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WRITTEN EXERCISES
1. On the staff below, notate the following chord progressions. Make sure to implement good voiceleading.
CHAPTER 13
Idiomatic Jazz Progressions
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13–2 IDIOMATIC JAZZ PROGRESSIONS
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2. Analyze the following chord progression with lead-sheet symbols and Roman numerals.
IDIOMATIC JAZZ PROGRESSIONS 13–3
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2. Realize the following progressions using Models III and IV of keyboard playing.
KEYBOARD SKILLS
1. Realize the following progressions using Models I and II of keyboard playing.
13–4 IDIOMATIC JAZZ PROGRESSIONS
Dm7 G7 C∆7 C6Dm7 G7 D 7 C∆7 C6D7 G7 C∆7 C6A 7 G7 C∆7 C6A 7 D 7 C∆7 C6A 7 A m7 D 7 C∆7 C6
E m7 A 7 Dm7 G7 C∆7 C6D7 A 7 G7 C∆7 C6D7 A 7 G7 D 7 C∆7 C6E m7 A 7 A m7 D 7 C∆7 C6
Dm7 E m7 A 7 G7 A m7 D 7 C∆7 C6Dm7 A 7 E m7 A 7 Dm7 D 7 C∆7 C6
D7 E m7 A 7 A m7 D 7 D7 D 7 C∆7 C6D7 E m7 A 7 D7 A 7 G7 D 7 C∆7 C6
bbb bb bbbb bb bb b b b bbbb bbb bb
b
b
b b
b b bb
Closely Related Keys
I ii–V7 (ii–V7)/IV IVI ii–V7 (ii–V7)/V VI ii–V7 (ii–V7)/II III ii–V7 (ii–V7)/ VII VIII ii–V7 (ii–V7)/VI VII ii–V7 (ii–V7)/ III III
Remotely Related Keys
I ii–V7 (ii–V7)/III IIII ii–V7 (ii–V7)/ VI VII ii–V7 (ii–V7)/VII VIII ii–V7 (ii–V7)/ II III ii–V7 (ii–V7)/ IV IV
b bbb
b bbb
≥ ≥
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IDIOMATIC JAZZ PROGRESSIONS 13–5
3. Realize the following progressions using Models V and VI of keyboard playing.
Major to Minor Keys
I ii–V7 (iiØ–V7)/ii iiI ii–V7 (iiØ–V7)/vi viI ii–V7 (iiØ–V7)/iii iiiI ii–V7 (iiØ–V7)/iv iv
Minor to Major Keys
i iiØ–V7 (ii7–V7)/III IIIi iiØ–V7 (ii7–V7)/VI VIi iiØ–V7 (ii7–V7)/VII VIIi iiØ–V7 (ii7–V7)/V Vi iiØ–V7 (ii7–V7)/ II II
Minor to Minor Keys
i iiØ–V7 (iiØ–V7)/iv ivi iiØ–V7 (iiØ–V7)/v vi iiØ–V7 (iiØ–V7)/ii iii iiØ–V7 (iiØ–V7)/vii viii iiØ–V7 (iiØ–V7)/iii iii
b b
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13–6 IDIOMATIC JAZZ PROGRESSIONS
4. Realize the following progressions using Jazz Chorale 4-Part texture.
Less ChallengingDiatonic First Interpolation Second Interpolation New Tonic
ii–V7 [ii–V7]/IV (ii–V7)/VII VIIii–V7 [ii–V7]/VII (ii–V7)/ VII VIIii–V7 [ii–V7]/ V (ii–V7)/VI VIii–V7 [ii–V7]/III (ii–V7)/ VI VIii–V7 [ii–V7]/ VII (ii–V7)/V Vii–V7 [ii–V7]/ III (ii–V7)/ V Vii–V7 [ii–V7]/V (ii–V7)/IV IVii–V7 [ii–V7]/ IV (ii–V7)/III IIIii–V7 [ii–V7]/IV (ii–V7)/ III IIIii–V7 [ii–V7]/III (ii–V7)/II IIii–V7 [ii–V7]/II (ii–V7)/ II II
More ChallengingDiatonic First Interpolation Second Interpolation New Tonic
ii–V7 [ii–V7]/III (ii–V7)/VII VIIii–V7 [ii–V7]/II (ii–V7)/ VII VIIii–V7 [ii–V7]/ VI (ii–V7)/VI VIii–V7 [ii–V7]/IV (ii–V7)/ VI VIii–V7 [ii–V7]/ III (ii–V7)/V Vii–V7 [ii–V7]/VI (ii–V7)/ V Vii–V7 [ii–V7]/VI (ii–V7)/IV IVii–V7 [ii–V7]/ VII (ii–V7)/III IIIii–V7 [ii–V7]/VII (ii–V7)/ III IIIii–V7 [ii–V7]/ IV (ii–V7)/II IIii–V7 [ii–V7]/V (ii–V7)/ II II
bbb
bbbbb
bbb
b bbb
bb
bbbb
bbb
bb
≥
≥
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IDIOMATIC JAZZ PROGRESSIONS 13–7
5. Realize the following progressions using Jazz Chorale 5-Part texture.
Beginning on II vi ii V7 iii vi ii V7
I ≥ ≥
≥
≥
io ii iio ii VI7 (ii–V7)/IVI (ii–V7)/IV IV ii V7
I [iiØ–V7]/vi (ii–V7)/IV IVI IV iii VII7 vi II7 ii TR/V
I IV ivo I VI7 II7 V7
I V7 IV7 VII7 I VI7 II7 TR/VI ivo iv iii VI7 ii VII7
I [iiØ–V7]/iii [ii–V7]/ b
bbb
b
bIII ii V7
I (iiØ–V7)/ii ii (iiØ–V7)/viI [ii–V7]/ II ii V7 II [ii–V7]/ VII [ii–V7]/ VI ii V7
I (ii–V7)/ VI VI ii V7
Beginning on iiii V7 I vi [ii–V7]/ III ii TR/Vii V7 vi II7 iii iiio ii V7
ii V7 [ii–V7]/ III [ii–V7]/ V (ii–V7)/VIii V7 [ii–V7]/II vi II7 ii TR/ViiØ V7 I [ii–V7]/III ii V7
iiØ V7 I V7 IV7 VII7 I(iiØ–V7)/iv iv ii V7 I
Beginning on IVIV [ii–V7]/ III I ii TR/VIV ii V7 I vi (iiØ–V7)/viIV iii vi ii V7 TR/VIV ≥ivº I I
IV [iiØ–V7]/iii (iiØ–V7)/ii ii TR/VIV (iiØ–V7)/vi vi II7 ii V7
Beginning on vivi ii V7 Ivi II7 ii TR/Vvi ii V7 I (iiØ–V7)/iivi [iiØ–V7]/vi (iiØ–V7)/iii iiivi [iiØ–V7]/vi [ii–V7]/IV ii V7
b
bbb b
bb
b
b b
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EAR TRAINING SECTION AUDIO TRACKS
Harmonic Progressions ID
On the staff below, notate the bass line and analyze the progression with lead-sheet symbols and Romannumerals. There are two half notes per measure. (Answer Key)
Track 75: FIVE four-bar progressions with a single [ii–V7]/X interpolation.
13–8 IDIOMATIC JAZZ PROGRESSIONS
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Track 76: FIVE four-bar modulations.
IDIOMATIC JAZZ PROGRESSIONS 13–9
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Track 77: FIVE four-bar modulatory paths.
13–10 IDIOMATIC JAZZ PROGRESSIONS
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Track 78: FIVE four-bar progressions with a single [iiØ–V7]/X interpolation.
IDIOMATIC JAZZ PROGRESSIONS 13–11
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Track 79: FIVE four-bar progressions with two [ii–V7]/X interpolations.
13–12 IDIOMATIC JAZZ PROGRESSIONS
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Track 80: FIVE miscellaneous four-bar progressions.
IDIOMATIC JAZZ PROGRESSIONS 13–13
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