elements of a plot diagram · on a plot diagram we draw a line connecting the incidents. if the...
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![Page 1: Elements of a Plot Diagram · On a plot diagram we draw a line connecting the incidents. If the incident is very exciting, we draw a steep line, as shown here. 2. Cowichan Secondary](https://reader033.vdocuments.us/reader033/viewer/2022060304/5f0912f67e708231d4251b75/html5/thumbnails/1.jpg)
M Carmichael
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CSS English
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MAC
Plot is the term which describes all of the events that happen in a story, AND the conflict in the story.
Cowichan Secondary English
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MAC
Conflict is very important, because it creates the tension, or suspense, that keeps us reading to find out what happens next.
Cowichan Secondary English
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MAC
Conflict can be obvious and exciting, or subtle and gradual, but without conflict, there is no plot.
Cowichan Secondary English
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MACCowichan Secondary English
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Can you remember the main parts of a plot diagram?
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MAC
Plot is the organized pattern or sequence of events that make up a story.
Every plot is made up of a series of incidents that are related to one another.
Cowichan Secondary English
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MAC
This usually occurs at the beginning of a short story. Here the characters are introduced. We also learn about the setting of the story. Most importantly, we are introduced to the main conflict (main problem).
Cowichan Secondary English
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MACCowichan Secondary English
This is the first thing that happens in a story. (“Initiating” means “starting”).
2
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MACCowichan Secondary English
Each event that happens in a plot is called an incident. These are all incidents in the plot.
2
Obviously, the longer a story is, the more thngs are likely to occur in the story.
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MACCowichan Secondary English
On a plot diagram we draw a line connecting the incidents. If the incident is very exciting, we draw a steep line, as shown here.
2
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MACCowichan Secondary English
Of course, not every story is an exciting cliffhanger, and some plot diagrams can be very shallow.
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MACCowichan Secondary English
Sometimes an incident is very exciting, such as when the protagonist has a life or death decision to make. This is a crisis.
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MACCowichan Secondary English
There can be more than one crisis in the rising action.
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MACCowichan Secondary English
Often, following a crisis, the tension level often goes down, and the reader can relax a bit. This is an anti-climax.
4
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MACCowichan Secondary English
Not every incident is followed by an anti-climax.
4
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MAC
The rising action is everything between the initial incident and the climax.
Cowichan Secondary English
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MAC
This part of the story develops the conflict(s). A building of interest or suspense occurs.
Cowichan Secondary English
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MAC
This is the most emotionally intense moment of a story, and is usually close to (or identical to) the turning point of the story.
Often, the main character comes face-to-face with the main conflict and is forced to take action.
Cowichan Secondary English
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MAC
All loose ends of the plot are tied up. The conflict(s) and climax are taken care of.
Cowichan Secondary English
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MAC
The story comes to a reasonable ending.
Cowichan Secondary English
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MAC
Happy ending The main characters get what they want.
Cowichan Secondary English
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MAC
Unhappy ending The main characters don’t get what they want.
Cowichan Secondary English
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MAC
Tragic ending The main character dies or suffers great loss.
Cowichan Secondary English
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MAC
Surprise ending While the ending makes sense, it is not what the reader was expecting.
Cowichan Secondary English
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MAC
Indeterminate ending
There is no clear outcome. The reader is left wondering exactly how the conflict would be resolved.
Cowichan Secondary English
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MAC
Cliffhanger The conflict in a very exciting story is not resolved until the very last moment.
Cowichan Secondary English
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M Carmichael
CSS English
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MAC
Where the protagonist makes a decision, or takes some action, that ultimately leads to the resolution of the story.
Cowichan Secondary English
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MAC
When the narrator gives “hints” about events that occur later in the story.
Cowichan Secondary English
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MAC
A minor storyline, secondary to the main plot.
Cowichan Secondary English
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MAC
The “unknotting” of plot and conflict following a climax.
Cowichan Secondary English
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MAC
The central struggle of a story, that adds dramatic tension (the reader reads on to find out what is happening).
The main conflict between the protagonist and someone or something else is called the “central conflict”
Cowichan Secondary English
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MAC
Person versus Person Person versus Environment Person versus Situation Person versus Supernatural
Cowichan Secondary English
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MAC
Intellectual conflict
Moral conflict
Spiritual conflict
Cowichan Secondary English
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MAC
A problem with no “good” solution A choice between two or more undesirable
options
Cowichan Secondary English
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MAC
A difficult problem with at least one “good” option
A problem where the character involved can hope for a happy solution
Cowichan Secondary English
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MAC
The result of inserting one or more small stories within the body of a larger story that encompasses the smaller ones.
The opening part of the story usually has some exposition, while the closing offers a commentary.
Examples are Canterbury Tales by Chaucer, Heart of Darkness by Conrad.
Cowichan Secondary English
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MAC
The result of inserting one or more small stories within the body of a larger story that encompasses the smaller ones.
The opening part of the story usually has some exposition, while the closing offers a commentary.
Examples are Canterbury Tales by Chaucer, Heart of Darkness by Conrad.
Cowichan Secondary English