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How to study a music culture Indian Classical Music Rafael Caro Repetto [email protected] Music Technology Group Universitat Pompeu Fabra This work is licensed under a Creative Commons Attribution 4.0 International License.

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Page 1: How to study a music culture Indian Classical Music · Music theory is a collection of sets of rules which describe the culturally determined practice of people who create music in

How to study a music cultureIndian Classical Music

Rafael Caro [email protected] Technology GroupUniversitat Pompeu Fabra

This work is licensed under a Creative Commons Attribution 4.0 International License.

Page 2: How to study a music culture Indian Classical Music · Music theory is a collection of sets of rules which describe the culturally determined practice of people who create music in

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What’s this?

Page 3: How to study a music culture Indian Classical Music · Music theory is a collection of sets of rules which describe the culturally determined practice of people who create music in

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In theory...

Music theory is a collection of sets of rules which describe the culturally determined practice of people who create music in a

particular culture during a particular period.

Sven Ahlbäck, Music Theory - Why bother?, 2019

Page 4: How to study a music culture Indian Classical Music · Music theory is a collection of sets of rules which describe the culturally determined practice of people who create music in

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In theory...

Music theory is a collection of sets of rules which describe the culturally determined

practice of people who create music in a particular culture during a particular period.

Sven Ahlbäck, Music Theory - Why bother?, 2019

Page 5: How to study a music culture Indian Classical Music · Music theory is a collection of sets of rules which describe the culturally determined practice of people who create music in

5

In theory...

Music theory is a collection of sets of rules which describe the culturally determined

practice of people who create music in a particular culture during a particular period.

Sven Ahlbäck, Music Theory - Why bother?, 2019

Page 6: How to study a music culture Indian Classical Music · Music theory is a collection of sets of rules which describe the culturally determined practice of people who create music in

6

In theory...

Music theory is a collection of sets of rules which describe the culturally determined

practice of people who create music in a particular culture during a particular period.

Sven Ahlbäck, Music Theory - Why bother?, 2019

Page 7: How to study a music culture Indian Classical Music · Music theory is a collection of sets of rules which describe the culturally determined practice of people who create music in

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Indian Classical Music

Traditional music

Classical music

NorthHindustani musicHindustani music

SouthCarnatic musicCarnatic music

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Indian Classical Music

FormatContinuous pitch ground

Main melodic lineSecondary melodic support

Percussion rhythmic accompaniment

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Indian Classical Music

Hindustani classical musicHindustani classical musicKaustuv K. Ganguli

Carnatic classical musicCarnatic classical musicVignesh Ishwar

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Indian Classical Music

FormatContinuous pitch ground

Main melodic lineSecondary melodic support

Percussion rhythmic accompaniment

Musical principles

rāga tāla

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North / South division

Hindustani music Carnatic music

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North / South division

https://commons.wikimedia.org/wiki/File:South_Asian_Language_Families.jpg

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North / South division

http://geacron.com/home-en/?&sid=GeaCron583915

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North / South division

Page 15: How to study a music culture Indian Classical Music · Music theory is a collection of sets of rules which describe the culturally determined practice of people who create music in

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North / South division

Hindustani music

Muslim musicians

court

low castes

paramparā

professionustād-shāgird

Carnatic music

Hindu musicians

temple

high castes

śāstra

religionguru-śisya

particular realization of common principles

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tālarāga

Essential musical concepts

Page 17: How to study a music culture Indian Classical Music · Music theory is a collection of sets of rules which describe the culturally determined practice of people who create music in

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tālarāga

Essential musical concepts

Page 18: How to study a music culture Indian Classical Music · Music theory is a collection of sets of rules which describe the culturally determined practice of people who create music in

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tāla

sama

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tāla

samammātrātrāā

akṣaraakṣara

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tāla

samammātrātrāā

vibhvibhāgāg

akṣaraakṣara

aṅgaaṅga

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tāla

samammātrātrāā

tālītālī

khālīkhālīvibhvibhāgāg

akṣaraakṣara

aṅgaaṅga

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tāla

samammātrātrāā

tālītālī

khālīkhālī aṅgaaṅgavibhvibhāgāg

akṣaraakṣara

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North / South division

Hindustani classical musicHindustani classical music

Carnatic classical musicCarnatic classical musicmr̥daṅgaṁ

tablā

khañjiraghaṭam

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Percussion accompaniment

tablātablā

m daṅgamṁr̥m daṅgamṁr̥

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tāla

ṭhekābolbol

solkaṭṭusolkaṭṭu

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laya

vilambitvilambit vilambavilamba(slow)

madhyamadhya madhyamamadhyama(medium)

drutdrut dhuridhadhuridha(fast)

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tālarāga

Essential musical concepts

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rañj“to be coloured, to be redden”

“to be afected, moved, charmed, delighted”

rāgaEssential musical concepts

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svara

NiṣādDhaivatPañcamMadhyamGāndhārṚṣabhṢaḍja

NiDhaPaMaGaReRe RiRiSa

sargam

NDPMGRS

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svara

“séptim“sexta nota”, “nota divina”“quinta nota”“que está en el medio”“fragancia dulce”“el gran uno”“that which gives birth to six”

NiṣādDhaivatPañcamMadhyamGāndhārṚṣabhṢaḍja

NiDhaPaMaGaRe RiSa

NDPMGRS

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ektāra

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tānpūrā / tambūra

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North / South division

Hindustani classical musicHindustani classical music

Carnatic classical musicCarnatic classical music

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svara

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svara

saS

reR

gaG

maM

paP

dhaD

niN

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saS

rer

reR

gag

gaG

maM

mam

paP

dhad

dhaD

nin

niN

svara

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saS

rer

reR

gag

gaG

mam

maM

paP

dhad

dhaD

nin

niN

svara

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svara

“The ornament in Karṇāṭak music is not considered an add-on to the basic note; gamaka is an integral structural part of svara”

Viswanathan and Allen, Music in South India, 2004: 47

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rāga

● svara

● function

● āroh /avaroh

● characteristicmovements

● samaya

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rāg bhūpālī

● svara

● function

● āroh /avaroh

● characteristicmovements

● samaya

sa re re ga ga ma ma pa dha dha ni ni

vādī: ga saṃvādī: dha

S R G P D ṠS R G P D Ṡ D P G R S

GRG, PG, DP, ṠDPG, PGRG, GRS

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rāg bhūpālī

● svara

● function

● āroh /avaroh

● characteristicmovements

● samaya

sa re re ga ga ma ma pa dha dha ni ni

vādī: ga saṃvādī: dha

S R G P D ṠS R G P D Ṡ D P G R S

GRG, PG, DP, ṠDPG, PGRG, GRS, SD, DS, SR, RDS, RG, RGPG, PRG, PS, RPG, RGP, DGP, SRG

9pm – midnight

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rāg toḍī

● svara

● function

● āroh /avaroh

● characteristicmovements

● samaya

sa re re ga ga ma ma pa dha dha ni ni

vādī: dha saṃvādī: ga

S r g M P d N ṠS r g m P d N Ṡ N d P M g r S

d, Nsrg, Mrg, rS, Nsd, NdP, gMd, dS, gr, grS, Nd, PMd, rgrS, MdNS

9am – noon

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North / South division

Hindustani classical musicHindustani classical music

Carnatic classical musicCarnatic classical musicviolin

harmonium

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Form

song

rāga

tāla

development(improvisation)

ālāpālāpana

presentation

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Indian Classical Music

Traditional music

Classical music

Hindustani musicHindustani music

Carnatic musicCarnatic music

k tir̥

dhrupad khayāl ṭhumrī

bhajan padam

dhrupad

varṇam

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Indian Classical Music

Traditional music

Classical music

Hindustani musicHindustani music

Carnatic musicCarnatic music

k tir̥

dhrupad khayāl ṭhumrī

bhajan padam

dhrupad

varṇam

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How to study a music culture

● Which new tasks are brought in, and which existing tasks are not applicable?

● Should existing tasks be re-approached, or re-defined?● How should the results be represented (whom is the research inteded

for? in which cultural context are the results presented? accuracy – understandability)

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Some examples

Serrà et al., “Assessing the tuning of sung indian classical music,” ISMIR, 2011

Koduri et al., "Intonation analysis of rāgas in Carnatic music,” JNMR, 2014

Ishwar, Pitch Estimation of the Predominant Vocal Melody from Heterophonic Music Audio Recordings, Master diss, 2014

Gupta et al., “Discovery of syllabic percussion patterns in tabla solo recordings,” ISMIR, 2015

Gulati el al., "Time-delayed melody surfaces for rāga recognition," ISMIR, 2016

Gulati, Computational Approaches for Melodic Description in Indian Art Music Corpora, PhD diss, 2016

Ganguli and Rao, “On the Distributional Representation of Ragas: Experiments with Allied Raga Pairs,” TISMIR, 2018

Page 49: How to study a music culture Indian Classical Music · Music theory is a collection of sets of rules which describe the culturally determined practice of people who create music in

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Some examples

Serrà et al., “Assessing the tuning of sung indian classical music,” ISMIR, 2011

Koduri et al., "Intonation analysis of rāgas in Carnatic music,” JNMR, 2014

Ishwar, Pitch Estimation of the Predominant Vocal Melody from Heterophonic Music Audio Recordings, Master diss, 2014

Gupta et al., “Discovery of syllabic percussion patterns in tabla solo recordings,” ISMIR, 2015

Gulati el al., "Time-delayed melody surfaces for rāga recognition," ISMIR, 2016

Gulati, Computational Approaches for Melodic Description in Indian Art Music Corpora, PhD diss, 2016

Ganguli and Rao, “On the Distributional Representation of Ragas: Experiments with Allied Raga Pairs,” TISMIR, 2018

Page 50: How to study a music culture Indian Classical Music · Music theory is a collection of sets of rules which describe the culturally determined practice of people who create music in

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Some examples

Serrà et al., “Assessing the tuning of sung indian classical music,” ISMIR, 2011

Koduri et al., "Intonation analysis of rāgas in Carnatic music,” JNMR, 2014

Ishwar, Pitch Estimation of the Predominant Vocal Melody from Heterophonic Music Audio Recordings, Master diss, 2014

Gupta et al., “Discovery of syllabic percussion patterns in tabla solo recordings,” ISMIR, 2015

Gulati el al., "Time-delayed melody surfaces for rāga recognition," ISMIR, 2016

Gulati, Computational Approaches for Melodic Description in Indian Art Music Corpora, PhD diss, 2016

Ganguli and Rao, “On the Distributional Representation of Ragas: Experiments with Allied Raga Pairs,” TISMIR, 2018

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Links to the Musical Bridges tools

Tools for aiding understanding of Hindustani classical music:● https://dunya.upf.edu/hindustani-tools/

Prototype tools for aiding understanding of Carnatic tāḷa:● https://rafael-caro.github.io/carnatic-classroom/index.html

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Links to example videos

Demonstration of tablā bols by Prasad Ajarekar:● https://youtu.be/AVDupDQwkSg

Lecture on tānpūrā by Nitin Amin:● https://youtu.be/fBah5h_u7EY

Lecture on rāga bhairav by Ajoy Chakrabarty:● https://youtu.be/YBPVbFlijFU