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cinema.usc.educinema.usc.edu/assets/101/16160.pdfThere would have been no new 'attractions' in HDTV's technology, but its uniqueness, Eisenstein might argue, would come from the combination
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cinema.usc.educinema.usc.edu/assets/100/16074.pdfgenres and its status within the aesthetic and ideological imperatives of classical cinema. Central to my argument is the notion that
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