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s.^tô^>s^ Afâ^Ml^

Intangible Cultural Héritage Dîrectorate

Inventoiy and Documentation Department

Oman National Inventories Usts For Intangible

Cidtural Héritage Catégories

PoUkîore Arts -Traditions and Norms - Tmditional crafts

Traditioiiaî cuisines - Folklore stories

www.mhc.gov.om

Oman National inventories

Oman National Lists were created in 2010 with participation of govemmental

establishments concemed with héritage. Thé Public Authority for Crafit Industries,Ministry of Social Development, Ministry of Sport Affairs, Sultan QaboosUniversity and civil society establishments such as Omani Woman Association,Cultural Union and héritage practitioners. Thé lists included many catégories suchas folklore arts, crafts industries, traditions and norms, traditional cuisines, games,music instmments and other éléments of intangible Omani héritage. Thé lists were

taken from thé fields ofOmani society.

Firstly: Objectives of Oman National Lists:

l- Enlisting and classifying Omani intangible cultural héritage in order to préserveit and to put in place mechanism to protect each élément.

2- Documenting ail information relating to each élément of intangible culturalhéritage separately.

3- Review ail what is published or written about each élément of intangible culturalhéritage.

4- Maintaining electronic data base that include ail that was collected aboutintangible cultural héritage.

Secondly: Participation of local community in canying out Oman inventory lists:

Local community participation represented by follows:

A- A group of researchers, fans and practitioners fi'om various govemmental andprivate bodies collected information relating to national inventory lists.

B- Carrying out direct interviews wifh practitioners of intangible cultural héritage inorder to collect infonnation.

C- Review of collected information by researchers, fans and practitioners before

putting them in thé final registry.

D- Presenting information and détails in thé Lists to scientific and académieestablishments and civil society organizations such as sport and cultural unions,

public libraries, Omani Lady Association, and Omani Authors Association andothers.

Thirdly: Mefhod and form ofenlisting:

A form for enlisting intangible cultural héritage by was prepared as per a methodused by thé UNESCO in preparing national lists in accordance to article no. 11 and12 of thé International Agreement for Preserving Intangible Cultural Héritage. Théform included information about thé héritage élément, its geographical scope, itspractitioners and its stahis regarding its sustainability in addition to names ofinformation and copies of thé héritage élément, if possible.

Thé researchers and participants in thé lists' préparation works received trainingprogrammes in how to collect information relating to thé fonn and how to carry outinterviews and how to fill détails.

Fourthly: Lists' Update

In 2013, National Lists saw new phase of update and development. A team of

researchers was assignée to review thèse Lists and this process covered two phases:

Thé first phase includes présentation ofwhat was collected on practitioners and fansin thé society of thèse éléments of héritage and to verity each item or informationabout éléments of thé lists.

Second phase: in this phase interviews with practitioners were carried out withOmanis about thé éléments they wish to add to thé lists. Through this phase, manyOmani intangible héritage éléments were collected directly fi-om practitioners andadded to thé lists.

Students from Sultan Qaboos University, académies, researchers and practitioners

took part in thé updating process of thé Lists.

-Enlisting & Documentation Section at Ministry of Héritage & Culture:

In August 2016, Oman National Lists saw essential development as a govemmentunit was formed in thé name of Intangible Cultural Héritage Department at théMinisùy of Héritage & Culture. This Department consisted ofthree sections: traffichistory, préservation of intangible héritage and documentation. By this way, théNational Lists section became independent and is concemed to prépare programmes

and plans of colleting intangible héritage, and organizing workshops of lists. Thésection also supervises phases of updating thé list in daily basis in addition to thé

direct supervision on website of thé Omani Lists which are currently being linked toInternet.

Traditions

Norms

& Folklore

stones

Général Catégories

Cuisine Traditional

crafts

Folklore arts

NATIONAL INVENTORIES 0F HANDICRAFT INDUSTRIES

Sr.4-1

4-2

4-3

4-44-5

4-6

4-7

4-8

4-9

4-10

4-11

4-12

4-13

4-14

4-15

4-16

4-17

4-18

Name of Elément

Omani incense

Distillation of rosé water

Haseer (mats), also calledSimmah

Omani Hal-wa (sweet)Henna

Khasf(date préservationcontainer)

Omani Khanjar

Do'on (walls ofpalm branches)

Rahl (packsaddle)

Ships

Simmat Al-Khabbat

Shat

Sihal/ Tasaat (Castanets)

Whistle

Dmm

Stick manufacturing

Qarqur (fishing trap)

Qirhaf (c\og; patten)

Sr.4-19

4-20

4-21

4-224-23

4-24

4-25

4-26

4-27

4-28

4-29

4-30

Nameof Elément

Qafir (basket)

Kohi

Omani Kimmah (head-cap)

Omani frankincense

Censer

Hees (plow)

îvlikhraf

Mortar

Manjoor (musical instinment)

Omani Mandoos (chests)

Engraving on wood

Weej

HANDCRAFT INDUSTRIES FORM

". - Name of élément as used:

4-7 Omani Khanjar

* Short title of intangible cultural héritage élément (containing a référence tothé demain or areas of intangible cultural héritage to which it belongs):Silver industries

*Practitioners and su orting rou s:Thé jeweler is thé maker of Khanjar. He works in a spécial shop topractice Khanjar manufacturing.

*Geographical location and range of élément:Muscat Governorate, Dakhiliyyah Governorate, Sharqiyyah NorthGovernorate, Sharqiyyah South Governorate, Batinah SouthGovernorate, Batinah North Governorate, Dhofar Governorate.

*Short description of élément:A traditional weapon worn by thé Omani man for personal adornmentand considered part of thé history of Oman and thé emblem of thé State.It bas several types, such as Al-Saidi, Al-Shamali (northern^, An-Nhwani(of Nizwa), Al-Sifani, Al-Suri (of Sur), Al-Sahli (coastal), and Al-Badawi(nomadic). Khinjar parts include Al-Qarn (handle), An-Naslah (blade)fixed on Al-Q^arn, At-Tawq, an elliptical shape between An-Naslah and Al-Qarn, andAl-Ghimd(sheîtth) decorated with inscriptions and décorationsand accommodâtes An-Naslah.

2- Description of élément:* Practitioners / perfonners directly concemed with thé perfomiance andexercise of thé intangible cultural héritage élément (including âge, gender,rofessional category, etc. :

Men of ail classes, âges and social status

* Other participants whose work relates to thé élément:

Practitioners of leather industries

* Lan uage(s) used in thé élément:Arabie language

*Physical éléments related to thé exercise and movement of thé élément (tools/ equipment / fashion / rihial insti-uments (ifany)-

Basic materials for thé use oîKhanjar: A leather belt inlaid with silver tofix Khanjar or a pièce of cloth instead to hold it around thé waist. Wornon Omani Dishdashah (traditional floor-length robe).

* Other intangible éléments (if any) associated with thé exercise andmovement of thé élément:

Célébrations, social events, officiai visits and weddings.

* Customary practices goveming access to thé élément or any of itsmanifestations:

None.

* Methods oftransferring thé élément to other members of thé group:Through direct practice and process of manufacturing and selling in théshops specialized in Khanjar manufacture as well as thé transfer ofKhanjar wearing from génération to another.

* Relevant organizations (associations, civil society organizations, and others,ifany:Public Authority for Handcraft Industries, Ministry of Tourism,Ministry of Héritage and Culture, and Ministry of Commerce andIndustry.

3- Condition of component: viability and sustainability* Threats to thé exercise of thé élément in thé context of thé relevant

community / grou s concemed:Thé décline in thé number of its possessors because life bas become morepractical, and because of thé invasion of globalization.

4- Data: Restrictions on their collection and access

* Communi / rou a roval and involvement in data collection:

- Thé data of thé inventory is collected from thé concerned communitythrough interviews with their free prior

*Restrictions on access to and use of data:

None.

* Experts (narrators and informants) (their names, statuses, and affiliations):-Said bin Ali bin Amer Al-Balushi, Wilayat Bidiyyah, SharqiyyahGovemorate. Profession Khanjar}cwe\eï.A number ofjewelers and shop owners selling omani Khanjar:- Mohammed Bin Abdullah Al Farsi

- Ahmed bin Saifbin Saud Al Farqani.- Mohammed bin Suleiman Al Abri.-Abdullah Bin SaifAl Tiwani.-Zwaina bint Sultan Al Rashdi.

*Date and location of data collection:

6/10/2013 A number of governorates of thé Sultanate.

5- Références on intangible héritage élément, if any* Literatire (books, articles, etc. ):Omani Crafts: Documentary Study - Public Authority for CraftIndustries - Second Edition - 2011

Omani Craft Industries: Our Crafts ... Our Wealth - Public Authorityfor Craft Industries- Collected and annotated by Khamis bin Juma Al-Muwaiti.

Al-Shidi Juma. Thé Omani Khanjar: Symbol and Authenticity, Muscat2010.Alyaa Al-Hinaey. Thé Intangible Cultural Héritage Eléments: OmaniKhanjar, Ministry of Héritage and Culture 2010Al farsi Mohammad. Omani Khanjar: origination and development,2018

*Audiovisual materials, recordings, archives, muséums and spécialcollections (ifany):CD from thé Public Authority for Craft Industries.

*Documentaries, tools in archive houses, références and spécial collections(ifany):Documentary material fi-om thé archives of some institutions such as radioand télévision in thé Sultanate.

6- Data on thé inventory process* Person(s) who hâve compiled, collected, and entered thé inventory:Collecting information: Noura bint YousefAl-Balushi (2013)Updating information: Nasser Salim Al Sawafy, Ibrahim SaifBani Uraba(2018)

* Evidence of thé consent of thé community and thé groups concemed to (a)take inventory of thé élément and (b) their consent to provide informationfor inventory:

Thé information was collected from thé concerned people who representmost of thé Omanis who are proud to wear it as one of their identities.Khanjar niakers demonstrated their désire to provide information aboutkhanjar. IMoreover, some of thé researchers of khanjar basically arepractitioners of thé élément.

* Date of entry of information into thé invento :1/10/2013 CE (entry)1/2/2018 CE (update)* Photos:* Références:

Omani Crafts: Documentary Study - Public Authority for CraftIndustries - Second Edition - 2011

Omani Craft Industries: Our Crafts ... Our Wealth - Public Authorityfor Craft Industries- Collected and annotated by Khamis bin Juma Al-IVluwaiti.

Al farsi Mohammad. Omani Khanjar: origination and development,2018

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