iea dsm task 24 storytelling methodology

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Dr Sea Rotmann Operating Agent Graz Task 24 Workshop, October 14, 2014 STORYTELLING The universal language IEA DSM TASK 24

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Page 1: IEA DSM Task 24 storytelling methodology

Subtasks of Task XXIVsocial media and

Task XXIV

Dr Sea Rotmann Operating Agent

Graz Task 24 Workshop, October 14, 2014

STORYTELLINGThe universal language

IEA DSM TASK 24

Page 2: IEA DSM Task 24 storytelling methodology

2

Subtask I - Helicopter OverviewPremise for Task XXIVStorytelling

Page 3: IEA DSM Task 24 storytelling methodology

2

Subtask I - Helicopter OverviewPremise for Task XXIVStorytelling

Narratives = social science tool aimed at providing way to explore how big events (policies) impact on small scale (individuals)

Page 4: IEA DSM Task 24 storytelling methodology

2

Subtask I - Helicopter OverviewPremise for Task XXIVStorytelling

Narratives = social science tool aimed at providing way to explore how big events (policies) impact on small scale (individuals)

Allow for quick, practical and useful understanding of complexity of interconnected factors in behaviour research

Page 5: IEA DSM Task 24 storytelling methodology

2

Subtask I - Helicopter OverviewPremise for Task XXIVStorytelling

Narratives = social science tool aimed at providing way to explore how big events (policies) impact on small scale (individuals)

Allow for quick, practical and useful understanding of complexity of interconnected factors in behaviour research

We all turn everything into a narrative in order to remember it

Page 6: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVA shared language for collaboration?

Stories are powerful because they transport us into other people’s worlds but, in doing that, they change the way our brains work and potentially change our brain chemistry — and that’s what it means to be a social creature. Paul Zak, Neuroeconomist

"The Interpreter" - is a left hemisphere function that organises our memories into plausible stories. Michael Gazzaniga, Cognitive Neuroscientist

Evolution has wired our brains for storytelling. A story, if broken down into the simplest form is a connection of cause and effect. We make up (short) stories in our heads for every action and conversation. Whenever we hear a story, we want to relate it to one of our existing experiences. Uri Hasson, psychologist

The ‘narrative turn’: Storytelling sociology views lived experience as constructed, at least in part, by the stories people tell about it. Berger & Quinney, sociologists

Page 7: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

Page 8: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)

Page 9: IEA DSM Task 24 storytelling methodology

5

Some special features of Task XXIV

Text

Premise for Task XXIVThe story of Task 24

Page 10: IEA DSM Task 24 storytelling methodology

5

Some special features of Task XXIV

Text

Premise for Task XXIVThe story of Task 24http://vimeo.com/54915316

Page 11: IEA DSM Task 24 storytelling methodology

Subtasks of Task XXIVInterdisciplinary silos

Page 12: IEA DSM Task 24 storytelling methodology

Subtasks of Task XXIVInterdisciplinary silos

Page 13: IEA DSM Task 24 storytelling methodology

Subtasks of Task XXIVEureka!

Page 14: IEA DSM Task 24 storytelling methodology

Subtasks of Task XXIVEureka!

Page 15: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

Page 16: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)

Page 17: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4

Page 18: IEA DSM Task 24 storytelling methodology

Subtasks of Task XXIVCountry storiesIEA DSM – Task XXIV

Belgian Story

Brussels, September 7, 2012

Swiss Energy Strategy and research projects

concerning behavior change

Dr. Aurelio Fetz, Market Regulation, Swiss Federal Office of Energy

Workshop IEA DSM Task 24, 15.10.2013

The New Zealand energy story

Sea Rotmann and Janet Stephenson

demand-side^

Norwegian Energy Story

Page 19: IEA DSM Task 24 storytelling methodology

Subtasks of Task XXIVCountry storiesIEA DSM – Task XXIV

Belgian Story

Brussels, September 7, 2012

Swiss Energy Strategy and research projects

concerning behavior change

Dr. Aurelio Fetz, Market Regulation, Swiss Federal Office of Energy

Workshop IEA DSM Task 24, 15.10.2013

The New Zealand energy story

Sea Rotmann and Janet Stephenson

demand-side^

Norwegian Energy Story- a true frontier story of DSM roll-out in South Africa !

BarryBredenkamp , ( SANEDI) and Dr Mathilda du Preez, (University of Pretoria)

The Good, the Bad and the Ugly

17 March 2014

Page 20: IEA DSM Task 24 storytelling methodology

Subtasks of Task XXIVCountry storiesIEA DSM – Task XXIV

Belgian Story

Brussels, September 7, 2012

Swiss Energy Strategy and research projects

concerning behavior change

Dr. Aurelio Fetz, Market Regulation, Swiss Federal Office of Energy

Workshop IEA DSM Task 24, 15.10.2013

The New Zealand energy story

Sea Rotmann and Janet Stephenson

demand-side^

Norwegian Energy Story- a true frontier story of DSM roll-out in South Africa !

BarryBredenkamp , ( SANEDI) and Dr Mathilda du Preez, (University of Pretoria)

The Good, the Bad and the Ugly

17 March 2014

Once upon a time... in the ancient kingdom of Sweden, the oil shock reverberated through the halls of power.

Every day... policymakers from all colours came together and created policies to reduce energy use in industry, buildings and transport to become less dependent on fossil fuel imports.

But, one day... the clever Swedes came up with a solution to replace fossil electricity with nuclear and thus encouraged their people to use more electricity, especially for heating. This also made it very cheap and thus invisible. People forgot about the oil crisis.

Because of that... Electricity production almost doubled! The economy flourished, people bought a lot of energy using stuff and the ICT sector flourished. The Government even encouraged people to buy computers by removing the sales tax.

However, not all Swedes were this wasteful. Some inventors formed energy associations that continued to work on clever solutions to reduce energy use.

But then... was a reform of the electricity market which ended up making the bills go up.

On top of that, came the Stern report and Al Gore winning the Nobel Peace Price, not to mention the Power Aware Cord!

Because of that... The Swedish Government realised that the focus needed to turn to reducing energy use and CO2. It introduced a carbon tax and certificates on renewable energy to subsidise converting from fossil fuels to renewables. This included really innovative heatpumps and Central District Heating, as well as waste to energy converters.

So, finally... The Swedes reduced their CO2 emissions hugely and have a goal to be free of fossil fuel imports.

And, ever since then... The Swedes are world leaders and act as the moral conscience despite still having really comfortable lifestyles. The end.

Page 21: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

Page 22: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)

Page 23: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5) • Country stories to get overview of country-specific contexts for Subtask 4

Page 24: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5) • Country stories to get overview of country-specific contexts for Subtask 4• Sector stories to be able to workshop specific issues of specific sectors

Page 25: IEA DSM Task 24 storytelling methodology

Subtasks of Task XXIVenergy stories: sectoral

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!"#$%&'($%)*"$+%,-$./0"1(%,++"2$.%3$1$4"4%51$.(6%

Energy Behaviour Challenge 1

Changing household energy culturesA research perspective

Fuel efficient driving behaviour in the light vehicle fleet

15 February 2013 | Jörn Scherzer | Transport Partnerships

Page 26: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

Page 27: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)

Page 28: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4

Page 29: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4• Sector stories to be able to workshop specific issues of specific sectors

Page 30: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4• Sector stories to be able to workshop specific issues of specific sectors• Types of stories based on Janda and Moezzi’s definition: hero, learning, love, horror, ninja stories

Page 31: IEA DSM Task 24 storytelling methodology

13

Different stories*

*See Janda & Topouzi (2013). Closing the Loop: Using Hero Stories and Learning Stories to Remake Energy Policy ECEEE Summer Study Proceedings.

Page 32: IEA DSM Task 24 storytelling methodology

13

Different stories*

*See Janda & Topouzi (2013). Closing the Loop: Using Hero Stories and Learning Stories to Remake Energy Policy ECEEE Summer Study Proceedings.

Page 33: IEA DSM Task 24 storytelling methodology

13

Different stories*

*See Janda & Topouzi (2013). Closing the Loop: Using Hero Stories and Learning Stories to Remake Energy Policy ECEEE Summer Study Proceedings.

Page 34: IEA DSM Task 24 storytelling methodology

13

Different stories*

*See Janda & Topouzi (2013). Closing the Loop: Using Hero Stories and Learning Stories to Remake Energy Policy ECEEE Summer Study Proceedings.

Page 35: IEA DSM Task 24 storytelling methodology

13

Different stories*

*See Janda & Topouzi (2013). Closing the Loop: Using Hero Stories and Learning Stories to Remake Energy Policy ECEEE Summer Study Proceedings.

Page 36: IEA DSM Task 24 storytelling methodology

13

Different stories*

*See Janda & Topouzi (2013). Closing the Loop: Using Hero Stories and Learning Stories to Remake Energy Policy ECEEE Summer Study Proceedings.

Page 37: IEA DSM Task 24 storytelling methodology

14

Subtask I - Helicopter OverviewPremise for Task XXIVTypes of stories: retrofitting

Page 38: IEA DSM Task 24 storytelling methodology

Once upon a time... there was a beautiful country called New Zealand,which had very cold, damp houses.

Every day...Kiwis shivered and froze, but they just told each other to stop being a sissy and put on another jumper.

But, one day...the new right-wing Government decided it needed to show it wasn’t uncaring and evil and created a programme called Warm Up New Zealand. It was meant to insulate a quarter of the housing stock, create many jobs and a new market, and reduce energy use, energy bills and CO2.

Because of that...the Energy Efficiency and Conservation Authority set about tendering for the best contractors in the country to fulfil this lofty goal.

But then...they realised that people weren’t that interested in insulation, they rather spent their money on a new kitchen and kept putting on those jumpers!

Because of that... they concentrated on using Third Party Providers and other community groups to ensure that at least the most needy and vulnerable people got free insulation and clean heating installed. 

So, finally... they did an evaluation of the programme and found that the real benefits - $5 for every $1 spent, lay in the health improvements, not a new market or energy savings or lower bills.

And, ever since then... The other Kiwis also slowly realised that being warm and cozy in your home was maybe just as important as having a new kitchen.

15

Subtask I - Helicopter OverviewPremise for Task XXIVthe short stories: retrofitting

Page 39: IEA DSM Task 24 storytelling methodology

Once upon a time... there was a beautiful country called New Zealand,which had very cold, damp houses.

Every day...Kiwis shivered and froze, but they just told each other to stop being a sissy and put on another jumper.

But, one day...the new right-wing Government decided it needed to show it wasn’t uncaring and evil and created a programme called Warm Up New Zealand. It was meant to insulate a quarter of the housing stock, create many jobs and a new market, and reduce energy use, energy bills and CO2.

Because of that...the Energy Efficiency and Conservation Authority set about tendering for the best contractors in the country to fulfil this lofty goal.

But then...they realised that people weren’t that interested in insulation, they rather spent their money on a new kitchen and kept putting on those jumpers!

Because of that... they concentrated on using Third Party Providers and other community groups to ensure that at least the most needy and vulnerable people got free insulation and clean heating installed. 

So, finally... they did an evaluation of the programme and found that the real benefits - $5 for every $1 spent, lay in the health improvements, not a new market or energy savings or lower bills.

And, ever since then... The other Kiwis also slowly realised that being warm and cozy in your home was maybe just as important as having a new kitchen.

15

Subtask I - Helicopter OverviewPremise for Task XXIVthe short stories: retrofitting

Page 40: IEA DSM Task 24 storytelling methodology

Once upon a time... there was a beautiful country called New Zealand,which had very cold, damp houses.

Every day...Kiwis shivered and froze, but they just told each other to stop being a sissy and put on another jumper.

But, one day...the new right-wing Government decided it needed to show it wasn’t uncaring and evil and created a programme called Warm Up New Zealand. It was meant to insulate a quarter of the housing stock, create many jobs and a new market, and reduce energy use, energy bills and CO2.

Because of that...the Energy Efficiency and Conservation Authority set about tendering for the best contractors in the country to fulfil this lofty goal.

But then...they realised that people weren’t that interested in insulation, they rather spent their money on a new kitchen and kept putting on those jumpers!

Because of that... they concentrated on using Third Party Providers and other community groups to ensure that at least the most needy and vulnerable people got free insulation and clean heating installed. 

So, finally... they did an evaluation of the programme and found that the real benefits - $5 for every $1 spent, lay in the health improvements, not a new market or energy savings or lower bills.

And, ever since then... The other Kiwis also slowly realised that being warm and cozy in your home was maybe just as important as having a new kitchen.

15

Subtask I - Helicopter OverviewPremise for Task XXIVthe short stories: retrofitting

Page 41: IEA DSM Task 24 storytelling methodology

Once upon a time... there was a beautiful country called New Zealand,which had very cold, damp houses.

Every day...Kiwis shivered and froze, but they just told each other to stop being a sissy and put on another jumper.

But, one day...the new right-wing Government decided it needed to show it wasn’t uncaring and evil and created a programme called Warm Up New Zealand. It was meant to insulate a quarter of the housing stock, create many jobs and a new market, and reduce energy use, energy bills and CO2.

Because of that...the Energy Efficiency and Conservation Authority set about tendering for the best contractors in the country to fulfil this lofty goal.

But then...they realised that people weren’t that interested in insulation, they rather spent their money on a new kitchen and kept putting on those jumpers!

Because of that... they concentrated on using Third Party Providers and other community groups to ensure that at least the most needy and vulnerable people got free insulation and clean heating installed. 

So, finally... they did an evaluation of the programme and found that the real benefits - $5 for every $1 spent, lay in the health improvements, not a new market or energy savings or lower bills.

And, ever since then... The other Kiwis also slowly realised that being warm and cozy in your home was maybe just as important as having a new kitchen.

15

Subtask I - Helicopter OverviewPremise for Task XXIVthe short stories: retrofitting

Page 42: IEA DSM Task 24 storytelling methodology

example: insulation subsidies

But over the ditch, it got more serious...

Page 43: IEA DSM Task 24 storytelling methodology

example: insulation subsidies

But over the ditch, it got more serious...

Page 44: IEA DSM Task 24 storytelling methodology

example: insulation subsidies

But over the ditch, it got more serious...

Page 45: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

Page 46: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)

Page 47: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4

Page 48: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4• Sector stories to be able to workshop specific issues of specific sectors

Page 49: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4• Sector stories to be able to workshop specific issues of specific sectors• Types of stories based on Janda and Moezzi’s definition: hero, learning, love, horror, ninja stories

Page 50: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4• Sector stories to be able to workshop specific issues of specific sectors• Types of stories based on Janda and Moezzi’s definition: hero, learning, love, horror, ninja stories• Stories based on how the models of understanding behaviour would be perceived by the end users

Page 51: IEA DSM Task 24 storytelling methodology

18

The story of neoclassical economics and retrofitting

Money makes the world go round

You need to change your home’s energy use and we will help you by paying (part of) its retrofitting

By the way, you need to pay up first and it might take a while before we pay you back

The info we need from you will teach you all you need to know.

You only need to make a one-off decision to invest

We have the technology you need, contractors or installers (you will need to find/choose) will put it in and that’s it!

If you do not understand the technology, just don’t touch the buttons…

You will save money for a nice weekend to the Bahamas

You only need to give us a bill from your installer, we probably won’t check how much energy you actually saved

What counts for us is how many m2 are insulated, how many homes are retrofitted or how much money is spent. Oh yes, and how many kWh are saved of course!

We will do the number crunching, don't worry, we do not need to know what you actually saved, we will use models to calculate all energy savings

But if you want to know how much energy you saved, buy a metering device.

Page 52: IEA DSM Task 24 storytelling methodology

18

The story of neoclassical economics and retrofitting

Money makes the world go round

You need to change your home’s energy use and we will help you by paying (part of) its retrofitting

By the way, you need to pay up first and it might take a while before we pay you back

The info we need from you will teach you all you need to know.

You only need to make a one-off decision to invest

We have the technology you need, contractors or installers (you will need to find/choose) will put it in and that’s it!

If you do not understand the technology, just don’t touch the buttons…

You will save money for a nice weekend to the Bahamas

You only need to give us a bill from your installer, we probably won’t check how much energy you actually saved

What counts for us is how many m2 are insulated, how many homes are retrofitted or how much money is spent. Oh yes, and how many kWh are saved of course!

We will do the number crunching, don't worry, we do not need to know what you actually saved, we will use models to calculate all energy savings

But if you want to know how much energy you saved, buy a metering device.

Page 53: IEA DSM Task 24 storytelling methodology

19

The Monster

Page 54: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

Page 55: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)

Page 56: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4

Page 57: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4• Sector stories to be able to workshop specific issues of specific sectors (Subtask 1&2)

Page 58: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4• Sector stories to be able to workshop specific issues of specific sectors (Subtask 1&2)• Types of stories based on Janda and Moezzi’s definition: hero, learning, love, horror, ninja stories (Subtask 1)

Page 59: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4• Sector stories to be able to workshop specific issues of specific sectors (Subtask 1&2)• Types of stories based on Janda and Moezzi’s definition: hero, learning, love, horror, ninja stories (Subtask 1)• Stories based on how the models of understanding behaviour would be perceived by the end users (Subtask 1)

Page 60: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4• Sector stories to be able to workshop specific issues of specific sectors (Subtask 1&2)• Types of stories based on Janda and Moezzi’s definition: hero, learning, love, horror, ninja stories (Subtask 1)• Stories based on how the models of understanding behaviour would be perceived by the end users (Subtask 1)• Personal energy stories of our experts

Page 61: IEA DSM Task 24 storytelling methodology

Subtasks of Task XXIVenergy stories: personal

Page 63: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

Page 64: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)

Page 65: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4

Page 66: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4• Sector stories to be able to workshop specific issues of specific sectors (ST 1&2)

Page 67: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4• Sector stories to be able to workshop specific issues of specific sectors (ST 1&2)• Types of stories based on Janda and Moezzi’s definition: hero, learning, love, horror, ninja stories (ST 1)

Page 68: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4• Sector stories to be able to workshop specific issues of specific sectors (ST 1&2)• Types of stories based on Janda and Moezzi’s definition: hero, learning, love, horror, ninja stories (ST 1)• Stories based on how the models of understanding behaviour would be perceived by the end users (ST 1)

Page 69: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4• Sector stories to be able to workshop specific issues of specific sectors (ST 1&2)• Types of stories based on Janda and Moezzi’s definition: hero, learning, love, horror, ninja stories (ST 1)• Stories based on how the models of understanding behaviour would be perceived by the end users (ST 1)• Personal energy stories of our experts (ST 5)

Page 70: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST 1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4• Sector stories to be able to workshop specific issues of specific sectors (ST 1&2)• Types of stories based on Janda and Moezzi’s definition: hero, learning, love, horror, ninja stories (ST 1)• Stories based on how the models of understanding behaviour would be perceived by the end users (ST 1)• Personal energy stories of our experts (ST 5)• Telling DSM stories in different genres (ST 5)

Page 71: IEA DSM Task 24 storytelling methodology

23

Subtask I - Helicopter OverviewPremise for Task XXIVStorytellingSuccesses

Number 8 Wire

a classic tale of grid challenges and opportunities

Page 72: IEA DSM Task 24 storytelling methodology

23

Subtask I - Helicopter OverviewPremise for Task XXIVStorytellingSuccesses

Number 8 Wire

a classic tale of grid challenges and opportunities

IEA Demand Side Management Programme

Once upon a time

1

Page 73: IEA DSM Task 24 storytelling methodology

23

Subtask I - Helicopter OverviewPremise for Task XXIVStorytellingSuccesses

Number 8 Wire

a classic tale of grid challenges and opportunities

IEA Demand Side Management Programme

Once upon a time

1

A love story about warm, dry homesWarm Up New Zealand: Heat Smart

17 March 2014 | Jenny Lackey, Project Manager, Energy Efficiency and Conservation Authority

Page 74: IEA DSM Task 24 storytelling methodology

23

Subtask I - Helicopter OverviewPremise for Task XXIVStorytellingSuccesses

Number 8 Wire

a classic tale of grid challenges and opportunities

IEA Demand Side Management Programme

Once upon a time

1

A love story about warm, dry homesWarm Up New Zealand: Heat Smart

17 March 2014 | Jenny Lackey, Project Manager, Energy Efficiency and Conservation Authority

Love conquers all

Page 75: IEA DSM Task 24 storytelling methodology

23

Subtask I - Helicopter OverviewPremise for Task XXIVStorytellingSuccesses

Number 8 Wire

a classic tale of grid challenges and opportunities

IEA Demand Side Management Programme

Once upon a time

1

A love story about warm, dry homesWarm Up New Zealand: Heat Smart

17 March 2014 | Jenny Lackey, Project Manager, Energy Efficiency and Conservation Authority

Love conquers all

Subtasks of Task XXIVTHE HITCHHIKER’S GUIDE to DSM

Rule #1

Page 76: IEA DSM Task 24 storytelling methodology

23

Subtask I - Helicopter OverviewPremise for Task XXIVStorytellingSuccesses

Number 8 Wire

a classic tale of grid challenges and opportunities

IEA Demand Side Management Programme

Once upon a time

1

A love story about warm, dry homesWarm Up New Zealand: Heat Smart

17 March 2014 | Jenny Lackey, Project Manager, Energy Efficiency and Conservation Authority

Love conquers all

Subtasks of Task XXIVTHE HITCHHIKER’S GUIDE to DSM

Rule #1

Page 77: IEA DSM Task 24 storytelling methodology

23

Subtask I - Helicopter OverviewPremise for Task XXIVStorytellingSuccesses

Number 8 Wire

a classic tale of grid challenges and opportunities

IEA Demand Side Management Programme

Once upon a time

1

A love story about warm, dry homesWarm Up New Zealand: Heat Smart

17 March 2014 | Jenny Lackey, Project Manager, Energy Efficiency and Conservation Authority

Love conquers all

Subtasks of Task XXIVTHE HITCHHIKER’S GUIDE to DSM

Rule #1

Page 78: IEA DSM Task 24 storytelling methodology

23

Subtask I - Helicopter OverviewPremise for Task XXIVStorytellingSuccesses

Number 8 Wire

a classic tale of grid challenges and opportunities

IEA Demand Side Management Programme

Once upon a time

1

A love story about warm, dry homesWarm Up New Zealand: Heat Smart

17 March 2014 | Jenny Lackey, Project Manager, Energy Efficiency and Conservation Authority

Love conquers all

Subtasks of Task XXIVTHE HITCHHIKER’S GUIDE to DSM

Rule #1A 3-part story of daring research collaborations on energy

behaviour and demand response

Page 79: IEA DSM Task 24 storytelling methodology

23

Subtask I - Helicopter OverviewPremise for Task XXIVStorytellingSuccesses

Number 8 Wire

a classic tale of grid challenges and opportunities

IEA Demand Side Management Programme

Once upon a time

1

A love story about warm, dry homesWarm Up New Zealand: Heat Smart

17 March 2014 | Jenny Lackey, Project Manager, Energy Efficiency and Conservation Authority

Love conquers all

Subtasks of Task XXIVTHE HITCHHIKER’S GUIDE to DSM

Rule #1A 3-part story of daring research collaborations on energy

behaviour and demand response

Page 80: IEA DSM Task 24 storytelling methodology

23

Subtask I - Helicopter OverviewPremise for Task XXIVStorytellingSuccesses

Number 8 Wire

a classic tale of grid challenges and opportunities

IEA Demand Side Management Programme

Once upon a time

1

A love story about warm, dry homesWarm Up New Zealand: Heat Smart

17 March 2014 | Jenny Lackey, Project Manager, Energy Efficiency and Conservation Authority

Love conquers all

Subtasks of Task XXIVTHE HITCHHIKER’S GUIDE to DSM

Rule #1A 3-part story of daring research collaborations on energy

behaviour and demand response

Page 81: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

Page 82: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST1 & 5)

Page 83: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4

Page 84: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4• Sector stories to be able to workshop specific issues of specific sectors (ST 1&2)

Page 85: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4• Sector stories to be able to workshop specific issues of specific sectors (ST 1&2)• Types of stories based on Janda and Moezzi’s definition: hero, learning, love, horror stories (ST 1)

Page 86: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4• Sector stories to be able to workshop specific issues of specific sectors (ST 1&2)• Types of stories based on Janda and Moezzi’s definition: hero, learning, love, horror stories (ST 1)• Stories based on how the models of understanding behaviour would be perceived by the end users (ST 1)

Page 87: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4• Sector stories to be able to workshop specific issues of specific sectors (ST 1&2)• Types of stories based on Janda and Moezzi’s definition: hero, learning, love, horror stories (ST 1)• Stories based on how the models of understanding behaviour would be perceived by the end users (ST 1)• Personal energy stories of our experts (ST 5)

Page 88: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4• Sector stories to be able to workshop specific issues of specific sectors (ST 1&2)• Types of stories based on Janda and Moezzi’s definition: hero, learning, love, horror stories (ST 1)• Stories based on how the models of understanding behaviour would be perceived by the end users (ST 1)• Personal energy stories of our experts (ST 5)• Telling DSM stories in different genres (ST 5)

Page 89: IEA DSM Task 24 storytelling methodology

Target Audience of Task XXIVTask 24 uses different storytelling methods

• Telling the stories of the Task and our workshops (ST1 & 5)• Country stories to get overview of country-specific contexts for Subtask 4• Sector stories to be able to workshop specific issues of specific sectors (ST 1&2)• Types of stories based on Janda and Moezzi’s definition: hero, learning, love, horror stories (ST 1)• Stories based on how the models of understanding behaviour would be perceived by the end users (ST 1)• Personal energy stories of our experts (ST 5)• Telling DSM stories in different genres (ST 5)• Telling the ‘human’ story of the Energy System (Extension)

Page 90: IEA DSM Task 24 storytelling methodology

25

Target Audience of Task XXIVAnother way we could look at the Energy System

Page 91: IEA DSM Task 24 storytelling methodology

26

Subtask I - Helicopter OverviewPremise for Task XXIVStorytellingSuccesses

Page 92: IEA DSM Task 24 storytelling methodology

26

Subtask I - Helicopter OverviewPremise for Task XXIVStorytellingSuccesses

!"#$%&'()$"*+$#,-#'#)$*$,#%$#'*.$-"#$/,-"'&0&1#,#$

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Climate change

Pressures

Challenges Challenges

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Air pollution

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Lowering emissions will require changes in patterns of production and consumption, but need not result in

SOCIAL AND ECONOMIC CHALLENGES

“Collaborative multi-stake-holder action is required as businesses, governments, or civil society alone do not have both the tools and the authority to tackle systemic risks”

“Global Risks 2014”,World Economic Forum

ENVIRONMENTAL CHALLENGES

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Reduced qualityof freshwater

Biodiversity loss

Page 93: IEA DSM Task 24 storytelling methodology

26

Subtask I - Helicopter OverviewPremise for Task XXIVStorytellingSuccesses

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Page 94: IEA DSM Task 24 storytelling methodology

26

Subtask I - Helicopter OverviewPremise for Task XXIVStorytellingSuccesses

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How to evaluate the impact of storytelling?

Is this a testable hypothesis? (eg testing recall)

Is there less bias when telling facts in a narrative format rather than in ‘hard’ figures, facts and stats?

How else can we evaluate the impact of this methodology especially seeing we will keep using it and delving further into it with the different Behaviour Changers?

What is the MORAL of the story? Is it different for everyone? Is it interesting to evaluate why it is different?

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28

How to visualise Energy? Behaviour Change?

Page 97: IEA DSM Task 24 storytelling methodology

Subtasks of Task XXIVwant to hear more of

our story?

to join the expert platform: [email protected]