gra20009 unit outline tp1 2015
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Swinburne College
Diploma of Design (UniLink) Course Code: DP-DES1 CRICOS: 073430G
Unit Outline
GRA20009
20th
Century Design
Teaching Period 1, 2015
Please read this Unit Outline carefully. It includes:
PART A Unit summary
PART B Your Unit in more detail
PART C Further information
GRA20009 20th Century Design Unit Outline Swinburne College, Swinburne University of Technology CRICOS number 00111D Page 2 of 14
PART A: Unit Summary
Unit Code(s) GRA20009
Unit Title 20th Century Design
Duration 14 weeks
Total Contact Hours 70
Requisites:
Pre-requisites Nil
Credit Points 12.5
Campus/Location Hawthorn
Mode of Delivery Face to face / online
Assessment Summary
Project 1: Written Report on Modernist Designer (50%)
Project 2: Oral presentation on Post Modernist Designer (50%)
Aims
This unit provides an introduction to the history of design in the 20th century, introducing students to a range of key designers, movements, innovations and developments such as pioneer modernism, international modernism and postmodernism. It explores aspects of the historical development of design as a creative, cultural and professional practice, while referencing the visual, material and special languages of design: graphics, products, interiors, environments, multimedia, film and animation. Students will gain an understanding of the social, cultural, economic and political role of design, together with the interface of design with the arts, and more significantly with modern technology, materials, production and consumerism.
Unit Learning Outcomes
Students who successfully complete this Unit should be able to:
1. Use effective communication and organisational skills while participating in an interactive e-learning and classroom community.
2. Identify and demonstrate an understanding of key Modern and Post Modern designers, movements, innovations and developments viewed within an international framework.
3. Analyse the emergence of design in the 20th Century and its relationship to socio,
economic and political contexts in societies.
4. Analyse and discuss design works through the development of independent learning skills and an engagement in peer learning.
5. Demonstrate research skills and expanded research methods beyond the web and into the library.
Key Generic Skills
You will be provided with feedback on your progress in attaining the following generic skills:
Fundamental Skills
People Skills
Thinking Skills
Personal Skills
Literacy (including reading & writing)
Communication (including speaking & listening)
Discipline, Vocabulary & Expression
Content
1. Introduction to 20th Century Design
2. Research Methods
3. Visual Analysis
4. Modernist Spatial Environments & Mies Van der Rohe
5. Modernist Utopias & Metropolis
6. 20th Century Typography
7. American Modernism
8. Australian Modernism
9. Modernism in an Asian Context
10. Introduction to Post Modernism
11. Post Modern Architecture & Frank Gehry
12. Droog Design
13. 20th Century Design today
14. Japanese Anime & Princess Mononoke
PART B: Your Unit in more detail
Unit Improvements
Feedback provided by previous students through the Student Survey has resulted in improvements that have been made to this unit. Recent improvements include:
• N/A
Unit Teaching Staff
Name Role Room Phone Email Consultation Times
Diana Haig Unit Convenor TD108 9214 6442 [email protected] By appointment
Manfred Huber Teacher TD192 9214 8585 [email protected] By appointment
Learning and Teaching Structure
Activity Total Hours Hours per Week Teaching Period Weeks
Class time 70 hours 5 hours Weeks 1 to 14
Week by Week Schedule
Week Week Beginning
Teaching and Learning Activity Student Task or Assessment
1 Monday February 23
Lesson 1: Introduction to 20th Century Design
Lesson 2: Project 1 - Assignment Briefing
2 Monday March 2
Lesson 1: Modernist Spatial Environments / DVD Screening Lesson 2: Workshop Project 1 written reports
3 Tuesday March 10
Lesson 1: Visual Analysis (requirements etc) Lesson 2: Visual Analysis (practice activities)
4 Monday March 16
Lesson 1: Modernist Utopias Lesson 2: German Expressionism
5 Monday March 23
Lesson 1: Metropolis Screening Lesson 2: Metropolis (visual analysis /discussion)
6 Monday March 30
Lesson 1: American Modernism Lesson 2: Project 1: Assignment review
EASTER BREAK, Thursday 3 April – Friday 10 April
7 Monday April 13
Lesson 1: Australian Modernism Lesson 2: Modernism in an Asian Context
Assessment 1: (50%) Written Report on Modernist Designer
8 Monday April 20
Lesson 1: Introduction to Postmodernism Lesson 2: Project 2 - Assignment Briefing
9 Monday April 27
Lesson 1: Postmodernism in Architecture Lesson 2: Sketches of Frank Gehry Screening
10 Monday May 4
Lesson 1: Postmodernism in Graphic Design Lesson 2: workshop Project 2 oral presentations
11 Monday May 11
Lesson 1: Postmodernism in industrial Design Lesson 2: workshop Project 2 oral presentations
12 Monday May 18
Lesson 1: Project 2 - Oral Presentations Lesson 2: Project 2 - Oral Presentations
Assessment 2: (50%) Oral Presentation on Postmodernist Designer
13 Monday May 25
Lesson 1: Oral Presentations Feedback Sessions Lesson 2: Droog Design DVD Screening /
14 Monday June 1
Lessons 1 & 2: 20th Century Design Today
NO EXAM
Assessment
a) Assessment Overview
Tasks and Details Individual or Group
Weighting
Unit Learning Outcomes that this assessment task relates to
Assessment Due Date
Project 1: Written Report on Modernist Designer
(2,000 words)
Individual 50% 1,2,3,4,5 End of week 7
Project 2: Oral presentation on Postmodernist Designer (10-12 minutes)
Individual 50% 1,2,3,4,5 End of week 12
Assessment 1: Written Report on Modernist Designer
In Week 7 you will be required to submit a 2,000 word written report:
Write a report about a Modernist designer and describe their contribution to the Modernism movement. A list of possible designers will be distributed in class. You must describe how the designer’s work reflects the influence of any modernist design movement that the designer is identified with (for example, the Bauhaus, Constructivism, De Stijl, New Typography, etc).
In addition, you must select two examples of the designer’s work and write a Visual Analysis (minimum 350 words for each design). Include at least one relevant photograph. If you choose to write about an architectural design, it is recommended that you write one longer Visual Analysis (700-800 words) instead of two shorter ones, so that you are able to include sufficient description and analysis. You should also include photographs showing the interior as well as the exterior of the building structure.
Your report should include the following:
Cover Page
Section 1: Profile of your designer (1,000-1,250 words)
Section 2: Visual Analysis x 2 (350-400 words each)
Section 3: Bibliography
Note: Your Cover Page should include your full name, student number, the report topic (name of your designer), subject name, your teacher’s name, and the due date of the report.
For this particular report you are not required to include an introduction or conclusion. Instead, your Designer Profile section should include an introductory paragraph and a concluding paragraph.
Full and correct Harvard referencing (both in-text and bibliographic referencing) is required. Your bibliography should include a minimum of 5 different sources. At least 2 of your sources should be books (e-books are acceptable).
Your written report will be assessed on the following criteria:
Criteria Max Mark Description
Designer Profile
8 This section should provide a clear
overview of the designer’s work and
his/her contribution to the development of
design (i.e. his/her influence).
This section should also mention formative
influences in the designer’s life and/or
training that are relevant to the
development of his/her style.
Key characteristics of the designer’s style
should be clearly identified.
Visual Analysis
Structure:
Introductory paragraph: 1st sentence should
include title of work & date; other sentences
should provide context.
Body: Includes description of the design work
(including materials used); description of
technique; interpretation of meaning / intention
of designer.
Concluding paragraph: Evaluation of design &
its significance (e.g. its influence; any particular
innovations that the design work represents)
10
2 x short VA
(350-400 words),
5 marks
each
or
1 long VA,
(700-800 words),
10 marks
The visual analysis should provide an
insightful response to the design work that
demonstrates knowledge and
understanding of the designer’s body of
work, and of the design’s context.
For full marks, this section should include
excellent description, interpretation and
evaluation. Opinions and general comments
should be supported by specific examples.
This section should also be well organised
(see notes on structure in 1st column on left).
References to Modernist Principles
(in Profile and Visual Analysis sections)
10
Your Designer Profile should mention any
specific Modernist art movements that the
designer was associated with and explain
the movements’ influence on the
designer’s work.
Visual Analysis section(s) must explain how
the design work(s) demonstrate specific
Modernist principles.
Page Design / Layout
Report formatting
10
All illustrations should be correctly labeled,
numbered and sourced. Illustrations should
be of good quality (e.g. high resolution, not
blurry), reasonable size (i.e. large enough to
see relevant details) and well positioned on
the page. Headings & subheadings should
be of consistent style & font size; pages
numbering. Illustrations should be printed
in colour.
Bibliography & in-text referencing
Referencing must follow the Harvard System –
see Swinburne Library guide.
4 This includes the quality of your research
& the reliability of your sources, in
addition to the correct use of the Harvard
system of in-text referencing and
bibliographic referencing.
In-text references are required in body of
report.
Readability / Cohesion
Language
Use of Paraphrasing
4 This refers to your English writing skills,
including your grammar, punctuation and
spelling.
Your vocabulary and the correct use of
relevant design terms is also assessed.
Ideas should be clearly linked and your
writing should be easy to understand.
Structure / Paragraphing
4 Your report should be well organised, with
clear introductory and concluding
paragraphs in each section.
Includes standard paragraph structure and
use of transitional expressions.
Assessment 2: Oral Presentation on Post Modernist Designer
In Week 12 you will be required to give a 10-12 minute oral presentation:
Your oral presentation will be on a Post Modernist designer or design studio and must be
accompanied by PowerPoint. A list of possible designers will be distributed in class. You must describe
how the designer’s work reflects the influence of any design movement that the designer is identified
with or has been influenced by (for example, Deconstructivism in architecture; Grunge, New Wave or
Punk in graphic design). It is important to identify the Post Modernist characteristics in the designer’s
work, and compare and contrast these to modernism.
Include examples of the designer’s work in your presentation. Select one of the works to discuss in
greater depth, so that you can demonstrate your visual analysis skills. You should identify elements of
the designer’s style and explain how the work reflects particular influences and design principles.
If you choose to discuss an architectural design, you should include photographs and/or diagrams
showing the interior as well as the exterior of the building structure.
Questions to consider when you are researching material for your presentation include:
Where and when did the designer work, and what was happening at that time?
What socio (related to society), economic or political events were significant in the time that they worked, and how did these events influence your designer’s work?
What type of work did your designer create and what was significant about it?
What are the key elements/characteristics of the designer’s style?
What were the designer’s key values/ideals (design principles)? In what ways are these values/ideals different from the Modernist movements?
If you choose a design studio as your topic, who were the leaders of the studio?
How did the designer influence the development of design?
Include a bibliography on the last screen in your presentation. Full and correct Harvard referencing is
required. Your bibliography should include a minimum of 5 different sources. At least one of your
sources should be a book.
Finally, in order for you to get a good mark, your presentation must be well structured. It should
include a clear introduction to the topic (the designer or design studio), an outline listing the main
parts of the presentation, 2 or 3 sections in the body of your presentation, and a conclusion
(including a brief summary of the main points, and a concluding comment).
As with any oral presentation, your level of engagement with the audience is very important. Good
eye contact and body language, a friendly and enthusiastic manner, and a clear voice will help you
communicate your ideas and keep your audience interested. You should not be reading from the
screen or from your notes!!
Your oral presentation will be assessed according to the listed criteria in the marking guide below:
Marking Guide - Project 2: Oral Presentation
Student Name: Student No: Date:
Topic - Post Modernist Designer/Studio:
TOTAL MARK: /50
Yes
To
so
me
exte
nt
No
Comments
2
marks
1
mark
0
marks
Introduction Was the introduction clear? Did the speaker explain what would be covered?
Content Was the content interesting and informative? Social/Economic/Political events & influences identified? Key elements/characteristics of style identified? How designer influenced design as a practice identified? Key values identified & compared to Modernism ? Evidence of Visual Analysis used to discuss work Speaker used own words/ showed original thought
Structure / Linking Was the information well structured, with sections linked?
Visual Aids Were the visuals well designed? Were the visuals clear and easy to understand? Were the visuals used well in the presentation?
Conclusion Did the speaker briefly summarise main points? Did the conclusion include a final comment?
Bibliography Bibliography included? Correct referencing in bibliography?
Delivery Did the speaker appear confident?
Was the speaker well prepared?
Did the speaker have knowledge of subject material? Body Language Good eye contact with the audience?
Hand gestures for emphasis & to refer to visuals? Pronunciation/ Pace
Was the speaker’s voice clear?
Were key words pronounced correctly?
Was intonation used well?
b) Minimum requirements to pass this Unit
To pass this unit, you must achieve an aggregate mark for the subject of 50% or more
In determining the final results of students in marginal categories (eg: pass/fail, or pass/credit), emphasis will be given to attendance and level of participation in classroom activities (e.g. discussion).
c) Examinations
There is no exam in this unit.
d) Submission Requirements
Assessment 1: Written Report
Written reports must be submitted through the Blackboard assessment submission system (Turnitin). In addition, you are required to submit a hard copy of your report.
An Assessment Cover Sheet must be submitted with the hard copy of your written report. The standard Assessment Cover Sheet is available from the Current Students web site (see Part C).
Assessment 2: Oral Presentation
Provide your teacher with a copy of your PowerPoint presentation on day of your
presentation.
Please ensure you keep a copy of all assessments that are submitted.
e) Extensions and Late Submission
Assessment due dates are published in Unit Outlines at the start of the teaching period and will not normally be extended except where students had their studies adversely affected by acute illness, misadventure or other extraordinary cause or circumstance reasonably beyond their control. Students who need to request an extension of time to the due date for a piece of assessment should contact their Unit Convenor directly to discuss their circumstances.
Late Submissions - Unless an extension has been approved, you cannot submit an assessment after the due date. If this does occur, you will be penalised 10% of the assessment’s worth for each calendar day the task is late, up to a maximum of 5 days. After 5 days a zero result will be recorded.
f) Referencing
To avoid plagiarism, you are required to provide a reference whenever you include information from other sources in your work. Further details regarding plagiarism are available in Section C of this document.
Referencing convention required for this unit is Harvard referencing style.
Helpful information on referencing can be found at http://www.swinburne.edu.au/lib/studyhelp/harvard-quick-guide.pdf
g) Groupwork Guidelines
N/A. All assessment tasks in this unit are individual assessment tasks.
Required Textbook(s)
No textbooks need to be purchased for this unit.
Recommended Reading Materials
The Library has a large collection of resource materials, both texts and current journals. Listed below are
some references that will provide valuable supplementary information to this unit. It is also recommended
that you explore other sources to broaden your understanding.
In addition, the 20th
Century Design shell on Blackboard is regularly updated with new materials and
useful links. All lecture notes and classroom handouts for this unit are uploaded on Blackboard.
Access is available via http://ilearn.swin.edu.au.
Recommended books include:
Blackwell, L 2004, 20th Century Type, Laurence King Publishing, London.
Byars, M 2004, The Design Encyclopedia, Museum of Modern Art & Laurence King, New York.
Eskilson, S 2007, Graphic Design: A New history, Laurence King Publishing, London
Gorman, C (ed.) 2003, The Industrial Design Reader, Allworth Press & Design Management Institute, New York.
Forty, A 1992, Objects of Desire: Design and Society Since 1750, Thames and Hudson, New York.
Student Charter
Please familiarise yourself with Swinburne’s Student Charter. The charter describes what students can reasonably expect from Swinburne in order to enjoy a quality learning experience. As students contribute to their own learning experience to that of their fellow students, the charter also defines the University's expectations of students.
Student behaviour and wellbeing
Swinburne has a range of policies and procedures that govern how students are expected to conduct themselves throughout the course of their relationship with the University. These include policies on expected standards of behaviour and conduct which cover interaction with fellow students, staff and the wider University community, in addition to following the health and safety requirements in the course of their studies and whilst using University facilities.
All students are expected to familiarise themselves with University regulations, policies and procedures and have an obligation to abide by the expected guidelines. Any student found to be in breach may be subject to relevant disciplinary processes. Some examples of relevant expected behaviours are:
Not engaging in student misconduct
Ensuring compliance with the University’s Anti-Discrimination, Bullying and Violence and Sexual Harassment requirements
Complying with all Swinburne occupational health and safety requirements, including following emergency and evacuation procedures and following instructions given by staff/wardens or emergency response.
In teaching areas, it is expected that students conduct themselves in a manner that is professional and not disruptive to others. In all Swinburne laboratories, there are specific safety procedures which must be followed, such as wearing appropriate footwear and safety equipment, not acting in a manner which is dangerous or disruptive (e.g. playing computer games), and not bringing in food or drink.
Blackboard
You should regularly access the Swinburne Course Management System (Blackboard) available via http://ilearn.swin.edu.au. Blackboard is regularly updated with important Unit information and communications.
Communication
All communication will be via your Swinburne email address. If you access your email through a provider other than Swinburne, then it is your responsibility to ensure that your Swinburne email is redirected to your private email address.
Plagiarism
Plagiarism is the action or practice of taking and submitting or presenting the thoughts, writings or other work of someone else as though it is your own work. Plagiarism includes any of the following, without full and appropriate acknowledgment to the original source(s):
The use of the whole or part of a computer program written by another person;
the use, in essays or other assessable work, of the whole or part of a written work from any source including but not limited to a book, journal, newspaper article, set of lecture notes, current or past student’s work, any other person’s work, a website or database;
The paraphrasing of another’s work;
The use of musical composition, audio, visual, graphic and photographic models,
The use of realia that is objects, artefacts, costumes, models and the like.
Plagiarism also includes the preparation or production and submission or presentation of assignments or other work in conjunction with another person or other people when that work should be your own independent work. This remains plagiarism whether or not it is with the knowledge or consent of the other person or people. It should be noted that Swinburne encourages its students to talk to staff, fellow students and other people who may be able to contribute to a student’s academic work but that where independent assignment is required, submitted or presented work must be the student’s own.
For further information on any of the below topics, refer to Swinburne’s Current Students web page http://www.swinburne.edu.au/student/.
Enabling plagiarism contributes to plagiarism and therefore will be treated as a form of plagiarism by the University. Enabling plagiarism means allowing or otherwise assisting another student to copy or otherwise plagiarise work by, for example, allowing access to a draft or completed assignment or other work.
Swinburne University uses plagiarism detection software (such as Turnitin) for assignments submitted electronically via Blackboard. Your Convenor will provide further details.
The penalties for plagiarism can be severe ranging from a zero grade for an assessment task through to expulsion from the unit and in the extreme, exclusion from Swinburne. Consequently you need to avoid plagiarism by providing a reference whenever you include information from other sources in your work.
Student support
You should talk to your Unit Convenor or Student Services, for information on academic support services available for Swinburne students.
Special consideration
If your studies have been adversely affected due to serious and unavoidable circumstances outside of your control (e.g. severe illness or unavoidable obligation) you may be able to apply for special consideration (SPC).
Applications for Special Consideration will be submitted via the SPC online tool normally no later than 5.00pm on the third working day after the submission/sitting date for the relevant assessment component.
Special needs
Sometimes students with a disability, a mental health or medical condition or significant carer responsibilities require reasonable adjustments to enable full access to and participation in education. Your special needs can be addressed by Swinburne's Disability Services, who can negotiate and distribute an 'Education Access Plan' that outlines recommendations for university teaching and examination staff. You must notify the University Disability Liaison Officer of your disability or condition within one week after the commencement of a unit of study to allow the University to make reasonable adjustments.
Review of marks
An independent marker reviews all fail grades for major assessment tasks. In addition, a review of assessment is undertaken if your final result is a marginal fail (45-49) or within 2 marks of a grade threshold.
If you are not satisfied with the result of an assessment you can ask the Unit Convenor to review the result. Your request must be made in writing within 10 working days of receiving the result. The Unit Convenor will review your result against the marking guide to determine if your result is appropriate.
If you are dissatisfied with the outcomes of the review you can lodge a formal complaint.
Feedback, complaints and suggestions
In the first instance you may discuss any issues with your Unit Convenor.If you are dissatisfied with the outcome of the discussions with the Unit Convenor or would prefer not to deal with your Unit Convenor, then you can complete a feedback form.
Advocacy
You are advised to seek advice from the staff at the Swinburne Student Amenities Association (SSAA) if you require assistance with any academic issues.