glosario cinema post production

8/10/2019 Glosario Cinema Post Production

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Cinema

Post-productionGlossary

Introduccin a la interpretacin

Prof. Victoria Massa

Leonel Livchits

Julio de 2001


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A1. A/B rolls

he negati!e o" an edited "ilm# cut to correspond to picture# built into 2 rolls# A and B# to allo$"or in!isible splices# instant changes o" the timing lights and "ades and dissol!es $ithout theneed "or opticals.

rollos A y B2. acetone

An organic li%uid chemical used in the manu"acture o" some types o" "ilm cement. Also usedto clean "ilm splicing e%uipment.

acetona

3. animation

he process o" photographing dra$ings or ob&ects a "rame at a time' by changing a dra$ing or mo!ing an ob&ect slightly be"ore each "rame is ta(en# the illusion o" motion is reali)ed.

animacin4. A.S.A.

his is the sensiti!ity to light o" a particular type o" "ilm. A.S.A. stands "or AmericanStandards Association# the organi)ation that standardi)ed the scale o" measurement o" "ilmspeed.

A.S.A

5. aspect ratio

he proportion o" picture $idth to height *1.33+1# 1.,,+1# 1. +1 or 2.3 +1/.ormato

!. assem"le

he $or( o" organi)ing and &oining the shots o" a "ilm in the se%uence in $hich they $illappear in the "inished print.

premonta#e$. A%&'

anu"acturer o" a popular o""line editing system. "ten used to re"er to the system itsel"# asA 5 editor .

A%&'

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B(. "lip tone

A sync pop. his is usually done by placing a piece o" 6toned6 tape on a particular "rame o" "ilmto establish a 6synch6 point.

se)al de sincro*. "leac+

Chemical used to con!ert a metallic sil!er image to a halide or other salt $hich can beremo!ed "rom the "ilm $ith hypo.

"lan,ueador1 . "lo -up

An optical enlargement o" a "ilm "rom one gauge to another# such as 1,mm up to 3 mm.ampliacin

11. "rea do n

he separation o" a roll o" camera original negati!e into its indi!idual scenes.des0lose

C12. camera lo0

A "orm o" paper$or( used to log shots and ta(es and put do$n any notes either to the lab or "or "uture organi)ation in the editing stage. here is generally one camera report per cameraroll.

planilla de c mara13. c+roma ey

An electronic special-e""ects system "or combining a desired bac(ground $ith li!e

"oreground action. c+roma ey

14. clapper

A board $ith t$o hinged stic(s attached. he clapper is used to record a scene number andsync point *!ia the clapstic(/ at the beginning o" a shot.

cla,ueta

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15. composition

A harmonious arrangement o" t$o or more elements# one o" $hich dominates all others ininterest.

composicin1!. contact printin0

he method used by the lab to copy "ilm. A contact print is made on a machine called acontact printer# in $hich the original "ilm and une7posed print stoc( are sand$iched together#emulsion against emulsion# and are run at a constant speed past a light $hich shines throughthe original# e7posing the print stoc( $ith the same image.

copiado por contacto1$. continuity

he seamlessness o" detail "rom one shot to another $ithin a scene. Continuity re"ers particularly to the physical elements# including any actions o" the actor# the placement o" props# the lighting# the costumes# and so on.

continuidad1(. cut

he cutting apart o" t$o shots at the "rameline or the point $here the shots ha!e been cutapart.

corte

c. in insert plano detalle

A close-up o" some detail in the scene.

#ump c. salto de ima0en

$o similar shots cut together $ith a &ump in continuity# camera position or time.

rou0+ c. copia sin a inar

he edited "ilm# bet$een the stages o" being an assembly and a "ine cut.

1*. cuttin0

he selection and assembly o" the !arious scenes or se%uences o" a reel o" "ilm.edicin/monta#e

c. room sala de edicin

A "ilm-editing room.


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2!. dupe

A duplicate negati!e# made "rom a master positi!e by printing and de!elopment or "rom anoriginal negati!e by printing "ollo$ed by re!ersal de!elopment.

interne0ati o

E2$. editin0

he cutting and arranging o" shots edicin

e. console mo iola

A $or(bench $ith re$inds attached# and sometimes a built-in light table in the center.

insert e. insert

See cut-in.

parallel e. monta#e paralelo

A method o" editing in $hich the point o" !ie$ s$itches alternately "rom e!ents at onelocation to those o" another related action.

2(. editor

he person responsible "or assembling the !arious !isual and audial components o" a "ilm intoa coherent and e""ecti!e $hole.

editor2*. emulsion

he thin layer o" sil!er attached to the base $hich# $hen e7posed and de!eloped# creates the"ilm image through the areas o" sil!er# $hich bloc( light# and the clear areas $hich allo$ lightto pass through.

emulsin3 . eye line

Eye line is the direction an actor should loo( o""-screen to match a re!erse angle or a :. . .shot.

e#e de la mirada

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glosario cinema post production

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