how to kill a word

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by Patrick E. McLean How to Kill A Word goodwordsrightorder.com

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An ebook that shows people how to tighten up their writing.

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Page 1: How to Kill a Word

b y P a t r i c k E . M c L e a n

How to

Kill A Word

g o o d w o rd s r i g h t o rd e r. c o m

Page 2: How to Kill a Word

How to

Kill A Word

b y P a t r i c k E . M c L e a ng o o d w o rd s r i g h t o rd e r. c o m

Page 3: How to Kill a Word

How to

Kill A Word

b y P a t r i c k E . M c L e a ng o o d w o rd s r i g h t o rd e r. c o m

Page 4: How to Kill a Word

Ernest Hemingway, editing in Cuba circa 1940.

Page 5: How to Kill a Word

The first draft of anythingis shit.

”Ernest Hemingway

Page 6: How to Kill a Word

Mark Twain

If you catchan adjective,

kill it.”

Page 7: How to Kill a Word

Mark Twain

If you catchan adjective,

kill it.”

Revising down to the bare essentials is always a little like murdering children, but it must be done.”

Stephen King

Page 8: How to Kill a Word

Why do all these writershate words so much?

Page 9: How to Kill a Word

“If you catch an adjective, kill it.”The business of writing, rightly understood, is largely a matter of killing words.

Page 10: How to Kill a Word

“If you catch an adjective, kill it.”The business of writing, rightly understood, is largely a matter of killing words.

Page 11: How to Kill a Word

“If you catch an adjective, kill it.”The business of writing, rightly understood, is largely a matter of killing words.

Page 12: How to Kill a Word

“If you catch an adjective, kill it.”

It’s a sad fact of modern existence that nobody has enough attention. In fact, some thought leaders are referring to this as the age of distraction.

Page 13: How to Kill a Word

“If you catch an adjective, kill it.”

It’s a sad fact of modern existence that nobody has enough attention. In fact, some thought leaders are referring to this as the age of distraction.

Page 14: How to Kill a Word

“If you catch an adjective, kill it.”

It’s a sad fact of modern existence that nobody has enough attention. In fact, some thought leaders are referring to this as the age of distraction.

Page 15: How to Kill a Word

“If you catch an adjective, kill it.”

Each additional word you use demands more of a reader’s attention. While transitions and style tricks are often nice, they involve a ruthless and unforgiving trade-off. Beyond a point, additional words make it harder to get to your point. Assuming you have one to begin with.

Page 16: How to Kill a Word

“If you catch an adjective, kill it.”

Each additional word you use demands more of a reader’s attention. While transitions and style tricks are often nice, they involve a ruthless and unforgiving trade-off. Beyond a point, additional words make it harder to get to your point. Assuming you have one to begin with.

Page 17: How to Kill a Word

“If you catch an adjective, kill it.”

Each additional word you use demands more of a reader’s attention. While transitions and style tricks are often nice, they involve a ruthless and unforgiving trade-off. Beyond a point, additional words make it harder to get to your point. Assuming you have one to begin with.

Page 18: How to Kill a Word

I ask them to take a poemand hold it up to the lightlike a color slide

or press an ear against its hive.

I say drop a mouse into a poemand watch him probe his way out,

or walk inside the poem's roomand feel the walls for a light switch.

I want them to waterskiacross the surface of a poemwaving at the author's name on the shore.

But all they want to dois tie the poem to a chair with ropeand torture a confession out of it.

They begin beating it with a hoseto find out what it really means.

Introduction to Poetry by Billy Collins

Page 19: How to Kill a Word

If you are writing anything other than poetry...

Page 20: How to Kill a Word

I ask them to take a poemand hold it up to the lightlike a color slide

or press an ear against its hive.

I say drop a mouse into a poemand watch him probe his way out,

or walk inside the poem's roomand feel the walls for a light switch.

I want them to waterskiacross the surface of a poemwaving at the author's name on the shore.

But all they want to dois tie the poem to a chair with ropeand torture a confession out of it.

They begin beating it with a hoseto find out what it really means.

Introduction to Poetry by Billy Collins

Page 21: How to Kill a Word

I want them to waterskiacross the surface of a poemwaving at the author's name on the shore.

But all they want to dois tie the poem to a chair with ropeand torture a confession out of it.

They begin beating it with a hoseto find out what it really means.

Page 22: How to Kill a Word

When you edit, you want to interrogate each word.

Page 23: How to Kill a Word

When you edit, you want to interrogate each word.

Page 24: How to Kill a Word

When you edit, you want to interrogate each word.

Page 25: How to Kill a Word

If you find one that is unclear, mumbles, or otherwise doesn’t have its story straight...

Page 26: How to Kill a Word

If you find one that is unclear, mumbles, or otherwise doesn’t have its story straight...

Page 27: How to Kill a Word

If you find one that is unclear,

Page 28: How to Kill a Word

Delete it with extreme prejudice.

Page 29: How to Kill a Word

Delete it with extreme prejudice.

Page 30: How to Kill a Word

Delete it without further ado.

Page 31: How to Kill a Word

Delete it without further ado.

Page 32: How to Kill a Word

Kill it.

Page 33: How to Kill a Word

Like this:

Page 34: How to Kill a Word

However, some chairs are more comfortable than others. In fact, some chairs are downright uncomfortable. Some have itchy fabrics, uncomfortable seat bottoms, and awkward side arms. ey can be excessively big or obnoxiously small.

Page 35: How to Kill a Word

However, some chairs are more comfortable than others. In fact, some chairs are downright uncomfortable. Some have itchy fabrics, uncomfortable seat bottoms, and awkward side arms. ey can be excessively big or obnoxiously small.

Page 36: How to Kill a Word

However, some chairs are more comfortable than others. In fact, some chairs are downright uncomfortable. Some have itchy fabrics, uncomfortable seat bottoms, and awkward side arms. ey can be excessively big or obnoxiously small.

Page 37: How to Kill a Word

Some chairs are downright uncomfortable. ey can have itchy fabric, uncomfortable seat bottoms or awkward side arms. ey can be too big or too small.

Page 38: How to Kill a Word

That’s still not great prose. But it’s stronger, faster, better.

Page 39: How to Kill a Word

That’s still not great prose. But it’s stronger, faster, better.

Page 40: How to Kill a Word

That’s still not great prose. But it’s stronger, faster, better.

Page 41: How to Kill a Word

ere is much conversation in dog circles about why the American Pit Bull Terrier is only recognized by the United Kennel Club and not the AKC and why some dogs are dual registered in both kennel clubs.

Page 42: How to Kill a Word

ere is much conversation in dog circles about why the American Pit Bull Terrier is only recognized by the United Kennel Club and not the AKC and why some dogs are dual registered in both kennel clubs.

Page 43: How to Kill a Word

ere is much conversation in dog circles about why the American Pit Bull Terrier is only recognized by the United Kennel Club and not the AKC and why some dogs are dual registered in both kennel clubs.

Page 44: How to Kill a Word

Why is the American Pit Bull Terrier recognized by the United Kennel Club but not the American Kennel Club?

Page 45: How to Kill a Word

Any other questions or nuances of breed classification go in additional sentences. This question seems to be a better way to begin the paragraph.

Page 46: How to Kill a Word

Any other questions or nuances of breed classification go in additional sentences. This question seems to be a better way to begin the paragraph.

Page 47: How to Kill a Word

Any other questions or nuances of breed classification go in additional sentences. This question seems to be a better way to begin the paragraph.

Page 48: How to Kill a Word

Any other questions or nuances of breed classification go in additional sentences. This question is seems to be a better way to begin the paragraph.

Page 49: How to Kill a Word

When looking at your model week and your sales process, you have to ask yourself how that activity is going to contribute to bringing you closer to your goals. A good sales manager would keep you from rationalizing. ey would keep you honest and prevent you from putting more emphasis on activities that you like over activities that actually generate the right outcomes.

Page 50: How to Kill a Word

When looking at your model week and your sales process, you have to ask yourself how that activity is going to contribute to bringing you closer to your goals. A good sales manager would keep you from rationalizing. ey would keep you honest and prevent you from putting more emphasis on activities that you like over activities that actually generate the right outcomes.

Page 51: How to Kill a Word

When looking at your model week and your sales process, you have to ask yourself how that activity is going to contribute to bringing you closer to your goals. A good sales manager would keep you from rationalizing. ey would keep you honest and prevent you from putting more emphasis on activities that you like over activities that actually generate the right outcomes.

Page 52: How to Kill a Word

Still too damn long.

Page 53: How to Kill a Word

Still too damn long.

Page 54: How to Kill a Word

Still too damn long.

Page 55: How to Kill a Word

Still too damn long.

Page 56: How to Kill a Word

Still too damn long.Still too (I’ll keep working.) long.

Page 57: How to Kill a Word

When looking at your model week and your sales process, you have to ask yourself how that activity is going to contribute to bringing you closer to your goals. A good sales manager would keep you from rationalizing. ey would keep you honest and prevent you from putting more emphasis on activities that you like over activities that actually generate the right outcomes.

Page 58: How to Kill a Word

When looking at your model week and your sales process, you have to ask yourself how each activity will contribute to move you closer to your goals. A good sales manager would keep you from rationalizing. ey would keep you honest and prevent you from wasting time on activities that won’t get you where you need to go.

Page 59: How to Kill a Word

When looking at your model week, ask how each activity will move you closer to your goals. A good sales manager would prevent you from wasting time on activities that won’t get you where you need to go.

Page 60: How to Kill a Word

And there’s still more that could be done.

Page 61: How to Kill a Word

And there’s still more that could be done.

Page 62: How to Kill a Word

And there’s still more that could be done.

Page 63: How to Kill a Word

“If you catch an adjective, kill it.”It’s not always so complicated.

Page 64: How to Kill a Word

You can instantly and dramatically improve your blog writing skills and immediately explode your profits and skyrocket your online success by following the spectacular, simple, and practical tips found in this groundbreaking new free blog post.

Page 65: How to Kill a Word

You can instantly and dramatically improve your blog writing skills and immediately explode your profits and skyrocket your online success by following the spectacular, simple, and practical tips found in this groundbreaking new free blog post.

Page 66: How to Kill a Word

“If you catch an adjective, kill it.”Sometimes you get tokill all the words.

Page 67: How to Kill a Word

“If you catch an adjective, kill it.”:-)

Page 68: How to Kill a Word

“If you catch an adjective, kill it.”

How to Start the Slaughter

1. Read it out loud.2. Cross out all the adjectives and adverbs.3. Read it out loud again. 4. Rewrite so it makes sense.

Page 69: How to Kill a Word

I am more suspicious of adjectives than at any other time in all my born days.”

Carl Sandburg, aged 81

Page 70: How to Kill a Word

Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. is requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tell.

Omit Needless Words

William Strunk and E.B. White

Page 71: How to Kill a Word

Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. is requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tell.

Omit Needless Words

William Strunk and E.B. White

Page 72: How to Kill a Word

Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. is requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tell.

Omit Needless Words

William Strunk and E.B. White

Page 73: How to Kill a Word

There’s no sentence that’s too short in the eyes of God.”William Zinnser

Page 74: How to Kill a Word

Be precise in use of words, and expect precision of others.

Watch for error, even in Holy Scripture”

Pierre Abelard

Page 75: How to Kill a Word

“If you catch an adjective, kill it.”Please direct all questions, comments, rude remarks, rants about the serial comma, and requests for speaking, group classes, individual coaching or command performances to:

[email protected]

Page 76: How to Kill a Word

“If you catch an adjective, kill it.”If you liked this e-book – more importantly, if you agreed with it – please share it with everybody you know and a few people you don’t.

This work is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.

Page 77: How to Kill a Word

“If you catch an adjective, kill it.”If you liked this e-book more importantly, if you agreed with it – please share it with everybody you know and a few people you don’t.

This work is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.

Page 78: How to Kill a Word

“If you catch an adjective, kill it.”If you liked this e-book – more importantly, if you agreed with it – please share it with everybody you know and a few people you don’t.

This work is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.

Page 79: How to Kill a Word

“If you catch an adjective, kill it.”