harpa - reykjavik concert hall and conference centre, iceland · 2020. 2. 7. · harpa - reykjavik...

20
Harpa - Reykjavik Concert Hall and Conference Centre, Iceland Lead Architects: Henning Larsen Architects and Batteriid Architects Façade design and development: Olafur Eliasson and Studio Olafur Eliasson in collaboration with Henning Larsen Architects Project Name: Harpa - Reykjavik Concert Hall and Conference Centre Client: Harpa Select Categories: Architecture Cultural Architecture Photos: Nic Lehoux Video Link: https://vimeo.com/131408250 Online Magazine: https://issuu.com/henninglarsenarchitects/docs/harpa_magazine_eng_09032012 Brief Description of project: Harpa emerges on the border between land and sea. The building stands out as a large, radiant sculpture reflecting both sky and harbor space, as well as the vibrant city life of Reykjavik. Harpa constitutes a striking addition to the Icelandic and European cultural scene and has become a landmark in the redevelopment of Reykjavik’s historic harbor and waterfront areaas well as a symbol of Iceland’s renewed dynamics. The 28,000-square-meter building comprises both concert and conference facilities, including four main halls, exhibition spaces, and several meeting rooms. The halls all have independent identities, while at the same time forming part of the overall perception of the building. All halls are equipped with flexible acoustic elements to support a wide range of events. The main concert hall is capable of accommodating up to 1,800 people. Seen from the foyer, the halls form a massif thatsimilar to rock on the coastforms a stark contrast to the expressive, open façade. At the core, the largest hall of the building, the main concert hall, unfolds its interior as a glowing center of force. The changing daylight penetrating the façade creates a vibrant, adventurous play of light, shadow, and color in the foyer. Harpa’s multifaceted glass façades are the result of a unique collaboration between the renowned artist Olafur Eliasson and Henning Larsen Architects. The design is based on a geometric principle, actualized in two and three dimensions. Inspired by the crystallized basalt columns commonly found in Iceland, the southern façades create kaleidoscopic reflections of the city and the magnificent surrounding landscape. Sustainability has been a guiding parameter in the overall architectonic arrangement of the museum. Fundamental elements such as the building’s geometry and orientation have been considered in order to maximize every square meter.

Upload: others

Post on 30-Jan-2021

11 views

Category:

Documents


1 download

TRANSCRIPT

  • Harpa - Reykjavik Concert Hall and Conference Centre, Iceland

    Lead Architects: Henning Larsen Architects and Batteriid Architects

    Façade design and development: Olafur Eliasson and Studio Olafur Eliasson in

    collaboration with Henning Larsen Architects

    Project Name: Harpa - Reykjavik Concert Hall and Conference Centre

    Client: Harpa

    Select Categories: Architecture – Cultural Architecture

    Photos: Nic Lehoux

    Video Link: https://vimeo.com/131408250

    Online Magazine:

    https://issuu.com/henninglarsenarchitects/docs/harpa_magazine_eng_09032012

    Brief Description of project: Harpa emerges on the border between land and sea. The

    building stands out as a large, radiant sculpture reflecting both sky and harbor space, as well

    as the vibrant city life of Reykjavik. Harpa constitutes a striking addition to the Icelandic

    and European cultural scene and has become a landmark in the redevelopment of

    Reykjavik’s historic harbor and waterfront area—as well as a symbol of Iceland’s renewed

    dynamics.

    The 28,000-square-meter building comprises both concert and conference facilities,

    including four main halls, exhibition spaces, and several meeting rooms. The halls all have

    independent identities, while at the same time forming part of the overall perception of the

    building. All halls are equipped with flexible acoustic elements to support a wide range of

    events. The main concert hall is capable of accommodating up to 1,800 people.

    Seen from the foyer, the halls form a massif that—similar to rock on the coast— forms a stark

    contrast to the expressive, open façade. At the core, the largest hall of the building, the main

    concert hall, unfolds its interior as a glowing center of force.

    The changing daylight penetrating the façade creates a vibrant, adventurous play of light,

    shadow, and color in the foyer. Harpa’s multifaceted glass façades are the result of a unique

    collaboration between the renowned artist Olafur Eliasson and Henning Larsen Architects.

    The design is based on a geometric principle, actualized in two and three dimensions.

    Inspired by the crystallized basalt columns commonly found in Iceland, the southern façades

    create kaleidoscopic reflections of the city and the magnificent surrounding landscape.

    Sustainability has been a guiding parameter in the overall architectonic arrangement of the

    museum. Fundamental elements such as the building’s geometry and orientation have been

    considered in order to maximize every square meter.

    https://vimeo.com/131408250https://issuu.com/henninglarsenarchitects/docs/harpa_magazine_eng_09032012

  • 498.080

  • 504.080

  • 504.063

  • 504.069

  • 504.061

  • 504.118

  • 504.073

  • 504.012

  • 498.071

  • 498.090

  • 504.173

  • Detail bottom Quasi Brick

  • Facade North

  • Facade South

  • Section Main hall

  • SectionGG_Foyer_East_West

  • Sitplan_LandslagPlaza_simpler

  • Plan Level 1

  • Plan Level 2