derek walcott and the epic tradition in omeros roxanne orpin dan hong

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DEREK WALCOTT AND THE EPIC TRADITION IN OMEROS Roxanne Orpin Dan Hong

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Page 1: DEREK WALCOTT AND THE EPIC TRADITION IN OMEROS Roxanne Orpin Dan Hong

DEREK WALCOTT AND THE EPIC TRADITION IN OMEROSRoxanne OrpinDan Hong

Page 2: DEREK WALCOTT AND THE EPIC TRADITION IN OMEROS Roxanne Orpin Dan Hong

Biography

Native of Castries, St. Lucia, West Indies

Mother was a teacher

Father died when he was an infant

Involved in local theater

Born January 23, 1930 Early Life

Page 3: DEREK WALCOTT AND THE EPIC TRADITION IN OMEROS Roxanne Orpin Dan Hong

Biography

Published his first poetry collection in 1948, Twenty-Five Poems

Attended St. Mary’s College, and University of the West Indies

B.A. 1953 in English, French, Latin Taught at Columbia, Howard,

Boston University, Harvard, Yale Nobel Laureate 1992 in Literature

Page 4: DEREK WALCOTT AND THE EPIC TRADITION IN OMEROS Roxanne Orpin Dan Hong

Omeros: Metaphors, and Allusions to Homer “Omeros” is the

name “Homer”in modern Greek

Characters such as Philoctete, Helen, Achille, Hector

Greek Gods The narrative

journeys all over the world

Page 5: DEREK WALCOTT AND THE EPIC TRADITION IN OMEROS Roxanne Orpin Dan Hong

So What?

There are four schools of thought regarding Omeros.

Epic structure is a major strength Links to oral or folk traditions Denies the poem’s epic qualities Remakes the classical epic into

something specifically Caribbean and Postcolonial

Page 6: DEREK WALCOTT AND THE EPIC TRADITION IN OMEROS Roxanne Orpin Dan Hong

Why Use Classical Roots in a Caribbean Tale? Conflict of self-

identity Binary relationship

between Plunkett and the narrator, “Walcott”

Creates a new epic through appropriating Greek/European traditions

Page 7: DEREK WALCOTT AND THE EPIC TRADITION IN OMEROS Roxanne Orpin Dan Hong

Bibliography Fumagalli, Maria Cristina. "Derek Walcott's Omeros and Dante's

Commedia: Epics of the Self and Journeys into Language." Cambridge Quarterly 29 (2000): 17-36. Oxford University Press Journals. 6 July 2009<http://camqtly.oxfordjournals.org.ezproxy.umw.edu:2048/cgi/reprint/XXIX/1/17.pdf>.

Jay, Paul. "Fated to Unoriginality The Politics of Mimicry in Derek Walcott’s Omeros." Callaloo 29 (Spring 2006): 545-59. Project

Muse. 6 July 2009 <http://muse.jhu.edu.ezproxy.umw.edu:2048/journals/callaloo/v029/29.2jay.pdf>.

Williams, Ted. "Truth and Representation: The Confrontation of History and Mythology in Omeros" Callaloo 24 (Winter 2001): 276-86.

JSTOR. 6 July 2009 <http://www.jstor.org/stable/3300500>.

Zoppi, Isabella Maria. "Omeros, Derek Walcott and the Contemporary Epic Poem." Callaloo 22 (Spring 1999): 509-28. JSTOR. 6 July 2009 <http://www.jstor.org/stable/3299499>.