iii test booklet serial no. : folk literature omr sheet no. :...

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Test Paper : III Test Subject : FOLK LITERATURE Test Subject Code : K-2115 Test Booklet Serial No. : _______________________ OMR Sheet No. : _________________________________ Roll No. (Figures as per admission card) Name & Signature of Invigilator/s Signature : _________________________________ Name : _________________________________ Paper : III Subject : FOLK LITERATURE Time : 2 Hours 30 Minutes Maximum Marks : 150 Number of Pages in this Booklet : 32 Number of Questions in this Booklet : 75 K-2115 1 ±Üâ.£.®æãà./P.T.O. Instructions for the Candidates 1. Write your roll number in the space provided on the top of this page. 2. This paper consists of seventy five multiple-choice type of questions. 3. At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below : (i) To have access to the Question Booklet, tear off the paper seal on the edge of the cover page. Do not accept a booklet without sticker seal or open booklet. (ii) Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra time will be given. 4. Each item has four alternative responses marked (A), (B), (C) and (D). You have to darken the oval as indicated below on the correct response against each item. Example : A B C D where (C) is the correct response. 5. Your responses to the question of Paper III are to be indicated in the OMR Sheet kept inside the Booklet. If you mark at any place other than in the ovals in OMR Answer Sheet, it will not be evaluated. 6. Read the instructions given in OMR carefully. 7. Rough Work is to be done in the end of this booklet. 8. If you write your name or put any mark on any part of the OMR Answer Sheet, except for the space allotted for the relevant entries, which may disclose your identity, you will render yourself liable to disqualification. 9. You have to return the test OMR Answer Sheet to the invigilators at the end of the examination compulsorily and must NOT carry it with you outside the Examination Hall. 10. You can take away question booklet and carbon copy of OMR Answer Sheet soon after the examination. 11. Use only Blue/Black Ball point pen. 12. Use of any calculator or log table etc., is prohibited. 13. There is no negative marks for incorrect answers. 14. In case of any discrepancy found in the Kannada translation of a question booklet the question in English version shall be taken as final. A»Ü¦ìWÜÚWæ ÓÜãaÜ®æWÜÙÜá 1. D ±Üâo¨Ü ÊæáàÆᤩ¿áÈÉ J¨ÜXst ÓܧÙܨÜÈÉ ¯ÊÜá¾ ÃæãàÇ ®ÜíÃÜ®Üá° ÃæÀáÄ. 2. 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Page 1: III Test Booklet Serial No. : FOLK LITERATURE OMR Sheet No. : …kset.uni-mysore.ac.in/question_papers_2015/Question Paper... · 2015-12-22 · 1. Write your roll number in the space

Test Paper : III

Test Subject : FOLK LITERATURE

Test Subject Code : K-2115

Test Booklet Serial No. : _______________________

OMR Sheet No. : _________________________________

Roll No. (Figures as per admission card)

Name & Signature of Invigilator/s

Signature : _________________________________

Name : _________________________________

Paper : IIISubject : FOLK LITERATURE

Time : 2 Hours 30 Minutes Maximum Marks : 150

Number of Pages in this Booklet : 32 Number of Questions in this Booklet : 75

K-2115 1 ���������/P.T.O.

Instructions for the Candidates1. Write your roll number in the space provided on the top of this page.2. This paper consists of seventy five multiple-choice type of questions.3. At the commencement of examination, the question booklet will

be given to you. In the first 5 minutes, you are requested toopen the booklet and compulsorily examine it as below :

(i) To have access to the Question Booklet, tear off the paperseal on the edge of the cover page. Do not accept abooklet without sticker seal or open booklet.

(ii) Tally the number of pages and number of questionsin the booklet with the information printed on thecover page. Faulty booklets due to pages/questionsmissing or duplicate or not in serial order or anyother discrepancy should be got replaced immediatelyby a correct booklet from the invigilator within theperiod of 5 minutes. Afterwards, neither the QuestionBooklet will be replaced nor any extra time will be given.

4. Each item has four alternative responses marked (A), (B), (C)and (D). You have to darken the oval as indicated below on thecorrect response against each item.

Example : A B C D

where (C) is the correct response.

5. Your responses to the question of Paper III are to be indicatedin the OMR Sheet kept inside the Booklet. If you mark at anyplace other than in the ovals in OMR Answer Sheet, it will not beevaluated.

6. Read the instructions given in OMR carefully.7. Rough Work is to be done in the end of this booklet.8. If you write your name or put any mark on any part of the OMR

Answer Sheet, except for the space allotted for the relevantentries, which may disclose your identity, you will render yourselfliable to disqualification.

9. You have to return the test OMR Answer Sheet to the invigilatorsat the end of the examination compulsorily and must NOTcarry it with you outside the Examination Hall.

10. You can take away question booklet and carbon copy ofOMR Answer Sheet soon after the examination.

11. Use only Blue/Black Ball point pen.12. Use of any calculator or log table etc., is prohibited.13. There is no negative marks for incorrect answers.14. In case of any discrepancy found in the Kannada

translation of a question booklet the question in Englishversion shall be taken as final.

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Page 2: III Test Booklet Serial No. : FOLK LITERATURE OMR Sheet No. : …kset.uni-mysore.ac.in/question_papers_2015/Question Paper... · 2015-12-22 · 1. Write your roll number in the space

Paper III 2 K-2115

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U����&���,*#� ����7O�– III

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Page 3: III Test Booklet Serial No. : FOLK LITERATURE OMR Sheet No. : …kset.uni-mysore.ac.in/question_papers_2015/Question Paper... · 2015-12-22 · 1. Write your roll number in the space

K-2115 3 Paper III

������ Total Number of Pages : 32

1. Who is the author of ‘Folklore andFolklife’ ?

(A) Bloomfield Leonard

(B) Maria Leach

(C) Peter J. Claus

(D) Dorson M. Richard

2. ‘Panchatantra’ was translated into

German by

(A) William Clouston

(B) Theoder Benfey

(C) Joseph Jacob

(D) Max Muller

3. According to Bauman, ‘artistic event’ in

Folklore is

(A) Dying Folklore

(B) Collective act

(C) Subverting Nature

(D) Performance situation

4. ‘Ethnography of Speaking’ is derived

from

(A) Rhetoric studies

(B) Ethnopoetics

(C) Mass communication

(D) Sociolinguistics

5. ‘Textualisation of Siri Epic’ is a book

written by

(A) Peter J. Claus

(B) A.K. Ramanujan

(C) Jawaharlal Handoo

(D) Lauri Honko

6. ‘Conceptions of Folklore in the

Development of Literary Semiotics’ is an

article appeared in 1982 semiotica is

written by

(A) Claude Levi-Strauss

(B) Alan Dundes

(C) Richard Bauman

(D) Ferdinand de. Sassure

7. One of the consequences of redirecting

attention to the individual creativity of

Folk artists and to the art of ‘every day’

genres and conversation is

(A) The death of folk artist

(B) To change the study of

Folkliterature

(C) To blur line separating verbal art

from literature

(D) To emphasize the vitality of context

FOLK LITERATURE

PAPER – III

Note : This paper contains seventy-five (75) objective type questions. Each questioncarries two (2) marks. All questions are compulsory.

Page 4: III Test Booklet Serial No. : FOLK LITERATURE OMR Sheet No. : …kset.uni-mysore.ac.in/question_papers_2015/Question Paper... · 2015-12-22 · 1. Write your roll number in the space

Paper III 4 K-2115

������ Total Number of Pages : 32

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(B) ��(�,��� P7������� O7$&'(�� �� ��8�F����"

�������1���

(C) �7 ��o&(�� � �������)���� > 3�4������"

��$O�#��� ����)�(7$�E4��1���

(D) D7�3����C������7K��

13. ���-�����1����X7'�_���)�(�F-�_�>.�N����

�E5���K

(A) ��3�N���47�4����

(B) ��)��-��������ip���*['(7���(�14����

(C) d�'k'�E :���C���7�4��������7m

(D) �7�-(����3�4����D7N�:�_

14. U/-�(�Y� ��1�� �� U/f(�Y� ����4 �� �� �� "

��$O�#��������

(A) > ���:� :��

(B) $O�:�F�DM����

(C) (�1���W(�

(D) ��������,

15. U/-�(�Y� ��1�� �� U/f(�Y� ����4 �� ��

�7q1�4� 5��������

(A) /\(����1����/ :-�(�

(B) � d7N47�f(����1�����7N�7547�f(�

(C) 87;7-P7c����r�V�f(����1�����V�-�(�

(D) :W�E(�'��(����1����� (7'�(�

Page 5: III Test Booklet Serial No. : FOLK LITERATURE OMR Sheet No. : …kset.uni-mysore.ac.in/question_papers_2015/Question Paper... · 2015-12-22 · 1. Write your roll number in the space

K-2115 5 Paper III

������ Total Number of Pages : 32

8. Theory of Epic Laws in Narration is

proposed by

(A) Elias Lonrot

(B) Axel Olrik

(C) Moitke Moe

(D) Felix Oinas

9. What is not the theory of Epic Law ?

(A) The Law of opening

(B) The Law of contrast

(C) The Law of two to a seen

(D) The Law of Villainy

10. ‘Communal Origins Theory’ was

proposed by

(A) Francis B. Gummere

(B) Fredrich Hash Savignu

(C) Roger Abrahams

(D) Dell Hymes

11. According to ‘Devolution’, a nineteeth

century theory

(A) Traditions cannot be devolved

(B) Tradition emerges from savage

stage

(C) Children traditions are remnants of

adult traditions

(D) Children have no tradition

12. Adult memory culture

(A) is redundant

(B) provides a diachronic context for

children’s folklore

(C) helps to introduce new elements

within cultural sphere

(D) is childish in nature

13. Melville and Francis Herkovits studied

(A) Russian proverbs

(B) Dahomean tales of West Africa

(C) Myths of Trobriand Islanders

(D) Ballads of Slavic countries

14. The term ‘emic ‘ and ‘etic’ were

introduced by

(A) Alan Dundes

(B) Richard Bauman

(C) Kenneth Pike

(D) Malinowski

15. The concepts ‘emic and ‘etic’ were

derived from

(A) Epic and endemic

(B) Syntagmatic and Paradigmatic

(C) Linguistic terms- Phonetic and

Phonemic

(D) Diachronic and synchronic

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Paper III 6 K-2115

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16. !=� �����'(7���>B�F !�����______�X��17 3�%

(A) �7N :��L��5(��5 4�

(B) �'�(�6(�����LM�7N.7$1����'&='+�

(C) ��'��3�F����7��B�NF

(D) 3�=����1��>���7����

17. :W �E�(�B

(A) �4���� ��1�� �� ( �B�� �� O����f(4 �� ��� +��]�

(B) ������s��7��(����!4����(�B

(C) ��F;�@�(���A�����(�B

(D) �7����������>B�F-�

18. P7������ !�����!)�����gN7���7������'='+�%�A�� ����P7c�����3�$����G��s���K9�� ���*���O���>B�7�(�����!4� %%%%�A�����>��1�C�7�Eb(�� �� ��8�F���"� k��� %%%%� ='�E1��(���'='+��E��P7������� �� �)�����E.�N��7�(� :��!���1���%��E���� P7����������"� ���G���t��� 1�7Nu7N���������Z

(A) > ���:� :��

(B) /%����:��

(C) :7��rD��r>����

(D) )�_�47��_

19. U4���7 �7��(�����$���)7(7�NY����� �7��(������!v���

(A) /��%�*��%�)4�:

(B) ��� ��'�(���E���)�(7$

(C) �M$�)�� (��

(D) ��%�]���4M:�

20. U1 !�Y

(A) 1� &��� ��1��7��N

(B) O���F��� ��1��7��N

(C) ���)������ ��1��7��N

(D) 47H����� ��1��7��N

21. :7��rD��r>����� �� ��8�F���� "� R�4

-�$���17��

I. g?1�9� 7�� ��9� (��71� �(�� ��1���� �� �)���

��'='+������

II. ��mw�4�� \����J17O���j����� �)�����1�F�

III. �� =�mF��� �)����`��

IV. �� �)�������7 ��o&(���4�F

(A) I ��1����II ��$ (B) II ��1����III ��$

(C) II ��1����IV ��$ (D) I ��1����IV ��$

22. ���H����*)7���-.7�����i'��� &(�A��������

I. k�]���1����*)7������7�7������

II. *)7��7��������7�����P7c�����!��(

III. *.���(��*)7�����D��(�E�

IV. (7 ���1������$���������:�E�

(A) I, II ��1����III ��$

(B) II, III ��1����IV ��$

(C) III, IV ��1����I ��$

(D) IV, I ��1����II ��$

Page 7: III Test Booklet Serial No. : FOLK LITERATURE OMR Sheet No. : …kset.uni-mysore.ac.in/question_papers_2015/Question Paper... · 2015-12-22 · 1. Write your roll number in the space

K-2115 7 Paper III

������ Total Number of Pages : 32

16. According to Bakhtin meaning is the

result of

(A) Random decoding

(B) Value based action of participants

(C) Performance competence

(D) Powerful rendering

17. Dilemma tale

(A) is the synthesis between riddling

and narrating activities

(B) is the tale about false hero

(C) is the tale without a proper ending

(D) has confession in meaning

18. ‘Folklore is very much an organic

phenomenon. It is a body of knowledge,

a mode of thought, or a kind of art .... its

existence depends upon its social

context ... As an artistic process folklore

may found in any communicative

medium’ – who was defined folklore as

quoted above ?

(A) Alan Dundes

(B) A. Paredus

(C) Don-Ben-Amos

(D) Hensy Glassie

19. Who is the one of the editors of

‘Gopalanayaka’s Siri Epic’ ?

(A) L.R. Hegde

(B) Devendra Kumar Hakari

(C) Lauri Honko

(D) D. Javare Gowda

20. ‘Tembare’

(A) A String Musical Instrument

(B) Leather Musical Instrument

(C) Metal Musical Instrument

(D) Wind Musical Instrument

21. ‘Context’ is explained by Don-Ben-Amos

as

I. a definitive, realistic, artistic and

communicative process

II. ceremonial communicative

interaction of small groups

III. complex communicative event

IV. cultural categories of communication

(A) I and II are correct

(B) II and III are correct

(C) II and IV are correct

(D) I and IV are correct

22. The richness of local food ways is in

I. Storage of food and seedII. Community knowledge as food

III. Mixture of Modern foodIV. In tune with the space and climate

(A) I, II, and III are true

(B) II, III and IV are true

(C) III, IV and I are true

(D) IV, I and II are true

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Paper III 8 K-2115

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23. 4��H�(���m���'='+������� ��o&�����"

I. � �����7���'���7"����1���

II. �� ��o&���F;�@��7"����1���

III. -3�C7N\� ��'='���7"����1���

IV. P7c����F)�j��E:��1���

(A) I, II ��1����III ��$

(B) II, III ��1����IV ��$

(C) III, IV ��1����I ��$

(D) IV, I ��1����II ��$

24. �M$�)7 (���-�B����"�R�4��� (6�\���17��

I. �E����-.����1����0�(��01��-���j+����-�B�

II. P7c����4�F4������� ��-�B�

III. ���������'Pc���O7O��-(+���-�B�

IV. -�B��/ !������7 (�&(��>x�N=�

(A) I, II ��1����III ��$

(B) I, II ��1����IV ��$

(C) II, III ��1����IV ��$

(D) IV, I ��1����II ��$

25. ��;�N��� ]������� 1�]c� W%� / %� ��(�����

-�$���17��

I. P7������ !����� 4�1���� ��'&.�C�� >��

������������1�F�E�����4�f@�.�C�

II. P7������� ����N��� ������8������1�����1�� 0�@

*�4������"� >x�N=����1���� )74���X� �1��1

A �����W �(���� (�1�4������"�����EO��1���

III. �]7���-�B��.7-�F(����1����*O���j71��(�

(���F4������

IV. �4�F� �� `;�F��� �� '&X� ��7�� ��1�� �

)�17��7�� P7������� A���1� ��� ��1�� �

��� ��������1���

(A) I ��1����II ��$ (B) II ��1����IV ��$

(C) III ��1����II ��$ (D) I ��1����IV ��$

26. -%P%��7'�������'(7����71�'4����(7��F��

I. (�B4������ �����7�����1���� ��C1� 1�'7�����1���

�E����1����)�4�/ !����������"�1�� !�1���

II. (�B�����!���74��&�����������7����C1� 1�'

��1����)�4���1�����E��� !������"�1�� !�1���

III. (�B��� ��� 8��1�� `�(����� "

�� +��b���1���

IV. (�B��� ��� 8��1�� +��]�4�� �� �� "

�� +��b���1���

(A) I ��1����II ��$

(B) II ��1����III ��$

(C) I ��1����III ��$

(D) II ��1����IV ��$

Page 9: III Test Booklet Serial No. : FOLK LITERATURE OMR Sheet No. : …kset.uni-mysore.ac.in/question_papers_2015/Question Paper... · 2015-12-22 · 1. Write your roll number in the space

K-2115 9 Paper III

������ Total Number of Pages : 32

23. Process of Globalisation making the

culture into

I. A commodity

II. A culture specific

III. An universal phenomenon

IV. A knowledge management

(A) I, II and III are true

(B) II, III and IV are true

(C) III, IV and I are true

(D) IV, I and II are true

24. Lauri Honko summarises Myth as

I. Myth as a mistaken explanations of

phenomena of human kind

II. Myth as source of cognitive

categories

III. Myth as projection of the sub

conscious

IV. Myth as form of symbolic expression

(A) I, II and III are correct

(B) I, II and IV are correct

(C) II, III and IV are correct

(D) IV, I and II are correct

25. Russian folklorist Y.M. Sokolov

emphasizes

I. Folklore is an echo of the part, but atthe same time it is also the vigorousvoice of the present

II. Folklore expresses the latestrepressed wishes and fears of infertilesexuality in symbolic disguises

III. The true Millieu of Myth is to be foundin religious rites and ceremonial

IV. Folklore has been and continuous tobe a reflection and a weapon of classconflict

(A) I and II are correct

(B) II and IV are correct

(C) III and II are correct

(D) I and IV are correct

26. As per V.J. Propp. the functions ofcharacters

I. Serve as stable, constant elements ina tale independent of how and bywhom they are fulfilled

II. Serve as variable elements in a tale,independent of how and by whomthey are fulfilled

III. They constitute the fundamentalcomponents of a tale

IV. They constitute the fundamentalconcepts of a tale

(A) I and II are correct

(B) II and III are correct

(C) I and III are correct

(D) II and IV are correct

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Paper III 10 K-2115

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27. U����F���Y���1����U>��EY����"�)��� ����� 4�!������K

I. ����F����>�����7�F]�(��>B�7��J&���(7��F����"����?�� �

II. >��E�1���"��a�1�C���1�1�C����"����?�� �

III. >��E�>���� �7�F]�(�� ��1���� �J&���(7��F����"����?�� �

IV. ����F����1���"��a�1�C���1�1�C����"����?�� �

(A) I ��1����II ��$ (B) I ��1����III ��$

(C) II ��1����IV ��$ (D) III ��1����IV ��$

28. >���1�F��7 ��o&(������ �������4� 5��������

I. >87N��

II. >x�N=�

III. �7���(�4����

IV. P7c�����1����(M3� N4����

(A) I, II, III ��$

(B) II, III ��1����IV ��$

(C) III, IV ��1����I ��$

(D) IV, I ��1����II ��$

29. 4��H�(���m� ���G170���7��N���#� ��

I. b���W-.�N��4�7����i���&��

II. ���� ������P7c�����i���&��

III. �� �H���� �� ������ � ��1�� �� P7c�����������+��4�74��&��

IV. P7c�������F)�j�����'3"�G��y-���&� �

(A) I, II ��1����III ��$

(B) II, III ��1����IV ��$

(C) III, IV ��1����I ��$

(D) IV, I ��1����II ��$

30. �7 �� '�7#�(�� � � ��o&� ��1�� �� P7���������E�7 1���74� ��(7��m

I. ���� ���74�1��P7c�����1����(M3� N4����

II. >���1�F����� ���

III. 4��O���74�������� ���

IV. A�������1�����E:����P7c����������4����

(A) I, II ��1����III ��$

(B) II, III ��1����IV ��$

(C) III, IV ��1����I ��$

(D) IV, I ��1����II ��$

31. ��)7(7�N�/ !�����(�B����������j

I. ��� 1����!���74��1���

II. ����7m���G���G1�0��"

III. (7�N�87;�����(��O�4� 5�

IV. d(�_�np�����-3�;���������������7��

(A) I, II ��1����III ��$

(B) III ��1����IV ��$

(C) I, III ��1����IV ��$

(D) I ��1����II ��$

32. UU������f@�YY�/ !��������` d�����"�(������E�������(��&�44�(���@17���Z

I. (������ II. D(��,

III. �7#� IV. ����

(A) I ��$9 II,�III, IV 1����0

(B) II ��$9 III9�IV, I 1����0

(C) IV ��$9�I, II, III 1����0

(D) III ��$9�I,�IV, II 1����0

Page 11: III Test Booklet Serial No. : FOLK LITERATURE OMR Sheet No. : …kset.uni-mysore.ac.in/question_papers_2015/Question Paper... · 2015-12-22 · 1. Write your roll number in the space

K-2115 11 Paper III

������ Total Number of Pages : 32

27. Jung used Persona and Anima to denote

I. Persona to denote his public orprofessional roles

II. Anima to denote his feminine principle

III. Anima to denote his public orprofessional roles

IV. Persona to denote his feminineprinciple

(A) I and II are correct

(B) I and III are correct

(C) II and IV are correct

(D) III and IV are correct

28. The Intangible cultural heritage includes

I. Practices

II. Expressions

III. Monuments

IV. Knowledge and skills

(A) I, II and III are true

(B) II, III and IV are true

(C) III, IV and I are true

(D) IV, I and II are true

29. Due to Globalisation of productionsystems

I. Bio-diversity is declining rapidly

II. Traditional knowledge systemsdeclining

III. Misappropriation of local resourcesand knowledge is taking place

IV. Management of knowledge does notarise

(A) I, II and III are true

(B) II, III and IV are true

(C) III, IV and I are true

(D) IV, I and II are true

30. Traditional culture and Folklore is

equivalent to

I. Traditional knowledge and skills

II. Intangible heritage

III. Tangible cultural heritage

IV. Forms of knowledge being and doing

(A) I, II and III are true

(B) II, III and IV are true

(C) III, IV and I are true

(D) IV, I and II are true

31. Epic is a narrative

I. Constantly change

II. By-product of Myth

III. Conched in poetic language

IV. Subject to special rules of texture

(A) I, II and III are correct

(B) III and IV are correct

(C) I, III and IV are correct

(D) I and II are correct

32. ‘Lola Lotte’ is a wooden bell tied to the

neck of

I. Horse

II. Cat

III. Dog

IV. Cattle

(A) I is correct, II, III, IV are false

(B) II is correct, III, IV, I are false

(C) IV is correct, I, II, III are false

(D) III is correct, I, IV, II are false

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Paper III 12 K-2115

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33. U(��z�r�1���7Y�����"�R�4����(����!)�����

I. )�����i��74�i

II. 17������K�

III. ��7�����1����]7D�

IV. ��:��� ��7��

(A) I ��1����II ��$

(B) I ��1���� IV ��$

(C) I ��1����III ��$

(D) III ��1����IV ��$

34. U! �'Y�/ !����

I. ��$���4�54

II. D�#������4�54

III. /jw���4�54

IV. )7����4�54

(A) I ��$9 II,�III, IV 1����0

(B) II ��$9 I9�IV, III 1����0

(C) III ��$9 I, II, IV 1����0

(D) IV ��$9�I,�II, III 1����0

35. (��d7�P7������� !�����A�����G170���

I. �7R1�N

II. 7I]N

III. A&)7��

IV. �7]=���

(A) I, II,�IV ��$

(B) I9�III, IV ��$

(C) II, III9 IV ��$

(D) I,�II, III ��$

36. U!���7���Y����E���(��7���'(7��4������"�4�����&�%

I. �7��$�874��1�

II. (����7 �����

III. O�-1�����7�(�

IV. 1 (��&��@

(A) I, III, IV ��$9 II 1����0

(B) I���1��� III ��$9�II, IV 1����0

(C) II, III ��$9 I ��1��� IV 1����0

(D) IV ��1����III ��$9�I ��1�����II 1����0

37. �7�I���1���� ��)7(7�N4������"� ����� ����

����\�������$ �����$I&���:�������

I. �����-���(�'�E���4�1�����"�>$�� �

II. ���� ��F)�j� ��1���� ���;�,��7���*)7��

��:�� �

III. (���� !�����b�������F)�j���(�'������"

>$�� �

IV. ������7��� ����7(�;��@�{3�C��F���:�� �

(A) I ��1����II ��$

(B) II ��1�����III ��$

(C) III ��1���� IV ��$

(D) IV ��1����I ��$

Page 13: III Test Booklet Serial No. : FOLK LITERATURE OMR Sheet No. : …kset.uni-mysore.ac.in/question_papers_2015/Question Paper... · 2015-12-22 · 1. Write your roll number in the space

K-2115 13 Paper III

������ Total Number of Pages : 32

33. ‘Kalgi-Tura’ is also called as

I. Haradesi Nageshi

II. Taalamaddale

III. Saval and Javab

IV. Paduvala Paya

(A) I and II are correct

(B) I and IV are correct

(C) I and III are correct

(D) III and IV are correct

34. ‘Bangri’ is a

I. Water pot

II. Baking pot

III. Oil pot

IV. Milk pot

(A) I is correct, II, III, IV are false

(B) II is correct, I, IV, III are false

(C) III is correct, I, II, IV are false

(D) IV is correct, I, II, III are false

35. ‘FAKELORE’ can be a production of

I. Literary

II. Commercial

III. Historical

IV. Political

(A) I, II, IV are correct

(B) I, III, IV are correct

(C) II, III, IV are correct

(D) I, II, III are correct

36. Identify the similar Art forms of ‘Bayalata’.

I. Dasari Bhagavatam

II. Karapala Mela

III. Cavittu natakam

IV. Tenkutittu

(A) I, III, IV are correct, II is false

(B) I and III are correct and II, IV are

false

(C) II, III are correct, I, IV are false

(D) IV and III are correct and I and II are

false

37. The purpose of narrating Ballad and

Epics again and again is a training on

I. Chronological order of a theme

II. House keeping and on concept of

sumptuous food

III. Maintenance of order of life in a

family

IV. Fetching enormous wealth by the

community

(A) I and II are true

(B) II and III are true

(C) III and IV are true

(D) IV and I are true

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Paper III 14 K-2115

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38. )�����(7' &���3��C�E�����K

I. �W1 �� �� �� " � ��� � ���74�1 �� ( � J|#� �������-f@��K$ ��

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Page 15: III Test Booklet Serial No. : FOLK LITERATURE OMR Sheet No. : …kset.uni-mysore.ac.in/question_papers_2015/Question Paper... · 2015-12-22 · 1. Write your roll number in the space

K-2115 15 Paper III

������ Total Number of Pages : 32

38. The ‘Green Revolution’ was successful

I. To keep away the farmers from theirTraditional farming

II. The farmer was thrown out from“self sufficiency to total dependency”on outsiders

III. Giving patent right to farmers onseeds and technology

IV. In keeping ecological balance

(A) I and II are true

(B) II and III are true

(C) III and IV are true

(D) I and IV are true

39. Dissemination of Archival material isimportant for

I. Enriching Indigenous knowledge

II. Educating the wider community

III. Promoting research

IV. Maintaining the rights to performRituals

(A) I, II, III are true

(B) II, III, IV are true

(C) III, IV, I are true

(D) IV, I, II are true

40. The Folklore

I. Rich Heritage of a ‘Group’.

II. As a data scattered in various Genres.

III. Explain the Universal culture.

IV. Explain the ‘system’ that is beingfollowed in every aspect of life of aGroup.

(A) I, II, III are true

(B) II, III, IV are true

(C) III, IV, I are true

(D) IV, I and II are true

41. Assertion (A) : Verbal culture is the

study of words.

Reason (R) : Folklore began with

the study of words or

what is also called

oral literature.

(A) Both (A) and (R) are correct

(B) Both (A) and (R) are false

(C) Only (A) is correct (R) is false

(D) (A) is false and R is correct

42. Assertion (A) : We can study cultural

evolution through

‘survivals’.

Reason (R) : Folk craft is the

primitive stage of

development.

(A) (A) is true (R) is correct

(B) (A) is true (R) is wrong

(C) (A) is false (R) is correct

(D) (A) is false (R) is wrong

43. Assertion (A) : Folk costume expresses

identity in a symbolic

way.

Reason (R) : Folk costume is

practically down played.

(A) (A) is false (R) is correct

(B) (A) is false (R) is wrong

(C) (A) is true (R) is wrong

(D) (A) is true (R) is correct

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Paper III 16 K-2115

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44. ��"��2�����(A) H������7�1 �F�� / !����P7���������1� 1�'47$(%

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Page 17: III Test Booklet Serial No. : FOLK LITERATURE OMR Sheet No. : …kset.uni-mysore.ac.in/question_papers_2015/Question Paper... · 2015-12-22 · 1. Write your roll number in the space

K-2115 17 Paper III

������ Total Number of Pages : 32

44. Assertion (A) : Repetition is thestrategy of Folklore.

Reason (R) : In order to keep it inmemory, oral traditionsuccumbs to the act ofrepetition.

(A) (A) is false (R) is wrong

(B) (A) is false (R) is correct

(C) (A) is true (R) is correct but improperexplanation

(D) (A) is true, R is correct

45. Assertion (A) : Since there are noauthors, Folklorematerials cannot beguard under copy rightlaw.

Reasoning (R) : Folklore is the productof the society.

(A) (A) is true (R) is correct

(B) (A) is true (R) is wrong

(C) (A) is false (R) is correct

(D) (A) is false, (R) is wrong

46. Assertion (A) : Folk history hascarried for amount ofpolitical baggage.

Reasoning (R) : It is highly manipulatedby agencies withpolitical agenda.

(A) (A) is true (R) is correct

(B) (A) is false (R) is correct

(C) (A) is true (R) is false

(D) (A) is false (R) is false

47. Assertion (A) : Lamenting is regularlypracticed duringwedding ceremonies.

Reason (R) : Laments originatedas a form of ritualpoetic keeping thatcomments on socialrelations.

(A) (A) is false and (R) is wrong(B) (A) is false and (R) is correct(C) (A) is true and (R) is correct

(D) (A) is true and (R) is wrong

48. Assertion (A) : Genetic explanationsare sufficient to definethe nature of Folklore.

Reasoning (R) : That was nineteenthcentury interpretationof Folklore. Theiremphasis has clearlybeen upon the genesisrather than upon thestructure.

(A) (A) is false but (R) is correct(B) (A) is false but (R) is wrong(C) (A) is true and (R) is correct(D) (A) is true and (R) is wrong

49. Assertion (A) : Propp’s study wassynchronic.

Reason (R) : Propp describes thefairy tale according toits component parts andto indicate therelationship of thesecomponents to eachother and to the whole.

(A) (A) is false but (R) is correct(B) (A) is true but (R) is wrong(C) (A) is true but (R) is correct(D) (A) is false but (R) is wrong

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Paper III 18 K-2115

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50. ( 6�1 � '� (7�� N����� ��:����� ='+������ "(�'�E���4�1�7��-�$�$%

I. D�(7���G��(���m4��� �4����l74�������

II. ��1������"����F�(���m��E:�������

III. �� ��3�F������"���:��������

IV. �ER&�7�������"�4�����&��������(A) I II III IV

(B) I IV III II(C) IV II III I

(D) II I IV III

51. (7 (�'�E���4�1�7��P7������� (6�1�'(,� (�:��4��5���-�7C �������"�)��$�%

I. >Dv�:��D7#���

II. k%/%�-�(���W

III. >O�F(���� 4��7C-�

IV. ^+��:7���D��[�(A) I IV III II(B) II III IV I

(C) I II IV III(D) IV I III II

52. ������(�4������"�>�����'(��4� :��(�'�������)��$�%

I. (��7�H�P7�������r�kH���

II. )W�7'D7��� (��7F�(���� 1�1�C����4����� r!����7]���!����

III. (��7F�(����P7�������(�B4�����r��74M

IV. G1��� �� ( ��7F�(�� !���7�4����� r!����7]���� 3f@

(A) IV III II I

(B) III IV I II(C) I II III IV

(D) II III IV I

53. �E�� �� '��3������ � �E�� ( ��7� �� '(7��������1����/ !������"�(�'��7��4�����&�$����(�647��9�(�H(9�> f4�� f49�(� �7H

I. �W������

II. (���7��

III. .���F�����

IV. &�B�F)�Hs(A) III II IV I(B) I II III IV

(C) II III IV I(D) IV II III I

54. O���F7��N9�1� &7��N9�47H�7��N���1����(�������$(���4������"�(�'��7��P��5��!�#�$%

I. :����s

II. OM5(

III. ���g�-�j

IV. (���7�(A) II, III, I, IV

(B) I, III, II, IV(C) I, IV, III, II

(D) I, II, III, IV

55. �� ��1��7��N4������"�(������(�'��������E��(��7��'(7��4�������!��(�E4��1���/ !������"�(�'��7�!�#�$���OM5(9�:������4�9�(� �7�9�O� :

I. ��(�647��

II. P����(��I1�

III. 4��������(��I1�

IV. ��)���3�C�����)7(7�N���'��3�F��(A) I, IV, II, III

(B) II, IV, III, I(C) II, III, IV, I

(D) I, II, III, IV

Page 19: III Test Booklet Serial No. : FOLK LITERATURE OMR Sheet No. : …kset.uni-mysore.ac.in/question_papers_2015/Question Paper... · 2015-12-22 · 1. Write your roll number in the space

K-2115 19 Paper III

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50. Correct sequence of the works to be donein field work.

I. Equipping with requiredequipments

II. Classification of data

III. Conducting interviews

IV. Identifying the informant

(A) I II III IV(B) I IV III II

(C) IV II III I

(D) II I IV III

51. Name the scholar who contributed to thefield of Folklore in chronological order.

I. Abbe DuboisII. B.A. Viveka Rai

III. Archak RangaswamyIV. Theoder Benfey

(A) I IV III II(B) II III IV I

(C) I II IV III

(D) IV I III II

52. Sequence the books in the order of theirpublication years.

I. Karavali Janapada by BilimaleII. Hyderabad Karnataka

Tatwapadagalu by BasavarajaSabarada

III. Karnataka Janapada Kathegalu byRagau

IV. Uttara Karnataka Bayalatagalu byBasavaraja Malashetty

(A) IV III II I(B) III IV I II

(C) I II III IV

(D) II III IV I

53. Identify and write in order, the place/

region in which their art forms locate :Yakshagana, Kelike, Antigepantige,Kamsaale

I. Mysore

II. Kolar

III. Dharmasthala

IV. Thirthahalli

(A) III II IV I

(B) I II III IV(C) II III IV I

(D) IV II III I

54. Arrange in the order of Percussion, string,wind and wooden stick musicalinstruments.

I. Dollu

II. Chowdike

III. Mukhaveene

IV. Kolata

(A) II, III, I, IV

(B) I, III, II, IV(C) I, IV, III, II

(D) I, II, III, IV

55. Arrange in the order of MusicalInstruments Chowdike, Damaruga,Kamsaale, Chande in the performances.

I. Yakshagana

II. Jogi Kathe

III. Goravara dance

IV. Maadeshwara Epic performance

(A) I, IV, II, III

(B) II, IV, III, I(C) II, III, IV, I

(D) I, II, III, IV

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Paper III 20 K-2115

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56. .7-�F(�� (� ��'4������"� (�'��7��)����������

P�14����14������"�)� ���!�#�$%������&�9

O� ��'4��&�9�/ %/ %�D�@�9��:��$

I. �E��3�C��

II. 8W����0

III. / ����

IV. ��m�(7 D�/ ����

(A) I III II IV

(B) III IV I II

(C) III II I IV

(D) IV II I III

57. >�����J&�4������"�4�����&��!�#�$%

!54�9� ��3���7 (�9� ���f@� )j�����9� (�����

���&F��-�F����%

I. ���7��

II. i�0

III. 4� �

IV. !54�

(A) IV III I II

(B) I II III IV

(C) IV III II I

(D) I II IV III

58. ��f@�����Y I ���"���f@��Y�II �� �4�)� ���!�#�$%

��������IJ��Y I ��IJ�� Y�II

a) �E������ 4�')7 �� I. O�"nW

b) �7�����}i�Ef(�����Wf II. 8���7��

*X��A 5�E

c) �� ��1���7�(��>(7:-� III. (�� ,17�

d) ��=6m�?17' IV. ���Nr���

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a b c d

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(B) II III IV I

(C) II IV III I

(D) IV III II I

59. ��f@��Y I ���"���f@��Y II �� �4�)� ���!�#�$%

��IJ��Y I ��IJ��Y II

a) ����7�@ I. (��7F�(�

b) ��:��E� II. * .�'���'��3�

c) 4� 47�P71�' III. (�����

d) �W�7��� 4����P71' IV. 1�-�����7:��

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(B) III II I IV

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(D) III I II IV

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K-2115 21 Paper III

������ Total Number of Pages : 32

56. Write in the order of religious centres

Savadatti, Chandragutti, M.M. Hills,

Medleri to which the deities belonged to

I. Maadeshwara

II. Birappa

III. Yellamma

IV. Renukamba Ellamma.

(A) I III II IV

(B) III IV I II

(C) III II I IV

(D) IV II I III

57. Write in order of their occupation.

Carpentary, Pastoral, Basket making,

Stone sculpture

I. Medar

II. Shilpi

III. Golla

IV. Badiga

(A) IV III I II

(B) I II III IV

(C) IV III II I

(D) I II IV III

58. Match the following List - I with List - II .

List - I List - II

a) Ma_nava sangraha

_laya I. Chennai

b) Royal Asiatic Society of India II. Bhopal

c) Sangeeta Nataka Akademi III. Kolkatta

d) Dakshina Chitra IV. New-Delhi

Code :

a b c d

(A) III I II IV

(B) II III IV I

(C) II IV III I

(D) IV III II I

59. Match the following List - I with List - II.

List - I List - II

a) Devara_ttam I. Karnataka

b) Padayani II. Andhra Pradesh

c) Ganga jatra III. Kerala

d) Mailaralingana jatre IV. Tamil Nadu

Code :

a b c d

(A) IV III II I

(B) III II I IV

(C) IV II I III

(D) III I II IV

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Paper III 22 K-2115

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60. ��f@��– I ���"���f@��– II �� �4�)� ���!�#�$%

��IJ��– I ��IJ��– II

a) (%5%�G�7.�N I. * .�'��'��3�

b) ��� ��'���17N^F II. 1�-�����7:��

c) �:�����$�4� 47.��� III. G1�������'��3�

d) 7m�E���W IV. �� P7D�

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a b c d

(A) IV I II III

(B) I II III IV

(C) III IV I II

(D) II III IV I

61. ��f@��– I ���"���f@��– II ���P�14�)� ���!�#�$%

��IJ��– I ��IJ��– II

a) �����7f�O�$1� I. (��7F�(�

b) �:�(�,����7��4���� II. 1�-�����7:��

c) ��=,4�����(�BW III. (�����

d) \$�E���@m����7�I IV. * .�'��'��3�

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(A) IV III II I

(B) I II III IV

(C) III II I IV

(D) IV II III I

62. (��������f@��– I ���"���f@��– II ���P�14�)� ��!�#�$%

��IJ��– I ��IJ��– II

a) 1��E37 I. ��.�N��'��3�

b) X7:� II. ��@�D 47��

c) �7 :�7� III. ��)7�7;�h

d) ����?17' IV. �7]�7���

��:O� H

a b c d

(A) I II III IV

(B) IV III II I

(C) II III IV I

(D) III IV I II

63. ��f@��– I ���"���f@��– II ���P�14�)� ���!�#�$%

���IJ��– I ��IJ��– II

a) (���":��]�������(�B4���� I. )O�%/��%��74�4M:�

b) ������P7�������(�B4���� II. b %�3� %�������i���N

c) P7�������(�B4���� III. /��%*��%�)4�:

d) (��7F�(��P7�������(�B4���� IV. (%� (���7��O7��F

��:O� H

a b c d

(A) III II I IV

(B) II III IV I

(C) I II III IV

(D) IV III II I

Page 23: III Test Booklet Serial No. : FOLK LITERATURE OMR Sheet No. : …kset.uni-mysore.ac.in/question_papers_2015/Question Paper... · 2015-12-22 · 1. Write your roll number in the space

K-2115 23 Paper III

������ Total Number of Pages : 32

60. Match the following List – I with List – II.

List-I List-II

a) K.D. Upadhya I. Andhra

Pradesh

b) Devendra Satyarthi II. Tamilnadu

c) Ne_dunuri Ganghadharam III. Uttarpradesh

d) Va_nama

_malai IV. Punjab

Code :

a b c d

(A) IV I II III

(B) I II III IV

(C) III IV I II

(D) II III IV I

61. Match the following List – I with List – II

List-I List-II

a) Palna_ti charitam I. Karnataka

b) Vadakkar Pattugal II. Tamil Nadu

c) Sakkigamman Katai III. Kerala

d) Piriya_pat.t.anada La

_vani IV. Andhrapradesh

Code :

a b c d

(A) IV III II I

(B) I II III IV

(C) III II I IV

(D) IV II III I

62. Match the following List – I with List – II.

List-I List-II

a) Tamasha I. Madhya Pradesh

b) Phad II. West Bengal

c) Pa_nd.ava

_ni III. Maharashtra

d) Pat.achitra IV. Rajasthan

Code :

a b c d

(A) I II III IV

(B) IV III II I

(C) II III IV I

(D) III IV I II

63. Match the following List – I with List – II

List-I List-II

a) Kannada Janapada I. H.L. Na_ge Gowda

Kategal.u

b) Namma Ja_napada II. J.S. Paramasivaiah

Kategal.u

c) Janapada Kategalu III L.R. Hegde

d) Karnataka Ja_napada IV. K. Venkataraya Charya

Kategal.u

Code :

a b c d

(A) III II I IV

(B) II III IV I

(C) I II III IV

(D) IV III II I

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Paper III 24 K-2115

������ Total Number of Pages : 32

64. ��f@��– I ���"���f@��– II ���P�14�)� ���!�#�$%

��IJ��– I ��IJ��– II

a) 1M �(������l& I. �M$�)7 (�

b) 87;���1����3�=� II. �7' ���L��D����

c) ������0����CnW���.�N4���� III. :$:����1�������(����@

d) �E���(����S�N IV. �-�7h��

��:O� H

a b c d

(A) I II III IV

(B) II III IV I

(C) III II I IV

(D) IV III II I

65. ��f@��– I ���"���f@��– II ���P�14�)� ���!�#�$%

��IJ��– I ��IJ��– II

a) (��� �/H1��� I. (��7F�(�

b) ���:� ��7�� II. * .�'���'��3�

c) ��� �(�B7 III. 1�-�����7:��

d) ]���(���@ IV. (�����

��:O� H

a b c d

(A) I III IV II

(B) II III I IV

(C) IV I II III

(D) II III IV I

66. (��������f@��– I ���"���f@��– II ���P�14�)����

!�#�$%

��IJ��– I ��IJ��– II

a) ]�������b������E���37��a�� I. $O�:�F�/ %

> 3�����"����'&�q���1��� :7��F��

b) 4�1����-3��;�j���1��� II. 7:�F4��:�

��� ����+��]�4�H4 /��X�

{&)7�(����J|@(�����>4�1�N

c) /1�"��,���_�O� ��i� III. /%P%��'�L�_

]�������"���'&�q���1���

d) �� ��o&��7'?����������H(���IV. /%�>�70����W

-P7c�����)�1����- 4�:��7

-.�����"����?���1���

��:O� H

a b c d

(A) I II III IV

(B) II III IV I

(C) II I IV III

(D) III IV II I

Page 25: III Test Booklet Serial No. : FOLK LITERATURE OMR Sheet No. : …kset.uni-mysore.ac.in/question_papers_2015/Question Paper... · 2015-12-22 · 1. Write your roll number in the space

K-2115 25 Paper III

������ Total Number of Pages : 32

64. Match the following List - I with List - II.

List – I List – II

a) Comparative method I. Lauri Honko

b) Language and Power II. Franz Boas

c) Bionary oppositions III. Derrida and Facault

d) Mental text IV. Levis Strauss

Code.

a b c d

(A) I II III IV

(B) II III IV I

(C) III II I IV

(D) IV III II I

65. Match the following List - I with List - II

List-I List-II

a) Kalam Elittu I. Karnataka

b) Mudala Pa_ya II. Andhra Pradesh

c) Patam Katha III. Tamil Nadu

d) Jalli Kattu IV. Kerala

Code :

a b c d

(A) I III IV II

(B) II III I IV

(C) IV I II III

(D) II III IV I

66. Match the following List - I with List - II.

List – I List – II

a) Folk life represents I. Richard M. Dorson

the aspect of cultural

Anthropology

b) Historical perspective II. Wardgood Enough

is essential in an analysis

of past and in planning

in future

c) Ethnoscapes refers III. A.J. Grims

to moving people

d) An archaeology of IV. A. Appadurai

culture with ten

methods of

segmentation

Code :

a b c d

(A) I II III IV

(B) II III IV I

(C) II I IV III

(D) III IV II I

Page 26: III Test Booklet Serial No. : FOLK LITERATURE OMR Sheet No. : …kset.uni-mysore.ac.in/question_papers_2015/Question Paper... · 2015-12-22 · 1. Write your roll number in the space

Paper III 26 K-2115

������ Total Number of Pages : 32

67. (������ 4�' B�4������"� � >��4���� (�1�JF4��� �4

)� ���!�#�$%

��IJ��– I Z��� 2������[ ��IJ��– II (��#�S������[

a) )��f@���)�Hs I. k%/%�-�(���W

b) �$]����754�����m II. >O�F(��k%��� 4��7C-�

c) P7���������C����� III. R�%�?%�D����� 4���N

d) >��C#�(��P7������ IV. )7%�E%��7��(���:O� H

a b c d

(A) II III I IV

(B) IV II III I

(C) II III IV I

(D) I II III IV

68. (��������f@��– I ���"���f@��– II ���P�14�)� ��!�#�$%

��IJ��– I ��IJ��– II

a) (7:7N�7� I. ����7:�����'��3�

b) i'�(�J;�w��7$P71� II. �W���������'��3�

c) (� �7� III. !�� ��������'��3�

d) > f4��� f4 IV. (��7�H�(��7F�(�����'��3�

��:O� H

a b c d

(A) I II III IV

(B) IV III II I

(C) II IV III I

(D) III II I IV

69. (��������f@��– I ���"���f@��– II �� �4�)� ��

!�#�$%

��IJ��– I ��IJ��– II

("���������/����,7������[���������ZU����&��"�S &������[

a) �7:�K�� I. D'���7$����_

b) P7���������)7(7�N II. 8��17�(���@

c) �7�I4���� III. {&)7�(���N=�4����

d) {&)�N4���� IV. �7 ��o&(��R����4������"

7Nu7N����1��

��:O� H

a b c d

(A) II IV I III(B) I III IV II

(C) III IV II I

(D) IV III II I

\���]� "������^(�����4���������������G#��.��H

)M����>B�7�> �V��P7����������7�F]�(�

(7��F(� '��4�H4� 3��.��� ��1�� �� �� :��

)����7��� �W�7l &(����J|@(��������"�P7��������

-��C&�4� ��5���������A ����b�� 1��O�OF4

(7��m7��%�� ����-O7�� ����b��]������

Page 27: III Test Booklet Serial No. : FOLK LITERATURE OMR Sheet No. : …kset.uni-mysore.ac.in/question_papers_2015/Question Paper... · 2015-12-22 · 1. Write your roll number in the space

K-2115 27 Paper III

������ Total Number of Pages : 32

67. Match the following Books with their

Authors.

List – I List – II

(Books) (Authors)

a) Hut.t.ida Halli I. B.A. Vivek Rai

b) Girijana Na_dige Payan.a II. Archak B. Rangaswamy

c) Ja_napada Swaru

_pa III. H.C. Boralingaiah

d) Anvayika Janapada IV. H.M. Nayak

Code :

a b c d

(A) II III I IV

(B) IV II III I(C) II III IV I

(D) I II III IV

68. Match the following List – I with List – II

List-I List-II

a) Ka_d.ya

_na

_t.a I. Malena

_d.u Region

b) SriKrishna Parija_ta II. Mysore Region

c) Kamsa_l.e III. Bayalu Si

_

me Region

d) An.tige Pantige IV. Coastal KarnatakaRegion

Code.

a b c d

(A) I II III IV

(B) IV III II I(C) II IV III I

(D) III II I IV

69. Match the following List - I with List - II

List – I List – II

(Generes) (Folk cults)

a) Paddana I. Brave Warriors

b) Folk epics II. Bhuta Cult

c) Ballads III. Historical persons

d) Legends IV. Defined cultural heroes

Code :

a b c d

(A) II IV I III(B) I III IV II

(C) III IV II I(D) IV III II I

Read the passage below and answer

the questions.

Whether or not the researching and

presentation of folklore for public

programming has contributed new

theoretical perspectives in folklore

scholarship is a topic of lively debate.

Page 28: III Test Booklet Serial No. : FOLK LITERATURE OMR Sheet No. : …kset.uni-mysore.ac.in/question_papers_2015/Question Paper... · 2015-12-22 · 1. Write your roll number in the space

Paper III 28 K-2115

������ Total Number of Pages : 32

G1�_�4�H49���'��3�F��4�H4��7(�6nN?1�'���-�5+��

��1�� �� O� ��?1� '4 �� �� ��EFm4�H4� ��1�� �

b��P7��������� 3 W( � 6I(�� (7��F(� '��4�H4

!�����74�� i(�6m��� ��7l 1�4����>x�J�l���1����W�7l &(����)���� (�:��44���� ��� (�� i������"

�W�7l &�(���m4�H������7��%��D��r>����

1998: 267)%� A��" ���� ��J|@(���� ���

P7������1�]c������+��]�4�������( ����E:���

( 6�1 � '(7�� N( �1 �F���9� �� +��](����� ��1�� �

*:�H1�47��������� 1���7��)����-.7��4������"

>x�J�l��5���&��7K� 9� ��1�� �� �

)�����'+��4� !�����)����87��4������"���1���

P7��������7���'�����"��W�7l &�(���m4�H���1���

�P����_�1994;13),��7�E��N7���E1��7:�����1����*474N�� �71��(�7�����(���O�OF�E4���

3 W( � 6I(�� ��7l 1�4�H4��� ��1�� �� �7�F]�(�

*O���j4�H4���.N�/�1��A���(��$���1997:135)

/ !���:�<� �����N� /����7��%�G�7)���j4

�7�F]�(��� �����P7���������*O���j�A ��

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>x�J�l��5���� 1�)�� �7�F]�(�� P7������

-P7c�4����>4�1�N-�%��7�F]�(��(7��F4������"

(��$1��( ���G�7)���j4������"����)�������7���9

P7������1�]c���� 3W(�6I(��� �����)��4�� � 1��

( ��� �E:�������� -���1�7��� (7��F(�'��

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���@���-��C1���VmF���g�����1����������(�4������"

b��P7���������G1�_�4������'����&����� ��8�F��

�E1��4������ � !�������� �9� ��1�� �� ( ���

>x�7'��4������"�>5f��0I4�������(�:����������

(7�V�F��d�� � ����� b��P7��������

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P7������1 �]c���� �7�F]�(�� b��P7������

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�D��r>����� 1998 – 267) � / ���

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(7��F��'='+�� / ���� ��$4�I�

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Page 29: III Test Booklet Serial No. : FOLK LITERATURE OMR Sheet No. : …kset.uni-mysore.ac.in/question_papers_2015/Question Paper... · 2015-12-22 · 1. Write your roll number in the space

K-2115 29 Paper III

������ Total Number of Pages : 32

One position is that those engaged in the

staging of folklife festivals, curating of

exhibits, production of documentary

videos and films, and coordination of

folklife in education programs are using

academic theories developed by theorists

rather than making new contributions to

ways of theorizing the discipline (Ben-

Amos 1998:267). Another perspective is

that folklorists working in these projects

as fieldworkers, coordinators, and

administrators are constantly developing

new ways to doing the work of folklorists,

and that these new approaches entail new

ways of conceptualizing and theorizing

the materials of folklore (Jones 1994: 13).

Within the generally unspoken– and

occasionally vituperatively open-debate

on the tension between academic theory

and public practice (Kurin 1997 : 135), a

major problem emerges. Namely, public

sector folklorists seem to lack a clearly

stated theory that unifies public folklore

practice. Although articulating any one

theory for unifying practice is a challenge,

there is a need for public folklorists to

develop means for connecting their work

to wider issues within academic

discourse. As a few examples of public

programming illustrate, folklorists working

outside of academe are involved in a wide

array of programming practices. Their use

of theory is often as tacit as it is eclectic.

No good public folklorist would cite

scholarly articles and books verbatim

during folklife festival presentations, and

footnoting one’s comments about folklore

will fail to persuade corporate founders to

support folklife presentations. As a result,

some folklorists regard public folklife

programming as a non-theoretical

endeavor (Ben-Amos 1998:267)

Is this assertion accurate ? Rather than

facilely labeling public sector work “low

theory” or even “no theory,” consider what

it would mean to argue that public sector

folklore is non-theoretical or a “purely

applied” process of working.

Page 30: III Test Booklet Serial No. : FOLK LITERATURE OMR Sheet No. : …kset.uni-mysore.ac.in/question_papers_2015/Question Paper... · 2015-12-22 · 1. Write your roll number in the space

Paper III 30 K-2115

������ Total Number of Pages : 32

70. b�� 1��O�OF4�H4�(7��m7������-;���

(A) b��P7������

(B) P7�������1�]c

(C) �7�F]�(��(7��F(�'��4�H47��P7������

(D) �7�F]�(��*O���j

71. UU)���� ��'+��4� !�����)���87��4������"

��1�� �� P7��������� �7���'����� "

�W�7l &�(���m4�H���1���YY�/ ����)�H������

(A) D��r>����

(B) (��$��

(C) P����_

(D) �DFf�E

72. UU���(��� O�OF�E4���� 3W(�6I(�� ��7l 1�4�H4��

��1�����7�F]�(��*O���j4�H4���.N���:�<������N

/����7���YY�/ ����)�H������

(A) (��$��

(B) P����_

(C) (7�V�F��d�X� :���

(D) D��r>����

73. P7������� 1�]c���� �7�F]�(�� b��P7��������

(7��F(�'�����"������>17 &'(����'��1�"�/ ���

��$4�I���17��%

(A) P����_

(B) D��r>����

(C) 3W(�6I(����7l 1�

(D) �7�F]�(����7l 1�

74. �E�����G1�����P7������1�]c� �G�7)�$����

A��������

(A) ��j71��(���7�F]�(����7l 1�

(B) -�5+�����1����O� ��?1�'

(C) -��C1���VmF���g��4�������1�����������(�4����

(D) ='�Ei� �P7������

75. b��P7�������G1�_�4�������P7������1�]c���>��=61�

�71�'

(A) ��.�N�&F

(B) ��'O7��(�

(C) 7Nu7N���(7��

(D) �7������5��������

Page 31: III Test Booklet Serial No. : FOLK LITERATURE OMR Sheet No. : …kset.uni-mysore.ac.in/question_papers_2015/Question Paper... · 2015-12-22 · 1. Write your roll number in the space

K-2115 31 Paper III

������ Total Number of Pages : 32

70. Topic of lively debate is

(A) Folklife

(B) Folklorists

(C) Folklore for public programme

(D) Public practice

71. “New approaches entail new ways of

conceptualising and theorising the

materials of folklore” is stated by

(A) Ben-Amos

(B) Kurin

(C) Jones

(D) Verbatim

72. Open-debate on the tension between

academic theory and public practice, a

major problem emerges is stated by

(A) Kurin

(B) Jones

(C) Corporate Funder

(D) Ben-Amos

73. “Folklorist regard public folklife

programming as a non-theoretical

endeavour” –

(A) Jones

(B) Ben-Amos

(C) Academic theory

(D) Public theory

74. No good public folklorist wood cite

(A) Negative public theory

(B) Videos and films

(C) Scholarly articles and books

(D) Action Folklore

75. What is the desired role of Folklorists in

folklife festival ?

(A) Mediator

(B) Propagandist

(C) Interpreter

(D) Presenter

Page 32: III Test Booklet Serial No. : FOLK LITERATURE OMR Sheet No. : …kset.uni-mysore.ac.in/question_papers_2015/Question Paper... · 2015-12-22 · 1. Write your roll number in the space

Paper III 32 K-2115

������ Total Number of Pages : 32

K#����@7�E��,L4���_��Space for Rough Work