increasing student engagement on college campuses

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1 Student Engagement in the Performing Arts Engaging Next Generation Audiences: A Study of College Student Preferences towards Music and the Performing Arts Alan Brown, WolfBrown Michelle Witt and Elizabeth Duffell, UW World Series, University of Washington

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Presentation materials from the Saturday, November 9th session from the 2013 NAMP Conference. Presenters: Alan Brown, WolfBrown, San Francisco, CA; Michelle Witt, University of Washington, Seattle, WA

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Page 1: Increasing Student Engagement on College Campuses

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Student Engagement in the Performing Arts

Engaging Next Generation Audiences: A Study of College Student Preferences towards Music and the Performing ArtsAlan Brown, WolfBrown

Michelle Witt and Elizabeth Duffell, UW World Series, University of Washington

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Student Engagement in the Performing Arts

How many of you have specific marketing or programming initiatives for college students?

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Student Engagement in the Performing Arts

We need audiences. Where are they going to come from?

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Insert graph on educational attainment. Less emphasis on music.High school involvement in the arts

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The Hopkins Center study addressed the following research question:

What should campus-based performing arts presenters and their partners be doing to engage more students in the performing arts?

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Research Partners

• Hopkins Center for the Arts, Dartmouth College• Carolina Performing Arts, University of North

Carolina• Hancher, University of Iowa• Krannert Center for the Performing Arts,

University of Illinois• Lied Center of Kansas, University of Kansas• Texas Performing Arts, University of Texas• University Musical Society, University of

Michigan• UW World Series, University of Washington

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Student Engagement in the Performing Arts

Learning Approach

• A total of 18 staff-led focus groups with students

• Survey of undergraduates on seven campuses

• Case study research on good practices in student engagement

• Pilot projects led by student researchers

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Student Engagement in the Performing Arts

Download the reports at: www.wolfbrown.com/college

More info. for campus presenters:https://hop.dartmouth.edu/online/student_engagement

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Overview: Most frequent performing arts activities

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Student Engagement in the Performing Arts

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Student Engagement in the Performing Arts

High school

band or choir

activity is

highly predic-tive of college music activiti

es

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Student Engagement in the Performing Arts

Music Preferences

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Student Engagement in the Performing Arts

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Student Engagement in the Performing Arts

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Student Engagement in the Performing Arts

Classical Music is preferred as much as Rap or Hip Hop

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Student Engagement in the Performing Arts

Classical music is equally preferred by male and female students

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Student Engagement in the Performing Arts

Music preference clusters, based on multiple correspondence analysis

Cou

ntry

Hip

Hop

Dance Music

Classic Rock

Indie Rock/So

ul

Classical

Traditional MusicJAZZ

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Student Engagement in the Performing Arts

A word about omnivorousness

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Student Engagement in the Performing Arts

The average student “strongly likes” 5 out of 30 songs and genres

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Student Engagement in the Performing Arts

Preference for classical music moves with preference for other types of music

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Relationship to Classical Music

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As students age, their interest in classical music grows slightly

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76% of students pass the litmus test of interest

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Student Engagement in the Performing Arts

Of those with the highest

preference levels for classical

music, 37% have not

attended a concert

since being at school.

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Student Engagement in the Performing Arts

Why are they not attending?

What are the barriers?

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Student Engagement in the Performing Arts

From focus group research:

• Classical music is primarily a personal listening experience- Used as a study aid, a sleep aid

• Classical music is a background phenomenon- At best, a sort of creative elixir

• Regarded by some as a scholarly intellectual challenge- Where do you start, if you don’t know the way in?

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Student Engagement in the Performing Arts

From focus group research:

• Live concerts lack sufficient interactivity, and lack sufficient sensory stimulation- “If I’m just listening to something, I will probably zone out

and stop paying attention. I need something to keep my eyes busy.”

• High commitment threshold- Duration of concert- Can’t talk, can’t mediate, can’t opt out

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What do college students cite as the #1 barrier?

“I’m too busy.”

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Student Engagement in the Performing Arts

For newcome

rs to classical music,

the first barrier is not price or lack of

social stimulus, but fear of the

unknown.

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What will students pay?

About $10 to $15

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Eight strategies for motivating attendance amongst college students

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1. Assure a minimum level of accessibility through pricing incentives

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2. Offer curated music listening spaces (e.g., a music lounge)

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3. Experiment with new combinations of setting and format

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4. Engage students in the curatorial mode of music participation (i.e., downloading, organizing, editing, making and sharing playlists)

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5. Add visual elements to live music; offering multi-layered experiences

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6. Ensure that students have an opportunity to meet personally with artists

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7. Hire artists who are closer in age to students

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8. Provide social opportunities adjunct to concerts

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Summary:

Six-point approach to increasing student engagement in the performing arts

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Student Engagement in Practice: Additional Discussion

Student Engagement in the Performing Arts

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