Download - CHRISTIAN HINOJOSA PORTFOLIO SHEETS 1-28
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Riverside County Planning Department, California
Project Urban Regional Planner III
Reviewed and commented on formal applications, develop-
ment proposals, site plans, specific plans, and applications for
compliance with appropriate regulations and policies.
Assessed and commented of environmental documents such
as environmental assessments, environmental impact re-
ports and EIR and/or SP resolutions.
Prepared and coordinated of large land use projects and
subdivisions environmental impact report documents such as
initial studies, notice of preparations, notice of completions
and notice of determinations.
Answered routine public inquiries regarding zoning ordinanc-
es, laws, regulations, policies, and procedures governing land
use and transportation planning development.
Prepared staff reports and presented to Planning Commis-
sion and Board of Supervisors related to Land Use Plans,
Parcel and Tract Maps, Change of Zones, General Plan
Amendments and other Planning related cases.
Analyzed existing plans and identified deficiencies in policy or
legal authority.
Case management of projects and applications.
Prepared and reviewed Standard Operating Procedures
(SOP’s) for various tasks within the department.
Provided management & mentoring to Planning Assistant staff.
PROFESSIONAL EXPERIENCE
Joan Behnke & Associates, Beverly Hills, California
Interior Architecture Intern
Engaged in the day-to-day operation of the design firm.
Assisted designers with organizing for projects, conceptual
imagery and research.
Hand sketched floor plans, space planning and details.
University of California, Los Angeles, California
Teaching Assistant
Teaching Assistant for Elements of Design I & Design Com-
munication I in the Architecture & Interior Design Program.
Work focused on the development of perceptual skills, sensi-
tivity, creative awareness, and the technical ability necessary
to handle a variety of design media.
EDUCATION
Master of Interior Architecture, UCLA/CalPoly Pomona, Los
Angeles, California
Bachelor of Science in Urban and Regional Planning, CalPoly
Pomona, California
Associates of Arts, Riverside Community College, Riverside,
California
TECHNICAL & DESIGN EXPERIERENCE
Software proficiency in AutoCAD, SketchUp/SU Po-dium,
Revit/BIM, Adobe Creative Suite, and Microsoft Office.
Proficient in physical model building and product or material
research.
Fluency in Spanish.
Natural problem solving skills that create both practical and
agreeable solutions.
Excellent verbal and written communication skills.
Strong skills for teamwork and coordinating individual efforts
to achieve group goals with a broad range of audiences in-
cluding architects, engineers, applicants, regulatory agencies,
and the public.
Strong project management and organizational skills.
ACTIVITIES AND HONORS
Member Representative, Society of Interior Designers (ASID),
Los Angeles
Representative, American Planning Student Association
(APSA), Cal Poly Pomona
Member Representative, American Planning Association
(APA)
Toastmasters International, Inland Empire Chapter
CIDA Accreditation Site Visit, UCLA/CalPoly Pomona, con-
tributed 6 project examples
Presidents List, Cal Poly Pomona
Deans List, Cal Poly Pomona
Traveled to Spain, Canada, Nicaragua, Mexico, and most of
the continental U.S.
Summer 2015
Sp/F 2014
July 2005-12
Spring 2016
Spring 2005
Spring 2002
April 2013
to Present
Spring 2003
– Fall 2004
Spring 2005
– June 2013
Fall 2008/09
May 2014
Spring 2005
F 02 – W 05
My education and experience have proven
that I am a self-managing and a high-performing
problem solver with a passion for design quality,
complexity and detail. During the 7 years in urban
planning and the 3 1/2 years in the Master of
Interior Architecture Program, I processed and
produced several projects, ranging from residential
/commercial adaptive reuses, to large mixed-use
projects under a rigorous and fast paced schedule.
These included working
directly with clients,
consultants, govern-
ment officials, and
other professionals.
As a committed
team player, responsibilities
were to make sure my team was on track and met
milestones with a collaborative group dynamic. My
experiences include a broad range of design
and management software including AutoCAD,
SketchUp/SU Podium, Revit, Adobe Creative Suite
and Microsoft Office. As you will see from my
resume and portfolio, I have built my career from a
variety of industries and roles; I am continuously
adapting to different environments; where I take on
multiple responsibilities. I am thrilled by the possibili-
ties of being part of a team devoted to designs
shaping the human experience.
Spring 2003 – Fall 2004
ECKHART TOLLE ESSENCE BOARD
STU
DIO
II: R
ESID
ENTI
AL
4
SPACE ANALYSIS
A contemporary modern style with its geometric forms, smooth surfaces, & the use of material will provide a natu-ral sense of place. The client requests for open spaces for large group meet-ings and to allow more natural light in. The use of natural materials and earth tone colors will provide harmonious sp-aces and variation. The expansion of windows & the addition of skylights will allow additional natural light and the po-tential for scenic exterior views. The ad-dition of mirrors throughout the spaces will give the illusion of bigger spaces & assist in providing additional lighting. The design will approach to sustainabi-lity, & will provide a warm, quiet, bright, spacious, balanced, minimal, functional, & comfortable space to both guest & client.
CLIENT PROFILE
Eckhart Tolle is a 66 year old successful spiritual author of the modern age. Tolle is a German-born resident of Canada, best known as the author of The Power of Now & A New Earth. Eckhart is a very humb-le, and a self confessed “reserved” per-son, who loves being in solitude. He lov-es nature and is known to recommend nature as the greatest spiritual teach-er. He believes one "could develop org-anically.”
STU
DIO
II: R
ESID
ENTI
AL
5
FLOOR PLAN & RCP DEVELOPMENT
VIE
W L
OO
KIN
G IN
TO S
OC
IAL
EATI
NG
VIE
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KIN
G IN
TO S
OC
IAL
LOU
NG
EV
IEW
LO
OK
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INTO
MED
ITA
TIO
N
7
STU
DIO
III:
CO
MM
ERC
IAL
G R E E NMODERN STUDIOS
CONSCIOUSLY MADE FURNITURE - BIODEGRADABLE SOLUTIONS FOR ANY SPACE
The design concept will incorporate the “cube,” a polygon, at a human size scale and a subtle disintegration theme aesthetic. The concept will achieve a contem-porary organic/modern style with its geometric and organic forms, plywood and/or OSB surfaces, and the use of exposed materials to provide a clean, organiz-ed, and natural sense of place. The use of reclaimed and exposed materials, and using earth tone colors will achieve the client’s requirements. The design will app-roach to sustainability in topics such as equity, economy, and ecology as the foun-dation for a well designed, green project.D
ESIG
N C
ON
CEP
T
STU
DIO
III:
CO
MM
ERC
IAL
9
EXTE
RIO
R V
IEW
LO
OK
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INTO
DIS
PLA
Y A
REA
VIEW LOOKING INTO OPEN PANTRY VIE
W L
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KIN
G IN
TO D
ISP
LAY
AR
EA
VIEW LOOKING INTO EMPLOYEE LOUNGE
STUDIO IV: COMMERCIAL
10
STU
DIO
IV: C
OM
MER
CIA
L
10
MIXED-USE RETAIL - FARMERS MARKET & CAFE
The client, Organic Crate, is a company that specializes in the sales of organic and natural foods. A place for local fa-rmers to sell their seasonal crops directly to customers. Organic Crate is the grocery shopping experience that ma-kes healthy living easy and affordable. The stores offer fre-sh, natural and organic foods and products at affordable prices.The business will operate during regular retail hours and consists of approximately 20 employees. The client ac-quired the subject property for its ideal location in a med-ium high-density transitional urban area where pedestrian traffic is not an issue. The company’s main goal is to achi-eve revenue sales, provide a sense of place where people can shop & meet in a harmonious environment to aid from the bustling street and transitional neighborhood.
DESIGN CONCEPT
The design concept will incorporate the “wood crate” and a subtle rustic theme aesthetic. The concept will achieve a contemporary rustic style with its geometric & organic forms, plywood and/or OSB surfaces, and the use of exp-osed materials to provide a clean, organized, and natural
DIA
GR
AM
S E
SS
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F D
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DIAGRAM - LINEAR
sense of place. The use of reclaimed and exposed materials, and using earth tone colors will achieve the client’s requirem-ents. The design will approach to sustainability in topics such as equity, economy, and ecology as the foundation for a well designed green project.
ST
UD
IO IV
: C
OM
MER
CIA
L
12
PRODUCTIVE PLANT SYSTEMS
Plants are not only a key to the global ecosystem, but are also crucial to human health. Through "integrated site design," a comprehensive
approach to sustainable building and site design, sustainable commercial landscape architecture practices can not only improve water &
energy efficiency, but also use plants to eliminate chemical fertilizers, produce food onsite, and provide clean air.
Benefits of Plant Systems:
Adding indoor plants to improve air quality and human productivity.
Creating commercial composting systems for efficient waste removal.
Using plants as food sources within a commercial site . For example, the hydroponic-farming system grows plants in rotating rows, one on
top of another. The rotation gives the plants the precise amount of light and nutrients they need, while the vertical stacking enables the use
of far less water than conventional farming. By growing upward instead of outward, vertical farming can expand food supplies without using
more land.
0' 4' 8' 16' 32'
UP
UP
UP
12'-4"
3'-0
"
1'-6
"
121.0°
149.0°
149.1°
121.
0°
132'-10"
149.0°
121.
0°
121.
0°
149.0°
121.0°
23'-0
"5'
-4"
24'-6
"4'
-8"
5'-1
0"1'
-9"
5'-1
0"6'
-2"
24'-2
"
101'
-3"
11'-4" 1'-9"
24'-9"2'-9"24'-3"9'-7"
114'-7"
8'-2
"7'
-9"
11'-0
"
6'-9"2'-1"
14'-1
0"3'
-10"
31'-3"
34'-0"
21'-7"
9'-9"
4'-0
"
6'-0"
8'-11"
4'-7
"
4'-2"
"6-'9
6'-5
"
5'-1
"2'
-11"
1'-9
"
11"
14'-4
"2'
-11"
2'-0
"
8'-0"
1'-9
"
3'-7"
16'-1"
7'-3"
1'-6"
2'-0
"
9'-8
"
2'-11" 2'-9"2'-3"
9'-6
"
7'-10"
4'-5
"
2'-9"
5"
46'-11" 29'-7" 30'-8"
11'-5" 16'-3" 5'-10"
4'-4"
6'-3
"6'
-6"
3'-1
1"
5'-5
"
2'-6"3'-11"10'-1"3'-8"10'-1"
11" 11"
3'-8
"
18'-6
"
3'-1"10'-1"
3'-10"
2'-6"
4'-7"
17'-4"
1'-5"
5'-5"
7'-0"
1'-9"3'-8"
5'-1"1'-0"
14'-3"
4'-10"
4'-0"
20'-1"
21'-6"19'-3"
3'-10"
7'-8"
10'-3"
1'-9"
8'-8"
616'
-0"
7'-7"
8'-10"
8'-6"
152.6°117.0°
4'-4
"
0"22'-11"
4. “TYP.” SHALL MEAN THAT THE CONDITION IS REPRESENTATIVE FOR SIMILAR CONDITIONS THROUGHOUT. UNLESS OTHERWISE NOTED, DETAILS ARE USUALLY KEYED AND NOTED “TYP” ONLY ONCE WHEN THEY FIRST OCCUR.
5. “SIM.” SHALL MEAN COMPARABLE CHARACTERISTICS FOR THE CONFITIONS NOTED. VERIFY DIMENSIONS AND ORIENTATION ON PLANS AND ELEVATIONS.
6. WOOD DOORS SHALL BE UNDERCUT AS REQUIRED TO CLEAR FINISH FLOOR OR THRESHOLD BY ¼”. ALL FIRE RATED DOORS SHALL BE ORDERED SO AS TO CLEAR FINISH FLOOR OR THRESHOLD BY ¼” (UNDERCUTTING NOT ALLOWED.).
modernLUX
5317 Noble StreetRiverside, CA 92508951 775 5345 [email protected]
CHRISTIAN HINOJOSA
THE ATRIUM
ARTIST-IN-RESIDENCE COMMUNITY
3834 MAIN ST.RIVERSIDE, CA 92501
CONSTRUCTION PLAN
DRAWN BY :
FERNANDO DE MORAES
INSTRUCTOR :
PROJECT INFORMATION :
DRAWING TITLE :
design studio
UCLA/CPP MASTERS PROJECT
INTERIORARCHITECTUREDOCUMENTS
SPRING 2016
COURSE :
SHEET #
SCALE :
06/13/16DATE :
8 OF 19
1/8" = 1'-0"
SCALE: 1/8" = 1'-0"
CONSTRUCTION PLAN
2x4 WOOD STUDS @ 16" O.C. PARTITION TYPE C-WALL
EXISTING MASONRY WALL TO REMAIN TYPE A-WALLLED
FIXED GLAZED PANELS TYPE E-WALL
2x8 WOOD STUDS @ 16" O.C. PARTITION TYPE B-WALL (AT INTERIOR PLUMBING WALLS)
GENERAL NOTES
1. DIMENSIONS SHOWN ON PLANS ARE TO FACE OF FINISH OR TO GRID LINES, UNLESS OTHERWISE NOTED OR DETAILED. DOORS NOT DIMENSIONED ON THE PLANS ARE 4” TO INSUDE EDGE OF JAMBS, UNLESS OTHERWISE NOTED. WRITTEN DIMENSIONS TAKE PRECEDENCE. DO NOT SCALE DRAWINGS. IN CASE OF CONFLICT, NOTIFY DESIGNER.
2. CONTRACTOR SHALL MARK PARTITION AND DOOR LOCATIONS FOR REVIEW BY DESIGNER PRIOR TO INSTALLATION. REVIEW WILL BE FOR DESIGN INTENT. SUB-CONTRACTOR SHALL COORDINATE AND VERIFY ALL DIMENSIONS TO ENSURE PROPER FIT.
3. ALL NEW FINISHES ARE TO ALIGH FLUSH WITHOUT EVIDENCE OF ADDITION. “ALIGN”, AS USED IN THESE DOCUMENTS SHALL MEAN TO ACCURATELY LOCATE FINISH FACES IN THE SAME PLANE.
ONE HOUR RATED CONCRETE MASONRY WALL TYPE D-WALL
WALL LEGEND
A
B
C
D
E
2
2
2
2
3
4
4
3
1
1
WORK SPACE
OPEN TO ABOVE
LINE OF CEILING ABOVE
OPEN TO ABOVE
OPEN TO ABOVE
116
WORK SPACE
CHANGE IN MATERIALREFER TO FLOORFINISH PLAN
TYP.
TYP.
TYP.
TYP.
TYP.
TYP.
TYP.
118
WOMEN106
MEN105
NEW ATRIUM
SEATING/EXHIBITIONPEDESTAL
SEATING/EXHIBITIONPEDESTAL
117
EXISTING ATRIUM108
ENTRY101
RECEPTION103
EXHIBITION104
EXHIBITION107
EXHIBITION111
EXHIBITION110
LOADING/UNLOADING
119
EXHIBITION112
EXHIBITION113
WINDOW DISPLAY
102
WINDOW DISPLAY
114
MOUNUMENTAL SEATING UNIT
W/ STAIR, STAGE, & STORAGE
109
A13
B14
OPEN TO ABOVE
A15
B15
C16
D16
E16
17
MA
STE
R’S
PR
OJE
CT
DO
CU
MEN
TS
S
0' 4' 8' 16' 32'
4" LED SPOTLIGHT
TRACK FOR LED SPOT LIGHT
6" LED RECESSED DOWNLIGHT
WALL-MOUNTED LED SPOTLIGHT
2” RECTILINEAR LED
LINEAR LED
LED SURFACE MOUNTED PANEL
LED PENDANT FIXTURE
12" x 12" SUPPLY DIFFUSER
12" x 12" RETURN DIFFUSER
3" SURFACE MOUNTED LED
SUPPLY FLOW BAR DIFFUSER
RETURN FLOW BAR DIFFUSER
DIMMABLE SINGLE SWITCH
S
SS
SS
DIMMABLE 3-WAY SWITCH
D
D
3D3D
3D
3D
3D
3D
3D
S
S
SS
SS
SS
SS
S
S
S
S
S S
S S
S
S
S
S
S
S
SS
S
S
S
S
S S S
3D
3D3D3D
3D
3D
3D
3D3D
3D 3D
3D3D3D
3D
3D3D3D
S
D
3D
D D D
S S
DDD
2'-3
"
5'-10"
4'-8
"
8'-2
"7
'-2
"
8'-4" 4'-6" 6'-10"
2'-10"
2'-4
"
11'-1"2'-8"
1'-0"
1'-0
"
10
'-9
"9
'-7
"
3'-10"
5'-2
"
3'-8"
11'-9"
2'-0
"
3'-8"
7'-1"8'-0
"5
'-2
"
7'-8
"7
'-1
0"
5'-7
" 6'-0"
7'-1
0"
5'-9"
9'-0
"
7'-5"
9'-5"
13'-9"
1'-1
0"
1'-1
0"
4'-6"1'-9"
8'-2
"
7'-0
"
5'-0"
3'-5
"
7'-1
"
9'-9
"
7'-1
"
3'-10"
9'-2
"
4'-6"
9'-2
"
8'-9
"
3'-8"
3'-8"
2'-4
"
14'-6"
9'-3
"6
'-6
"
3'-3"
6'-11"
5'-11"
9'-1"3'-11"
4'-11
"
6'-1"
8'-0
"
6'-2
"
4'-5
"
5'-4"
14'-6"
4'-6
"3
'-1
0"
2'-9
"
1'-11
"
9'-3"
16'-2
"
2'-10"
7'-3"3'-9"1'-10"
1'-0"
2'-1
"
4'-9" 3'-8"4'-5"
5'-5" 4'-6" 6'-10" 4'-6" 6'-11" 4'-6" 6'-10" 4'-6" 9'-2" 31'-7" 4'-6" 6'-10" 4'-6"
13'-1" 4'-6" 22'-9" 4'-6" 6'-10" 4'-6" 13'-10" 19'-8" 20'-2" 8'-7" 4'-6"
modernLUX
5317 Noble Street
Riverside, CA 92508
951 775 5345
CHRISTIAN
HINOJOSA
THE ATRIUM
ARTIST-IN-
RESIDENCE
COMMUNITY
3834 MAIN ST.
RIVERSIDE, CA
92501
REFLECTED
CEILING PLAN
DRAWN BY :
FERNANDO
DE MORAES
INSTRUCTOR :
PROJECT INFORMATION :
DRAWING TITLE :
design studio
UCLA/CPP
MASTERS
PROJECT
INTERIOR
ARCHITECTURE
DOCUMENTS
SPRING 2016
COURSE :
SHEET #
SCALE :
06/13/16
DATE :
9 OF 19
1/8" = 1'-0"
SCALE: 1/8" = 1'-0"
REFLECTED CEILING PLAN
GENERAL NOTES
1. ALL CEILING HEIGHTS INDIATED ON PLANS ARE FROM TOP OF FINISH FLOOR TO
UNDERSIDE OF FINISH CEILING U.O.N.
2. REFER TO MECHANICAL DRAWINGS FOR LOCATIONS AND TYPE OF ALL DIFFUSERS,
DUCTS, RETURN AIR FRILLES, SPRINKLERS AND ANY ADDITIONAL MECHANICAL EQUIPMENT.
3. REFER TO ELECTRICAL DRAWINGS FOR EXACT NUMBER AND TYPE OF LIGHT FIXTURES
TO BE PROVIDED. NOTIFY DESIGNER SHOUD ANY DISCREPANCIES OCCUR.
4. FACTORY PRIMED ITEMS OCCUR, SUCH AS GRILLES, DIFFUSERS, METAL TRIM AND
ACCESSORIES, ETC., THEY SHALL BE PAINTED TO MATCH THE ADJACENT SURFACE.
5. SUBSTITUTIONS TO HVAC GRILLED AND REGISTERS, AND ANY OTHER ITEMS VISIBLE IN
CEILING OR IN EXPOSED PUBLIC AREAS SHALL BE SUBMITTED OT DESIGNER FOR APPROVAL
PRIOR TO PURCHASE.
6. THERE SHALL BE NO EXPOSED PIPES, CONDUITS, DUCTS, VENTS, ETC., IN PUBLIC AREAS.
ALL SUCH LINES ARE TO BE CONCEALED OR FURRED AND FINISHED.
7. EXTEND SOFFIT FRAMING TO STRUCTURE ABOVE, AND DIAGONALLY BRACE AS REQUIRED.
8. SPRINKLE HEADS TO BE FLUCH CONCEALED TYPE WITH WHITE COVERS IN GYP. BD. AREAS.
COLOR TO MATCH GYP. BD. FINISH.
9. SPRINKLER HEADS TO BE CENTERED IN ACOUSTICAL TILE PANELS OR ALIGNED WITH LIGHT
FIXTURES.
10. SPRINKLER SYSTEM TO BE APPROVED BY PLUMBING DIVISION PRIOR TO INSTALLATION.
11. PROVIDE ACCESS PANELS AT POINTS WHERE MECHANICAL AND ELECTRICAL EQUIPMENT IS
CONCEALED BY GYP. BD. CEILING.
12. WHERE TRACK LIGHTING OCCURS IN FRONT OF DISPLAY FIXTURES, IT SHALL BE CENTERED
ON DISPLAY FIXTURES, U.O.N.
WORK
SPACE
OPEN TO ABOVE
OPEN TO ABOVE
OPEN TO ABOVE
116
WORK
SPACE
TYP.
TYP. TYP.TYP.
TYP.
TYP.
TYP.
TYP.
TYP.
TYP.
TYP.
TYP.
TYP.
TYP.
TYP.
TYP.
TYP.
TYP.TYP.
TYP.TYP.
118
WOMEN
106
MEN
105
NEW ATRIUM
117
EXISTING ATRIUM
108
ENTRY
101
RECEPTION
a b
c
c c
c c
d d
d dd
d
d
d
d
d
d d d d d d d d d
d
d dd d
g
g
g
g
g
g
g
g
d d
dd
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d
d d d
e
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ee
e
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e
e
eh
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ddd
ef
ee
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b b
bb b b b b b b b
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b b b b
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b c
b
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a
a
a
a
a
a a
a
a
a a a a a a
a
a
a
a
a
a
a
a
a
a
103
EXHIBITION
104EXHIBITION
107
EXHIBITION
LED COVE LIGHTING
111
EXHIBITION
110
LOADING/
UNLOADING
119
EXHIBITION
113
WINDOW
DISPLAY
102
WINDOW
DISP.
114
MOUNUMENTAL
SEATING UNIT
W/ STAIR, STAGE,
& STORAGE
109
A
13
B
14
LIGHTING SYMBOL LEGEND HVAC LEGEND
12’-0”
GYP. BD
P-1
10’-0”
GYP. BD
P-3
13’-0”
WOOD
WS-1
12’-0”
GYP. BD
P-1
12’-0”
GYP. BD
P-2
31’-0”
GYP. BD
P-4
31’-0”
GYP. BD
P-4
31’-0”
GYP. BD
P-4
31’-0”
GYP. BD
P-4
LINEAR LED (L-1)
DIMMABLE SINGLE SWITCH
DIMMABLE 3-WAY SWITCH
FIRE ALARM LOCATION TO BE
DETERMINED BY CONSULTANT
FIRE SPRINKLER LOCATION TO BE
DETERMINED BY CONSULTANT
LED SURFACE MOUNTED PANEL (L-3)
LED PENDANT FIXTURE (L-2) TRACK FOR LED SPOT LIGHT (L-6)
3” SURFACE MOUNTED LED (L-4)
SUPPLY FLOW BAR DIFFUSER
RETURN FLOW BAR DIFFUSER2” RECTILINEAR LED (L-9)
WALL-MOUNTED LED SPOTLIGHT (L-7)
12”x12” SUPPLY DIFFUSER
12”x12” RETURN DIFFUSER
6” LED RECESSED DOWNLIGHT (L-8)
4” LED SPOTLIGHT (L-5)
OPEN TO
ABOVE
EXHIBITION
112
LED COVE LIGHTING (L-10)18
MA
STE
R’S
PR
OJE
CT
DO
CU
MEN
TS
3"7'
-0"
7"
2"
4'-2
"
3'-6
"
3"3"
1'-0
"
2'-6
"
8"2'-1"
8'-1
"4"
3'-6
"
1'-1
0"
8"2'-1"
8"4"
2'-1
0"
2"2"
7"
1'-1"
8"
2"2"
2"2"
2'-7
"3"
1'-5
"
6"
1"2"
1"
4"
1"1"
1"
7"
1" 1"
3"
2" 1"
3" 1"1'
-8"
1"
1"
2" 2"
1"
4"
1"
1"
1"1"
0"
2"
1" 1"
2"
1"
1"2"
2"2"
5"
2"
2"
1"1"
7"
1"1"
2"5"
1"2"
2" 1"
3" 1"
1"
1"
2"
2"
2"
STAIR SECTION
LOBBY DESK ADA SECTION
SECTIONSAND DETAILS
modernLUX
5317 Noble StreetRiverside, CA 92508951 775 5345 [email protected]
CHRISTIAN HINOJOSA
THE ATRIUM
ARTIST-IN-RESIDENCE COMMUNITY
3834 MAIN ST.RIVERSIDE, CA 92501
DRAWN BY :
FERNANDO DE MORAES
INSTRUCTOR :
PROJECT INFORMATION :
DRAWING TITLE :
design studio
UCLA/CPP MASTERS PROJECT
INTERIORARCHITECTUREDOCUMENTS
SPRING 2016
COURSE :
SHEET #
SCALE :
06/13/16
DATE :
17 OF 19
N/A
D1--
SCALE: 1" = 1'-0"
ELEVATOR WALL SECTION
SCALE: 1" = 1'-0"
LOBBY DESK SECTION ABSCALE: 1 1/2" = 1'-0"
STAIR DETAILSD
SCALE: 1 1/2" = 1'-0"D1
ELEVATOR DETAILSCALE: 3" = 1'-0"
A1ELEVATOR DETAIL
SCALE: 1 1/2" = 1'-0"A3
ELEVATOR DETAILSCALE: 6" = 1'-0"
A2
LOBBY DESK DETAILSCALE: 6" = 1'-0"
B3
LOBBY DESK DETAILSCALE: 3" = 1'-0"
B2
LOBBY DESK DETAILSCALE: 3" = 1'-0"
B4
LOBBY DESK DETAILSCALE: 3" = 1'-0"
B1
ELEVATOR THRESHOLD SCALE: 3" = 1'-0"
U
SCALE: 1" = 1'-0"C
A1--
B2--
B3--
B4--
B1--
B2--
B3--
B4--
A2--
A3--
8 1/2” x 7’-3” DRIFTEDWOOD PLANKS
FC-4
MONARCHALUMINUMZ CLIPS
HD-1
MONARCHALUMINUMZ CLIPS
HD-1
MONARCHALUMINUMZ CLIPS
HD-1
STL-2SATIN STAINLESS STEEL BASE
8 1/2” x 7’-3” DRIFTED WOOD PLANKS
FC-4
STL-2SATIN STAINLESS STEEL ROUND HANDRAIL
STL-2SATIN STAINLESS STEEL GLASSPEDESTAL
STL-2SATIN STAINLESS STEEL GLASSPEDESTAL
STL-2SATIN STAINLESS STEEL GLASSPEDESTAL
STL-2SATIN STAINLESS STEEL GLASS PEDESTAL
STL-2SATIN STAINLESS STEEL ROUND HANDRAIL
STL-2SATIN STAINLESS STEEL REVEAL
CAB SHELLBY OTHERS
CAB SHELLBY OTHERS
CAB SHELLBY OTHERS
WC-1RAISED LAMINATEPANEL
WC-1RAISED LAMINATEPANEL
WC-1RAISED LAMINATEPANEL
WC-1RAISED LAMINATEPANEL
L-10
WS-1
STL-1SATIN STAINLESS STEEL SUSPENDED CEILING PANEL
STL-1
P-5
SATIN STAINLESS STEEL SUSPENDED CEILING PANEL
STL-1STAINLESS STEEL CEILING PANEL
STL-1STAINLESS STEEL CEILING PANEL
LED COVE LIGHTING
L-10LED COVE LIGHTING
GLOSS PAINTFINISH
THRESHOLD
ALIGNFINISHED
FLOOR
TH-03
STL-2SATIN STAINLESS STEEL DOORS
LIGHT POLISHED CONCRETE
FC-1
LIGHT POLISHED CONCRETEFILLED METALPAN STAIR TREAD
LIGHT POLISHED CONCRETEFILLED METALPAN STAIR TREAD
METALPLATE STAIR RISER
STEELANGLEWELDEDTO STRINGER STEEL
ANGLEWELDEDTO STRINGER
SAFETYNOSINGTYPICAL
FC-1 FC-1
2 X 7 DOUBLE PLATE
2 X 7 SILL PLATE
2 X 7 SILL PLATE
PLYWOOD FRAMING
PLYWOOD FRAMING
PLYWOOD FRAMING
PLYWOOD FRAMING
PLYWOOD FRAMING
DRAWERSIDE PANEL
WHITE BRUSHED OAK WOOD FACE FRAME
WS-1WHITE BRUSHED OAK WOOD FACE FRAME
WS-1WHITE BRUSHED OAK WOOD FACE FRAME
WS-1WHITE BRUSHED OAK WOOD FACE FRAME
WS-1WHITE BRUSHED OAK WOOD FACE FRAME
WS-1WHITE BRUSHED OAK WOOD FACE FRAME
WS-1WHITE BRUSHED OAK WOOD FACE FRAME
WS-1WHITE BRUSHED OAK WOOD FACE FRAME
VT-1LIGHT GREY PLASTIC LAMINATE MDF COUNTER
VT-1LIGHT GREY PLASTIC LAMINATE MDF COUNTER
VT-1LIGHT GREY PLASTIC LAMINATE MDF COUNTER
VT-1LIGHT GREY PLASTIC LAMINATE MDF COUNTER
VT-2ASH WHITE RECYCLEDGLASS COUNTER
VT-2ASH WHITE RECYCLEDGLASS COUNTER
VT-2ASH WHITE RECYCLEDGLASS COUNTERVT-2
ASH WHITE RECYCLEDGLASS COUNTER
WS-1WHITE BRUSHED OAK WOOD FACE FRAME
MD-1SMOOTH GALVANIZED STEEL MDF STUMP
MD-1SMOOTH GALVANIZED STEEL
MD-1SMOOTH GALVANIZED STEEL
MD-1SMOOTH GALVANIZED STEEL
WS-1WHITE BRUSHED OAK WOOD FACE FRAME
WS-1WHITE BRUSHED OAK WOOD DESK EDGE
WS-1WHITE BRUSHED OAK WOOD DESK EDGE
WS-1WHITE BRUSHED OAK WOOD DESK EDGE
WOOD DESK PANEL
ELEVATOR CAB (MOVING) LEVEL ONE (STATIONARY)
ELEVATOR CAB SUBFLOOR LEVEL ONE SUBFLOOR
SHIM
MDF STUMP
MDF STUMP
1/8”
WC-5GLAZED PANELS
WC-5GLAZED PANELS
STL-3
STL-4STEEL PLATE STRINGER
SATIN STAINLESS STEEL 1 1/2” DIA. HANDRAIL STANCHION
STL-3SATIN STAINLESS STEEL 1 1/2” DIA. HANDRAIL STANCHION
STL-3SATIN STAINLESS STEEL ROUND HANDRAIL
STL-3SATIN STAINLESS STEEL ROUND HANDRAIL
STL-3SATIN STAINLESS STEEL ROUND GUARD RAIL
STL-3SATIN STAINLESS STEEL ROUND GUARD RAIL
B1--
1/8”
19
MA
STE
R’S
PR
OJE
CT
DO
CU
MEN
TS
ELEM
ENTS
OF
DES
IGN
II
21
4” x 6” INDEX CARDS MODULAR DESIGN
MODULAR DESIGN INTEGRATED WITH SECONDARY MATERIAL ABSTRACT SCULPTURE
SECONDARY MATERIAL & DEVELOPMENT PROCESS
ELEM
ENTS
OF
DES
IGN
II
22TWO FREESTANDING ABSTRACT SCULPTURES EACH CONSTRUCTED FROM ONE CONTIGUOUS SHEET OF 9"X12" 3 PLY BRISTOL BOARD WITH NOTHING REMOVED
ELEM
ENTS
OF
DES
IGN
II
23
The Active Adult Living, modern condo-miniums 55+, is a multiuse development in the desert that accommodates the cur-rent high demand of senior housing. The de-velopment includes parking spaces with light-ing, landscape and adequate circulation, and a trail with exceptional views that includes a bridge and seating. The complex includes a re-sidential tower, a main lobby, and a multiuse re-creational bridge that connects the greenhouse and the main lobby. The design concept was ins-pired by modern architecture such as the Olympic Bird's Nest Stadium in Beijing, China, a library’s fa-çade in Guadalajara, Mexico, and other modern ar-chitecture in Guadalajara.
STU
DIO
III &
LIG
HTI
NG
DES
IGN
26 DECONSTRUCTED PLASTIC WALL CLOCK LIGHTING FIXTURE VIEW LOOKING INTO STUDIO III FINAL PROJECT MODEL
OVERALL VIEW LOOKING INTO STUDIO III FINAL PROJECT MODEL
C H R I S T I A N H I N O J O S A
C O M M E R C I A L I N T E R I O R SP R O J E C T M A N A G E M E N T
U R B A N P L A N N I N GA R C H I T E C T U R E
C H I N O J 0 S A 5 3 @ G M A I L .C O M 9 5 1 7 7 5 5 3 4 5
Inspired by the natural environment and my master’s project thesis The Atrium, an artist-in-residence community or artist retreat, the Tree Pyramid Retreat provides a habitat for the natural spirit that exists in all of us. Symbolizing bigger consciousness of strength and energy, the pyramid can be used for mystic ex0periences.
Combining triangular clean white walls w/ partnering glass windows and a 10’ x 10’ open plan, the pyramid brings an ancient building typology to modern camping architecture. The simple geometric shape creates a clean aesthetic, while remaining eye-catching due to its iconic form. The structure can be hand-crafted from fiberglass and locally sourced wood. It could accommodate up to 4 people, and can be capable of accepting an electrical line for electricity and heating. A web like support system can ensure that the pyramid stays stable, and can be reached by spiral staircases that can wound around the tree trunk.
Z F O L D T R E E S E C T I O NT O I N S E R T TO O T H E R
S C A L E : 1/16" = 1' - 0"
A T R E E P Y R A M I D R E T R E A T
A T R
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A M
I D R
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C H R I S T I A N H I N O J O S A
C O M M E R C I A L I N T E R I O R SP R O J E C T M A N A G E M E N T
U R B A N P L A N N I N GA R C H I T E C T U R E
C H I N O J 0 S A 5 3 @ G M A I L .C O M 9 5 1 7 7 5 5 3 4 5
Inspired by the natural environment and my master’s project thesis The Atrium, an artist-in-residence community or artist retreat, the Tree Pyramid Retreat provides a habitat for the natural spirit that exists in all of us. Symbolizing bigger consciousness of strength and energy, the pyramid can be used for mystic ex0periences.
Combining triangular clean white walls w/ partnering glass windows and a 10’ x 10’ open plan, the pyramid brings an ancient building typology to modern camping architecture. The simple geometric shape creates a clean aesthetic, while remaining eye-catching due to its iconic form. The structure can be hand-crafted from fiberglass and locally sourced wood. It could accommodate up to 4 people, and can be capable of accepting an electrical line for electricity and heating. A web like support system can ensure that the pyramid stays stable, and can be reached by spiral staircases that can wound around the tree trunk.
Z F O L D T R E E S E C T I O NT O I N S E R T TO O T H E R
S C A L E : 1/16" = 1' - 0"
A T R E E P Y R A M I D R E T R E A T
A T R
E E
P Y R
A M
I D R
E T R
E A T
C H R
I S T
I A N
H I N
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C H I N
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CHRISTIAN H
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SA
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SA53@GMAIL.
COM
951/775 5345
CHRISTIAN HINOJOSA
951/775 5345
SC
ALE: 1
/1
6
C H R I S T I A NH I N O J O S A
C O M M E R C I A L I N T E R I O R SP R O J E C T M A N A G E M E N T
U R B A N P L A N N I N GA R C H I T E C T U R E
951/775 5345 --- [email protected]
CHRISTIAN HINOJOSA
951/775 5345
CHRISTIAN HINOJOSA
951/775 5345
SC
ALE: 1
/1
6
C H R I S T I A NH I N O J O S A
C O M M E R C I A L I N T E R I O R SP R O J E C T M A N A G E M E N T
U R B A N P L A N N I N GA R C H I T E C T U R E
951/775 5345 --- [email protected]
CHRISTIAN HINOJOSA
951/775 5345
CH
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SA
CH
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CHRISTIAN HINOJOSA
951/775 5345
CH
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SA
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A5
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1/
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CA
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MODEL CARDINSPIRATIONS