Season 07/08Your Favorite Entertainers, Your Favorite Theater
The City of Cerritos
gratefully thanks our
2007-2008 Season Sponsors
for their generous support
of the Cerritos Center
for the Performing Arts.
2007-2008 Season Sponsors
If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at (562) 916-8510.
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BIOGRAPHYTHE GOIN’ SOUTH BAND is one of the most
dynamic and respected ensembles performing traditional
American music on the West Coast. The band members play
a variety of southeastern American musical styles, amazing
and inspiring listeners of all ages with its show stopping
performances. Touches of good-hearted humor and fine
music-making take the audience back in time to learn about
America’s musical roots. Members of The Goin’ South
Band are: Director John Zeretzke on fiddles, Stroh violin,
Cherokee flute, and vocals; Cody Bryant on banjo, vintage
presents
THE GOIN’ SOUTH BAND
Wednesday, February 13, 2008, 7:30 PM
There will be one 20-minute intermission.A question-and-answer session will immediately follow this performance.
The taking of photographs or use of recording devices is strictly prohibited.
guitars, mandolin, and vocals; Rick Cunha on vintage
guitars, ukulele, slack-key guitar, and vocals; Paul Lacques
on guitar, dobro, jaw harp, vocals, and fiddlesticks; Rick
Shea on guitar, mandolin, vocals, and diddley bow; and Vic
Koler on bass, washtub bass, mandolin, and vocals. For more
information, please visit www.zworldmusic.com. g
Represented by:
Cadence Arts Network, Inc.
www.cadencearts.com
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OPUS 3 ARTISTSpresents
MOISEYEV DANCE COMPANYIGOR MOISEYEV STATE ACADEMIC ENSEMBLE
OF POPULAR DANCE (RUSSIA)ARTISTIC DIRECTOR AND CHOREOGRAPHER
IGOR MOISEYEV(1906-2007)
ASSISTANT CHOREOGRAPHERSLarisa Aristova • Lev Golovanov • Victor Nikitushkin • Elena Shcherbakova
ACCOMPANISTMikhail Drokov
SOLOISTS OF THE BALLETLarisa Aristova • Evgenia Bakhareva • Ekaterina Kulikova
Natalia Matus-Marchuk • Natalia Ugrozova • Olga Volina • Anna Zinkova Andrey Artamonov • Dmitry Diakonov • Evgeny Chernyshkov • Oleg Chernasov
Airat Karimov • Rudiy Khodzhoyan • Dmitry Klokotov • Kirill Kochubey Sergey Kuznetsov • Konstantin Kostylev • Viacheslav Kozhin
Evgeny Masalkov • Vladislav Ozeryanskiy • Dmitry Orlov • Denis Pankov Sergey Rukavishnokov • Nikolay Rubtsov • Alexander Tikhonov
MEMBERS OF THE BALLET
Ksenia Basova • Veronika Denisova • Irina Galushkina • Alsu Gayfullina Ekaterina Guseva • Anna Glukhova • Elizaveta Filatova • Anastasia Kovaleva
Ekaterina Korobova • Victoria Mishukova • Maria Nikolaeva • Margarita Rebetskaya Ekaterina Rozanova • Yulia Stebletsova • Irina Sibirtseva • Anna Shchukina • Yulia Shutova Ksenia Teslya
Marina Vasilenko • Olga Voronkova • Anastasia Volkova • Yuri Chernyshkov • Roman Ivashchenko • Danii Kasatkin Roman Kozyukov • Roman Kuznetsov • Ramil Mekhdiev • Dmitry Mikhalin • Vladimir Mikhalenko • Igor Okhlopkov
Vladimir Pavlyuchenko • Nikolay Postnov • Sergey Prohorov • Alexander Samarin • Nikolay TarasovAnatoliy Trofimov • Yury Vasin • Ilya Vlasov • Pavel Zinkov • Albert Yusupov
DIRECTOR OF MOISEYEV DANCE COMPANYElena Shcherbakova
Friday, February 15, 2008, 8:00 PMSaturday, February 16, 2008, 8:00 PM
There will be one 20-minute intermission.The taking of photographs or use of recording devices is strictly prohibited.
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PROGRAMSubject to Change
RUSSIAN DANCE SUMMERMusic: S. Galperin and V. Zhmykhov
Choreography: Igor Moiseyev
In his many arrangements of traditional Russian Folk songs, Moiseyev reflects on different aspects of the Russian national character. This dance from the suite The Seasons depicts the humor, mischief, romance, and lyricism so often ascribed to the people of the countryside. The setting is a harvest festival, and villagers of all ages have gathered to cheer on a young couple.
DancersAnna Shchukina • Vladimir Pavlyuchenko
or Olga Voronkova • Nikolay Rubtsov • Alexander Tikhonov
and The Company
KALMUK DANCEMusic: P. Rybakov
Choreography: Igor Moiseyev
Until recently, the Kalmuks lived as nomads, wandering with their herds on the vast Nogai steppes near the mouth of the Volga River. They are thought to have migrated from Central Asia, but few details of their history or culture are known. The dancers of the Kalmuks suggest a deep connection to the animals and birds that provided them with their livelihood. In this
piece, one can recognize the flight of eagles, the running of horses, and the contest of bulls in mating season.
DancersRamil Mekhdiev • Evgeny Chernyshkov • Yuri Chernyshkov
or Denis Pankov • Roman Ivashchenko
Accompanist(Saratovskaia Garmoska)
Mikhail Drokov
TATAROCHKAMusic: E. Avksentiev
Choreography: Igor Moiseyev
Unlike their ancestors who concentrated on behaving unpleasantly toward their neighbors from the 12th to the 16th centuries, Tartars are noted for their vitality at work, their athletic prowess, and their broad sense of humor about themselves. These dances grew out of Moiseyev’s observations of the life in the villages of the Tartars of the Crimea. It is also the later of two
Tartar dances he created for the repertoire and is a North American premiere on this tour. Tatarochka - Chernomorochka is based on elements of the traditional Tatar dance.
Dancers Dmitry Klokotov • Olga Volina • Oleg Chernasov
or Veronika Denisova • Vladimir Pavlyuchenko • Alexander Tikhonov
Ramil Mekhdiev • Danii Kasatkin
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RUSSIAN DANCE POLYANKAMusic: E. Avksentiev
Choreography: Igor Moiseyev
This dance takes place in a “polyanka” or “small clearing or meadow.” During the spring and summer seasons, young people gather here to amuse themselves with song and dance. Their initial shyness and formality toward each other gradually give way to the high spirits of youth. The dance grows faster and faster until it explodes in a climactic round, with the
accompaniment of tambourines and balalaikas. The music is based on the Russian Folk song Polyanka.
DancersThe Company
SUITE OF MOLDAVIAN DANCES: HORA – CHYOKIRLIE – ZHOKMusic: D. Fedov
Choreography: Igor Moiseyev
In Moldavia, Zhok means a dance, but it can also be interpreted as a musical promenade. The ebullience, color, and speed of this dance have made it one of the most popular Folk dances. The Moiseyev version of this dance consists of three parts:
Hora – lyrical female round dance.Chyokirlie – (the Lark) a series of individual and group dances, which end with a general boisterous round dance and is based
on the popular Moldavian melody.Zhok – a mass dance characterized by impetuosity and diversity of pattern.
Dancers
Veronika Denisova • Irina Galushkina • Konstantin Kostylevor
Olga Volina • Yuri Chernyshkov • Natalia Ugrozova • Evgenia Bakhareva • Sergey Kuznetsovand The Company
SUITE OF THE GREEK DANCES SIRTAKIMusic: Traditional
Choreography: Igor Moiseyev
This piece is based on local Folk dances observed by the choreographer when he attended a village wedding during a tour of Greece.
DancersVladislav Ozeryanskiy • Airat Karimov • Kirill Kochubey • Denis Pankov
or Alexander Tikhonov • Vladimir Pavlyuchenko • Evgeny Masalkov • Anatoliy Trofimov
and The Company
INTERMISSION
YABLOTCHKO (A PART OF THE NAVAL SUITE)Music: Traditional
Choreography: Igor Moiseyev
There are a lot of hardships in the life of sailors, but they are always in good spirits.
DancersEvgeny Masalkov • Nikolay Rubtsov • Vladislav Ozeryanskiy
Andrey Artamonov • Dmitry Orlovand The Company
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GYPSIESMusic: S. Galperin
Choreography: Igor Moiseyev
In Bessarabia, near the Romanian border, a band of gypsies rests in the vineyards that line the road. Suddenly the women begin to move languorously. The men, with shadows, are stirred to action and a frenzy of dancing begins.
DancersAnna Glukhova • Viacheslav Kozhin • Yulia Stebletsova • Kirill Kochubey • Anastasia Volkova
Alexander Tikhonov • Dmitry Diakonov • Dmitry Mikhalin • Roman Ivashchenkoor
Airat Karimov • Rudiy Khodzhoyan • Maria Nikolaeva
DANCE OF ARGENTINEAN COWBOYS GAUCHOMusic: N. Nekrasov
Choreography: Igor Moiseyev
This is a dance of Argentinean cowboys in which they compete in skills among themselves. It is danced by three male soloists.
DancersAlexander Tikhonov • Dmitry Klokotov • Rudiy Khodzhoyan
or Vladislav Ozeryanskiy • Nikolay Rubtsov • Andrey Artamonov • Evgeny Chernyshkov
NANAYAN NATIONAL PLAY TWO BOYS IN A FIGHTChoreography: Igor Moiseyev
Wrestling is a favorite sport of the Nanayan people who inhabit the frigid Northern region of Russia. Moiseyev conceives it as a pastime that is also full of surprises.
POLOVETSIAN DANCESMusic: A. Borodin
Choreography: Igor Moiseyev
In honor of the premiere, the pleasantly stunned Parisians engraved a gold memorabilia medal with the words “Triumph Polovetsian Dances of Igor Moiseyev” – a high praise for new staging of the Ballet. This Ballet originally premiered in Paris in 1909 and was choreographed by Mikhail Fokin in Sergei Diagilev’s Russian Seasons. The story takes place in the city ruled by the Great Khan Konchak. It’s dawn in steppe. Konchak appears accompanied by his wives, the military leader, and soldiers.
The military leader shows the young women taken into captivity. Mournful dance of the captured begins. It is followed by the dances of Khan’s army: Tatar boys, Archers, and Spear Warriors brag to Konchak of their fighting achievements, competing in force, and dexterity. At the height of their dancing, the captured ask for mercy again – in vain, as their destiny is to fall prey to soldiers. From steppe, the shepherd scouts return with a joyful message that the enemy is finally defeated and it’s time to celebrate a victory. The army exults, glorifying with a dance of victory, force, and greatness of the Great Khan Konchak.
DancersCommander: Vladislav Ozeryanskiy or Alexander Tikhonov
Captives: Anna Shchukina, Yulia Stebletsova, or
Yulia Shutovaand The Company
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BIOGRAPHIESNow entering its seventh decade, the MOISEYEV
DANCE COMPANY is recognized as Russia’s official State Academic Ensemble of Popular Dance. The company’s origin can be traced back to 1936 when Igor Moiseyev, the then-current Ballet Master and former principal dancer and choreographer of the Bolshoi Ballet, was asked by the Soviet government to organize the first Festival of National Dance. On February 10, 1937, he gathered together approximately 40 of the best dancers from amateur companies from around the country, and a few professional Ballet dancers from the Bolshoi School and other Classical companies. His intent, as he wrote at the time, was not to exactly reproduce examples from the body of more than 3,000 existing national dances, but to raise the performance to the highest artistic level to influence the creation of new national dances. Moiseyev’s strong background in Classical Ballet would provide the basic training for his company, and his keen powers of observation and thorough knowledge of Folklore would lead him to establish a unique style for his company that would be at once dramatic, entertaining, and larger-than-life.
Six months later, the Moiseyev Dance Company gave its first performance. Within the next few years, Moiseyev molded Russia’s first professional ensemble of Popular dance into an acclaimed company of 100 dancers.
When the Cold War first eased in 1955, the Moiseyev Dance Company began to tour the world. It has since performed in more than 60 countries, covering all continents. The company now has more than 200 members, its own orchestra and school, and a repertoire in excess of 200 dances.
In 1958 the Moiseyev Dance Company first appeared in the United States. The great impresario Sol Hurok brought the company to New York’s old Metropolitan Opera House, where it received a 25-minute ovation. The 2007-2008 tour marks the company’s 12th U.S. tour.
IGOR ALEXANDROVICH MOISEYEV was born in Kiev in 1906. Shortly thereafter, Moiseyev’s father moved the family to Paris. His mother added to the family income by sewing costumes for productions at the Theatre Chatelet, which may have stimulated his early interest in drama and dance.
The family returned to the Soviet Union in 1914 to Poltava, Ukraine. The legendary villages of Dikanka and Sorochinsty became real and the festivals, fairs, and dances became vivid, indelible images. Moiseyev later described it as “a kind of unconscious gravitation I felt all throughout my life.”
A year later, the family settled in Moscow where Moiseyev concentrated on painting, poetry, and sports. At age 12, he began Ballet training at a well-known private school directed by Vera Moslova. Two years later, he attended his first Bolshoi Ballet performance and realized his calling. Moslova took Moiseyev and Asaf Messerer to the Bolshoi Ballet School where they were the only two chosen from 100 applicants.
At 18, Moiseyev graduated from the Bolshoi School of Choreography and joined the Bolshoi Ballet. Soon after, he was promoted to principal dancer. His most famous roles included Raoul in Theolinde, Joseph in Joseph the Beautiful, the Phoenix in The Red Poppy, and leading roles in the standard Classical
repertoire. Choreography became his passion. He created new productions for the Bolshoi Ballet, including Salammbo, in which he danced the leading role of Matho, Three Fat Men, and The Football Players. Even the most conservative members of the dance world and opponents of his departures from the strict programming of Classical Ballet hailed him for his great choreographic inventiveness and his dazzling theatrical form. It was during this period that he established his reputation as a scholar of all aspects of Russian Folklore.
In 1936, Moiseyev was appointed Ballet Master at the Bolshoi Theatre. Shortly after, he was asked to organize a festival of national dance, and began the work that is recognized as one of the greatest artistic contributions to the dance world. The festival’s success inspired him to form the state ensemble of Folk dance, the Moiseyev Dance Company. Since its first performance in 1938, the company has toured more than 60 countries and is internationally recognized as the premier Folk dance company of the world. Just as famous today are the signature dances he choreographed for his ensemble, which include the Ukrainian Gopak, the soccer-inspired Football Players, and Summer.
Moiseyev won numerous awards for his contributions to world culture. He was the recipient of United Nations Educational, Scientific and Cultural Organization’s Mozart Medal for “Outstanding Contribution to World Music Culture;” the Government of Moscow Award for “Legend of the Century;” and the award for “Outstanding Contribution to the Development of Cultural Relations Between the United States and Russia”– an honor only accorded to two others: pianist Van Cliburn and cellist Mstislav Rostropovich. For Moiseyev’s 100th birthday, a gala performance was held at The State Kremlin Palace in Moscow in honor of his contribution to the world of dance. Moiseyev was presented with Russia’s top civilian honor for service to the nation from President Vladimir Putin
STAFF
COMPANY DIRECTOR Elena Shcherbakova
Manager ........................................... Aleksey GladyshevMaster of Ballet ..................... Antonida MarnopolskayaMaster of Properties ........................ Sergey CherepanovSound Engineer .......................... Alexander Radzetskiy Wardrobe Supervisor ......................... Tamara TimohinaWardrobe Assistant ........................... Nonna KarytkinaBootmaker ............................................ Pavel ChekunovMake-up Supervisor .......................... Lubov TuleninovaMasseur .......................................... Alexander Mizonov
PRODUCTION STAFF
Company Manager ............................... John PendletonProduction Supervisor ......................... Judith Daitsman Technical Coordinator ............................ Adam DexterWardrobe Supervisor ............................... Riva Pizhadze
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BIOGRAPHIESLES BROWN BAND OF RENOWN has a rich
musical legacy dating back to the late 1930s. The group
was Bob Hope’s official band on his radio shows, 18 of his
television specials, and his historic USO shows (for 50 years).
Its hit Sentimental Journey, sung by Doris Day, became the
unofficial anthem commemorating the return of American
presents
LES BROWN BAND OF RENOWN THE SENTIMENTAL JOURNEY TOUR
starring
LES BROWN, JR. and
DEANA MARTINwith
JANA KING EVANS
Sunday, February 17, 2008, 3:00 PM
There will be one 20-minute intermission.The taking of photographs or use of recording devices is strictly prohibited.
troops at the end of World War II. The group also served as
the house band for the Dean Martin Variety Show for
10 seasons.
LES BROWN, JR. started his career in the
entertainment world at the age of 15. He spent his summer
vacations on the road with his father’s famous Band of
Continued on page 9
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Renown as a drummer. He left Duke University in 1960 to
join the band full time. By 1962 Brown, Jr. began acting
and worked freelance and under contract for CBS and ABC,
appearing in more than 200 segments of situation comedies
and dramas to include The Young Marrieds and General
Hospital. Six years later, he returned to his music career as
head of production for International Management Combine
(IMC). In 1973 Brown, Jr. became president of Gold Dust
Productions, Inc., producing record albums and concert tours
for major singers such as Kenny Loggins and Jim Messina.
He rejoined the Band of Renown in 1987 as the “boy singer”
and assistant leader. He also supervised the production of the
band’s recordings.
Brown, Jr. enjoyed a second career producing variety
and reality televisions shows including Swing Alive; Bob
Hope: Hollywood’s Brightest Star; and Titantic.
In 2001 Brown, Jr. became the full-time leader of the
Band of Renown, which continues to perform throughout the
world. He also co-hosts with Deana Martin (Dean Martin’s
daughter) the Music of Your Life syndicated radio program. In
2004, Brown, Jr. and the band moved from Los Angeles to
their new home in Branson, Missouri.
The daughter of the late Dean Martin, DEANA
MARTIN continues the Martin legacy as a star on stage,
screen, television, and recordings. In 1966 Martin made
her television debut on The Dean Martin Show. She became
a frequent guest on the show and appeared on many of
television’s top variety shows, including The Joey Bishop
Show, The Merv Griffin Show, and The Mike Douglas Show.
She also starred in her own talk show, The Deana Martin
Show, which ran for four seasons. Her theatrical credits
include performances in the United Kingdom ranging from
The Taming of the Shrew to A Taste of Honey. In North
America, she performed in Star Spangled Girl, Wait Until
Dark, A Shot in the Dark, and The Tunnel of Love.
Martin’s first hit single was Girl of the Month Club. In
2006 she released the album Memories Are Made of This. She
made her film debut in Young Billy Young, and later starred in
the films Strangers at Sunrise and A Voice in the Night.
Martin’s talents are recognized in the literary and
fitness worlds. Her memoir, Memories Are Made of This: Dean
Martin Through His Daughter’s Eyes, became a best-seller. A
champion for health and fitness, she created the company
Bodies by Deana, which led to her top-selling workout video,
The Deana Martin Total Body Workout.
JANA KING EVANS first performed with the Band
of Renown at the opening ceremonies of the Veteran’s
Homecoming Celebration in November 2004. She has
a long and successful career as a singer, working with
performers including Johnny Cash, Garth Brooks, Neil
Diamond, and Tom Jones. Her voice is easily recognized in
the State Farm Insurance jingle “Like a good neighbor, State
Farm is there,” and from her performances in Pam Tillis’
show in Branson, Missouri. Evans has Country music in her
blood and her sultry performances of the standards are an
unforgettable pleasure. g
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BIOGRAPHYIn the world of Irish music, TONY KENNY needs
little introduction. Ireland’s 1998 and 2004 “Entertainer
of the Year” has thrilled audiences around the world
with his concert, television, and theatrical performances.
Kenny began his career in musical theater starring in such
productions as Joseph and the Amazing Technicolor Dreamcoat.
He then joined the cast of the world-famous Jurys Irish
Cabaret in Dublin, performing in Ireland and on numerous
world tours for nearly two decades.
Since then, Kenny has achieved phenomenal success,
recording 12 albums, including his Platinum-selling The Very
Best of Tony Kenny’s Ireland. Equally skilled at performing
Irish music, standards, and show tunes, his albums include
presents
TONY KENNY’S IRELAND
Friday, February 22, 2008, 8:00 PM
There will be one 20-minute intermission.The taking of photographs or use of recording devices is strictly prohibited.
A portion of this program’s proceeds will be used to support the arts education activities of the Friends of Arts Education.
Sentimental Irish, Tony Kenny’s Ireland – The Green Island,
Songs of Joy and Inspiration, and The Prayer. In 2005 he
released Tony Kenny Live in Branson, a DVD of his highly
acclaimed performance. When not touring with Tony
Kenny’s Ireland or in the recording studio, Kenny stars on his
own television show on RTE Television in Dublin, Ireland.
In 2001 Kenny was honored at a special reception
by Irish President Mary McAleese. His other awards and
accomplishments include a 1995 invitation to perform on St.
Patrick’s Day at the White House for former President Bill
Clinton, and the prestigious 1998 Performing Artists Trust
Society’s Annual Award for “Lifetime Achievement.” g
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presents
GRANVILLE VAN DUSENin
THE MEMOIRS OF ABRAHAM LINCOLNWritten by Peter King BeachDirected by Delbert Mann
Friday, February 22, 2008, 7:30 PMSaturday, February 23, 2008, 7:30 PM
This performance will not include an intermission.The taking of photographs or use of recording devices is strictly prohibited.
BIOGRAPHIESGRANVILLE VAN DUSEN was last seen in Los
Angeles in Darwin in Malibu at the Falcon Theatre, for
which he earned an Ovation Award nomination, and in
Honour with Susan Sullivan at the Matrix Theatre. In
addition to touring with his production of The Memoirs of
Abraham Lincoln, Van Dusen has won Drama-Logue Awards
for Otherwise Engaged and Undiscovered Country, both
performed at the Mark Taper Forum. His other Los Angeles
credits include Golf With Alan Shepard with Jack Klugman,
Charles Durning, and Paul Dooley; One Slight Hitch with
Michael Learned; and as Scar in the Pantages Theater’s
production of The Lion King. Van Dusen is a member of
the Matrix Theater Company, where he has appeared in
Waiting for Godot, The Homecoming, Dangerous Corner, and
Habeas Corpus. He has also starred with Len Cariou in the
Manitoba Theatre Company’s production of The Dresser.
Van Dusen’s recent television credits include The West Wing,
E.R., Star Trek: Enterprise, and Judging Amy. Van Dusen has
narrated hundreds of television and radio commercials, as
well as voiced the role of Race Bannon in the cartoon classic
Jonny Quest.
The late DELBERT MANN is best known for The
Philco-Goodyear Television Playhouse and the subsequent
film production of Paddy Chayefsky’s Marty, for which he
was awarded the Oscar for “Best Director.” The film won
Academy Awards for “Best Picture,” “Best Actor,” and
“Best Writing (Screenplay).” It received nominations in
the categories of “Best Actor in a Supporting Role,” “Best
Actress in a Supporting Role,” “Best Cinematography,” and
“Best Art Direction.” Marty also took home top honors
at the Cannes Film Festival. In addition to winning the
coveted Oscar for Marty, Mann was also the recipient of a
Golden Globe Award, five Directors Guild nominations,
three Emmy nominations, and three Christopher Awards.
PETER KING BEACH, a Michigan native, is the
great-grandson of a Union soldier. An accomplished author
as well as copywriter, The Memoirs of Abraham Lincoln was
his first play. Together with William Dunphy, he wrote
Benedictine and Moor: A Christian Adventure in Moslem
Morocco, which was The New York Times’ pick as one of the
100 “Best Books of the Year” in 1960. Beach became the
fifth son in his family to serve in World War II. Following
the war, Beach married Susan Hasbrouck Decker, his college
sweetheart, and they had five children. In addition to
serving his country at wartime, Beach also worked briefly
as a White House staff member. He was invited back to
Washington, D.C., to work on John F. Kennedy’s re-election
campaign – the letter Beach received from the White House
was postmarked November 22, 1963, the day Kennedy was
assassinated. g
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BIOGRAPHYLittle did MORRIS DAY know back in his junior
high school days, playing drums in Prince Rogers Nelson’s
(also known as Prince) school band Grand Central, that
the two would go on to achieve cult-status stardom in the
1984 film Purple Rain. But that was how it began for Day.
After several years on the local R&B circuit, Day and Prince
reunited in the popular Minneapolis-based Funk band Flyte
Tyme, which later was renamed The Time.
In 1981 THE TIME released its self-titled debut. The
group featured vocalist Day, Jellybean Johnson on percussion
and drums, Terry Lewis on bass, and Jimmy “Jam” Harris and
Monte Moir on keyboards. The album, produced by Prince
under the pseudonym Jamie Starr, was the beginning of The
Time’s rise to the top of the charts. The group climbed the
R&B charts with the hits Get It Up and Cool (Part 1).
The group went on to record What Time Is It? (featuring
the hits 777-9311, Wild and Loose, and Gigolos Get Lonely
Too) and Ice Cream Castles (which included the now-classic
Jungle Love). Jungle Love and The Bird were already Top 40
presents
MORRIS DAY & THE TIME
Saturday, February 23, 2008, 8:00 PM
This performance will not include an intermission.The taking of photographs or use of recording devices is strictly prohibited.
favorites, thanks to Morris Day & The Time’s role in
Purple Rain.
Day then launched his solo career, releasing The Color
of Success. Daydreaming, his second solo album, was released
in 1987 and featured the production work of former Time
members Lewis and Harris. Together, they re-created the
funky flair for which the trio is best known. The album’s hit
single, Fishnet, soared to No. One on the R&B chart. Day
next released Guaranteed. The three albums collectively sold
more than 10 million copies.
In recent years, Day appeared in the 1990 film The
Adventures of Ford Fairlane and gave an unforgettable
performance in Kevin Smith’s 2001 film Jay and Silent Bob
Strike Back. Day and his band were featured throughout the
film and in the movie’s memorable finale, performing Jungle
Love. Day also contributed a cover of Rockwell’s Somebody’s
Watching Me to the soundtrack for Disney’s film The Haunted
Mansion. g
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BIOGRAPHYIt’s as though Gene Autry and Roy Rogers were on the
air again, but this time it’s RIDERS IN THE SKY with its
special presentation of RIDERS RADIO THEATER … ON THE ROAD! While the group’s Western harmonies
celebrate the beauty and grandeur of the West, everything
else is tongue-in-cheek, laugh-out-loud funny. One of the
most popular features of Riders Radio Theater is The Ongoing
Saga of the Cowboy Way. In these fantastic and funny
adventures, Riders In The Sky does battle with A. Swinburne
Slocum, the “Prince of Villains,” and his hulking doofus
henchman, Charlie. This pair of dastardly villains is up to its
dirty necks in one big and evil plan after another. These fast-
paced cliffhangers zip blithely along at a real, laugh-a-minute
presents
RIDERS IN THE SKYRIDERS RADIO THEATER …
ON THE ROAD!
Sunday, February 24, 2008, 3:00 PM
There will be one 20-minute intermission.The taking of photographs or use of recording devices is strictly prohibited.
pace. Each episode features the firmly tongue-in-cheek
narration of best-selling Western humorist Texas Bix Bender,
the inimitable sound effects wizardry of Professor Zeno, and
the marvelous characterizations and quick wit of Riders In
The Sky.
With more than 30 years and 5,000 performances,
Riders In The Sky is a multi-Grammy award-winning
Western group whose music is firmly grounded in the rich
American traditions of such legendary cowboys singers as
Autry, Rogers, and the Sons of the Pioneers.
One of the group’s greatest achievements was its
induction into the Grand Ole Opry in 1982, making it
Continued on page 14
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the first and only exclusively Western music group to join.
Coming two years after the release of its first album, Three
on the Trail, its Opry induction recognized the then-trio’s
instantly earned stature, not only as the foremost custodians
of America’s great Western music heritage, but as among
Country music’s leading entertainers.
Indeed, the Riders – Ranger Doug (Idol of American
Youth), Woody Paul (King of the Cowboy Fiddlers), Too
Slim (a licensed driver), and Joey (the Cow Polka King)
have revived and revitalized an entire music genre since
they formed in 1977. Foremost on Riders In The Sky’s
list of achievements are its Grammy award-winning
albums. Woody’s Roundup Featuring Riders In The Sky
was a “companion album” for the soundtrack of the 1999
Walt Disney/PIXAR animated classic Toy Story 2, which
contained the group’s delightful version of Woody’s Roundup.
The album won the Grammy for “Best Musical Album for
Children” in 2001, an honor the Riders received again two
years later for its Walt Disney Records release Monster’s Inc.
Scream Factory Favorites, another animated film classic
musical tie-in. Riders In The Sky also has other musical
credits for animated projects. In 2002, the group composed
the original score to Pixar Animation’s Academy award-
winning short For the Birds. Riders In The Sky also wrote
the theme for an Internet cartoon by renowned Bugs Bunny
creator Chuck Jones – and the group had its own animated
characters make a guest appearance in an episode of Duck
Dodgers, in which they recorded and sang the Ballad of Duck
Dodgers. The group’s animated characters also appear and
perform in episodes of Stanley on the Disney Channel.
The group has starred in its own Saturday morning
children’s television series, Riders In The Sky, for CBS; hosted
Tumbleweed Theater for TNN; appeared on Austin City Limits;
and served as spokesmen for the National Park Service,
Opryland, and various commercial products.
The group was recently inducted into the prestigious
Walk of Western Stars in Newhall, California. It comes
as no surprise then, that Billboard magazine’s Jim Bessman
counts Riders In The Sky as “one of the most historically
significant acts in the history of American music.” g
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15
presents
ROBERT KAPILOW’S
WHAT MAKES IT GREAT?
WOLFGANG AMADEUS MOzARTCLARINET CONCERTO
featuring
THE RIVERSIDE COUNTY PHILHARMONICDEBORAH AVERY, CLARINET SOLOIST
Wednesday, February 27, 2008, 7:30 PM
There will be one 20-minute intermission.The taking of photographs or use of recording devices is strictly prohibited.
16
Visit us before or after the performance!• Serving flavorful varieties
at breakfast, lunch and dinner• Special theatre menus
• Call ahead for priority seatingMIMI’S CAFE CERRITOS
(562) 809-0510Across the street from the Performing Arts Center
COMPLIMENTARY APPETIZER or DESSERTWith purchase of an entrée when you bring
ticket stub from today’s performanceL I M I T O N E P E R T A B L E
AD PerfArt_Crrts Mi2859 10/26/06 1:33 PM Page 1
BIOGRAPHIESFor more than a decade, ROBERT KAPILOW
has brought the joy and wonder of Classical music – and
unraveled some of its mysteries – to audiences of all ages
and backgrounds. Characterized by his unique and unerring
ability to create an “aha” moment for his audiences and
collaborators, whatever their level of musical sophistication
or naivety, Kapilow’s work brings music into people’s lives
opening new ears to musical experiences and helping
people to listen actively rather than just to hear. As The
Boston Globe said, “It’s a cheering thought that this kind
of missionary enterprise did not pass from this earth with
Leonard Bernstein. Kapilow is awfully good at what he does.
We need him.”
Kapilow’s range of activities is astonishingly broad,
including his What Makes It Great? presentations, family
compositions, FamilyMusik events, and Citypieces. The
reach of his interactive events and activities is wide –
geographically and culturally – from Native American tribal
communities in Montana to inner-city high school students
in Louisiana. Kapilow’s popularity and appeal have been
reflected in two notable invitations – to appear on NBC’s
Today show in conversation with Katie Couric, and to write a
book for Wiley & Sons (to be published later this year).
What Makes It Great? now sells out regular subscription
series in New York’s Lincoln Center, Boston, Kansas City,
and Vancouver. New series have recently been added at
Stanford University and the Smithsonian in Washington,
D.C.
Kapilow has written numerous commissioned works,
including the first musical setting for Dr. Seuss’ Green
Eggs and Ham. His inimitable presentation Green Eggs
and Hamadeus, now available on CD, includes his own
work and Mozart’s Eine Kleine Nachtmusik in a lively mix
of discussion and performance. In 2004, Lincoln Center’s
Mostly Mozart Festival presented Kapilow’s And Furthermore
They Bite, a companion piece to Carnival of the Animals,
and Great Performers of Lincoln Center boasted a new series
of Kapilow’s FamilyMusik programs during the 2004-2005
season. Kapilow’s other compositions include Dr. Seuss’
Gertrude McFuzz; a Christmas-Hannukah pair of pieces;
and Kapilow’s first Opera, Many Moons, which is based on
the James Thurber story with a libretto by Hilary Blecher.
Another popular family piece by Kapilow is Play Ball!, a
setting of Casey at the Bat.
Involving large communities in the inspiration
and compositional process of his commemorative works,
Kapilow has left a profound mark on the nation’s cities
and regions. After receiving great acclaim for Citypiece:
DC Monuments (a millennium composition commissioned
by the Kreeger Museum for the Kennedy Center and the
National Symphony Orchestra), Kapilow reprised his
interactive compositional format in a statewide project
commissioned by the Louisiana Philharmonic Orchestra and
the state of Louisiana as part of the 2003 celebrations for the
bicentennial of the Louisiana Purchase.
Another project by Kapilow reflected on the historic
impact of the Lewis and Clark expedition (commemorating
its bicentennial) from the perspective of the Native
American Indian. The large choral and orchestral work,
Summer Sun, Winter Moon, premiered in 2004.
As a conductor, Kapilow has led many of America’s
top orchestras, including the National Symphony, the
Philadelphia Orchestra, the St. Paul Chamber Orchestra,
and the St. Louis Symphony. He also has led numerous
Continued on page 17
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17
new works of musical theater, ranging from the Tony award-
winning Nine on Broadway to the premiere of Frida for the
opening of the Brooklyn Academy of Music’s Next Wave
Festival and premieres of works for the American Repertory
Theater. He is the conductor and creative director for
FamilyMusik for the Boston Celebrity Series and at New
York’s Lincoln Center. He has been the conductor and
director of FamilyMusik for New York’s 92nd Street Y, co-
director of the Rutgers SummerFest Festival, assistant
conductor of the Opera Company of Boston, music director
of the touring company Opera New England, conductor of
the Kansas City Symphony’s summer Family Fare program,
and the music director of the Yale Symphony Orchestra for
five seasons.
At the age of 19, Kapilow interrupted his academic
work at Yale University to study with the legendary Nadia
Boulanger. Two years later, after graduating Phi Beta Kappa
from Yale, he continued his studies at the Eastman School of
Music. After graduating from Eastman, he returned to Yale
where he was assistant professor for six years.
Kapilow’s career has been marked by numerous
awards and grants. He won first place in the Fontainebleau
Casadesus Piano Competition and was the second-place
winner of the Antal Dorati Conductor’s Competition with
the Detroit Symphony. Kapilow was a featured composer
on Chicago Public Radio’s prestigious Composers in America
series and is a recipient of an Exxon Meet-the-Composer
grant and numerous American Society of Composers,
Authors, and Publishers (ASCAP) awards. He was the
first composer ever to be granted the rights to set Dr. Seuss’
words to music, and his music is published exclusively by G.
Schirmer. Kapilow lives in River Vale, New Jersey, with his
wife and three children.
WHAT IS WHAT MAKES IT GREAT?©In a three-part format, Kapilow introduces audiences to
composer Wolfgang Amadeus Mozart and his composition,
Clarinet Concerto in A Major, K. 622, helping music novices
and aficionados hear the work in a new and exciting
way. Part One is an entertaining discussion featuring
musical examples by Kapilow, with his astounding gift for
observation, and his animated teaching style. Part Two
features the Riverside County Philharmonic with clarinet
soloist Deborah Avery performing Mozart – Clarinet Concerto
in A Major, K. 622. The evening concludes with Part Three,
a spirited and eclectic Q&A.
Kapilow’s interactive What Makes It Great?
presentations have lured thousands of new listeners to the
concert hall. The series is a recurring event at New York’s
Lincoln Center (where Kapilow has the distinction of being
the only performer to have his own series) and in Boston,
Cerritos, Kansas City, and Vancouver. In 2004 the first of
his series of What Makes It Great? CDs became available on
Vanguard Everyman Classics. Since then four additional
releases have become available to the public.
The RIVERSIDE COUNTY PHILHARMONIC is
a 72-member professional orchestra under the direction of
Maestro Patrick Flynn. Originally founded as a recreational
orchestra of volunteer musicians in 1958, the Philharmonic’s
many milestones include the West Coast premiere of
William Kraft’s Renaissance, Ellen Taaffe Zwilich’s Pulitzer
prize-winning Three Pieces for Orchestra, the world premiere
of John Williams’ Clarinet Concerto, and the American
premiere of Ruaumoko: Four Pacific Seasons by the New
Zealand composer Gareth Farr.
Currently the orchestra presents a season of four
performances in its home venue, the historic Riverside
Municipal Auditorium in Downtown Riverside. It is also in
high demand throughout the region, performing concerts in
Cerritos, Lake Arrowhead, Lake Elsinore, Fallbrook, Rancho
Cucamonga, and Temecula. The Philharmonic performs an
annual 4th of July concert at Riverside National Cemetery.
With these and free pops concerts in local parks, the
orchestra has quadrupled its audience since 2001.
After performing Mozart’s Clarinet Concerto at age 12,
DEBORAH AVERY began her orchestral career in the New
York-based Empire State Orchestra as the youngest wind
player. She later received a bachelor of music degree from
the Eastman School of Music in New York and a master of
music degree from the University of Southern California.
Her awards include top honors from the National Foundation
for the Arts competition, First Prize in the Filene Music
competition in New York, and the prestigious Performer’s
Certificate from the Eastman School of Music.
While at Eastman, Avery premiered a new wind
ensemble arrangement of Mozart’s Clarinet Concerto. Shortly
after, she was appointed solo E-flat and B-flat clarinet on
the four-week Sony tour of Japan with the Eastman Wind
Ensemble. In Los Angeles she was principal clarinet of the
American Youth Orchestra under the baton of Mehli
Mehta. g
18
BIOGRAPHIESBay Area Jazz fans have known and loved JOYCE
COOLING for years, but it wasn’t until she released her
debut CD Playing It Cool in 1997 that the rest of the world
took notice. The album and its debut single, South of Market,
took the Smooth Jazz world by storm, ranking No. One
on the Gavin and Radio & Records Smooth Jazz charts for
five consecutive weeks. Cooling was nominated as Gavin’s
“Smooth Jazz Artist of the Year” and was named the “Best
New (Smooth Jazz) Talent” in the Jazziz readers’ poll. The
popular nationally syndicated radio show JazzTrax concurred,
naming her “Artist of the Year.”
Cooling’s 1999 follow-up release, Keeping Cool, proved
her staying power. The single Callie brought her back to No.
One on the charts. Cooling also earned the Gibson Guitar
Award as “Best Jazz Guitarist of the Year.”
Cooling’s accolades continued with her 2001 release
Third Wish, which featured a performance by Al Jarreau and
produced two more Top 10 radio hits. Her 2004 release This
Girl’s Got to Play merged her love of Contemporary Jazz and
Brazilian Jazz with groove-oriented music full of substance
and creativity. In 2006 Cooling released Revolving Door,
which showcased her renowned fluid, swinging, Bluesy-Jazz
technique, as well as her lyrical, soulful, and inventive skills
as a songwriter.
Fans first came to know CRAIG CHAQUICO in
the early ’70s. At the age of 16, he began writing and
recording as a Rock guitar prodigy with Jefferson Starship,
and later as the lead guitarist and principal songwriter for the
band. These bands released a total of 20 Gold records and
presents
JOYCE COOLINGand
CRAIG CHAQUICOFriday, February 29, 2008, 8:00 PM
There will be one 20-minute intermission.The taking of photographs or use of recording devices is strictly prohibited.
hit singles such as Dragon Fly, Red Octopus, Spitfire, Earth,
Freedom at Point Zero, Gold, Modern Times, and Winds of
Change. Chaquico has since collaborated with such singers
and musicians as Sammy Hagar on Marching to Mars and
Who Has the Right?, and Russ Freeman on From the Redwoods
to the Rockies, Change of Season, Seattle Child, Sweetwater, and
Tribal Runner.
After topping the charts for three consecutive decades
as a singer-songwriter and band member, Chaquico released
his first solo music project in 1993. His debut release,
Acoustic Highway, was honored as Billboard’s “Top New Age
Indie Album” and “Adult Alternative Album of the Year.”
Acoustic Planet, his 1994 follow-up, reached No. One on
Billboard’s New Age/Adult Alternative Chart and received a
Grammy nomination for “Best New Age Album.”
Chaquico performed with Smooth Jazz veterans
Richard Elliot, Warren Hill, and Peter White as one of the
original members of the annual Guitars & Saxes All-Star
Tours. He followed with A Thousand Pictures; Once in a
Blue Universe; Panorama: The Best of Craig Chaquico; and
Shadow and Light, featuring Café Carnivál, his most successful
radio single. This No. One song spent months at the top
of the Smooth Jazz charts. In 2004 Midnight Noon debuted
to critical and audience acclaim. Chaquico now ranks as a
Platinum-selling musician, so far selling more than a million
CDs during his solo career. He was recognized by Guitar
Player magazine’s readers’ poll as the No. One “Best Pop
Instrumental Guitarist” and by Jazziz magazine as among the
“Top 100 Guitarists of All Time.” g
19
BIOGRAPHIESFrom coffeehouses to concert halls, and clubs to
festivals, JOHN HAMMOND has entertained Blues,
Folk, and Rock audiences around the world for 40 years,
performing intense solo-acoustic Blues. A Grammy Award
winner and four-time nominee, Hammond is also a multiple
W.C. Handy Award winner who has shared the stage and
recorded with many of the masters, including Muddy
Waters, Willie Dixon, John Lee Hooker, and Howlin’ Wolf.
Hammond, who has recorded more than 30 albums, hosted
Bravo’s television special (and Sony Home Video) The Search
for Robert Johnson. Last year, he released Push Comes to
Shove, an album that received glowing reviews from writers
coast to coast.
Hammond started playing the guitar at the age of 18
and began playing the Greenwich Village club scene. By
1963 he was invited to play the Newport Folk Festival
with Mississippi John Hurt and the Reverend Gary Davis.
Throughout his career, Hammond earned four Grammy
Award nominations, winning the Grammy Award for “Best
Traditional Blues Recording” in 1984 for the compilation
album Blues Explosion.
Grammy nominee and seven-time W.C. Handy
American Blues award-winning singer-pianist MARCIA
BALL knows how to raise roofs and tear down walls with her
infectious and deeply emotional brand of southern Boogie,
rollicking roadhouse Blues, and heartfelt ballads. It’s no
presents
JOHN HAMMONDand
MARCIA BALLSaturday, March 1, 2008, 8:00 PM
There will be one 20-minute intermission.The taking of photographs or use of recording devices is strictly prohibited.
wonder the Chicago Tribune describes her music as “raucous,
piano-based Dixie R&B…classic Southern songcraft.” In
2005 Ball released her first full-length live album, Live!
Down the Road. The album marked her third release for
Alligator Records. Earlier recordings for the label included
the critically acclaimed Presumed Innocent. This 2001 release
earned a spot on the Top 20 charts and won the 2002 W.C.
Handy American Blues Award for “Blues Album of the
Year.” Her follow-up album, the Grammy-nominated So
Many Rivers, won the 2004 W.C. Handy American Blues
Awards for “Contemporary Blues Album of the Year” and the
coveted “Contemporary Blues Female Artist of the Year.”
Ball grew up in the small town of Vinton, Louisiana,
across the border from Texas. In 1970 she set out for San
Francisco, but stopped in Austin, Texas. It wasn’t long
before Ball was performing in the city’s clubs. In 1974 she
launched her solo career, signing to Capitol Records and
debuting with the Country album Circuit Queen in 1978. In
the 1980s and 1990s she released six critically acclaimed
albums on the Rounder label, including the 1998 album Sing
It!, which was nominated for a Grammy Award and a W.C.
Handy American Blues Award for “Best Contemporary Blues
Album.”
Since Hurricane Katrina in August of 2005, Ball has
focused on raising funds and awareness for the displaced New
Orleans musicians through her fund, “Nola Relief.” g
20
BIOGRAPHYMIGHTY CLOUDS OF JOY has consistently
pushed the boundaries of Gospel music. While progressive
in sound, the group has remained constant in its message,
letting its core beliefs shine through to Gospel, Pop, and
R&B audiences on recordings and in performances, from
an intimate church setting to the White House, to concert
venues throughout the country.
Mighty Clouds of Joy has been nominated for 10
Grammy Awards and has won three. In 1999 the group was
inducted into the Gospel Hall of Fame in Detroit, Michigan,
and, later that year, it was inducted into the Gospel Music
Association Hall of Fame in Nashville, Tennessee. From
playing shows with Aretha Franklin and her father, Reverend
presents
MIGHTY CLOUDS OF JOY
Sunday, March 2, 2008, 3:00 PM
There will be one 20-minute intermission.The taking of photographs or use of recording devices is strictly prohibited.
C.L. Franklin; to performing a full month at New York City’s
Madison Square Garden with Paul Simon; to being asked
to perform with the Rolling Stones, Mighty Clouds of Joy
has transcended Gospel music, proving that the message is
meaningful in all musical arenas.
Mighty Clouds of Joy crossed over into the Pop charts
with its single Mighty High, which topped the Disco charts
and also landed on the R&B charts. Mighty Clouds of Joy
became the first Gospel group to perform on Soul Train and
holds the distinction as the most visible of any Gospel act in
history. The group has performed on the Grammy Awards,
the Stellar Awards, Prime Time Country, The Mike Douglas
Show, The Merv Griffin Show, and The Arsenio Hall Show. g
21
presents
JOSÉ FRANCH-BALLESTER, CLARINETIST
and
THE JUPITER STRING QUARTETNELSON LEE, VIOLIN
MEGAN FREIVOGEL, VIOLINELIZABETH FREIVOGEL, VIOLA
DANIEL McDONOUGH, cELLO
Wednesday, March 5, 2008, 7:30 PM
There will be one 20-minute intermission.The taking of photographs or use of recording devices is strictly prohibited.
Please hold your applause until after all movements of a work have been performed, and do not applaud between movements. Thank you for your cooperation.
As a courtesy to the performers and your fellow patrons, please mute all cellular phones, pagers, and watch alarms prior to the start of the performance.
22
PROGRAMSubject to change
Quartet No. 16 in F Major, Op. 135 Ludwig van Beethoven
Allegretto (1770-1827)
Vivace
Lento assai, cantante e tranquillo
“Der schwer gefaßte Entschluß:”
Grave – Allegro – Grave ma non troppo tratto – Allegro
Hommage for Johann Sebastian Bach Béla Kovács
Hommage for Manuel de Falla (b. 1937)
INTERMISSION
Quintet in A Major for Clarinet and Strings, K. 581 Wolfgang Amadeus Mozart
Allegro (1756-1791)
Larghetto
Menuetto
Allegretto con variazioni
Artist Management: Young Concert Artists, Inc.
A non-profit organization dedicated to developing the careers of extraordinary musicians
250 West 57 Street, New York, New York 10019
23
BIOGRAPHIESJOSÉ FRANCH-BALLESTER was born in Moncofa,
Spain, into a family of clarinetists and Zarzuela singers. He
performed at the first Cartagena Festival in Colombia and
as a soloist with the Napa Valley Symphony and the Santa
Barbara Chamber Orchestra. A member of Lincoln Center’s
Chamber Music Society Two, he also performs with the
woodwind quintet Astral Winds.
Franch-Ballester has given recitals at the Isabella
Stewart Gardner Museum in Boston, Massachusetts;
the La Jolla Music Society in California; and the Kravis
Center for the Performing Arts in Florida. As a Chamber
musician, he has performed Oliver Messiaen’s Quartet for
the End of Time with Arnold Steinhart, violinist for the
Guarneri String Quartet. Franch-Ballester has appeared at
the Bridgehampton Chamber Music Festival in New York,
the Usedomer Musikfestival in Germany, and the Verbier
Festival in Switzerland. He also performed in the world
premiere of Jack Heggie’s song cycle Winter Roses with mezzo-
soprano Frederica von Stade. In 2006 he appeared at the
first Young Concert Artists Festival at Chanel Nexus Hall
in Tokyo, Japan. In Spain Franch-Ballester performed with
the Musica de Vall de Uxo Orchestra and won First Prizes in
the 2001 Allegro Clarinet Competition and the Francisco
Hernandez Guirado Interpretive Soloists Competition.
THE JUPITER STRING QUARTET includes
Nelson Lee, violin; Megan Freivogel, violin; Elizabeth
Freivogel, viola; and Daniel McDonough, cello. In 2006
the ensemble won Chamber Music America’s “Cleveland
Quartet Award.” Last season the quartet was selected to join
Lincoln Center’s Chamber Music Society Two, an honor the
group will hold for three years.
The Jupiter String Quartet has performed at the
Isabella Stewart Gardner Museum in Boston, Massachusetts;
the Kennedy Center in Washington, D.C.; the San Antonio
Chamber Music Society in Texas; and New York’s Merkin
Concert Hall. The quartet has played at New York’s Lincoln
Center, Boston’s Jordan Hall, and London’s Wigmore Hall,
and has appeared at the Aspen Music Festival, the Caramoor
International Music Festival, the Great Lakes Chamber
Music Festival, and the Yellow Barn Music Festival. The
ensemble has collaborated with many leading musicians,
including violist Roger Tapping, violinist James Buswell,
cellist Paul Katz, pianist Yong Hi Moon, and the Miami
String Quartet. g
24
THE TICKET OFFICE is open 10 AM to 6 PM Monday through Friday and 12 Noon to 4 PM on Saturday and Sunday. Hours are extended through the first intermission on performance days.
TICKETS can be charged to Visa, Mastercard, Discover or American Express by phoning (800) 300-4345 or (562) 916-8500, or online at www.cerritoscenter.com. Mail orders are processed as they are received. Tickets cannot be reserved without payment.
LOST TICKET AND TICKET EXCHANGE policies vary; however, there are no refunds. Call (800) 300-4345 for information.
GROUPS of 20 or more may purchase tickets at a 10% discount. Call (800) 300-4345.
CHILDREN’S PRICES apply to children twelve (12) years of age and under. Regardless of age, everyone must have a ticket, sit in a seat, and be able to sit quietly throughout the performance. We do not recommend children under the age of six (6) attend unless an event is specifically described as suited to that age.
FREE PUBLIC TOURS are conducted by appointment only. Special tours can be arranged by calling (562) 916-8530.
PARKING is always free in the spacious lots adjacent to the Cerritos Center for the Performing Arts.
FULL-SERVICE BARS are located in the Grand Lobby on the Orchestra level and at the Gold Circle level. Refreshments are not allowed in the Auditorium.
SMOKING IS NOT PERMITTED in any city facility.
EMERGENCY MEDICAL technicians are on duty at all performances. If you need first aid, contact an usher for assistance.
RESTROOMS are located behind the Grand Staircase on the Orchestra level and at the Grand Staircase Landing on the Gold circle level.
Out of courtesy to the performers and fellow patrons, CELLULAR PHONES, PAGERS, AND ALARM WATCHES should be disconnected before the start of the performance.
DOCTORS AND PARENTS should leave their seating locations with exchanges or sitters and have them call (562) 916-8508 in case of an emergency.
THE COAT ROOM is located behind the Grand Staircase.
CAMERAS AND RECORDING EQUIPMENT ARE NOT PERMITTED in the Auditorium and must be checked at the Coat Room.
LOST ARTICLES can be claimed by calling (562) 916-8510.
ELEVATORS are located near the Grand Staircase and access each level of the Lobby.
PAY PHONES are located on the Orchestra level behind the Grand Staircase and near the restrooms on the Gold Circle level.
PHONIC EAR LIGHTWEIGHT WIRELESS HEADSETS for the hearing impaired are available in the Coat Room at no cost. To obtain a headset, a driver’s license or major credit card is required and is returned upon receipt of the equipment at the close of the performance.
WHEELCHAIR locations are available in various areas of the Auditorium. Please contact the Ticket Office at (800) 300-4345.
LATECOMERS will be seated at the discretion of the house staff at an appropriate pause in the program.
CLOSED-CIRCUIT TELEVISION VIEWING is available in the Lobby of each seating level and at the Lobby bar.
THE CERRITOS CENTER FOR THE PERFORMING ARTS’ Auditorium and Sierra Room are available for special events on a rental basis. For more information, please call Special Event Services at (562) 916-8510, ext. 2827.
BE THE FIRSTLEARN about upcoming events and other important information about the Cerritos Center for the Performing Arts (CCPA). Don’t spend time looking for CCPA news; let it come right to you as it happens! To be in-the-know, just fill out this form and hand it to any of our ushers at intermission or following the performance.
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4-Speed Delivery Service, Inc.Judy Akin-Palmer and Dr.
Jacques PalmerDeidri and Barry AldersonBarbara and Benjamin
AlhadeffJami and Carlos AnguloDr. Dixie and Ed Arnoldcynthia and Bill ArthurLarry BaggsNancy and Nick BakerDebby and Norman BaldersTerry BalesSharon and Gill BarnettSallie BarnettAlan BarryIn Loving Memory of carol M. BehanYvette BelcherPeggy BellBarbara BerhnsJohn BeringerMorris BernsteinNorman BlancoKathleen BlomoJudy and Don BogartMarilyn BogenschutzLinda and Sergio BonettiPaula BriggsMelanie and Michael BroadDarrell BrookeShelley and Danny BroseMary Broughcheryl and Kerry BryanMary and Bob BuellIna BurtonLinda and Larry BurtonDr. Marjorie cain MitchellRobert CampbellMichael canupMichelle caseyYvonne cattellSylvia and Tuncer cebeciChamber Music Society of Detroit Joann and George ChambersRodolfo chavezDr. Philip chinnGenevieve and Ralph choyPatricia christiecarlota and Daniel ciauriNeal clydeMark cochraneMichael cohnBarbara and Jim ConklinPatricia cookusVirginia correaRon cowan
THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following ccPA Associates who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue in which patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510.
Patricia cozziniPamela and John CrawleyEugenia creasonVirginia czarneckiMelody and Ray DappJoy Darling and Don MackinAngel De SevillaRobert DeanMr. and Mrs. chuck DeckardSusanne and John DeHartLesLee and Karl DelaneyLouise and John DellasanteErin DelliquadriBruce DickinsonJane and Larry DicusAmy and George DominguezLinda DowellGloria DumaisStanley DzieminskiLee EakinShoreen and Don EakinDee EatonHeidi Eddy-Dorn and Larry DornGary EdwardConnie and Jim EdwardsEric EltingeTeri EspositoRichard FalbRenee FallahaDr. Stuart FarberDon FelderHeather M. FerberDr. Susan FoxTeresa FreebornJune and Takeshi FujisakiArthur GapasinLori and Bob GayFranz GerichRoberta and Dr. Lawrence
GershonThe Goldsmith FamilyWilliam GoodwinGraham GoslingDebe and Larry GrahamSuzanne and Bob GraysonDr. Jon GrazerSusan and Dr. Robert GreenNorma and Gary GreeneKenneth GreenleafTamra and Kirby GreenleeAllen GroganRoger Halecarol and Harry HanakiLois and Thomas HarrisHedy HarrisonHoward HerdmanSaul Hernandez
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HopkinsBonnie HudsonMelvin HughesMarianne and Robert
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Todd MeyerLuzviminda MiguelGary MillerKathleen MillerEllie and Jim MonroePatricia MooreBecky MoralesThomas A. Morgancortland Myerscaroline and Alan NakkenNational Endowment for the ArtsAlan NegosianA.J. NeimanNew England Foundation for the ArtsRonald NicholsToby NishidaLinda NomuraCathryn O’Brien-SmithAnn and clarence OharaKaren OhtaVictoria and Raymond
OrlandoPam OrmistonDr. Paul OrrP. P. Mfg. Co. Inc. - Ronald BurrGeorge PalominoMary Ellen PascucciAngela and Devy PaulWaynn PearsonBarbara and Paul PenroseJackie and Joe PloenMerrill PlouForrest PoormanPreserved TreeScapes Int’l-
Dennis E. GabrickSusan RagoneBijan RaminehKaren RandallBev and George RayBev and George Ray charitable FoundationRobin RaymondSharon Reece and Laurence
HarmaRosalie RelleveDiane and Richard RenakerNikki and Dennis ReppBetty and Nash RiveraLynne RosePatricia RoseJean RothaermelThomas RothwellMartin RubyShirley RundellSharon and Larry SagertDennis Salts
Monica SanchezWendy and Tom SchiffMildred ScholnickLorraine and William SedlakMary SerlesOlivette ShannonKristi Shawcindy ShilkretKaren and James ShultzKathleen SidarisNeil SiegelIna Silverman and Larry StarrDorothy SimmonsLoren SlaferSylvia SligarFred SmithSo cal Medical, Inc.Kerry Spearscraig M. Springer, Ph.D.Eleanor St. clairKris and Robert SteedmanGale SteinDonna StevensBryan StirratKay and Harvey StoverRichard StrayerWilliam StringerRichard SurbeckLawrence TakahashiLaVerne TancillDr. Silas ThomasKen ThompsonJoann TommySharon TouchstoneKaren Trace-VerzaniLilliane K. TriggsJean TuohinoMaria TupazUnited Parcel ServiceAlex UrbachTim VanEckRaman VenkatMaria Von SadovszkyDiane and Fred VunakCharles WadmanRobert WaltersAngela S.WangWave BroadbandAnita and Dr. David WeinsteinMargie and David WilliamsPamela Wilsoncharlotte and Howard WinerPornwit Wipanuratcharles WongJeanne YanezJeanette YeeAsuman and Deniz YilmazXavier ZavatskyIlana Zuckerman
To request a change to your listing on this page, please call (562) 467-8806, or send an e-mail to [email protected].
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Friends of Arts Education at the Cerritos Center It’s for the kids!
It is our belief that when you bring the arts into children’s lives, you give them new ways to see the world.
The Friends of Arts Education is a non-profit organization that recognizes the arts as a vital and indispensable part of a comprehensive education. We strive to ensure that all children in our communities have an opportunity to experience the power and beauty of the performing arts.
The arts are an integral part of cultural literacy; they encourage creativity, critical thinking and problem solving. The arts enable students to build self-esteem and self-discipline as well as teach cooperation and effective expression. Research shows that integrating the arts into the school curriculum improves academic achievement, motivates attendance, increases test scores and promotes involvement.
All our programs are provided free of charge to schools and we serve over 100,000 children, teachers and families every year!
The Friends programs are designed to support the California State Board of Education Visual and Performing Arts standards for kindergarten through grade twelve.
We offer: o Daytime Educational Performances by world-class artists o Professional Development Workshops for teachers o Creative Expressions program for students o Performing Arts Scholarships for high school seniors o Artists in the Classroom o Family Arts Festival o Art S.M.A.R.T. activities for at-risk youth detainees
15th Annual Gala
Saturday, April 26, 2008 at the Cerritos Center for the Performing Arts
The Annual Gala is our biggest fundraising event of the year – this elegant evening includes dinner, silent
and live auctions, and world-class entertainment!
This year’s theme is “100 Years of Broadway”
For more information contact Amanda Harris at (562) 916-1293
Family Arts Festival
Sunday, June 1, 2008 at the Cerritos Center for the Performing Arts
11:00 a.m. to 4:00 p.m.
A day of arts and fun for the whole family! Experience hands-on arts activities, the interactive
Musical Zoo, and over 40 performances on five different stages.
For more information contact Hélène Trudeau at (562) 916-1300
To find out more about the Friends, make a donation, or get involved, please contact the Friends office at (562) 467-8844 or visit us online at www.friendsofaecc.com
Friends of Arts Education at the Cerritos Center 12700 Center Court Drive Cerritos, California 90703
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PLATINUM CIRCLE [$12,500 – above] Atkinson, Andelson, Loya, Ruud & Romo • B & B Stables/Bob & Mary Buell • Nick & Nancy Baker • The Boeing Company • bpThe City of Cerritos • Dwight Stuart Youth Foundation • Don & Shoreen Eakin • Dr. Gary & Robert Hopkins • Los Angeles County Arts Commission • Los Angeles County Supervisor Don & Julie Knabe • Mr. & Mrs. Jerry Lomeli • Dan Neyenhuis • Bev & George Ray/Lefiell • UPS • Weingart Foundation • Jane & Sonny Yada
GOLD CIRCLE [$6,250 - $12,499] Abelstik/Alan Syzdek • John H. & Betty A. Adams Trust • Ralph & Genevieve Choy • Mr. & Mrs. Dan Ciauri • Joy Darling • Fred & Carmen Davidson • Roland, Anna & Michael Dennis • Gary & Jeanette Frank • Jim & Nancy Gaines • Bonnie & Mary Hudson Mr. & Mrs. Robert Lienau, Jr. • Mainly Seconds Pottery, Plants & Thing • John F. Martin, CPA & Assoc., Inc. • Ruth McClureWilliam & Lorraine McCune Family Foundation • Dennis & Marilyn McGorman • Nancy Nicola & Warren Lampkin • Pacific Life Foundation • James & Karen Schultz Art & Marilynn SegalMarjorie Rosenberg & Carol Smith • Sharyne Snyder • Kay & Harvey Stover • George & Ruri Sugimoto Ronald Weber • Scott & Donna White • Woman’s Club of Artesia-Cerritos • Yamaha Corporation of America
SILVER CIRCLE [$2,500 - $6,249] Dr. Gary A. Afferino & Dr. Betty C. Tai • Astor Broadcast GroupBeringer & Associates, Inc. • Mary & Roy Blackburn • Dr. & Mrs. Patrick Bushman • Martin D. Chavez • Robert Chavez • In Loving Memory of Patrice Ann Clifton/Felix & Jozell Gallion-RobertsonGary & Patsy Connors • Steve & Karen Davenport • John DeckerLloyd & Caroline de Llamas • Bill & Suzan DeYo • George & Amy Dominguez • Employees Community Fund of Boeing California Ronald & Delores Eveland • Manny & Cecilia Gallardo • Michael & Gayle Garrity • Mr. & Mrs. Daniel E. Garvey • The Gettys Family Ronald & Susan Gillaspie • Larry & Debe Graham • Dr. & Mrs. Robert & Susan Green • Richard C. & Dian Herr • Hon. & Mrs. Philip H. Hickok • Sam & Deborah Hooper • Dr. & Mrs. David V. Hubbell • Hing & Doris Hung • Indymac Bank • Jan JanuraKaczor/Irby Families • Sherman & Gloria Kappe • John H. KendallDr. & Mrs. Philip I. Kress • Lakewood Regional Medical CenterDr. Soledad Lee • Dr. Allan Lifson & James Neuman, California Educational Consultant Group, Inc. • Robert & Karla Maez • Frank & Janet McCord • Michael & Marilyn McCullough • Alvin Mundo Stephen & Brenda Olson • Paul D. Orr, M.D. • A.J. Padelford & Son, Inc. • Salome Pichardo • Steven E. Potts • Gary Prince • Nikki & Dennis Repp • Ronald McDonald House Charities of Southern California • Larry & Sharon Sagert • Dr. & Mrs. Mark S. SchnitzerSteve & Linda Shaffer • Helen L. Sheffield • Wanda M. Slade • Mr. &
Mrs. Bryan A. Stirrat • Bob & Ann Stoffel • A.J. Taen • TargetVerizon • Ms. Karen Trace-Verzani • Waffles of California • Walter & Phyllis White • Daniel J. & Linda M. Williams • Dr. Winer/Woods Electric • Richard & Elena Zumel
BRONzE CIRCLE [$1,250 - $2,499] John & Jo Bakulich • Brian & Pat Beck • Ken & Lynn BoshartMichael & Melanie Broad • Mel & Row Briggs • Larry & Linda Burton/The Hada Family • Frank Cardone • John DaleyJohn & Louise Dellasanta • Larry & Jane Dicus • Shirley Dohrman Connie & Jim Edwards • Dean & Karen Fisher • Sheila A. FulmisVicki Gutman/Notes by Vicki • Van & Linda Hartley • Edward & Esther Ho • Bob & Marianne Hughlett • James Jenkins • Robert & Barbara Jerome • Jim & Karen King • Keith & Sharon KuroyamaMary & Robert LaFrance • Ray & Kathleen Lovell • David & Jeany McFarland • Sidney & Sondra Melnick • Frank & Sandy MichelettiDon & Delores Munro • Danny N. Ogawa • Mavis E. Petersen & Family • Roya & Bob Phillips • Jane & Paul Pratt • Rick & Diane Renaker • In Memory of G.A. & Morene Rogers/Gerald L. FarisJoseph D. Sears • William Sedlak • Cindy Shilkret • Edwin & Joyce Smith • Susan Sung • Roy & Marge Tanaka • Michi & Ron Tanimoto Michele Vice-Maslin • James & Jill Webb • Gary Whitener/Trim-Lok, Inc. • Janice Wilbur
CERRITOS CIRCLE [$600 - $1,249]Joseph Aldama • Dale Becker • Isaac Kawamoto • Dr. & Mrs. Han-Pin Kim • Dennis & Vonnie Kinoshita • Los Cerritos CenterBrian & Terri Mayeda • John Molina • Stephen Morris • Noontime Optimist Club of Cerritos • Joshua Rosman • Edward J. & Tracy Simmons • Stephen Skinner & Deborah Orth • Nancy Sur SmithWalmart/Tammy Cannon • Jeanne Yanez
PATRON CIRCLE [$300 - $599]Absolute Health Care • Dale Becker • Lindy & Basia BressickelloDon & Sharron Brundige • Eileen Castle • Dr. J. Mansfield DeanStuart L. Farber • Joan & Marty Flax • Kay & Mary Jane Fujimura Dr. & Mrs. Lawrence Gershon • Rosemary Escalera GutierrezGilbert & Marsha Honeycutt • Herb Hundt • Ernest & Kay Ikuta Matthew & Roberta Jenkins • Karl Jefferson • Darryl JohnsonJerry & Sharyn Kelly • Ms. Nancy H. Kennedy • Sue & Stephen Klein Terry L. Koepke • Alain Gravel & Larry Kraft • Barry & Sandy Lakin Charles & Laura Lee • Dr. & Mrs. Max B. Martinez • Clarence & Celia Masuo • Robert & Shirley Murphy • Diana & Rick Needham, Prudential California Realty • Mr. & Mrs. Michael Nishida • Mr. & Mrs. John Richmond • Joyce Righetti • Gary T & Laura Rose • The David Samson Family • Ron, Judy & Lola Shiraishi • Sue & Richard Solomon • Howard & Celia Spitzer • Harold & Edna Yamaguchi Carol & Sab Yamashita
Present a ticket stub for any show starting at 7:00 PM or laterto receive a 10% discount (food only, excludes alcohol).
Must be used same evening of the show.
Come in before the show and receive a 10% discount (food only,excludes alcohol) when you present a ticket for the show that day.