enhancing innovation in stem by exploring aesthetics

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Enhancing Innovation in STEM by Exploring Aesthetics Derek A. Ham PhD. Candidate Design Computation Group MIT School of Architecture & Planning Dissertation Committee: George Stiny (advisor), Edith Ackerman, Eric Klopfer 2nd Annual Bridging the Gap STEM Conference

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This presentation was presented at the 2nd Annual Bridging the Gap STEM Conference in Raleigh, NC. Discover how K-16 STEM curricula should readily embrace aesthetics as a core component of their pedagogy. By doing so, it opens a new world of creativity and innovation for STEM inquiry. We present a compelling argument for pulling aesthetics out of art education curricula to be placed right at the center of STEM education. This session was hands-on, allowing attendees to participate in learning concepts through an interactive educational game called SHAPE.

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Page 1: Enhancing Innovation in STEM by Exploring Aesthetics

Enhancing Innovation

in STEM by Exploring

Aesthetics

Derek A. HamPhD. Candidate

Design Computation Group

MIT School of Architecture & Planning

Dissertation Committee: George Stiny (advisor), Edith Ackerman, Eric Klopfer

2nd Annual Bridging the Gap STEM Conference

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aes·thet·ics

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There is a historic divide between STEM and the Arts: Between Engineering and Architecture

• Engineers and STEM professionals believe aesthetic decisions are subjective and have no rational footing.

• Architects, Artist and those dealing with aesthetics often believe methods that involve calculation are rigid and conforming

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Why Aesthetics

Rolfe Faste, Stanford professor in mechanical engineering, points out two distinct reasons for engineers to consider aesthetics:

• It is vital for the creation of successful products • It is a key component to being creative

Vitruvius might suggest aesthetics are the missing part of the STEM puzzle.

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Firmness Commodity

Delight

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Materiality Utility

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Materiality Utility

Aesthetics

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What do we mean by “aesthetic creativity?”We recognize that there are many ways to be creative but…

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There are several myths around aesthetics

Beauty is Copied not “Created”

• Aesthetic ideas originate in the head of the individual.

• The creative process can not be quantified

• Copying is a form of cheating in truly creative endeavors

• Aesthetically creative people get it “right” the first time

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“It has often been said that a person doesn’t really

understand something until he teaches it to someone

else. Actually a person doesn’t really understand

something until he can teach it to a computer, i.e.,

express it as an algorithm…The attempt to formalize

things as algorithms leads to a much deeper

understanding than if we simply try to understand

things in the traditional way.”

D. Knuth, “Computer Science and Mathematics,” American Scientist, 61,6 (1972), 709.

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Calculating With SHAPESHow do we approach aesthetics?

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Shapes

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There are several myths around “calculation.”

• Calculation methods only deal with numerical variable systems

• Calculation methods only work in fixed variable systems

• Calculation methods are only suitable to find quantitative information and single “right” answers

• Calculation methods are slow and cumbersome

• Calculation methods are counterintuitive to what comes naturally

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Computation Example

[ 1 + 2 = 3 ]

Calculating with Shapes

Variables Rules Process

1 2 3

MATHNumbers

[1,2,3…] +,-,x, Functions

[ ]

SHAPES

RulesShapes Computation Example

Identify Variables > Perform a Function > Note Results > Repeat

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Shape Grammars

x t(x)

x t(x) x t(x)x t(x)

x t(x)

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X

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xStarting point: base shape

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Introduce shape copy

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xx

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Embed shape copyx x

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x + t(x)x

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Design Move: Translationx x + t(x)

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Introduce shape copy

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xx

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Embed shape copyx x

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x + t(x)x

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Design Move: Rotationx x + t(x)

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Design Move: Rotationx x + t(x)

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Design Move: Rotationx x + t(x)

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Introduce shape copy

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xx

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Embed shape copyx x

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x + t(x)x

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Design Move: Reflectionx x + t(x)

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Design Move: Reflectionx x + t(x)

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Design Observation: Seeing

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prt(x)x

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Emergence: Identifying Embedded Shapex prt(x)

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Emergence: Identifying Embedded Shapex prt(x)

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Emergence: Identifying Embedded Shapex prt(x)

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prt(x) x

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Emergence: Identifying Embedded Shapex prt(x) y

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Design Move: Translationy y + t(y)

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x + t(x)x

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Design Move: Translationy y + t(y)

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George Stiny, 2001

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combinatorial embedding

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This broadens our understanding.Abstract systems of notation are helpful but are not necessary to calculate..

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Going Beyond

Combinatorial

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Calculation and Play Relationship

calculation

play

play

calculation

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composition = calculation

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Multiple Forms of CalculationWe calculate all the time often without formal documentation; in fact there are..

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“One might go so far as to define a human

intelligence as a neural mechanism or

computational system which is genetically

programmed to be activated or “triggered”

by certain kinds of internally or externally

presented information.”

Howard Gardner

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Composition Creation Process

“It’s all a form of play.”

Sensory Feedback

Cognitive Decision

Perform Action

Visual Calculation involves: • Flexible Vision(identifying constant changing variables or units) • Rule Processing (creating and following algorithmic rules) • Emergence (discovering and generating embedded variables) • Recursion (parametric rule application) • Copying

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Innovate STEM EducationScience Technology Engineering and Math can be accompanied by the Aesthetics to…

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How do we teach aesthetics through calculation?

• Teach students to analyze aesthetics through revers engineering. Students must learn to create algorithms that are descriptive of things that already exist.

• Students must learn to play with the creation of 2D and 3D compositions through the method of following steps and rules described by an algorithmic process.

• Students must build a physical and mental library of “aesthetic design moves.”

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How do develop aesthetic sensibility?

• Aesthetic sensibility comes from our experiences.

• A formal description and method of documentation of these experiences helps us learn from them.

• The more clear and legible our analysis of our experiences the more we can see connections and develop new ideas.

• In developing visual aesthetics, shape grammars provide the most systematic and specific method for defining visual ideas.

• Visual ideas can lead to ideas for improving materiality and utility

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STEM ARTSCOMPUTATION

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Final Takeaways

• Look for aesthetic components in your STEM inquiry

• Use a computational process to work through the aesthetic components of your STEM inquiry

• Encourage both analysis and synthesis in STEM education

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“There is something awfully computational

about play and something very playful

about computation.”

Derek A. Ham

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Thank YouDerek A. Ham

PhD. Candidate

Design Computation Group

MIT School of Architecture & Planning

www.derekham.com

2nd Annual Bridging the Gap STEM Conference