_________________________________________________________________________________________________

DRAFTSCHEDULE

FILMSTUDIESASSOCIATIONOFCANADA/ASSOCIATIONCANADIENNED’ÉTUDES

CINÉMATOGRAPHIQUES

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2017FSACAnnualConferenceConférenceannuelledel’ACÉC2017

May/mai27–29,2017

RyersonUniversity/UniversitéRyersonToronto,Ontario,Canada

Heldinconjunctionwiththe

CongressoftheHumanitiesandSocialSciencesTenudanslecadredu

Congrèsdesscienceshumaines

«OnIndigenousLands/Enterreautochtone»

ProgramChair/Responsibleduprogramme:DarrellVarga(NSCADUniversity)

LocalArrangementCoordinator/Coordonnateur:PaulMoore(RyersonUniversity)

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___________________________________________May26mai________________________________________WelcometoToronto! BienvenueàToronto

WelcomeGathering/Rassemblementdebienvenue7:00p.m.

FilmScreening/Projectiontba

Curatedby/OrganiséeparAiméeMitchell

CateredReceptionandCashbar/Réceptionetbarpayant

Cinecycle129SpadinaAvenue

_________________________________________May27mai__________________________________________9:00–10:30a.m. Welcome/BienvenueLocation:IMA307

ConférenceGeraldPratleyLecture

RachelWebbJekanowski(ConcordiaUniversity)

title

abstracttba(englishandfrench)Note:Coffee/Tea/Juiceandsnackswillbeservedstartingat8:30a.m.Café/thé/jusetcollationsserontserviesàpartirde8h30.

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AlldaytimesessionsheldatRyersonUniversityTouteslessessionssedéroulerontàl’UniversitéRyerson

SchoolofImageArts-122BondStreet

PanelA1:10:45–12:15A1:InstallationoftheRealChair:KassBanning(UniversityofToronto)Respondent:ErikaBalsolm(King’sCollege,UniversityofLondon)GabrielleDupuis(UniversityofToronto),GlobalGet-Down:HitoSteyerl'sFactoryoftheSunKarinaGriffith(UniversityofToronto),LeslieHewitt’sCreolizationofSense

AlysiaUrrutia(UniversityofToronto),Borderlandia:Re-imaginingtheMexico-USBorderthroughInstallationA2:CanadianFilmFestivalasEvent:Circuits,Spaces,andMethodologiesChair:DianeBurgess(UniversityofBritishColumbia),ClaudiaSicondolfo(YorkUniversity)andWendyDonnan(YorkUniversity),LocalCircuits:MappingtheRegionalFilmFestivalCircuitinCanadaKateLawrieVandeVen(YorkUniversity),EventSpaces:TestingaSpaceandPlaceToolkitforFilmFestivalResearchDianeBurgess(UniversityofBritishColumbia),AudiencesGoWildforWolfCop:Demand-DrivenCinemaandtheDiscourseofDiscoverabilityA3:GenderandAIinrecentfilmandtelevision:voice,gaze,andlackChair:LizClarke(UniversityofNewBrunswick)ClintBurnham(UniversityofBritishColumbia),DoesExMachinahaveanunconscious?Louis-PaulWillis(UQAT),BeyondVisualPleasure:DeploymentsoftheGazeinContemporaryFilmandTelevisionDeannaFong(SimonFraserUniversity),Gender,SexualDifference,andtheAcousmaticVoiceinHer

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A4:EarlyColourFilminCanadaChair:CharlesTepperman(UniversityofCalgary)Jean-PierreSirois-Trahan(UniversitéLaval),LaCanadalecturedeYork&Son:lanternemagique,colonisationetrehautdecouleurLouisPelletier(ConcordiaUniversity/UniversitédeMontréal),KodachromeandtheEthicsofFilmRestorationJosephClark(SimonFraserUniversity),DifferenceinColour:SeeingRaceintheHomeMoviesofMatthewKoCharlesTepperman(UniversityofCalgary),MappingColourinCanadawiththeAmateurMovieDatabaseA5:Schlock,HorrorandWarChair:TerrenceMcDonald(BrockUnivesity)KateJ.Russell(UniversityofToronto),SchlockHorrorandtheComedyofExcessZoranMaric(YorkUniversity),HorrorBehindEnemyLines:TheSlavicOtherinHighLaneandOutpostJustinShaw(UniversitéSainteAnne),ThroughGenderedLenses:“Shooting”Iraq,Afghanistan,andPakistaninAmericanSniperandWhiskeyTangoFoxtrot

DÉJEUNER/LUNCH12:15–13:30

PanelsB:13:30-15:00B1:Acting,Adaptation,AuteurismChair:SarahStang(YorkUniversity)MatthewGartner(UniversityofBritishColumbia),We'reBothComingThroughFine:The"ObservedSelf"oftheScreenActorTimothyPenner(UniversityofManitoba),TheCelebrityAuthorinAdaptation:ErnestHemingwayand1957’sTheSunalsoRises

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DruJeffries(WilfridLaurierUniversity),OwningKubrick:TheCriterionCollectionandtheGhostinthe“AuteurMachine”B2:CanadianCinema:PolicyandPracticeChair:ChristineRamsey(UniversityofRegina)MaryArnatt(UniversityofCalgary),Canada,Cockroaches,andCinepix:WhatWhispers’receptiontellsusaboutCanadiancinemaDavidHanley(CarletonUniversity),MinaShum’sDiasporicCinema:DoubleHappinessandTheNinthFloorJessicaThom,JamesWarrackandAndrewBateman(allfromRyersonUniversity),FocusonFeatures:TheFutureofFilmmakinginOntarioB3:Documentary:TraumaandImpactChair:ChristineEvans(UniversityofBritishColumbia)

HeleneStrauss(UniversityoftheFreeState,SouthAfrica),MovingImages:RainbowAnaestheticsandDocumentaryFormBrendaLongfellow(YorkUniversity),AShatteringDetour:thePoeticsandEthicsofEvocationinChantalAkerman’sDocumentariesNoHomeMovie(2015)andLaBas(2006)KristiKouchakji(ConcordiaUniversity),ActivisminAction:ScreeningTheActofKillingandTheLookofSilenceintheWestB4:CinemaHistoryinCanadatheUKChair:DominiqueBregent-Heald(MemorialUniversityofNewfoundland),ScottBirdwise(YorkUniversity),Bythepeopleforthepeople:HumphreyJenningsafterBrexitGregoryCanning(MountSaintVincentUniversity),EvangelineandtheReflectionofLocalMaritimesRealitiesandValuesDominiqueBregent-Heald(MemorialUniversityofNewfoundland),JamesOliverCurwoodandtheCinematicCanadianNorthWoodsB5:AffectandCrimeintheDigitalAgeChair:NataljaChestopalova(YorkUniversity)

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TanyaHoreck(AngliaRuskinUniversity,UK),‘ANewKindofMovieMystery’:AgencyandAffectinTrailersforTrueCrimeDocumentariesLisaCoulthard(UniversityofBritishColumbia),ThinkingMusic:Sound,AffectandViolenceinContemporaryCrimeAmandaGreer(UniversityofBritishColumbia),'I'mnotyourmother!':MaternalAmbivalenceandtheFemaleInvestigatorinContemporaryCrimeTelevision

Break–refreshmentsin---

PanelsC:15:15-17:00

C1:QueerandPoliticalChair:PaulMoore(RyersonUnversity)ChristineEvans(UniversityofBritishColumbia),VivaLaVeda:Love,Class,andQueernessinMildredPierce

NicholasSammond(UniversityofToronto),VernacularProtestAcrossMedia:Brainard,Anger,Basquiat

OlivierTremblay(UniversitédeMontréal),BetweenIntimacyandVisibility:ThePoliticsoftheSafdieBrothers'HeavenKnowsWhat(2014)

JamiMcFarland(WesternUniversity)andFlorianGrandena(UniversityofOttawa),MakingGaybyinCommelesautres:HomonormativePoliticsinFrenchCinema

C2:Drones,Birds,Bugs:CinematicAttractionsChair:PhilippeBedard(UniversitédeMontréal)SaraSwain(YorkUniversity),TheFeathersattheEdgeoftheFrame:ContemplatingAvianInvolvementintheDevelopmentoftheAerialViewMatthewThompson(UniversityofToronto),TheCinematicInsect:EntomologyandtheTechnologyofFilmMikeMcCleary(WilfridLaurierUniversity),RedefiningthePotentialofVisualEffects:TheNarrativeFunctionofWondrousAttractionsChristianRoy(UniversitédeSherbrooke),Odyssée2017:DronesetclonesdansOblivion,"uneéquipeefficace"

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C3:Memory,History,IndustryChair:GermainLacasse(UniversitédeMontréal)LizClarke(UniversityofNewBrunswick),Whiteness,WomenandRememberingtheAmericanCivilWarGermainLacasse(UniversitédeMontréal),«DreamWorld»:parcoursetdiscoursd’unduod’exploitantsfrançaisauxUSA(1897-1910)TessMcclernon(ConcordiaUniversity),TheScandalofMemory:TheEffacementofWomen’sLaborinEarlyHollywoodPaulMonticone(UniversityofTexasatAustin),IndustrialSelf-Regulation&IntellectualProperty:TheMPPDA’sTitleRegistrationBureauandHollywood’sMajor-IndependentProducersintheStudioEraC4:Intermédialité,Néoformalisme,Intimité,MontageModérateur:AndréHabib(UniversitédeMontréal)

ChristineAlbert(UniversitédeMontréal),LucMoullet,intermédial:anatomied’uneméthodeautourdes«NaufragésdelaD17»GuillaumeCampeau-Dupras(CégepMarie-Victorin),LacaméraintradiégétiqueetsesimpactsformelsaucinémaMarc-AntoineLévesque(UniversitédeMontréal),Quand'Him&Her'(2010-2013,StefanGolaszewski)partagentlaconstructiondeleurintimitéNinaBaradaMontage(UniversitédeMontréal),Montage,mémoireethistoiredansl’œuvred’ArtavazdPelechianC5:TV:Fantasy,Religion,GenreandMasculinityChair:JenVanderburgh(SaintMary’sUniversity)TerrenceMcDonald(BrockUniversity),CowboyStories:CinematicInfluencesontheNarrativeStructuresoftheWesternMediaGenreGiuseppeFidotta(ConcordiaUniversity),TheBibleProject:ReligiousTVandthePursuitofEcumenicalVernacular

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MorganHarper(UniversityofBritishColumbia),ReconstructingaFantasyfromWithinaBlizzard:MetamodernOscillationsandDominantFictionsinFargo’sUniverseConstantaneGidaris(McMasterUniversity),ConceptualizingPrisonMasculinitiesinHBO’sTheNightOf

7:00p.m.Conférencecommémorative/MartinWalshMemorialLectureLocation:UniversityCollege(UniversityofToronto)15King'sCollegeCircle,RoomUC140

AlanistoTaika:TheSevenGenerationsofIndigenousCinema

JesseWente(Anishinaabebroadcaster,curatorandactivist)

ThistalkwilltracethedevelopmentofglobalIndigenouscinema,fromthelate1960sthroughto2017,andit'sevolutionfromanactivistdocumentarytraditiontoaglobalcinematicmovement.FocusingonthethreecentresofIndigenouscinema,Aotearoa(NewZealand),AustraliaandTurtleIsland(NorthAmerica),itwillidentifythesimilaroriginsofIndigenouscinemaineachregion,theirsharedaestheticandpurpose,andtheartistswhoexpandeditsreachworldwide.ThetalkwillalsolookatthevaryingfundingmodelsintheregionsandhowthathasshapedIndigenouscinema,andwhatisneededtocontinuegrowthandexpandcinema'sabilitytoreturnIndigenousstoriestotheirrightfulplace.JesseWenteisanAnishinaabebroadcaster,curatorandactivistbasedinToronto.He'sbeensacolumnistcoveringfilmandcultureonCBCRadio'sMetroMorningfor21yearsandisalsoculturecolumnistforUnreserved.HehasprogrammedforfilmfestivalsincludingReelWorld,ImagineNativeandTIFFandiscurrentlyHeadofTIFFCinematheque.AnoutspokenadvocateforIndigenousrightsandFirstNations,MetisandInuitart,hehasspokenattheNationalMuseumoftheAmericanIndian,theCanadianArtsSummit,PrimeTimeandnumerousUniversityandColleges.HelivesinEtobicokewithhiswifeandtwochildren....Cetteconférenceentendretracerledéveloppementdeplusieurscinémasautochtones,delafindesannées1960jusqu’à2017,d’unetraditiondecinémamilitantàunmouvementcinématographiqueinternationaletglobal.Ensepenchantsurtroispôlesducinémaautochtone,Aotearoa(Nouvelle

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Zélande),l’Australieetl’Îledelatortue(AmériqueduNord),ellechercheraàidentifierlesoriginescommunesàcescinémasdanschacunedecesrégions,l’esthétiquequ’ilspossèdentenpropreetcellequ’ilspartagent,etlesartistesquisontparvenusàenassurerlerayonnement.Laconférencesepencheraégalementsurlesdiversmodèlesdefinancementdanscesrégionsetlamanièredontceux-ciontfaçonnécescinémas,etcequiestrequispourétendreetdéployerlepotentielducinémaàrestituerlesrécitsautochtonesàleurlieulégitime.JesseWenteestunjournaliste,commissaireetactivistebaséàToronto.Ilaétéchroniqueurcultureletcinémaàl’émissionMetroMorningdelaradiodeCBCpendantvingt-et-unansetilestaussichroniqueurculturelpourUnreserved.IlaétéprogrammateurdefestivalsentreautrespourReelWorld,ImagineNativeetpourleTIFF,etilestprésentementàlatêteduTIFFCinémathèque.ArdentdéfenseurdesdroitsdesautochtonesetdesartsdesPremièresnations,métisetInuit,iladonnédesprésentationsauNationalMuseumoftheAmericanIndian,auSommetdesartscanadiens,àPrimeTimeetdansdenombreuxcollègesetuniversités.IlvitàEtobicokeavecsafemmeetsesdeuxenfants.

_________________________________________May28mai_________________________________________

8:30:CoffeeandTeaServed()PanelsD:9:00-10:30D1:Workshop:Teaching“theWorld”:AWorkshoponFilmStudiesPedagogyCo-Chairs:MaliniGuha(CarletonUniversity)andDavidRichler(CarletonUniversity)

Reception/Réception 8:30–10:00p.m.

FSACMembersBookLaunch&ReceptionLancementdenouveauxlivresdesmembresdel’ACÉC

SponsoredbytheCanadianJournalofFilmStudies/

CommanditéparlaRevuecanadienned’étudescinématographiques

Andothersponsor??

Location/Lieu:tba

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Participants:•KassBanning(UniversityofToronto)•KayDickinson(ConcordiaUniversity)•SaraSaljoughi(UniversityofToronto)•JerryWhite(DalhousieUniversity)D2:Roundtable:JamesBondandtheDanielCraigEra(2006-15)Chair:LisaFunnell(UniversityofOklahoma)

Participants:MichaelBoyce(BoothUniversityCollege)LisaFunnell(UniversityofOklahoma)JimLeach(BrockUniversity)BrianPatton(King’sUniversityCollegeatWesternUniversity)D3:MusicFromtheCanadianHinterlandtothePunkCityChair:JerryWhite(DalhousieUniversity)MichaelBaker(SheridanCollege),MusicinPostwarCanadianCinemaandtheworksofAlainClavierJustinMorris(UniversityofToronto),DylaninCanada:ThoughtsTowardsa"Rock"HinterlandCelineBell(UniversityofToronto),PunkCitySymphony:TheUrbanLandscapeinRudeBoy

D4:Workshop:FilmandMediaStudiesFaceGeographyParticipants:•MartaBoni(UniversitédeMontréal)•LarissaChristoforo(UniversitédeMontréal)•EmmanuelChâteau-Dutier(UniversitédeMontréal)•PaulMoore(RyersonUniversity)

D5:Experimentation,Feminism,PostmodernismandLandscapeChair:MichaelZryd(YorkUniversity)KristyHolmes(LakeheadUniversity),ThePoliticsofNationandFeministFilmmakinginJoyceWieland'sTheFarShore

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CharlotteDronier(UniversitédeMontréal),Embodyingandreenactingthememory:thetimelesspresenceofBrakhageandMekasZoeLaks(UniversityofBritishColumbia),DerenistCinemaandthePostmodernSelf:UsingtheLanguageofArtintheFilmsofMayaDeren

Break/Pause–refreshmentsin---

PanelsE:10:45–12:15E1:DocumentaryHistoriesChair:MarkTurner(MemorialUniversityofNewfoundland)

JesseCumming(YorkUniversity),ADreamofIron:Documentary,labour,anddurationMikeMeneghetti(UniversityofToronto),ObservationalDocumentariesToday:TheParadoxesof“CreativeWorkDarrellVarga(NSCADUniversity),TheInstitutionalLimitsofContemporaryCanadianDocumentaryE2:GhostlyVisitations:TheorizingCinematicSpectralityChair:KevinChabot(UniversityofToronto)JamesLeoCahill(UniversityofToronto),GhostPlanet:Cinema'sNaturalHistoryMurrayLeeder(UniversityofCalgary),Scrooge-Vision:TheSceneofHauntinginSilentAdaptationsofAChristmasCarolKevinChabot(UniversityofToronto),GuyMaddin’sSéanceCinemaE3:ExperimentalandInteractiveCinemaChair:tbaCarrieReese(UniversityofToronto),AvisualFiguration:AnaMendieta’sX-RayCinemaMaximeLabrecque(UniversitédeMontréal),TheInteractiveFilm:FromPastAttemptstoFuturePerspectivesIrinaLyubchenko(RyersonUniversity),ApproachingtheNewSystem:RealizingMalevich’sUnfinishedFilmScript

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E4:HollywoodIndustryChair:GregoryCanning(MountSaintVincentUniversity)JennaStidwill(CarletonUniversity),MeasuringProgressintheArts:TheSocietyofMotionPictureEngineersandtheBeginningsofAmericanAnimationHistoryMatthewOgonoski(ConcordiaUniversity),ProducingAgencies:MinuteMovies,industrialcontrol,andthedemiseofmid-20thcenturytheatricallyexhibitedadvertisementsKylaSmith(ConcordiaUniversity),‘PeppyPicturesofYouthAflame’:Sound,RepresentationsofYouth,andFilmMoralityDuringHollywood’sTransitiontoSoundE5:WarandHistoryChair:JeremyMaron(CanadianMuseumforHumanRights)ConradLeibel(UniversityofVictoria),NazismandthePoliticsofSpectacleinHansJurgenSyberberg’sHitler–EinFilmausDeutschlandMandyElliott(UniversityofManitoba),Oh,theHumanity!ReimaginingidentityinAmericanpostwarPrisonerofWarcinemaJeremyMaron(CanadianMuseumforHumanRights),BarriersinExperience:TheHolocaustCinemaofJackKuper

DÉJEUNER/LUNCH12:15–13:30

PanelsF:13:30–15:00F1:JamesBond:SerialityAndProductionCulturesChair:MerajDhir(HarvardUniversity)ColinBurnett(WashingtonUniversity,St.Louis),LostBonds:UnproducedStoriesfromtheEonArchiveMerajDhir(HarvardUniversity),BondVs.Bourne:FilmStyleandProductionCultureScottHiggins(WesleyanUniversity),"Mr.Bond,IExpectYoutoDie":SituationalSerialityinJamesBond

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F2:AnimalsandtheAnthropoceneinFictionandDocumentaryChair:LeeCarruthers(UniversityofCalgary)ZoëDruick(SimonFraserUniversity),DocumentingtheAnthropocene:TheGlobalDocumentarysincethe1980sSethFeldman(YorkUniversity),IndexicalBeasts:Bear71andLaurieAnderson'sDogLeeCarruthers(UniversityofCalgary),JustWriteAbouttheAnimals,Already!TerrenceMalickandtheConstraintsofEcocinemaF3:ReconsideringtheReturn:TransmediaSequelsandAdaptationsReassessedChair:MaliniGuha(CarletonUniversity)JessicaBay(York&RyersonUniversities),HollywoodBlockbusters:FranchiseCreationfromDisneytoMarvelSarahStang(YorkUniversity),PlayerAgencyinTelltaleGames’TransmediaandCross-GenreAdaptationsChrisAlton(YorkUniversity),SameplayExperience2.0:TheBlockbusterVideoGameSequel,andIterationasInnovationF4:LifeintheOrdinary:MoralPhilosophiesoftheMovingImageChair:tbaBrianPrice(UniversityofToronto),AMovingImageofForgivenessScottRichmond(UniversityofToronto),HowtoMake#blacklivesmatter:OrdinarinessandViolenceintheWakeofMelodramaRyanPierson(UniversityofCalgary),FiftyShadesofGreyandtheSafeWordF5:FromGriffithtotheDigitalAge:TransitionalMomentsintheHistoryofEditingChair:JanineMarchessault(YorkUniversity)MarcFurstenau(CarletonUniversity),TheVisible,theInvisible,andtheDigital:EditingandExpressionintheContemporaryCinema

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AndréGaudreault(UniversitédeMontréal)andPhilippeGauthier(UniversityofOttawa),Actorial/narratorialcutsandthearticulationsofspatiallanguageinDWGriffithfirsttwoyearsatBiograph(1908-1910)JanineMarchessault(YorkUniversity),AnAestheticsofSimultaneityinEarlyVideoArtandZidane

15:00:LightRefreshmentsServed(---)

PanelsG:15:15–17:00

G1:OrphansFilms:ScreeningChair:GerdaCammaer(RyersonUniversity)ZachMelzer(ConcordiaUniversity),CinemaUpkeep:TheorizingMaintenanceinCinemaStudiesGerdaCammaer(RyersonUniversity)CelluloidCanadiana:CanadianOrphanFilmScreening—Ashowcaseoforphaned16mmfilmsthatreflectCanadianidentityinvariousformsandstyles

G2:Colour,Sound,PhenomenologyandTheoryChair:AnnaWesterstahlStenport(GeorgiaInstituteofTechnology)

StevenWoodward(Bishop'sUniversity),AStudyinBlue:ThreeDeploymentsoftheColour,byDerekJarman,KrzysztofKieślowski,andAbdellatifKechicheRandolphJordan(ConcordiaUniversity),SoundWorldsCollide:HearingContestedSpacesinTerrenceMalick’sTheNewWorldNataljaChestopalova(YorkUniversity),ArchivingLossinPhenomenologicalCinemaandPedroAlmodóvar’sEnactedRetellingofAliceMunroKonstantinosKoutras(CarletonUniversity),Medium,Materialities,Aesthetics:JacquesRancièreandCinematicSpecificity

G3:FilmFestivalTemporalitiesandArchivesintheDigitalEraChair:tbaAntoineDamiens(ConcordiaUniversity),VisualisingQueerness:LGBTFestivalsasArchivesandCulturalMemory

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GerZielinski(RyersonUniversity),Online/Offline:OntheLatestWaveofOnlinePlatformsandtheRebirthoftheOfflineFilmFestivalDavidRichler(CarletonUniversity),TheUnifyingDiscourseof“WorldCinema”andtheCriticalInterventionofAudiovisualCriticismVivianeSaglier(ConcordiaUniversity),WhenDistributionisatStake:BoycottandPalestinianfilmeconomies

G4:Machines,MassCultureandDisabilitiesChair:PeterLester(BrockUniversity)MalcolmMatthews(BrockUniversity),WhySheldonCooperCan’tBeBlack:AVisualRhetoricalAnalysisofthePortrayed‘AutismAestheticTessJewell(YorkUniversity),“Notblindanymore:”ReconfiguringthetropeofdisabilityinTheOAZacharyWilliams(SimonFraserUniversity),"GetYourAsstoMars!":TotalRecallandtheMetropolitanNarrativeofDecolonizationAaronTucker(RyersonUniversity),TheHackerTechno-SoldierinPopularWarFilms

G5:GeopoliticsandNeoliberalismChair:MattCroombs(King'sCollegeLondon)

ScottMacKenzie(Queen'sUniversity)andAnnaWesterstahlStenport(GeorgiaInstituteofTechnology),ArcticIceMelt,Cli-Fi,andCinemasoftheColdWar

WeixianPan(ConcordiaUniversity),TheMediatedLifeofBottledAir:RegisteringtheAffectiveandGeopoliticalAtmospherePatrickBrodie(ConcordiaUniversity),ScreeningNeoliberalism:IrishBuiltSpaceinTransnationalCo-ProductionsCatherineBernier(UniversitéConcordia),QualifierlenouveaucinémadeMumbai:unexercicetypologique

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Specialeventco-sponsoredwithSexualityStudiesAssociation Time:doorsopenat7,eventbeginsat7:30.

JohnGreyson(YorkUniversity)

OnceisNotEnough:RepetitioninSex,ActivismandOperaWhysayittwice?Theincessantrepetitionofalyricphrase(spokenorsung)hasbeenafoundationaltouchstoneofoperaticcreation,activistmobilizingandsexualpassionacrossculturesandmillennia.Freudidentifiedincessantrepetitionasthe'repetitioncompulsion',focusingonourrepressedneedtonamewhatisunheimlich(un-secret)againandagain,withunheimlichelaboratingthatparadoxofrepressionandexpression(the'undecidable'inDerrida'ssense)thatengagestheuncanny.However,artistsandactivistsasdiverseasDV8,Glass,Beyonce,Lepage,Cork/Blythe,SagaCollectif,andSteyerlallemploylyricalrepetitionintheiroperaticspectaclesofsex,bodiesandsocialchangeinwaysthatexceedthisprisonyardoftheunconscious.Inthiskeynoteevent,variedrecurringandrepetitiveexamplesfromopera,activismandsexwillberehearsedinrelationtoexamplesfromGreyson’srecentdigitalfilms,FigTrees,LastCarJerichoandTowel.*FinancialsupportforthissessionwasprovidedbytheFederationfortheHumanitiesandSocialSciences

Location:BuddiesinBadTimesTheatre12AlexanderSt,Toronto

followedbyaveryspecialeventnottobemissed!!!!

(2ndeventstartsat8:50pm)

andcateredreceptionwithcashbar_________________________________________May29mai_________________________________________

8:30:CoffeeandTeaServed()PanelsH:8:45-10:15H1:Élaborerlesrejetsmédiatiques,desannées1910àaujourd’huiModératrice:KarineAbadie(MemorialUniversityofNewfoundland)CarlTherrien(UniversitédeMontréal),Delacinéphobieàlaludophobie:stigmatisationsetréappropriationsdespaniquesmoralesdanslaculturevidéoludique

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SuzanneBeth(McGillUniversity),Laréserved’Ozuoulacinéphobiecommedésœuvrementdelapuissanced’expressiondumédiumcinématographiqueKarineAbadie(MemorialUniversityofNewfoundland),Penserlecinémacontrelecinéma:l’importancedelacinéphobiedanslesdiscourssurlecinémaenFrance,danslesannées1910et1920H2:AppearancesMatter:OntheContemporaryCritiqueofIdeologyinCinemaandMediaChair:JohnMcCullough(YorkUniversity)MatthewFlisfeder(UniversityofWinnipeg),IdeologicalandCriticalStrategiesofIdentityCurationintheNeoliberalMediaCulture:DiscerningthePoliticsofAppearancesinNoahBaumbach’sWhileWe’reYoung(2014)andDavidFincher’sGoneGirl(2014)TamasNagypal(YorkUniversity),SolvingNoirPuzzleswiththePowersoftheFalse:TheCynicalEpistemologyofChristopherNolan’sFollowing(1998)JohnMcCullough(YorkUniversity),DispossessionandtheDialecticalRealityofHollywoodMovies

H3:GenderandPoliticsChair:GailVanstone(YorkUniversity)MariaIonita(RyersonUniversity),FemininityandAbjectioninCristianMungiu’sCinemaKhaterehSheibani(YorkUniversity),Storytelling,GenderandPolitics:OneThousandandOneNightsShanaMcGuire(SaintMary’sUniversity),GirlsintheHood:PoliticsandAestheticsinCélineSciamma’sBandedefilles

H4:TheEthicsandPoliticsofCreativeNonfictionChair:KateRennebohm(HarvardUniversity)ErikaBalsom(King'sCollegeLondon),MovingBodies:CaptureandControlintheLateWorksofHarunFarockiKateRennebohm(HarvardUniversity),Anna(1975):Cinema,Video,andtheEthicsofReviewingMatthewCroombs(King'sCollegeLondon),ThePersistenceofMilitantCinema:BustMamaandthePoliticsofTransnationalSolidarity

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H5:WomenandQuebecCinemaChair:ScottMacKenzie(Queen'sUniversity)KesterDyer(ConcordiaUniversity),WomenFilmmakersinQuébec:IntergenerationalHaunting,OralityandtheSupernaturalKatherineAnnRoberts(WilfridLaurierUniversity),Re-ImaginingtheRegioninContemporaryQuébecCinema

JulieRavary(UniversitédeMontréal),É-critureféminine:QuatrièmevagueetdiscoursféministesdanslessérieswebauQuébec

10:30–12:00Location:IMA307

FSACAnnualGeneralMeeting/Assembléegénéraleannuelled’ACÉC

Note:Coffee/Tea/Juiceandsnackswillbeserved

DÉJEUNER/LUNCH12:00–13:00

PanelsI:13:00–14:30I1:Workshop:VulnerableMedia,TroublingtheArchiveChair:AiméeMitchell(CanadianFilmmakersDistributionCentre/YorkUniversity)

Participants:•JanineMarchessault(YorkUniversity)•AnanyaOhri(RegentParkFilmFestival)•MichaelZryd(YorkUniversity)•MayChew(PublicAccessCollective/YorkUniversity)•AiméeMitchell(CanadianFilmmakersDistributionCentre/YorkUniversity)I2:IndigenousRepresentationChair:DarrellVarga(NSCADUniversity)GailVanstone(YorkUniversity),DecodingDocumentaryApproaches:‘ScriptrixNarrans’andFourthCinemainCanada

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MarkTurner(MemorialUniversityofNewfoundland),TowardsaCriticalAestheticsoftheAudio-visualWorkoftheOKâlaKatigetSocietyBrendanBurrows(UniversityofToronto),TheImpactofIndigenousFilmDramaintheclassroom:DecreasingtheefficacyGapintheTeachingofIndigenousIssuesI3:World-MakingandFailureinWomen'sExperimentalFilm:Hammer,Robertson,SherChair:MartaBoni(UniversitédeMontréal)TessTakahashi(IndependentScholar),Feminism’sNotFunny!FailureandHumourintheWorld-MakingProjectofElizabethSherAnjo-MariGouws(UniversityofToronto),"Iwishthiscamerawasworking":failureasfeministinterventioninAnneCharlotteRobertson'sFiveYearDiarySarahKeller(UniversityofMassachusetts-Boston),ADifferentKindofRemake:BarbaraHammerandFeministExperimentalFilm

I4:NationalisminCanadainthe1960sChair:StevenWoodward(Bishop'sUniversity)JenniferVanderburgh(SaintMary’sUniversity),NatureLoversasNationLoversin"TheForestRangers"(CBC/ASPProductions,1963–1965)AlanJones(ConcordiaUniversity),NotreValérienationaleandthefilmsdefessesascatalystsofsocialchangeduringtheQuietRevolutionAnthonyKinik(BrockUniversity),Pop,Politics,andUrbanSpace:MontrealasSeenintheFilmsofDenisHérouxI5:Art,VisualityandCinephiliaChair:KatieRussell(ConcordiaUniversity)CorrinneChong(IndependentScholar),FromDecadencetoDecayandDeathinVisconti’sVenice:TransposingtheIconographyoftheVanitasStill-lifeandTotentanzPhilippeBedard(UniversitédeMontréal),HowCamerasSeeThemselvesKatieRussell(ConcordiaUniversity),TheThreeDisappearancesofSoadHosni:Melodrama,CriticalCinephilia,andEgyptianModernity

IMA334

VIC209

KerrWest258

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14:30:LightRefreshmentsServed(---)PanelsJ:15:00–16:45J1:Lordy,LordyLookWho’sForty:40YearsofFSAC/40ansdel’ACÉCChair:PeterLester(BrockUniversity)Participants:•SethFeldman,Professor,YorkUniversity(President:1978-1981)•ZuzanaPick,ProfessorEmeritus,CarletonUniversity(President:1989-1992)•JanineMarchessault,Professor,YorkUniversity(President:1997-1999)•AndréLoiselle,Professor,AssistantVice-President(Academic),CarletonUniversity(President:1999-2001)•ChristineRamsay,AssociateProfessor,UniversityofRegina(President:2001-2003)•JerryWhite,AssociateProfessor,DalhousieUniversity(President:2003-2004)•BrendaAustin-Smith,AssociateProfessor,UniversityofManitoba(President:2004-2005)•MichaelZryd,AssociateProfessor,YorkUniversity(President:2005-2006)

J2:FromPrimarySchoolstoUniversity:TheStudyofFilmReceptioninEducationalEnvironments/Étudierlaréceptioncinématographiqueenmilieuscolaire:duprimaireàl’universitéChair:DavidPariser(ConcordiaUniversity)DavidPariser(ConcordiaUniversity),Arte650-850,2011,DocumentaryandFictionalizedAccountsofTeachingandTeachersSantiagoHidalgo(UniversitédeMontréal),FromWorld’sYoungestCritictotheInstitutionalizationofFilminSchools:FirstImpactsofFilmonChildConsciousnessCarolineMartin(UniversitédeMontréal),Famed’AlanParkervuparlesélèvesdusecondaire:delaréceptionfilmiqueauprocessusd’identification-projectionSandraAnnett(WilfridLaurierUniversity),AnimatingTheoryandPractice:MediaLiteracyintheDigitalFilmStudiesClassroom

J3:Adaptation,GenreandGenderChair:tbaMarkWallin(ThompsonRiversUniversity),SpikeJonzeandtheAdaptationofGenreCodyLang(YorkUniversity),GenreHybrids:MagicalRealismandComedyintheTransnationalContext

IMA313

IMA321

IMA334

21

LaurenDavine(RyersonUniversity),“F**kMature!”:Diner,Bro-Time,andtheEmergenceoftheContemporaryBro-EnsembleFilmJeriEnglish(UniversityofToronto,Scarborough),“YouSeemlikeaPerson”:Subjectivity,EmbodimentandTechnologyinSpikeJonze’sHerandJenniferPhang’sAdvantageousJ4:Histoire,esthétiqueettechniquecinématographiques:TECHNÈSetleparcours“Cinémaexperimental”/Filmhistory,aestheticsandtechnology:alookintotheprojectTECHNÈSandthe«experimentalcinema»onlinetourModérateur:AndréHabib(UniversitédeMontréal)andRemyBesson(UniversitédeMontréal),RemyBesson(UniversitédeMontréal),ConcevoiruneEncyclopédieraisonnéesdestechniquesducinéma:enjeuxdemédiationAnnaëlleWinand(UniversitédeMontréal),Reconfigurationsnumériquesetnouvellesformesdocumentairesàlacroiséedel’archivistiqueetducinémaexpérimental

AndréHabib(UniversitédeMontréal)andEricThouvenel(UniversitédeRennesII,TheWay(s)ofExperimentalCinema:forkingpathsinprogressJ5:Exhibitions,ExpandedCinemaandProcessChair:SandraAnnett(WilfridLaurierUniversity)ChristineRamsey(UniversityofRegina),AtomEgoyan'sSteenbecketMelanieWilmink(YorkUniversity),TheMagicCircleofPipilottiRist'sMediaEnvironmentsDanBrowne(RyersonUniversity),CinemaasPerformance:Technology,Art,andtheNon-RepeatableEvent

President’sReception/Réceptionduprésident

5:00-7:00p.m.location?

VIC209

KerrWest258

22

SpecialFilmScreeningandFinalPanel6:30pmTIFFBellLightbox350KingStWestMonOncleAntoine,DirectorClaudeJutra(1971)PleasejoinusforascreeningofClaudeJutra’sinternationallyacclaimedMonOncleAntoine,adeceptivelymodestcoming-of-agetalethatdoublesasanallegoryfortheemergenceofamodern,secularQuebec.OftencitedasamongthemostimportantoffilmsmadeinCanada,therecent“revelations”relatedtodirectorClaudeJutra(1930–1986)havetroubledsomecriticsandculturalgatekeepers.Thepost-screeningpanelconsidershowtherevelationoftheopensecretofJutra’ssexualitytroublesbothQuebecculturalnationalistandgayliberationistdiscoursesofliberation.Post-ScreeningPanel:Queeries:TheClaudeJutraControversy•JuliannePidduck(UniversitédeMontréal),TheJutraControversyThroughtheHourglass•JohnGreyson(YorkUniversity),FixYerTie:AnEkphrasticReplytoJutra'sEkleipsi•ThomasWaugh(ConcordiaUniversity),Jutra:Nothin’LefttoLoseFreeAdmissionOpentoallCongressdelegatesTicketscanbepickedupbeginningtwohourspriortotheeventstarttimefromtheTIFFBellLightboxBoxOffice(350KingStreetWest).PleasepresentyourdelegatebadgeCateredreceptionandcashbar

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