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Gothic Art1140-1500
Nations are forming
International banking and trade
More crusades
Growth of cities
More universities (logic required)
Scholastic philosophy (faith and reason);
100 Years War (1337-1453)
Black Death (mid-1300s; 40% population died)
Great Schism between Popes (1378-1417)
Gothic Art and the
Cult of the Virgin (around 1130 on, about the
same time the Byzantine Madonna became affectionate);
most churches dedicated to “Notre Dame”;
more light and mysticism
Abbot Suger described the effect of
his ambulatory, chapels, and large windows as:
“a circular string of chapels, by virtue of which the
whole (sanctuary) would shine with the
miraculous and uninterrupted light of the most
luminous windows.”
Suger’s design:
No new techniques.
Different emphasis:
-lighter
-higher
-more slender
-more light
-continuous flow vs.
discrete parts
Suger studied writings of Dionysius, 6th c. mystic theologian), that emphasized:
-mathematical harmony between parts of a building (based on
musical ratios)
-the mystical, miraculous effect of light (light as God’s presence)
Suger was trying to reinforce faith and spirituality through light and color
Vertical buttressesAt Chartres, each buttress
Was 2 million lbs.
With exterior flying buttresses,vertical buttresses could be moved away
from the wall, meaning more & larger windows,
& thinner walls
Origin of Stained glass:
stained glass was used in the Islamic world;
idea brought back by Crusaders
To create colored glass:
Add metallic oxides to molten glass
(cobalt- blue; manganese – red and
purple; silver oxide-yellow)
Or flash glass - fuse a layer of colored glass
to clear glass
To create stained glass designs:
-Design drawn in chalk on table
-glass cut to fit design
-details (faces, etc.) painted in black enamel
and fired
-Pieces of colored glass joined by lead
strips (cames)
-set in iron armature for support
Chartres rose window
and lancet windows
(north transept).
1220
Rose about 43’ diameter
Tracery – ornamental stonework
used in supporting glass windows
Amiens Cathedral.
Begun 1220
Gothic Cathedrals:
Pointed arches and windows
Ribbed groin vaults in the nave & aisles
Flying buttresses outside
Very high, narrow nave
Taller, thinner columns
Vertical emphasis
More unified space
-all cluster columns the same
-all the crowns of the rib vaults
and pointed arches of the
ceiling are at the same height
Much more light, much taller clerestories
& smaller triforiums
Stained glass rose & lancet windows
Reims. Begun 1220.
Note Gothic:
-tripartite façade
-deep portals
-tracery
-detailed ornamentation
-pointed arches, etc.
-pinnacles
-life-sized statues
Courtly style:
-graceful S-curve
Virgin of Jeanne d’Evreux,
From St. Denis.
1339.
Silver gilt and enamel. 2’3 ½”
Louis IX, Jeanne d’Evreux’s
great-grandfather, imprisoned in
El Mansura on the Nile,
on the way to Jerusalem