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RENAISSANCE AND NORTHERN RENAISSANCE ART J. NEWMAN

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Page 1: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis

RENAISSANCE AND NORTHERN

RENAISSANCE ART

J. NEWMAN

Page 2: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis

CHARACTERISTICS High Renaissance

(mainly Italy) 1) Realism and

Expression 2) Linear Perspective 3) Classicism (Roman

and Greco influence) 4) Emphasis

on Individualism 5) Geometrical

Arrangement of Figures

6) Light & Shadowing/Softening Edges

7) Religious

Northern Renaissance (Beyond Italy) 1. Realistic 2. Detailed 3. Symbolism 4. Un-idealized

figures (figures are too thin or pale)

5. Printmaking- use of woodcut, common way to produce images

Page 3: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis

Self-portrait of Leonardo da Vinci

Page 4: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis

The Last Supper

Page 5: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis

MonaLisa

Page 6: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis

Self Portrait of Michelangelo Buonarroti

Page 7: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis

Painting on the Sistine Chapel ceiling

Page 8: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis

LaPieta

Page 9: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis

Self Portrait of Raphael

Page 10: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis

Cowpepper Madonna

Page 11: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis

School of Athens

Page 12: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis

Giovanni Arnolfini and His

Wife

(Wedding Portrait)

Jan Van

Eyck

1434

http://www.nationalgallery.org.uk/cgi-bin/WebObjects.dll/CollectionPublisher.woa/wa/zoomImage?workNumber=NG186&collectionSection=work
Page 13: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis

JAN VAN EYCK -

GIOVANNI ARNOLFINI

& HIS WIFE (DETAILS)

Page 14: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis

ROGIER VAN DER WEYDEN (1399-1464)

The Depositio

n

1435

Page 15: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis

VAN DER WEYDEN’S DEPOSITION (DETAILS)

Page 16: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis

QUENTIN MASSYS (1465-1530) “the renovator

of the old art.” The Ugly

Dutchess, 1525-1530

Page 17: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis

MASSYS’ THE MONEYLENDER & HIS WIFE, 1514

Page 18: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis
Page 19: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis
Page 20: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis

LUCAS CRANACH THE ELDER

Old Man with a Young Woman

Amorous Old Woman with a Young Man

Page 21: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis

DÜRER – SELF-PORTRAIT IN FUR-COLLARED ROBE, 1500

Page 22: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis

DÜRER

FOURHORSEMENOF THEAPOCALYPSE

WOODCUT, 1498

Page 23: J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis

EL GRECO

CHRIST IN AGONY ON THE CROSS

1600’S


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