from libro de cifra nueva para tecla, harpa y vihuela
TRANSCRIPT
Luis Venegas de Henestrosa(c. 1510 – 1570)
Four Piecesfor Vihuela/Lute
fromLibro de Cifra Nueva
para tecla, harpa y vihuela
edited byYasunori Imamura
TREE EDITION
Luis Venegas de Henestrosa(c. 1510 – 1570)
Four Piecesfor Vihuela/Lute
fromLibro de Cifra Nueva
para tecla, harpa y vihuela
edited byYasunori Imamura
© 2014TREE EDITIONAlbert Reyerman
Luis Venegas de Henestrosa(c. 1510 – 1570)
About Luis Venegas de Henestrosa not much is known. His „Libro deCifra Nueva para tecla, harpa y vihuela“ was published in 1557 in Alcalá deHenares, which is near Madrid. As the title indicates, the music is notated in aparticular type of tablature that is applicable for all keyboards, harps and vihuelas.
I chose four pieces from this volume and arranged them for the vihuelaor lute. Even though the composer states that the music can be played on thevihuela, because of its technical demands, it is considered to be more suitablefor a keyboard instrument rather than the vihuela. In order for it to be played onthe vihuela, some arranging is necessary, be it transposition, or reducing thenumber of voices.
Usually pavanas are written in duple meter, but this „Pavana con su glosa“is written in triple meter.
In Romance IV „Trece diferencias sobre Conde Claros“, while the origi-nal variation consists of 5 variations, I have added 8 of my own.
Although Romance 1 „Pues no me queréis hablar“ (So you don’t want totalk to me) is anonymous, it is thought to have been composed by FranciscoFernández Palero (1533-1597), an organist at the Chapel in Granada. Theredobles (renaissance ornaments / diminutions) in the repeat are my own.
The composer of „Cinco diferencias sobre Las Vacas“ is unknown. Becauseof the technical demands of this piece, again it is evident that it was conceivedfor a keyboard instrument rather than the vihuela.
Yasunori Imamura, February 2014
1. Pavana con su glosa Page 6
2. Trece diferencias sobre Conde Claros 8
3. Pues no me queréis hablar 10
4. Cinco diferencias sobre Las vacas 12
These four pieces are (among others) recordedby Yasunori Imamura for the vihuela CD
„Spanish music for vihuela from the time of Charles V“published by „Querstand / VKJK 1318“
Verlag Klaus-Jürgen Kampradwww.vkjk.de
- 5 -
Luys Venegas de Henestrosa
Pavana con su glosaAntonio
Transcribed by
Yasunori Imamura
(Alcalá de Henares, 1557)
GCFADG
a
cca
a
cca
a
cca
a
cca
a
cca
acdb
acdb
acdb
d
ffd
d
ffd
d
bba
d
bba
d
bba
d
ffd
d
ffd
acdb
acdb
acdb
a
cca
9
a
cca
acdb
d
ffd
d
bba
d
ffd
acdb
a
cca
a
cca
acdb
d
ffd
d
bba d
bd
ab
d
ffdg f d
f g
df
acdb
a
dab
d
a
cca
17
a
cca
acdb
d
ffd
d
bba
d
bba
d
ffd
acdb
a
cda
a
cca
acd
acd
a
cca
acdb
d
ffd
d
bba
d
bba
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ffd
acdb
a
cda
a
cca
acd
acd
25
a
cc
a
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cc
a
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a
a
cc
a da
b a
d b
a
d b ad
accc
c ad c
fd
d
c
c
d
da
a
ac
b
ed
- 6 -
29
d
aba
d ba
d
bd c a
dcbb
d
d
bb
a c d
d
aba
babd
dd
a
ada b
a
dd f g
d
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f dg f
dg f d
accc
a a
34
a
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c a ca
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a b
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a bda
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b da b
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d f h i
h fi g
fi g f
acd
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39
a
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d b a
a
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c
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43
a c e f
da b d
a
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c
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c
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accc a c d
ad c a
accc
a c
acd
- 7 -
trece diferencias sobre Conde Claros
Anónimo
Romance IV Luys Venegas de Henestrosa
Transcribed by
Yasunori Imamura
1
(Alcalá de Henares, 1557)
2
GCFADG
addc
addc
addc
d
bad
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a
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b ac
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acdc a d c
aad
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14
3
addcac
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d b
adag
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f h
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acdcacd
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cacd
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21
4
aa
c ad b
adab
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badad
babd
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acdc a c d
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ad
c a
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ee
f d cf d c
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28
5
d
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adca
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addcd f d
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3l
h i l
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35
6
7
f
h fi h
c
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addc
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bad
a
d
ad c
a
dca
d
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da
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addc
d
aadf d
- 8 -
45
8
addcda c
d
bad
a
d
ad c
a
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c a
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addcda c
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da b
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55
9
10
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65
11
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73
12
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aadcac
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81
aa
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f
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h ih f
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addc
- 9 -
Luys Venegas de Henestrosa Pues no me queréis hablar
Anónimo
Romance I
Transcribed by
Yasunori Imamura
(Alcalá de Henares, 1557)
GCFADG
c
a
cd
a c dc
a
adc
ad ba
ec
ab
dacd
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ad
f d
ca
dc
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a cada
8
acd
ac
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e f h f
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ac ea c
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c
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15
ac
c a
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c ea c
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da c e
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21
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a
c ad c
c
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a c d c
- 10 -
27
a
adcacdc
ad ba
ec
a bdbda
cacd
adcd
acdc
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acad
cdca
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f d cd f d
cadc
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da
33
c
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cd
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e f hk l kh f
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38
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44
a
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b
c
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c
ae
- 11 -
sobre Las Vacas, anónimo
Cinco diferencias
Luys Venegas de Henestrosa
Transcribed by
Yasunori Imamura
(Alcalá de Henares, 1557)
GCFADG
addc
addc
addc
addc
addc
a
dca
a
dca
a
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a
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cefd
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13
1
cefd
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c
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c
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Fine
c
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ddc
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20
c
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a
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a c
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c
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25
2
a
dcdahi l i
a
hi lh
a
klnah i l
h
a
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h
h
h i
a
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cdc
d
aaca
c
e
c
fcd
cf d c
c
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f
aa
c d f dca
e c
c
e a c e
- 12 -
30
3
e
a
b da
cd
ad
a
cadc
c
a cdaca
h
c
c f
d
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c
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a
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36
h
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a
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c
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42
4
a
cadacd fc
a
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f d ca
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ac
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47
5
d
a
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53
c
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ad c
f
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a c
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a
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c ea
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c ada
da c d
a
a
da c
c
d c ad
a
b a
a
c
eae
Da Capo
cbaa
2
- 13 -
TREE EDITION