la belle Époque the beautiful era (1871-1914) – the pinnacle is the 1990s

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La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990’s

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Page 1: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

La Belle ÉpoqueThe Beautiful Era

(1871-1914) – the pinnacle is the 1990’s

Page 2: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

Also known as the Golden Age

Peace and prosperity allowed the Arts to flourish in Paris

Paris has Large underclass that does not get to experience the wonders and entertainment of this era

Page 3: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

In Midnight in Paris Adriana has always wanted to experience Paris in the 1990’s

She and Gil (Owen Wilson) travel there and see Lautrec, Degas and Gauguin

Page 4: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

Toulouse-Lautrec(1864 – 1901)

Painter, Printmaker, Illustrator

Page 5: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

• Henri de Toulouse-Lautrec was born in 1864 in Albi, France, the son of a count and countess.

• His parents separated and Henri lived with his mother in Paris.

• She quickly realized he had artistic talent.

• Henri suffered from several genetic problems. His legs stopped growing when he was about 12, so he had an adult upper body, but the legs of a child.

Page 6: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

• Physically unable to participate in most of the activities of his peers, he turned intensely to his art.

• In Paris, he was drawn to the area of Montmartre, which was a famous haunt of artists and writers who lived a bohemian lifestyle.

• He would spend the rest of his life there, making friends like Vincent van Gogh.

• His painting instructor encouraged him to roam about Paris looking for subjects to paint.

Lautrec’s Portrait of Vincent van Gogh (1887)

Page 7: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

• When a nearby cabaret opened, Toulouse-Lautrec was hired to create a series of posters advertising it.

• While making posters gave him a good source of income, other artists frowned on it as commercial. He didn’t care.

Moulin Rouge-La Goulue (1891)

Page 8: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

Ambassadeurs Aristide Bruant (1892)

Page 9: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

• Toulouse-Lautrec spent a lot of time in and around the Moulin Rouge, his paintings were of the dancers and their patrons.

• There was always a table for him at the cabaret, and his work was displayed on the walls.

Jane Avril Leaving the Moulin Rouge (1892)

Page 10: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

Self portrait in the crowd at the Moulin Rouge

(he is on the right, seen in profile)

Page 11: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

Jane Avril (1893) Mary Belfort (1895)

Page 12: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

The clown Cha-U-Kao at the Moulin Rouge (1995)

Page 13: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

Jane Avril (1899)

Page 14: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

• During a career of less than 20 years, Toulouse-Lautrec created 737 paintings, 275 watercolors, 262 prints and posters, over 5000 drawings, and some ceramics and stained glass.

• He specialized in capturing people in their work environment, often gaudy night life creatures seen in an unglamorous way. He created detailed crowd scenes where every person could be identified as a real individual.

Page 15: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

In 1893 Lautrec's alcoholism began to take its toll

He even had a cane that hid alcohol so that a drink was always available

Page 16: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

• Toulouse-Lautrec was placed in a sanatorium shortly before his death.

• He died from complications due to alcoholism and syphilis at the family estate in Malromé at the age of 36.

Page 17: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

Edgar Degas(1834 – 1917)

Painter

Page 18: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

Edgar Degas was born in Paris, France on July 19, 1834.

He was the eldest of 5 children in a moderately wealthy family.

Page 19: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

In school, he studied literature and his father wanted him to be a lawyer.

Degas began to paint, and knew he was an artist.

In 1855 (age 21), he entered the Ecole des Beaux Arts and studied drawing.

In 1856, he traveled to Italy and drew and painted copies of Renaissance masterpieces.

By 1860, he had made morethan 700 copies of classical paintings–it was his way of learning how to be an artist

Early Years

Page 20: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

• He returned to Paris in 1859 and moved into a large studio and began painting portraits, paintings based on stories from history, and horses.

• His work was classical in style, and was accepted by the Salon (the salon was a big annual art exhibition in Paris where works were judged and careers were made and ruined). In 1872, he visited relatives in New Orleans, where he made this painting

The Bellelli Family (1959-67)

Page 21: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

The New Orleans Cotton Exchange (1873)

Page 22: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

The Dance Class (1873-76)

• He returned to Paris in 1873 after the death of his father. His brother had run up debts, so he began to paint as a way to make money.

• He was tired of the Salon, and joined a group of young artists who were organizing their own exhibiting society. They were called Impressionists, for their colorful, less classical style.

Page 23: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

Place de la Concorde (1875)

Degas didn’t like the label “Impressionist”, and although he was a leading member of the group, he was critical of other artists styles and the way they liked to paint “en plein air” (outside instead of in a studio).

Page 24: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

L’Absinthe (1876)

• Degas was interested in photography, and it’s influence can be seen in his paintings. His compositions are often framed off-center, as if seen through a camera lens. The subjects often seem like snapshots–as if they were captured in a moment of time, possibly unaware that they were being seen.

Page 25: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

Ballet Rehearsal (1873)

• Degas liked to paint people at work, and painted hat makers, laundresses, & especially ballet dancers. Most often he shows them backstage or in a rehearsal, showing the “work” part of dancing.

Page 26: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

the Song of the Dog (1875-77)

• He was a master at using physical cues–body language, manner of dress, posture – as well as social status or kind of job they are doing – to help us draw conclusions about them.

Page 27: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

Dancers at the Bar (1888)Orchestra Musicians (1870-71)

Page 28: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

• Degas was difficult and argumentative, driving away friends and artists alike. He believed that an artist needed to be alone, with no social life, and that is how he lived his life. He never married.

Page 29: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

The Star (1876-77)

• Degas frequently left unfinished portions in his paintings. He described himself as having a habit “to begin a hundred things and not finish one of them”.

Page 30: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

Blue Dancers (1898-99)

Page 31: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

• Degas also created sculptures, although this is the only one that was ever shown publicly until after his death. Notice his use of real cloth for her skirt and hair ribbon. When this piece was exhibited, critics complained of it’s “appalling ugliness”.

Little Dancer of Fourteen Years (1881)

Page 32: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

• Around 1910 his poor eyesight forced him to quit working. Having lived the life of a solitary bachelor, he spent the last years of his life alone, wandering the streets of Paris, until he died in 1917 at the age of 83

Page 33: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

Paul GauguinPainter, Sculptor

1848 – 1903

Page 34: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

Born on June 7, 1848 in Paris, france

Mother was peruvian, family lived Peru for 4 years

Family returns to France when he is 7

Serves in the Merchant Marine, then the French Navy

Returns to Paris and becomes a Stockbroker

Page 35: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

• Marries a Danish woman and they have 5 children• They live in Copenhagen where he is a stockbroker• Paints in his free time – buys art in galleries and

makes friends with artists

Page 36: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

Decides he wants to paint full time – leaves his family in Copenhagen and goes back to Paris

His early work is in the impressionist style which is very popular at that time

He is not very successful at his art, he is poor

Leaves France to find a simpler life on a tropical island

Portrait of Madame Gauguin

(1880)

Aline Gauguin Brothers (1883)

Page 37: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

• Visits his friend Vincent van Gogh in Arles, France where they both paint

• They quarrel, with van Gogh famously having his ear cut off.

• Gauguin leaves France and never sees van Gogh again

Night Café at Arles (1888)

Page 38: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

The Siesta (1892)

• Decides he doesn’t like impressionism, prefers native art of Africa and Asia because it has more meaning (symbolism)

• He paints flat areas of color and bold outlines

• He lives in Tahiti and paints images of Polynesian life

Page 39: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

Tahitian women on the beach (1891)

Page 40: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

When do you get married? (1892)

His art is in the Primitivism style- exaggerated body proportions, animal symbolism, geometric designs and bold contrasting colors

Gauguin is the first artist of his time to become successful with this style (so different from the popular impressionism)

His work influences other painters, especially Pablo Picasso

Page 41: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

• Gauguin spent the remainder of his life painting and living in the Marquesas Islands, a very remote, jungle-like place in French Polynesia (close to Tahiti)

Page 42: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

Gauguin’s house, Atuona, Marquesas Islands

Page 43: La Belle Époque The Beautiful Era (1871-1914) – the pinnacle is the 1990s

Gauguin’s grave

Gauguin lived alone in the jungle, where one day his houseboy arrived to find him dead, with a smile on his face. He was 54 years old (1903). He is buried among the natives on the island.