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International Symposium 2008

Count10 Before You Say Asia Asian Art after Postmodemism

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Count 10 Before You Say Asia

Asian Art after Postmodernism

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Count 10 Before You Say Asia

Asian Art after Postmodernism

Saturday, November 22, 2008 I 14:00- 17:30

Sunday, November 23, 2008 I 10:30- 17:30

Venue:

JFJC Hall "SAKURA;' The Japan Founda,;on

Organizer:

The Japan Foundation

Advisers:

Hayashi Michio

Maeda Kyoji

JAPANFOUNIJAT~ ~

International Symposium 2008 ,

Count10 Before You Say Asia Asian Art after Postmodernism

tl§a l Report

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Count10 BeforeYouSayAsia I AsianArtafterPostmodernism I

Foreword

The Japan Foundation assembled a panel of leading art historians and

art critics for an international symposium titled "Count 10 Before You

Say Asia-Asian Art After Postmodernism "on November 22nd and

23rd, 2008.

Around 20 years have passed since rhe esrablishment of a global art scene

made it possible for the contemporary art of Asia to attract attention

internationally. That development was of course greatly assisted by

concurrent economic growth in the region and also advancements in

information technology, which made global communication a reality. The

theoretical frameworks were those of postmodernism-of multiculmralism

and postcolonialism . Meanwhile, both Asia 's art scenes and its art itself

underwent a rapid transformation as the forces of the local and the global

came into direct contact. While globalization is undeniably pushing

culmre in the direction of standardization, it is surely the case that there

are greater exchange and network-building among artists, art historians,

curators and art critics from throughout the Asian region, and a growing

and shared awareness on the importance of re-consideration, re

theorization, and accumulation of knowledge on contemporary art in Asia

from a regional context.

Since 1990, the Japan Foundation has endeavored ro stay abreast of and

introduce through various programs the latest developments on the ground

in the rapidly changing art scenes of Asia. You could say that the art

programs of the Japan Foundation have developed in tandem with the art

of the region. In the face of even g reater potential for fumre transformation,

chis symposium, the sixth held co dare, attempted co examine the Asian arr

and the various discourses behind it over the lase 20 years and co engage in

theorizing it in the age of post-posrmodernism .

We are very pleased co report that over 200 people attended the

symposium, and in each of its three sessions held over two da,,s' a highly

constructive exchange of opinions rook place, based on wide-ranging and

derailed research. This rime many of the participants were young and

enthusiastic, enabling us co build a bridge between the developments of

the last two decades and the thoughts of the next generation .

This report, which documents the content of the symposium, includes the

many opinions, issues and ideas chat emerged in the course of the rwo days'

discussions. Ir is our hope that they prove useful in furure considerations of

Asian artistic exchange.

To conclude, we must note that Hayashi Michio and Maeda Kyoji

devoted much of their time co this symposium, from the planning stages

co its realization. The 13 panelists were also kind enough co prepare their

presentations in advance and make revisions during the production of

chis report. We would like to express our sincere thanks co everyone

involved, including chose who came and attended during the two days of

discussions, for helping co make chis symposium possible.

March 2009

The Japan Foundation


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I 11:l< I Contents

Contents

198 Footnote, Autumn 2008 I Maeda Kyoji

203 I Session 1 I The Formation, Reception, and Transformation of Asian Art in the Context of Postmodernism

204 Opening Remarks for Session 1

208 Presentation 1 I Asian Contemporary Art in Japan and the Ghost of Modernity I Kajiya Kenji

222 Presentation 2 I The Curarorial Turn in Southeast Asia and the Afterlife of the Modern I Patrick D. Flores

232 Presentation 3 I Chinese Contempora ry Art: In Between the Global and the Local I Fan Di'an

238 Discussion

265 I Session 2 I Blindness and Insight of Postmodernism: Case Studies


210 Presentation 1 I At the Crossroads of Cultura l Clash: In the Case of Suh Do Ho I Kim Bog-gi

277 Presentation 2 I Huang Yong Ping and the Agitation of the West and the East I Hirayoshi Yukihiro

286 Presentation 3 I Becoming India: The "Locality " of Subodh Gupta I Kanai Tadashi

296 Discussion

315 I Session 3 I Liquidation of "Asian-ness"? : The Specter of Locality


318 I Presentation 1 I Locating Authenticity: Is this Asian Dress >

Hybridity and Postcolonial Identity in the Philippines I Florina H . Capistrano-Baker

327 Presentation 2 I An Inquiry into the "Modern " Through Drawing:

Nara Yoshiromo, Empathy, and Localization I Hosaka Kenjiro

335 Presentation 3 I The Politics of the "Decorative" I Tanaka Masayuki

344 Discussion

371 Bringing the Afterimage into Focus I Hayashi Michio

379 Program

386 Panelist Profiles

008 I 009 Count 10 Before You Say Asia I Asian Art after Postmodemism I

Notes

7

OOlll\~ii!(£f1tE1JliO);.jsco,;,,,Js:J7t-l;!, This symposium was organized The Japan Foundation has

2008if. ll!'l2213(± ), 23 8(8 )0)jlijl3, by the Japan Foundation and organized rhe following

OOlll\~ii!E£16:JFIC,J,-1v[~<GH: was held on Saturday, symposia on themes related co

.131,,,·c B*!ft / }tgftQ)~~:iffifit"t: November 22 and Sunday, Asian art before this

fr;l:,/1.:J'Ltco Novembe r 23, 2008 at the JFIC symposium:

Hall "SAKURA," assisted by

;.jscffli'fl!Fi;!, o,;,,,Js:J7t-O)F'J'.@:>!c Japanese / Eng lish simu ltaneous

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~~ ~:.1-JttOA~-t.,-Q)~fi, discussions chat cook place

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I ASI I Notes

during the symposium.

3

The Japan Foundation is

responsible for editing and

finalizing the materia ls for chis

report.

4

The original presentat ion

papers were revised and

finalized by the authors after

the symposium for chis report.

The positions and affiliations of

the panelists are as of

November 2008.

6

The order of family names and

given names of people spe lled

out in Japanese and Eng lish

follow a set of standard rules

appl ied by the Japan

Foundation, except for those

names that are artist names.

As a rule, names of Chinese,

Korean, and Japanese people are

spe lled out in the order of

family name and g iven name.

1994

Contemporary Art Symposium

1994 "The Potentia l of Asian

Thought"

1997

Symposium:

"Asian Contemporary Art

Reconsidered"

1999

Internat ional Sympos ium 1999

"Asian Art: Prospects for the

Future"

2002


"Asia in Transition:

Rep resentation and Identity"

2005


"Cubism in Asia: U nbounded

Dia logues"

012 I 01a

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fl.et.if i report · 232 presentation 3 i chinese contempora ry art: in between the global and...

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