history of contemporary architecture · where do we find the orders first mentioned in the history...
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History of Contemporary Architecture Academic Year 2016/2017
Prof. Michela Rosso
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1/index &biblio
THE BASIC GRAMMAR OF ARCHITECTURE Architectural Orders
The Essentials of Classicism
(SUMMERSON 7-26)
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Where do we find the ORDERS first mentioned in the history of architecture?
Marco Vitruvius Pollione, De Arquitectura, 15 B.C.
The only written surviving record of the architecture of antiquity containing an extraordinary amount of
information about traditional buildings
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Why do we study the Orders?
an extraordinarily enduring grammar that has persisted through the ages until today
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architrave
ENTABLATURE = an architrave + a frieze + a cornice
Cornice
Architrave
Frieze
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Leon Battista Alberti Title page of De Re Aedificatoria (On the Art of Building in Ten Books) First published in Florence 1443-1452
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Sebastiano Serlio
the sequence from left to right of the 5 orders
Tuscan, Doric, Ionic, Corinthian, Composite
I sette libri sull’architettura Venice 1537
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The Parthenon, 448-432 B.C.
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Is this classical? Is this a classical building?
Cathedral of Chartres, northern porch 12th century
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Is t GOTHIC ARCHITECTURE SOME BASIC FEATURES
Pointed arches Ribbed vaults
Flying buttresses
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INNOVATING the ORDERS: Philibert de l’Orme and the French Order in the 16th century
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INNOVATING the ORDERS: Wendel Dietterlin, Columns of the Composite order in Dietterlin’s Architectura, 1594 and 1598
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COPYING the ORDERS: the TUSCAN ORDER as used by Inigo Jones at St Paul Church, Covent Garden London 1631
LONDON
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THE PERSISTENCE OF THE ORDERS the Sheldonian Theatre at Oxford
built on the design by Christopher Wren in 1663
OXFORD
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ROME INNOVATING the ORDERS
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VENICE INNOVATING the ORDERS
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TURIN
1718-1721
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Triglyphs Mutules…. The Grammar of Antiquity
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The superimposed orders (doric+ionic+corinthian) the Colosseum Theatre, Rome – 1st century B.C.
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DIFFERENT LEVELS OF INTEGRATION columns/wall LESENE at Palazzo Rucellai Leon Battista Alberti Florence 1450
FLORENCE
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The Triumphal arch Arco di Costantino (Left) as a model for
Leon Battista Alberti
Below: Alberti’s Tempio Malatestiano Rimini
1450
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Sixteenth century DIFFERENT LEVELS OF INTEGRATION
of the COLUMNS into the WALL Churches of Il Gesù & Santa Susanna, both in ROME
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The superimposed orders: RAPHAEL’s Home Designed by Bramante
1512
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The superimposed orders Ca’ Corner by Jacopo Sansovino, Venice 1532
VENICE
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LONDON
COPYING the ORDERS the Roman Temple of Vesta in Tivoli (RIGHT) as the model of the Tivoli
corner of the Bank of England (LEFT) designed and built by John Soane 1793/1830 in London
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WASHINGTON DC
James Hoban, The White House, Washington DC 1792-1800
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PARIS
CLASSICISM in the 20th century Theatre of the Champs Elysées by Auguste PERRET 1913 Paris
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THE TWENTIETH CENTURY: MODERN INTERPRETATIONS OF THE ORDERS
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John Outram Isle of Dogs Pumping Station, London 1988
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Michael Graves, Team Disney Building, Burbank 1991
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THE TWENTIETH CENTURY: POST-MODERN INTERPRETATIONS OF THE ORDERS