into to architecture
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Introduction to Architecture
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Readingarchitecture requires us to allow buildings to
speakto us.
But how can inanimate objects speak to us?
Especially if those objects are not representational?
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Pentre Ifan Burial Chamber, 2000 BCE
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John Portman,
Bonaventure Hotel,Los Angeles. 1976.
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Richard Neutra,
Edgar J. Kaufmann House,
Palm Springs, 1946.
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According to Vitruvius (Marcus Vitruvius
Pollio, 1stcent. BCE), in De Architecturaa
building must be considered in terms of
three elements:
Utilitas
Firmitas
Venustas
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Utilitas
need
functionplan
Firmitas
means
structure
section
Venustas
art
beauty
elevation
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Utilitas
need
function
plan
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Firmitas
means
structure
section
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Venustas
art
beauty
elevation
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Utilitas as Message:
TWA Terminal, JFK
Transamerica Bldg. SF, CA
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Utilitas by Addition:Louis Kahns Richards Medical Laboratory, University of Pennsylvania
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Utilitas by Division:
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Urge towards symmetry:
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Firmitas/Stucture will always be a function of:
Advances in engineering
Availability and strength of
materials
Cost available for materialsOther historical and geographical
factors
Architecture is the adaptation of form to resist force.John Ruskin (19thc.)
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All structures seek a balance between
tension and compression.
Traditionally there were two ways to
handle this:through trabeated structures
or through arcuated structures.
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Trabeated Structures
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CANTILEVER
Milstein Hall, Cornell University (Rem Kolhaas)
Gale House, Oak Partk, IL (Frank Lloyd
Wright)
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Villa Savoye, Poissy, France. LeCorbusier.
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ARCUATED STRUCTURES
Colosseum, Rome.
Hagia Sophia, Instanbul
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Venustasart
beauty
elevation
Hertziana, Rome
Gugenheim Museum, Bilbao
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What makes architecture good? Does it express its function in a meaningful,
interesting, and appealing way? Does it seem to fitits surroundings (by
complementing or contrasting with it in aninteresting and meaningful way)?
Is its design and execution structurally sound? Does it create a meaningful (interesting,
surprising, enjoyable, delightful, disturbing etc.)space?
Will it endure? Has it endured?
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Analyzing a Building:
Space: Solids and Voids
Scale and Proportion
Weight & Mass Basic Design Elements
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Analyzing a Building:
Space: Solids and Voids
Symmetry
Asymmetry
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Symmetry
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Asymmetry
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Analyzing a Building:
Weight & Mass: Materials
Massing for Weight
Relationship to Ground (high or low?)
Texture
Color
Ornamentation
Light
Acoustics
Context
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Basic Elements
Roof
Walls
Windows
Doorways
Orientation
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Roof Types
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Butterfly Roof
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Butterfly w/Solar Panels
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Barrel Vault Roof
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Wall Types
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Rusticated
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Half-timbered
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Clapboard
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Board and Batten Siding
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Wainscoting
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Stucco Wall
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Glass Wall
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Window Types
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Lancet
ll di
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Palladian
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Oeil-de-boeuf (ox-eye)
D bl h i d
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Double-hung window
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Bay window
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Ribbon Window
C t i d
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Casement window
D
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Dormer
D
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Doorways
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Arched
P di t d
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Pedimented
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Venetian Door
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French Door
Slidi D
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Sliding Door
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Orientation
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Aesthetic
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Cultural
Ecological
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Ecological
The Getty Center
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The Getty Center
Richard Meier
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