jewels · french art nouveau gold watch fob $ 1,500 – 2000, of intricate scrolling foliate...

JEWE LS &PRECIOUS OBJECTS

AU CT I O N

28 May 2020 10 am est preview by appointment

R AG O AU CT I O N S

333 North Main Street Lambertville NJ 08530 ragoarts.com

JEWE LS &PRECIOUS OBJECTS 5 .28.20

103

T I F FA N Y & C O .

G O L D N A I L B U F F E R

$ 800 – 1,000

With engraved monogram 18k yellow gold Signed Tiffany & Co. 17 998 Makers 4908 5 ½ × 1 ⅜ × 1 ½ ins

102

M A I S O N G . D E S BA Z E I L L E

F R E N C H A RT N O U V E AU G O L D WATC H FO B

$ 1,500 – 2,000

Of intricate scrolling foliate design, c. 1895 18k yellow gold With maker’s mark 5 ¼ ins; Gross weight 23.4 dwts

L I T E R AT U R E : Pictured in La Bijouterie Francaise au XIXe. Siecle, Henri Vever, pg. 551.

101

A N T I Q U E D I A M O N D A N D B LU E E N A M E L PO C K ET WATC H W I T H K E Y

$ 3,000 – 4,000

Key wind, key set, sub seconds Yellow gold Interior case marked Geneve #5670 40 mm; Gross weight 36.7 dwts

100

S I LV E R G I LT AU TO M ATO N SWA L LOW B OX

$ 1,000 – 1,500

The engraved floral box opens to reveal an automated swallow that tweets when wound with key Silver gilt With original box 2 × 3 ¼ × 1 ¼ ins; Gross weight 317.5 dwts

104

G RO U P O F A N T I Q U E S I LV E R A N D G O L D M O U N T I N G S

$ 2,000 – 3,000

Assorted mountings, ear wires, and pendants; some accented with old mine-cut diamonds and red spinels, 1880s Gold and silver Gross weight 29.1 dwts

106

R U S S I A N

A N T I Q U E E L E P H A N T CU F F L I N K S

$ 1,800 – 2,200

Of carved jade and rose-cut diamonds 14k yellow gold ¾ × 1 ⅛ ins; Gross weight 10.7 dwts

105

P E R U Z Z I

T WO S I LV E R B RO O C H E S

$ 400 – 600

One of bird and foliate design, the other designed as a ribbon tied floral bouquet set with variously-cut gems, including amethyst, opal, moonstone, pearl, and coral Sterling silver Each signed Peruzzi 2 ½ × 1 ⅝ ins and 2 ½ × 1 ins; Gross weight 23.4 dwts

The Peruzzi family had a long history of selling silver jewelry in Florence Italy. By the 1930s, they also set up shop in Boston, where they actively created and sold silver and gem-set jewels until 1973, when the shop closed.

108

A N T I Q U E E M E R A L D A N D G O L D B RO O C H

$ 2,500 – 3,500

Of knotted ribbon design, suspending a pendant, set with rectangular-cut emeralds, 1850s Yellow gold 2 × 2 ¾ ins; Gross weight 9.7 dwts

107

P I E R R E S I F FA I T

A N T I Q U E F R E N C H LO U I S X V G O L D S N U F F B OX

$ 3,000 – 4,000

Of rectangular outline and engraved sunburst design with applied tricolor gold floral motifs 18k yellow, green, and pink gold With maker’s mark 2 ⅛ × ⅞ × ⅞ ins; Gross weight 31.5 dwts

P ROV E N A N C E : Spencer Marks, Ltd. 2015

Private Collection.

L I T E R AT U R E : Le Poincon de Paris, Nocq, pg. 24 references maker’s mark

Pierre Siffait’s shop was on the Place Dauphine, Ile-de-la-Cite, where he worked in both gold and silver.

109

B R E G U E T

E N A M E L A N D G O L D PO C K ET WATC H W I T H K E Y

$ 1,000 – 1,500

Enamel depicts angel with harp and putto with horn, key wind, key set, fuse movement 18k yellow gold Marked Breguet a Paris on dial and movement; Stem sides marked DL 992 50 mm; Gross weight 37.4 dwts

110

A N T I Q U E D I A M O N D, G O L D, A N D S I LV E R B RO O C H

$ 400 – 600

Of open filigree design, enamel, and old mine-cut diamonds Yellow gold and silver 1 ½ × 1 ¼ ins; Gross weight 7.0 dwts

112

F R E N C H

A N T I Q U E D I A M O N D, B L AC K E N A M E L, A N D G O L D WATC H FO B N E C K L AC E

$ 3,000 – 4,000

The chain with adjustable enamel and rose-cut diamond beads, may be worn as a watch fob or necklace 18k yellow gold 16 ins; Gross weight 31.3 dwts

111

G E O RG I A N G R E E N PA ST E B RO O C H E S A N D S I X CU T ST E E L B U T TO N S

$ 800 – 1,200

Each green paste brooch surrounded by cultured pearls; and six steel cut buttons in rosette patterns, 1820s Low karat gold and steel Gross weight 16.2 dwts

115

T H R E E S ETS O F R E P L I CA STO N E S

$ 800 – 1,200

One set comprising fifteen replicas of historical diamonds, including The Shah, Pasha of Egypt, Orloff, Pigot, Polar Star, Sancy, Florentine, Grand-Mogul, Kohinoor (old cut), Nassak, Hope, Kohinoor (new cut), Jubilee, Regent and South-Star; another set comprising three replicas of Cullinan diamonds; and the third set comprising nine replica stages of the diamond cutting process

114

VAC H E R O N & C O N S TA N T I N

G O L D PO C K ET WATC H

$ 3,500 – 4,500

The circular dial with Roman hours and Arabic minutes, subsidiary seconds dial, within a gold engine-turned case 18k yellow gold Signed Vacheron & Constantin Geneva 2 ins; Gross weight 79.8 dwts

113

E N A M E L SA I L B OAT CU F F L I N K S

$ 400 – 600

Each oval link with enamel sailboat design, c. 1965 9k yellow gold ¾ × 1 ¼ ins; Gross weight 4.7 dwts

117

G RO U P O F CA RV E D CO R A L A N D G O L D J EW E L RY

$ 2,800 – 3,200

Comprising a brooch, ring, and two pairs of earrings each with textured gold and carved coral rose buds Yellow gold Gross weight 69.8 dwts

118

T WO A N T I Q U E BA N G L E B R AC E L ETS

$ 1,200 – 1,800

With flowing seed pearl designs and filigree accents Yellow and rose gold Gross weight 22.5 dwts

119

T WO A N T I Q U E E N G R AV E D G O L D BA N G L E B R AC E L ETS

$ 1,500 – 2,000

Each with intricate floral designs Low karat rose gold and tricolor gold Each inner circ. 6 ¼ ins; Gross weight 24.2 dwts

116

A N T I Q U E D I A M O N D A N D CU LT U R E D P E A R L C ROW N B RO O C H

$ 1,500 – 2,500

In the form of a viscount’s coronet, with cultured pearls and old European-cut diamonds, c. 1900 Silver and 14k yellow gold 1 ¾ × ¾ ins; Gross weight 4.8 dwts

123


G O L D N AU T I CA L WATC H C H A I N A N D FO B N E C K L AC E

$ 7,000 – 9,000

Designed with three functional pulleys, articulated anchor, and compass decorated with gold rope 18k yellow gold Signed Tiffany 15 ¾ ins; Gross weight 43.1 dwts

122

A N T I Q U E G O L D W E D D I N G BA N D

$ 400 – 600

Of floral engraving, c. 1900 18k yellow gold With British hallmarks, Birmingham, 1900 Ring size 5; Gross weight 4.5 dwts

121


G O L D H U N T E R CA S E PO C K ET WATC H

$ 4,000 – 6,000

White ceramic dial, black Arabic hours, and red second numbers, fleur-de-lis hands, c. 1884 18k yellow gold Movement no. 217096, adjusted case no. 62183 Dial signed Vacheron & Constantin Geneva, movement back cover engraved: Willis H. Cattle from Father Dec. 25, 1888 With signed box 50 mm case; Gross weight 83.9 dwts

120

A N T I Q U E G O L D A N D D I A M O N D BA N G L E B R AC E L ET

$ 1,200 – 1,500

Set with three old European-cut diamonds and repeated feather, hatchet, and arrow motifs Yellow gold Inner circ. 7 ½ ins; Gross weight 13.5 dwts

124

T H R E E PA I RS O F CU F F L I N K S

$ 800 – 1,200

Comprising a pair of textured gold cufflinks; lapis lazuli and gold cufflinks; Deakin & Francis blue enamel and sterling silver cufflinks 14k yellow gold and sterling silver Gross weight 22.1 dwts

125


G O L D A N D SA P P H I R E D R E S S S ET

$ 1,500 – 2,500

Of reeded gold, each set with a circular-cut sapphire 14k yellow gold Signed Tiffany & Co. Gross weight 22.8 dwts

126

E N A M E L A N D G O L D ZO D I AC N E C K L AC E

$ 1,000 – 1,500

Featuring a gold and blue enamel zodiac pendant with a round brilliant-cut diamond, on a blue enamel mariner chain 18k yellow gold Signed ROMAN 19 ins; Gross weight 31.5 dwts

129

RU BY A N D D I A M O N D R I N G W I T H PA I R O F E A R R I N G S

$ 2,000 – 3,000

Comprising a cabochon ruby, round brilliant- cut diamond ring; a pair of earrings each set with an oval-cut ruby, framed by baguette- cut diamonds 14k yellow gold and platinum Ring size 4 ¼; earrings: ¼ in; Gross weight 5.9 dwts

128

T WO RU BY R I N G S

$ 800 – 1,200

Comprising an engraved gold ring with black enamel band and circular-cut ruby flowers; a three stone oval-cut ruby and diamond ring 18k yellow gold and silver Enamel ring signed Boris Gross weight 8.1 dwts

127

A M ET H YST, D I A M O N D, A N D G O L D C LOV E R B RO O C H A N D E A R R I N G S

$ 600 – 800

A textured gold clover brooch with heart-shaped amethyst and round brilliant-cut diamonds; a pair of earrings each set with oval-cut amethyst 18k yellow gold Gross weight 15.6 dwts

131


A M ET H YST A N D D I A M O N D B E ET L E E A R C L I PS

$ 1,500 – 2,000

Each set with a carved cabochon amethyst body and round brilliant-cut diamond eyes 18k yellow gold and platinum Signed Tiffany & Co. ½ × ¾ in; Gross weight 13.9 dwts

130

RU BY B E A D A N D D I A M O N D N E C K L AC E

$ 1,200 – 1,800

Of 45 graduated ruby beads and round brilliant-cut diamond stations 18k white gold 19 ½ ins; Gross weight 61.2 dwts

133

A N T I Q U E G O L D S L I D E TA S S E L N E C K L AC E

$ 1,000 – 1,500

The gold and seed pearl center pendant, terminating in two tassels Yellow gold 16 ins; Gross weight 17.2 dwts

132

T WO G O L D L I N K B R AC E L ETS

$ 2,500 – 3,500

One of polished and textured woven pattern; one with two-tone fancy links 18k, 14k yellow gold Each 8 ins; Gross weight 57.6 dwts

134


FOX H E A D B R AC E L ET

$ 2,000 – 3,000

Set with ten textured gold fox heads 18k yellow gold Signed Tiffany & Co. 7 ins; Gross weight 48.0 dwts

135

A N T I Q U E D I A M O N D R I N G

$ 1,500 – 2,000

A prong-set old mine-cut diamond on polished gold tapered band 18k yellow gold Ring size 6; Gross weight 1.6 dwts

137

G RO U P O F G O L D J EW E L RY

$ 1,500 – 2,000

Comprising a charm bracelet; a gold abacus charm; a gold puzzle charm; a gold wire collar necklace; a double horse head bracelet; and an ID bracelet 18k, 14k, and low karat gold Gross weight 77.7 dwts

136

FO U R PA I RS O F G O L D E A R R I N G S

$ 1,000 – 1,500

Comprising three pairs of textured gold hoop earrings and a pair of oval dome earrings Yellow gold Gross weight 31.7 dwts

138

J U D I T H R I P K A

S M O KY Q UA RTZ A N D CU LT U R E D P E A R L N E C K L AC E S

$ 1,000 – 1,500

A faceted quartz, roped gold, and round brilliant-cut diamond pendant necklace; a cultured pearl and gold link necklace 18k yellow gold Gross weight 50.2 dwts

139

D I A M O N D A N D G O L D N E C K L AC E

$ 2,500 – 3,500

The gold chain centering on a round brilliant-cut diamond 14k yellow gold 15 ½ ins; Gross weight 8.0 dwts

140

G O L D L I N K N E C K L AC E

$ 1,000 – 1,500

Designed as double-stranded polished gold links 18k yellow gold 18 ins; Gross weight 20.4 dwts

141

G O L D N E C K L AC E

$ 1,800 – 2,200

Of matte textured gold links 18k yellow gold 17 ins; Gross weight 26.6 dwts

142


G O L D B R AC E L ET A N D CO R A L E A R ST U D S

$ 1,200 – 1,500

Comprising a flexible beaded gold bracelet and cabochon coral earrings 18k, 14k yellow gold Signed Tiffany & Co. Gross weight 23.4 dwts

143

T H R E E G O L D B RO O C H P E N DA N TS

$ 1,500 – 2,000

Each with circular-cut sapphire eyes and freshwater pearls; one with mirror, one with wash bucket, and one dancer, 14k yellow gold. Two signed Ruser; Dancer signed M. Hime Cyvra Gross weight 19.9 dwts

146

D I A M O N D A N D G O L D WATC H B R AC E L ET

$ 2,000 – 2,500

The roped and polished gold band, with a single-cut diamond and tassel detail opens to reveal a rectangular watch face 14k yellow gold 8 ins; Gross weight 38.7 dwts

145

D I A M O N D, RU BY, E N A M E L, A N D G O L D F I S H B RO O C H

$ 600 – 800

Of textured gold body, enameled fins, pavé-set diamond head, and ruby eye 18k yellow gold 1 ¾ × ¾ ins; Gross weight 7.3 dwts

144

CU LT U R E D P E A R L E A R ST U D S

$ 300 – 400

Each approx. 11.10 mm 14k white gold Gross weight 3.6 dwts

147

G RO U P O F CA M E O J EW E L RY

$ 800 – 1,200

Comprising a slide bracelet and ring each set with multi-colored cameos; and a pair of cameo earrings Yellow gold Gross weight 25.7 dwts

149

G RO U P O F CU LT U R E D P E A R L, D I A M O N D, A N D G E M - S ET J EW E L RY

$ 1,000 – 1,500

Comprising a graduated cultured pearl necklace; cabochon amethyst and diamond necklace; cultured pearl and gold pansy ear studs; sapphire ear studs; and diamond ear studs Yellow and white gold Gross weight 19.2 dwts

148

M U LT I -G E M , D I A M O N D, A N D G O L D E A R R I N G S

$ 1,500 – 2,000

Set with oval-cut amethyst, citrine, and topaz and round brilliant-cut diamonds 18k yellow gold ½ × 1 ¼ ins; Gross weight 14.6 dwts

151

A RC H A E O LO G I CA L R EV I VA L G O L D N E C K L AC E

$ 3,000 – 4,000

Set with alternating leaf and pendulum beads, 1870s Yellow gold 18 ins; Gross weight 19.4 dwts

P ROV E N A N C E : Wedding gift from Raymond and Mildred Pitcairn to sister Winfrey Glenn Synnestvedt. Raymond Pitcairn collected anicent jewelry now housed in his former home, the Glencairn Museum in Bryn Athyn, PA.

150

A N T I Q U E M I C RO M O SA I C E A R R I N G S

$ 1,000 – 1,500

Of floral details framing a bird in flight, 1870s Yellow gold ⅞ × 2 ½ ins; Gross weight 9.2 dwts

Popular in 19th century Italy, micromosaics were constructed from small pieces of tesserae, typically made from glass or enamel. One method of creation involved melting the glass, pulling it to thin rods, allowing it to cool, then cutting it into tiny pieces arranged in a portrait, scene, or landscape. This pair of earrings on black background exemplify the technique used in revivalist jewelry.

152

G RO U P O F E DWA R D I A N J EW E L RY

$ 1,500 – 2,000

Comprising a ruby, old mine-cut diamond, and pearl lavaliere necklace; a ruby and gold ring; and a seed pearl and diamond button Yellow gold Gross weight 9.9 dwts

153

E I G I L J E N S E N

B RO O C H A N D G RO U P O F U N S I G N E D J EW E L RY

$ 1,500 – 2,000

Comprising a gold Modernist Eigil Jensen brooch; a cultured pearl and gem-set necklace; a jade bead necklace; and a mabé pearl ring Brooch 18k yellow gold Brooch signed Eigil Jensen for Anton Michelsen Gross weight 69.4 dwts

154

G RO U P O F SA P P H I R E A N D D I A M O N D J EW E L RY

$ 1,800 – 2,200

Comprising a pair of sapphire and diamond earrings; a sapphire and diamond ring; and two diamond bow brooches Yellow and white gold Gross weight 11.5 dwts

155

G RO U P O F J EW E L RY

$ 1,000 – 1,500

Comprising a seed pearl and diamond starburst brooch; a silver gilt and enamel egg pendant with chain; an oval-cut citrine ring; and a gold ram’s head ring Yellow gold and silver gilt Gross weight 32.2 dwts

156

G RO U P O F G O L D A N D G E M - S ET J EW E L RY

$ 1,000 – 1,500

Comprising a diamond and black enamel bangle bracelet; a floral engraved gold bangle bracelet; a diamond and textured gold buckle ring; a marquise-shaped jade and diamond ring; a circular-cut garnet ring; and a pair of cultured pearl and carved jade earrings Yellow gold Gross weight 35.5 dwts

157

CA RT I E R

A RT D E CO D I A M O N D A N D B L AC K E N A M E L B R AC E L ET

$ 1,000 – 1,500

A double-corded bracelet with rose-cut diamonds and enamel stations Platinum and gold Signed Cartier Paris, Londres New York 7 ins; Gross weight 3.0 dwts

158

I N D I A N G O L D F I L I G R E E BA N G L E B R AC E L ET

$ 1,500 – 2,000

Of open work gold wire work and granulation, with tricolor patination 22k yellow gold Inner circ. 7 ½ ins; Gross weight 33.3 dwts

160

I N D I A N D I A M O N D A N D G E M - S ET B R AC E L ET

$ 1,200 – 1,800

Set with diamonds, cabochon emeralds, spinels, and rubies Yellow gold 8 ins; Gross weight 24.6 dwts

159

I N D I A N G O L D A N D E N A M E L BA N G L E B R AC E L ET

$ 1,500 – 2,000

Of open wire work and granulation with green and red enamel 21k yellow gold Inner circ. 7 ¾ ins; Gross weight 32.4 dwts

161

G RO U P O F L A DY’S J EW E L RY

$ 800 – 1,200

Comprising a graduated coral bead necklace; a cultured pearl, diamond, and sapphire necklace; a Tiffany & Co. gold wristwatch; a pair of diamond and cultured pearl earrings; and a cameo brooch Yellow and white gold Gross weight 57.3 dwts

164

D I A M O N D E N GAG E M E N T R I N G

$ 5,500 – 6,500

Set with a 1.80 cts old European-cut diamond Yellow gold GIA Report no. 5202940096, 26 February 2020, 1.80 cts., Old European Brilliant, I color, SI1 clarity Ring size 6 ¼; Gross weight 1.8 dwts

163

N OA H ’S A R K G O L D B R AC E L ET

$ 800 – 1,200

Designed as a line of animals and ark 14k yellow gold 6 ½ ins; Gross weight 17.6 dwts

162

AQ UA M A R I N E A N D D I A M O N D P E N DA N T

$ 3,000 – 4,000

Set with a 33.99 cts rectangular-cut aquamarine and round brilliant-cut diamonds, on a matte gold pendant Yellow gold 1 × 2 ins; Gross weight 19.0 dwts

166

D I O R W R I ST WATC H A N D G RO U P O F D I A M O N D A N D G E M - S ET J EW E L RY

$ 1,500 – 2,000

Comprising a white gold and diamond Dior wristwatch; diamond and turquoise earrings and ring; cultured pearl and sapphire brooch; and a pair of diamond earrings 14k white gold Gross weight 25.0 dwts

167

W E D GW O O D

S U I T E O F PO RC E L A I N B E A D J EW E L RY

$ 1,800 – 2,200

Comprising a necklace with alternating Jasperware and gold-filled beads; and a pair of ear pendants Necklace: 19 ins; earrings: 1 ¾ ins; Gross weight 53.5 dwts

Josiah Wedgwood began manufacturing pottery in 1759. His skill as not only a potter, but as a businessman, propelled him to create a successful practice. In 1895, the company name was changed to Josiah Wedgwood and Sons Ltd. Virtually all forms of pottery were made, including teapots, decorative bowls, and vases. Items of note include a light cream-colored earthenware, often called ‘Queens Ware’; the utilization of pearlware, jasperware, and basaltes, an unglazed black stoneware. Their creations extended beyond tableware, as they produced jewelry as well. They fashioned ceramic beads, plaques or cameos into necklaces, rings, brooches, buckles, medallions, combs, and scent bottles.

165

AQ UA M A R I N E R I N G A N D E A R R I N G S

$ 1,500 – 2,000

The ring set with an oval-cut aquamarine; and the earrings set with rectangular-cut aquamarines White gold Gross weight 16.8 dwts

168

JA D E A N D RU BY P E N DA N T

$ 1,500 – 1,800

Carved jade pendant depicting a horse and monkey, with an oval-cut ruby and diamond 14k yellow and white gold GIA Report no. 2195204252, 29 March 2018. 218.89 cts., Jadeite Jade, Natural Color. No indications of impregnation. Additional minerals are present 1 ¾ × 3 ins; Gross weight 28.9 dwts

170

RO S E Q UA RTZ A N D CU LT U R E D P E A R L J EW E L RY

$ 1,000 – 1,500

Comprising a single strand rose quartz necklace with silver clasp; a carved rose quartz pendant necklace; a pair of cabochon rose quartz earrings; and a pair of diamond with cultured pearl earrings with brooch White gold and silver

169

T WO O PA L R I N G S A N D A SA P P H I R E A N D D I A M O N D R I N G

$ 1,000 – 1,500

Comprising a cabochon opal and topaz ring; a teardrop-shaped opal and round brilliant-cut diamond ring; and a sapphire and round brilliant-cut diamond ring 14k white and yellow gold Gross weight 10.6 dwts

172

T WO A N T I Q U E B RO O C H E S

$ 1,000 – 1,500

Comprising a square brooch with purple guilloché enamel, rubies, and seed pearls in a cross hatch design; a decorated gold fleur-de-lis brooch Yellow gold Gross weight 10.4 dwts

171

T WO A N T I Q U E B RO O C H E S

$ 1,200 – 1,800

A jade, green enamel, and seed pearl brooch; a Neoclassical tricolor gold brooch Gold Gross weight 22.6 dwts

174

M U LT I -CO LO R E D SA P P H I R E P E N DA N T N E C K L AC E

$ 1,000 – 1,500

Set with eight oval or circular-cut various color sapphires in a foliate open-form pendant Yellow gold 18 ins; Gross weight 15.8 dwts

173

M EX I CA N O PA L P E N DA N T N E C K L AC E A N D A G O L D L I N K N E C K L AC E

$ 1,200 – 1,800

The teardrop-shaped filigree pendant set with five Mexican opals; a polished gold link necklace 14k yellow gold Gross weight 32.0 dwts

175

F R E N C H G O L D SAU TO I R N E C K L AC E

$ 2,000 – 3,000

Of open-form marquise-shaped gold links 18k yellow gold 96 ins; Gross weight 48.4 dwts

176

T R I A N O N F O R I M AG N I N

S ET O F CA M E O A N D F RO ST E D RO C K C RYSTA L J EW E L RY

$ 800 – 1,200

Each set with classical profile cameo within a frosted crystal frame set with cabochon rubies 14k yellow gold Earrings signed Trianon for Imagnin Ring size 7 ¼; earrings: ⅞ in; Gross weight 23.9 dwts

177

B U L G A R I

‘ M O N ET E ’ G O L D CO I N N E C K L AC E

$ 1,800 – 2,200

Centering on a bezel-set coin featuring Emperor Constantinvs Magnvs, on twisted leather cord 18k yellow gold Signed Bulgari 15 ¾ ins; Gross weight 14.4 dwts

178

W I T T N AU E R

R ET RO G O L D W R I ST WATC H

$ 400 – 600

The square dial with Arabic hours in a gold case with fancy link gold band, c. 1945 14k yellow gold Signed Wittnauer 6 ½ ins; Gross weight 12.1 dwts

179


S Q UA R E G O L D W R I ST WATC H

$ 1,500 – 2,000

The circular dial within a square rose gold case, c. 1935 18k rose gold Dial marked Vacheron & Constantin Geneve, Swiss Inner circ. 7 ins, 25 mm; Gross weight 17.0 dwts

182

N AT U R A L P E A R L N E C K L AC E

$ 3,000 – 4,000

Of 211 natural pearls, measuring approx. 2.87 – 3.92 mm, with an old European-cut diamond clasp GIA Report no. 6204131754, 18 March 2019, 210 Natural white variously shaped Saltwater Pinctada species, Orient and none. 1 bead Cultured pearl. No indications of treatment. 33 ½ ins; Gross weight 9.7 dwts

181

O PA L CA M E O A N D G O L D R I N G

$ 800 – 1,200

The oval opal cameo within a bezel mount on a double gold band 18k yellow gold Ring size 7 ¾; Gross weight 6.3 dwts

180

A N T I Q U E D I A M O N D E N T R E M B L A N T F LOW E R B RO O C H

$ 4,000 – 6,000

Set with rose-cut diamonds throughout the leaf and floral brooch, 1860s Yellow gold 1 ½ × 3 ½ ins; Gross weight 28.0 dwts

184

J L AC L O C H E

G O L D D U C K B RO O C H

$ 1,000 – 1,500

Polished gold duck on wheels with circular-cut ruby accents 18k yellow gold Signed J. Lacloche 1 × 1 ½ ins; Gross weight 4.2 dwts

Jacques Lacloche, son of Jacques, one of the four brothers of Lacloche Freres, revived the fine house in 1933. He dared to bring modern design and a touch of whimsy that emerged in the jewelry of the 1940s and 50s, including Les Saisons, gold female figural pins that each depict a different season. Another whimsy series would be this duck pull toy and a rolling horse scooter. By the late 60s Jacques abandoned jewelry to establish himself as a gallerist in Paris dealing in modern design. L’Ecole des Art Joailliers of Van Cleef & Arpels held an exhibition in the winter of 2019 on occasion of the publication of a complimentary book Lacloche Joailliers by Laurence Mouillefarine.

185

RU BY A N D B I CO LO R G O L D S U N B U RST B RO O C H P E N DA N T

$ 1,000 – 1,500

Designed as alternating rose and yellow gold panels spaced by circular-cut rubies with a circular-cut ruby and single-cut diamond center, 1940s 14k yellow and rose gold 2 ¼ ins; Gross weight 16.3 dwts

183


G O L D ‘AT L A S ’ N E C K L AC E

$ 6,000 – 8,000

Each gold link with engraved roman numerals, c. 1995 18k yellow gold Signed Tiffany & Co. 17 ½ ins; Gross weight 84.8 dwts

The Atlas collection’s use of Roman numerals was influenced by the Atlas clock on the facade of Tiffany’s Fifth Avenue flagship store. Originally designed in 1995 by John Loring, Tiffany’s design director emeritus, the collection withstands time and has become a classic for the American jeweler.

186


G O L D C H EV RO N N E C K L AC E

$ 1,800 – 2,200

Of gold fancy chevron links 14k yellow gold Signed Tiffany & Co. 16 ins; Gross weight 43.4 dwts

187

S ET O F A M ET H YST I N S E CT J EW E L RY

$ 800 – 1,200

Comprising a brooch and pair of earrings, each set with a rectangular-cut amethyst body and gold wings; the brooch with circular-cut ruby eyes, 1940s 14k rose gold Gross weight 11.8 dwts

188

RU BY, D I A M O N D, A N D G O L D R I N G

$ 1,200 – 1,800

Set with an oval cabochon ruby in a halo of single- cut diamonds, with channel-set rubies and round brilliant-cut diamonds, 1940s Yellow and white gold Ring size 5; Gross weight 4.3 dwt

192

E RW I N P E A R L

D I A M O N D A N D G O L D RO S E B RO O C H

$ 800 – 1,200

Of textured gold and round brilliant-cut diamonds 18k yellow gold Signed E. Pearl 1 ¼ × 3 ins; Gross weight 17.0 dwts

189

G O L D N E C K L AC E A N D B R AC E L ET

$ 800 – 1,200

Each gold rope chain spaced with matte textured gold beads 18k, 14k yellow gold Necklace: 31 ins; bracelet: 8 ins; Gross weight 32.5 dwts

190

RU BY, D I A M O N D, A N D G O L D E A R R I N G S

$ 800 – 1,200

Each set with an oval cabochon ruby and round brilliant-cut diamonds Yellow gold ¾ × 1 in; Gross weight 16.5 dwts

191

T H R E E - ST R A N D CU LT U R E D P E A R L A N D RU BY N E C K L AC E

$ 600 – 800

Of graduated cultured pearls, approx. 3.60 – 7.90 mm, with circular-cut ruby heart stations 14k yellow gold 15 ins; Gross weight 27.4 dwts

195

S PA R K E S

G O L D B R AC E L ET

$ 1,500 – 2,000

Of circular faceted gold links, 1940s 14k yellow gold Signed Sparkes 7 ¾ ins; Gross weight 35.8 dwts

193

V E N D O R A FA

D I A M O N D A N D G O L D B U C K L E E A R R I N G S

$ 800 – 1,200

Of hammered yellow gold with pavé-set diamonds in white gold buckle 18k yellow and white gold With maker’s mark ¾ in; Gross weight 12.2 dwts

194

E L SA P E R E T T I F O R T I F FA N Y & C O .

A M ET H YST A N D G O L D BA R B RO O C H

$ 400 – 600

Set with an amethyst pebble center 18k yellow gold Signed Peretti, Tiffany & Co. 3 × ½ ins; Gross weight 5.7 dwts

196

F I V E A S S O RT E D R I N G S

$ 1,000 – 1,500

Comprising a channel-set, baguette-cut diamond and sapphire ring; a pavé-set diamond, baguette-cut yellow sapphire, and yellow gold ring; a pear-shaped garnet, round diamond, and yellow gold ring; a single-cut diamond and textured yellow gold ring; and an old European-cut diamond and engraved barrel ring 18k, 14k yellow and white gold Gross weight 34.8 dwts

197

M U LT I ST R A N D G E M N E C K L AC E

$ 5,000 – 6,000

Multifaceted bezel-set gem necklace, including amethyst, citrine, and topaz 14k yellow gold 65 ½ ins; Gross weight 180.4 dwts

199

M A R L E N E S T OW E

G O L D CO L L A R N E C K L AC E

$ 5,000 – 7,000

Designed with matte and polished gold sections 18k yellow gold Signed M. Stowe 14 ⅞ ins; Gross weight 111.3 dwts

Marlene Stowe drew inspiration from the styles of the French Riviera, where she grew up. Studying at Sorbonne, she honed in on her true aesthetic, curated designs that captured simplicity, elegance and femininity.

200

C I T R I N E , P E R I DOT, A N D RU BY P E N DA N T E A R R I N G S

$ 1,200 – 1,800

Each set with an oval-cut citrine and a heart-shaped peridot joined by cabochon ruby hinges 18k yellow gold ½ × 1 ¼ ins; Gross weight 12.2 dwts

198

P E R I DOT A N D D I A M O N D E A R R I N G S

$ 800 – 1,200

Each earring of round and oval-cut peridot cluster design, set with a diamond collet 14k yellow and white gold 2 × 1 ins; Gross weight 5.4 dwts

202

SA P P H I R E A N D D I A M O N D F LOW E R E A R R I N G S

$ 1,400 – 1,800

Each a three flower bouquet, with circular- cut sapphire petals and round brilliant-cut diamond centers Yellow gold ⅝ × 1 in; Gross weight 5.6 dwts

201

SA P P H I R E A N D G O L D F LOW E R B RO O C H

$ 600 – 800

Engraved leaves framing 17 circular-cut sapphires within gold flower heads Yellow gold 1 ⅞ ins; Gross weight 12.9 dwts

203

T I F FA N Y & CO. SA P P H I R E A N D G O L D RO P EWO R K E A R R I N G S A N D T WO R I N G S

$ 2,000 – 3,000

Comprising a gold ropework ring with circular-cut sapphires and emerald; a marquise-shaped gold ropework ring with sapphire and round brilliant- cut diamonds; a pair of Tiffany & Co. gold earrings with circular-cut sapphires and round brilliant- cut diamonds 18k yellow and white gold Earrings signed Tiffany & Co. Gross weight 27.7 dwts

207

G O L D A N D JA D E E AG L E BA N G L E

$ 1,800 – 2,200

The twin gold eagles with jadeite hoop Yellow gold Inner circ. 7 ins; Gross weight 33.3 dwts

206

E M E R A L D A N D D I A M O N D R I N G

$ 800 – 1,200

Three oval-cut emeralds spaced by round brilliant-cut diamonds on a gold tapered band 18k yellow gold Ring size 6 ½; Gross weight 3.6 dwts

205

E M E R A L D A N D D I A M O N D E A R R I N G S

$ 3,500 – 4,500

Each three dangling strands of alternating oval- cut emeralds and round brilliant-cut diamonds 18k yellow gold ½ × 2 ¾ ins; Gross weight 4.4 dwts

204

CA RT I E R

E M E R A L D A N D D I A M O N D F LOW E R B RO O C H

$ 2,000 – 3,000

Set with round brilliant-cut diamonds and emeralds on a textured gold tulip, c. 1969 18k yellow gold Signed Cartier Exclusive no. 21015 ¾ × 2 ⅛ ins; Gross weight 14.2 dwts

As featured in a 1969 Cartier ad.

208


D I A M O N D A N D G O L D ‘ VA N N E R I E ’ N E C K L AC E

$ 8,000 – 12,000

Designed in a thick woven pattern with two round brilliant-cut diamond pavé-set stations, c. 1989 18k yellow gold Signed Tiffany & Co. 17 ins; Gross weight 134.1 dwts

209

SA P P H I R E A N D D I A M O N D F LOW E R B RO O C H A N D O PA L A N D D I A M O N D B E E B RO O C H

$ 1,500 – 2,000

A Herbert Rosenthal cabochon opal, round diamond and gold bee brooch with ruby eyes; and a textured gold floral brooch with circular-cut sapphires and diamonds 18k yellow gold Gross weight 17.8 dwts

211

D I A M O N D A N D G O L D W E D D I N G BA N D

$ 2,000 – 3,000

Set with marquise and round brilliant-cut diamonds Yellow gold Ring size 4 ¾; Gross weight 3.9 dwts

210

D I A M O N D A N D G O L D BA N G L E R I N G

$ 1,500 – 2,000

Designed as a contractable gold bracelet converting to a ring, with bezel-set diamonds 18k yellow and white gold Gross weight 11.4 dwts

212

B LU E E N A M E L, D I A M O N D, A N D G O L D FO L I AT E B RO O C H

$ 1,500 – 2,000

Blue ombre enameling on textured gold leaves, with single-cut and round brilliant-cut diamonds 18k yellow gold With Park Place Jewelers box 3 × 1 ½ ins; Gross weight 18.5 dwts

214


G O L D A N D D I A M O N D B R AC E L ET

$ 1,500 – 2,000

A line of triangular gold bead motifs with round brilliant-cut diamond centers Yellow gold Signed Tiffany 7 ins; Gross weight 21.2 dwts

213

D E M A N TO I D GA R N ET A N D D I A M O N D F LOW E R B RO O C H

$ 4,500 – 5,500

With plique-a-jour enamel and single-cut diamond leaves, with an old European-cut diamond and demantoid garnets Yellow gold 1 ½ ins; Gross weight 7.8 dwts

215

R E N É L A L I Q U E

A RT N O U V E AU O PA L A N D E N A M E L R I N G

$ 2,500 – 3,500

Set with an oval cabochon opal within an enamel and gold mount, c. 1900 Yellow gold Signed Lalique Ring size 6 ¼; Gross weight 3.2 dwts

René Lalique, long considered the master of Art Nouveau jewelry, broke traditions in the craft making the materials central to the design. Opals were a favored gem choice and enamel has become a trademark to his work.

219

CA RT I E R

A RT D E CO TO U R M A L I N E , D I A M O N D, A N D B L AC K E N A M E L R I N G

$ 3,000 – 4,000

Set with a rectangular-cut tourmaline, with black enamel and round brilliant-cut diamond decorative shoulders 14k yellow gold Signed Cartier Ring size 4 ½; Gross weight 3.6 dwts

220

B L AC K O N YX A N D G O L D L I N K B R AC E L ET

$ 600 – 800

Of polished gold and black onyx wide cable links 18k yellow gold 8 ins; Gross weight 21.9 dwts

218

D I A M O N D A N D B L AC K O N YX R I N G

$ 400 – 600

Rectangular black onyx with round brilliant- cut diamond stripes on a wide gold band Platinum topped 18k yellow gold Ring size 8; Gross weight 9.7 dwts

216

B U L G A R I

‘ S E R P E N T I ’ T U B O GA S TO U R M A L I N E A N D B I CO LO R G O L D R I N G

$ 1,500 – 2,000

A flexible wrap ring with a cabochon teardrop-shaped tourmaline 18k gold Signed Bulgari, BA 3707 Ring size 6; Gross weight 6.4 dwts

217

WO O D A N D G O L D B R AC E L ET

$ 1,000 – 1,500

Of alternating gold and wood marine links 18k yellow gold 7 ins; Gross weight 16.6 dwts

224

G RO U P O F G E N T L E M A N ’S J EW E L RY

$ 800 – 1,200

Comprising a citrine, black onyx, and diamond dress set; and a pair of black enamel cufflinks 18k, 14k yellow gold Citrine cufflinks signed Trianon Gross weight 13.8 dwts

223

G O L D BA L L E R I N A E A R R I N G S

$ 800 – 1,200

Each a dancing ballerina performing atop a black enamel ball 18k yellow gold ½ × 2 ¼ ins; Gross weight 11.7 dwts

221

CO R A L A N D CU LT U R E D P E A R L TO RSA D E B R AC E L ET

$ 1,000 – 1,500

Designed with twisted strands of cultured pearl and coral beads, joined by a green enamel, gold, and ruby clasp Yellow gold 9 ins; Gross weight 40.8 dwts

222

CO R A L A N D CU LT U R E D P E A R L TO RSA D E N E C K L AC E

$ 1,500 – 2,000

Designed with twisted strands of cultured pearl and coral beads, joined by a blue enamel, gold, and emerald clasp Yellow gold 19 ins; Gross weight 70.6 dwts

226

PA I R O F G O L D B R AC E L ETS , I TA L I A N

$ 1,500 – 2,000

Of polished gold links, converts to necklace 18k yellow gold Gross weight 41.7 dwts

225


G O L D S P R AY B RO O C H A N D E A R R I N G S E N S U I T E

$ 2,000 – 3,000

Each of polished gold spray design set with one round brilliant-cut diamond 18k yellow gold Brooch signed Tiffany & Co.; earrings signed T & Co. Gross weight 23.5 dwts

227

G RO U P O F J EW E L RY

$ 1,000 – 1,500

Comprising a shell, citrine, and pavé-set diamond pendant; a cabochon opal and round brilliant-cut diamond ring; an opal and round brilliant-cut diamond pendant Yellow gold Gross weight 77.6 dwts

228

G R AY CU LT U R E D P E A R L N E C K L AC E W I T H BA RO Q U E P E A R L A N D D I A M O N D R I N G

$ 1,000 – 1,500

Comprising a single strand necklace of 47 gray cultured pearls, approx. 7.0 – 7.6 mm; a gray baroque pearl and pavé-set diamond ring Yellow gold Gross weight 25.3 dwts

229

D I A M O N D A N D G E M - S ET F LY I N G F I S H B R AC E L ET A N D R I N G E N S U I T E

$ 3,500 – 4,500

Each designed as a textured gold flying fish with single-cut diamond and emerald fins and circular-cut ruby eyes 18k yellow gold Gross weight 57.3 dwts

230

CO N T E M PO R A RY G O L D B R AC E L ET

$ 1,800 – 2,200

Of polished gold wave links 14k yellow gold 7 ¾ ins; Gross weight 56.9 dwts

232

H E R B E RT R O S E N T H A L

D I A M O N D B E E B RO O C H

$ 700 – 900

With a round brilliant-cut diamond body 18k yellow gold With maker’s mark 1 × 1 ¼ ins; Gross weight 6.3 dwts

231

D I A M O N D A N D G O L D F E AT H E R B RO O C H , I TA LY

$ 1,200 – 1,800

Designed with textured gold and single-cut diamond feathers and a pavé-set diamond ribbon center 18k yellow and white gold 1 ¾ ins; Gross weight 16.9 dwts

235

D I A M O N D A N D G O L D E A R C L I PS

$ 1,200 – 1,800

Each with a milgrain grid pattern around round brilliant-cut diamonds 18k yellow gold ⅜ × ¾ in; Gross weight 6.4 dwts

234

VA N C L E E F & A R P E L S

D I A M O N D A N D G O L D SAU TO I R N E C K L AC E

$ 3,500 – 4,500

Designed as gold barrel links, five with platinum and round brilliant-cut diamond accents 18k yellow gold and platinum Signed VCA 23 ins; Gross weight 34.2 dwts

233

D I A M O N D A N D G O L D E A R H O O PS

$ 1,400 – 1,800

Set with round brilliant-cut diamonds on both exterior and interior of hoop 18k yellow gold 1 ½ ins; Gross weight 5.3 dwts

237

DAV I D W E B B

D I A M O N D A N D G O L D N E C K L AC E

$ 8,000 – 12,000

Of polished gold links, joined by four round brilliant-cut diamond circular stations 18k yellow gold and platinum Signed Webb 13 ins; Gross weight 49.4 dwts

236

D I A M O N D H A L F H O O P E A R R I N G S

$ 2,000 – 3,000

Each set with 40 square-cut diamonds Yellow gold ¾ in; Gross weight 11.5 dwts

240

M A R I S O L E S C O BA R

G O L D S E L F- PO RT R A I T R I N G

$ 6,500 – 7,500

The sculptural ring depicting the artist, with single-cut diamond eyes 18k yellow gold With maker’s mark Ring size 5; Gross weight 28.0 dwts

L I T E R AT U R E : Jewelry as Sculpture as Jewelry, Newby Haspeslaugh, pg. 48. illuatrates similar piece

Born in Paris but of Venezuelan descent, Marisol Escobar (1930-2016) was an artist who explored many mediums. She is best known for her wood assemblage sculptures depicting human form. Gaining notortiety in the late 50s, Marisol was a part of the New York City Greenwich Village art scene, exhibiting alongside Rauschenberg and being good friends with Andy Warhol. However, she forged her own way with her graceful and unique style. Difficult to classify, she combined strains of Surrealism, Folk Art and Dada, often portraying herself, as in this gold self-portrait ring, or people of influence such as political leaders and movie stars. A similar ring was exhibited at the Institute of Contemporary Art in Boston, in the 1973 exhibition Jewelry as Sculpture as Jewelry. Additionally, the original wax of the ring was exhibited in the circulating exhibition organized by the Museum of Modern Art, Jewelry by Contemporary Painters and Sculptors, 1967-1968; Hessisches Landesmuseum in Darmstadt and Boijmans van Beuningen, Rotterdam.

238

L A L AO U N I S

G O L D DO U B L E L I O N N E C K L AC E

$ 4,000 – 6,000

Braided gold chain in a ‘Hercules Knot’, ending with two ruby-eyed lion heads 18k yellow gold With maker’s mark 18 ins; Gross weight 19.5 dwts

239


G O L D TA S S E L B RO O C H

$ 1,000 – 1,500

Designed as looping gold rope with four tassel 18k yellow gold Signed Tiffany & Co. 2 × 1 ¾ ins; Gross weight 17.5 dwts

243

B U L G A R I

‘ S P I GA’ G O L D A N D D I A M O N D B R AC E L ET

$ 15,000 – 18,000

Flexible wrap bangle bracelet with round brilliant-cut diamond sections 18k yellow gold Signed Bulgari Inner circ. 6 ¼ ins; Gross weight 106.7 dwts

241

D I A M O N D A N D G O L D BA N G L E B R AC E L ET

$ 2,000 – 3,000

Set with round brilliant-cut diamonds in zigzag pattern 18k yellow gold Inner circ. 7 ins; Gross weight 46.8 dwts

242

D I A M O N D A N D G O L D R I N G

$ 2,000 – 3,000

An old mine-cut diamond bezel-set within a wide tapered gold band 18k yellow gold Ring size 6 ¼; Gross weight 11.8 dwts

244

L A P I S L A ZU L I A N D G O L D BA N G L E B R AC E L ET

$ 800 – 1,000

Bezel-set with five cabochon lapis lazuli on a polished gold hinged bangle 14k yellow gold Inner circ. 6 ¾ ins; Gross weight 29.1 dwts

245

T WO PA I RS O F G O L D A N D G E M - S ET E A R R I N G S

$ 1,500 – 2,000

One pair set with cabochon lapis lazuli partially encased by gold; another pair set with green chalcedony in a gold frame 18k yellow gold Lapis lazuli earrings signed Grossé; circular earrings signed Fennell Gross weight 17.3 dwts

246

G RO U P O F CU LT U R E D P E A R L, L A P I S L A ZU L I , A N D G O L D J EW E L RY

$ 1,200 – 1,800

Comprising a cultured pearl necklace; a lapis lazuli bead necklace; a gold and cultured pearl brooch; a freshwater pearl and sapphire brooch; and a gold cross pendant Yellow gold Gross weight 76.0 dwts

248

G E O R G J E N S E N

G O L D R EV E RS I B L E B R AC E L ET

$ 3,000 – 3,500

Of gatelink gold design 18k yellow gold Signed Georg Jensen 8 ins; Gross weight 56.9 dwts

247

G O L D L I N K B R AC E L ET, A RG E N T I N A

$ 3,500 – 4,500

Of polished gold brick links 18k yellow gold 7 ½ ins; Gross weight 90.9 dwts

249

M O D E R N I ST G O L D B R AC E L ET

$ 2,000 – 3,000

Of sculpted textured gold links 18k yellow gold 7 ½ ins; Gross weight 42.0 dwts

250

PAT E K P H I L I P P E

B ETA 21 W R I ST WATC H

$ 12,000 – 15,000

The cushion-shaped dial with dash hours and minutes, date aperture, with a gold open fancy link band, c. 1974 18k yellow gold Signed Patek Philippe Geneve 7 ins; Gross weight 108.7 dwts

If there were a reward for Modernist 20th Century watch design, the Patek Phillippe Beta 21 3587 would surely win an award. This watch is the result of the Swiss watch maker’s efforts to keep up with quartz movement innovation in the 70s. Patek Philippe went the extra mile to create something futuristic and elegant. The television dial and the German “swiss cheese” band in brushed 18k gold complimented the new technology. However, the Swiss soon realized that the demand for old-fashioned time keeping hadn’t gone away and quartz movements were not where they wanted to focus their watch making efforts. This wristwatch has become a rare collectible throw back and a fashionable statement piece for today.

252

AT T R I B U T E D T O R E N É B O I V I N

S I LV E R, G O L D, A N D SA P P H I R E CAT P E N DA N T

$ 10,000 – 12,000

Designed with raised stripes and square-cut sapphire eyes Silver and gold With French marks and pouch signed René Boivin 2 ¼ × 2 ins; Gross weight 26.1 dwts

251

G O L D C H O K E R N E C K L AC E

$ 2,000 – 2,500

Of polished and textured gold Greek key motif bar links 18k yellow gold Inner circ. 14 ¼ ins; Gross weight 41.5 dwts

254

G O L D CA L L A L I LY B RO O C H

$ 600 – 800

Of matte and textured gold 24k yellow gold 2 × ¾ ins; Gross weight 8.1 dwts

253

A BA LO N E P E A R L I N S E CT B RO O C H

$ 800 – 1,200

With an abalone pearl body and textured gold wings and head 18k yellow gold 1 ¼ ins; Gross weight 7.9 dwts

255

G O L D, E N A M E L, A N D CU LT U R E D P E A R L F LOW E R B RO O C H

$ 800 – 1,200

Of textured gold petals with pink enamel and gold interior veining and a cultured pearl cluster center 18k yellow gold 1 ½ ins; Gross weight 22.7 dwts

256

E D W I E N E R

M O D E R N I ST SA P P H I R E A N D G O L D B R AC E L ET

$ 2,000 – 3,000

Textured gold hinged bangle bracelet, accented by five bezel-set sapphires 14k yellow gold Inner circ. 6 ¼ ins; Gross weight 40.8 dwts

258

G . N A R D I

D I A M O N D A N D G E M - S ET ‘ M O R ET TO V E N E Z I A N O ’ CA N D E L A B R A B RO O C H

$ 8,000 – 10,000

Set with round brilliant-cut diamonds, circular-cut rubies, emeralds, and sapphires 18k yellow gold Signed G. Nardi 1 ½ × 2 ins; Gross weight 18.7 dwts

The Venetian jeweler, Giulio Nardi, was most celebrated for his ‘Moretti Veneziano’ brooches. Dating from the mid 19th Century, they typically depict a Venetian Moor, carved from black chalcedony, ebony, or sardonyx. The figure often suggests Othello, the Moor of Venice. Originating as Venetian souvenirs and love tokens, by the 1930s their popularity soon became evident. This particular example is exceptional in the unique candelabra sconce design recalling siren maiden sconces or the candelabra lights on the bridges of Venice. Nardi Venezia continues the family jewelry business today in the Piazzo San Marco.

257

RU BY A N D D I A M O N D R I N G

$ 8,000 – 10,000

Set with an oval-cut ruby weighing approx. 5.46 cts, flanked by oval-cut diamonds 18k yellow gold AGL Report no. 1104186, 4 November 2019, 5.46 cts., Natural Corundum Red Ruby, Afghanistan, No heat enhancement. Ring size 5 ¾; Gross weight 3.0 dwts

259

D I A M O N D A N D G O L D N E C K L AC E , I TA LY

$ 10,000 – 12,000

The round brilliant-cut diamonds adorning a gold mesh choker, with gold rope “X” details, c. 1980 18k yellow gold 15 ¼ ins; Gross weight 108.8 dwts

260

L O R R A I N E S C H WA RT Z

D I A M O N D A N D G O L D BA L L E A R R I N G S

$ 4,000 – 5,000

Each with rose-cut diamonds set in black rhodium finished gold With maker’s mark 1 in; Gross weight 6.6 dwts

261

D I A M O N D, SA P P H I R E , A N D E M E R A L D L E O PA R D B R AC E L ET

$ 6,000 – 8,000

Pavé-set with round brilliant-cut diamonds, circular-cut sapphires, and emerald eyes 18k yellow gold 7 ½ ins; Gross weight 44.3 dwts

263

D I A M O N D, B L AC K O N YX, A N D G O L D B R AC E L ET

$ 1,500 – 2,000

Sculpted triangular bracelet set with black onyx and round brilliant-cut diamonds 14k yellow and white gold 6 ¼ ins; Gross weight 23.8 dwts

262

D I A M O N D, B L AC K O N YX, A N D G O L D N E C K L AC E

$ 2,500 – 3,500

Designed as trapezoidal onyx and pavé-set diamond links, with a diamond shaped pendant 14k yellow and white gold Inner circ. 15 ¼ ins; Gross weight 31.6 dwts

264

S I G N O R E T T I

G O L D A N D TO U R M A L I N E C H O K E R A N D B R AC E L ET

$ 3,000 – 3,500

Each designed as a mesh band, joined by a bezel-set cabochon tourmaline toggle clasp 18k yellow gold With maker’s mark Gross weight 67.9 dwts

265

R O L E X

L A DY’S G O L D W R I ST WATC H

$ 2,000 – 3,000

The square dial with dash hours in gold case with gold bracelet 14k yellow gold Signed Rolex 5 ⅞ ins; Gross weight 19.2 dwts

267

D I A M O N D A N D G O L D P E A R L E N H A N C E R

$ 1,500 – 2,000

The polished knotted gold pearl enhancer accented by round brilliant-cut diamonds 18k yellow gold 2 ¼ × 1 ins; Gross weight 22.8 dwts

266


G O L D RO P E E A R R I N G S

$ 1,200 – 1,500

Each of fan-shaped twisted rope design 18k yellow gold Signed V.C.&A. N.Y. 3V89-11 ½ × ¾ in; Gross weight 9.0 dwts

269

PA L O M A P I CA S S O , T I F FA N Y & C O .

H A M M E R E D G O L D N E C K L AC E

$ 4,000 – 6,000

Designed as an oval link chain, c. 1989 18k yellow gold Signed Tiffany & Co. Paloma Picasso 18 ins; Gross weight 67.2 dwts

268

PA L O M A P I CA S S O , T I F FA N Y & C O .

H A M M E R E D G O L D L I N K E A R R I N G S

$ 1,500 – 2,000

Designed as interlocking oval hoops, c. 1989 18k yellow gold Signed Tiffany & Co. Paloma Picasso ½ × 1 in; Gross weight 11.5 dwts

271

DAV I D W E B B

T W I N F RO G B R AC E L ET

$ 25,000 – 35,000

Designed as an articulated bangle with two green enamel and swirling gold spotted frogs with oval cabochon ruby eyes, round brilliant- cut diamond and platinum lips joined by oval cabochon rubies 18k yellow gold and platinum Signed David Webb 6 ½ ins; Gross weight 82.1 dwts

270

B U R M A RU BY A N D D I A M O N D R I N G

$ 12,000 – 15,000

Set with a cushion-cut ruby in a crenulated bezel, flanked by six round brilliant-cut diamonds Platinum AGL Report no: CS 67955, dated: 26 May 2015. 2.80 cts Natural Corundum Ruby, Burma, Heat enhancement: none. Ring size 7; Gross weight 3.8 dwts

274

I O L I T E , TO U R M A L I N E , A N D G O L D R I N G

$ 1,500 – 2,000

Of square-cut iolite and tourmaline set in a circular grid pattern 18k yellow gold Ring size 6 ½; Gross weight 10.0 dwts

272

M E N ’S RU BY A N D G O L D R I N G

$ 2,500 – 3,500

Set with an oval-cut ruby with round brilliant-cut diamond shoulders 14k yellow gold AGL Report no. 1106925, 27 February 2020, Natural Corundum Red Ruby, Burma, Heat, Excellent Color Stability Ring size 10; Gross weight 9.5 dwts

273

A L A N G I OVA N N E T T I

GA R N ET, D I A M O N D, A N D G O L D R I N G

$ 800 – 1,200

Set with a fancy-cut garnet with round diamond accents 18k yellow gold Signed A. Gio Ring size 7 ¼; Gross weight 15.8 dwts

275

BA R RY K I E S E L S T E I N C O R D

G O L D CO LU M N N E C K L AC E

$ 8,000 – 10,000

Each gold link with two sculpted columns, c. 1980 18k yellow gold Signed Kieselstein Cord With fitted and signed box 15 ins; Gross weight 139.9 dwts

276

DAV I D W E B B

G O L D RO P EWO R K E A R R I N G S

$ 3,000 – 4,000

Of textured and hammered gold 18k yellow gold Signed Webb ¾ × 1 ¼ ins; Gross weight 29.7 dwts

277

T I F FA N Y


$ 5,000 – 6,000

Designed with raised teardrop and swirling designs, c. 1970 18k yellow gold Signed Tiffany Inner circ. 7 ins; Gross weight 90.2 dwts

278

CA RT I E R

G O L D A N D L A P I S L A ZU L I S P H E R E R I N G

$ 3,000 – 4,000

Three lapis lazuli spheres atop a gold bar with trapezoidal textured gold sides, on an angular band, c. 1969 18k yellow gold Signed Cartier Ring size 7; Gross weight 12.9 dwts

On October 03, 1969 Cartier launched a collection of 200 jewels entitled Astrological, Underwater, and Geometric all designed by the young Canadian jewelry designer, Roger Lucas, with a two-week exhibition at its flagship boutique. The jewelry maison, Lucas, was already a well-established shopping destination for fine jewelry in Montreal, Canada. Roger Lucas took them to new heights with international exposure. Lucas considered each one-of-a-kind jewel a miniature sculpture. He stated for the press in 1969, “Wear your rings by day, and let them watch over you from your table at night.” This ring is designed with an angular bottom to stand alone.

281

M O N TA N A SA P P H I R E A N D D I A M O N D R I N G

$ 3,500 – 4,500

A single-cut diamond swirling sunburst set with an approx. 2.12 cts sapphire center Low karat yellow gold GIA Report no. 2175663948, 6 July 2016. 2.12 cts., Transparent Greenish Blue, Natural Corundum, Montana Natural Sapphire, No indications of Heating. Ring size 7 ¾; Gross weight 4.4 dwts

282

RU BY A N D D I A M O N D R I N G A N D E A R R I N G S

$ 800 – 1,200

A circular-cut ruby flower and round brilliant- cut diamond center, with floral mount and roped gold band; and a pair of circular-cut ruby and round brilliant-cut diamond stud earrings 18k, 14k yellow gold Gross weight 4.4 dwts

280


RU BY A N D D I A M O N D RO O ST E R B RO O C H

$ 2,000 – 3,000

The textured gold feathers, circular-cut ruby encrusted plumage, coxcomb and eye, and single-cut diamond feathers at neck, c. 1955 18k yellow gold and platinum Signed Tiffany & Co. With original box 2 × 2 ⅛ ins; Gross weight 15.5 dwts

279

CA RT I E R

M I D-C E N T U RY G O L D A N D RU BY F R I N G E E A R R I N G S

$ 1,800 – 2,200

Set with circular-cut rubies in a swirling pattern, suspending gold fringe Yellow gold Signed Cartier ¾ × 2 ½ ins; Gross weight 15.8 dwts

285

B U E C H E G I R O D

M O D E R N I ST M A L AC H I T E A N D G O L D WATC H P E N DA N T

$ 1,500 – 2,000

The oval malachite dial within a gold case and a gold mesh link frame 14k yellow gold Signed Bueche Girod 2 ½ × 1 ¾ ins; Gross weight 37.3 dwts

284

T H R E E G E M - S ET A N D G O L D R I N G S

$ 800 – 1,200

Comprising an emerald and diamond grid pattern ring; a domed ring with turquoise, diamond, sapphire, and ruby; a sapphire and diamond ring in a floral sculpted mount Yellow gold Gross weight 19.1 dwts

283

J U V E N I A

M A L AC H I T E , D I A M O N D, A N D G O L D W R I ST WATC H

$ 3,500 – 4,500

The malachite oblong dial set with a diagonal of single-cut diamonds in a gold case extending a fancy link gold band, 1970s 18k yellow gold Signed Juvenia 7 ins; Gross weight 58.6 dwts

Juvenia is a Swiss watch brand named after Jacques Didisheim-Goldschmidt’s wife, Juvenia Goldschmidt with continuous production for over 150 years. They have traditionally had a strong offering of women’s watches and focused on fine movements and aesthetics.

289

M U LT I -G E M C H A M PAG N E B RO O C H

$ 3,000 – 4,000

An emerald and pink sapphire champagne bottle, sapphire, round brilliant-cut diamond, and yellow sapphire cup, with yellow sapphire fizz 18k yellow gold 1 ¾ × 2 ⅛ ins; Gross weight 13.8 dwts

288

Y E L LOW D I A M O N D E A R R I N G S

$ 1,800 – 2,200

Each set with an oval brilliant-cut yellow diamond surrounded by round brilliant-cut diamonds 14k rose gold ¼ in; Gross weight 1.7 dwts

286

G O L D A N D SA P P H I R E R I N G

$ 4,500 – 5,500

Set with a rectangular-cut purple sapphire weighing approx. 14.00 cts in a sculpted gold mount, attributed to Julius Cohen 18k yellow gold Ring size 7; Gross weight 9.0 dwts

287

G O L D A N D SY N T H ET I C S P I N E L P I N KY R I N G

$ 800 – 1,200

Set with an oval-cut synthetic spinel in a sculpted gold mount Yellow gold Ring size 2 ½; Gross weight 10.0 dwts

291

DAV I D W E B B

R E PO U S S É L I O N CU F F

$ 10,000 – 12,000

Of chased and textured gold set with oval-cut emerald eyes 18k yellow gold Signed Webb Inner circ. 6 ¾ ins; Gross weight 87.5 dwts

290

O PA L OW L B RO O C H

$ 14,000 – 16,000

The opal owl body with cabochon cat’s eye chrysoberyl eyes and round brilliant- cut diamond accents perches on a branch 18k yellow gold GIA Report no. 5202830594, 22 January 2020, Opal, Natural Color. No indications of color treatment. 1 ½ × 3 ins; Gross weight 32.9 dwts

292

L A T R I O M P H E

D I A M O N D A N D E N A M E L R I N G

$ 600 – 800

The green enamel leaves adjoining a stylized flower of blue enamel and pavé-set round brilliant-cut diamonds 18k yellow gold Signed La Triomphe Ring size 6 ½; Gross weight 14.4 dwts

293

S ET O F G O L D A N D E N A M E L J EW E L RY

$ 1,200 – 1,500

Each with alternating green and blue enamel marquise-shaped panels 14k yellow gold Gross weight 16.0 dwts

295


$ 2,500 – 3,500

Of polished and textured gold links 18k yellow gold 8 ½ × ⅞ ins; Gross weight 55.9 dwts

296

R E D E N A M E L A N D G O L D H E A RT E A R R I N G S

$ 1,400 – 1,800

Each a red enamel heart encased in gold 18k yellow gold Signed Mavito ⅞ × 1 ¼ ins; Gross weight 16.8 dwts

294


RU BY A N D G O L D CACT U S B RO O C H

$ 800 – 1,200

Designed with four circular-cut ruby blossoms on a textured gold cactus 18k yellow gold Signed Tiffany & Co. 1 × 1 ⅜ ins; Gross weight 4.8 dwts

297

S U I T E O F R ET RO G E M - S ET A N D G O L D J EW E L RY

$ 15,000 – 20,000

Comprising a tubogas bracelet/brooch, another brooch, and a pair of earrings, each set with a cluster of rectangular-cut citrines, cabochon sapphires, emeralds, and green beryls, 1940s 14k yellow gold Gross weight 130.1 dwts

301

G O L D A N D F R E S H WAT E R P E A R L N E C K L AC E

$ 1,200 – 1,800

Designed as gold links spaced by 11 freshwater pearls measuring approx. 9.1 – 7.2 mm, 1890s Yellow gold 28 ins; Gross weight 27.3 dwts

298

PA I R O F M A B É P E A R L, D I A M O N D, A N D G O L D E A R C L I PS

$ 1,000 – 1,500

Each set with a mabé pearl center, encircled by gold twisted rope and round brilliant-cut diamonds 18k yellow gold ¾ in; Gross weight 13.1 dwts

299

M OVA D O

D I A M O N D A N D G O L D W R I ST WATC H

$ 1,500 – 2,000

The circular dial with dash hours in a brilliant-cut diamond and gold case to the fancy link gold band 18k yellow gold Signed Movado Inner circ. 6 ½ ins, 25 mm; Gross weight 31.1 dwts

300

G O L D A N D D I A M O N D BA N G L E A N D R I N G

$ 1,800 – 2,200

Comprising a textured gold ribbon ring with round brilliant-cut diamonds; and a pavé-set diamond floral bangle bracelet 18k yellow and white gold Gross weight 47.8 dwts

302

T R I CO LO R G O L D B R AC E L ET

$ 2,500 – 3,500

Wide gold link bracelet with etched and matte designs 18k yellow, rose, and white gold 8 ins; Gross weight 70.6 dwts

303


T WO SA P P H I R E A N D G O L D B RO O C H E S

$ 1,000 – 1,500

Each with circular-cut sapphires and textured gold foliate designs 18k yellow gold Leaf brooch signed Tiffany; wreath brooch signed Tiffany & Co. Gross weight 32.2 dwts

305

P I AG E T

L A DY’S G O L D ‘ PO LO ’ W R I ST WATC H

$ 4,000 – 5,000

The circular dial with seconds hand and date aperture, in a gold case attached to a flexible gold band 18k yellow gold Signed Piaget Inner circ. 6 ½ ins, 27 mm; Gross weight 64.2 dwts

304

T WO PA I RS O F G O L D E A R R I N G S

$ 800 – 1,200

Comprising a pair of polished gold horse head earrings; and a pair of Maltese cross earrings with center and hanging abalone pearl 18k yellow gold Horse head earrings with maker’s mark for Albert Lipten Gross weight 24.9 dwts

309

D I A M O N D E A R ST U D S

$ 1,800 – 2,400

Each with a triangular-cut diamond 14k white gold ¼ in; Gross weight 1.0 dwts

308

AQ UA M A R I N E A N D D I A M O N D P E N DA N T

$ 2,000 – 3,000

Set with a rectangular-cut aquamarine measuring approx. 23.0 × 17.0 × 11.8 mm, topped with marquise-cut diamonds White gold ⅝ × 1 ¼ ins; Gross weight 7.7 dwts

310

AQ UA M A R I N E , D I A M O N D, A N D G O L D P E N DA N T

$ 1,800 – 2,200

Set with triangular and brilliant-cut diamonds and a pear-shaped aquamarine White gold ¾ × 1 ⅛ ins; Gross weight 4.5 dwts

307

AQ UA M A R I N E A N D D I A M O N D R I N G

$ 800 – 1,200

A marquise-cut aquamarine, accented by single and round brilliant-cut diamonds 18k white gold Ring size 4 ¾; Gross weight 3.3 dwts

306

BA RO Q U E CU LT U R E D P E A R L N E C K L AC E

$ 1,500 – 2,000

Of 19 baroque pearls measuring approx. 12.4 – 19.5 mm, with a sterling silver clasp Sterling silver 17 ½ ins; Gross weight 74.9 dwts

314


$ 12,000 – 15,000

Set with a 3.29 cts rectangular-cut emerald, flanked by two square-cut diamonds Platinum AGL Report no. 1096201, 7 November 2018, 3.29 cts, Natural Beryl Green Emerald, Russia, No Clarity Enhancement. Ring size 5 ¾; Gross weight 4.5 dwts

311


PA I R O F D I A M O N D ET E R N I T Y BA N D S

$ 2,000 – 3,000

Each channel-set with round brilliant-cut diamonds Platinum Signed Tiffany & Co. Ring size 5; Gross weight 5.0 dwts

312

D I A M O N D E N GAG E M E N T R I N G A N D E N H A N C E R

$ 4,000 – 5,000

Set with a marquise-cut diamond; with marquise-cut diamond spray enhancer 14k white gold Ring size 9 ¼; Gross weight 5.3 dwts

313

G R E E N TO U R M A L I N E A N D D I A M O N D R I N G

$ 1,500 – 2,000

Set with an oval-cut tourmaline, surrounded by baguette and round brilliant-cut diamonds 14k white gold Ring size 6; Gross weight 7.0 dwts

315

D I A M O N D, E M E R A L D, A N D W H I T E G O L D B R AC E L ET

$ 1,500 – 2,000

Flexible white gold bracelet with bow and rope accents, circular-cut emeralds, and round brilliant-cut diamonds 18k white gold 7 ¾ ins; Gross weight 41.9 dwts

317

L I G H T Y E L LOW D I A M O N D R I N G

$ 6,000 – 8,000

Set with a light yellow princess-cut diamond within a princess-cut diamond mount White gold Ring size 4 ¾; Gross weight 8.8 dwts

316

D I A M O N D L I N E B R AC E L ET

$ 3,500 – 4,500

Of 42 slightly graduated round brilliant-cut diamonds 14k white gold 7 ins; Gross weight 7.8 dwts

319

D I A M O N D A N D CA B O C H O N E M E R A L D R I N G

$ 7,000 – 8,000

Set with an oval cabochon emerald, approx. 12.8 × 17.2 × 9.0 mm, surrounded by marquise and pear-shaped diamonds Platinum Ring size 7; Gross weight 11.9 dwts

318

A RT D E CO D I A M O N D R I N G

$ 6,000 – 8,000

Set with a 1.50 cts old European-cut diamond, with baguette and trapezoidal-cut diamond shoulders, c. 1925 Platinum GIA Report no. 6204940102, 26 February 2020, 1.50 cts., Old European Brilliant, I color, SI1 clarity Ring size 5; Gross weight 2.4 dwts

320

D I A M O N D ET E R N I T Y BA N D

$ 1,500 – 2,000

Set in shared prongs with square-cut diamonds White gold Ring size 6; Gross weight 1.7 dwts

321


$ 25,000 – 30,000

Set with a 3.59 cts round brilliant-cut diamond with tapered baguette-cut diamond side stones Platinum GIA Report no. 2205802373, 16 December 2019, 3.59 cts., Round Brilliant, J color, VS1 clarity Ring size 8 ½; Gross weight 3.4 dwts

324

D I A M O N D STA R B U RST B RO O C H

$ 1,200 – 1,800

With a marquise-cut diamond center, surrounded by single-cut and old European-cut diamonds 14k white gold 1 ½ ins; Gross weight 9.1 dwts

322

D I A M O N D L I N E N E C K L AC E

$ 6,000 – 8,000

Set with 110 graduated round diamonds Yellow gold 15 ¼ ins; Gross weight 10.4 dwts

325

D I A M O N D PAV É BA N D

$ 2,000 – 3,000

With three rows of round brilliant-cut diamonds Platinum Ring size 4 ¾; Gross weight 4.5 dwts

323

RU BY A N D D I A M O N D R I N G

$ 1,500 – 2,000

A sugarloaf cabochon ruby on a pavé-set round brilliant-cut diamond band 18k white gold AGL Report no. 1104555, 29 October 2019, Natural Corundum Red Ruby, Burma (Myanmar) Origin, Moderate Heat Enhancement Ring size 7; Gross weight 6.6 dwts

326

M U LT I -CO LO R E D SA P P H I R E SAU TO I R N E C K L AC E

$ 30,000 – 35,000

The long chain of multi-colored bezel-set sapphires enhanced by round and square brilliant-cut diamonds 14k white gold 83 ins; Gross weight 180.4 dwts

329

A RT D E CO SA P P H I R E A N D D I A M O N D R I N G

$ 1,000 – 1,500

Centered around an oval-cut sapphire with round brilliant-cut diamonds 18k white gold Ring size 4 ¾; Gross weight 2.1 dwts

327


A RT D E CO D I A M O N D A N D SA P P H I R E C I RC L E B RO O C H

$ 1,500 – 2,000

With round brilliant-cut diamonds and calibré-cut sapphire bow detail, c. 1920 Platinum Signed Tiffany & Co., with original box 1 ¾ × 1 ½ ins; Gross weight 7.3 dwts

330

A RT D E CO D I A M O N D A N D SA P P H I R E B OW B RO O C H

$ 4,000 – 6,000

Set with old European-cut diamonds and triangular-cut sapphires on an articulated bow terminating with tassels, c. 1925 Platinum 1 ¼ × 2 ins; Gross weight 10.6 dwts

328

CA RV E D SA P P H I R E A N D D I A M O N D B RO O C H

$ 1,500 – 2,000

Set with carved sapphire leaves and old mine-cut diamonds Platinum 1 ½ × ⅞ ins; Gross weight 9.5 dwts

331

A N T I Q U E D I A M O N D H E A RT- S H A P E D P E N DA N T

$ 800 – 1,200

The open filigree heart decorated with old European and single-cut diamonds, 1890s Silver and 14k yellow gold 1 ¼ × 1 ⅜ ins; Gross weight 5.8 dwts

334

E DWA R D I A N D I A M O N D A N D S E E D P E A R L P E N DA N T N E C K L AC E

$ 5,500 – 6,500

The pendant set with old mine-cut diamonds and seed pearls, on a fine link chain, 1900s Platinum 15 ins; Gross weight 10.2 dwts

332

D I A M O N D B RO O C H

$ 2,000 – 3,000

With six fanning old European-cut diamonds 14k white gold ⅞ × ⅝ in; Gross weight 3.5 dwts

333

D I A M O N D E N GAG E M E N T R I N G A N D R I N G G UA R D

$ 3,500 – 4,500

Set with a 1.02 cts round brilliant-cut diamond with four round brilliant-cut diamonds; a ring guard of nine round brilliant-cut diamonds on each side forms an “X” motif 14k white gold GIA Report no. 6204856836, 1.02 cts., Round Brilliant, E color, VS2 clarity Ring size 7 ¾; Gross weight 6.8 dwts

335

O S T E RTAG

A RT D E CO D I A M O N D A N D E M E R A L D T R E E B RO O C H

$ 2,000 – 3,000

Designed as a potted tree with old European and various-cut diamonds and cabochon emeralds, c. 1930 Platinum With maker’s mark 1 × 1 ¼ ins; Gross weight 6.6 dwts

Arnold Ostertag founded his jewelry maison in 1922 in Paris at 16 Place Vendôme. Drawing from the periods artistic design influences, Ostertag became acclaimed not only for his jewelry but also objets d’art. Ostertag’s creations were inspired by his travels throughout the United States, Europe and India. He also fashioned jewels in the Tutti Frutti style, using carved emeralds, rubies, and sapphires with diamonds. Unfortunately, the firm was short lived, as a result of the outbreak of WWII.

336

A RT D E CO E M E R A L D A N D D I A M O N D B R AC E L ET

$ 10,000 – 15,000

Set with old European-cut diamonds, baguette-cut emeralds, and a rectangular- cut diamond center, c. 1925 Platinum 6 ½ ins; Gross weight 12.6 dwts

338

A RT D E CO D I A M O N D B RO O C H

$ 1,500 – 2,000

Set with old European-cut diamonds in a buckle design Platinum 1 ¾ × ¾ ins; Gross weight 7.8 dwts

337

D I A M O N D B OW R I N G

$ 8,000 – 12,000

Set with an approx. 2.55 cts rectangular-cut diamond, with pavé round and single-cut diamonds Rhodium plated white gold Ring size 5; Gross weight 8.7 dwts

341

E M E R A L D A N D D I A M O N D E A R ST U D S

$ 800 – 1,200

Each set with a circular-cut emerald, surrounded by round brilliant-cut diamonds in a square mount 18k white gold ⅜ in; Gross weight 1.6 dwts

340

TSAVO R I T E GA R N ET A N D D I A M O N D R I N G

$ 2,800 – 3,500

Set with a pear-shaped tsavorite garnet weighing approx. 3.01 cts, with pear and round brilliant-cut diamond shoulders Platinum Ring size 6 ¼; Gross weight 4.4 dwts

342

G O L D A N D M A L AC H I T E E L E P H A N T B OX

$ 3,000 – 4,000

The rectangular malachite box decorated with a textured gold elephant head, tied ribbon bands, and elephant feet 18k yellow gold Box only: 6 ¼ × 4 ¼ × 2 ¼ ins; Gross weight 765.7 dwts

339


$ 20,000 – 30,000

Set with a round brilliant-cut diamond weighing approx. 3.38 cts with tapered baguette-cut diamond shoulders Platinum GIA Report no. 2201939988, 26 February 2020, 3.38 cts. Round Brilliant, J Color, VS2 Clarity

343

D I A M O N D A N D W H I T E G O L D R I N G

$ 8,500 – 9,500

Octagonal halo ring surrounding a 1.60 cts oval-cut diamond flanked by two half moon-cut diamonds 18k white gold GIA Report no. 2203328258, 24 May 2019, 1.60 cts., Oval Brilliant, D color, VS2 clarity Ring size 5; Gross weight 3.9 dwts

346

D I A M O N D W E D D I N G S ET

$ 2,000 – 3,000

Engagement ring set with a 1.24 cts round brilliant-cut diamond; wedding band with pavé-set round brilliant-cut diamonds Platinum Wedding band ring size: 3 ¾; engagement ring size 3 ½ with sizing balls; Gross weight 4.3 dwts

345


$ 15,000 – 20,000

Set with a rectangular-cut diamond solitaire Platinum GIA Report no. 2151646716, 9 September 2013, 2.71 cts., Emerald cut, G color, VS2 clarity Ring size 5; Gross weight 5.9 dwts

344

E M E R A L D A N D D I A M O N D E A R P E N DA N TS

$ 5,000 – 7,000

Each of geometric design, centering on a rectangular-cut emerald in a rose-cut diamond mount Platinum ¾ × 2 ¼ ins; Gross weight 11.9 dwts

348

O PA L A N D D I A M O N D P E N DA N T N E C K L AC E

$ 6,000 – 7,000

Set with a round brilliant-cut diamond atop a cabochon opal measuring approx. 18.43 × 14.96 mm, suspended from a white gold fine link chain 18k white gold GIA Report no. 1206861016, 5 February 2020, 7.64 cts., Black Translucent Oval, Double Cabochon, Displaying Play Of Color, Natural Opal, Natural Color. No indications of color treatment. 17 ins; Gross weight 5.7 dwts

347

P I N K SA P P H I R E A N D D I A M O N D P E N DA N T N E C K L AC E

$ 6,000 – 8,000

The pear-shaped pink sapphire measuring approx. 19.29 × 11.33 × 6.47 mm, suspending from ten round brilliant-cut diamonds and one triangular-cut diamond 14k white gold GIA Report no. 2195475951, 16 July 2018. 15.10 cts., Pink Natural Corundum Sapphire, Burma, Heated 17 ½ ins; Gross weight 4.1 dwts

349

M U LT I - ST R A N D RU BY, B L AC K O N YX, A N D D I A M O N D TA S S E L N E C K L AC E

$ 12,000 – 15,000

Twisted multi-strands of faceted ruby beads, with a ruby bead double tassel suspended from a round brilliant-cut diamond and black onyx pendant brooch 18k white gold Gross weight 86.4 dwts

350


L AT E A RT D E CO D I A M O N D R I N G

$ 12,000 – 15,000

Set with an old European-cut diamond, within a baguette and single-cut diamond mount Platinum Signed V.C.A., numbered Ring size 7; Gross weight 8.5 dwts

351

L AT E A RT D E CO E M E R A L D A N D D I A M O N D E A R R I N G S

$ 6,000 – 8,000

Each set with a square-cut emerald within a tapered baguette-cut diamond starburst frame, c. 1935 Platinum 1 in; Gross weight 12.6 dwts

352

SA P P H I R E A N D D I A M O N D ‘ M O I ET TO I ’ R I N G

$ 2,000 – 3,000

Set with a circular-cut sapphire and round brilliant-cut diamond in crossover design White gold Ring size 6 ½; Gross weight 2.7 dwts

355


SA P P H I R E A N D D I A M O N D B R AC E L ET

$ 3,500 – 4,500

With round brilliant-cut diamonds and alternating circular-cut sapphire centers Platinum Signed Tiffany & Co. 7 ins; Gross weight 17.7 dwts

353

SA P P H I R E A N D D I A M O N D R I N G

$ 4,000 – 6,000

With an approx. 4.50 cts pear-shaped sapphire, with tapered baguette-cut diamond shoulders Platinum Ring size 6 ½; Gross weight 4.6 dwts

354

R AY M O N D YA R D

SA P P H I R E A N D D I A M O N D B RO O C H

$ 2,000 – 3,000

With old mine-cut diamonds and circular-cut sapphires in an openwork striped pattern Platinum Signed Yard 1 ⅜ × 2 ins; Gross weight 8.8 dwts

359


$ 14,000 – 16,000

Set with a rectangular-cut 9.53 cts sapphire with triple baguette-cut diamond shoulders Platinum AGL Report no. 1091099, 30 March 2018. 9.53 cts, Natural Corundum Sapphire, Ceylon (Sri Lanka), No gemological evidence of heat. Ring size 4 ¾; Gross weight 4.6 dwts

357


$ 15,000 – 20,000

Set with an oval-cut Burma sapphire, within a baguette-cut diamond floret mount 14k white gold AGL Report no: CS 1073512, 7 March 2016. 6.60 cts, Natural Corundum Sapphire, Burma, no heat. Ring size 6 ½; Gross weight 5.0 dwts

356

SA P P H I R E , D I A M O N D, RU BY, A N D W H I T E G O L D B U T T E R F LY B RO O C H

$ 2,500 – 3,500

With raised gold decorations, round brilliant-cut diamonds, oval-cut sapphires, and circular-cut ruby eyes and antennae 18k white gold 2 ⅜ × 1 ⅝ ins; Gross weight 15.7 dwts

358

SA P P H I R E A N D D I A M O N D L I N E B R AC E L ET

$ 5,000 – 7,000

Designed as three rows of graduated square-cut sapphires and round brilliant-cut diamonds set in a flexible platinum band Platinum 7 ins; Gross weight 33.1 dwts

362


$ 20,000 – 25,000

Set with a 3.01 cts cushion-cut diamond flanked by six round brilliant-cut diamonds with milgraining Platinum Signed Bailey’s GIA Report no. 2205203179, 9 April 2019. 3.01 cts., Cushion Modified Brilliant, H color, SI1 clarity Ring size 5; Gross weight 2.3 dwts

364


$ 3,500 – 4,500

Rectangular-cut emerald surrounded by four baguette-cut diamonds in a unique stylized mount, c. 1935 Platinum AGL certification online Ring size 4 ½; Gross weight 5.4 dwts

360

D I A M O N D A N D E M E R A L D S P R AY B RO O C H

$ 4,000 – 6,000

Of baguette-cut and round brilliant-cut diamonds and carved emeralds, 1950s Platinum 2 ¼ × 1 ¼ ins; Gross weight 17.4 dwts

363

CA RT I E R

D I A M O N D B RO O C H

$ 12,000 – 15,000

Set with a 1.58 cts cushion modified brilliant-cut diamond in a round diamond scroll leaf mount Platinum Signed Cartier MTG, with original box GIA Report no. 5201200233, 4 April 2019. 1.58 cts., Cushion Modified Brilliant, H color, SI1 clarity ¾ × 1 ¼ ins; Gross weight 5.6 dwts

361

AQ UA M A R I N E A N D D I A M O N D R I N G

$ 2,000 – 3,000

A 14.13 cts rectangular-cut aquamarine with round and triangular-cut diamond shoulders 14k white gold Ring size 5 ¼; Gross weight 6.1 dwts

366

D I A M O N D A N D W H I T E G O L D B R AC E L ET

$ 5,000 – 7,000

The flexible band with alternating polished white gold and pavé-set diamond links White gold 7 ins; Gross weight 45.9 dwts

367

SA P P H I R E , E M E R A L D, A N D D I A M O N D B E A D N E C K L AC E

$ 10,000 – 15,000

With alternating polished sapphire and emerald beads, accented by black onyx and diamond rondelles, with toggle clasp Yellow and white topped gold 17 ins; Gross weight 70.0 dwts

365

L AT E A RT D E CO CA B O C H O N E M E R A L D R I N G

$ 8,000 – 10,000

Set with a sugarloaf cabochon emerald on twisted platinum band, 1930s Platinum With French hallmarks Ring size 9 ½; Gross weight 9.9 dwts

368

E M E R A L D, SA P P H I R E , A N D D I A M O N D E A R R I N G S

$ 5,000 – 6,000

Each set with a cluster of cabochon emeralds and sapphires enhanced by round brilliant-cut diamonds Platinum ¾ in; Gross weight 16.0 dwts

370

CA RT I E R

GA R N ET R I N G

$ 400 – 600

Set with a rectangular-cut garnet, on a striped sterling silver and gold band Sterling silver and 18k yellow gold Signed Cartier Ring size 6 ¼; Gross weight 2.7 dwts

371

TO U R M A L I N E A N D G O L D B RO O C H

$ 3,000 – 4,000

Of abstract vertebrae design set with five rectangular-cut green tourmalines, set in gold, attributed to Barthel 14k yellow gold With maker’s mark, DB 3 ½ × 1 ½ × 1 ins; Gross weight 23.2 dwts

P ROV E N A N C E : Estate of Peggy deSalle

Accquired from the previous in 1985 by the present owner.

This works comes from the collection of Peggy deSalle. In 1950, Peggy deSalle and her husband Albert, opened the Little Gallery at 915 E. Maple in Detroit. The first of its kind in the area, Little Gallery showcased the talents of young emerging artists and refugees in particular. Peggy referred to herself as the “grandmother to the whole cause of contemporary art”.

369

E D W I E N E R


$ 1,000 – 1,500

Designed with joined polished conforming panels 14k yellow gold Signed Ed Wiener 12 ins; Gross weight 30.9 dwts

372

R O N A L D H AY E S P E A R S O N

G O L D S K E L ETO N F I S H B RO O C H A N D T I E BA R

$ 600 – 800

Each 14k yellow gold Each signed Pearson Brooch: 2 ½ ins; tie bar: 1 ⅜ ins; Gross weight 8.8 dwts

374

E D W I E N E R


$ 1,000 – 1,500

Of abstract wave links 14k yellow gold Signed Ed Wiener 14 ½ ins; Gross weight 26.8 dwts

373

A N D R EW G R I M A

O PA L A N D D I A M O N D P E N DA N T

$ 1,200 – 1,800

Set with a boulder opal in a pavé-set diamond and gold mount 18k yellow gold Signed Grima 1 ⅝ × 1 ins; Gross weight 7.0 dwts

375

M O D E R N I ST AQ UA M A R I N E A N D D I A M O N D B RO O C H

$ 1,500 – 2,000

Set with a pear-shaped aquamarine, surrounded by round brilliant-cut diamonds in an open-form textured gold frame, 1970s 18k yellow gold 1 ¼ × 1 ¾ ins; Gross weight 8.5 dwts

376

PA I R O F CO R A L A N D A M ET H YST G O L D B RO O C H E S

$ 1,200 – 1,800

Two abstract brooches with textured gold in the style of Arthur King Yellow gold Gross weight 69.5 dwts

378

D O N A L D W R I G H T

G O L D N E C K L AC E A N D E A R R I N G S

$ 1,000 – 1,500

Designed as a gold abstract pendant set with a simulated diamond, suspended from a gold chain; and a pair of gold abstract earrings 18k yellow gold Signed DW Chain: 24 ins; earrings: 1 ⅜ ins; Gross weight 25.2 dwts

377

BJÖRN WECKSTROM FOR LAPPONIA

M O D E R N I ST G O L D A N D P E A R L P E N DA N T N E C K L AC E

$ 2,200 – 2,800

The flat rectangular links, suspending an abstract winged figure with baroque cultured pearl pendant, c. 1979 14k yellow gold Signed Lapponia 21 ins; Gross weight 25.7 dwts

Lapponia was founded by the collaboration of Pekka Antilla and designer, Bjorn Weckstrom. Their aim was to elevate jewelry as art form and in 1965 they took home the Grand Prix at the International Jewelry Contest in Rio de Janeiro. This gave them world recognition, but their next big moment gave them even more, when in 1977 Princess Leia wore the Panetoid Valleys necklace in Star Wars.

380

SA LVA D O R DA L I

DA L I D ’O R $5 B RO O C H

$ 3,000 – 5,000

In the artist’s and his wife Gala’s image, surrounded by fleur-de-lis and laurel leaves, c. 1966 22k, 18k yellow gold Signed S. Dali, no. 0339 1 ⅞ ins; Gross weight 50.7 dwts

In 1966 Salvador Dali minted his own version of gold coins, the “Dali d’or”. The inspiration came from French king, Louis XIV’s creation of his “Louis d’or” coins. Designed in four different sizes and values, Dali was known to use them as an alternate form of payment to his close friends. Every coin is signed, dated, and incised with edition number. One year later, Dali partnered with the jeweler Piaget to incorporate his coins into exclusive jewelry line, which included earrings, pendants, brooches, cufflinks and watches.

381

E R I C D E KO L B

E ROT I C G O L D N E C K L AC E

$ 8,000 – 10,000

Sculptural figures in intimate moments 18k yellow gold Signed Eric de Kolb 31 ins; Gross weight 151.9 dwts

379

A RT H U R K I N G

G O L D H O O P E A R R I N G S

$ 1,200 – 1,500

Circular hinged hoops in freeform design 18k yellow gold Signed King 1 in; Gross weight 16.7 dwts

385

CA RT I E R

G O L D PA N T H È R E TA N K WATC H

$ 5,000 – 7,000

The rectangular white dial with Roman hours with a gold case joined to a brick link band 18k yellow gold Dial, case, and band signed Cartier Inner circ. 6 ½ ins, 22 mm; Gross weight 43.2 dwts

384

H E N RY D U N AY

G O L D H O O P E A R C L I PS

$ 2,800 – 3,200

Each hoop of five polished gold rope twists 18k yellow gold Signed Dunay ⅜ × 1 ⅜ ins; Gross weight 22.9 dwts

382

S U I T E O F M O D E R N I ST CO R A L A N D G O L D J EW E L RY

$ 2,500 – 3,500

Pendant brooch and ear clips of freeform textured gold design, with rotating coral spheres 18k yellow gold Gross weight 30.7 dwts

383


G O L D W R I ST WATC H

$ 2,000 – 3,000

The rectangular dial with Roman hours, in a gold case attached to a gold mesh band 14k yellow gold Signed Tiffany & Co. With box and extra links Inner circ. 7 ins, 25 × 30 mm; Gross weight 36.5 dwts

387


T EX T U R E D G O L D P I L L B OX

$ 1,800 – 2,200

Oval shaped with incised scrolling designs 18k yellow gold Signed Tiffany & Co. 1 ½ × 1 ¼ × ½ ins; Gross weight 30.9 dwts

388


T EX T U R E D G O L D A N D D I A M O N D BA N G L E B R AC E L ET

$ 8,000 – 12,000

With irregular pebble textured gold, enhanced by round brilliant-cut diamonds, 1970s 14k yellow gold Signed VCA Inner circ. 6 ¾ ins; Gross weight 37.1 dwts

386

M O D E R N I ST G O L D A B ST R ACT B R AC E L ET

$ 2,000 – 3,000

Of polished starburst design, atop open-form textured gold 18k yellow gold 7 ½ ins; Gross weight 31.8 dwts

392

T H R E E PA I RS O F G O L D E A R R I N G S

$ 1,500 – 2,000

Comprising Tiffany & Co. dogwood flower earrings; bamboo textured gold hoop earrings; and ridged gold earrings 18k, 14k yellow gold Floral earrings signed T & Co. Gross weight 28.3 dwts

389

P I AG E T

L A DY’S ‘ DA N C E R’ G O L D A N D D I A M O N D W R I ST WATC H

$ 3,000 – 4,000

The circular dial with diamond hours in a gold case attached to a gold link band 18k yellow gold Signed Piaget No. 80563 K81 638402 6 ins; Gross weight 36.8 dwts

390


L A DY’S G O L D ‘ E L L I PS E ’ W R I ST WATC H

$ 4,000 – 5,000

The oval dial with dash hours in gold case with gold mesh link band 18k yellow gold Case, movement, dial, and band signed Patek Philippe Geneve With signed box 6 ¾ ins; Gross weight 36.3 dwts

391


DO GWO O D W I L D RO S E E A R R I N G S

$ 650 – 850

The matte textured gold petals and polished gold centers 18k yellow gold Signed T & Co. 1 in; Gross weight 11.3 dwts

393

E Z O L O TA S

N E P H R I T E JA D E A N D G O L D L ET T E R O P E N E R

$ 3,000 – 3,500

The textured yellow gold hilt with a nephrite jade blade 22k yellow gold In signed fitted case 6 ⅛ × 1 ⅛ ins; Gross weight 24.4 dwts

394

M A R C H A K

G O L D A N D D I A M O N D CO M PACT

$ 6,000 – 7,000

Woven and textured gold design with platinum and round brilliant-cut diamond push button, opens to reveal mirror and clear compartment 18k yellow gold and platinum Signed Marchak Paris 53460 With slip case 3 ⅛ × ¾ × 2 ⅜ ins; Gross weight 108.7 dwts

The house of Marchak thrived in Paris during the early 20th century. Alexander, the son of Russian jeweler Joseph, led the revival, opening his shop at 4 Rue de la Paix. After the war, Marchak hired Cartier designer Alexander Diringer and salesman Jacques Verger, of the prominent French jewelry family. The business continued to produce unique and fine quality accessories and jewels.

395

J E A N S C H L U M B E R G E R F O R T I F FA N Y & C O .

RU BY A N D G O L D P E R F U M E F L A S K

$ 5,000 – 6,000

The man in sculpted gold with silver epaulettes and a cabochon ruby 18k yellow gold and silver Signed Tiffany, Schlumberger 2 ¼ × 1 ¼ × ½ ins; Gross weight 23.0 dwts

Schlumberger is well recognized and celebrated for his exceptional designs; recently the Virginia Museum of Fine Arts and Museum of Fine Arts St. Petersburg have held retrospective exhibitions. Schlumberger’s fine gold objects and jewelry feature exceptional chasing and engraving, which was often in the mid 20th Century executed by the talented, Louis Feron who was awarded best chaser, gold and silversmith of France in 1933.

396

STA R SA P P H I R E A N D G O L D R I N G

$ 300 – 500

Set with six blue-gray star sapphires, in a textured gold wood stick mount Yellow gold Ring size 5 ¼; Gross weight 14.3 dwts

397

PA I R O F G E O D E C RYSTA L A B ST R ACT G O L D B RO O C H E S

$ 1,500 – 2,000

Each with freeform gold designs, in the style of Arthur King 14k yellow gold Gross weight 75.4 dwts

399

M O D E R N I ST A M ET H YST A N D G O L D R I N G W I T H E A R R I N G S

$ 400 – 600

Articulated polished gold earrings with oval cabochon amethyst; geometric ring with cabochon amethyst Yellow gold Gross weight 13.2 dwts

398


‘AT L A S ’ W R I ST WATC H

$ 600 – 800

The circular dial within a Roman hour case, with a leather band 18k yellow gold Dial, case, and buckle signed Tiffany & Co 25 mm; Gross weight 13.6 dwts

402

M AU B O U S S I N

G O L D S U N F LOW E R L A P E L WATC H

$ 1,500 – 2,000

Of sunflower design in carved rock crystal and polished gold with a circular dial and Arabic hours, c. 1945 18k yellow gold Signed Mauboussin - Paris 1 ¾ × 1 ½ ins; Gross weight 23.5 grams

403


G O L D S CA L LO P S H E L L T R AV E L C LO C K

$ 2,000 – 3,000

The shell opens to reveal a wind stem clock, with diamond and platinum thumb-press 18k yellow gold and platinum Signed Tiffany & Co. Made in France 1 ¼ ins; Gross weight 16.6 dwts

400

B U L G A R I

G O L D L I G H T E R

$ 2,000 – 3,000

Of circular form with engraved concentric design, c. 1985 18k yellow gold Signed Bulgari 1 ¾ × ½ ins; Gross weight 61.8 dwts

401

G O L D WATC H C H A I N

$ 1,000 – 1,500

Antique gold watch chain of finely grooved links 18k yellow gold Signed Gaunt 13 ins; Gross weight 23.0 dwts

407

A N T I Q U E F R E N C H G O L D A N D M O S S AGAT E B OX

$ 1,800 – 2,200

Of rectangular outline in moss agate with gold border and push button, 1890s 18k yellow gold 3 ½ × 3 × ¾ ins; Gross weight 58.2 dwts

405

BAU M E A N D M E R C I E R

G O L D M E N ’S Q UA RTZ W R I ST WATC H

$ 2,000 – 3,000

The rectangular dial with dash minutes, in a gold case attached to a mesh link band 14k yellow gold Signed Baume & Mercier Inner circ. 7 ins, 25 mm; Gross weight 38.2 dwts

404

T O U C H O N & C O .

G O L D M I N U T E R E P E AT E R PO C K ET WATC H

$ 3,000 – 4,000

The circular white dial with Arabic hours and dash minutes, subsidiary seconds dial, in a gold case 18k yellow gold Dial signed Touchon & Co. 1 ⅞ ins; Gross weight 46.3 dwts

406

O M E G A

LO U I S B R A N DT G O L D C H RO N O G R A P H W R I ST WATC H

$ 2,000 – 3,000

The circular dial with Roman numeral hours, seconds hand, date aperture, and three subsidiary dials, in a gold case 18k yellow gold Signed Omega Louis Brandt Case 38 mm; Gross weight 57.3 dwts

408

CA RT I E R

G O L D A N D RU BY M AG N I F Y I N G G L A S S

$ 800 – 1,200

Of rectangular outline and basketweave design, the retractable magnifying glass with a cabochon ruby slide button 14k yellow gold Signed Cartier 2 ⅜ × 1 ¼ × ¼ ins; Gross weight 29.1 dwts

410

B I CO LO R G O L D BA N G L E A N D E A R R I N G S

$ 1,200 – 1,800

The knotted yellow and white gold hinged bangle with a pair of gold hoop earrings 18k yellow and white gold Gross weight 43.8 dwts

409

G O L D A N D D I A M O N D CO M B

$ 600 – 800

The comb with a gold border set with five single-cut diamonds in engraved heart motifs 18k yellow gold 4 ⅞ × 1 ¼ × ⅛ ins; Gross weight 15.1 dwts

413

H A M I LT O N

G O L D ‘T H I N -O- M AT I C ’ W R I ST WATC H

$ 400 – 600

The circular dial with dash and Arabic hours, seconds hand, in gold case, c. 1960s 14k yellow gold Signed Hamilton, Thin-O-Matic Case 34 mm; Gross weight 24.9 dwts

Automatic watch movements, introduced as early as the 1930s, were traditionally thick and then in 1959 along came Hamilton’s Thin-o-matic, often housing movements by Buren Watch Company in Switzerland. Hamilton later purchased that factory.

411

J E A N T R O T T I N

T WO A RT D E CO E N A M E L A N D S I LV E R O B J E CTS

$ 600 – 800

One, a compact of rectangular silver form with black enamel detail and monogram, each side with a tubular lipstick, opening to reveal a mirror and two compartments; and the other, a vermeil and faux wood enamel cigarette case with a cabochon black onyx push button, c. 1920s Silver and vermeil With French assay and maker’s marks for Jean Trottin 3 ¾ × 2 × ⅝ ins and 5 × 3 ½ × ¼ ins; Gross weight 435 grams

French goldsmith Jean Trottin specialized in vanity and cigarette cases during the Art Deco period. He is best known for his collaboration with Raymond Templier; together they produced some of the most iconic designs.

412


G E N T L E M A N ’S G O L D W R I ST WATC H

$ 3,000 – 4,000

The circular dial with abstract hours and subsidiary seconds dial, within a gold case with a leather band 18k yellow gold Signed Patek Philippe Geneve Inner circ. 7 ins, 35 mm; Gross weight 25.2 dwts

414

U N I V E R SA L G E N E V E A N D O M E G A

T WO W R I ST WATC H E S

$ 1,000 – 1,800

One, the circular dial with Roman hours in a gold case with a leather band; and the other, the square dial with abstract hours, seconds hand, in a gold filled case with a leather band 18k yellow gold and gold-filled Signed Universal Geneve and Omega Gross weight 38.1 dwts

415

BAU M E & M E R C I E R

H A M P TO N X L C H RO N O G R A P H W R I ST WATC H

$ 700 – 1,000

The rectangular dial with Arabic 12, 5 and 7 hours, seconds hand, 3 sub dials, 60 seconds, 30 minutes and 1/10th of a second, with leather band Stainless steel With box and papers Case 45.5 × 30 mm

416

PAT B R A M H A L L

G O L D A N D S I LV E R N E ST O B J E CT

$ 800 – 1,200

The silver twig holding a 22k gold nest with three silver eggs 22k yellow gold and silver Pat Bramhall maker PB 3 ⅛ × 2 ¼ ins; Gross weight 8.2 dwts

The husband and wife duo, Butch and Pat Bramhall, are Stonehouse Silversmiths of Croghan, New York in the Adirondacks. Their work has appeared in numerous publications and they are most well known for their woven silver Adirondack basket sculptures.

417

S . T . D U P O N T

“ S E RV I C E W I T H O U T FA I L” R A I D W R I ST WATC H

$ 1,800 – 2,200

The black circular dial with Arabic 9 and 3 and dash hours, date aperture, seconds hand, 24 hour hand for second time zone, within a blackened steel frame, with a rubber strap, c. 2010 Stainless steel 10 ⅛ ins; case 44 mm; Gross weight 93.6 dwts

The luxury brand S. T. Dupont planted its roots in Paris when Simon Tissot Dupont, photographer to Napolean III, decided to create fancy travel trunks for the wealthy. The company was met with success as royalty, leading screen and stage actors, and wealthy patrons purchased Dupont luggage. In 1941, a Maharaja purchased 100 lighters to distribute as gifts. Then, in the 1970s, Jackie Kennedy requested a pen to accompany her lighter. The name Dupont is not as familiar in the watch category, but this bold, limited edition RAID watch helped to change that. RAID is the special forces in France established in 1985 with the motto “Servir Sans Faillir”. This watch marked their 25th anniversary.

418

A S P R E Y & C O .

T WO STA I N L E S S ST E E L W R I ST WATC H E S

$ 500 – 800

One, the circular dial with Arabic and dash hours, date aperture within a stainless steel case with a leather band; and the other the circular dial with Arabic and dash hours, seconds hand, and date aperture within a stainless steel case with a leather band Signed Asprey and Mercedes-Benz

420

E A R L K R E N T Z I N

ST E R L I N G S I LV E R A N D D RUZ Y Q UA RTZ STAT U E

$ 800 – 1,200

The sculpted silver and gold man with dragon (box), standing on a quartz crystal and wood base Sterling silver and gold Signed Krentzin 3 ¾ × 3 ¾ ins

Earl Krentzin is an American silversmith sculptor, who works mostly in small scale fantasy sculptures. In DEcember of 1969 Kennedy Galleries in New York City exhibited and published a catalogue of his work.

419

B O U L D E R B L AC K O PA L PA P E RW E I G H T

$ 1,500 – 2,000

Rough opal in matrix 2 ¾ × 2 × 1 ¼ ins; Gross weight 168.4 grams

421

C H O PA R D

‘ H A P PY S P O RT’ W R I ST WATC H

$ 5,000 – 6,000

The circular dial with Roman quarter and dash hours, seconds hand, and date aperture, with seven floating diamonds Stainless steel Signed Chopard Happy Sport With box and papers Size 36 mm

422

CA RT I E R

‘ BA L LO N B L E U ’ 3 6 M M W R I ST WATC H

$ 2,500 – 3,500

The circular dial with Roman hours with stainless steel case and band Signed Cartier With original signed box Inner circ. 5 ½ ins

The ‘Ballon Bleu’, first designed in 2007, uniquely houses the wind stem disturbing the traditional round dial and case. In addition, the smooth bubble front and back are tactile and modern.

423


T WO W R I ST WATC H E S

$ 800 – 1,200

One, the rectangular white dial with Roman hours, date aperture; and the other, the rectangular dial with subsidiary seconds dial, each in a stainless steel case with a leather band Stainless steel and 18k gold Each signed Tiffany & Co., one additionally signed Baume & Mercier Gross weight 40.5 dwts

426

N UA L A JA M I S O N

M O D E R N I ST B R I T I S H S I LV E R A N D P L A ST I C BA N G L E A N D R I N G

$ 1,000 – 1,500

Each of red and clear acrylic and silver geometric designs, c. 1976 Silver and acrylic Signed NMJ for Nuala Gross weight 42.3 dwts

Nuala Jamison (1948-2016) was considered an innovator in the specialty of acrylic jewelry. Born in Northern Ireland, much of her inspiration came from the Irish coastline as well as city landscapes. She began her studies at Belfast, then focused on jewelry design at Central Saint Martins in London. As she progressed in her career, Jamison became an art educator of jewelry at Morley College in London. She chose to focus on how the wearer interpreted color and light, developing new ways of dyeing acrylic to heighten their reflectiveness. Jamison dually played with bold, contrasting colors, while other times choosing softly shaded hues.

424

B U L G A R I

I P N O L A DY’S WATC H

$ 500 – 700

The digital quartz movement in stainless steel, ceramic, leather, and glass, 2000s Signed Bulgari Ipno IP 20 S L 1782 Fabrique En Suisse Swiss Made Case 20 mm; Gross weight 73.8 grams

425

H E N RY S T E I G

WO O D A N D ST E R L I N G S I LV E R B RO O C H

$ 500 – 700

The organically carved wood, set within sterling silver screw mount Signed Steig 4 × 1 ¼ × ¼ ins; Gross weight 24.4 dwts

428

ST E R L I N G S I LV E R A N D G O L D TA S S E L C H O K E R N E C K L AC E W I T H E A R R I N G S E N S U I T E

$ 1,000 – 1,500

Each designed as a hand holding dangling gold tipped rope tassels Sterling silver and 18k yellow gold Gross weight 193.3 dwts

427

R A M O N A S O L B E R G

F I S H B RO O C H

$ 300 – 500

Of forged and hammered metal wire with glass beads 4 ¼ × 1 ½ ins

Ramona Solberg was a pioneer in the studio jewelry craft movement, most especially with beads and found objects. After returning from a world trip, she published the book Inventive Jewelry Making in 1972. Her influence as teacher and maker remains.

431

G RO U P O F S I LV E R J EW E L RY: T I F FA N Y & CO. N E C K L AC E A N D R I N G ; G U CC I B R AC E L ET

$ 600 – 800

Comprising a Elsa Peretti Tiffany & Co. teardrop necklace and heart ring; and an enamel Gucci buckle bracelet Sterling silver Necklace and ring signed Elsa Peretti Tiffany & Co.; bracelet signed Gucci Gross weight 46.9 dwts

429

G RO U P O F ST E R L I N G S I LV E R A N D G O L D J EW E L RY

$ 600 – 900

Comprising a Janna Thomas Mexican sterling silver clasping hand hinged bangle bracelet; a Tiffany & Co. silver and gold frog brooch with cabochon sapphire eyes; a sterling silver and gold bow necklace; and sterling silver wishbone sugar tongs 18k yellow gold and sterling silver Gross weight 94.3 dwts

430

T H R E E K N OT R I N G S

$ 400 – 600

One signed Tiffany & Co. 18k, 14k yellow gold and sterling silver Gross weight 16.1 dwts

432

E B E L

J EW E L E R’S LO U P E T R AV E L C LO C K

$ 600 – 900

The desk accessory, designed as a jeweler’s loupe opening to reveal a clock with circular white dial and Roman hours Stainless steel Signed Ebel With a fitted case 37 mm

433

A S P R E Y & C O .

S I LV E R M I N AU D I E R E

$ 500 – 600

Of engine turned and polished silver, set with a calibre-cut monogram and simulated sapphire accents and push button, opening to reveal mirror and compartments Silver Signed Asprey, London 5 ⅝ × 3 ⅞ × ¾ ins; Gross weight 341.5 dwts

434

B R E I T L I N G

STA I N L E S S ST E E L ‘CO LT’ C H RO N O M ET R E W R I ST WATC H

$ 800 – 1,200

The circular blue dial with Arabic and dash hours, seconds hand and date aperture, attached to a link band Stainless Steel Dial, case, and band signed Breitling Inner circ. 7 ins, 42 mm

T E R M S O F SA L E

This is a legal contract between you and Rago Wright, LLC. Rago/Wright offers each item of property (a “lot” or “lots”) for sale subject to and under these Terms of Sale, as changed or supplemented by the Rago/Wright Privacy Policy and Lot Particulars as defined below (“Agreement”).

In this Agreement, “we,” “us,” “our,” “Rago/Wright” or similar terms mean Rago Wright, LLC, a Delaware limited liability company, and “you,” “your,” “buyer,” “bidder” or similar terms mean the individual, corporation or other entity bidding on or buying a lot from us at auction, through the Internet or other means (with the foregoing parties sometimes called a “Party” and together “Parties”).

Capitalized terms have the meanings given in Attachment 1 – Definitions. This Agreement contains mandatory arbitration dispute resolution at Section 51.

YO U H E R E BY E N T E R I N TO T H I S AG R E E M E N T

1. You Agree

By registering to bid, bidding, or otherwise purchasing a lot from Rago/Wright, whether in person, by absentee bid or through an agent, you hereby enter into, and agree to be bound by and to comply with, this Agreement.

2. Rago/Wright as Agent

The Agreement governs the relationship between you, as a bidders and/or buyer, on the one hand, and Rago/Wright and sellers, on the other hand. You acknowledge that Rago/Wright acts as an agent for the seller, unless otherwise indicated in a Lot Particular, in a catalogue or at the time of auction. On occasion, Rago/Wright may own a lot directly, in which case we will act in a principal capacity as a consignor, or a company affiliated with Rago/Wright may own a lot, in which case we will act as agent for that company, or Rago/Wright or an affiliated company may have a legal, beneficial or financial interest in a lot as a secured creditor or otherwise.

B I D D I N G AT AU CT I O N

3. Registration

To bid in an auction, you will (a) create an account with us; and (b) register for that auction in accordance with our registration procedures.

4. Qualifying To Bid

Verification of Your Identity As a condition of bidding or participating in any auction or sale of one or more lots, we may require you to do all or any of the following: (a) Establish credit and verify your creditworthiness by providing a valid credit card number, credit references and an initial deposit, which may include a pre-authorization hold of a portion of the estimate of the lots on which you may bid; (b) Verify your identity by providing us with a government issued photo identification and a valid credit card

number; (c) Verify your address by providing us with a valid government-issued identification, a utility bill, bank statement and/or a recent postal envelope; (d) Verify you satisfy an age minimum by providing us with age-bearing identification; and (e) Furnish us with such other documents as we may request.

Verification of Your Entity and Identity (a) If you represent an entity, we may require you to verify the status of your entity, as well as your entity’s beneficial owners, by providing us with (i) a list of that entity’s shareholders, members, partners, trustees or beneficiaries; (ii) a copy of your entity’s charter or foundational documents, and/or a good standing certificate; (iii) the entity’s shareholders agreement, operating agreement, partnership agreement or trust agreement; and (iv) any of the documents or verifications listed above for any of your entity’s directors and officers; and (b) If you are bidding as agent, we may require you to provide a letter of authorization from your principal, as well as any of the documents or verifications listed above.

Verification Activities Verification activities may be handled by third parties who specialize in remote verification of people and companies. You understand and agree that if we refer you or require you to submit identification or personal identifying information to third party verification services, that any information you provide or interactions you have with them will be subject to the third party’s terms, conditions and privacy policies. We will not be a part of, or be responsible for, the actions or failures to act of, the verification activities of those third parties.

Minimum Deposits We may require you, as a bidder on a lot with an estimate of $5,000 or more: (a) to provide an initial deposit of a portion of the low estimate; and (b) to grant us the right to charge your credit card all or a portion of the selling price on the date of the auction.

5. Your Bid is an Offer

Any bid you submit can and may be the winning bid for a particular lot. Your bid constitutes an offer to purchase the lot. If we accept your bid, you become contractually bound to buy the lot in accordance with that bid. A bid can be accepted by Rago/Wright (a) by our auctioneer as the last, highest bid in an auction; or (b) by us as an acceptable offer for a lot in a Private Sale (such accepted bid or offer, “Winning Bid”). If your bid is a Winning Bid, you agree to pay us the amount of your bid and the Buyer’s Premium for such lot and assume all risk of loss and damage to such lot, in addition to any obligations, costs and expenses relating to its handling, shipping, insurance, taxes and export as set forth herein.

6. Inspection

All sales are final. You are responsible for satisfying yourself about the condition or any other matter concerning each purchased lot. You are advised to personally examine any lot on which you intend to bid prior to the auction and/or sale. By bidding on a lot, you hereby represent, warrant and covenant that you have examined the condition of the lot to your satisfaction and have no objections with its condition.

CO N D U CT O F AU CT I O N

7. Auction

A lot will be sold to its highest bidder in an auction as determined in our sole and exclusive judgment. At auction, we may be represented by one or more auctioneers. We may exclusively determine the conduct of any auction, including, without limitation, whether, when and/or if to advance the bidding, to reject any bid offered, to withdraw any lot, to reoffer and resell any lot, and to resolve any dispute in connection with such sale. Our determination in management of an auction or sale is final and shall be binding upon you and all other participants in such sale.

8. US Currency

All auctions will be conducted in the currency of the United States of America.

9. Estimates

We may set estimated price ranges (low, mid and high) for a lot. A ‘low estimate’ is the lowest potential price in the range; the ‘high estimate’ is the highest potential price in the range; and the ‘mid estimate’ is the median between the two. Pre-sale estimates are intended as guides for prospective bidders. Estimates are preliminary only and are subject to revision by us from time to time in our sole discretion. We make no guarantees, representations or warranties of any kind, express or implied, including, without limitation, regarding the sale price of any lot, whether the lot will sell at all; the price realized at a post-auction sale, or the price realized upon resale, which may be substantially different from our estimates.

10. Condition Reports and Descriptions

As a courtesy, condition reports for any lot are available from Rago/Wright prior to the sale, but Rago/Wright assumes no responsibility for errors and omissions contained in any such report, a Rago/Wright catalogue or other description of a lot that we may make available. Except as set forth in Sections 42.1 (a) and (b), any statements made by Rago/Wright with respect to a lot whether in a condition report, a Rago/Wright catalogue or on the Rago/Wright website, orally or in writing, are intended as statements of opinion only, are not to be relied upon as statements of fact and do not constitute representations or warranties of any kind. Any description of a lot’s dimensions and weights is approximate. Descriptions we make about lots may not describe all faults or restorations. No description or report about a lot is a substitute for your own examination of a lot.

11. Bidding Increments

Bids at auction must be submitted in the following Bidding Increments:

FROM TO INCREMENT

0 300 25 300 1,000 50 1,000 2,000 100 2,000 3,000 200 3,000 5,000 250 5,000 10,000 500 10,000 20,000 1,000 20,000 32,000 2,000 32,000 38,000 3,000 38,000 42,000 2,000 42,000 48,000 3,000 48,000 50,000 2,000 50,000 100,000 5,000 100,000 200,000 10,000 200,000 AND UP 20,000

Nonconforming bids will not be executed, honored or accepted. However, since we regulate the bidding, we may change the bidding increments in our discretion.

12. Reserve

We may offer each lot subject to a confidential minimum price below which we will not sell the lot (the “Reserve”). The auctioneer may open the bidding on any lot below the Reserve by placing a bid on behalf of the seller. We prohibit sellers from bidding on their own lots, but we may seek to satisfy the reserve by bidding on behalf of the seller at the auction up to the reserve. We will endeavor to indicate in the catalogue or by saleroom announcement or notice when parties with an interest in a lot, for example a beneficiary of an estate, may bid on such lot.

13. Absentee Bids

As a convenience to qualified bidders who cannot be present in person on the day of an auction, we will use reasonable efforts to execute bids you submit to us in writing or by phone (“Absentee Bid”), subject to the terms of this Agreement.

Written Absentee Bids (a) Due. Absentee Bids submitted in writing by mail, delivery, fax, email or a Rago/Wright bidding form on our website must be received by us at least two (2) hours prior to the start of an auction’s published start time. (b) Contingency Bids and Plus Bids. If you cannot be available during the auction, but you submit a written Absentee Bid, you may mark your written bid as a Contingency Bid or a Plus Bid. A “Contingency Bid” is a bid with two or more bidding amounts. A “Plus Bid” is a bid with your highest bid amount PLUS its next bidding increment that you direct us to make on your behalf if another bidder makes your highest absentee bid.

Telephone Bids (a) Due. Absentee bids submitted by phone must be received by us no later 30 minutes before a lot goes on the block. (b) Bids. We will attempt to call you at up to two (2) phone numbers you send to us. However, there can be no assurance that we will succeed in reaching you by phone or accurately placing your bids. (c) Phone Line and Agent. We guarantee you access to one of our phone agents for bidding during an auction if we receive your request by fax, mail, phone, or through a form requesting phone bidding on our website online by 4:00 p.m. on the day prior

to the auction. However, we do not have the capacity to assign phone agents to clients who want to listen only or who will not bid the minimum selling price. Therefore, if you request to reserve a phone agent for bidding, you must be willing to open bidding and bid to the low estimate subject to this Agreement. All calls will be recorded for record-keeping, quality assurance, and training purposes.

Absentee Bidding Conditions (a) Information. In addition to fulfilling any registration and qualification requirements under Section 3 (‘Registration’) and Section 4 (‘Qualifying to Bid’), all Absentee Bids must include (i) the correct lot name and number; (ii) your minimum and maximum bid amounts; and (iii) your name and contact information. (b) Confirmation. We endeavor to send each person who submitted an Absentee Bid to us one (1) or more days before the auction with a bid confirmation by 5:00 pm on the day prior to the auction. If you do not receive a bid confirmation, please call us. When you do receive a bid confirmation, you are solely responsible to check it for accuracy. We cannot be liable for errors in bidding including situations in which our bid confirmation contained errors that you did not correct. (c) Disclaimers. We endeavor to handle all absentee bids as your agent, based on your directions. We bid that auction’s bidding increment above the previous bid up to your maximum bid amount. (See Section 11 ‘Bidding Increments’). We assume no responsibility for a failure to execute any such bid, or for errors or omissions made in connection with the execution of any such bid. We will place your Absentee Bids at our discretion and at your risk. We enable Absentee Bids as a convenience to our customers, but while we will make every effort to execute your instructions, we cannot be held liable or responsible for any errors or any failure to bid.

Third-Party Internet Bidding Services (a) Third Party Bidding Platforms. We engage third party online bidding platforms to collect or facilitate auction bids (“Bidding Platforms”), each of which levy a fee for their services, and have their own rules on fees and how to bid and buy online using these Bidding Platforms. Rago/Wright has no control over, and assumes no responsibility for, the content, privacy policies, or practices of any Bidding Platforms. Your dealings with Bidding Platforms are solely between you and such Bidding Platforms. We encourage you to be aware of, and to read, the terms and conditions and privacy policy of any Bidding Platforms that you visit. You expressly release Rago/Wright from any and all liability arising from your use of any Bidding Platform or other third-party website or service. (b) Waiver. Absentee Bids left with Bidding Platforms are released to Rago/Wright when a lot comes up for sale. UNDER NO CIRCUMSTANCES, INCLUDING, BUT NOT

LIMITED TO, NEGLIGENCE, WILL WE AND OUR SELLERS

BE LIABLE FOR ANY DAMAGES, LOST PROFITS OR ANY

SPECIAL, INCIDENTAL, OR CONSEQUENTIAL DAMAGES

THAT RESULT FROM THE USE OF, OR THE INABILITY

TO USE, THESE BIDDING PLATFORMS.

Cancel Old Absentee Bids If you submit an Absentee Bid to us directly or through a Bidding Platform but then attend the auction in person, bid by phone or by any other means, it is solely your responsibility to cancel any or all of your submitted Absentee Bids prior to the start of the auction.

If you do not or cannot cancel your previously submitted Absentee Bids, regardless of reason, you will be held responsible for the purchase of any lot for which you have placed a Winning Bid.

14. Auction Results

Preliminary auction results will be available online on our website shortly after each auction. Final auction results will be available online once we have audited and verified all sales and bids.

15. The Record of the Sale

Rago/Wright’s records of sale will constitute the factual, accurate record of all transactions you participate in under this Agreement for purposes of any disputes. You agree that if there is a discrepancy between our records and any other records or messages related to a sale or transaction in a lot, our records of sale will govern.

16. Withdrawal

We may withdraw a lot from auction for any reason and with no liability whatsoever for such withdrawal.

PAY M E N T

17. Invoicing

All successful bidders will be sent invoices by e-mail or mail (if we do not have an email address on file) shortly following an auction. PAYMENT ON EACH INVOICE FOR

A WINNING BID IS DUE ON RECEIPT OF THE INVOICE. You acknowledge and agree that we may charge your credit card for All Charges.

18. Payment For and Collection of Purchases

All Charges If your bid is a Winning Bid, you agree to pay the following charges associated with your purchase of such lot: (a) The Hammer Price; (b) The Buyer’s Premium (which, together with the Hammer Price, is sometimes called the “Sale Fees”); (c) Any applicable sales tax, late payment charges, Storage Fees, credit card charges, Enforcement Costs, Bidding Platform fees and charges and other costs, damages or charges assessed in accordance with this Agreement (collectively, the “Buyer Costs”, and together with the Sale Fees, “All Charges”).

Payment Procedure You will pay All Charges immediately following Rago/Wright’s delivery of an invoice to you following our acceptance of your Winning Bid unless other arrangements have been approved by Rago/Wright in advance. If Rago/Wright approves of such other arrangement for payment, Rago/Wright may at its discretion require you to make a nonrefundable down payment on All Charges. All payments must be made in US Dollars, in any of the following acceptable forms of payment: (a) Cash; (b) Check, with acceptable identification; (c) Visa, MasterCard, Discover or American Express; (d) PayPal at Rago/Wright’s PayPal link: paypal.me/billpayragowright.com.

Credit Card Charges We may charge and collect an additional 2% of payments made by credit card.

Late Payment If payment is not received in full on an invoice hereunder within fifteen (15) days of the invoice’s date, we may charge, and you will pay, interest on the outstanding amount at a rate of 1.5% per month.

19. Enforcement Costs

You will reimburse us for the amount of all expenses we incur, including attorneys’ fees and court costs, in exercising or enforcing any of our rights hereunder or under applicable law, together with interest on all such amounts at 1.5% per month (the “Enforcement Costs”) within fifteen (15) days of the date of the invoice for such Enforcement Costs.

SA L E S TA X

20. New Jersey and Illinois

All purchases picked up at or delivered to a New Jersey address will be taxed at the New Jersey state tax rate, currently 6.625%. All purchases picked up at or delivered to an Illinois address will be taxed at the Illinois tax rate, currently 6.25%. All purchases will also be subject to applicable city and county taxes.

21. Nexus

On June 21, 2018, the U.S. Supreme Court decided South Dakota v. Wayfair, Inc., enabling states to impose sales tax responsibilities on “remote” sellers, i.e., sellers without a physical presence in the state. Since the ruling, several states have responded by implementing legislation requiring remote sellers to collect sales tax when the total dollar value of purchases sent to that state exceeds a set threshold. Each state sets its own threshold. Exceeding that threshold is known as creating an economic nexus. Like all other remote sellers, Rago/Wright is now required to collect Sales/Use Tax from buyers in these states when the total dollar value of purchases sent to that state creates a nexus. When this occurs, you will see sales tax included on your invoice. The sales tax rate is determined by the state, county, and city where purchases are sent.

22. Resale Certificate

If you have a valid resale certificate on file with us, you will be excepted from being charged the Sales/Use tax. Please send your completed, valid Resale Certificates to: [email protected] or Fax: 609-397-9377.

23. Warning: Use Tax

Even if we have not achieved nexus with your particular state, you acknowledge that it is still your responsibility to pay the proper use tax on your purchases.

P I C K-U P A N D STO R AG E

24. Pick-Up and Removal

You must remove each lot you have agreed to purchase hereunder (sometimes referred to as a “Purchased Lot”) from our premises no later than fourteen (14) days after the sale date of the auction (or date of Private Sale if applicable) (the “Sale Date”). You are solely responsible for removal of your Purchased Lot from Rago/Wright facilities and all costs associated with packing, insurance, shipment and delivery of your Purchased Lot to your designated destination.

25. Procedures for Pick-Up and Removal

Times and Days You may pick up your Purchased Lot from our facilities during our normal business hours, if you provide us at least 24 hours notice to arrange pick-up. Our facilities are open Monday – Friday, from 9:00 a.m. to 5:00 p.m., but closed on government holidays and any Monday following weekend sales held at that location. You must supply and bring your own packing materials. Weekend pick-ups may be made by special arrangement and by appointment only.

Shippers If you choose to ship a Purchased Lot from our facility, you are solely responsible for the shipment. We will, at your written direction, release your Purchased Lot to a third-party shipper to pack and ship it. We will work with any shipper of your choosing. Please make sure your shipper carries insurance. We are not responsible for any damage or loss that occurs while your objects are in another’s custody or care. If you choose a shipping method that we have advised against, we may require a waiver from you acknowledging this. For the avoidance of doubt, we will not be responsible for any damage or loss that occurs to a lot once we release it to a third-party shipper.

Referred Shippers We may, as a courtesy to you and solely at our discretion and your risk, provide or arrange packing, shipping or similar logistical services, or refer you to third parties who specialize in these services. Any such services referred, provided or arranged by us are at your sole risk and expense; we assume no responsibility for any act or omission of any party in connection with any such service or reference, and we make no representations or warranties regarding such parties or their services. You expressly release Rago/Wright from any and all liability arising from your use of any third-party services.

International Shipments All international customs, duties, and other tariffs are your responsibility. We and all third-party shippers will declare the Hammer Price plus the Buyer’s Premium as the value of a lot in all cases.

Oversized Lots Oversized lots are objects such as furniture, andirons, floor vases, or any other item whose safe packing will exceed the limits of common carriers. The delivery of oversized, large, heavy, or expensive objects is not an inexpensive proposition and we urge you to consider this before bidding.

26. Deadlines for Pick-Up, Storage, Abandonment

As stated above, you must retrieve your Purchased Lots from Rago/Wright’s facilities within 14 days of the Sale Date. And, if you fail to retrieve your Purchased Lot within thirty (30) days after the Sale Date (such 30-day period, the “Retrieval Period”), we may, without further notice to you, (a) deliver the Purchased Lot to you at your expense (and invoice you as Buyer Costs); or (b) sell such Purchased Lot at auction without Reserve at a place and time we determine in our sole discretion; or (c) continue to store your Purchased Lot on our, or a third-party’s, premises and charge you a storage fee of $10 per day per lot (“Storage Fee”). You will pay all such Storage Fees and other fees and charges.

27. Consequences of Late Pick-Up Abandoned Property

Notwithstanding the foregoing, Rago/Wright has no duty to store any lot indefinitely. Any Purchased Lot that is still in our possession sixty (60) days after the end of the Retrieval Period (i.e. 90 days after the Sale Date) will be deemed abandoned by you and title to it, to the extent it has passed to you, will pass to us (such abandoned property, “Abandoned Property”). You authorize Rago/Wright to discard or sell any Abandoned Property and to keep any proceeds from the sale of Abandoned Property. You hereby release Rago/Wright of and from any claims related to such Abandoned Property (including without limitation claims for purchase price refunds, possession of such lot or other damages or losses). You acknowledge and agree that Rago/Wright is not responsible for damage or loss that occurs to Abandoned Property and that Rago/Wright is not responsible for insuring Abandoned Property after the Retrieval Period. You agree that this remedy is reasonable in light of the costs Rago/Wright would have to incur to continue to store and process purchased lots after sale.

28. Full Payment

You will not be permitted to claim or take possession of any lot until All Charges you owe have been paid in full.

29. Export, Import, Endangered Species Licenses and Permits

An export or import license may be required for the export or import of your Purchased Lot to your designated destination. It is your sole responsibility to familiarize yourself with International, U.S. Federal and State laws or requirements regarding the necessary export, import, or other permit required. In addition, many countries prohibit or limit the import of property made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood, rhinoceros’ horn or tortoiseshell, irrespective of age, percentage or value. We make no representations or warranties as to whether any lot is or is not subject to export or import restrictions or any embargoes and will have no responsibility with regard to these matters. You represent, warrant and covenant that, before bidding on a lot, you have examined to your satisfaction whether a license is required to bring the lot to your designated destination or any other area of interest to you. It is solely your responsibility to comply with these laws and to obtain any necessary export, import and endangered species licenses or permits. Failure to obtain a license or permit will not justify the cancellation of the sale or any delay in making full payment of All Charges for the lot. We will not rescind the sale of a lot that is transferred to you and later seized by government authorities due to the presence of endangered species material. As a courtesy to clients, we may advise people who inquire about lots containing potentially regulated plant or animal material, but we do not accept liability for errors or for failing to advise on lots containing protected or regulated species.

T I T L E A N D R I S K O F LO S S

30. Title

Title to a Purchased Lot will not pass to you (or the third-party buyer if applicable) until Rago/Wright has received All Charges for a lot.

31. Risk of Loss

Notwithstanding passage of title, risk of loss to your Purchased Lot passes immediately to you: (a) when you or your agent or a shipper pick-ups and takes possession of it; or (b) on the thirty-first (31st) day after the Sale Date (whichever occurs first). We are not responsible for any damage or loss that occurs to your Purchased Lot once risk of loss passes to you or your agent or shipper. Further, if for any reason, you return your Purchased Lot back to us, risk of loss remains with you until your Purchased Lot is delivered to us at our door.

Exceptions Under no circumstances will Rago/Wright or its insurers be liable for damage caused by changes in humidity or temperature, conditions or defects inherent to the lot, normal wear and tear, war or acts of terrorism. Payments for loss are limited by Section 31.2 (Loss Payment Amounts and Limits).

Loss Payment Amounts and Limits You acknowledge and agree that your sole and exclusive remedy for and with respect to any loss or damage to your Purchased Lot for which Rago/Wright is liable pursuant to this Agreement will be receipt of the amounts prescribed in this Section 31.2. Accordingly, for any loss or damage to your Purchased Lot for which you have paid All Charges and for which we bear the risk of loss at the time of the event causing the loss, you will be entitled to the following: (a) Total Loss. For a lot that suffers a Partial Loss, the lot’s Hammer Price and Buyer’s Premium. (b) Partial Loss. For a lot that suffers a Partial Loss: (i) if you choose to refrain from repairing or restoring the lot, we will pay either (at our election) (A) the amount of depreciation in value from the Hammer Price as a result of the loss (and you will keep title to the lot); or (B) the lot’s Hammer Price and Buyer’s Premium (but we or our insurer will take title to the lot); but (ii) if you choose to repair or restore the lot, we will bear the costs to repair or restore the lot, approved by us and our insurer in advance (and you will retain title to the lot).

R E M E D I E S

32. Security

As security for full payment to us of All Charges in accordance with this Agreement, you grant to us a security interest in your Purchased Lot in accordance with this Agreement (and any proceeds thereof), and in any other property or money of the buyer in our possession or coming into our possession subsequently (“Security Interest”). We may apply any such money or treat any such property in any manner permitted under the Uniform Commercial Code and/or any other applicable law. You hereby grant us the right to prepare and file any documents to protect and confirm our Security Interest including but not limited to a UCC-1 Financing Statement.

33. Breach

If a buyer fails to make timely payment as required in this Agreement, or breaches any other covenant, representation or warranty in this Agreement, we may, in our discretion, exercise any remedies legally available to us, including, but not limited to, the following: (a) cancel the sale of the lot and any other sale of a lot to you; (b) resell the lot with or without Reserve; (c) retain all amounts you previously paid to us, which will constitute a processing and restocking fee (which you acknowledge would be reasonable in light of the costs we would have to incur to process your breach and attempt to re-auction or resell the lot); (d) reject any bids by you at future auctions; (e) set-off any amounts owed by Rago/Wright to you in satisfaction of unpaid amounts; and/or (f) take any other action we deem necessary or appropriate under the circumstances.

34. Confession of Judgment

Notwithstanding Section 51, if you default on payment of All Charges under this Agreement, you hereby authorize any attorney to appear in a court of record and confess judgment against you in favor of Rago/Wright for the payment of All Charges on your Purchased Lot. Accordingly, the confession of judgment may be without process and for any amount due under this Agreement including collection costs and reasonable attorneys’ fees. This authorization is in addition to all other remedies available to Rago/Wright.

35. Recission/Voiding of Sale By Rago/Wright

If we become aware of a third party’s adverse claim relating to a lot purchased by you, we may, in our discretion, rescind the sale. Upon notice of our election to rescind a sale, you will promptly return such lot to us, at which time we will refund to you the Hammer Price and Buyer’s Premium you paid to us for such lot. This refund will represent your sole remedy against us in case of a rescission of sale under this paragraph, and you agree to waive all other remedies at law or equity with respect to the same. If you do not return such lot to us in accordance with this paragraph, you agree to indemnify, defend and hold Rago/Wright, its officers, directors, employees, agents and their successors and assigns, harmless from any damages, costs, liabilities or other losses (including attorney’s fees) arising as a result of such third party claim. In addition to the other rights of cancellation contained in this agreement, we may cancel a sale of a lot if we reasonably believe that completing the transaction is or may be unlawful or that the sale places us or the seller under any liability to anyone else or may damage our reputation.

36. AML

Rago/Wright is committed to detect and deter money laundering, to protect our sellers from failed transactions and to promote ethics and fairness in our transactions and those generally in the world of art and design. Accordingly, Rago/Wright may, at our discretion, refuse your participation in our sales, auctions or activities; cancel your registration with Rago/Wright; cancel or refuse to accept your bid for lots at any time prior to, during or even after the close of the sale; and require documentation and information to verify your identity or the identity

of the officers, directors or beneficial owners of the entity you represent and to verify the legality of the source and use of funds involved in a potential sale.

37. Privacy and Security

We will hold and process your personal information for use as described in, and in line with, our privacy policy at www.ragoarts.com/privacy-policy. All payment information relating to the sale is collected and processed directly by third-party payment processors, and not by Rago/Wright.

S P E C I A L P RO P E RT Y

38. Firearms

We only sell antique firearms as defined by the U.S. Bureau of Alcohol, Tobacco and Firearms. Due to state firearms regulations, all handguns, pistols, and revolvers will only be shipped via Federal Express and will only be delivered to a person who holds a Federal Firearms License or a Curios and Relics License. Handguns, pistols, and revolvers can only be picked up at our facilities by a person who holds a Federal Firearms License, or the proper handgun permits of the state where the handgun is sold, which must be shown and logged. There are no exceptions. No firearms will be sold or shipped internationally. It is your sole responsibility to familiarize yourself with your local laws and requirements for the possession of firearms; to identify and obtain any necessary license or permit prior to bidding; and to abide by all Federal, State and local laws and requirements. Neither Rago/Wright nor the seller makes any representations or warranties as to whether any lot is or is not subject to these regulations and will have no responsibility with regard to these matters.

39. Jewelry

For centuries, natural gemstones have been enhanced in a variety of ways, including heating, oiling and other methods. These treatments are accepted by the international jewelry and gemstone trade. We make no representations or warranties, express or implied, as to whether natural stones have been treated or enhanced, whether specifically referenced or not. All stones have been identified by standard gemological field tests, as the mounting allows, and we will make available to prospective buyers any gemological certificates in our possession. However, it will not always be feasible to obtain a qualified lab report on every stone we offer for sale. If you wish to have a grading or gemological report from an independent recognized laboratory such as the Gemological Institute of America, the European Gemological Laboratories or the American Gemological Institute, you may request one at your own expense or hire an independent adviser of your choosing at your expense. Weights given for stones we offer for sale are based solely on measurements and known gemological formulae; they are approximate, not exact. Weight may differ once a stone is removed from its setting. You are advised to verify weight estimates prior to bidding at auction.

40. Coins and Currency

All coins and currency are sold “as is” by us, except as to authenticity. You acknowledge and agree that grading is not an exact science, but a matter of opinion as to condition and other attributes; and that grading can and will differ among third party grading services (even though consensus grading is employed by most), independent experts, dealers, collectors and auction houses, including our own. Opinion as to the grading, condition or other attributes of any lots may have a material effect on value. Coins and currency are sold without any additional express or implied warranty, including, but not limited to, (a) grade; (b) referencing the opinion of a third-party grading service; (c) with no reference to the opinion of a third-party grading service; (d) with reference to our opinion as to grading; (e) subsequently submitted to a third-party grading service for determination or certification; (f) encapsulated and therefore unable to be physically examined.

We reserve the right to differ with the grades assigned to any lot, by certificate or otherwise, regardless of the grading service, and will not be bound by any prior or subsequent opinion, determination or certification by third-party grading services including, but not limited to, National Guaranty Company (NGC), Professional Coin Grading Service (PCGS), Paper Money Guaranty (PMG) and Currency Grading and Authentication (CGA) or any other any grading service, third party organization or dealer. There is no guarantee or warranty implied or expressed that the grading standards we use will meet the standards of any grading service at any time in the future. We have graded uncertified coins and currency with reference to the current interpretation of the American Numismatic Association’s standards at the time of grading.

We may re-grade any lot for any reasons, including, but not limited to a change of grading standards, differences in opinion, mishandling over time.

We will not be liable for any patent or latent defect or controversy pertaining to or arising from any encapsulated coins or currency. In any such instance, your remedy, if any, shall be solely against the service certifying and you hereby agree that you will have no remedy against us.

Please note that certain types of plastic may react with a coin’s metal or transfer plasticizer to notes, causing damage. Avoid storage in materials that are not inert.

L I M I T O F L I A B I L I T Y

41. As Is, Where Is

Except as expressly stated herein in Section 42.1 (a) and (b), each lot is sold “as is” “where is”, with no representation or warranty of any kind from any party (including Rago/Wright or the seller of the lot), express or implied, including warranties of merchantability, fitness for a particular purpose and non-infringement.

42. Warranties

Warranties That Are Included (a) Limited Warranty. For each lot, the seller has represented and warranted to us, and represents and warrants to you, that the seller is the owner of such lot or is acting as

authorized agent of the owner of the lot and has the right to transfer title to the lot free of all liens, claims, and encumbrances (the “Limited Warranty”). (b) AUTHORSHIP WARRANTY. Subject to the following terms and conditions, Rago/Wright warrants, for a period of two (2) years after the Sale Date, that a lot’s Authorship is true and correct. “Authorship” means the creator, designer, culture or source of origin of a lot that is specifically identified in BOLD and CAPITAL type in the lot’s current catalogue, but not including supplemental text or information included in any other descriptions (whether or not in the catalogue). (the “Authorship Warranty”)

Warranty Exclusions and Conditions Notwithstanding the foregoing, each warranty of any kind or nature on any lot sold by Rago/Wright will be subject to the following conditions:

(a) All warranties specifically exclude: (i) Any lot description that states there is a conflict of specialist opinion. (ii) Any typographical errors in lot descriptions or catalogue. (iii) Any lot description listed as “in the style of”, “attributed to”, “the school of”, “in the manner of”, or “after”. (iv) Wear on furniture, flakes, surface scratches, or manufacturing flaws in glass or ceramic lots. (v) Any lot for which, at the time of sale, the statements regarding Authorship made by Rago/Wright conform to the generally accepted opinion of scholars, specialists or other experts when published, despite subsequent discovery of information that modifies such generally accepted opinions. (vi) If the lot’s failure to conform to its Authorship Warranty can only shown by a scientific process which, on the date we published the Authorship description, was not available or generally accepted for use, or which was unreasonably expensive or impractical, or which was likely to have damaged the lot;

(b) The description of clocks and lighting devices, whether in the catalogue or a condition report, as such descriptions may be incomplete and not identify every mechanical replacement, repair, or defect. The absence of reference to the condition of a clock or lighting device does not imply it to be in working condition or without defects, repairs, restorations, or replacement parts. No warranty is made that any watch is in working condition or without defects, restorations, or working parts. Buyers are advised to check watch works prior to auction.

(c) The description of jewelry, whether in the catalogue or a condition report, is rendered as opinion and not a representation of fact, including, but not limited to, specialist opinion as to authenticity, the enhancement or treatment of gemstones, the weight of gemstones, the country of origin, the authorship or origin (manufacture) of an item, its period or the authenticity of its marks.

(d) The benefits of any warranty under this Agreement are only provided to and available for the original buyer of a lot from Rago/Wright, and not to any subsequent purchasers, transferees, successors, heirs, beneficiaries or assigns of the original buyer. We specifically disclaim any warranty for any person other than the original purchaser of the lot from Rago/Wright.

(e) Neither the seller nor Rago/Wright makes any warranty or representation, express or implied, as to whether you will acquire any reproduction rights, copyrights or other intellectual property rights in, or with respect to any lot.

Warranty Claims and Remedies (a) How To Make A Claim Under Any Warranty Under This Agreement. To make a claim under a warranty under this Agreement, you will do the following: (i) Submit written notice of your claim within sixty (60) days after you become aware of the existence of such a claim, and in any event no later than two (2) years following the Sale Date; and (ii) For a claim under the Authorship Warranty, submit, at your expense, written opinions of at least two (2) experts (whose principal line of business is the appraisal and authentication of art, antiquities, design objects or other valuable objects similar to the lot), that the lot fails to materially conform to the Authorship Warranty; and (iii) If we determine you are entitled to a remedy for a breach of warranty, then prior to receiving a refund of any amount of the Sale Fees paid by you to us, you must return the lot to us in the same condition as it was at the Sale Date.

(b) Remedies for warranties under this agreement. Your sole remedies for any violation of a warranty under this Agreement of any kind or nature are the following: (i) if we have not yet paid the seller the seller’s portion of the Sale Fees, then we will refund your payment of the lot’s Sale Fees to you; (ii) if we have paid the seller the seller’s portion of the Sale Fees, then we will either, at our sole option and election: (A) refund to you the lot’s Sale Fees; or (B) make written demand upon the seller for the refund of the portion of the Sale Fees you paid which we paid to the seller and we will refund to you the portion of the Sale Fees which you paid which we retained. If the seller fails to make the refund, we will furnish you with the name and address of the seller and assign all of our rights against the seller to you. You hereby agree that upon this assignment of our rights, we will have no further liability to you or responsibility to pursue your claim against the seller.

43. Limit of Liability

In no event shall rago/wright be liable to you or any third party for any consequential, exemplary, indirect, special, punitive, incidental or similar damages, whether foreseeable or unforeseeable, regardless of the cause of action on which they are based, even if advised of the possibility of such damages occurring. With respect to any sale of a lot, in no event shall Rago/Wright be liable to you or any third party for losses in excess of the sale fees paid by you to Rago/Wright for such lot to which the claim relates. We are not liable for any breach or default by the consignor or seller of a lot or in relation to any terms which are implied into contracts by law and which are the responsibility of the seller of an item.

44. Indemnity; Limit of Liability; Liability

You agree to indemnify, defend and hold Rago/Wright, its officers, directors, employees, agents and their successors and assigns harmless from and against any and all claims, actions, damages, losses, liabilities and expenses (including reasonable attorneys’ fees and costs) relating to the breach, or alleged breach, of any of your agreements, covenants, representations or warranties contained in this Agreement.

45. Intellectual Property

Rago/Wright and our licensors will retain ownership of our intellectual property rights, including, without limitation, copyright to all photographs or other images of the lot created by us (including in your Purchased Lots), as well as rights to the copyrights and trademarks and other images, logos, text, graphics, icons, audio clips, video clips, digital downloads in, and the ‘look and feel’ of, the Rago/Wright website and each Rago/Wright catalogue. You may not obtain any rights of ownership, use, reproduction or any other therein by virtue of this Agreement. You may not use any of our trademarks or service marks in any way.

B U Y E R’S R E P R E S E N TAT I O N S A N D WA R R A N T I E S

You hereby represent, warrant and covenant:

46. Legal Status

If you are acting as an agent for someone who is not signing this Agreement, you and the principal are jointly and severally liable for and subject to the terms and conditions hereunder, to the same extent as though you were acting as principal.

47. Information

All information you have provided or will provide to Rago/Wright about yourself, your principal if any, your business, your identity and your funds will be totally and completely accurate, truthful and complete.

48. Legal

The purchase of any lot is not being done for illegal purposes. Your funds are not or will not be linked to any criminal activity, tax fraud, money laundering or terrorist activities; neither you nor any principal or beneficiary you represent is being investigated for, or has been charged or convicted of, any criminal activity, tax fraud, money laundering or terrorist activities.

49. Notify Us

You will notify us promptly in writing of any events or circumstances that may cause your representations and warranties to be inaccurate or breached in any way.

D I S PU T E S A N D G OV E R N I N G L AW

50. Governing Law

This Agreement and all rights and obligations relating to it will be governed by the laws of the State of New Jersey and specifically excluding conflict of laws principles and the UN Convention on Contracts for the International Sale of Goods.

51. Dispute Resolution

Any dispute, controversy or claim arising out of, relating to, or in connection with this Agreement, or the breach, termination, or validity thereof (“Dispute”), will be resolved, to the extent possible, within forty-five (45) days through discussions held in good faith between appropriate representatives of the Parties. If the Dispute has not been resolved after the 45-day discussion period, either Party may

refer the Dispute or claim to American Arbitration Association under its Commercial Mediation Procedures, for mediation in NEWARK, NEW JERSEY for a period of one hundred twenty (120) days. However, if the Dispute is not settled by mediation within the 120-day period, the Dispute will be settled by arbitration administered by the American Arbitration Association in accordance with its Commercial Arbitration Rules. Claims will be heard by a single arbitrator, unless the claim amount exceeds $250,000, in which case the dispute will be heard by a panel of three arbitrators. The place of arbitration will be NEWARK, NEW JERSEY. The arbitration and any proceedings conducted hereunder will be governed by the laws of the State of NEW JERSEY, Title 9 (Arbitration) of the United States Code and by the United Nations Convention on the Recognition and Enforcement of Foreign Arbitral Awards of June 10, 1958. Hearings will take place pursuant to the standard procedures of the Commercial Arbitration Rules that contemplate in person hearings, though hearings may be conducted virtually with the prior written consent of both parties. Time is of the essence for any arbitration under this Agreement and arbitration hearings will take place within 90 days of filing and awards rendered within 120 days. Arbitrator(s) will agree to these limits prior to accepting appointment. Each party will bear its own costs and expenses and an equal share of the arbitrators’ and administrative fees of arbitration. Except as may be required by law, neither a party nor an arbitrator may disclose the existence, content, or results of any arbitration hereunder without the prior written consent of both parties. The parties agree that failure or refusal of a party to pay its required share of the deposits for arbitrator compensation or administrative charges will constitute a waiver by that party to present evidence or cross-examine witness. In such event, the other party will be required to present evidence and legal argument as the arbitrator(s) may require for the making of an award. Notwithstanding any language to the contrary in the contract documents, the Parties hereby agree that the arbitrator’s decision will be final and nonappealable. The arbitrator’s decision may be entered in any court having jurisdiction thereof.

52. Enforcement Costs

Notwithstanding the foregoing, if Rago/Wright brings an action to enforce this Agreement and/or to collect any sum due and owing to it, Rago/Wright will be entitled to recover (in addition to any other amounts it Is owed) its reasonable attorney’s fees, collection agency fees, and cost of proceedings from you, including without limitation its Enforcement Costs. Notwithstanding the foregoing, Rago/Wright may bring a Dispute for Enforcement Costs or in accordance with Section 32 (Security) or Section 34 (Confession of Judgment) in any court having jurisdiction over you.

53. Rules

No Waiver Any failure, delay, relaxation or indulgence by a Party in exercising any power or right conferred on that Party by this Agreement does not operate as a waiver of that power or right unless expressed in writing to be a waiver.

No Reliance In entering into this Agreement, the Parties have not relied on any representations or warranties about its subject matter except as provided in this Agreement.

Amendments No change, modification, alteration or addition to any provision, or waiver of any provision of this Agreement will be valid unless set forth in writing and signed by each Party.

Notices Unless otherwise specified herein, all notices, requests or other communications under or in connection with this Agreement, to or upon the Parties will be made to such addresses and to the persons designated below, or such other people and addresses as provided in writing the receiving Party from time to time, and will be deemed to have been given hereunder only as follows: (a) if delivered by overnight commercial delivery service, upon receipt as evidenced by the records of such service; (b) if sent by certified or registered mail, seven (7) calendar days after posting it; and (c) if sent by email, once the receiving Party confirms its receipt by reply or other written communication.

Notices to Rago/Wright: Rago Wright, LLC 333 North Main Street Lambertville NJ 08530 Attn: Legal Dept

Notice to You (Bidder) The address you provide to Rago/Wright during registration or later.

Further Assurances You will furnish us, upon our request, with any additional information required to comply with applicable law. You will provide us, upon our request, verification of your identity in an appropriate form.

Counterparts This Agreement may be executed in any number of counterparts. Signatures sent using a digital signature service or a web-based acceptance form or by facsimile transmission and scanned executed agreements in PDF format sent by email transmission are each valid and binding and will be deemed an original. All counterparts, taken together, constitute one instrument.

Translations If we have provided a translation of this Agreement, we will use this original version in deciding any issues or disputes which arise under this Agreement.

Interpretation

Validity If a court or an arbitrator finds that any part of this Agreement is not valid, or is illegal or impossible to enforce, that part of this Agreement will be treated as being deleted, and the rest of this Agreement will not be affected.

Entire Agreement This Agreement, including any schedules, exhibits or attachments hereto constitutes the entire agreement between the Parties with respect to the transactions contemplated hereby and supersedes all prior or contemporaneous understandings and agreements of the Parties (whether written or oral) relating to the subject matter of this Agreement.

Construction In this Agreement, unless the context otherwise requires: (a) references to sections, exhibits, attachments and schedules are to those in, of and to this Agreement and headings are inserted for convenience only; (b) words importing the plural will

include the singular, and vice versa; (c) references to a ‘person’ will be construed as including references to an individual, company, enterprise, firm, partnership, joint venture, association or organization, whether or not having separate legal personality; (d) use of the word ‘will’ as an action attributable to a Party means the Party agrees to, will, promises to and covenants to take the actions following or connected to the use of the word ‘will;’ (e) use of the word ‘may’ as an action attributable to a Party means that Party has the right, but not the obligation, to take the action following or connected to use of the word ‘may;’ and (f) references to ‘it,’ ‘its,’ ‘they,’ ‘their,’ and ‘them,’ will be construed as including any generic, omni-gender pronoun such as she, hers, her, he, his, him, it, its, they, their and them.

D E F I N I T I O N S

The following words and expressions will have the meanings given them below when used in this Agreement:

“Abandoned Property” has the meaning given in Section 27.

“Absentee Bid” has the meaning given in Section 13.

“Agreement” has the meaning given in the Preamble.

“All Charges” has the meaning given in Section 18.1(c).

“Authorship Warranty” has the meaning given in Section 42.1(b).

“Bidding Increments” has the meaning given in Section 11.

“Bidding Platforms” has the meaning given in Section 13.4(a).

“buyer” has the meaning given in the Preamble.

“Buyer Costs” has the meaning given in Section 18.1(c).

“Buyer’s Premium” means the following for any lot: (a) 25% of the Hammer Price (or part thereof) up to and including $250,000; (b) 20% of the Hammer Price (or part thereof) in excess of $250,000 up to and including $3,000,000; and (c) 12% of the Hammer Price (or part thereof) in excess of $3,000,000.

“Contingency Bid” has the meaning given in Section 13.1(b).

“Dispute” has the meaning given in Section 51.

“Enforcement Costs” has the meaning given in Section 19.

“Hammer Price” means the price for a lot (a) established by the last bidder and acknowledged by the auctioneer before dropping the hammer or gavel or otherwise indicating the bidding on such lot has closed; or (b) achieved through a Private Sale.

“Limited Warranty” has the meaning given Section 42.1(a).

“lot” has the meaning given in the Preamble.

“Lot Particulars” means provisions, terms, conditions or information about a lot, an auction or a sale that Rago/Wright provides in a catalogue, supplemental statements about a lot or an auction, or at the auction or prior to a bid being accepted.

“lots” has the meaning given in the Preamble.

“our” has the meaning given in the Preamble.

“Partial Loss” means a lot which has been partially damaged or lost and has, as a result, depreciated in value, in Rago/Wright’s insurer’s opinion, by less than fifty percent (50%) of its original value.

“Parties” has the meaning given in the Preamble.

“Party” has the meaning given in the Preamble.

“Plus Bid” has the meaning given in Section 13.1(b).

“Private Sale” means a non-public, discrete sale of a lot to a buyer other than through an auction.

“Property” has the meaning given in the Preamble.

“Purchased Lot” means any lot you have agreed to purchase from or through Rago/Wright under the terms of this Agreement.

“Rago/Wright” has the meaning given in the Preamble.

“Rago/Wright” has the meaning given in the Preamble.

“remote” has the meaning given in Section 21.

“Reserve” has the meaning given in Section 12.

“Retrieval Period” has the meaning given in Section 26.

“Sale Date” has the meaning given in Section 24.

“Sale Fees” has the meaning given in Section 18.1(b).

“Security Interest” has the meaning given in Section 32.

“Storage Fee” has the meaning given in Section 26.

“Total Loss” means a lot (a) which has been lost; or (b) which has been damaged and has, as a result, depreciated in value, in Rago/Wright’s insurer’s opinion, by more than fifty percent (50%) of its original value.

“us,” has the meaning given in the Preamble.

“we,” has the meaning given in the Preamble.

“Winning Bid” has the meaning given in Section 5.

“you,” has the meaning given in the Preamble.

“your,” has the meaning given in the Preamble.

R AG O AU CT I O N S

Partners: David Rago, Suzanne Perrault, Richard Wright

Chief Administrative Officer: Eliane Talec

Director, Senior Specialist, Fine Art: Meredith Hilferty

Specialists, Fine Art: Lauren Bradley, Mick Byers

Director, Senior Specialist, Fine Jewelry: Dianne Batista

Research & Content: Emilie Sims, Sarah Cutler, Laura Nash

Cataloguers: Allison Richards, Michelle Pechinka, Sam Grillo, Kenneth Potts, Robin Levey, Robin Daum, Tess Brzezynski

Graphic Designers: Anthony Barnes, Jennifer Mahanay, Ellen Winston

Director, Photography Operations: Lynnette Mager Wynn

Photographer: Jared Kramer

Retoucher: Jake Watts

Director, Operations & Logistics: Karen Davies

Client Services, Shipping & Logistics: Martine Webber

Warehouse Manager: Owen McGreehan

Property Handlers: Hunter DeGruccio, Brandon Kinter, Michael Oates

Controller: Lisa Kolva

Director, Business Systems: Guy Benthin

Auction Administrator: Kara Baylor

To register to bid live by telephone, absentee or online, visit ragoarts.com

B I D D E PA RT M E N T

609 397 9374 | bids @ragoarts.com

CONDITION REPORTS

609 397 9374 | [email protected]

JEWELRY DEPARTMENT

609 460 3619 | [email protected]

Director: Dianne Batista

Client Services: Robin Daum

Cataloguer: Tess Brzezynski

Gemologist: Robin Levey

J EW E LS & P R E C I O U S O B J E CTS 2 8 M AY 2 02 0 10 AM

333 North Main Street Lambertville NJ 08530 ragoarts.com

jewels · french art nouveau gold watch fob $ 1,500 – 2000, of intricate scrolling foliate...

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