2/23/2015 AllWriteFictionAdvice:April2014

http://allwritefictionadvice.blogspot.in/2014_04_01_archive.html 1/13

SA T URDA Y , 2 6 A PR I L 2 0 1 4

DialogueDilemmasPart2

Technicalities

Inpart1ofDialogueDilemmaswelookedatthegroundrulesforcreatingmultifunctional,realisticdialogue.

Butwhataboutthenittygritty,thetechnicalsideofcreatingdialogue?Wheredoyoustartanewlineofdialogue?Whataboutinternalthoughts,howshouldtheybepresented?Howdoyoucorrectlysetoutdialogue?Whataboutquotationmarks?

Thesequestionsallrelatetothetechnicalsideofwritingdialogue,thethingsyouhavetogetright.Unlikealotoffictionwriting,therearenobendingruleswheredialogueisconcerned.

Thefirstthingthatallwritersshouldlearnishowtocorrectlyformatdialogue,i.e.setitoutcorrectly.

DialogueFormatting

Itsimportantthatyouclearlydenotewhoisspeakingforyourreader,sodialoguemustalwaysbeclear.Therearestilllotsofwriterswhodontusethiscorrectly.

Firstly,wheneveracharacterspeaks,alwaysstartanewparagraph.Dontmaketheclassicmistakeoftaggingonecharactersdialogueontothesamelineas

A LL WR IT E F I C T IONADVICE

IsBackstoryNecessary?CreatingLastingImagesTrustYourMemoriesReadingYourMSSOutLoudSortingFactfromFiction

WE LCOME T O A L L WR IT E

Soyou'veembarkedonyourfictionwritingjourney.

It'soneofthehardestthingstodocreateawhole,believableworldforotherpeopletoenjoy,especiallyifyou'renewtowriting.It'salsooneoftheloneliestjobs,especiallywhenthereisnohelporadviceorsupport...sorightheretherewillbehandyarticles,examplesandsimplestepbystepguidestohelpmakethecreativeprocessthatmucheasier.

FE BRUA R Y FE MME SFA T A LE S

Thisnewdeliciouslydarkanthologyisoutnow,witharangeofstunningfemalewriterstoscareanddelightinequal

AdbyBrowserShop|Close

More NextBlog CreateBlog SignIn

A L L WR I T E F I C T I ON ADV I C EA D V I C E O N C R E A T I V E WR I T I NG

2/23/2015 AllWriteFictionAdvice:April2014

http://allwritefictionadvice.blogspot.in/2014_04_01_archive.html 2/13

anothercharactersdialogue.Forinstance:

Itsgettingdark.Weshouldmakecampsoon,Davidsaid.Butwerenotfarfromthesettlement,arewe?Janeasked.

ThisisconfusingforthereaderandgrammaticallyincorrectbecauseJanesdialogueshouldnotappeartaggedontotheendofDavids.Remember,anewparagraphdenotesanewlineofdialogue:

Itsgettingdark.Weshouldmakecampsoon,Davidsaid.

Butwerenotfarfromthesettlement,arewe?Janeasked.

Thesameconceptappliesformultiplecharacterstalkingwithinascene.Eachonestillneedsanewline.Forinstance:

IknewhewasshiftythemomentIsawhim,Johnsaid.

Butyoudontevenknowhim,Paulsaid.

Hesjustmakingassumptions,asusual,Granmuttered.Likehealwaysdoes.

Johnrecoiled.Thatsnottrue!

Youcanseethateachtimeacharacterspeaksthereisanewlinethatshowsthereader.Thereisnoconfusionwhichcharacterisspeakingandwhen.

Butwhatifyouneedthecharactertoperformanactionwhileinconversation?Orperhapstheymayhavealongsectionofdialogue.Howdoyoutacklethis?

Writersuseanactioninterjection.Thatmeansyoucaninserttheactionwithinthesameparagraphasthedialogue,becausethisdenotesthecharacterisstillspeakingwhileperformingtheaction.

Itdoesntmeanyouhavetostartanewparagraphforthecharactersaction,unlessthecharacterhasfinishedspeakingcompletely,nordoyouneedtomakeanewlinetocarryonthecharactersdialogueaftertheaction.

Thiscanbeaconfusingconcept,soIwilldemonstrate

measure.Iamprivilegedtohaveeightshortstories/poemspublishedinthisbook,soifyoulikeyourdamesalittledarkanddangerous,thisisthebookforyou.

NOW A VA I LA BLE ONAMA ZON

FebruaryFemmesFatalesTheBook

WISE WORDS . . .

Writingislikebeingmarriedyouhavetoworkhardatmaintaininghappinessandequilibrium,butinvariablyonealwaysendsupinthedoghouse.

A BOUT ME

AJHUMPAGE

UNITEDKINGDOM

I'vebeenwritingforover25yearsandstartedoutinthe

publishingindustry.I'vepublishedarticles,studyguides,poems,flashfiction,shortstoriesandanovel.IalsoworkfulltimesoI'mALWAYSworking.

VIEWMYCOMPLETEPROFILE

BLOOD OF T HE FA T HE R

2/23/2015 AllWriteFictionAdvice:April2014

http://allwritefictionadvice.blogspot.in/2014_04_01_archive.html 3/13

withanexampleofincorrectdialoguestructure:

Imreadywhenyouare,Jakesaid.

Weshouldsneakintothetownatnightfall,Davidsaid.Itwillbeeasierforus,lesschanceofusbeingspotted.

Herubbedfrostfromhiseyes,blinkedafewtimes.

Firstpriorityistofindsomewherewarmtoshelter.

ItsclearfromthisexamplethatsplittingDavidsdialogueandtheactionhasmadeitconfusingforthereader,becauseitsnotentirelyclearwhoissayingFirstpriorityistofindsomewherewarmtoshelter.DidDavidsayitordidJake?Anditsnotclearwhoisperformingtheaction,either.

Theideahereistogivethereaderclarityandavoidambiguity,soifyoukeepthecharactersactionwithinthesamesentenceasthedialogue,youavoidconfusion:

Imreadywhenyouare,Jakesaid.

Weshouldsneakintothetownatnightfall,Davidsaid.Itwillbeeasierforus,lesschanceofusbeingspotted.Herubbedfrostfromhiseyes,blinkedafewtimes.Firstpriorityistofindsomewherewarmtoshelter.

Thisversionisgrammaticallycorrectanditsstructuredproperly.ItsclearwhoisspeakingDavidandthenarrativeshowshimperforminganactionbeforehecontinuesspeakingagain.Thedialoguehasbeenenhancedbyanactioninterjection.

DialoguePunctuation

Punctuationisoneofthosethingsthatnotallwritersfullyunderstand.Therearesomeselfpublishedwriterswhohavemadesometerribleerrorswhenitcomestodialoguepunctuation,writerswhohaventtakenthetimetolearnthecraftofwriting.

Itmeanstheyoftentheymissthebasicsofdialoguepunctuation,thingslikemakingsurethatthefirstwordofalineofdialogueiscapitalised.Evenifitisntthefirstwordofthesentence,thefirstlettermustalways

NowavailableonAmazonKindleUKandUS

BLOOD A ND GUT SANT HOLOGY

YOUASCAREDYCAT?NowavailableatAmazon

FE BRUA R Y FE MME SFA T A LE S S T OR IE S

2/23/2015 AllWriteFictionAdvice:April2014

http://allwritefictionadvice.blogspot.in/2014_04_01_archive.html 4/13

becapitalised:

Jonsaid,Makemeastrongblackcoffee

Evenfictionnonexpertswillspotthesebasicerrors.Oneisonetoomanyandspoilsthereadingexperience.

Placecommascorrectly

Ifyouareusingatagsuchashesaid/shesaidinordertoidentifythespeaker,thenyoumustinsertacommadirectlyafterthelastwordofdialogue,asthisdenotesaprotractionofthespeaker,forexample:

Ineedtogetanewcellphone,shesaid.

Ishouldhaveknown,hesaid.

Thecommasafterphoneandknownshowtheextensionofthespeakingcharacter.Iftherearenotags,however,thenitssimplyamatterofendingthedialoguewithafullstop.

Ineedanewcellphone.

Sometimesyoumightseeaninterjectionofaspeechtag,oracombinationoftagandaction,withinthedialogue.Thispausesthesentence,beforethedialoguecontinuesafterthespeechtagoraction.Forinstance:

Thistimetomorrow,wellbeinParis,shesaid,andwellbestrollingdownMontmartre.

Youllnoticethatthecontinuationofthedialogue,andwellbestrolling,alsobeginsinlowercaseratherthanbeginningwithacapitalletter.Thisisbecausethesecondpartofthedialogueisaprotractionofthesentence.Theshesaidisaninterjectionbetweenclauses.

Youcandothesamewithanadditionalaction,forinstance:

Thistimetomorrow,wellbeinParis,shesaid,adjustingherglasses,andwellbestrollingdownMontmartre.

Thesamesentencecanbestructuredusingafullstop

VisittheFeardomclickthepic

FOLLOW BY E MA I L

S T YL ISH BLOGGE R AWARD

BLOG A R CHIVE

2015(8)

2014(46)December(2)

November(5)

October(2)

September(4)

August(4)

July(4)

June(4)

May(5)

Emailaddress... Submit

2/23/2015 AllWriteFictionAdvice:April2014

http://allwritefictionadvice.blogspot.in/2014_04_01_archive.html 5/13

instead.Butratherthangivingapauseinthedialogue,itgivesaclearindicationoftheendofthedialogue.Andthistime,thesecondpartofthedialoguestartswithacapitallettertoshowanewsentence.

Thistimetomorrow,wellbeinParis,shesaid.WellbestrollingdownMontmartre.

Again,thesameconventionappliesifyouwanttoaddactionafterthespeechtag.

Thistimetomorrow,wellbeinParis,shesaid.Sheadjustedherglasses.WellbestrollingdownMontmartre.

Becarefultoplacecommasandfullstopscorrectly.Again,itsworthreiteratingthatthesewillbespottedbyagents/publishers,editorsandreaders.

InPart3wellcontinueourlookatthetechnicalitiesofcorrectlyformattingandpunctuatingdialogue,sothatyouavoidanydialoguedilemmas.

Nextweek:DialogueDilemmasPart3POSTEDBYAJ HUMPAGEATSATURDAY, APRIL 26, 20142COMMENTS: L INKSTOTHISPOST

REACTIONS: Helpful (0) Interesting (0) OK (0)

SUNDA Y , 2 0 A PR I L 2 0 1 4

DialogueDilemmasPart1GroundRulesDialogueisstraightforwardifyouknowhowtodoitproperly,andshouldntpresentanyproblems,butlatelyIveseenmanyselfpublishedbooksthatuseincorrectorbadlystructureddialogue.Writersarestillgettingitwrong.Ifyouwanttogodowntherouteoftraditionalpublishing,i.e.findinganagentorpublisher,thenitsparamountthatthesillymistakesfoundalloverselfpublishedworkisntapparentwhenyousubmittoaneditorforscrutiny.

Dialogueshouldbecorrectandproperlystructured,

April(3)DialogueDilemmasPart2

DialogueDilemmasPart1

HowtoAvoidBadWritingPart3

March(5)

February(4)

January(4)

2013(49)

2012(48)

2011(50)

2010(32)

TWIT T E R

YoucanfindmeonTwitter:@AJHumpage

FOLLOWE R S

SUBSCR IBE T O

MOST POPULA R A R T IC LE S

Recommend this on Google

Posts

AllComments

2/23/2015 AllWriteFictionAdvice:April2014

http://allwritefictionadvice.blogspot.in/2014_04_01_archive.html 6/13

whichmeanswritersshouldbeawareofgroundrules.Onceyouknowthosegroundrules,youcanconcentrateonthetechnicalityofconstructingdialogue.

Movethestoryforward

Firstly,dialogueisnecessarytomovethestoryforward.Thatmeansitshouldbeconcise,itshouldgettothepointandrelaypertinentinformationtothereaderaspartofthecontinuingstoryarc.

Dialogueshouldneverturnintoaninfodumpinotherwords,dontfillyoursceneswithhugechunksofdialoguerelayingbackstoryorunimportantdetails.Thiscanputyourreaderoff,plusitmeansthestoryarchaslostfocus.

Heresasimpleexamplecommontomanywritersthedialoguebackstory/infodump:

Amystaredatthegreyslime.Wellneedtogetsamplesofthisstuff.

IknowallaboutmolecularbiologybecauseIstudieditatuniversityandIspentseveralyearstraininginthefield,Dansaid.ThatmeansImwellqualifiedtoassessthissituationwithmyexperience,Iveworkedwithmostofthetopbiologists

Thisisenoughtosendthereadertosleep.TheinformationaboutDanandhisqualificationsandexperienceisntnecessaryindialoguebecauseitsoundstoostiltedandfeigned.Backgroundinformationshouldbesprinkledthroughthenarrativeaspartofhischaracterisation.

Thedialoguecouldbewrittenlikethisinstead:

Amystaredatthegreyslime.Wellneedtogetsamplesofthisstuff.

Iagree,Dansaid.Icanrunseveraltestsbackatthelab,seeifwecanextractsomeDNAandfindoutwhatcreaturethiscamefrom.

Thesecondexampleismoreconciseitgetstothepointandmovesthestoryforward.

Realism

Chapter&NovelLengthsJusthowlongshouldachapterbe?

Whatsthebestlength?Anddoesanovelhavetofitintoasetamountofwords?Thesearejusttwoo...

FlashbacksWhatisaflashback?Flashbackis

oneofthoseusefultoolsthatawritercanusetoenhanceastory.Itenrichesand,inasense,nourish...

SubplotsImoftenaskedbynewwriters

howsubplotsshouldevolve.Somewritersfindsubplotsdifficulttogettogripswhileothersareputofftry...

WORK S OF A J HUMPAGE

http://ajhumpage.blogspot.comThrillersChillers'n'Killers

SHA R E I T

T R ANS LA T E

SelectLanguage

Poweredby Translate

S E A R CH T HIS BLOG

2/23/2015 AllWriteFictionAdvice:April2014

http://allwritefictionadvice.blogspot.in/2014_04_01_archive.html 7/13

Theotherthingtorememberisthatdialogueshouldberealistic,toapoint.Ineverydaylife,conversationscandragonaboutperipheral,unimportantstuffandoftenfilledwithstrangepausesandlotsofumsetc.TheymaysayEroreh?alot.Theyespeciallysay,youknowandlikeaswell.Forexample:

Hewaslike,youknow,reallyfriendlyandeverything,and,well,IreallylikedhimandIwishedIdgivenhimmynumber,youknow?

Thedialoguecanstillretainasenseofrealism,butwithoutthecolloquialisms.Thesearethethingsyouleaveout.Forexample:

HewasfriendlyandIreallylikedhim.IjustwishIdgivenhimmynumber.

Anotherimportantgroundruleistousecorrectdialoguetags.Hesaidandshesaidbecomealmostinvisibletothereaderafterawhilehowever,writersshouldntrelyonthemtooheavily.Instead,structuresentencessoyoudontalwayshavetousethem.

Thesameruleappliesfortheuseofmoredescriptivetagssuchasshewhinedorhecriedetc.Manywritersstillusethese,wheninrealitytheyrerarelyrequiredifyouvegotsentencestructuresright.Forexample:

Whydidyoudoit?shewailed.

Theuseofshewailedisunnecessaryandweakensthedialogue.Thewaytocutouttheneedforthemistoinsertnarrativeinordertoshowcharactertheemotions,forexample:

Tearsfellacrosshercheeks.Hervoicepitched.Whydidyoudoit?

Thisversionremovestheneedforsillydialoguetagsandshowsthereaderthatthecharacterisemotionalsimplybymentioningthetearsandpitchedvoice.Itsthateasytostepawayfromthehabitofunnecessarydialoguetags.

DialogueLength

Anothersimilarmethodtotheexampleaboveistoadd

Search

S T A T S

PA GE VIEWS LA S T MONT H

21,864

GOOGLE + BA DGE

AJ HumpageAuthor and artist

Follow

2/23/2015 AllWriteFictionAdvice:April2014

http://allwritefictionadvice.blogspot.in/2014_04_01_archive.html 8/13

characteractionsinbetweendialoguetoaddatouchofrealism.Ifyoufindthatyouvewrittenaparticularlylongsectionofdialogue,thencharacteractionshelpsbreakupthedialogueintomanageablesections,forexample:

ItwasonlywhenIgottothebedroomthatInoticedshedgone,Dansaid.Ineverheardathing,notthedooropeningorthestairscreaking,absolutelynothing,butIguessyoudontwheninadeepsleep.Herubbedhistemples.NowIfeelsoterriblethatIdidntwake,Icouldnthelpher

Youcanseethattheinsertionofactionbreaksthelengthofdialogueandhelpspacethesentences.Itsnotamust,buttheyreagoodwaytoslipinlittlesnippetsoftone,tensionandemotion,andtheyalsoallowthereadertopausebrieflybeforecontinuing.

Varythedialoguelengths,givethempace.Contrarytobadadviceoutthere,noteverysentenceneedstobeshortandtothepointinthebeliefthatreadersattentionspansdemandit.Thatsprettydemeaningtoyourreader.Longersectionsofdialoguearejustacceptableasshortones.Justmakesureyoupacethemandaddcharacteractionstobreakthemupandmaketheminteresting.

Dialect

Thisseemstobotheralotofwritersbecausetheyassumethattheyhavetogivetheircharactersavarietyofaccentstomakethecharactermorerealmeaningtheyhavetowritedialogueusingthataccent.

Thisisnotabadthing,ifusedcorrectlyandsparingly,butthedownsideisthatyoucouldconfusethereaderifitsusedtoomuch.Readingitwillbecomeachoreitwillputthereaderoff,andyourcharacterwillsoundlikeacaricature.

Theruleisalwaysaboutbalance.Usedialect,butdontletitovershadowthedialogue.Lessissometimesmore.

Grammar

Unlikeyournarrative,whichmustalwaysbegrammaticallycorrect,dialogueistheexception.Itdoesnthavetobegrammaticallycorrect,especially

2/23/2015 AllWriteFictionAdvice:April2014

http://allwritefictionadvice.blogspot.in/2014_04_01_archive.html 9/13

withcharactersusingdialectorslang,becausethisformspartofthecharactersvoiceanditretainsahintofrealismofactualspeech.

Thatsaid,aswithdialects,dontoverdoit,otherwiseitbecomesannoyingtothereader.Keepabalanceanddontletitovershadowtherestofthedialogue.

So,thosearethegroundrules.Thethingtorememberwithdialogueisthatitismultifunctionalitdoesmanythingsallatonce.Dialoguesetsthescene,itimpartspertinentinformation,itforeshadows,itenablescharacterisationandrealismanditmovesthestoryforwardaspartofthestoryarc.

Nextweekwelllookatthetechnicalaspectsofdialoguestructure,andmoreimportantly,howtoformatdialoguecorrectly.

Nextweek:DialogueDilemmasPart2

POSTEDBYAJ HUMPAGEATSUNDAY, APRIL 20, 20147COMMENTS: L INKSTOTHISPOST

REACTIONS: Helpful (1) Interesting (0) OK (0)

SA T URDA Y , 1 2 A PR I L 2 0 1 4

HowtoAvoidBadWritingPart3

Inthefinalinstalmentofhowtoavoidbadwriting,welltakealookatafewmorecommonerrorsthatwritershaventyetunderstood,orhavechosentoignoreattheirownperil.

Therearequiteafew,butIvehighlightedtheonesthatcropupallthetimeinnarrative,commonerrorsthatcanbeandshouldbeavoided.

Adverbs

Oneofmanythingsthatdrivemecrazyistheuseoftoomanylyadverbs(althoughtheyrenottobeconfusedwithadjectivesthatendinly).

Adverbsareusedtomodifyaverb,anadjective,or

Recommend this on Google

2/23/2015 AllWriteFictionAdvice:April2014

http://allwritefictionadvice.blogspot.in/2014_04_01_archive.html 10/13

anotheradverb.Theyrewordsthatdontreallybelonginthenarrativethatsnottosayyouhavetoeliminatealltracesofthem,becauseyoudonthavetogothatfar.Someareneededatcertainpointsandcanbeuseful,butonthewhole,manyareunwelcome.Forexample:

Shelookedupathimlovingly,hisfacesofetchinglyconstructed

Thisisthekindofstufffoundinalotofromancestylenovels,anditsawful.Theuseofadverbsweakensthesentence.Itseemsasthoughmanywritershavelefttheircreativitybehindtheydontconsiderthepowerandstrengthofthewordsintheirsentencestructures.

Theuseofadverbsalsoincludesthembeingusedasdialoguetags,too.Onceagain,theyweakenthedialogueinthesamewayadverbsweakennarrative.

Oh,Ididntseeyouthere,shesaid,falteringly.

Thissentenceisbetter:Shefaltered.Oh,Ididntseeyouthere.

Yourplaceormine?hewhisperedlustily.

Thissentenceisbetter.Hisvoicebrimmedwithlust.Yourplaceormine?

Adverbsareuniversallyhated,simplybecausetoomanywillmakeyournarrativelookasthoughatenyearoldwroteit.Andnotonlythat,buteditorshatethem.Soifyouareouttoimpresseditorswithyourwritingskills,firstmakesurethatyouhaventlitteredyournovelwithadverbs.

HangingParticiples

Myabsolutefavouritethingtohateaboutfictionwriting.

IdetestseeingthesewheneverIcritique,somuchsoitmakesmebreathfire.AndifIhatethemsomuch,imaginewhatagentsandeditorsthinkaboutthem

Neverstartasentencewithahangingparticiple.Ifyouwanttocreateambiguity,oryouwanttoconfusethereaderifyouwanttoweakenthesentencestructureandmakeitlooklikeyour7yearoldniecewroteit,oryouwanttomakeyourpotentialagentchokeonhis

2/23/2015 AllWriteFictionAdvice:April2014

http://allwritefictionadvice.blogspot.in/2014_04_01_archive.html 11/13

coffeewithyourlazywriting,thengoaheadandhangyourparticiples.

If,ontheotherhand,youwanttoachieveacorrect,tightandunambiguoussentencestructure,thenavoidstartingyoursentenceswiththem.Ifyourenotconvinced,takealookatthesebeauties:

Carryinghercoffee,shestormedintoDereksoffice.

Turningfromthedoor,hesawtheshadowinthecorner.

Reachingforherphone,sheknewshehadtocallhermother.

Thereisnothingremotelygoodabouttheseexamples.Andstillwritersstarttheirsentenceslikethis.

Instead,takethetimetoreadwhatyouhavewritten,learntospotadverbsandhangingparticiples.Learntobecreativewithsentenceslearntocareaboutwhatyouwrite.

Flatnarrative

Anothercauseofbadwritingisflatnarrative(telling,notshowing).Thisisdowntoeitherthewriterisntthatconfidentaboutwritingdescriptivescenes,theyreafraidandnotsureaboutthem,ortheyvebeenadvisedthattoomuchdescriptionspoilsthestory.

Thereseemstobealotofcontradictoryadviceabouthowdescriptivenarrativeshouldbe.Ononehandtherearethosethatlovedescription,becausewhenproperlyuseditbuildsapictureforthereader.Thenontheotherhand,thereisasturdycontingentofantinarrativefolkswhoareadvisingwriterstokeepitsimple.

Ipersonallythinkbalanceisimportant.Thinkofdescriptionasthecementbetweenyourbuildingblocks.Withoutit,thereisntmuchsupport.Itsthatsimple.

Thosewhoadviseagainstbeingdescriptivearenothelpingwriterstheyrehinderingthecreativeprocess.Descriptivenarrativeisamustallyouhavetodoasawriteriskeepthebalancebetweensoundingflatandboring,orbeingcolourfulandevocative.

2/23/2015 AllWriteFictionAdvice:April2014

http://allwritefictionadvice.blogspot.in/2014_04_01_archive.html 12/13

NewerPosts OlderPosts

Noteveryscenewillrequirelotsofdescription,butyourkeyscenes,thosethatarerelevantandneedatmosphereandtone,sensesandsurroundingsetc.,aretheretohelpthereaderbuildamentalpicture,anddorequireit.

Heresanexample:

Helookedaheadthroughtheforest.Therewasnoonearound.Thecoastwasclearandhemadehiswaybacktothefarmhouse.

Whilethereisnothingessentiallywronghere,thereisntmuchforthereadertoworkwith.Thenarrativeisflat.Itstellingratherthanshowing.And,surprisingly,somepeopleadvocatethissimplisticapproachtodescription.Thatsfine,butletscompareitwithsomedescriptiveelementsadded:

Helookedaheadthroughtheforest,sensespricked.Therewasnoonearoundandnosound,exceptformuffledheartbeatinhisears.Silencecoiledbetweenbarrenbranchesandsweptlowacrossthesnow.Cautious,hemadehiswaybacktothefarmhouse.

Thissecondexampledoesntoverpowerwithdescription,howeverthistimethereareenoughsnippetsofinformationtohelpthereadervisualisethescene.Itsbalanced,andthatswhatwritersshouldbelookingfor.

Badwritingdisappearswithexperience.Themoreyouwrite,thebetteryoubecome.Thebetteryoubecome,themoreexperiencedyoubecomewitheditingandspottingyourownerrors,sothereisnoexcuseforbadwritingonceyouhavegainedsomeexperience.

Nextweek:DialogueDilemmasPOSTEDBYAJ HUMPAGEATSATURDAY, APRIL 12, 20142COMMENTS: L INKSTOTHISPOST

REACTIONS: Helpful (0) Interesting (0) OK (0)

Home

Recommend this on Google

2/23/2015 AllWriteFictionAdvice:April2014

http://allwritefictionadvice.blogspot.in/2014_04_01_archive.html 13/13

Subscribeto:Posts(Atom)

LA BE LS

ACTION(1)CHARACTERS(1)DIALOGUE(1)SUBTEXT(1)

AdbyBrowserShop|Close AdbyBrowserShop|Close