digital preservation for technophobes on a budget
DESCRIPTION
Presentation at the Association of Moving Image Archivists (AMIA) 2014 conference. This presentation will provide an overview of digital asset management as it applies to moving image archives.TRANSCRIPT
Susan Barrett
Digital Preservation for Technophobes on a Budget
Susan BarrettM.L.I.S., Moving Image ArchivesM.A.S., Film, Media and Culture
Twitter: @suebeeinazhttp://dmia.drupalgardens.com
Digital Object + Access = Digital Asset
http://commons.wikimedia.org/wiki/File-Floppy_disk_2009_G1.jpg
Digital Asset Management Strategy:
1.Format
2.Fixity checks
3.Metadata
4.Storage migration
5.Redundancy
6.Geographic dispersal
Access and Authority Control
WorkByNight https://www.behance.net/WorkByKnight
• Every digital record is unique
• Digitization ≠ copy of a paper file
• Digital image ≠ tangible object surrogate
• Document transformations
• Access is digital preservation
Format
http://www.movingimageeducation.org
Best Practices:
•Digitization: limit preservation formats
•Use widely adopted formats
•Uncompressed or lossless formats
Codec + Container
Raiders of the Lost Ark, Stephen Spielberg, Dir., 1981
Storage
External drive (plugs into your computer)
Magnetic tape – another digital mortuary
M-disc (aka, Millenniata)•Stable for 100+ years •20 pack of discs = $70 (U.S.)•Approx. 5-10 hours of video per disc•M-disc writer (burner) = $100 (U.S.)
Nobody understands the cloud!
Sex Tape, Jake Kasdan, Dir., 2014
Storage
Best-practices:
•LOCKSS: Multiple Copies
•Geographic dispersal
•In-house AND off-site
Raiders of the Lost Ark, Stephen Spielberg, Dir., 1981
Fixity
Digital documents
last forever –
or five years,
whichever comes
first.
~ Jeff
Rothenberg
andy2, c. The Andy Warhol Museum, 1985
MetadataBest-practices:
•Administrative
•Legal
•Intellectual
•Technical
•In the digital object, not the folder
Check the Expiration Date
Expiration Date, Rick Stevenson, Dir., 2006
Hardware
•External hard drive = 2 years
•CD/DVD = 5 years
•Magnetic tape = 3 years
•M-disc = 30+ years
Software
Format
Transfer cables and cords
Policies
Make a DAM Plan
Desk Set, Walter Lang, Dir., 1957
Inventory and Prioritization
Workflow
Share it and they will come
Filmmaker Outreach
Collaborations
8 ½, Federico Fellni, Dir., 1963
Budget
•Ask around
•Geographically unfettered
•Consortiums share costs and expertise
•Pick one strategy to learn: storage, formats, metadata
Joy in Blue, gaspi, 2004, https://www.flickr.com/photos/gaspi/12944421/
Play – the capacity to experiment with one’s surroundings as a form ofproblem-solving
~ Henry Jenkins
1. The Greatest Illusion, image courtesy Missy Dufourq, https://www.flickr.com/photos/eq-photography/8606175218 2. Attributes of Trusted Digital Repositories, OCLC, http://www.oclc.org/research/activities/trustedrep.html?urlm=160068 and Trustworthy Digital Repositories, http://www.dcc.ac.uk/resources/repository-audit-and-assessment/trustworthy-repositories3. Rothenberg, Jeff (1999). Avoiding Technological Quicksand: Finding a Viable Technical Foundation for Digital Preservation. A Report to the Council on Library and Information Resources. Washington DC:CLIR 4. Frick, Caroline (2011). Saving Cinema: The Politics of Preservation. New York:Oxford 5. Sustainability of Digital Formats, Planning for Library of Congress Collections, http://www.digitalpreservation.gov/formats/fdd/descriptions.shtml6. Volk, Jonah (2009). Digital Preservation Workflow: Wrapper Formats (Unpublished). New York University: New York. 7. Lunt, Barry M., et. al., (2013). Toward Permanence in Digital Data Storage, http://www.researchgate.net/publication/236000392_Toward_Permanence_in_Digital_Data_Storage 8. Digital Preservation in a Box, DP Outreach, http://dpoutreach.net9. The Little Guide to Cloud Computing, JISC Digital Media, http://www.jiscdigitalmedia.ac.uk/search/results/a1234b3161b4fbfdfb96dd576b65bbea and Lots of Copies Keeps Stuff Safe, http://www.lockss.org/10. LOC Blog (2013). Fixity Check, http://blogs.loc.gov/digitalpreservation/2012/03/file-fixity-and-digital-preservation-storage-more-results-from-the-ndsa-storage-survey, and Previously Unknown Warhol Works Discovered on Floppy Disks from 1985, http://studioforcreativeinquiry.org/events/warhol-discovery 11. Understanding Metadata, NISO Press (2004), http://www.niso.org/publications/press/UnderstandingMetadata.pdf
12. Lazorchak, William M. (2004). The Ghost in the Machine: Traditional Archival Practice in the Design of Digital Repositories for Long-term Preservation. (Unpublished). University of North Carolina:Chapel Hill. 13. The NINCH Guide to Good Practice in the Digital Representation and Management of Cultural Heritage Materials, National Initiative for a Networked Cultural Heritage, http://www.ninch.org/guide.pdf and Practical Digital Preservation for Small Archives, Alexandra Eveleigh, http://80gb.wordpress.com/2010/02/04/practical-digital-preservation-for-small-archives-link-roundup/14. Risk Assessment Handbook, The National Archives, http://www.nationalarchives.gov.uk/documents/information-management/risk-assessment-handbook.pdf15. Collections Trust. SPECTRUM Digital Asset Management. http://www.collectionstrust.org.uk/spectrum/spectrum-digital-asset-management16. Florida Memory Project, http://www.floridamemory.com/, and the Internet Archive, https://archive.org/index.php17. Prelinger, Rick (2010). We Are the New Archivists: Artisans, Activists, Cinephiles, Citizens. From Reimagining the Archive: Remapping and Remixing Traditional Models in the Digital Era Symposium, UCLA. http://polaris.gseis.ucla.edu/reimagining/keynote.htm, and Gibson, David (2008). Digital Asset Symposium: Museum of Modern Art, New York City. The Moving Image, 8(2), and Personal Digital Archiving, http://digitalpreservation.gov/personalarchiving18. Sheldon, Karan (2007). Regional Moving Image Archives in the United States. Cinema Journal, 46(3), 118; and Enticknap, Leo (2007). Have Digital Technologies Reopened the Lindgren/Langlois Debate? Spectator, 27(1).19. Jenkins, Henry, et. al., (2006). Confronting the Challenges of Participatory Culture: http://www.newmedialiteracies.org/wp-content/uploads/pdfs/NMLWhitePaper.pdf20. The Digital Moving Image Archives: A Guide for Independent Filmmakers, http://dmia.drupalgardens.com
Susan Barrett
Digital Moving Image Archives: A Guide for Independent Filmmakers
dmia.drupalgardens.com