœ œœan oth er word!- -
&
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.. ..
.. ..
3X78
�
MONGO: Do you have to wear a costume?RIPPER: Jacket and tie.MONGO: That's uncalled for!
�
�
�
‰ œTROY,GABRIELLA:
Jœ Jœ œ# JœNo, no, no, no!
�
w
Œ ‰ jœœat pitch
SKATERDUDES: jœœ œœ
jœœNo, no, no!
˙ ‰ œœ jœœDon’t stick
..˙ Œ
& ####83
œœ œœ œœ œœjœœ œœ
jœœto the stuff you know
œœ œœ œœ ‰jœœ œœ œœ
If you wan
œœ œœ œœ œœ œœ œœ œœ œœna go far, got to reach-
& ####86
œœ œœ œœ œœn ‰ œœ jœœ#for your star. Just fol
œœ œœ œœ œœjœœ œœ
jœœlow your dreams and go!-
No. 23 Stick to the Status Quo (p. 5 of 11)
H I G H S C H O O L M U S I C A L — 1 5 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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88
œœ œœ œœ ‰ œœjœœ
Don’t stick
�
œœ œœ œœn œœ jœœ œœ jœœwith the sta tus quo!
Ó ‰ œœREBELS: jœœ
Don’t stick
œœ œœn œœ œœ œœ œœ
œœ œœ œœœœ œœ œœ
œœto the sta tus quo!
-
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91
Œ ‰ jœœ
TROY,GABRIELLA,REBELS: jœœ œœ
jœœNo, no, no!
ww
˙ ‰ œœ jœœDon’t stick
ww
œœ œœ œœ œœjœœ œœ
jœœto the stuff you know
‰ jœœ œœ œœjœœ œœ
jœœto the stuff you know
& ####94
œœ œœ œœ ‰jœœ œœ œœ
No, you got
œœ œœ œœ œœ œœ œœ œœ œœta be true to the thing
œœ œœ œœ œœn ‰ œœ jœœ#that you do No, don’t
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97
œœ œœ œœ œœjœœ œœ
jœœœbe a fraid to show
�
œœœ œœœjœœœ ‰ jœœ œœ
jœœyou won’t stick
�
œœ œœ œœn œœ jœœ ..œœto the stat us
Ó ‰ œœjœœ
Don’t stick
- -
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100
ww
œœ œœ œœœœ œœ œœ
to the sta tus
œœ¨
Œ Óquo!
œœ¨
Œ Óquo!
14
(The entire cafeteria is in an uproar. Troy and Gabriella's callback has turned the entire student body upside-down.It's The Cliques versus The Rebels, competing for members. Sharpay and Ryan enter and witness the chaos.)
14
Ó ‰ jœSHARPAY:
œThis is
�-
No. 23 Stick to the Status Quo (p. 6 of 11)
— 1 6 0 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
& ####117
œn œ œ ˙not what I want.
Ó Œ œ œ3
This is
œ œ œ ˙not what I planned.
Ó Œ œ œ3
And I
& ####121
œ œ œ .œ œ œ3
just got ta say
˙ Œ œ œ3
I do
œ œ œ œ ˙3 3
not un der stand.
.˙ Œ- - -
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125
.œ(SHARPAY:)jœ œ œSome thing is
�
�
œ œ ˙real ly…
�
˙REBELS:
˙ ˙3
Some thing is
�
.œRYAN: Jœ œ œSome thing’s not
œ œ œ Œchan ging
Œ œ jœ .œreal ly
˙ Óright!
˙ ˙ ˙3
Some thing is
- - -
-
- - -
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129
˙ œ œ œ œwrong.
�
œ œ ˙hap pen ing.
˙ Œ œ œ3
And we
Ó Œ œ œ3
And we
Œ œ œ œSome how I
jœ œ jœ jœ œ jœgot ta get things back
Jœ œ Jœ Jœ œ Jœgot ta get things back
˙n ˙˙nfin al
-
-
- - - - - - - - -
No. 23 Stick to the Status Quo (p. 7 of 11)
H I G H S C H O O L M U S I C A L — 1 6 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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132 jœ œ jœ œ œwhere they be
Jœ œ Jœ œ œwhere they be
wwly
˙ œ œ œlong!
wlong!
Œ œ ˙be long!
˙ œ Œ
˙ œ Œ
.
.˙ œœœ œœœWe can
Ó Œ ‰ jœœnat pitch
CLIQUES:
Stick
�
œœœ œœœ Œ Ódo it!
RIPPER:
Gotta play!
--
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136
œœ œœn œœ œœ œœŒ
with what you know!
Ó Œ œœœnbn œœœWe can
Ó Œ ‰ jœbSHARPAY:
They
œœœnbn œœœn Œ Ódo it!
MARTHA COX:
Hip-hop hooray!
œ œb œ œ œ Œhave got to go!
Ó Œ œœœ œœœWe can
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139
Ó Œ ‰ jœœ#CLIQUES:
Keep
œœœ œœœ# Œ Ódo it!
ZEKE:
Creme brulee!
œœ œœ œœ œœ œœ‰ jœœ
your voice down low. Not
�
œœ œœ œœ œœ œœ ‰ jœœan oth er peep. Not
Ó ‰ œœœœ>
‰No!
- -
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142
œœ œœ œœ œœ œœ ‰ jœœan oth er word. Not
Ó ‰ œœœœ>
‰No!
œœ œœ œœ œœ œœ ‰ jœSHARPAY:
an oth er sound. Ev
Ó ‰ œœœœ>
‰No!
œ œ œ œ J¿> .¿>
’ry bod y qui et!
�
�
�- - - - - - -
No. 23 Stick to the Status Quo (p. 8 of 11)
— 1 6 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
& #### .. .. .. .. .. .. .. ..3X146
œALL:
p‰ ‰ œ
ÓNo No
(Sharpay has momentarily taken back her previous territory. A hushed “No no no” chant begins.)GABRIELLA: It’s just a callback. I mean, is Sharpay really mad?TAYLOR: Let’s put it this way: no one has beaten out Sharpay for a musical since kindergarten.ZEKE: Troy, because of you, I’m finally going to give Sharpay a token of my love. Look:(Zeke reveals a seven layer coconut cake.)TROY: I don’t know that this is the best time to give Sharpay a cake. (The stage explodes!)
3X
œ ‰ ‰ œÓ
No No
3X
œ ‰ ‰ œÓ
No No
3X
œ ‰ ‰ œÓ
No No
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150
w
(primordiallyunpitched:lowest notepossible)
f Oh!
�
.
.œœCLIQUES: jœœ jœœ œœ
jœœNo! No, no, no!
�
..˙ ‰ jœœStick
‰ œœREBELS: jœœ
jœœ ..œœNo, no! no!
~~~~~~~~~~~~~~~~
&
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b
153
œœ œœ œœ œœjœœ œœ
jœœto the stuff you know.
..˙ Œno!
œœ œœ œœ ‰ jœœ œœ œœIf you wan
œœ œœ œœ œœ
œœ
œœFol low your dream and
-
-
&
&
b
b
155
œœ œœ œœ œœ œœ œœ œœ œœna be cool, fol low one
..œœjœœ ..œœ
jœœbgo! go! go!
œœ œœ œœ œœb ‰ œœ jœœnsim ple rule, don’t mess
..œœjœœ ˙
- -
No. 23 Stick to the Status Quo (p. 9 of 11)
H I G H S C H O O L M U S I C A L — 1 6 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
&
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157
œœ œœ œœ œœjœœ œœ jœœ
with the flow oh, no!
Ó ‰ jœœ œœ œœGot ta live,
œœ œœ œœ Œ ‰ jœœstick
œœ œœ
œœ
œœ œœ œœgot ta grow! Oh- -
&
&
b
b
159
œœ œœ œœb œœ jœœ œœ jœœwith the sta tus quo!
˙ Œ œœno: Don’t
œ œ œ œ œ œwb
œœ œœ œœœœ œœ œœ
stick with the sta tus
.
.œœjœœ jœœ œœ
jœœNo, no, no!
wwquo!
-
-
&
&
b
b
162
..˙ ‰ jœœStick
‰ œœjœœ
jœœ ..œœNo, no! no!
œœ œœ œœ œœjœœ œœ
jœœto the stuff you know.
..˙ Œno!
œœ œœ œœ ‰ jœœ œœ œœIt is be
œœ œœ œœ œœ
œœ
œœFol low your dream and
-
-
&
&
b
b
165
œœ œœ œœ œœ œœ œœ œœ œœter by far to keep things
..œœjœœ ..œœ
jœœbgo! go! go!
œœ œœ œœ œœb ‰ œœ jœœnas they are. Don’t mess
..œœjœœ ˙
&
&
b
b
167
œœ œœ œœ œœjœœ œœ
jœœwith the flow, oh no.
Ó ‰ jœœ œœ œœGot ta live,
œœ œœ œœ Œ ‰ jœœstick
œœ œœ
œœ
œœ œœ Œgot ta grow!- -
No. 23 Stick to the Status Quo (p. 10 of 11)
— 1 6 4 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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169
œœ œœ œœb œœ jœœ œœ jœœto the stat us quo!
Ó ‰ œœjœœ
Don’t stick
..˙˙ ‰ jœœStick
œœ œœ œœ œœb jœœ œœ jœœto the sta tus quo!
œœ œœ œœb œœ jœœ œœ jœœto the sta tus quo!
˙˙ ‰ œœjœœ
Don’t stick
- -
-
&
&
b
b
172
..˙˙ ‰ jœœStick
œœ œœ œœ œœb jœœ œœ jœœto the sta tus quo!
œœ œœ œœb œœ jœœ œœjœœ
to the sta tus quo!
˙˙ ‰ œœjœœ
Don’t stick
ww
œœ œœ œœ œœb jœœ œœjœœ
to the sta tus quo!
-
- -
&
&
b
b
175
ww
ww
..˙ Œ
..˙ Œ
..œœƒ
Jœœb ..œœ Jœœ
Quo!
(Over the big finish, Zeke tries to present his cake to Sharpay. But when Troy twirls Gabriella, she bumps into Zeke, and the cake goes flying right into Sharpay’s face! Sharpay lets out an ear piercing scream as the cake drips off her face in moist clumps.)
..œœƒ jœœb ..œœ jœœ
Quo!
..œœ Jœœb ˙
..œœjœœbb ˙
..œœ Jœœb ..œœ Jœœ
Quo!
..œœ jœœb ..œœ jœœQuo!
..œœ Jœœb ˙
..œœjœœbb ˙
&
&
b
b
181 ..œœ Jœœb ..œœ Jœœ
Quo!
..œœ jœœb ..œœ jœœQuo!
..œœ Jœœb ˙
..œœjœœbb ˙
�USHARPAY:
Someone’s going to pay for this!
�U
3
(Troy grabs Gabriella’s hand and they run off stage.Sharpay runs off in the other direction. Ryan follows her.Blackout. End of Act I.)
3
No. 23 Stick to the Status Quo (p. 11 of 11)
H I G H S C H O O L M U S I C A L — 1 6 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
Entr’acte24
Rooftop Garden25
VOCALS TACET
— 1 6 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
& bbb 44q=112
3
GABRIELLA: (backpedaling) That’s cool – I mean, I guess I don’t want to either.TROY: No, I’m in.GABRIELLA: Really? Really?TROY: Hey, just call me “freaky callback boy.”
GABRIELLA: You're a cool guy, Troy. But not for the reasons your friends think.
MUSIC STARTS
Ó Œ ‰ . rœ�
TROY:
You
œ œ œ œ œ œ œ œ œnev er know what you’re gon na feel.- -
&
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6
�
˙ Œ ‰ . rœYou
�
œ œ œ œ œ œ œ œ œ œ œ œnev er see it com ing; sud den ly it’s real.
Ó ‰ jœGABRIELLA:
œ œOh, it
œ Œ Ó- - - -
& bbb9
œ œ œ œ .œ œ œ œnev er ev en crossed my mind
˙ Œ ‰ jœthat
œ œ œ œ œ œ .œ œ œ œI could ev er, ev er hope to find- - - -
&
&
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bbb
12
œ œ œ œ jœ .œsome one like you.
Ó ‰ Jœ(TROY:) œ œ
Oh,
˙ Œ œAll things
˙ Œ œAll things
œ Œ œ œ œ œchange when you don’t ex
œ Œ œ œ œ œchange when you don’t ex
- -
-
No. 26 I Can’t Take My Eyes Off of You (p. 1 of 5)
I Can’t Take My Eyes Off of You
from Disney’s High School Musical(TROY, GABRIELLA)
26
H I G H S C H O O L M U S I C A L — 1 6 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
&
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15
.œ œ œ œ œ Œpect them to.
.œ œ œ œ œ Œpect them to.
Œ œ œ jœ .œOh,
�
.˙ œ œno one
.˙ œ œno one
œ œ œ œ œ œ œknows what the fu ture’s gon na.˙ ‰ . Rœknows I
- - -
-
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&
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bbb
nnb
nnb
19
.˙ Œdo.
œ œ œ œ œ œ œ œ œ œ œ œnev er ev en no ticed that you’ve been
Ó Œ ‰ jœnIœ œ œ œ œ œ œ ‰ Jœ
there all a long. I- - - -
&
&
b
b
21
œ œ œ œ œ œ œcan’t take my eyes off of you.
œ œ œ œ œ œ œcan’t take my eyes off of you.
˙ Œ ‰ jœI
˙ Œ ‰ JœI
œ œ œ œ œ œ œknow you feel the same way too.
œ œ œ œ œ œ œknow you feel the same way too.
&
&
b
b
24
˙ Œ ‰ jœI
˙ Œ ‰ JœI
œ œ œ œ œ œ œcan’t take my eyes off of you.
œ œ œ œ œ œ œcan’t take my eyes off of you.
˙ ‰ jœ œ œAll it took
˙ ‰ Jœ œ œAll it took
&
&
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b
bbb
bbb
27
‰ jœ œ œ ‰ jœ œ œwas one look for a dream
‰ Jœ œ œ ‰ Jœ œ œwas one look for a dream
jœ œ jœ ˙come true.
Jœ œ Jœ ˙come true.
No. 26 I Can’t Take My Eyes Off of You (p. 2 of 5)
— 1 6 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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29
w
w
w
w
Ó Jœ .œOh
Ó Jœ .œOh
.˙ Œ
.˙ Œ
&
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33
�
œTROY: œ œ œ œ œ œ œ œ œYeah, we got a good thing go in’ on.
Ó Œ ‰ jœGABRIELLA:
Right
˙ Ó-
&
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bbb
35
œ œ œ œ œ œ œ œhere is right where we be long.
�
˙ Œ ‰ . rœYou
Ó Œ ‰ . rœYou
-
&
&
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bbb
37
œ œ œ œ œ œ œ œ œ œ œnev er real ly know what you might find:
œ œ œ œ œ œ œ œ œ œ œ œ œnev er real ly know what you might find: Now all
- -
- -
&
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38
œ ‰ . rœ œ œ œ œ œ œyou and I, you’re ev
œ œ œ œ œ œ œ œ œ œ œ œI see is you and I, you’re ev
-
-
No. 26 I Can’t Take My Eyes Off of You (p. 3 of 5)
H I G H S C H O O L M U S I C A L — 1 6 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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39
œ œ œ œ œ œ œ œ œ œ œ œ’ry thing I nev er knew that I’ve
œ œ œ œ œ œ œ œ œ œ œ œ’ry thing I nev er knew that I’ve
œ œ œ œ œ œ œ ‰ jœnbeen look ing for. Iœ œ œ œ œ œ œ ‰ Jœbeen look ing for. I
- - -
- - -
&
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b
41
œ œ œ œ œ œ œcan’t take my eyes off of you.
œ œ œ œ œ œ œcan’t take my eyes off of you.
˙ Œ ‰ jœI
˙ Œ ‰ JœI
œ œ œ œ œ œ œknow you feel the same way too.
œ œ œ œ œ œ œknow you feel the same way too.
&
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b
44
˙ Œ ‰ jœI
˙ Œ ‰ JœI
œ œ œ œ œ œ œcan’t take my eyes off of you.
œ œ œ œ œ œ œcan’t take my eyes off of you.
˙ ‰ jœ œ œAll it took
˙ ‰ Jœ œ œAll it took
&
&
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b
n#
n#
47
‰ jœ œ œ ‰ jœ œ œwas one look for a dream
‰ Jœ œ œ ‰ Jœ œ œwas one look for a dream
jœ œ jœ œ ‰ jœcome true. I
Jœ œ Jœ œ ‰ Jœcome true. I
&
&
#
#
49
œ œ œ œ œ œ œcan’t take my eyes off of you.
œ œ œ œ œ œ œcan’t take my eyes off of you.
˙ Ó
˙ Ó
œ œ œ œ œ œ œFeel ings like I nev er knew.
œ œ œ œ œ œ œFeel ings like I nev er knew.
˙ Œ ‰ jœI
˙ Œ ‰ JœI
- -
- -
No. 26 I Can’t Take My Eyes Off of You (p. 4 of 5)
— 1 7 0 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
&
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53
œ œ œ œ œ œ œcan’t take my eyes off of you.
œ œ œ œ œ œ œcan’t take my eyes off of you.
˙ ‰ jœ œ œFrom the start,
˙ ‰ Jœ œ œFrom the start,
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‰ jœ œ œ ‰ jœ œ œgot my heart, yeah, you do…
‰ Jœ œ œ ‰ Jœ œ œgot my heart, yeah, you do…
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rall. a fine
�
Ó Œ ‰ . Rœ(TROY:)
You
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œ œ œ œ œ œ œ œ œnev er know what you’re gon na feel…
Ó Œ ‰ . rœ(GABRIELLA:)
You
˙ Ó- -
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œ œ œ œ œ œ œ œ œ œ œnev er see it com ing, sud den ly it’s real…
w 6
(Troy and Gabriella smile.And very tentatively, hold hands. Lights fade down.)V.S. No. 27 ”Sharpay’sLocker”
GABRIELLA: Thanks for showing me your top-secret hiding place.Just like kindergarten.TROY: Be your best friend.
- - - -
No. 26 I Can’t Take My Eyes Off of You (p. 5 of 5)
H I G H S C H O O L M U S I C A L — 1 7 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
Sharpay’s Locker27
Study Hall28
VOCALS TACET
— 1 7 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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�
RYAN: Yeah, but the President’s not supposed to lie, Sharpay.SHARPAY: Yeah, and the Vice President’s supposed to smile, zip it and do what I tell him to do, all right? Now come on!
(Sharpay races off to find Darbus. Ryan follows close behind, shaking his head. Lights up on the Cheerleaders practicing in the gym.)
MUSIC STARTS
4 œœCHEERLEADERS:jœœ ‰ œœ œœ œœb
jœœ ‰Wild cats, sing a long,-
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œœb œœ œœ œœ œœ œœ œœ œœ œœjœœ ‰
Yeah, you real ly got it go in‘ on.
œœjœœ ‰ œœ œœ œœb œœ
Wild cats in the house,- -
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œn œ œ œ œœœ œœœ œœœb œœœEv ’ry bod y say it now.
œœ œœ œœ œœ œœbjœœ ‰
Wild cats ev ’ry where- -- - -
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œœb œœ œœ œœ œœ œœ œœjœœ ‰
Wave your hands up in the air.
œœ œœb œœ œœ œœ œœ œœ œœThat’s the way we do it, Let’s get
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œœ œœb œœ œœb ˙to it. C‘ mon,
‰ jœœb œœ œœ ‰ .¿ev ’ry one! Go,
¿ ¿ Œ ÓWild cats!
~~~~~~~~~-- --
No. 29 Wildcat Cheer (Reprise) (p. 1 of 1)
Wildcat Cheer (Reprise)from Disney’s High School Musical
(CHEERLEADERS)
29
H I G H S C H O O L M U S I C A L — 1 7 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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COACH BOLTON: (stung but hiding it) You're a playmaker, Bolton, not a singer.TROY: Did you ever think maybe I could be both? And my name is Troy, Dad, not Bolton! (Troy heads for the locker room. Coach Bolton watches him, at a complete loss with his son. SCENE 5: LOCKER ROOM / LAB - WEDNESDAY, 4:00 PM. Lights up on a split stage: the lab and the locker room.)
(Troy and Gabriella run in to the locker room and lab, respectively. The Jocks and Brainiacs are waiting for them.)TROY, GABRIELLA: Sorry, I’m late.CHAD: Not good enough, Captain.TAYLOR: Not good enough, Gabriella.JOCKS, BRAINIACS: Get‘cha head in the game!
MUSIC STARTS
�
Ó Œ œCHAD:� œThere’s a
�
œ œ œ œ œ œ œchoice that you have to make.
Ó Œ ‰ jœTAYLOR:
And
�
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œ œ œ œ œ œ œit’s pret ty plain to see
�œ œ Œ Ó
Ó ‰ JœZEKE: œ œyou’re eith er
Ó ‰ jœMARTHA:
œ œyou eith er
Jœ œ Jœn Óout or in,
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jœ œ jœn Œ œBRAINIACS:
œlose or win Are you
Ó Œ œJOCKS:œAre you
œn œ œ œ jœ œ jœbgon na turn your back on his
œ œ œ œ Jœ œb Jœngon na turn your back on his
jœ œ Jœb Jœ ‰ œTAYLOR:
œto ry, on the
Jœ œb Jœn Jœ ‰ Œto ry,
- - -
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No. 30 Counting on You (p. 1 of 7)
Counting on Youfrom Disney’s High School Musical
30
— 1 7 4 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ œ œ œ jœ œ jœle gend that you’re a part
�
jœ .œ Óof,
Ó Œ œCHAD:œon the
�
œn œ œ œ .œ Jœjob that you were born to
�
œ .˙do?
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Œ œBRAINIACS:
œ œ œ œDon’t let us down,
Œ œJOCKS: œ œ œ œDon’t let us down,
œ ‰ jœ œ œ œ œyou got ta come through,
œ ‰ Jœ œ œ œ œyou got ta come through,
˙ Œ œ œ’cause we’re
˙ Œ œ œ’cause we’re
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œn>
œ œ œ>
œ œ œ>
œcount ing on, count ing on, count ing
œn> œ œ œ> œ œ œ> œcount ing on, count ing on, count ing
.on
.˙on
œ> Œ Ó
you!
GABRIELLA: What history?TROY: What legend? (The Jocks and Brainiacs reveal large flip charts on standing easels. As they announce names, they flip pages.)CHAD: “Spider” Bill Natrine.TAYLOR: Harriet Tubman.
œ> Œ Óyou!
3
3- - -
- - -
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ZEKE: Sam“Slamma-Jamma” Netletter.MARTHA: Madame Curie.
2
JASON: “Thunderclap”Hap Haddon.KRATNOFF:
Eleanor Roosevelt.
�
CHAD: Do you think these Wildcatlegends won championships by worrying about some Brainiac chick or auditioning for musicals?
3X
�
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TAYLOR: Do you think these paradigms of education and accomplishment concerned themselves with Jocks or auditioning for musicals?
2X
� �
JOCKS,
BRAINIACS: Idon’t think so!
Ó ‰ JœJOCKS:œ œ
Check out the
No. 30 Counting on You (p. 2 of 7)
H I G H S C H O O L M U S I C A L — 1 7 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
& ##41 œ œ œ œ œ œ œ
cham pi ons who came be fore,
Ó Œ œ œhail the
œ œ œ œ Jœ œ Jœhe ro that you could be.- - - -
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Ó ‰ jœBRAINIACS:
œ œAnd put a
œ œ Œ Ó
jœ œ jœn ‰ jœ œ œway that dream, ’cause there’s no
�
jœ œ jœn Œ œ œ“I” in “TEAM,” and the
Ó Œ œ(JOCKS:)œand the
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œn œ œ œ œ œ œ œbsac ri fice is worth it, we all
œ œ œ œ œ œ œb œnsac ri fice is worth it, we all
jœ œ Jœb Jœ ‰ Œa gree.
Jœ œb Jœn Jœ ‰ ‰ Jœa gree. You
�
œ œ œ œ Jœ œ Jœjust have to keep your fo
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Ó Œ œ œand for
Jœ .œ Ócus
œn œ œ œ...œœœ
jœœœnget a bout “you know
�
œœœ ...˙#who.”
�
Œ œn œ œ œ œœ#Don’t let us down,
Œ œn œ œ œ œœ#Don’t let us down,
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œœ ‰ jœ œ œ œ œœyou got ta come through,
œœ ‰ Jœ œ œ œ œœyou got ta come through,
˙ Œ œ œ’cause we’re
˙ Œ œ œ’cause we’re
œn>
œ œ œ>
œ œ œ>
œcount ing on, count ing on, count ing
œn> œ œ œ> œ œ œ> œcount ing on, count ing on, count ing
- - - -
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No. 30 Counting on You (p. 3 of 7)
— 1 7 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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.. ..
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.on
.˙on
œ> Œ Ó
you!
œ> Œ Óyou!
�
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(Chad and Taylor pull out all the stops and flip over the fourth pages: Coach Bolton as a high school sports star, and Troy with a wad of cash in his mouth.)TROY: That’s my dad!GABRIELLA: That’s Troy!CHAD: Heartbreak Bolton. Missed the last basket of the 1981 Championships. Do it for him, Troy. Give him the championship he always dreamed of.TAYLOR: Heartbreak Bolton. Another lost-cause, bonehead, Basketballus moronus jock. But you... you’re the future of civilization.
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Ó Œ ‰ jœJOCKS:
You’re
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œ œ œ œ ˙next in the line,
.˙ ‰ Jœyou’re
œœ œœ œœ œœ ˙part of the chain,
..˙ ‰ Jœœand
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œœ œœ œœ œœ œœ œœ Œnow that we can make it,
�
Œ œœn œœ œœ Œdon’t break it!
Œ œMARTHA:
œ œ œ œ#You’re the “heir ap par
�- -
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jœ .œ œ œ# œ jœ ‰ent,”
Œ œTAYLOR:
œ œ œ# œ œThat’s what ev ’ry one says.
œ œ œ# œ jœ œ Jœ- -
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‰ jœœ#BRAINIACS:
œœ œœ œœ œœ ŒFrom Fri da Kah lo,
‰ jœœ# œœ œœ œœ œœ ŒIn dir a Gan dhi,
Œ œœ# œœ œœ ŒRo sa Parks,- - - - - -
No. 30 Counting on You (p. 4 of 7)
H I G H S C H O O L M U S I C A L — 1 7 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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‰ jœœ# œœ œœ œœ œœ ŒA mel ia Ear hart,
�
‰ jœ# œ œ œ œ œ œÍ
to Gab ri el la Mon tez!
�
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Œ œ œ œ œ# œ œÍ
Gab ri el la Mon tez!
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Gab ri el la Mon tez!
¿JOCKS: p ¿ ¿ ¿
Bol ton! Bol ton!
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¿ ¿ ¿ ¿Bol ton! Bol ton!
˙ Œ œ(BRAINIACS:)f
œNow the
˙ Œ œ(BRAINIACS:)f
œNow the
˙ Œ œ(BRAINIACS:)fœ
Now the
¿ ¿f Œ œ œBol ton! Now the
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œ œ œ œ jœ œ jœœpres sure is way up high;œ œ œ œ Jœ œ jœœpres sure is way up high;
..˙ ‰ jœwhich..˙ ‰ Jœwhich
œ œ œ œ jœ œ jœway are you gon na go?œ œ œ œ Jœ œ Jœway are you gon na go?
~~~~~~~~~~~~
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œ œ Œ ‰ jœ œ œYou gon na
œ œ Œ ‰ Jœ œ œYou gon na
jœ œ jœn ‰ jœ œ œsing a song, or are you
Jœ œ Jœœn ‰ Jœ œ œsing a song, or are you
œ œ œ œn Œ œ œgon na be strong, trade your
œ œ œ œœn Œ œ œgon na be strong, trade your
- -
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No. 30 Counting on You (p. 5 of 7)
— 1 7 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œn œ œ œ œ œ œ œbfan ta sies in for the thing
œœb œœ œœ œœ œœ œœ œœnn œœnnfan ta sies in for the thing
Jœ œ Jœn Jœ ‰ ‰ jœyou know: the
Jœœ œœnn Jœœn Jœœ ‰ ‰ Jœ
you know: the
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œ œ œ œ jœ œ jœdes ti ny you’ve been handœœ œœ œœ œœ J
œœ œœ Jœœdes ti ny you’ve been hand
jœ .œ Œ ‰ jœed, the
Jœœ ..œœ Œ ‰ Jœed, the
œn œ œ œ ..œœ jœœon ly thing that you canœn œ œ œ ..œœ J
œœnon ly thing that you can
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œœ ..˙#do?œœ ..˙do?
Œ œn œ œ œDon’t let us
Œ œn œ œ œDon’t let us
œœa ‰ jœ œ œ œ œœdown, you got ta come through,œœ ‰ Jœ œ œ œ œœdown, you got ta come through,
˙ Œ œ œ’cause we’re˙ Œ œ œ’cause we’re
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œn œ œ œ ˙P
count ing on you…
TROY: If you guys don't know that I'll put one hundred and ten percent of my guts into that game, then you don't know me... at all!
œœn œœ œœ œœ ˙P
count ing on you…
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˙ Œ œf
œYeah, we’re
˙ Œ œf œYeah, we’re
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œn œ œ œ ˙P
count ing on you…
GABRIELLA: I thought you were my friends – win together, lose together...
œœn œœ œœ œœ ˙P
count ing on you…
www
˙ Œ ‰ jœf
We’re
˙ Œ ‰ Jœf
We’re
-
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No. 30 Counting on You (p. 6 of 7)
H I G H S C H O O L M U S I C A L — 1 7 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œn œ œ œ ˙P
count ing on you…
TROY: I’m for the team. I’ve always been for the team.
œœn œœ œœ œœ ˙Pcount ing on you…
˙ Œ ‰ jœf
So
˙ Œ ‰ Jœf
So
œ œ œ œ ˙P
don’t let us down…
GABRIELLA: How about what matters for me?
œœ œœ œœ œœ ˙P
don’t let us down…
œ ‰ jœf
You
œœ ‰ Jœœf
You
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œ œ# œ œ ˙P
got ta come through!
TROY: What do you want from me?
œœ œœ œœ œœ ˙P
got ta come through!
œ ‰ jœf
We’re
œœ ‰ Jœœf
We’re
œn> œ œ œ> œ œ œ> œcount ing on, count ing on, count ing
œœnn > œœ œœ œœ> œœ œœ œœ> œœcount ing on, count ing on, count ing
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œ œn>Ï
œ>
œ>
Óon, count ing on…
TROY,GABRIELLA:
Arrghhh!
œœnn œœ>Ï
œœ> œœ> Óon, count ing on…
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No. 30 Counting on You (p. 7 of 7)
— 1 8 0 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
Taylor’s Cell31
VOCALS TACET
H I G H S C H O O L M U S I C A L — 1 8 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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TROY: But I don't want to –GABRIELLA: (cutting him off) Me either. Goodbye!(Gabriella hangs up. She bursts into tears in front of the Brainiacs.Troy, shattered, sits on the bench and puts his head in his hands. At the sight of their friend’s pain, the Jocks and the Brainiacs realize they did a really bad thing.)
TAYLOR: So, uhm, Gabriella... do you want to grab a Coke? No, huh? Okay, uhm, well... see you later.(The Brainiacs awkwardly shuffle toward the door, looking as guilty as sin. Gabriella stays behind.)CHAD: (to Troy) Hey Troy, do you want to have some lunch...?ZEKE: I made a really outstanding foie gras tartlet!(Chad gestures for Zeke to zip it. The Jocks file out, guilty over what they just did. Gabriella and Troy are left alone in the locker room and lab. They are heartbroken.)
MUSIC STARTS
Ó Œ ‰ . rœGABRIELLA:
It’s
œ œ œ œ œ œ œ œ œ jœ ‰fun ny when you find your self- -
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œ œ œ œ œ œ œ .œ‰ . rœ
look ing from the out side. I’m
œ œ œ œ œ œ œ œ œ œ � œstand ing here but all I want is- - -
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œ œ œ œ œ œ œ œ .œto be o ver there.
Œ ‰ œ œWhy did
œ œ œ œ œ œ œ œ œ jœ ‰I let my self be lieve- - -
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œ œ œ œ œ œ œ .œ ‰ . rœmir a cles could hap pen? ‘Cause
œ œ œ .œ œ œ œ œ œ � œnow I have to pre tend that- - -
No. 32 When There Was Me and You (p. 1 of 11)
When There WasMe and You
from Disney’s High School Musical(TROY, GABRIELLA, JOCKS, BRAINIACS)
32
— 1 8 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ œ œ œ œ œ ˙I don’t real ly care.
Œ ‰ jœI-
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œ œ œ œ œ œ œ œ œ œ � œthought you were my fair y tale, my
˙BRAINIACS:
˙oo
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œ œ œ œ œ œ œ œ .œ œ � œdream when I’m not sleep ing, a
Œ œ œ .œ œ œ œah
...˙
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œ œ œ œ œ œ .œ œ œ œ œwish up on a star that’s com ing true.
˙ ˙oo
.œ œ œ ˙ ‰ œ œBut ev
Œ œœœ ...œœœ œœœn œœœcom ing true
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œ œ œ œ œ œ œ œ œ œ � œ’ry bod y else could tell that
˙ ˙
œ œ œ œ œ œ œ .œ œ œ œ œI con fused my feel ings with the truth,
Œ œœœ ˙ah
- - - -
No. 32 When There Was Me and You (p. 2 of 11)
H I G H S C H O O L M U S I C A L — 1 8 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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.˙ ‰ . rœwhen
‰œ œ .œ œ œ ˙with the truth
.œn Jœ ˙oo
œ œ œ œ œ œthere was me and you.
.œ ‰.œ
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Ó Œ ‰ . rœTROY:
I
� œ œ œ œ œ œ œ œ œ œ .œwhen there was me and you
.œ Jœ ˙oo
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œ(TROY:)œ œ œ œ œ œ œ œ ‰swore I knew the mel o dy
‰ œœœJOCKS: œœœ Œ ‰ œœœ œœœ ŒI knew the song
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œ œ œ œ œ œ œ .œ ‰ . rœthat I heard you sing ing, and
‰ œœœ œœœ Œ ‰ œœœ œœœ œœœ ...œœœI heard you sing ing
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No. 32 When There Was Me and You (p. 3 of 11)
— 1 8 4 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ œ œ œ œ œ œ œ œ œ � œwhen you smiled, you made me feel likeœœœ œœœ œœœ Œ � œœœ œœœ œœœ Œ
you smiled and I feel
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Ó Œ ‰ œGABRIELLA: œBut then
œ œ œ œ œ œ œ œ œ ŒI could sing a long.
Œ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœI could sing a long
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œ œ œ œ œ œ œ œ œ œ œ �you went and changed the words.
œœœ œœœ œœœ œœœ ˙oo
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œ œ œ œ œ œ œ .œ ŒNow my heart is emp ty.
Ó Œ ‰ . rœTROY:
I’m
˙ Ó
�
œ œ œ œ œ œ œ œ œ œ � œon ly left with used to be’s and
‰ œœœ œœœ Œ ‰ œœœ œœœ Œand now I’m left
-
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No. 32 When There Was Me and You (p. 4 of 11)
H I G H S C H O O L M U S I C A L — 1 8 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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Ó Œ � œGABRIELLA:
œ œNow I know
œ(TROY:)œ œ œ œ œ œ � œ œ œonce up on a song. Now I know
�
œœœ(JOCKS:)œœœ œœœ œœœ œœœ œœœ œœœ Œonce up on a song.
œ œ œ œ œ œ œ œ œ œ � œyou’re not a fair y tale, and
œ œ œ œ œ œ œ œ œ œ � œyou’re not a fair y tale, and
˙BRAINIACS:
˙oo
˙ ˙oo
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œ œ œ œ œ œ œ œ .œ ‰ . Rœdreams were meant for sleep ing, and
œ œ œ œ œ œ œ œ .œ ‰ . Rœdreams were meant for sleep ing, and
˙ .œ ‰
˙ .œ ‰
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No. 32 When There Was Me and You (p. 5 of 11)
— 1 8 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ œ œ œ œ œ œ � œ œ œ œwish es on a star just don’t come true.
œ œ œ œ œ œ œ � œ œ .œwish es on a star just don’t come
˙ ˙
˙ ˙
.œ œ ˙ ‰ œ œAnd now,
œ œ ˙ ‰ œ œtrue. And now,
.œ ‰ œ œoo
.œ ‰ œn œoo
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.œ œ œ œ œ œ œ œ .œ œe ven I can tell that
.œ œ œ œ œ œ œ œ .œ œe ven I can tell that
˙ ˙
˙ ˙
œ œ œ œ œ œ œ .œ œ œ œ œI con fused my feel ings with the truth
œ œ œ œ œ œ œ .œ œ œ œ œI con fused my feel ings with the truth
˙ ˙
˙ ˙
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No. 32 When There Was Me and You (p. 6 of 11)
H I G H S C H O O L M U S I C A L — 1 8 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ(GABRIELLA:)
‰ . rœ œ œ œ œ œ œbe cause I liked the view
œ(TROY:)‰ . rœ œ œ œ œ œ œ
be cause I liked the view
œ ‰ . rœ œ œ œ œ œ œ œwhen there was me and you.
œ Œ Ó-
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˙ Ó
Œ ‰ . Rœ œn œ œ œ œ œ œI can’t be lieve that
Ó ‰ . rœ œ œ œ œIt’s like you were float
œ œ œn œ œ œ œ œ ŒI could be so blind.
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œ œ � œ œ œ œ œ œ œ � œ œ œ œ œing while I was fall ing, and I did n’t mind!
�
�
w
Œ œ(TROY:)œ œ œn ˙I did n’t mind!
Œ œœœnnJOCKS: œœœn œœœn
oh
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.˙ ‰ jœWhy
.˙ ‰ jœWhy
Œ œœBRAINIACS: œœ œœ
oh
www
œ œ œ œ œ œ œ œ œ Œdid I let my self be lieve
œ œ œ œ œ œ œ œ œ Œdid I let my self be lieve
Œ œœ> ‰ œœ œœ ŒI be lieve
Œ œœ> ‰ œœ œœ ŒI be lieve
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No. 32 When There Was Me and You (p. 7 of 11)
— 1 8 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ œ œ œ œ œ œ .œ ‰ jœmir a cles can hap pen? ’Cause
œ œ œ œ œ œ œ .œ ‰ jœmir a cles can hap pen? ’Cause
� rœœ ‰ œœ œœ œœ Óin mir a cles.
� Rœœ ‰ œœ œœ œœ Óin mir a cles.
œ œ œ œ œ œ œ œ œ ‰ . rœnow I’m hav ing to pre tend that
œ œ œ œ œ œ œ œ œ ‰ . rœnow I’m hav ing to pre tend that
Œ œœ> Œ œœ œœ ‰’cause now I
Œ œœ> Œ œœ œœ ‰’cause now I
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œ œ œ œ œ œ œ œ œ ‰ jœI don’t real ly care. I
œ œ œ œ œ œ œ œ œ ‰ jœI don’t real ly care. I
‰ . rœœ � œœ œœ œœ œœ œœ Œreal ly care.
‰ . Rœœ � œœ œœ œœ œœ œœ Œreal ly care.
œ œ œ œ œ œ œ œ œ œ � œthought you were my fair y tale, my
œ œ œ œ œ œ œ œ œ œ � œthought you were my fair y tale, my
Œ œœ- œœ- œœ-You were my
Œ œœ- œœ- œœ-You were my
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No. 32 When There Was Me and You (p. 8 of 11)
H I G H S C H O O L M U S I C A L — 1 8 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ œ œ œ œ œ œ œ .œ œ � œdream when I’m not sleep ing, a
œ œ œ œ œ œ œ œ .œ œ � œdream when I’m not sleep ing, a
Œ œœ œœ œœ Ófair y tale,
Œ œœ œœ œœ Ófair y tale,
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œ œ œ œ œ œ .œ œ œ œ œwish up on a star that’s com ing true.
œ œ œ œ œ œ .œ œ œ œ œwish up on a star that’s com ing true.
Œ œœ- œœ- œœ-a wish come
Œ œœ- œœ- œœ-
a wish come
.œ œ œ ˙ ‰ œ œBut ev
.˙ ‰ œ œBut ev
˙ œœ œœtrue.
˙ œœn œœtrue.
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No. 32 When There Was Me and You (p. 9 of 11)
— 1 9 0 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ œ œ œ œ œ œ œ œ œ � œ’ry bod y else could tell that
œ œ œ œ œ œ œ œ œ œ � œ’ry bod y else could tell that
Œ œœ œœ œœ œœ ..œœ œœ ŒEv er y bod y!
Œ œœ œœ œœ œœ ..œœ œœ ŒEv er y bod y!
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œ œ œ œ œ œ œ .œ œ œ œ œI con fused my feel ings with the truth,
œ œ œ œ œ œ œ .œ œ œ œ œI con fused my feel ings with the truth,
Œ œœ ˙#oh
Œ œœ ˙#oh
.œ � Ó rœI
.œ � rœ œ œ œ œ œ œbe cause I liked the view
wwoo
wwoo
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No. 32 When There Was Me and You (p. 10 of 11)
H I G H S C H O O L M U S I C A L — 1 9 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ œ œ œ œ œ œU ‰ jœ
thought you felt so too when
.˙U ‰ jœ
when
�
�
œ œ œ"Uœ
there was me and
œ œ œ "U œthere was me and
�
�
wyou.
wyou.
�
�
w
w
wwoo
wwwwoo
�
�
�
�
No. 32 When There Was Me and You (p. 11 of 11)
— 1 9 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
Boombox Rehearsal33
VOCALS TACET
H I G H S C H O O L M U S I C A L — 1 9 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
& bb 44 bbbq=150
4
SHARPAY: How can you stab me in the back like that, helping the enemy?!?RYAN: I stabbed you in the back?SHARPAY: Well, at least you admit it. Now take it from the top, and lose those jazz squares.(Sharpay hits the boom box.)
(Lights fade down.)
MUSIC STARTS
& bbbSlower5-7
3
(Lights up on the theater, empty except for a few pieces of the Juliet and Romeo set, still in progress. Gabriella sits on the makeshift balcony, reading. A page of sheet music is next to her. Kelsi sits at the piano, working on the finale.)KELSI: Try it again, ok? (Gabriella reluctantly picks up the sheet music, sings a phrase.)
ÓU Œ ‰ jœGABRIELLA:
We’re
.œ jœ œ ‰ ‰ œfly ing, soar
.œ jœ jœ ‰ Œing…- -
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ÓU Œ ‰ jœGABRIELLA:
We’re
KELSI: No, switch it around –
.œ jœ œ ‰ ‰ œsoar ing, fly
.œ jœ jœ ‰ ŒUing…
KELSI: That’s it!
V.S. “No. 35 Gabriella’s Cell”
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No. 34 Boom Box / Theater (p. 1 of 1)
Boom Box / Theaterfrom Disney’s High School Musical
(KELSI, GABRIELLA)
34
— 1 9 4 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
Gabriella’s Cell35
VOCALS TACET
H I G H S C H O O L M U S I C A L — 1 9 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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TROY: (into phone) This isn't about my dad. This is about me, about how I feel. And I'm not letting the team down, they let me down. I'm going to sing. What about you?GABRIELLA: (into phone) I don't know, Troy.(Troy sees Kelsi, who points up to Gabriella. He turns, sees Gabriella and sings into the phone.)
� Œ ‰ jœTROY: jœ œ Jœ
It feels so right
œ œ œ Jœ œ jœto be here with you.
˙ Œ ‰ jœAnd
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œ œ œ œ œnow, look ing in your
œ ‰ jœ œ œ œ œeyes, I feel in my heart
(Gabriella sees Troy. The phones drop away from their faces.)
.˙ œ œ-
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‰ œ œ œ jœ œ ‰the start of some thing
wnew.
(Gabriella is stunned... but happy. Troy smiles. Troy makes a “Play It Again, Sam” gesture to Kelsi. Kelsi starts to play along.)
w 5 Ó Œ œTROY: �
œLiv ing--
&23
œ œ œ Jœ .œin my own world,
Ó Œ œ œdid n’t
œ œ œ ˙un der stand
Ó Œ ‰ Jœthat--
& ##27 œ œ œ œ œ œ œ
an y thing can hap pen
˙ Œ œ œwhen you
œ œ œ ˙take a chance.
Ó Œ ‰ jœGABRIELLA:
I- - -
No. 36 Start of Something New (Reprise) (p. 1 of 3)
Start of Something New (Reprise)
from Disney’s High School Musical(TROY, GABRIELLA)
36
— 1 9 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
& ##31
œ œ œ œ jœ .œnev er be lieved in
˙ Œœ œ
what I
œ œ œ ˙could n’t see.
Ó ‰ jœ œ œI nev er--- -
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œ œ œ œ ˙o pened my heart
�
Œ ‰ jœ œ œ œ œto all the pos si
�
œ œ œ ˙bil i ties.
�
Œ ‰ jœ(GABRIELLA:)
œ œOh, I
Ó Œ œnTROY: �
I
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.œn jœ œ œ œ œknow that some thing has changed,
.œ Jœ œn œ œ œknow that some thing has changed
œ ‰ œ œ jœn œ jœnev er felt this way,
œ ‰ œb œn Jœ œ Jœnev er felt this way,
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œ ‰ jœ œn œ œ œI know it’s for real:
œ œn œb Œ Ó
jœ ‰ œ œ œn œThis could be the
Œ œ œ œ œThis could be the
œ ‰ jœ .œ œ œ œstart of some thing new.
œ ‰ Jœ .œ œ œ œstart of some thing new.
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œ Œ Ó
œ ‰ Jœ œ œ œ œ œIt feels so right
ritard.
Œ œ œ .œ œ œ œto be here with you.
.œ ‰ Ó
œ œ œ œU ‰ jœ
Oh And
Œ œ œ œU ‰ JœOh And
No. 36 Start of Something New (Reprise) (p. 2 of 3)
H I G H S C H O O L M U S I C A L — 1 9 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ œ œ .œ œ œ œnow, look ing in your eyes,
œ œ œ .œ œ œ œnow, look ing in your eyes,
œ ‰ jœ œ œ œ œI feel in my heart
œ ‰ Jœ œ œ œ œI feel in my heart
.˙ œ œ
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‰ œ œ œ jœ œ ‰the start of some thing
‰ œ œ œ Jœ œ ‰the start of some thing
wnew.
wnew.
ww
�
�-
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No. 36 Start of Something New (Reprise) (p. 3 of 3)
— 1 9 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
Study Hall37
AnnouncementTransition 5
Sorry, Troy
38
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VOCALS TACET
H I G H S C H O O L M U S I C A L — 1 9 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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CHAD: Hey, you spoke Jock.!TAYLOR: I’m good with foreign languages, remember?
(The Brainiacs and Jocks huddle up with Kelsi. Much hubbub and excitement. From the mix, these lines pop out:)CHAD: ...down to the split second...KELSI: Jack Scott can help us. He’s announcing at the game.ZEKE: ...it’s impossible...TAYLOR: Leave it to me, I can do anything with my laptop...(The Jocks and Brainiacs break the huddle with a loud cheer.)ALL: GO WILDCATS! (Chad and Taylor high-five. )
MUSIC STARTS
Œ œ� CHAD:œ œ œ ‰ œYes ter day, we
œ œ œ œ .œ œ œall were on our own road.- -
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‰ Jœ œ œ œ œ ‰ œ œWe did n’t real ly know
�
œ œ œn Œ Ó
‰ J¿GROUP 1:
J¿ ‰ ¿GROUP 2:¿ ‰ J¿ALL:
Uh uh, uh uh, uh
‰ jœTAYLOR: at pitch
œ œ œ œ ‰ œthat each of us brings
J¿ ‰ Œ Óuh- - -
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œ œ œ œ .œ œ œsome thing to the ta ble
�
‰ jœ œ œ œ œ œ œto help the oth ers grow.
�
œ œn œ œ Ó
YOh
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Œ œZEKE:
œ œ œ ‰ œNow’s the chance to
J¿ ‰ Œ Ówoo!
œ œ œ œ .œ œ œtake a new dir ec tion,
�~~~~
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No. 40 We're All in This Together (p. 1 of 6)
We're All in This Togetherfrom Disney’s High School Musical
(CHAD, TAYLOR, KELSI, MARTHA, JOCKS, BRAINIACS)
40
— 2 0 0 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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‰ jœKELSI:
œ œ œ œ ‰ œto see through oth er eyes,
�
œ œ œ Œ Ó
‰ jœnALL:
œ œ ...œœœ œœœ œœœ œœœTo see through oth er eyes!
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‰ jœMARTHACOX:
œ œ œ œ Œto make a choice,
Ó Œ ‰ JœCHAD:�to
�
�
œ œ œ œ .œ œ œmake a new con nec tion…
Ó ‰ ¿ J¿oo!
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‰ jœTAYLOR:
œ œ œ œ œ œto win the big ger prize,
Ó Œ ‰ JœœnALL: �
prize,
¿ ¿ Ó
.œ jœ œ ‰ jœGIRLS:
We’re
..œœ Jœœ œœ ‰ JœGUYS:
We’re
�
œ œ œ œ œ œall in this to geth
œ œ œ œ œ œall in this to geth
�~~~~~
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œ œ ‰ œ jœ œ jœer. Once we know
œ œ ‰ œ Jœ œ Jœer. Once we know
‰ jœ œ œ ‰ jœ œ œthat we are, we’re all stars
‰ Jœ œ œ ‰ Jœ œ œthat we are, we’re all stars
No. 40 We're All in This Together (p. 2 of 6)
H I G H S C H O O L M U S I C A L — 2 0 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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‰ jœ œ œ œ œ ‰ jœand we see that we’re
‰ Jœ œ œ œ œ ‰ Jœand we see that we’re
œ œ œ œ œ œall in this to geth
œ œ œ œ œ œall in this to geth
œ œ ‰ œ jœ œ jœer, and it shows
œ œ ‰ œ Jœ œ Jœer, and it shows
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‰ jœ œ œ ‰ jœ œ œwhen we stand hand in hand,
‰ Jœ œ œ ‰ Jœ œ œwhen we stand hand in hand,
‰ jœ œ œ œ œ œ œmake our dreams come true.
‰ Jœ œ œ Jœ œ Jœmake our dreams come true.
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Œ œœ� JOCKS:œœ œœ œœn ‰ œœWe’re all here and
�
œœn œœ œœ œœ ..œœ œœ œœspeak ing out with one voice.-
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�
‰ Jœ œœ œœ œœn œœ ‰ œœWe’re gon na rock the house!
Ó ¿BRAINIACS:¿ ¿ ¿oo wah oo wah
œœ œœ ..œœn Ó
‰ jœat pitch
œ œ œ œ ‰ œThe par ty’s on; now
�-- -
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œ œ œ œ .œ œ œ œev ’ry bod y make some noise,
‰ jœ œ œ œ œ œ œc’ mon and scream and shout!-- - -
No. 40 We're All in This Together (p. 3 of 6)
— 2 0 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ œn œ .˙
‰ j¿JOCKS: ‰ j¿ ‰ j¿ Œhey! hey! hey!
Œ œœTAYLOR,CHAD:
œœn œœ œœ ‰ œœWe’ve ar rived be
¿ Œ Ówoo!
œœn œœ œœ œœ ..œœ œœ Œcause we stuck to geth er,
�~~~~
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‰ jœ œœ œœ œœn œœ ‰ œœwe make each oth er strong.
�
œœ œœ œœn ..˙
�
Ó Œ ‰ jœBRAINIACS:
We’re
‰ jœJOCKS: �
œ œ œ œ ŒWe’re not the same.
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œ œ œ œ .œ œ œdif f’rent in a good way.
‰ jœALL:
at pitch
œœ œœ œœn œœ œœ œœTo gether’s where we belong!
..œœjœœ œœ ‰ jœ
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œGIRLS:
œ œ œ œ œall in this to geth
(Transition to the next day. SCENE 10: LAB / THEATER / GYM - FRIDAY, 3:00 PM. In the locker room,Troy finishes dressing for the big game. In the lab, Gabriella puts on her lab coat for the big decathlon.)
œœGUYS: � œ œœ œœ œ œœ
all in this to geth
œ œ ‰ œ jœ œ jœer. When we reach,
œœ œœ ‰ œœ Jœœœœ J
œœer. When we reach,
‰ jœ œ œ ‰ jœ œ œwe can fly, know in side
‰ Jœœ œœ œœ ‰ Jœœ œœ œœwe can fly, know in side
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‰ jœ œ œ œ œ ‰ jœwe can make it. We’re
‰ Jœœœœ œœ œœ œœ ‰ J
œœwe can make it. We’re
œ œ œ œ œ œall in this to geth
œœ œ œœ œœ œ œœall in this to geth
œ œ ‰ œ jœ œ jœer once we see
œœ œœ ‰ œœ Jœœœœ J
œœer once we see
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No. 40 We're All in This Together (p. 4 of 6)
H I G H S C H O O L M U S I C A L — 2 0 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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‰ jœ œ œ ‰ jœ œ œthere’s a chance that we have
‰ Jœœ œœ œœ ‰ Jœœ œœ œœthere’s a chance that we have
‰ jœ œ œ jœ œ ‰and we take it.
‰ Jœœœœ œœ Jœœ œœ ‰
and we take it.
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‰ œALL:
at pitch
œ œ œ ‰ œ œ œ œTo geth er, to geth er,
(A light rises center stage on the Theater, where Ms. Darbus sets up for the callbacks. Sharpay and Ryan warm up.)
‰ œ œ œ œ œ œ œto geth er, ev ’ry one,- - - -- - - -
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‰ œ œ œ œ ‰ œ œ œ œTo geth er, to geth er,
‰ œ œ œ œœ œœnn œœ œœc’ mon, let’s have some fun!-- - - -
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‰ œ œ œ œ ‰ œ œ œ œTo geth er, we’re there for
‰ œ œ œ œ œ œ œeach oth er ev ’ry time.- -- -
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‰ œ œ œ œ ‰ œ œ œ œTo geth er, to geth er,
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Ó ‰ œALTOS,TENORS:
œn œ œ œnC’ mon let’s do
‰ œBARITONES: œ œ œ œ ˙C’ mon let’s do
-
- - - -
No. 40 We're All in This Together (p. 5 of 6)
— 2 0 4 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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‰ œSOPRANOS: œn œ œ œn ˙C'mon let’s do
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Do this right!
.œ ‰ .œn>
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Do this right!
.œ ‰ .œ> œn> œ œ#>Do this right!
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No. 40 We're All in This Together (p. 6 of 6)
H I G H S C H O O L M U S I C A L — 2 0 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
Bumpy Ride41
VOCALS TACET
— 2 0 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
& bb 44 8
MODERATOR: You have exactly five minutes to solve this equation. Ready? Set? And –(The following happens in quick succession: In the theater, Ms. Darbus bangs her gong. From the gym, we hear the referee's whistle start the game. From the lab, we here a hotel desk bell start the Decathlon.
In the gym, Coach Bolton, Jocks and Cheerleaders cheer for the Team. In the lab, Gabriella holds up her chalk, ready to solve an equation. In the theater, Sharpay and Ryan pull out all the stops, performing with amazing skill and zeal.)
MUSIC STARTS
œSHARPAY:
œ œ œ œ œ œ .œ œI be lieve in dream in’
œ œ œ œ œ œ œ .œ œshoot ing for the stars.- - -
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œ œRYAN:
œ œ œ œ œ œ œ ‰ . RœBa by, to be num ber one, you’ve
œ œ œ œ œ œ œ Œgot to raise the bar!- -
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4
MODERATOR: (V.O.) Question number 17: valences and chemical bonding.TAYLOR: You can do these in your sleep, Gabriella!MODERATOR: (V.O.) No coaching from the sidelines, Ms. McKessie!JACK SCOTT: And Bolton grabs the rebound!
4
œSHARPAY:
.œ œ œ .œ œ œ œWork our tails off ev ’ry day.
œRYAN: .œ œ œ .œ œ œ œWork our tails off ev ’ry day.
œ Œ Ó
COACH BOLTON:
Take the shot, Troy,take the shot!
œ Œ Ó-
-
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� œ œ œ œ � œ œ œ œ œ .œWe got ta bump the comp e ti tion,
� œ œ œ œ � œ œ œ œ œ .œWe got ta bump the comp e ti tion,
œ œ œ œ œ ˙blow them all a way!
œ œ œ œ œ œ .œ œblow them all a way!
- - - - -
- - - - -
No. 42 Bop to the Top (p. 1 of 4)
Bop to the Topfrom Disney’s High School Musical
(SHARPAY, RYAN, BRAINIACS, JOCKS)
42
H I G H S C H O O L M U S I C A L — 2 0 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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Œ ¿BRAINIACS:
� œ œ œ œYeah! Yeah, we’regon na¿JOCKS:
Œ ÓYeah!
œœ œœ œœ � œœ � œœ œœ œœbop bop bop, bop to the top,
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& bb23 œJOCKS: œ œ œ œ œ œ œ œ œ .œ
slip and slide and ride that rhy thm.-
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œœBRAINIACS:
œœ œœ � œœ � œœ œœ œœ œ œJump and pop, hop till we drop and start
Ó Œ � œJOCKS: œand start
œ œ œ œ ˙a gain.
œ œ œ œœn ˙a gain.
3
MODERATOR: (V.O.) Questionnumber 72: isotopes. You have two minutes remaining!TAYLOR: You can do it, Gabriella. Focus!MODERATOR: (V.O.) I warned you once, Ms. McKessie.
3
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Ó � œSHARPAY:
œ œ# œDo the bop bop
Ó � œRYAN: œ œ œDo the bop bop
jœ ‰ œ+ GIRLS:
œ œ Óbop to the top.
jœ ‰ œ+ GUYS:œ œ Óbop to the top.
jœ ‰ œ œ œ ÓDon’t ev er stop!
Jœ ‰ œ œ œ ÓDon’t ev er stop!
-
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32 jœ ‰ œ œ œ ÓBop to the top!
jœ ‰ œ œ œ ÓBop to the top!
¿BRAINIACS:
Œ ÓYeah!
Ó ¿JOCKS: Œ
Yeah!
œSHARPAY: ‰ œ œ œ œ œ œ œ œ
Shake some boot y and turn a round.
œRYAN: ‰ œ œ œ œ œ œ œ œShake some boot y and turn a round.
- -
- -
No. 42 Bop to the Top (p. 2 of 4)
— 2 0 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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.˙ Œ
œ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿(and a round, and a round, and around.)
œ � œ œ œ œ œ œ œ œ .œFlash a smile in their dir ec tion.œ � œ œ œ œ œ œ œ œ .œFlash a smile in their dir ec tion.
- -
- - - -
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‰ ¿ ¿ ¿ ¿ ‰ ÓShow some mus cle.
Ó ‰ ¿ ¿ ¿ ¿ ‰Do the hus tle.
4
COACH BOLTON: Way to hustle, guys!Danforth, out. Baylor, you’re up.MODERATOR: (V.O.) You have thirty seconds remaining to finish the equation.
4-
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œGIRLS:
œ œ � œ � œ œ œBop bop bop bop to the top.
œGUYS: œ œ � œ � œ œ œBop bop bop bop to the top.
œ œ œ œ œ œ œ œ œ œ .œWipe a way your in hi bi tions.
œ œ œ œ œ œ œ œ œ œ .œWipe a way your in hi bi tions.
- - - -
- - - -
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œ œ jœ ‰ � œ œ œ œ œStomp stomp stomp, do the romp and strut
œ œ Jœ ‰ � œ œ œ œ œStomp stomp stomp, do the romp and strut
œ œ œ œ .œ ‰your stuff.
œ œ œ œn .œ ‰your stuff.
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46
œ œ œ � œ � œ œ rœ ‰ .Bop bop bop straight to the top,
œ œ œ � œ � œ œ Rœ ‰ .Bop bop bop straight to the top,
œ œ œ œ œ œ œ .œ jœ ‰Go in’ for the glo ry.œ œ œ œ œ œ œ .œ Jœ ‰Go in’ for the glo ry.
- -
- -
No. 42 Bop to the Top (p. 3 of 4)
H I G H S C H O O L M U S I C A L — 2 0 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ œ œ œ œ �œ œ œ œ
We’ll keep step ping up and we just won’t
œ œ œ œ œ � œ œ œ œWe’ll keep step ping up and we just won’t
.œ jœ ˙stop,
(In the lab, Gabriella finishes her equation first, races to the timer and hits it. A loud buzzer ends the round.)MODERATOR: (V.O.) And the winner is... Gabriella Montez! TeamWildcats takes a two point lead!
.œ Jœ ˙stop,
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˙ � œ œ œ œand we just won’t
˙ � œ œ œ œand we just won’t
.œ jœ ˙stop,
JACK SCOTT: Bolton’s in the lane... he shoots... he scores! But the Wildcats are still down by two!
.œ Jœ ˙stop,
w
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˙ � œ œ œ œand we just won’t
˙ � œ œ œ œand we just won’t
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wwstop,
(Taylor checks her watch, takes a deep breath, and races her fingers across the keyboard of her laptop.)TAYLOR: (to herself, as she clicks keys) All right, Wildcats... let’s get this party started!
wwstop,
�U
�U
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Ó � œ œ œ œtill we reach the
Ó � œ œ œ œtill we reach the
œ .œ œ ˙top!œœ ..œœ œœ ˙top!
Jœœ ‰ œœ œœ œœ ÓBop to the top!
Jœœ ‰ œœ œœ œœ Ó
Bop to the top!
V.S. No. 43 “Meltdown”
~~~~~~~~
~~~~~~~~~~~~~~
No. 42 Bop to the Top (p. 4 of 4)
— 2 1 0 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
Meltdown43
In the Lab
In the Theater
Kelsi Tries
44
45
46
VOCALS TACET
H I G H S C H O O L M U S I C A L — 2 1 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
& bbb 44 3
GABRIELLA: I can't do it, Troy. It was so much easier when it was just you and me –TROY: Then pretend it’s just you and me, like kindergarten, remember? I’m right here.(Troy nods for Kelsi to start over.
Gabriella looks at Troy, gaining confidence from their connection.)
MUSIC STARTS
Ó Œ ‰ jœTROY:
We’re
.œ jœ Ósoar ing,
.œ jœ Ófly ing,
œ œ œ œ jœ œ jœthere’s not a star in hea- - -
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œ œ œ œ jœ œ jœven that we can’t reach.
Ó ‰ jœGABRIELLA:
œ œIf we’re try
œ Œ Ó
œ œ œ œ œ œ œin’, so we’re break
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jœ .œ Óing free.
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‰ jœTROY: œ œ œ œ œYou know the world can see
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œ œ œ œ œ œ Œus
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Œ œ œ œ œ œin a way that’s dif
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œ œ œ œ Jœ œ Jœf’rent from who we are.
‰ jœGABRIELLA:
œ œ œ œ œCre a ting space be tween
œ œ œ Œ Ó- - -
-
No. 47 Breaking Free (p. 1 of 7)
Breaking Freefrom Disney’s High School Musical
(TROY, GABRIELLA, COMPANY)
47
— 2 1 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
& bbb18
œ œ œ œ ‰ jœus, till
œ œ œ œ œ Œwe’re sep ’rate hearts.
Ó Ó-
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œ(GABRIELLA:)
œ œ œ œ œBut your faith, it gives
œ(TROY:) œ œ œ œ œBut your faith, it gives
œ œ œ œ Œme strength,
œ œ œ œ Œme strength,
.œ jœ œ œ œstrength to be lieve.
.œ jœ œ œ œstrength to be lieve.
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œ œ œ Œ Œ ‰ jœWe’re
œ Œ œ œ œ œWe’re break ing free!
.œ jœ œ Œsoar ing,
œ Œ Œ ‰ JœFly
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.œ Jœ ˙ing,
-
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œ œ œ œ jœ œ jœThere’s not a star in hea
œ œ œ œ Jœ œ JœThere’s not a star in hea
œ œ œ œ jœ œ jœven that we can’t reach.
œ œ œ œ Jœ œ Jœven that we can’t reach.
œ Œ Ó
œ Œ ‰ Jœ œ œ
If we’re try
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Ó ‰ jœ œ œyeah, we’re breakœ œ œ ‰ Jœ œ œ
ing, yeah, we’re break
jœ .œ Óing free.
Jœ .œ ‰ Jœ œ œing free. (Yeah, we’re break
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Jœ .œ œ Œing free.)
-
- -
No. 47 Breaking Free (p. 2 of 7)
H I G H S C H O O L M U S I C A L — 2 1 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
& bbb33
Œ œ(TROY:) œ œ œ œCan you feel it build
œ œ œ œ œ œ Œding,
Œ œ œ œ œ œlike a wave the o- -
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œ œ œ œ Jœ œ Jœcean just can’t con trol,
‰ jœGABRIELLA:
œ œ œb œ œ œcon nect ed by a feelœ Œ Ó
œ œb ‰ œ œ œ œ œin’, oh, in our ver
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jœ .œ Óy souls,
Ó ‰ Jœb œ œ(in our ver
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Jœ .œ Óy souls,)
œ œ œ œ œ œris ing till it lifts
œ œ œ œ œ œris ing till it lifts
œ œ œ Œ ‰ jœus up so
œ œ œ Œ ‰ Jœus up so
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œ œ œ œ œ œev ’ry one can see?
œ œ œ œ œ œev ’ry one can see?
œ Œ Ó
œ œ œ Œ œ œ œ œ
We’re break ing free!
- -
- - -
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45 œ Œ Ó(One by one, the Students in the audience rise, dance and sing along with Gabriella and Troy. Coach Bolton enters and watches Troy in disbelief.)
...œœœALL: jœœœ œœœ ‰ jœœœSoar in’, fly
�
...œœœ jœœœ œœœ Œin’,
�
œœ œœ œœ œœ jœœ œœjœœ
There’s not a star in hea- - -
No. 47 Breaking Free (p. 3 of 7)
— 2 1 4 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œœ œœ œœ œœ jœœ œœjœœ
ven that we can’t reach.
œœ Œ ‰ jœœ œœ œœIf we’re try
œœ œœ œœ ‰ jœœ œœ œœin’, yeah, we’re break- -
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Ó ‰ JœGABRIELLA:
œ œOh, we’re break
Ó ‰ JœTROY: œ œOh, we’re break
jœœ ..œœ ˙in’ free.
jœ .œ œ Œin’ free.
Jœ .œ œ Œin’ free.
..˙ Œ
�
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...œœœ(ALL:) jœœœ œœœ ‰ jœœœRun nin’, climb
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...œœœ jœœœ œœœ ‰ jœin’, to
-
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- -
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œœ œœ œœ œœ jœœ œœjœœ
get to that place to be
œœ œœ œœ œœ jœœ œœjœœ
all that we can be.
œœ Œ ‰ jœœ œœ œœNow’s the time
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œœ œœ œœ ‰ jœœ œœ œœso we’re break
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jœœ ..œœ ˙in’ free.
‰ JœTROY: œ œ ‰ Jœ œ œMore than hope, more than faith,
jœœœ ‰ Œ Ó-
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‰ JœGABRIELLA:
œ œ ‰ Jœ œ œthis is truth, this is fate,
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‰ Jœ œ œb œ œ œ œand to geth er we see
‰ jœ(TROY:)
œ œ œ œ œ œand to geth er we see
Jœ œ jœb jœ œ jœnit com in’.
jœ œ jœ jœ .œit com in’.
- - -
- - -
No. 47 Breaking Free (p. 4 of 7)
H I G H S C H O O L M U S I C A L — 2 1 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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‰ Jœœ
JOCKS: œœ œœ ‰ Jœœ œœ œœ
More than you, more than me,
‰ JœœBRAINIACS:œœ œœ ‰ J
œœ œœ œœNot a want, but a need:
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‰ JœGIRLS: œ œ ‰ Jœ œ œ
all of us break in’ free!
‰ JœGUYS: œ œ ‰ Jœ œ œ
all of us break in’ free!
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16
(Ms. Darbus is overjoyed, as much with the singing as with the full house. It’s clear that Troy and Gabriella have landed the leads. The Students rush the stage, joining Troy and Gabriella in celebration. Coach Bolton wipes tears from his eyes and pulls Troy aside.)TROY: I’m sorry, Coach –COACH BOLTON: No, Troy, I’m sorry. You werefantastic!TROY: I was?COACH BOLTON: I’ve been so busy focusing on what I want for you, maybe I’ve missed what you want for yourself. You can be anything you want, don’t let anyone ever stop you. Okay, Son?TROY: (a big smile bursts across his face) Okay... Dad.(beat) Now let’s go win that championship! (Troyand Coach Bolton hug.)
16
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...œœœALL: jœœœ œœœ ‰ jœœœSoar in’, fly
...œœœ jœœœ œœœ Œin’,
œœ œœ œœ œœ jœœ œœjœœ
There’s not a star in hea- - -
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œœ œœ œœ œœ jœœ œœjœœ
ven that we can’t reach.
œœ Œ ‰ jœœ œœ œIf we’re try -
No. 47 Breaking Free (p. 5 of 7)
— 2 1 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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jœ .œ ˙in’,
Jœ� .œ ‰ œ œ Jœ
in’, Yeah, we’re break
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œ ‰ jœ jœ .œbreak in’ free…
Jœ .œ ˙in’ free…
Jœ .œ œ Œin’ free…
.˙ Œ
.˙ Œ
-
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...œœœ jœœœ œœœ ‰ jœœœRun nin’, climb
...œœœ jœœœ œœœ ‰ jœin’, to
œœ œœ œœ œœ jœœ œœjœœ
get to that place to be- -
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œœ œœ œœ œœ jœœ œœjœœ
all that we can be.
œœ Œ ‰ jœœ œœ œœNow’s the time
jœœ ..œœ ‰ œœ œœjœœ
so we’re break
Big pullbackjœœ ..œœ ˙in’ free.
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‰ Jœœ
GIRLS:œœ œœn œœ œœ œœNow is the time to free
‰ Jœœ
GUYS: œœ œœ œ œœ œœNow is the time to free
..œœ jœœn œœ œœ œœ œœus
..œœ Jœœn œœ œœ œœ œœus
‰ jœœ œœ œœjœœ ‰ œœ
to touch the sky, to
‰ jœœ œœ œœ Jœœ ‰ œœto touch the sky, to
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œœ œœ œœ œœ jœœ œœjœœ
reach for the high est star!
œœ œœ œœ œœjœœ œœ J
œœreach for the high est star!
‰ Jœœ œœ œœn œœ œœ œœYou know the world can see
‰ Jœœ œœ œœ œ œœ œœYou know the world can see
..œœ jœœn œœ œœ œœ œœus
..œœ Jœœn œœ œœ œœ œœus
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No. 47 Breaking Free (p. 6 of 7)
H I G H S C H O O L M U S I C A L — 2 1 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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Œ œœ œœ œœ œœin a way that’s
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œœ œœ œœ œœ jœœ ‰ œœdif f’rent from who we
œœ œœ œœ œœjœœ ‰ œœ
dif f’rent from who we
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(Blackout.)
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No. 47 Breaking Free (p. 7 of 7)
— 2 1 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
Game Buzzer48
Wildcat Vamp49
VOCALS TACET
H I G H S C H O O L M U S I C A L — 2 1 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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Attacca from No. 48 “Wild Cat Vamp”
Œ ‰ J¿ALL: ¿ ŒHey!
Œ ‰ J¿ ¿ ŒHey!
Œ ‰ J¿ ¿ ‰ J¿Hey! Ho!
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‰ œat pitch
œ œ œ ‰ œ œ œ œTo geth er, to geth er,
‰ œ œ œ œ œ œ œto geth er, ev ’ry one,- - - - - - - - -
& #8
‰ œ œ œ œ ‰ œ œ œ œTo geth er, to geth er,
‰ œ œ œ œœ œœbn œœ œœc’ mon, let’s have some fun!- - - - -
& #10
‰ œ œ œ œ ‰ œ œ œ œTo geth er, we’re there for
‰ œ œ œ œ œ œ œeach oth er ev ’ry time.- - - -
& # nbbb12
‰ œ œ œ œ ‰ œ œ œ œTo geth er, to geth er,
‰ œ œ œ œœ œœbn œœ œœc’ mon, let’s do this right!- - - - -
& bbb14
Œ œ�TROY: œ œ œ ‰ œHere and now, it’s
œ œ œ œ .œ œ œtime for cel e bra tion.
‰ Jœ œ œ œ œ ‰ œ œI fin ’lly fig ured out- - - - -
No. 50 We're All in This Together (Reprise) (p. 1 of 8)
We're All in This Together(Reprise)
from Disney’s High School Musical(COMPANY)
50
— 2 2 0 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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17 œ œ œb Œ Ó
Ó œbALL:
œ œYeah, yeah!
‰ Jœ œ œ œ œ Œthat all our dreams
Ó Œ ¿Oh!
œ œ œ œ .œ œ œhave no lim i ta tions.
�- - -
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�
‰ Jœ œ œ œ œ œ œThat’s what it’s all a bout.
�
�œ œb œ œ Ó
Ó ‰ ¿(ALL:)¿ ¿ ¿C’ mon, now!
Œ œGABRIELLA:
œ œ œ ‰ œEv ’ry one is
�
Ó Œ ¿Oh!
~~~~
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& b23
œ œ œ œ .œ œ œspe cial in their own way.
‰ jœ œ œ œ œ ‰ œWe make each oth er strong.- -
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˙ Ó
‰ jœb(ALL:)
œ œ ...œœœ œœœ œœœ œœœWe make each oth er strong!
‰ jœ œ œ œ œ ŒWe’re not the same.
Ó Œ ‰ jœœWe’re-
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�
œœ œœ œœ œœ ..œœ œœ œœdif f’rent in a good way.
‰ jœœGAB.,TROY:
œœ œœ œœ œœ œ œœbTo geth er’s where we be long!
�
..œœjœœ œœ ‰ jœœ
GAB.,SHARPAYTROY,RYAN:
We’re
�- - -
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No. 50 We're All in This Together (Reprise) (p. 2 of 8)
H I G H S C H O O L M U S I C A L — 2 2 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œGAB.,SHARPAY:
œ œ œ œ œall in this to geth
œTROY,RYAN:œ œ œ œ œall in this to geth
œ œ ‰ œ jœ œ jœer. Once we know
œ œ ‰ œ Jœ œ Jœer. Once we know
‰ jœ œ œ ‰ jœ œ œthat we are, we’re all stars
‰ Jœ œ œ ‰ Jœ œ œthat we are, we’re all stars
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‰ jœ œ œ œ œ ‰ jœand we see that we’re
‰ Jœ œ œ œ œ ‰ Jœand we see that we’re
œ œ œ œ œ œall in this to gethœ œ œ œ œ œall in this to geth
œ œ ‰ œ jœ œ jœer, and it shows
œ œ ‰ œ Jœ œ Jœer, and it shows
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‰ jœ œ œ ‰ jœ œ œwhen we stand hand in hand,
‰ Jœ œ œ ‰ Jœ œ œwhen we stand hand in hand,
‰ jœ œ œ œ œ œ œmake our dreams come true.
‰ Jœ œ œ Jœ œ Jœmake our dreams come true.
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˙ ‰ ¿ ¿ ¿ ¿ ¿Ev ’ry bod y, now!
˙ ‰ ¿ ¿ ¿ ¿ ¿Ev ’ry bod y, now!
‰ œat pitch
GROUP 1:
œ œ œ ‰ œ œ œ œTo geth er, to geth er,
Ó ¿GROUP 2: ŒAll!
‰ œ œ œ œ œ œ œto geth er, ev ’ry one,
¿ Œ œ œ œAll! ev ’ry one,
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‰ œ œ œ œ ‰ œ œ œ œTo geth er, to geth er,
Ó ¿ ŒAll!
‰ œ œ œ œœ œœbn œœ œœc’ mon, let’s have some fun!
¿ Œ œœbn œœ œœAll! have some fun!
- - - - -
No. 50 We're All in This Together (Reprise) (p. 3 of 8)
— 2 2 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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‰ œ œ œ œ ‰ œ œ œ œTo geth er, we’re there for
¿ Œ ¿ ŒAll! All!
‰ œ œ œ œ œ œ œeach oth er ev ’ry time.
¿ Œ œ œ œAll! ev ’ry time.
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‰ œ œ œ œ ‰ œ œ œ œTo geth er, to geth er,
¿ Œ ¿ ŒAll! All!
‰ œ œ œ œœ œœbn œœ œœc’ mon, let’s do this right!
¿ Œ œœbn œœ œœAll! do this right!
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48
Œ œRYAN:
�œ œ œ ‰ œ
We’re all here and
Ó Œ ¿ALL:
Yeah!
œ œ œ œ .œ œ œspeak ing out with one voice.
Ó ..œœ œœb œœone voice.
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‰ Jœ œ œ œ œ ‰ œWe’re gon na rock the house!
�
�
œ œ .œb Ó
Œ J¿GROUP 1:‰ ‰ .¿Rock house
Œ ‰ J¿GROUP 2: ‰ .¿
Rock house
‰ Jœ œ œ œ œ ‰ œThe par ty’s on; now
Ó ‰ .¿On
Ó ‰ .¿On
~~~~
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No. 50 We're All in This Together (Reprise) (p. 4 of 8)
H I G H S C H O O L M U S I C A L — 2 2 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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53 œ œ œ œ .œ œ œ œev ’rybody make some noise,
�
‰Jœ œ œ œ œ œ œc’mon and scream and shout!
L(ALL:)
Oh!
œ œb œ œ Ó
J¿ ‰ Œ Y[cheer!]
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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Œ œSHARPAY:
œ œ œ ‰ œWe’ve ar rived be
Ó ‰ J¿GIRLS: ¿
Ar rived?
Ó ‰ J¿GUYS: ¿
Ar rived?
œ œ œ œ .œ œ Œcause we stuck to geth er,
Ó ‰ .¿Oh,
Ó ‰ .¿Oh,
Œ œ œ œ œ œ œchamp i ons one and all.
¿ Œ Œ ‰ jœœbyeah. All!
¿ Œ Œ ‰ Jœœb
�yeah. All!
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.œ jœ œ Œ
..œœjœœ œœ ‰ jœ
We’re
..œœ Jœœ œœ ‰ J
œœWe’re
�
œ œ œ œ œ œall in this to gethœ œ œ œ œ œall in this to geth
�
œ œ ‰ œ jœ œ jœer. Once we know
œ œ ‰ œ Jœ œ Jœer. Once we know
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‰ jœ œ œ ‰ jœ œ œthat we are, we’re all stars
‰ Jœ œ œ ‰ Jœ œ œthat we are, we’re all stars
‰ jœ œœ œœ œœ œœ ‰ jœand we see that we’re
‰ Jœ œœ œœ œœ œœ ‰ Jœand we see that we’re
œ œ œ œ œ œall in this to gethœ œ œ œ œ œall in this to geth
- -
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No. 50 We're All in This Together (Reprise) (p. 5 of 8)
— 2 2 4 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ œ ‰ œ jœ œ jœer, and it shows
œ œ ‰ œ Jœ œ Jœer, and it shows
‰ jœ œ œ ‰ jœ œ œwhen we stand hand in hand,
‰ Jœ œ œ ‰ Jœ œ œwhen we stand hand in hand,
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‰ jœ œœ œœ œœ œœ ‰ jœmake our dreams come We’re
‰ Jœ œœ œœ œœ œœ ‰ Jœmake our dreams come We’re
œ œ œ œ œ œall in this to geth
œ œ œ œ œ œall in this to geth
œ œ ‰ œ jœ œ jœer. When we reach,
œ œ ‰ œ Jœ œ Jœer. When we reach,
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‰ jœ œ œ ‰ jœ œ œwe can fly, know in side
‰ Jœ œ œ ‰ Jœ œ œwe can fly, know in side
‰ jœ œœ œœ œœ œœ ‰ jœwe can make it. We’re
‰ Jœ œœ œœ œœ œœ ‰ Jœwe can make it. We’re
œ œ œ œ œ œall in this to gethœ œ œ œ œ œall in this to geth
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œ œ ‰ œ jœ œ jœer once we see
œ œ ‰ œ Jœ œ Jœer once we see
‰ jœ œ œ ‰ jœ œ œthere’s a chance that we have
‰ Jœ œ œ ‰ Jœ œ œthere’s a chance that we have
‰ jœ œœ œœ jœœ œœ ‰and we take it.
‰ Jœ œœ œœ Jœœ œœ ‰and we take it.
& bbbb76
œALL:
œ œ œ œb jœ ‰Wild cats, sing a long,
œb œ œ œ œ œ œ œ œ jœ ‰yeah, you real ly got it go in’ on.- - -
& bbbb78
œ œ œ œ œb jœ ‰Wild cats in the house,
œn œ œ œ œœœ œœœ œœœb œœœev ’ry bod y say it now!
œ œ œ œ œb jœ ‰Wild cats, ev ’rywhere,- - - - -
No. 50 We're All in This Together (Reprise) (p. 6 of 8)
H I G H S C H O O L M U S I C A L — 2 2 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
& bbbb81
œb œ œ œ œ œ œ jœ ‰wave your hands up in the air.
œ œb œ œ œ œ œ œThat’s the way we do it, let’s get
& bbbb nnnb n#83
œ œb œ œ œ œ jœ ‰to it, time to show the world!
7L
We’re~~~~~~~
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œœGIRLS:œœ œœ œœ œœ œœall in this to geth
œœGUYS:œœ œœ œœ œœ œœall in this to geth
œœ œœ ‰ œœ Jœœ œœ Jœœer. Once we know
œœ œœ ‰ œœ Jœœœœ Jœœ
er. Once we know
‰ jœœ œœ œœ ‰ jœœ œœ œœthat we are, we’re all stars
..œœ Jœœ..œœ Jœœ
~~~~~
~~~~~
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‰ jœ œ œ œ œ ‰ jœand we see that we’re
..œœ Jœœ Jœœ Jœœ ‰ Jœœ
see that we’re
œœ œœ œœ œœ œœ œœall in this to gethœœ œœ œœ œœ œœ œœall in this to geth
œœ œœ ‰ œœ Jœœ œœ Jœœer, and it showsœœ œœ ‰ œœ Jœœ
œœ Jœœer, and it shows
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‰ jœœ œœ œœ ‰ jœœ œœ œœwhen we stand hand in hand,
..œœ Jœœ..œœ Jœœ
‰ jœ œ œ œ œ ‰ jœmake our dreams come We’re
..œœ Jœœ Jœœ Jœœ ‰ Jœdreams come We’re
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œ œ œ œ œ œall in this to gethœ œ œ œ œ œall in this to geth
œ œ ‰ œ jœ œ jœer. When we reach,
œ œ ‰ œ Jœ œ Jœer. When we reach,
‰ jœ œ œ ‰ jœ œ œwe can fly, know in side
‰ Jœ œ œ ‰ Jœ œ œwe can fly, know in side
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No. 50 We're All in This Together (Reprise) (p. 7 of 8)
— 2 2 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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‰ jœ œœ œœ œœ œœ ‰ jœwe can make it. We’re
‰ Jœ œœ œœ œœ œœ ‰ Jœwe can make it. We’re
œ œ œ œ œ œall in this to gethœ œ œ œ œ œall in this to geth
œ œ ‰ œ jœ œ jœer once we see
œ œ ‰ œ Jœ œ Jœer once we see
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‰ jœ œ œ ‰ jœ œ œthere’s a chance that we have
‰ Jœ œ œ ‰ Jœ œ œthere’s a chance that we have
‰ jœ œœ œœ jœœ œœ ‰and we take it.
‰ Jœ œœ œœ Jœœ œœ ‰and we take it.
œœ œœ œœ œœ œœnjœœ ‰
Wild cats, ev’ rywhere,œœ œœ œœ œœ œœn Jœœ ‰
Wild cats, ev’ rywhere,
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œn œ œ œ œ œ œ jœ ‰wave your hands up in the air!
œœn œœ œœ œœ œœ œœ œœ Jœœ ‰
wave your hands up in the air!
œ œn œ œ œ œ œ œThat’s the way we do it, let’s get
œœ œœn œœ œœ œœ œœ œœ œœThat’s the way we do it, let’s get
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œœ œœn œœ œœb ˙to it, c’ mon!
œœ œœn œœ œœ ˙to it, c’ mon!
˙ ‰ jœœœœnn
œœEv ’ry one!
˙ ‰ jœœœœnn
œœEv ’ry one!
�
�- - -
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No. 50 We're All in This Together (Reprise) (p. 8 of 8)
H I G H S C H O O L M U S I C A L — 2 2 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
& 44“Start of Something New”
7 Ó Œ œSOLO 1:
œLiv ing
œ œ œ Jœ .œin my own world,
Ó Œ œSOLO 2:
œdid n’t
œ œ œ œ Œun der stand- - -
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Ó Œ ‰ JœSOLO 3:
that
œ œ œ œ œ œ œan y thing can hap pen
Ó Œ œSOLO 4:
œwhen you
œ œ œ œ Œtake a chance.- - -
& ##16
Ó Œ ‰ jœ2 SOLOS:
I
œ œ œ œ jœ .œnev er be lieved in
˙ Œœ
2 SOLOS:
œwhat I
œ œ œ ˙could n’t see.- - -
& ##20
Ó ‰ jœ3 SOLOS:
œ œI nev er
œ œ œ œ ˙o pened my heart
Œ ‰ jœ3 SOLOS:
œ œ œ œto all the pos si
œ œ œ œ Œbil i ties.- - - - - -
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Œ ‰ jœGIRLS:
œ œI know this
Œ ‰ JœGUYS: œ œ
I know this
œn ‰ jœ œ œ œ œyear, that some thing has changed,
œ ‰ Jœb œ œ œn œyear, that some thing has changed,
œ ‰ œ œ jœn œ jœnev er felt this way,
œ ‰ œb œn Jœ œ Jœnev er felt this way,
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œ ‰ jœ œn œ œ œI know it for real:
œ ‰ Jœb œ œ œn œI know it for real:
jœ ‰ œ œ œ œœThis could be the
Jœ ‰ œ œ œ œœThis could be the
œ ‰ jœ .œ œ œ œstart of some thing new.œœ ‰ Jœ .œ œœ œœ œœstart of some thing new.
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No. 51 Megamix (p. 1 of 12)
Megamixfrom Disney’s High School Musical
(COMPANY)
51
— 2 2 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ ‰ jœ .œ œ œ œIt feels so rightœœ ‰ Jœ .œ œœ œœ œœIt feels so right
œ œ œ .œ œ œ œto be here with you.œœ œ œ .œ œ œ œto be here with you.
jœ ‰ œ œ œ ‰ jœOh And
Jœ ‰ œ œ œ ‰ JœOh And
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œœ œœ œœ œœ ..œœ œœ œœ œœnow I fin ’lly re a lize
˙ ..œœ Jœœah
œœ ‰ jœ œ œœ œœ œœI feel in my heart
˙ ..œœ Jœœ
..˙ œœ œœ
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‰ Jœ œ œ œ œ œœthe start of some thing new!
‰ Jœ œœ œœ œœ œœ œthe start of some thing new!
˙ œœ œœ œœ œœOh!
˙ œ œœ œœ œœOh!
‰ Jœ œ œ œ œ œœthe start of some thing new!
‰ Jœ œœ œœ œœ œœ œthe start of some thing new!
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˙ œœ œœ œœ œœOh!
˙ œ œœ œœ œœOh!
‰ Jœ œ œ œ œ œœthe start of some thing new!
‰ Jœ œœ œœ œœ œœ œthe start of some thing new!
˙ œœ œœ œœ œœOh!
˙ œ œœ œœ œœOh!
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‰ Jœ œ œ Jœ œ ‰The start of some thing
‰ Jœ œœ œœ Jœœ œœ ‰
The start of some thing
“Get’cha Head in the Game”
Ó Œ � œGIRLS: œ œYou got ta
�- -
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No. 51 Megamix (p. 2 of 12)
H I G H S C H O O L M U S I C A L — 2 2 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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‰ œ œ ‰ œ œ œ œ œ œ Jœ ‰get ’cha, get ’cha head in the game.
Ó Œ � ¿GUYS: ¿ ¿You got ta
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Ó Œ � œ(GIRLS:) œ œYou got ta
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ J¿ ‰get ’cha, get ’cha, get ’cha, get ’cha head in the game.
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‰ œ œ ‰ œ œ œ œ œ œ Jœ ‰get ’cha, get ’cha head in the game.
Ó Œ � ¿(GUYS:) ¿ ¿You got ta
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Ó Œ ‰ œ œCome on,
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ J¿ ‰get ’cha, get ’cha, get ’cha, get ’cha head in the game.- - - -
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‰ œ œ ‰ œ œ œ œ œ œ Jœ ‰get ’cha, get ’cha head in the game.
Ó Œ � ¿ ¿ ¿You got ta
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No. 51 Megamix (p. 3 of 12)
— 2 3 0 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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Ó Œ � œ œ œI got ta
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ J¿ ‰get ’cha, get ’cha, get ’cha, get ’cha head in the game.
-
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œ œ ‰ œ œ ‰ œ œ œ œ Jœ ‰get my, get my head in the game.
‰ ¿ ¿ ‰ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿Get ’cha, get ’cha head in the game. You got ta- - -
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¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿get ’cha, get ’cha, get ’cha, get ’cha head in the game. Get ’cha
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿get ’cha, get ’cha, get ’cha, get ’cha head in the game. Woah!
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¿ ¿ ¿ ¿ ‰ ¿ ¿ ¿ ¿ ¿ ¿ ‰ ¿ ¿head in the game! Get ‘cha head in the game! Get‘cha
Y ¿ ‰ ¿ ¿Get‘cha
¿ ¿ ¿ ¿ Œ Óhead in the game!
¿ ¿ ¿ ¿ Œ Óhead in the game!
~~~ ~~~~~~~~~~~~~~~~~~~~~~~-
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“What I’ve Been Looking For”
54-57
4
4
�
Œ œGUYS: œ œThis feel ing’s
�
œ œ œ œ œlike no oth er.
Œ ‰ jœGIRLS:
œ œ œ œI want you to know:
œ ‰ ‰ Ó- -
No. 51 Megamix (p. 4 of 12)
H I G H S C H O O L M U S I C A L — 2 3 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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œ œ ˙ Œ
�
œ œ œ œ œI’ve nev er had some
œ œ œ œ œI’ve nev er had some
œ ‰ jœ œ œ œ œone that knows me like you
œ ‰ jœ œ œ œ œone that knows me like you
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jœ .œ ‰ jœ œ œdo, the way you
Jœ .œ ‰ Jœ œ œdo, the way you
œ œ ˙ Œdo.
œ œ ˙ Œdo.
œ œ œ œ œI’ve nev er had some
œ œ œ œ œI’ve nev er had some
œ ‰ jœ œ œ œ œone as good for me as
œ ‰ jœ œ œ œ œone as good for me as
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jœ .œ ‰ jœ œ œyou, no one like
Jœ .œ ‰ Jœ œ œyou, no one like
œ œ ˙ Œyou.
œ œ ˙ Œyou.
Œ œ œ œ œ œSo lone ly be fore
Œ œ œ œ œ œSo lone ly be fore
œ ‰ jœ œ œ œ œI fin al ly found
œ ‰ jœ œ œ œ œI fin al ly found
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.˙ ‰ jœwhat
.˙ ‰ jœwhat
œ œ œ œ œ œ œI’ve been look ing for.
œ œ œ œ œ œ œI’ve been look ing for.
jœ ‰ Œ œ œ œDoo doo doo
jœ ‰ Œ Ó-
-
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Œ œ œ œ œ œdoot doo doo doo doot
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Jœœ ‰ Jœœ ‰ œœ ‰ œœ œœwoh oh oh oh-
No. 51 Megamix (p. 5 of 12)
— 2 3 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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nnnb
78
Œ œ œ œ œDoot doo doo doo
Jœœ‰ œ œ œ œDoot doo doo doo
Œ œ œ œ œ œdoot doo doo doo doot
Œ œ œ œ œ œdoot doo doo doo doot
‰ .œ Œ ‰ jœdoo a
‰ .œ Œ ‰ Jœdoo a
jœ ‰ jœ ‰ jœ ‰ jœ ‰woh oh oh oh
Jœ ‰ Jœ ‰ Jœ ‰ Jœ ‰woh oh oh oh
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“Status Quo”
82 ..œœ
GROUP 1:jœœ jœœ œœjœœ
No! No, no, no!
�
..˙ ‰ jœœStick
‰ œœGROUP 2: jœœ
jœœ ..œœNo, no! no!
œœ œœ œœ œœjœœ œœ
jœœto the stuff you know.
..˙ Œno!
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œœ œœ œœ ‰ jœœ œœ œœIf you wan
œœ œœ œœ œœ
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œœFol low your dream and
œœ œœ œœ œœ œœ œœ œœ œœna be cool, fol low one
..œœjœœ ..œœ
jœœbgo! go! go!
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œœ œœ œœ œœb ‰ œœ jœœnsim ple rule, don’t mess
..œœjœœ ˙
œœ œœ œœ œœjœœ œœ jœœ
with the flow oh, no!
Ó ‰ jœœ œœ œœGot ta live,
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œœ œœ œœ Œ ‰ jœœstick
œœ œœœœœœ œœ œœ
got ta grow! Oh
œœ œœ œœb œœ jœœ œœ jœœwith the sta tus quo!
˙ Œ œœno: Don’t
œ œœb œœ œœ œœ œœwb
œœ œœ œœœœ œœ œœ
stick with the sta tus
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No. 51 Megamix (p. 6 of 12)
H I G H S C H O O L M U S I C A L — 2 3 3 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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92 ..œœ
jœœ jœœ œœjœœ
No, no, no!
wwquo!
..˙ ‰ jœœStick
‰ œœjœœ
jœœ ..œœNo, no! no!
œœ œœ œœ œœjœœ œœ
jœœto the stuff you know.
..˙ Œno!
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œœ œœ œœ ‰ jœœ œœ œœIt is be
œœ œœ œœ œœ
œœ
œœFol low your dream and
œœ œœ œœ œœ œœ œœ œœ œœter by far to keep things
..œœjœœ ..œœ
jœœbgo! go! go!
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œœ œœ œœ œœb ‰ œœ jœœnas they are. Don’t mess
..œœjœœ ˙
œœ œœ œœ œœjœœ œœ
jœœwith the flow, oh no.
Ó ‰ jœœ œœ œœGot ta live,-
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œœ œœ œœ Œ ‰ jœœstick
œœ œœœœœœ œœ Œ
got ta grow!
œœ œœ œœb œœ jœœ œœ jœœto the stat us quo!
Ó ‰ œœjœœ
Don’t stick
..˙˙ ‰ jœœStick
œœ œœ œœ œœb jœœ œœ jœœto the sta tus quo!
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œœ œœ œœb œœ jœœ œœ jœœto the sta tus quo!
˙˙ ‰ œœjœœ
Don’t stick
..˙˙ ‰ jœœStick
œœ œœ œœ œœb jœœ œœ jœœto the sta tus quo!
œœ œœ œœb œœ jœœ œœjœœ
to the sta tus quo!
˙˙ ‰ œœjœœ
Don’t stick
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No. 51 Megamix (p. 7 of 12)
— 2 3 4 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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105
ww
œœ œœ œœ œœb jœœ œœjœœ
to the sta tus quo!
ww
ww
..˙ Œ
..˙ Œ
..œœƒ GIRLS:
Jœœb ..œœ Jœœ
Quo!
..œœƒ GUYS: jœœb ..œœ jœœ
Quo!
..œœ Jœœb ˙
..œœjœœbb ˙
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110 ..œœ Jœœb ..œœ Jœœ
Quo!
..œœ jœœb ..œœ jœœQuo!
..œœ Jœœb ˙
..œœjœœbb ˙
..œœ Jœœb ..œœ Jœœ
Quo!
..œœ jœœb ..œœ jœœQuo!
..œœ Jœœb ˙
..œœjœœbb ˙
&
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�
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Ó ‰ Jœ œ œWe’re gon na
Ó ‰ Jœ œ œWe’re gon na
œœ œœ œœ ‰ jœœbop bop bop, bop
œœ œœ œœ ‰ Jœœ
bop bop bop, bop
‰ œœ jœœ œœ Œto the top,
‰ œœ Jœœ œœ Œ
to the top,
œ œ œ œ œWipe a way your in
‰ œ Jœœ œ œ
Wipe a way your in
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119 jœ œ jœ jœ œ ‰hi bi tions.
Jœ œ Jœ Jœ œ ‰hi bi tions.
œœ œœ œœ ‰ jœœJump and hop, hop
œœ œœ œœ ‰ Jœœ
Jump and hop, hop
‰ œœ jœœ jœœ œ jœtill we drop and start
‰ œœ Jœœ J
œœ œ Jœœtill we drop and start
˙ jœ œ jœa gain.
˙˙ Jœœ œœ Jœœ#a gain.
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.˙ Œ
..˙ Œ
œœ œœ œœ ‰ jœœBop bop bop straightœœ œœ œœ ‰ J
œœBop bop bop straight
‰ œœ jœœ œœ Œto the top,
‰ œœ Jœœ œœ Œ
to the top,
œ œ œ œ œgo ing for the glo
‰ œ Jœœ œ œ
go ing for the glo
œ œ ˙ Œry.
œ œ ˙ Œry.
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No. 51 Megamix (p. 8 of 12)
H I G H S C H O O L M U S I C A L — 2 3 5 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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128 œœ œœœœ
œœœœ
We’ll keep step ping up
œ œ œ œ œWe’ll keep step ping up
jœœ œœjœœœœ
œœand we just won’t
Jœ œ jœ œ œand we just won’t
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stop
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wwÍ
stop
ww
ww
‰ œœ# jœœ œœ œœtill we reach the
‰ œœ Jœœ œœ œœ
till we reach the
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133 ..œœ Jœœ œœ œœtop!..œœ J
œœ œœ œœtop!
..˙ Œ
..˙ Œ
œœ ‰ Jœœ œœ œœ
œœBop to the top!
œœ ‰ Jœœ œœ œœ
œœBop to the top!
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“Counting on You”
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Ó ‰ JœGUYS: œ œCheck out the
& ##141 œ œ œ œ œ œ œ
cham pi ons who came be fore,
Ó Œ œ œhail the
œ œ œ œ Jœ œ Jœhe ro that you could be.- - - -
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Ó ‰ jœGIRLS:
œ œAnd put a
œ œ Œ Ó
jœ œ jœn ‰ jœ œ œway that dream, ’cause there’s no
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jœ œ jœn Œ œ œ“I” in “TEAM,” and the
Ó Œ œ(GUYS:) œand the
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œn œ œ œ œ œ œ œbsac ri fice is worth it, we all
œ œ œ œ œ œ œb œnsac ri fice is worth it, we all
jœ œ Jœb Jœ ‰ Œa gree.
Jœ œb Jœn Jœ ‰ ‰ Jœa gree. You
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No. 51 Megamix (p. 9 of 12)
— 2 3 6 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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150
Ó Œ œ œand for
Jœ .œ Ócus
œn œ œ œ...œœœ
jœœœnget a bout “you know
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Œ œn œ œ œ œœ#Don’t let us down,
Œ œn œ œ œ œœ#Don’t let us down,
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œœ ‰ jœ œ œ œ œœyou got ta come through,
œœ ‰ Jœ œ œ œ œœyou got ta come through,
˙ Œ œ œ’cause we’re
˙ Œ œ œ’cause we’re
œn>
œ œ œ>
œ œ œ>
œcount ing on, count ing on, count ing
œn> œ œ œ> œ œ œ> œcount ing on, count ing on, count ing
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157
.on
.˙on
œ> Œ Óyou!
œ> Œ Óyou!
“We’re All in This Together”Ó Œ ‰ jœWe’re
Ó Œ ‰ JœWe’re
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160
œ œ œ œ œ œall in this to gethœœ œ œœ œœ œ œœall in this to geth
œ œ ‰ œ jœ œ jœer. When we reach,
œœ œœ ‰ œœ Jœœœœ J
œœer. When we reach,
‰ jœ œ œ ‰ jœ œ œwe can fly, know in side
‰ Jœœ œœ œœ ‰ Jœœ œœ œœwe can fly, know in side
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163
‰ jœ œ œ œ œ ‰ jœwe can make it. We’re
‰ Jœœœœ œœ œœ œœ ‰ J
œœwe can make it. We’re
œ œ œ œ œ œall in this to geth
œœ œ œœ œœ œ œœall in this to geth
œ œ ‰ œ jœ œ jœer once we see
œœ œœ ‰ œœ Jœœœœ J
œœer once we see
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No. 51 Megamix (p. 10 of 12)
H I G H S C H O O L M U S I C A L — 2 3 7 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
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166
‰ jœ œ œ ‰ jœ œ œthere’s a chance that we have
‰ Jœœ œœ œœ ‰ Jœœ œœ œœthere’s a chance that we have
‰ jœ œ œ jœ œ ‰and we take it.
‰ Jœœœœ œœ Jœœ œœ ‰
and we take it.
& ###### nnn###168
‰ œALL:
at pitch
œ œ œ ‰ œ œ œ œTo geth er, to geth er,
‰ œ œ œ œ œ œ œto geth er, ev ’ry one,- - - - - - - -
& ### nnnb170
‰ œ œ œ œ ‰ œ œ œ œTo geth er, to geth er,
‰ œ œ œ œœ œœnn œœ œœc’ mon, let’s have some fun!- - - - -
& b“Breaking Free”172
...œœœ jœœœ œœœ ‰ jœœœSoar in’, fly
...œœœ jœœœ œœœ Œin’.
œœ œœ œœ œœ jœœ œœjœœ
There’s not a star in hea- - -
& b175
œœ œœ œœ œœ jœœ œœjœœ
ven that we can’t reach.
œœ Œ ‰ jœœ œœ œIf we’re try -
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Jœ� .œ ‰ œ œ Jœ
in’, Yeah, we’re break
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Jœ .œ ˙in’ free…
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.˙ Œ
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...œœœ jœœœ œœœ ‰ jœœœRun nin’, climb
...œœœ jœœœ œœœ ‰ jœin’, to
œœ œœ œœ œœ jœœ œœjœœ
get to that place to be- -
No. 51 Megamix (p. 11 of 12)
— 2 3 8 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
& b183
œœ œœ œœ œœ jœœ œœjœœ
all that we can be.
œœ Œ ‰ jœœ œœ œœNow’s the time
jœœ ..œœ ‰ œœ œœjœœ
so we’re break
Big pullbackjœœ ..œœ ˙in’ free.
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‰ Jœœ
GIRLS:œœ œœn œœ œœ œœNow is the time to free
‰ Jœœ
GUYS: œœ œœ œ œœ œœNow is the time to free
..œœ jœœn œœ œœ œœ œœus
..œœ Jœœn œœ œœ œœ œœus
‰ jœœ œœ œœjœœ ‰ œœ
to touch the sky, to
‰ jœœA œœ œœ Jœœ ‰ œœto touch the sky, to
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œœ œœ œœ œœ jœœ œœjœœ
reach for the high est star!
œœ œœ œœ œœjœœ œœ J
œœreach for the high est star!
‰ Jœœ œœ œœn œœ œœ œœYou know the world can see
‰ Jœœ œœ œœ œ œœ œœYou know the world can see
..œœ jœœn œœ œœ œœ œœus
..œœ Jœœn œœ œœ œœ œœus
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Œ œœ œœ œœ œœin a way that’s
Œ œœA œœ œœ œœin a way that’s
œœ œœ œœ œœ jœœ ‰ œœdif f’rent from who we
œœ œœ œœ œœjœœ ‰ œœ
dif f’rent from who we
wware!
wware!
wwU
wwU-
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No. 51 Megamix (p. 12 of 12)
H I G H S C H O O L M U S I C A L — 2 3 9 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
Exit Music52
VOCALS TACET
— 2 4 0 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
Music Credits
Music adapted and arranged and additional music and lyrics by Bryan Louiselle
#1 Wildcat Cheer* — music and lyrics (“We’re All in This Together”) by Matthew Gerrard and Robbie Nevil
#2 Start of Something New* — music and lyrics by Matthew Gerrard and Robbie Nevil#3 Start of Something New (Playoff)* — music by Matthew Gerrard and Robbie Nevil#4 Homeroom† — music by Bryan Louiselle#5 Gabriella’s Phone — sound effect#6 School Bell — sound effect#7 Announcement Transition 1† — music by Bryan Louiselle #8 Hallway† — music by Bryan Louiselle#9 Announcement Transition 2† — music by Bryan Louiselle#10 Basketball Practice† — music by Bryan Louiselle#11 Get’cha Head in the Gameº — music and lyrics by Ray Cham, Greg Cham and
Andrew Seeley#12 Get’cha (Playoff) into Labº — music and lyrics by Ray Cham, Greg Cham and
Andrew Seeley#13 Sharpay Dials — sound effect#14 The Plot Thickens† — music by Bryan Louiselle#15 Announcement Transition 3† — music by Bryan Louiselle#16 Detention† — music by Bryan Louiselle#17 Announcement Transition 4† — music by Bryan Louiselle#18 Auditions (Bop to the Top /What I’ve Been Looking For)* — music and lyrics (“Bop
to the Top”) by Randy Petersen and Kevin Quinn and (“What I’ve Been Looking For”) by Andy Dodd and Adam Watts
#19 What I’ve Been Looking For* — music and lyrics by Andy Dodd and Adam Watts#20 School Bell — sound effect#21 What I’ve Been Looking For (Reprise)* — music and lyrics by Andy Dodd and Adam
Watts#22 Cellular Fusion† — music and lyrics by Bryan Louiselle#23 Stick to the Status Quo* — music and lyrics by David N. Lawrence and Faye
Greenberg#24 Entr’acte (Stick to the Status Quo)* — music by David N. Lawrence and Faye
Greenberg#25 Rooftop Garden† — music by Bryan Louiselle#26 I Can’t Take My Eyes Off of You* — music and lyrics by Matthew Gerrard and
Robbie Nevil#27 Sharpay’s Locker† — music by Bryan Louiselle#28 Study Hall† — music by Bryan Louiselle#29 Wildcat Cheer (Reprise)* — music and lyrics (“We’re All in This Together”) by
Matthew Gerrard and Robbie Nevil
H I G H S C H O O L M U S I C A L — 2 4 1 —
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020
#30 Counting on You† — music and lyrics by Bryan Louiselle#31 Taylor’s Cell — sound effect#32 When There Was Me and You* — music and lyrics by Jamie Houston#33 Boom Box Rehearsal* — music (“Bop to the Top”) by Randy Petersen and Kevin Quinn#34 Boom Box / Theater* — music (“Bop to the Top”) by Randy Petersen and Kevin Quinn and (“Breaking Free”) by Jamie Houston#35 Gabriella’s Cell — sound effect#36 Start of Something New (Reprise)* — music and lyrics by Matthew Gerrard and Robbie
Nevil#37 Study Hall† — music by Bryan Louiselle#38 Announcement Transition 5† — music by Bryan Louiselle#39 Sorry, Troy† — music by Bryan Louiselle#40 We’re All in This Together* — music and lyrics by Matthew Gerrard and Robbie Nevil#41 Bumpy Ride† — music by Bryan Louiselle#42 Bop to the Top* — music and lyrics by Randy Petersen and Kevin Quinn#43 Meltdown — sound effect#44 In the Lab* — music (“Bop to the Top”) by Randy Petersen and Kevin Quinn#45 In the Theater* — music (“Bop to the Top”) by Randy Petersen and Kevin Quinn#46 Kelsi Tries* — music (“Breaking Free”) by Jamie Houston#47 Breaking Free* — music and lyrics by Jamie Houston#48 Game Buzzer — sound effect#49 Wildcat Vamp* — music by Matthew Gerrard and Robbie Nevil#50 We’re All in This Together (Reprise)* — music and lyrics by Matthew Gerrard and Robbie
Nevil#51 High School Musical Megamixx — “Start of Something New,” “Get’cha Head in the Game,”
“What I’ve Been Looking For,” “Bop to the Top,” “Counting on You,” “We’re All in ThisTogether,” “Breaking Free”
#52 Exit Music (Bop to the Top)* — music by Randy Petersen and Kevin Quinn
* Music and Lyrics © 2005 Walt Disney Music Company (ASCAP); Arrangements and Additional Music andLyrics © 2006 Walt Disney Music Company (ASCAP)
† Music and Lyrics © 2006 Wonderland Music Company, Inc. (BMI)
º Music and Lyrics © 2005 Walt Disney Music Company (ASCAP) / Five Hundred South Songs (SESAC);Arrangements and Additional Music and Lyrics © 2006 Walt Disney Music Company (ASCAP) / FiveHundred South Songs (SESAC)
x Music and Lyrics © 2005, 2006 Walt Disney Music Company (ASCAP) / Wonderland Music Company, Inc.(BMI) / Five Hundred South Songs (SESAC); Arrangements © 2006 Walt Disney Music Company (ASCAP) /Five Hundred South Songs (SESAC)
— 2 4 2 — H I G H S C H O O L M U S I C A L
AUTHORISED COPY FOR ST LEONARDS COLLEGE 26/08/2020 to 29/08/2020