hamlet

50
from A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY http://www.unizar.es/departamentos/filologia_inglesa/ garciala/bibliography.html by José Ángel GARCÍA LANDA (University of Zaragoza, Spain) WILLIAM SHAKESPEARE: HAMLET (Tragedy; written c. 1600-1. Pub. 1603) Editions Shakespeare, William. The Tragicall Historie of Hamlet Prince of Denmarke. By William Shake-speare. As it hath been divers times acted by his Highness' servants in the City of London: as also in the two Universities of Cambridge and Oxford, and elsewhere. London, 1603. ("Bad" Quarto). _____. The Tragicall Historie of Hamlet Prince of Denmarke. 1603. In Literature Online: Editions and Adaptations of Shakespeare. Cambridge: Chadwyck-Healey. _____. The / Tragicall Historie of / HAMLET, / Prince of Denmarke. / By William Shakespeare. / Newly imprinted and enlarged to almost as much / againe as it was, according to the true and perfect / Coppie. / AT LONDON, / Printed by I. R. for N. L. and are to be sold at his / shoppe vnder Saint Dunstons Church in / Fleetstreet. 1605. ("Good" Quarto, 1604-5). _____. The Tragicall Historie of Hamlet Prince of Denmarke. In Shakespearean Originals: First Editions. Ed. G. Holderness and B. Loughrey. Hemel Hempstead: Harvester Wheatsheaf. _____. The Tragicall Historie of Hamlet, Prince of Denmarke. 1604/5. In Literature Online: Editions and 1

Upload: citacicacitacica

Post on 28-Nov-2014

24 views

Category:

Documents


8 download

TRANSCRIPT

Page 1: Hamlet

fromA BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY

http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.htmlby José Ángel GARCÍA LANDA

(University of Zaragoza, Spain)

WILLIAM SHAKESPEARE: HAMLET

(Tragedy; written c. 1600-1. Pub. 1603)

Editions

Shakespeare, William. The Tragicall Historie of Hamlet Prince of Denmarke. By William Shake-speare. As it hath been divers times acted by his Highness' servants in the City of London: as also in the two Universities of Cambridge and Oxford, and elsewhere. London, 1603. ("Bad" Quarto).

_____. The Tragicall Historie of Hamlet Prince of Denmarke. 1603. In Literature Online: Editions and Adaptations of Shakespeare. Cambridge: Chadwyck-Healey.

_____. The / Tragicall Historie of / HAMLET, / Prince of Denmarke. / By William Shakespeare. / Newly imprinted and enlarged to almost as much / againe as it was, according to the true and perfect / Coppie. / AT LONDON, / Printed by I. R. for N. L. and are to be sold at his / shoppe vnder Saint Dunstons Church in / Fleetstreet. 1605. ("Good" Quarto, 1604-5).

_____. The Tragicall Historie of Hamlet Prince of Denmarke. In Shakespearean Originals: First Editions. Ed. G. Holderness and B. Loughrey. Hemel Hempstead: Harvester Wheatsheaf.

_____. The Tragicall Historie of Hamlet, Prince of Denmarke. 1604/5. In Literature Online: Editions and Adaptations of Shakespeare. Cambridge: Chadwyck-Healey.

_____. The Tragedie of Hamlet. In Mr. William Shakespeares Comedies, Histories, & Tragedies. (First Folio). London, 1623.

_____. Hamlet. Variorum edition. Ed. H. H. Furness. 15th ed. Philadelphia: Lippincott, 1877.

_____. HAMLET by William Shakespeare with a Psycho-analytical Study by Ernest Jones, MD. London, 1947.

_____. Hamlet. Ed. Edward Hubler. New York: New American Library, 1963.

_____. Hamlet. Ed. J. Dover Wilson. Cambridge: Cambridge UP, 1964. 1980.

1

Page 2: Hamlet

_____. Hamlet. In The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston, 1974.

_____. Hamlet. (The Players' Shakspeare). Ed. J. H. Walter. London: Heinemann, 1978.

_____. Hamlet. Ed. Anne Barton. Harmondsworth: Penguin, 1980._____. Hamlet. Ed. T. J. B. Spencer. (New Penguin Shakespeare).

Harmondsworth: Penguin, 1980._____. Hamlet. Ed. Harold Jenkins. (Arden Shakespeare, 2nd ed.).

London: Methuen, 1982.* Rpt. Routledge._____. Hamlet. Ed. G. R. Hibbard. (The Oxford Shakespeare).

Oxford: Oxford UP, 1987. 1994. Oxford: Clarendon Press-Oxford Paperbacks, 1996.

_____. Hamlet. Ed. Cyrus Hoy. (Norton Critical Edition). New York: Norton, 1992.*

_____. Hamlet. In The Norton Introduction to Literature. 5th ed. Ed. Carl Bain et al. New York: Norton, 1991. 997-1005.

_____. Hamlet. Ware: Wordsworth. _____. Hamlet: The First Quarto. Graham Holderness and Bryan

Loughrey. Hemel Hempstead: Harvester Wheatsheaf, 1992._____. Hamlet. Bilingual ed. Instituto Shakespeare, dir. Manuel

Angel Conejero. Madrid: Cátedra, 1992._____. Hamlet. Ed. Susanne L. Wofford and Ross C. Murfin. (Case

Studies in Contemporary Criticism series). Basingstoke: Macmillan, 1993.

_____. Hamlet. In William Shakespeare: Hamlet. (Case Studies in Contemporary Criticism). Boston: Bedford Books of St. Martin's Press, 1994.*

_____. Hamlet. Oxford: Oxford UP, 1994._____. Hamlet Prince of Denmark. Ed. Philip Edwards. (New

Cambridge Shakespeare). Cambridge: Cambridge UP, 1985. 1988. 1989. 1993. 1994. 1995. 1997. 1998. 1999. 2000. 2001.*

_____. Hamlet. (New Cambridge Shakespeare text). Recording with Anton Lesser in the title role. Cambridge: Cambridge UP, 1997.

_____. Hamlet. Ed. Richard Andrews and Rex Gibson. (Cambridge School Shakespeare). Cambridge: Cambridge UP.

_____. Hamlet. Ed. Robert Hapgood. (Shakespeare in Production series). Cambridge: Cambridge UP, forthcoming 1996.

_____. Hamlet (The Tragedy of Hamlet, Prince of Denmark). Introd. Stephen Greenblatt. In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 1659-1759.*

_____. Hamlet. Ed. Ann Thompson and Neil Taylor. (The Arden Shakespeare, 3rd Series). London: Thomson Learning, 2006.

2

Page 3: Hamlet

_____. Hamlet: The Texts of 1603 and 1623. Ed. Ann Thompson and Neil Taylor. (The Arden Shakespeare, 3rd Series). London: Thomson Learning, 2006.

_____. The Tragedy of Hamlet, Prince of Denmark. In William Shakespeare: Complete Works (The RSC Shakespeare). Ed. Jonathan Bate and Eric Rasmussen. London: Macmillan, 2007. Pbk. 2008. 1918-2003.*

_____. Hamlet. French translation. In Hamlet. Le Roi Lear. Trans. Yves Bonnefoy. Paris: NRF/Folio, 1978.

_____. Hamlet. Spanish trans. by Leandro Fernández de Moratín._____. Hamlet, príncipe de Dinamarca. Madrid: Biblioteca Universal,

1882._____. Hamlet, príncipe de Dinamarca. In Shakespeare, Obras

completas: Tragedias. Introd., trans. and notes Luis Astrana Marín. Madrid: Santillana-Aguilar, 2003. 107-64.*

_____. Hamlet. Trans. Angel Luis Pujante. (Colección Austral). Madrid: Espasa-Calpe, 1994.

_____. Hamlet. In Tragedias: Hamlet-Otelo-Macbeth. Trans. and notes by Ángel-Luis Pujante. Prologue by Marcos Ordóñez. Barcelona: Círculo de Lectores, 2002.*

_____. Hamlet. Ed. Jesús Tronch Pérez. Valencia: Fundación Shakespeare de España, 1994.

_____. Hamlet. Ed. and trans. José María Valverde. (William Shakespeare). Barcelona: Planeta-DeAgostini, 2000.*

_____. Hamlet. Trans. R. Martínez Lafuente. Introd. Anne Barton (trans. Carlos Milla Soler). (William Shakespeare: Obra completa). Barcelona: RBA, 2003.*

_____. Hamlet (Trans. of 1st and 2nd Quarto, 1604 and First Folio 1623) Introd. Pedro Henríquez Ureña, trans. and notes Pablo Ingberg (2nd Q., FF) and Patricio Canto (1st Q.) Barcelona, Vitae, 2005; Buenos Aires: Losada, 2006.

_____. Hamlet. In Shakespeare, Obras completas – I. Tragedias: Tito Andrónico - Romeo y Julieta - Julio César - Hamlet - Otelo - El rey Lear - Macbeth - Antonio y Cleopatra - Coriolano - Timón de Atenas. Trans. Pablo Ingberg, Pablo Neruda, Delia Pasini and Idea Vilariño, Introducción general, by Pedro Henríquez Ureña, La tragedia shakespeariana, by Laura Cerrato, Shakespeare en escena, Interview with Raúl Serrano by Jorge Dubatti. Ed. Pablo Ingberg. Barcelona, Losada, 2008.

Criticism

3

Page 4: Hamlet

Adelman, Janet. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare's Plays, Hamlet to The Tempest. New York: Routledge, 1992.

_____. "'Man and Wife Is One Flesh': Hamlet and the Confrontation with the Maternal Body." In William Shakespeare: Hamlet. Ed. Susanne L. Wofford. (Case Studies in Contemporary Criticism). Boston: Bedford Books of St. Martin's Press, 1994. 256-82.* (Psychoanalytic).

Agee, James. "Olivier's Hamlet." Time 29 June 1948: 28-31.Aguirre Dabán, Manuel. "The Dram of Evil: Medieval Symbolism in

Hamlet." In SEDERI II. Ed. S. G. Fernández-Corugedo. Oviedo: Servicio de Publicaciones de la Universidad de Oviedo, 1992. 23-28.

_____. "Life, Crown, and Queen: Gertrude and the Theme of Sovereignty." Review of English Studies (forthcoming 1997).

Alexander, Nigel. Poison, Play and Duel: A Study in HAMLET. Lincoln: U of Nebraska P; London: Routledge, 1971.*

Alexander, Peter. Hamlet, Father and Son. Oxford, 1955.Almagro Jiménez, Manuel. "To Be and (or?) Not to Be: Joyce's

Rewriting of Shakespeare." Papers on Joyce 2 (1996): 3-18.*Anderson, Judith H. "Translating Investments: the Metaphoricity of

Language, 2 Henry VI and Hamlet." Metaphors and Maternal Sources 40.3 (1998): 231-267.

Arac, Jonathan. "Hamlet, Little Dorrit, and the History of Character." South Atlantic Quarterly 87.2 (Spring 1988).

Ashworth, John. "Olivier, Freud and Hamlet." Atlantic Monthly 183 (May 1949): 30-33.

Babcock, Robert W. "George Lyman Kittredge, Olivier, and the Historical Hamlet." College English 11 (1950): 256-65.

Bachelard, Gaston. "Le complexe de Caron. Le complexe d'Ophélie." In Bachelard, L'Eau et les rêves: Essai sur l'imagination de la matière. Paris: José Corti, 1942. New ed. Paris: José Corti, 1960. 97-125.*

Barbarow, George. "Hamlet Through a Telescope." Hudson Review 2 (1949): 98-117.

Barker, Francis. "Which Dead? Hamlet and the Ends of History." In Uses of History. Ed. Francis Barker, Peter Hulme, and Margaret Iversen. Manchester UP, 1991. 47-75.*

Barnes, Clive. "Stage: Midlands Hamlet." New York Times 2 May 1969: 38.

Barnes, Howard. Rev. of Hamlet. Dir. Laurence Olivier. New York Herald Tribune 30 Sept. 1948: 21.

4

Page 5: Hamlet

Bayard, Pierre. Enquête sur Hamlet: Le dialogue de sourds. Paris: Minuit, 2002.* (Critical debate).

Bayley, John. "Hamlet as a Film." National Review 131 (Dec. 1948): 603-6.

Berry, Philippa. "Hamlet's Ear."Shakespeare Survey 50 (1997): 57-64._____. "Hamlet's Ear." In Shakespeare and the Interpretive Tradition.

Ed. Stephen Orgel and Sean Keilen. New York: Garland, 1999. 131-39.*

Berthoff, Warner. "'Our Means Will Make Us Means': Character as Virtue in Hamlet and All's Well." New Literary History 5 (1974): 319-51.

"Better than the Play." Rev. of Hamlet, dir. Laurence Olivier. Time 15 May 1948: 38.

Biggs, Murray, "'He's Going to his Mother's Closet': Hamlet and Gertrude on Screen." In Shakespeare Survey 45: HAMLET and Its Afterlife. Ed. Stanley Wells. Cambridge: Cambridge UP, 1993. 54-7.

Booth, Stephen. "On the Value of Hamlet." In Reinterpretation of Elizabethan Drama. Ed. Norman Rabkin. New York: Columbia UP, 1969. 137-76.

_____. "On the Value of Hamlet." In Shakespeare: An Anthology of Criticism and Theory 1945-2000. Ed. Russ McDonald. Oxford: Blackwell, 2003.*

Bowman, James. "This Great Dane's a Dog." Rev. of Hamlet, dir. Franco Zeffirelli. The American Spectator 24 (March 1991): 30-1.

Bradley, A. C. Shakespearean Tragedy: Lectures on HAMLET, OTHELLO, KING LEAR, MACBETH. 1904. 2nd. ed. Basingstoke: Macmillan, 1908.* 1920.

_____. Shakespearean Tragedy. London,1965. _____. Shakespearean Tragedy. Greenwich (CT): Fawcett, 1965.

1968._____. Shakespearean Tragedy. London: Macmillan, 1974._____. Shakespearean Tragedy: Lectures on Hamlet, Othello, King

Lear and Macbeth. Foreword by John Bayley. (Penguin Classics / Shakespeare Library). London: Penguin, 1991.

_____. Shakespearean Tragedy. New York: St. Martin’s, 1978._____. Shakespearean Tragedy. 3rd ed. Introd. John Russell Brown.

Houndmills: Macmillan, 1992.*_____. Shakespearean Tragedy. Online ed. at Clicknotes.com

http://www.clicknotes.com/bradley/welcome.html2009-01-20

5

Page 6: Hamlet

_____. ["What Actually Happens in the Play"]. From Shakespearean Tragedy. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 169-75.*

Bristol, Michael D. "'Funeral Bak'd-Meats': Carnival and the Carnivalesque in Hamlet." InWilliam Shakespeare: Hamlet. Ed. Susanne L. Wofford. (Case Studies in Contemporary Criticism). Boston: Bedford Books of St. Martin's Press, 1994. 348-67.*

Brown, John Russell. "Multiplicity of Meaning in the Last Moments of Hamlet." Connotations 2.1 (1992): 16-33.

_____. "Connotations of Hamlet's Final Silence." Connotations 2.3 (1992): 275-86.

Brown, John Mason. "Seeing Things: Olivier's Hamlet." Saturday Review of Literature 2 (Oct. 1948): 26-28.

Brown, Keith. "Hamlet off Centre." TLS 16 May 1997: 21.*Burnett, Mark Thornton, coed. New Essays on HAMLET. 1994.Calderwood, James L. To Be and Not to Be: Negation and Metadrama

in HAMLET. New York: Columbia UP, 1983.Calvo López, Clara. "The Tragicall Historie of Hamlet, Prince of

Denmarke and the Pronouns of Address: Q1 (1603) versus Q2 (1604/5)."In SEDERI VII. Ed. S. González Fernández-Corugedo et al. Coruña: SEDERI, 1996. 17-22.*

Cantor, Paul A. Shakespeare: HAMLET. (Landmarks in World Literature). Cambridge: Cambridge UP, 1989.*

Caraher, Brian. "The 'Guilty Hand' of Northern Ghosts: Shakespeare's Hamlet and Macbeth as Melodramas of Horrror." In Caraher, Trespassing Tragedy: Melodramas of Horror. Houndmills: Macmillan, 2000.

Cartmell, Deborah. "Shakespeare, Film and Gender: Critical and Filmic Representations of Hamlet." In Cartmell, Interpreting Shakespeare on Screen. Houndmills: Macmillan, 2000. 21-38.*

Carvalho Homem, Rui. "Aos Pés da Donzela: Traduçâo, Cultura e Decorum num Hamlet em Portugês." Traduçâo, Cultura, Sociedade: Actas das III Jornadas de Traduçâo do ISAI. Porto: ISAI (forthcoming 1997).

Chambers, E. K. "Plays of the First Folio." In Chambers, William Shakespeare: A Study of Facts and Problems. Oxford: Clarendon Press, 1930. 1.275-498.*

_____. "The Date of 'Hamlet'." In Chambers, Shakespearean Gleanings. London: Oxford UP, 1944. 68-75.*

Chappel, Connery. "Olivier's Hamlet." Kinematograph Weekly 6 May 1948: 6.

"Citizen Dane." Harper's Magazine (Sept. 1948): 116-7.

6

Page 7: Hamlet

Clément, Catherine. "Pierre Bayard: Hamlet a tué son père." Magazine Littéraire no. 428 (February 2004): Dossier "La Psychanalyse."*

Clubb, Louise George. "The Arts of Genre: Torrismondo and Hamlet." English Literary History 47 (1980): 657-69.

_____. "The Arts of Genre: Torrismondo and Hamlet." In Shakespeare and the Literary Tradition. Ed. Stephen Orgel and Sean Keilen. New York and London: Garland, 1999. 121-34.* (Tasso).

Coddon, Karin S. "'Suche Strange Desygns': Madness, Subjectivity, and Treason in Hamlet and Elizabethan Culture." In William Shakespeare: Hamlet. Ed. Susanne L. Wofford. (Case Studies in Contemporary Criticism). Boston: Bedford Books of St. Martin's Press, 1994. 380-402.*

Cohen, Brent M. "'What Is It You Would See?': Hamlet and the Conscience of the Theatre." English Literary History 44 (1977): 222-47.

_____. "'What Is It You Would See?': Hamlet and the Conscience of the Theatre." In Shakespeare and the Interpretive Tradition. Ed. Stephen Orgel and Sean Keilen. New York: Garland, 1999. 140-66.*

Coleridge, Samuel Taylor. "Hamlet" From Table Talk (24 June 1827)._____. "Hamlet." In Shakespeare Criticism: A Selection 1623-1840.

Ed. David Nichol Smith. London: Oxford UP, 1946. 256-63.*_____. "Notes on the Tragedies: Hamlet." From Coleridge's

Shakespearean Criticism. Ed. Thomas M. Raysor. Cambridge (MA): Harvard UP. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 157-64.*

Conklin, Paul. A History of Hamlet Criticism, 1601-1821. New York: King's Crown Press, 1947.

Cook, Alton. "Olivier's Hamlet." New York World Telegram 30 Sept. 1948.

Cook, Don. Rev. of Hamlet. Dir. Laurence Olivier. New York Herald Tribune 9 May 1948: sect. v, 1-2.

Cooper, Helen. "Hamlet and the Invention of Tragedy." In SEDERI VII. Ed. S. González Fernández-Corugedo et al. Coruña: SEDERI, 1996. 189-200.*

Corliss, Richard. "Wanna Be… or Wanna Not Be?" Time 137 (7 Jan. 1991): 73. (Hamlet, dir. Zeffirelli).

Coyle, Martin, ed. Hamlet. (New Casebooks series). Houndmills: Macmillan, 1996.

Crapanzano, V. Hermes' Dilemma and Hamlet's Desire: On the Epistemology of Interpretation. Cambridge (MA): Harvard UP, 1992.

7

Page 8: Hamlet

Cross, Brenda, ed. The Film HAMLET: A Record of Its Production. London, 1948.

Crowther, Bosley. Rev. of Hamlet. Dir. Laurence Olivier. New York Times 3 Oct. 1948: sect. 2, x.

_____. "Discussing Hamlet." New York Times 7 Nov. 1948: sect. 2, x.Darrach, Brad. "Mad Max Plays Hamlet: Mel Gibson, a Great Dane

from Down Under." Life 14.2 (Feb. 1991): 36-42, 46.Davies, Brenda. "Hamlet." Monthly Film Bulletin 39 (1972): 163.

(Richard Burton/John Gielgud).Davison, Peter. HAMLET Houndmills: Macmillan, 1983.Dawson, Anthony B. HAMLEt (Shakespeare in Performance). 

Manchester: Manchester UP, 1995.  Pbk. 1997.Delabastita, Dirk. There's a Double Tongue: An Investigation into the

Translation of Shakespeare's Wordplay with Special Reference to Hamlet. Amsterdam: Rodopi, 1993.

Dent, Alan. "Hamlet and Caligari." Illustrated London News 15 May 1948: 562.

_____. "Text-Editing Shakespeare—With Particular Reference to Hamlet." In HAMLET: The film and the Play. Ed. Alan Dent. London, 1948.

_____, ed. HAMLET: The Film and the Play. Foreword by Laurence Olivier. London, 1948.

Díaz Fernández, José Ramón, and Sofía Muñoz Valdivieso. "'From an Original Idea by William Shakespeare': Franco Zeffirelli's Film Version of Hamlet." Actas del XXI Congreso Internacional AEDEAN. Ed. F. Toda et al. Sevilla: U de Sevilla, 1999. 259-64.*

DiMatteo, Anthony. "Hamlet: Reconstructing a Lost Code of Meaning." Connotations 6.1 (1996-97): 158-79; 6.2 (1996/97): 138-158.*

Draper, John W. The HAMLET of Shakespeare's Audience. New York: Octagon Books, 1966.

Draudt, Manfred. "The Comedy of Hamlet." Atlantis 24.1 (June 2002): 71-83.*

Duffy, Robert A. "Gade, Olivier, Richardson: Visual Strategy in Hamlet Adaptation." Literature/Film Quarterly 4.2 (1976): 141-52.

Eliot, T. S. "Hamlet." 1919. _____. "Hamlet." In Eliot, El bosque sagrado: Edición bilingüe. San

Lorenzo de El Escorial (Madrid): Langre, 2004. 115-22.*_____. "Hamlet." In Eliot, Selected Essays. London: Faber and Faber,

1932.

8

Page 9: Hamlet

_____. "Hamlet and His Problems." From Selected Essays. New York: Harcourt, 1950. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 180-84.*

_____. "Hamlet." In Eliot, Selected Essays. 3rd ed. London: Faber and Faber, 1951. 141-6.*

_____. "Hamlet." In Los poetas metafísicos y otros ensayos sobre teatro y religión. Trans. Sara Rubinstein. Buenos Aires: Emecé, 1944.

_____. "Hamlet and His Problems / Hamlet y sus problemas." In Eliot, El bosque sagrado: Edición bilingüe. San Lorenzo de El Escorial (Madrid): Langre, 2004. 309-24.*

"Elsinore of the Mind." Rev. of Richardson's film Hamlet. Time 12 Jan. 1970: 46.

Empson, William. "Hamlet When New." (Parts I and II). Sewanee Review 61 (1953): 15-42, 185-205.

_____. . "Hamlet When New." (Parts I and II). In Shakespeare in the Theatre. Ed. Stephen Orgel and Sean Keilen. New York: Garland, 1999. 123-50, 41-71.*

_____. "Hamlet." In Empson, Essays on Shakespeare. Cambridge: Cambridge UP, 1986. 79-136.* Rev. version of "Hamlet when New."

_____. ["Up-dating Revenge Tragedy"]. From Essays on Shakespeare. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 283-94.*

Erlich, Avi. Hamlet's Absent Father. Princeton (NJ): Princeton UP, 1977.*

Everett, Barbara.Young Hamlet: Essays on Shakespeare's Tragedies. Oxford: Clarendon Press, 1990.

Farley-Hills, David. Critical Responses to HAMLET: Volume 3: 1839-1854. (Hamlet Collection, 5). AMS Press, 1998.

Fenwick, Henry. "The Production." In Hamlet: The BBC TV Shakespeare. London, 1980.

Ferguson, Margaret W. "Hamlet: Letters and Spirits." In Shakespeare and the Question of Theory. Ed. Geoffrey Hartman and Patricia Parker. New York: Methuen, 1985.

_____."Hamlet: Letters and Spirits." From Shakespeare and the Question of Theory. Ed. Patricia Parker and Geoffrey Hartman. London: Routledge, 1985. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 246-62.*

Fisch, Harold. Hamlet and the Word. New York: Ungar, 1971.Foakes, R. A. Hamlet versus Lear: Cultural Politics and

Shakespeare's Art. Cambridge: Cambridge UP, 1993. Foster, Maxwell E. The Play Behind the Play: HAMLET and Quarto

One. Heinemann USA, 1998.

9

Page 10: Hamlet

Frascella, Lawrence. "Reviews: Hamlet." Dir. Franco Zeffirelli. US 24 Jan. 1991: 55-6.

Freud, Sigmund. (On Hamlet). From The Interpretation of Dreams. In Freud, Standard Edition, Ed. James Strachey. London, 1953. 4.264-66.

Furse, Roger. "Designing the Film Hamlet." In HAMLET: The film and the Play. Ed. Alan Dent. London, 1948.

García Landa, José Ángel. "Hamlet se ahoga y renace." In García Landa, Vanity Fea 30 Dec. 2005.http://garciala.blogia.com/2005/123002-hamlet-se-ahoga-y-renace.php6 Jan. 2005

_____. "Hamlet marica." In García landa, Vanity Fea 22 April 2006.http://garciala.blogia.com/2006/042202-hamlet-marica.php2006-04-30

_____. "Resurrección simbólica de Hamlet Shakespeare." In García Landa, Vanity Fea 24 Oct. 2006.http://garciala.blogia.com/2006/102401-resurreccion-simbolica-de-hamlet-shakespeare.php2006-11-01

_____. "Ensayos y soliloquios." In García Landa, Vanity Fea 6 Aug. 2009.* (James Shapiro, Hamlet, William Cornwallis).http://vanityfea.blogspot.com/2009/08/ensayos-y-soliloquios.html2009

_____. "1599: Dudas y… pensándolo mejor." In García Landa, Vanity Fea 18 Aug. 2009.*http://vanityfea.blogspot.com/2009/08/1599-dudas-y-pensandolo-mejor.html2009

Garber, Marjorie. "Hamlet: Giving Up the Ghost." InWilliam Shakespeare: Hamlet. Ed. Susanne L. Wofford. (Case Studies in Contemporary Criticism). Boston: Bedford Books of St. Martin's Press, 1994. 297-331.* (Deconstructive).

Goethe, Johann Wolfgang. Wilhelm Meisters Lehrjahre. Novel. 1795-6.

_____. ["A Soul Unfit"]. From Book 4, ch. 13 of Wilhelm Meister's Apprenticeship. 1795. Trans. Thomas Carlyle. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 153-54.*

Granville-Barker, Harley. Prefaces to Shakespeare. 5 vols. 1927-48._____. Preface to HAMLET. New York: Hill & Wang, 1957._____. "The Five Acts of the Editors." From Preface to Hamlet. New

York: Hill & Wang, 1957. 34-40. In Hamlet. Ed. Cyrus Hoy.

10

Page 11: Hamlet

2nd ed. (Norton Critical Edition). New York: Norton, 1992. 192-96.*

Green, André. Un Oeil en trop: Le complexe d'Œdipe dans la tragédie. Paris: Minuit, 1969.

_____. The Tragic Effect: Oedipus Complex and Tragedy. Trans. Alan Sheridan. Cambridge: Cambridge UP, 1979. Trans. of Un Oeil en trop.

_____. Hamlet et HAMLET: Une interprétation psychanalytique de la répresentation. Paris: Ballard, 1982.

Greenblatt, Stephen J. Hamlet in Purgatory.Greenspun, Roger. "Williamson as Hamlet: Richardson Film Based

on Debated Version." New York Times 22 Dec. 1969: 143.Greet, T. Y. "The Theme and Structure of Shakespeare's Hamlet."

PMLA (Sept. 1957): 775-90.Grossberger, Lewis. "Movies: Shakespeare Goes Hollywood." Vogue

181 (Feb. 1991): 214, 220.Guerin, Wilfred L., Earle Labor, Lee Morgan, Jeanne C. Reesman,

and John R. Willingham. A Handbook of Critical Approaches to Literature. 4th ed. New York: Oxford UP, 1999.*

Guntner, J. Lawrence. "Hamlet, Macbeth and King Lear on Film." In The Cambridge Companion to Shakespeare on Film. Ed. Russell Jackson. Cambridge: Cambridge UP, 2000. 2004. 117-34.*

Halio, Jay L. "Three Filmed Hamlets." Literature/Film Quarterly 1.4 (1973): 316-20.

Hamlet. (Stratford-upon-Avon Studies). London: Arnold, 1963.HAMLET, The Film and the Play. London, 1948."Hamlet: The Play and the Screenplay" Hollywood Quarterly 3

(Spring 1948): 293-300."Hamlet Triumph." Newsweek 27 Sept. 1948: 87-88.Hart, Henry. Rev. of Hamlet. Dir. Laurence Olivier. Films in Review

17 (1966): 251-52._____. "Hamlet Revisited." Films in Review 5 (1954): 144-5.Hartung, Philip. Rev. of Hamlet. Dir. Laurence Olivier. Commonweal

(Oct. 1948): 596.Harvey, Gabriel. "Gabriel Harvey on Hamlet, Venus and Adonis, and

The Rape of Lucrece." In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 3329-30.*

Hatch, Robert. Rev. of Hamlet. Dir. Laurence Olivier. New Republic 4 (Oct. 1948): 28-30.

Hazlitt, William. Characters of Shakespear's Plays. London, 1817. _____. Characters of Shakespear's Plays. Oxford: Oxford UP._____. Characters of Shakespeare's Plays. (Everyman). London:

Dent, 1906.

11

Page 12: Hamlet

_____. Characters of Shakespeare's Plays. In The Complete Works of William Hazlitt. Ed. P. P. Howe. 21 vols. London, 1930-34. Vol. 4.

_____. Characters of Shakespear's Plays. Select. in Hazlitt, Selected Writings 277-88.

_____. "Hamlet." From Characters of Shakespear's Plays. 1817. In Shakespeare Criticism: A Selection 1623-1840. Ed. D. N. Smith. London: Oxford UP, 1946. 1964. 287-91.*

_____. "Characters of Shakespear's Plays: Hamlet." From Characters of Shakespear's Plays. 1817. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 164-69.*

Herring, R. "Hamlet: Sir Laurence Olivier's Picture." Life and Letters 57 (June 1948): 183-92.

Heylen, Romy. Translation, Poetics, and the Stage: Six French Hamlets. London: Routledge, 1993.

Hift, Fred. "Honours for Hamlet." New York Times 14 May 1950: x5. (Olivier).

Hodgdon, Barbara. "The Critic, the Poor Player, Prince Hamlet, and the Lady in the Dark." In Shakespeare Reread: The Texts in New Contexts. Ed. Russ McDonald. Ithaca (NY): Cornell UP, 1994. 259-94.*

Holderness, Graham. Shakespeare: The Histories. Houndmills: Macmillan; New York: St. Martin's, 2000.* (Hamlet, Richard III, Henry VI, Part One; Henry V, Henry IV, Richard II).

Hopkins, Arthur. "Hamlet and Olivier." Theatre Arts 32 (Summer 1948): 30-31.

Hubert, Judd D. "Hamlet, Student Prince and Actor." In The Dialectic of Discovery: Essays on the Teaching and Interpretation of Literature Presented to Lawrence E. Harvey. Ed. John D. Lyons and Nancy J. Vickers. (French Forum Monographs, 50). Lexington (KY): French Forum, 1984. 132-44. Rev. as "Hamlet: Actor, Student Prince, and Avenger." In Hubert, Metatheater: The Example of Shakespeare. Lincoln: U of Nebraska P, 1991. 88-105.*

Huntley, John. "The Music of Hamlet and Oliver Twist." In The Penguin Film Review. London, 1949. 110-16.

Jackson, Russell. "Hamlet's Worlds: Thoughts on Kenneth Branagh's Hamlet and the 'Competition'." In Shakespeare: Text-Theatre-Film. Ed. Therese Fischer-Seidel and Friedrich-K. Unterweg. Düsseldorf: Droste, 2001. 145-66.*

James, Caryn. "Too Oft, Fault Lies in the Stars." The New York Times 6 Jan. 1991: sec. 2, 13, col. 1 and sect. 2, 19.

12

Page 13: Hamlet

Jardine, Lisa."'No Offence i' th' world': Hamlet and Unlawful Marriage." In Uses of History. Ed. Francis Barker, Peter Hulme, and Margaret Iversen. Manchester UP, 1991. 123-39.*

_____. "Afterword: What Happens in Hamlet?" In Shakespeare and Gender. Ed. Deborah Barker and Ivo Kamps. London: Verso, 1995. 316-26.*

Jensen, Michael P. "Mel Gibson on Hamlet." Shakespeare on Film Newsletter 15.2 (1991): 1, 2, 6.

Johnson, Samuel. "[The Praise of Variety.]" From The Plays of William Shakespeare. London, 1765. 8.311. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 148-49.*

Jones, Ernest. "The Oedipus Complex as an Explanation of Hamlet's Mystery." American Journal of Psychology 21 (Jan. 1910).

_____. Das Problem des Hamlet und der Oedipus-Komplex. Leipzig and Vienna, 1911.

_____. "La muerte del padre de Hamlet." In Jones, Ensayos de psicoanálisis aplicado. In Jones, Obras escogidas. Barcelona: RBA, 2006.*

_____. A Psychoanalytic Study of Hamlet. 1922. _____. (On Hamlet and Oedipus). In Jones, Essays in Applied

Psychoanalysis. London, 1923._____. (On Hamlet and Oedipus). In HAMLET by William Shakespeare

with a Psycho-analytical Study by Ernest Jones, MD. London, 1947.

_____. Hamlet and Oedipus. London: Gollancz, 1949._____. Hamlet and Oedipus. New York: Norton, 1949. 1976.*_____. Hamlet and Oedipus. Garden City (NY): Doubleday-Anchor,

1954._____. Hamlet et Œdipe. Paris: Gallimard, 1967._____. Hamlet y Edipo. Trans. Ramón Ballester. Editorial

Mandrágora._____. Hamlet y Edipo. Trans. Ramón Ballester. In Jones, Obras

escogidas. Barcelona: RBA, 2006.*_____. "Tragedy and the Mind of the Infant." From Hamlet and

Oedipus. .W. W. Norton. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 200-7.*

_____. "La muerte del padre de Hamlet." In Psicoanálisis y literatura. Ed. H. M. Ruitenbeek. México: FCE, 1973. 34-39.*

Jorgens, Jack J. "Image and Meaning in the Kozintsev Hamlet." Literature Film Quarterly 1.4 (1973): 307-15.

_____. Shakespeare on Film. Bloomington (IN): Indiana UP, 1977.*Jump, John D., ed. Shakespeare: HAMLET. (Casebooks series).

Basingstoke: Macmillan, 1968.

13

Page 14: Hamlet

Kastan, David Scott. Critical Essays on Shakespeare's HAMLET. 1995.Kehler, Dorothea. "The First Quarto of Hamlet: Reforming Widow

Gertred." Shakespeare Quarterly 46.4 (Winter 1997): 398-414.*

Kettle, Arnold. ["Hamlet in a Changing World"]. From Shakespeare in a Changing World. London: Lawrence and Wishart, 1964. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 237-46.*

Keyishian, Harry. "Shakespeare and Movie Genre: The Case of Hamlet." In The Cambridge Companion to Shakespeare on Film. Ed. Russell Jackson. Cambridge: Cambridge UP, 2000. 2004. 72-82.*

Kitto, H. D. F. Form and Meaning in Drama. New York: Barnes, 1957.

_____. "Hamlet." In Shakespeare Criticism 1935-60. Ed. Anne Ridler. London: Oxford UP, 1963. 142-66.* Select. from Form and Meaning in Drama.

Klein, Holger. "Hamlet and After." Connotations 3.1 (1993-94): 56-59.

Kliman, Bernice. "Olivier's Hamlet: A Film-Infused Play." Literature/Film Quarterly 5.4 (1977): 305-14.

_____. "The Spiral of Influence: 'One Defect' in Hamlet." Literature/Film Quarterly 11 (1983): 159-66.

_____. HAMLET: Film, Television and Audio Performance. London and Toronto: Associated UPs, 1988; Cranbury, 1988.

_____. "Hamlet Productions Starring Beale, Hawke, and Darling from the Perspective of Performance History." In A Companion to Shakespeare's Works: Volume 1: The Tragedies. Ed. Richard Dutton and Jean E. Howard. Malden: Blackwell, 2003. 2006. 134-57.*

Knight, G. Wilson. The Wheel of Fire: Interpretations of Shakespearean Sombre Tragedies. 1930.

_____. The Wheel of Fire. London: Oxford UP, 1941._____. The Wheel of Fire: Interpretations of Shakespearean Tragedy.

4th rev. and enl. ed.London: Methuen, 1959. 1960. 1964. 1977.*

_____. "The Embassy of Death: An Essay on Hamlet." From The Wheel of Fire. London: Methuen, 1930. Selection. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 184-91.*

Knights, L. C. Some Shakespearean Themes and An Approach to HAMLET. Harmondsworth: Penguin, 1966.

Kott, Jan. "On Kozintsev's Hamlet." The Literary Review 22.4 (Summer 1979).

14

Page 15: Hamlet

Kozintsev, Grigori. "The Hamlet Within Me." Films and Filming (Sept. 1962): 20.

_____. Shakespeare: Time and Conscience. New York: Hill and Wang, 1966.

_____. Shakespeare, Time and Conscience. London: Denis Dobson, 1967.

_____. "Hamlet and King Lear: Stage and Film." In Shakespeare 1971. Ed. Clifford Leech and J. M. R. Margeson. Toronto, 1972.

Lacan, Jacques. "Desire and the Interpretation of Desire in Hamlet." 1959. In Literature and Psychoanalysis, the Question of Reading: Otherwise. (Yale French Studies 55/56). New Haven: Yale UP, 1977.

_____. "On Hamlet." 1959. In Issues in Contemporary Literary Theory. Ed. Peter Barry. Houndmills: Macmillan, 1987. 178-80.*

_____. "Hamlet (I)." Freudiana 6 (1992).Lanham, Richard A. "Superposed Plays: Hamlet."In Lanham, The

Motives of Eloquence: Literary Rhetoric in the Renaissance. New Haven: Yale UP, 1976. 129-43.

_____. "Superposed Plays: Hamlet." In Shakespeare and the Literary Tradition. Ed. Stephen Orgel and Sean Keilen. New York and London: Garland, 1999. 235-50.*

Lawrence, D. H. ["An Aversion from Hamlet"]. From Lawrence, D. H. Lawrence and Italy. Viking Penguin. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 175-80.*

Lesser, Simon O. "Freud and Hamlet Again." American Imago 12 (1955): 207-20. (Olivier too).

Leverenz, David. "The Woman in Hamlet: An Interpersonal View." In Representing Shakespeare: New Psychoanalytic Essays. Ed. Murray M. Schwartz and Coppélia Kahn. Baltimore: Johns Hopkins UP, 1980.

Levin, Harry. The Question of Hamlet. New York: Oxford UP, 1959. _____. "An Explication of the Player's Speech." From Levin, The

Question of Hamlet. New York: Oxford UP, 1959. 141-62. Select. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 207-16.*

Lewis, C. S. "Hamlet: The Prince or the Poem?" From Lewis, They Asked for a Paper. 1962. Selection. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 196-200.*

Litton, Glen. "Diseased Beauty in Tony Richardson's Hamlet." Literature/Film Quarterly 4.2 (1976): 108-22.

15

Page 16: Hamlet

Loewenstein, Joseph. "Plays Agonistic and Competitive: The Textual Approach to Elsinore."Renaissance Drama 19 (1989): 63-96.

_____. "Plays Agonistic and Competitive: The Textual Approach to Elsinore." In Shakespeare and the Editorial Tradition. Ed. Stephen Orgel and Sean Keilen. New York and London: Garland, 1999. 219-52.*

Loomba, Ania. "Hamlet in Mizoram." in Cross-Cultural Performances: Differences in Women's Re-Visions of Shakespeare. Ed. Marianne Novy. Urbana: U of Illinois P, 1993.

López Román, Blanca. "Procesos de transformación de Shakespeare en la traducción de Hamlet de Moratín." BELLS 1 (1989): 117-23.

_____. "Transformaciones galoclásicas en el texto de la traducción de Hamlet de Moratín." In Translation Across Cultures: La traducción entre el mundo hispánico y anglosajón: Relaciones lingüísticas, culturales y literarias. Actas XI Congreso AEDEAN. Ed. J. C. Santoyo. León: Universidad de León, 1989. 119-26.*

Mack, Maynard. "The World of Hamlet." In Shakespeare: Hamlet: A Collection of Critical Essays. Ed. John D. Jump. (Casebooks series). Basingstoke: Macmillan, 1968.

_____. "The World of Hamlet." In Twentieth Century Interpretations of Hamlet. Ed. David Bevington. Englewood Cliffs (NJ): Prentice-Hall, 1968.*

_____. "The World of Hamlet." In Shakespeare: The Tragedies. Ed. Alfred Harbage. Englewood Cliffs (NJ): Prentice-Hall, 1964.

Mackenzie, Henry. "Criticism on the Character and Tragedy of Hamlet." The Mirror 99 (18 april 1770). Rpt. in Memorials of Shakespeare. Ed. Nathan Drake. London, 1828?. 371-78. Selection. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 150-53.*

Maher, Mary Z. "The Un-Hamlet." Paper delivered at the Western Conference on Literature, Film and the Humanities, U of Arizona, 3 Jan. 1992. (On Zeffirelli's Hamlet. Unpublished).

Marcus, Leah S. "Bad Taste and Bad Hamlet." In Marcus, Unediting the Renaissance: Shakespeare, Marlowe, Milton. London: Routledge, 1996. 132-76.*

Marte, Frédéric. "'Des mots, des mots, des mots, ou comment traduire Hamlet." (Dossier Shakespeare). Magazine Littéraire 393 (Dec. 2000): 50-53.*

Matheson, Mark. "Hamlet and A Matter Tender and Dangerous." Shakespeare Quarterly 46.4 (Winter 1997): 383-398.*

16

Page 17: Hamlet

Matheson, Tom. "Hamlet's Last Words." Shakespeare Survey 48: Shakespeare and Cultural Exchange. Ed. Stanley Wells. Cambridge: Cambridge UP, 1996.

McCarten, John. "Olivier's Hamlet." The New Yorker 2 Oct. 1948: 90-91.

McCarthy, Mary. "A Prince of Shreds and Patches." Rpt. in Focus on Shakespearean Film. Ed. Charles Eckert. New Jersey, 1972. 63-67.

McDonald, D. J. "Hamlet and the Mimesis of Absence: A Post-Structuralist Analysis." Educational Theatre Journal 30 (1978): 36-53.

McEvoy, Sean. "Understanding Tragedy: Hamlet, King Lear, Macbeth and Othello." In McEvoy, Shakespeare: The Basics. London and New York: Routledge, 2000. 2nd ed. 2006.*

_____. "Shakespeare on Film." In McEvoy, Shakespeare: The Basics. London and New York: Routledge, 2000. 2nd ed. 2006. 105-28.* (Hamlet, Branagh, Almereyda, Twelfth Night, Ten Things I Hate About You).

_____, ed. Hamlet. (Routledge Guides to Literature). McGuigan, Cathleen. "Melancholy Mel Goes to Elsinore." Newsweek

116.37 (31 Dec. 1990): 61.McManaway, James G. "The Laurence Olivier Hamlet." Shakespeare

Association of America Bulletin 24 (Jan. 1949): 3-11.McMillin, Scott. "Casting the Hamlet Quartos: Longer is Smaller." In

The Hamlet First Published. Forthcoming 1992.Meagher, John C. Shakespeare's Shakespeare: How the Plays Were

Made. New York: Continuum, 1997. 2000.* (A Midsummer Night's Dream, As you Like it, Richard II, 1 Henry IV, Romeo and Juliet, Hamlet, King Lear).

Mehl, Dieter. "Hamlet's Last Moments: A Note on John Russell Brown." Connotations 2.2 (1992): 182-85.

Mowat, Barbara. "The Form of Hamlet's Fortunes." Renaissance Drama 19 (1989): 97-126.

_____. "The Form of Hamlet's Fortunes." In Shakespeare and the Editorial Tradition. Ed. Stephen Orgel and Sean Keilen. New York and London: Garland, 1999. 347-77.*

Mullaney, Steven. "Mourning and Misogyny: Hamlet, The Revenger's Tragedy, and the Final Progress of Elizabeth I, 1600-1607." Shakespeare Quarterly 45.2 (1994): 139-62.

_____. "Mourning and Misogyny: Hamlet, the Revenger's Tragedy, and the Final Progress of Elizabeth I, 1600-1607." In Centuries' Ends, Narrative Means. Ed. Robert Newman. Stanford (CA): Stanford UP, 1996. 238-60.*

17

Page 18: Hamlet

_____. "Mourning and Misogyny: Hamlet, The Revenger's Tragedy, and the Final Progress of Elizabeth I, 1600-1607." In Political Shakespeare. Ed. Stephen Orgel and Sean Keilen. New York: Garland, 1999. 67-91.*

_____. "Mourning and Misogygy: Hamlet and the Final Progress of Elizabeth I." In Shakespeare, Feminism, and Gender: Contemporary Critical Essays. Ed. Kate Chedgzoy. (New Casebooks). Houndmills: Palgrave, 2001. 161-83.* (Shortened version).

Mullin, Michael. "Tony Richardson's Hamlet: Script and Screen." Literature/Film Quarterly 4.2 (1976): 123-33.

Murray, Gilbert. "Hamlet and Orestes." In Murray, The Classical Tradition in Poetry. Cambridge (MA): Harvard UP, 1927. 205-40.

Murray, Janet H. Hamlet on the Holodeck: The Future of Narrative in Cyberspace. New York: Free Press, 1997.

_____. Hamlet on the Holodeck: The Future of Narrative in Cyberspace Cambridge (MA): MIT Press, n.d.* (Narrative, Shakespeare, videogames, computers and literature, Internet, virtual reality, immersion).

Nash, Walter. "Changing the Guard at Elsinore." In The Language and Literature Reader. Ed. Ronald Carter and Peter Stockwell. Abingdon (UK) Routledge, 2008.*

Neill, Michael. "'To Know My Stops': Hamlet and Narrative Abruption." In Neill, Issues of Death: Mortality and Identity in English Renaissance Tragedy. Oxford: Clarendon Press, 1997. 1998. 216-43.*

_____. "Accommodating the Dead: Hamlet and the Ends of Revenge." In Neill, Issues of Death: Mortality and Identity in English Renaissance Tragedy. Oxford: Clarendon Press, 1997. 1998. 243-62.*

_____. "'He That Thou Knowest Thine': Friendship and Service in Hamlet." In A Companion to Shakespeare's Works: Volume 1: The Tragedies. Ed. Richard Dutton and Jean E. Howard. Malden: Blackwell, 2003. 2006. 319-38.*

Nettle, Daniel. "What Happens in Hamlet? Exploring the Psychological Foundations of Drama." In The Literary Animal: Evolution and the Nature of Narrative. Ed. Jonathan Gottschall and David Sloan Wilson. Evanston (IL): Northwestern UP, 2005. 56-75.*

Olivier, Laurence. "An Essay in Hamlet." In The Film HAMLET: A Record of Its Production. Ed. Brenda Cross. London, 1948.

"Olivier's Hamlet Acclaimed in London." New York Times 5 May 1948: L 29.

18

Page 19: Hamlet

Onega Jaén, Susana. "Hamlet y el restablecimiento del orden." In Homenaje a Esteban Pujals Fontrodona. Oviedo: U de Oviedo / AEDEAN, 1982.*

Paduano, Guido. Lunga Storia di Edipo Re: Freud, Sofocle e il teatro occidentale. Turin: Einaudi, 1994.

Parker, Patricia. "'Conveyers Are You All': Translating, Conveying, Representing, and Seconding in the Histories and Hamlet." In Parker, Shakespeare from the Margins: Language, Culture, Context. Chicago: U of Chicago P, 1996. 149-84.*

_____. "Othello and Hamlet: Spying, Discovery, Secret Faults." In Parker, Shakespeare from the Margins: Language, Culture, Context. Chicago: U of Chicago P, 1996. 229-72.*

_____. "Othello and Hamlet: Dilation, Spying, and the 'Secret Place' of Woman." In Shakespeare Reread: The Texts in New Contexts. Ed. Russ McDonald. Ithaca (NY): Cornell UP, 1994. 105-46.*

Potter, Lois. "Falstaff and/or Hamlet." Revs. on Bate and Hardy. TLS 13 March 1998: 9-10.*

Powell, Dilys. "Hamlet on the Screen." Britain Today 147 (July 1948): 18-21.

Púa Carretero, Vanessa. "Multiplicity in Shakespeare's Hamlet." Ms. Universidad de Zaragoza, Departamento de Filología Inglesa y Alemana, 2004.*

Quinn, Edward. "Zeffirelli's Hamlet." Shakespeare on Film Newsletter 15.2 (April 1991): 1-2, 12.

Ramsaye, Gerry. "Britain's Hamlet Is Presented to American Reviewers." Motion Picture Herald 3 July 1948: 17.

Rice, Robert (Sir). The Story of Hamlet. 1924.Richardson, William. A Philosophical Analysis and Illustration of

some of Shakespeare's Remarkable Characters. London, 1774. (Macbeth, Hamlet, Jaques, Imogen).

_____. "The Character of Hamlet." From Richardson, A Philosophical Analysis and Illustration of some of Shakespeare's Remarkable characters. Selection. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 149-50.*

Righter, Anne. "The Power of Illusion." In Righter, Shakespeare and the Idea of the Play. 1962. Harmondsworth: Penguin, 1967. 125-47.* (The Voice of the Play. Comic Deceit. Hamlet and the Contemporary Stage).

Roberts, Adam. "Who Wrote the Ur-Hamlet?" The Valve 26 Jan. 2008

http://www.thevalve.org/go/valve/article/who_wrote_the_ur_hamlet/#comments2008

19

Page 20: Hamlet

Rodríguez López-Vázquez, Alfredo. "Hamlet, Laforgue, and Joyce." Papers on Joyce 2 (1996): 99-104.*

Romney, Jonathan. "Hamlet." Dir. Franco Zeffirelli. Sight and Sound (May 1991): 48-9.

Rose, Jacqueline. "Sexuality in the Reading of Shakespeare: Hamlet and Measure for Measure." In Alternative Shakespeares. Ed. John Drakakis. (New Accents). 1985. London: Routledge, 1988. 95-118.*

_____. "Sexuality in the Reading of Shakespeare: Hamlet and Measure for Measure." From Alternative Shakespeares. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 262-83.*

_____. "Hamlet—The Mona Lisa of Literature." Critical Quarterly 28.1-2 (1986): 35-49.

_____. "Hamlet—The Mona Lisa of Literature." In Shakespeare and Gender. Ed. Deborah Barker and Ivo Kamps. London: Verso, 1995. 104-19.*

Rosenberg, Marvin. The Masks of HAMLET. London: Associated UPs, 1993.

Rowe, Katherine. "'Remember Me': Technologies of Memory in Michael Almereyda's Hamlet." In Shakespeare the Movie II: Popularizing the Plays on Film, TV, Video, and DVD. Ed. Richard Burt and Lynda E. Boose. New York and London: Routledge, 2003. 37-55.*

Royle, Nicholas. "Mutes: Hamlet." In Royle, How to Read Shakespeare. (How to Read). London: Granta Books, 2005. 56-70.*

Sánchez Espinosa, Adelina. "Música, juego y teatro en Hamlet." Revista de Filología Moderna 2/3 (1992): 235-46.

Sanders, Julie. "The End of History and the Last Man: Kenneth Branagh's Hamlet." In Shakespeare, Film, Fin de Siècle. Ed. Mark Thornton Burnett and Ramona Wray. Houndmills: Macmillan; New York: St: Martin's, 2000. 147-64.*

Santillana, Giorgio. Il Mulino di Amleto (Hamlet's Mill). Santillana, Giorgio de, and Hertha von Dechend. Hamlet's Mill.

Boston: Gambit, 1969.Schlegel, A. W. "Criticism on Shakespeare's Tragedies: Hamlet."

From Lectures on Dramatic Art and Literature. 1808. Trans. John Black. London: 1846. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 155-57.*

Schreiber, Flora Rheta. "Television's Hamlet." Film Quarterly 8 (1953): 150-6.

Seng, Peter J. The Vocal Songs in the Plays of Shakespeare: A Critical History. Cambridge (MA): Harvard UP, 1967.

20

Page 21: Hamlet

_____. [Dramatic Function of the songs in Hamlet.] From Seng, The Vocal Songs in the Plays of Shakespeare: A Critical History. Cambridge (MA): Harvard UP, 1967. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 217-27.*

Shakespeare: HAMLET. (Brodie's Notes). Houndmills: Macmillan.Shakespeare: HAMLET. (Macmillan Master Guides). Houndmills:

Macmillan.Shakespeare Survey 45: "Hamlet" and Its Afterlife. Ed. Stanley Wells.

Cambridge, 1993.Showalter, Elaine. "Representing Ophelia: Women, Madness, and the

Responsibilities of Feminist Criticism." In Shakespeare and the Question of Theory. Ed. Patricia Parker and Geoffrey Hartman. London: Methuen, 1985. 77-94.

_____. "Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism." In Shakespearean Tragedy. Ed. John Drakakis. London: Longman, 1992. 280-95.*

_____. "Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism." In William Shakespeare: Hamlet. Ed. Susanne L. Wofford. (Case Studies in Contemporary Criticism). Boston: Bedford Books of St. Martin's Press, 1994. 220-40.*

Sibony, Daniel. "Hamlet: Une machine folle d'écriture." (Dossier Shakespeare). Magazine Littéraire 393 (Dec. 2000): 53-54.*

Siegel, Paul N. "'Hamlet, Revenge!': the Uses and Abuses of Historical Criticism." Shakespeare Survey 45 (1993).*

Sinfield, Alan. "Hamlet's Special Providence." Shakespeare Survey 33 (1980): 89-97.

_____. "Hamlet's Special Providence." In Shakespeare and the Interpretive Tradition. Ed. Stephen Orgel and Sean Keilen. New York: Garland, 1999. 167-76.*

Smith, Emma. "'Either for Tragedy, Comedy': Attitudes to Hamlet in Kenneth Branagh's In the Bleak Midwinter and Hamlet." In Shakespeare, Film, Fin de Siècle. Ed. Mark Thornton Burnett and Ramona Wray. Houndmills: Macmillan; New York: St: Martin's, 2000. 137-46.*

Sokolyansky, Mark. "Grigori Kozintsev's Hamlet and King Lear." In The Cambridge Companion to Shakespeare on Film. Ed. Russell Jackson. Cambridge: Cambridge UP, 2000. 2004. 199-211.*

Some Remarks on the Tragedy of Hamlet Prince of Denmark. Anonymous essay. London, 1736. Selection. In Hamlet. Ed.

21

Page 22: Hamlet

Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 147-48.*

Spurgeon, Caroline. Leading Motives in the Imagery of Shakespeare's Tragedies. Oxford, 1930.

_____. Shakespeare's Imagery and What It Tells Us. Cambridge: Cambridge UP, 1935.*

_____. "The Imagery of Hamlet." 1935. Select. in The Language of Literature. Ed. Norman Page. Basingstoke: Macmillan, 1984.103-6.*

Starks, Lisa S. "The Displaced Body of Desire: Sexuality in Kenneth Branagh's Hamlet." In Shakespeare and Appropriation. Ed. Christy Desmet and Robert Sawyer. London: Routledge, 1999. 160-78.*

Starobinski, Jean. "Hamlet et Œdipe." In Starobinski, La Relation critique. Paris: Gallimard, 1970. 286-320.*

Stivers, Cyndi. "Hamlet Revisited." Rev. of Hamlet, dir. Franco Zeffirelli. Premiere 4 (Feb. 1991): 50-4, 56.

Stoll, Michael John. "A Village Production of Hamlet." Film Quarterly 19.4 (1976): 51-4.

Taylor, Gary. "The Folio Copy for Hamlet, King Lear, and Othello."Shakespeare Quarterly 34 (1983): 44-61.

_____. "The Folio Copy for Hamlet, King Lear, and Othello." In Shakespeare and the Editorial Tradition. Ed. Stephen Orgel and Sean Keilen. New York and London: Garland, 1999. 378-96.*

Taylor, Neil. "The Films of Hamlet." In Shakespeare and the Moving Image: The Plays on Film and Television. Ed. Anthony Davies and Stanley Wells. Cambridge: Cambridge UP, 1994. 1995. 180-95.*

Thompson, Ann. "Asta Nielsen and the Mystery of Hamlet." In Shakespeare, the Movie: Popularizing the Plays on Film, TV and Video. Ed. Lynda E. Boose and Richard Burt. London: Routledge, 1997. 1999. 215-24.*

Thompson, Ann, and Neil Taylor. Hamlet. (Writers and Their Work). Plymouth: Northcote House/British Council, 1996.*

Traversi, Derek A. "The Problem Plays." In Traversi, An Approach to Shakespeare. 2nd ed., rev. and enlarged. London: Sands, n.d. [1958]. 61-125.* (Troilus and Cressida, Hamlet, Measure for Measure).

Tronch Pérez, Jesús. "Editar Hamlet, Editar un enigma: Apoximació. Reflexions sobre la crítica bibliotextual shakespeariana en l'exemple de Hamlet." MA diss. U de Valencia, 1994.

_____. Un primer Hamlet. Valencia: Fundación Shakespeare de España, 1994.

22

Page 23: Hamlet

_____. "Dramaturgy of the Acting Version of the First Quarto of Hamlet." In SEDERI VII. Ed. S. González Fernández-Corugedo et al. Coruña: SEDERI, 1996. 201-16.*

_____. "New Old Readings in the Texts of Hamlet." In SEDERI 9 (1998). Ed. Jesús Cora Alonso et al. Alcalá de Henares: SEDERI / U de Alcalá, 1999. 305-17.*

_____. Rev. of Hamlet and of Hamlet: The Texts of 1603 and 1623. (Both Arden Shakespare, 3rd series) Ed. Ann Thompson and Neil Taylor. Atlantis 30.1 (June 2008): 149-57.*

Tyler, Parker. "Hamlet and Documentary." Kenyon Review 11 (Summer 1949): 527-32.

"Versiones de Hamlet." XVI Congreso de la Asociación Española de Estudios Anglo-Norteamericanos. Valladolid: Secretariado de Publicaciones de la Universidad de Valladolid, 1994.*

Very, Jones. "Hamlet." In Very, Poems and Essays. New York: Arno Press, 1972.

Vesselo, Arthur. "British Films of the Quarter." Sight and Sound 17 (Summer 1948): 99-100.

Watts, Cedric. Hamlet. (Harvester New Critical Introductions to Shakespeare). Hemel Hempstead: Harvester Wheatsheaf, 1988.

Weimann, Robert. "Mimesis in Hamlet." In Shakespeare and the Question of Theory. Ed. Patricia Parker and Geoffrey Hartman. London: Routledge, Chapman & Hall, 1985.

Wells, Stanley, ed. Shakespeare Survey 45: HAMLET and Its Afterlife.. Cambridge: Cambridge UP, 1993.

West, Rebecca. "The Nature of Will." From The Court and the Castle. New Haven: Yale UP, 1958. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 227-37.*

Wilde, Oscar. "Hamlet at the Lyceum." The Dramatic Review 9 May 1885. Rev. of Henry Irving's production.

_____. "Hamlet at the Lyceum." In Wilde, Selected Journalism. Ed. Anya Clayworth. (Oxford World's Classics). Oxford: Oxford UP, 2004. 47-50.*

Wilds, Lilian. "On Film: Maximilian Schell's Most Royal Hamlet." Literature/Film Quarterly 4.2 (1976): 134-40.

Wilson, J. Dover. What Happens in HAMLET. Cambridge: Cambridge UP, 1951. 1953.

Winstanley, Lilian. Hamlet and the Scottish succession. Wofford, Susanne L. "Deconstruction and Hamlet." InWilliam

Shakespeare: Hamlet. Ed. Susanne L. Wofford. (Case Studies in Contemporary Criticism). Boston: Bedford Books of St. Martin's Press, 1994. 283-96.*

Wofford, Susanne L. "Feminist criticism and Hamlet." InWilliam Shakespeare: Hamlet. Ed. Susanne L. Wofford. (Case Studies

23

Page 24: Hamlet

in Contemporary Criticism). Boston: Bedford Books of St. Martin's Press, 1994. 208-19.*

_____. "Marxist criticism and Hamlet." InWilliam Shakespeare: Hamlet. Ed. Susanne L. Wofford. (Case Studies in Contemporary Criticism). Boston: Bedford Books of St. Martin's Press, 1994. 332-47.*

_____. "Psychoanalytic criticism and Hamlet." InWilliam Shakespeare: Hamlet. Ed. Susanne L. Wofford. (Case Studies in Contemporary Criticism). Boston: Bedford Books of St. Martin's Press, 1994. 241-55.*

_____. "The New Historicism and Hamlet." InWilliam Shakespeare: Hamlet. Ed. Susanne L. Wofford. (Case Studies in Contemporary Criticism). Boston: Bedford Books of St. Martin's Press, 1994. 368-79.*

_____, ed. William Shakespeare: Hamlet. (Case Studies in Contemporary Criticism). Boston: Bedford Books of St. Martin's Press, 1994.*

Wright, George T. "Hendiadys and Hamlet." 1981.Wyatt, Euphemia. Rev. of Hamlet. Dir. Laurence Olivier. Catholic

World 168 (Dec. 1948): 243-4.Yasunari Takahashi. "Hamlet and the Anxiety of Modern Japan."

Shakespeare Survey 48: Shakespeare and Cultural Exchange. Ed. Stanley Wells. Cambridge: Cambridge UP, 1996.

Young, David. Shakespeare's Middle Tragedies: A Collection of Critical Essays. Englewood Cliffs: Prentice-Hall, 1993.

Zaro, Juan Jesús. "¿Traducción o reescritura? La versión de Hamlet de José María Pemán (1949)." In XVIII Congreso de AEDEAN (Alcalá de Henares, 15-17 diciembre 1994). Ed. Ricardo J. Sola, Luis A. Lázaro and José A. Gurpegui. Alcalá: Servicio de Publicaciones de la Universidad de Alcalá, 1997. 359-66.*

_____. "El autor traductor: El Hamlet de José María Pemán (1949)." In Zaro, Shakespeare y sus traductores: Análisis crítico de siete traducciones españolas de obras de Shakespeare. Bern: Peter Lang, 2007.*

_____. "El crítico traductor: El Hamlet de Salvador de Madariaga (1949)." In Zaro, Shakespeare y sus traductores: Análisis crítico de siete traducciones españolas de obras de Shakespeare. Bern: Peter Lang, 2007. 101-14.*

Zschirnt, Christiane. "9. Shakespeare. Vida. Obras: Hamlet, Enrique IV, El rey Lear, Otelo, Sueño de una noche de verano. Noche de Reyes o lo que queráis, El mercader de Venecia, Macbeth, La tempestad." In Zschirnt, Libros: Todo lo que hay que leer. Madrid: Santillana-Taurus, 2004. 201-14.*

24

Page 25: Hamlet

Anthologies

Bevington, David, ed. Twentieth Century Interpretations of Hamlet: A Collection of Critical Essays. Englewood Cliffs (NJ): Prentice-Hall, 1968.*

Bibliography

Daniell, David. "Hamlet." In Shakespeare: A Bibliographical Guide. Ed. Stanley Wells. Oxford: Clarendon, 1990. 201-22.*

Films

(Note: c. 50 films of Hamlet, c. 100 other films using it in part by the late 90s)

Hamlet. Dir. Clément Maurice. Episodes with Sarah Bernhardt in the title role. (With gramophone sound). France, 1900.

Hamlet, Prince de Danemark. Dir. Georges Méliès. France, 1907.Amleto. Dir. Luca Comerio. Based on Shakespeare's Hamlet. Italy,

1908.Hamlet. Dir. William Barker. Based on Shakespeare's play. UK, 1908.Hamlet. Dir. P. C. Lux. France, 1909.Amleto. Dir. Mario Caserini. Based on Shakespeare's play. Italy,

1910.Hamlet. Dir. August Blom. Based on Shakespeare's play. Denmarki,

1910.Hamlet. Dir. Henri Desfontaines. Based on Shakespeare's play.

France, 1910.¿Hamlet. Dir. Sir Johnston Forbes-Robertson. 1913.¿Hamlet. Dir. E. Hay Plumb. Based on Shakespeare's play. UK, 1913.Hamlet. Dir. Arturo Ambrosio. Based on Shakespeare's play. Italy,

1914.Hamlet. Based on William Shakespeare's play. Dir. Eleuterio Rodolfi.

Italy, 1917.Hamlet. Dir. Svend Gade and Heinz Schall. With Asta Nielsen as

Hamlet. Prod. Asta Nielsen. Germany, 1920.

25

Page 26: Hamlet

Khoon ka khoon. Dir. Sohrab Modi. Based on William Shakespeare's Hamlet. India, 1935.

Hamlet. Dir. John Gielgud. Filmed drama based on a Broadway rehearsal.

Hamlet. Filmed drama. Dir. Wirth.Hamlet. Dir. Laurence Olivier. Screenplay by Alan Dent and

Laurence Olivier, based on Shakespeare's play. Cast: Laurence Olivier, Jean Simmons. Eileen Herlie, Basil Sydney, Stanley Holloway, Peter Cushing, John Laurie, Terence Morgan. Music by William Walton. Photog. Desmond Dickinson (b/w). Prod. des. Carmen Dillon. ED. Helga Cranston. Prod. Laurence Olivier / J. Arthur Rank - Two Cities. 145'. UK, 1948. (Oscar for Best Picture, Best Actor (Olivier), Art Direction-Set decoration and Costumes, Golden Globe, Golden Lion).

_____, Hamlet. Dir. Laurence Olivier. Spanish VHS. Filmax group video, 1994.*

_____. Hamlet Príncipe de Dinamarca. Dir. Laurence Olivier. Spanish VHS. (Colección William Shakespeare). Barcelona: Filmax / Planeta DeAgostini, 2000.*

_____ Hamlet. In William Shakespeare: Laurence Olivier: Películas. 3 DVDs. Barcelona: Filmax Home Video/Círculo de Lectores, 2002.*

Hamlet. Dir. Kishore Sahu. Based on William Shakespeare's play. India, 1954.

Hamlet. Dir. John Gielgud. With Richard Burton. TV Film. Electronovision.

_____. Hamlet. Dir. John Gielgud and Bill Colleran. Based on William Shakespeare's play. USA, 1964.

Gamlet (Hamlet). Dir. Grigori Kozintsev. Screenplay by Grigori Kozintsev, on Boris Pasternak's translation of Shakespeare's play. Cast: Innokenti Smoktunovski, Elza Radzin-Szolkonis, Anastasia Vertinskaya, Mikhail Nazwanov, Yuri Tolubeyev, Vladimir Erenberg, Stepan Oleksenko. Music by Dmitri Shostakovich. Photog. I. Gritsys. Prod. des. E. Ene and G. Kropachev. Ed. E. Makhankova. 140'. USSR: Lenfilm, 1964. (Special prize of the jury, Venice Festival 1964).

Hamile. Dir. Terry Bishop. Based on William Shakespeare's Hamlet. Ghana, 1964.

Hamlet. Filmed theatre. Dir. Tony Richardson. Cast: Nicol Williamson, Gordon Jackson, Anthony Hopkins, Judy Parfitt, Mark Dignam, Marianne Faithfull. UK: Woodfall Films, 1969.

Heranga. Film. Based on William Shakespeare's Hamlet. Brazil: Long Film, 1970.

26

Page 27: Hamlet

Hamlet. Dir. René Bonnière and Stephen Bush. Based on William Shakespeare's play. Canada, 1973.

Hamlet. Dir. Celestino Coronado. Based on William Shakespeare's play. UK, 1976.

Hamlet. Dir. Rodney Bennett. Cast: Derek Jacobi, Eric Porter, Claire Bloom, Patrick Stewart. TV film (BBC Shakespeare series). UK: BBC/Time-Life, 1980.

Hamlet. Dir. Franco Zeffirelli. Screenplay by Franco Zeffirelli and Christopher De Vore, based on Shakespeare's play. Cast: Harrison Ford, Glenn Close, Alan Bates, Paul Scofield, Ian Holm, Helena Bonham Carter, Stephen Dillane, Nathaniel Parker, John McEnery. Music by Ennio Morricone. Photog. David Watkin. Prod. des. Michael Lamont. Ed. Richard Marden. Prod. Dyson Lovell, for Calco Pictures/Icon Productions. 135'. USA, 1990.

_____. Hamlet: El honor de la venganza. Dir. Franco Zeffirelli. Spanish VHS.

Classic Mel Gibson: The Making of HAMLET. Narr. Mel Gibson. HBO, 1991.

Hamlet. Dir. Natalia Orlova. Animated feature. Adapt. Leon Garfield. Prod. Dave Edwards. (Shakespeare: The Animated Tales). Moscow/Cardiff, 1992.

Hamlet. Dir. Gabriel Axel. With Christian Bale.Hamlet. Dir. and screenplay by Kenneth Branagh (complete version

of Shakespeare's text). Cast: Kenneth Branagh, Julie Christie, Billy Crystal, Richard Attenborough, Gérard Depardieu, Charlton Heston, Derek Jacobi, Jack Lemmon, Rufus Sewell, Robin Williams, Kate Winslet, Richard Briers, Brian Blessed, Rosemary Harris, Nicholas Farrell, Reece Dinsdale, Timothy Spall, Michael Molney, John Gielgud, John Mills, Rowena King. Photog. Alex Thomson. Music by Patrick Doyle. Prod. des. Tim Harvey. Ed. Neil Farrell. Prod. David Barron for Castlerock. Panavision super 70. 128'/245'. US/UK, Castlerock, 1996.

_____. El gran clásico de William Shakespeare: Hamlet de Kenneth Branagh. Spanish VHS. Castlerock / Filmayer video, 1997.*

_____. Hamlet de Kenneth Branagh. (Colección William Shakespeare). Castlerock / Filmayer / Planeta DeAgostini, 2000.*

Hamlet. Dir. Michael Almereyda. Based on Shakespeare's play. Cast: Ethan Hawke, Kyle MacLachlan, Sam Shepard, Diane Venora, Bill Murray, Liev Schereiber, Julia Stiles, Karl Geary, Steve Zahn, Dechen Thurman, Jeffrey Wright, Paul Bartel, Casey Affleck. USA: Miramax, 2000.

27

Page 28: Hamlet

_____. Hamlet. Dir. Michael Almereyda. Spanish DVD: Laurenfilms, 2002.*

Internet resources

Falcon Education Hamlet and Macbeth Pages. http://www.falconedlink.com/falcon

Journals

Hamlet Studies. Periodical. New Delhi.

Literature

Dickens, Charles. Great Expectations. Gray, Alasdair. "What's Eatin' You, Hamlet?" Parody play. Whitehill

School Magazine (Summer 1952): 20-22.García Landa, José Ángel. "Hamletlet." Vanity Fea 7 May 2005.

http://garciala.blogia.com/2005/050701-hamletlet.php_____. "Hamleth." In García Landa, Vanity Fea 13 May 2007.

http://garciala.blogia.com/2007/051301-hamleth.php2007-05-31

Gilbert, W. S. Rosencrantz and Guildenstern. Comic opera. 1891.Stewart, J. I. M. (Ps. Michael Inness). Hamlet, Revenge!_____. (Ps. Michael Inness). The Mysterious Affair at Elsinore. Müller, Heinr. Hamlet Machine.Nabokov, Vladimir. Bend Sinister. English novel. New York: Holt,

1947._____. Bend Sinister. New York: McGraw-Hill._____. Bend Sinister. London: Weidenfeld and Nicolson, 1960._____. Bend Sinister. With a new introduction by the author. New

York: Time-Life Books, 1964._____. Bend Sinister. Harmondsworth: Penguin, 1974.*_____. Bend Sinister. New York: Random House-Vintage

International [c. 1990?].

28

Page 29: Hamlet

_____. Bend Sinister. With a new introduction by the author. Alexandria, (VA): Time-Life Books, 1981.

_____. Brisure à senestre. Paris: Julliard, 1978.Rushdie, Salman. "Yorick." Story. Encounter. _____. "Yorick." Rev. version. In East, West. London: Vintage, 1995.

61-84.*Stoppard, Tom. Rosencrantz and Guildenstern Are Dead. Drama.

1966._____, dir. Rosencrantz and Guildenstern Are Dead. Film. Prod

Michael Brandman and Emanuel Azenberg, with Thirteen. Cast: Gary Oldman, Tim Roty, Richard Dreyfuss, Iain Glen, Ian Richardson, Donald Sumpter, Joanna Miles, Joanna Roth. Screenplay by Tom Stoppard, based on his play; music Stanley Myers, photog. PeterBiziou. Montage Nicolas Gaster. VHS. Spanish version: Filmax Home Video / Planeta DeAgostini, 2000.*

Tsvetaeva, Marina. "Hamlet's Dialogue with Conscience." In Six poems of Marina Tsvetaeva. Music by Dmitri Shostakovich.

Updike, John. Gertrude and Claudius. Novel. London: Hamish Hamilton, 2000.*

Music

Berlioz. La Mort d'Ophélie. Song. 1842. _____. La Mort d'Ophélie. In Les Nuits d'été. Mélodies. Anne Sofie

von Otter. Hamburg: Deutsche Grammophon, prod. 1994. CD.*_____. La Mort d'Ophélie. In Irlande: 9 mélodies. Le Trébuchet. La

Mort d'Ophélie. Chant de la Fête de Pâques. John Eliot Gardiner, 1968. In CD 2 of Béatrice and Bénédict. Prod. 1963. London: Decca, 1996.*

Faccio. Hamlet. Opera. Libretto by Arrigo Boito. Premiere at Genoa, 1865.

Joachim. Hamlet Overture, op. 4. In Brahms, Symphony No. 1 in C minor, op. 68. [With] Joachim, Hamlet Overture, op. 4. Oslo Philharmonic Orchestra / Mariss Jansons. Rec. 1999. CD. Simax, c. 2001.*

Liszt, Ferenc. Hamlet S 644, Symphonic Poem no. 10. In Liszt, Symphonic Poems: Composer's Two Pianos Version. Prague Piano Duo. CD. (Praga Digitals). Prague: Praga Productions / Harmonia Mundi, 1997.*

Shostakovich, Dmitri. Gamlet (Hamlet). Music for Grigori Kozintsev's film. 1964.

29

Page 30: Hamlet

_____. Hamlet. Suite from the film music of Hamlet, op. 116. 1964. In Hamlet. The Gadfly. Berlin Radio Symphony Orchestra / Leonid Grin. CD. Frechen (Germany): Delta Music-Capriccio, 1989.*

_____. Hamlet. Excerpts. In Shostakovich, The Film Album. Royal Concertgebouw Orchestra / Riccardo Chailly. CD. London: Decca, 1999.*

Thomas, Ambroise. Hamlet. Opera._____. From Hamlet. In Maria Callas, Live in Athens (5-8-1957).

Athens Festival Orchestra / Antonino Votto. New Remastering. CD. (Maria Callas). Barcelona: DiVa/RBA, 2000.* (Verdi, Wagner, Donizetti, Thomas).

_____. From Hamlet. In Maria Callas, Live in Milan (27-9-1956). With Gianni Raimondi. Orchestra of the RAI-Milan / Alfredo Simonetto. New Remastering. CD. (Maria Callas). Barcelona: DiVa/RBA, 2000.* (From Luisa Miller, La Vestale, L'Africana, I Puritani, Semiramide, Mignon, Hamlet).

Walton, William. Hamlet. Film score. In Walton, Film Music vol 1: Hamlet. As You Like It. Gielgud. Bott. Academy of St. Martin-in-the-Fields / Marriner. CD/MC. Colchester: Chandos.

Related works

Belleforest, François de. Histoires Tragiques Extraictes des œuvres Italiennes de Bandel. 1569.

_____. "The Hystorie of Hamblet, Prince of Denmarke." From Histoires Tragiques. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 134-43.*

Bello, José ("Pepín"), and Luis Buñuel. Hamlet. Drama. Branagh, Kenneth, dir. In the Bleak Midwinter. Film. Prod. David

Barron. Assoc. prod. Iona Price, Tamar Thomas. Prod. design., Tim Harvey. Phot. Roger Lanser. Montage by Neil Frarrel. Costume by Caroline Harris. Music: Jimmy Yvill. Screenplay by Kenneth Branagh. Cast: Michael Maloney, Joan Collins, Richard Briers, John Sessions, Nick Farrell, Hetta Charnley, Mark Hadfield, Julia Swalha, Celia Impire, Jennifer Saunders. Castle Rock Entertainment / Midwinter Films, 1995.

_____, dir. En lo más crudo del crudo invierno (In the Bleak Midwinter). Spanish version. VHS. (Colección William Shakespeare). Barcelona: Filmayer Video / Planeta DeAgostini, 2000.*

30

Page 31: Hamlet

Chabrol, Claude, dir. Ophelia. Film. 1962. (Shakespeare allusion).Cunqueiro, Álvaro. O incerto señor Don Hamlet, príncipe de

Dinamarca. Drama. 1958. Vigo: Galaxia, 1968. 2nd. 3d. 1974. 3rd ed. (in Obras completas), 1980. 4th ed. 1984. 5th ed. 1986. 6th ed. 1988. 7th ed. 1990. 8th ed. 1997. 9th ed. 2003.*

The Hystorie of Hamblet. 1608. In Literature Online: Early English Prose Fiction. Cambridge: Chadwick-Healey.

Ireland, William Henry. Fragment from Hamlet. (Shakespeare forgery). In Miscellaneous Papers and Legal Instruments under the hand and seal of William Shakespeare... (Folio). 1795.

Kurosawa, Akira, dir. Los canallas duermen en paz. 1960. (Shakespeare allusion).

Lubitsch, Ernst, dir. To Be or Not to Be. Script by Edwin Justus Mayer. Cast: Jack Benny, Carole Lombard, Robert Stack, Lionel Atwill, Felix Bressart, Sig Ruman, Tom Dugan, Helmut Dantine, Stanley Ridges. USA, 1942.

Müller, Heiner. Hamletmachine. In Adaptations of Shakespeare: An Anthology of Plays from the 17th Century to the Present. Daniel Fischlin and Mark Fortier. London: Routledge, 2000.

Olivier, Laurence, and Alan Dent. Shooting script for Hamlet. Unpublished. Library of the British Film Institute.

Saxo Grammaticus. Gesta Danorum. 13th c. (Includes the Hamlet story).

_____. "Amleth." In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 127-33.*

Simonelli, Giorgio, dir. Moi Hamlet. Film. 1952. (Shakespeare allusion).

Series

(Hamlet Collection, 5). AMS Press, 1998.

Sources

Saxo Grammaticus. Gesta Danorum. (Includes the Hamlet story)._____. "Amleth." In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical

Edition). New York: Norton, 1992. 127-33.*

31

Page 32: Hamlet

Theatre productions

Adams, Basil, dir. Hamlet. BBC TV live broadcast, 1947.Guthrie, Tyrone, dir. Hamlet. With Laurence Olivier. Old Vic, 1937.Kozintsev, Grigori, dir. Hamlet. Leningrad: Pushkin Academic

Theatre of Drama, 1954.Okhlopokov, Nikolai, dir. Hamlet. Mayakovsky Theatre, 1954.Pasqual, Lluís, adapt. and dir. Hamlet. Music by Josep María

Arrizabalaga. Cast: Eduard Fernández, Marisa Paredes, Helio Pedregal, Aitor Mazo, Jesús Castejón, Rebeca Valls, Iván Hermes, David Pinilla, Javier ruiz de Alegría, Alberto Berzal, Lander Iglesias, Joseba Apaolaza, Antonio Rupérez. Teatro Arriaga; coprod. Teatro Español / Teatre Lliure. Zaragoza: Teatro Principal, 22 April 2006.

Richardson, Tony, dir. Hamlet. London's Chalk Farm.

32