depadova casa 2010 (uk)

casa 2010

ai nostri maestri

Achille CastiglioniCharles e Ray EamesDieter RamsGeorge NelsonVico Magistretti e a Maddalena De Padova

De Padova s.r.l.strada Padana superiore, 280a20090 Vimodrone (Mi)Italy

customer serviceTel. +39 02 27 43 97 95Fax +39 02 27 43 97 [email protected]

contract departmentTel. +39 02 77 72 02 [email protected]

Press office & PRTel. +39 02 77 72 02 [email protected]

showroomcorso Venezia, 1420121 Milano (Mi)ItalyTel. +39 02 77 72 01Fax +39 02 77 72 02 70

[email protected]

® and ®are registered trademarks of De Padova s.r.l.

© 2010 De Padova s.r.l.

all rights reserved. No part of this catalogue may be reproduced or transmitted in any form or by any means, electronic or mechanical, including printing, photocopying, recording, or any information storage and retrieval system without prior permission in writing from De Padova s.r.l., excepting reproduction intended to support the sale of De Padova products privately.This catalogue is available free of charge subject to the condition that it shall not, by way of trade or otherwise, be sold or hired out totally or partly.

De Padova supports aMREF’s “children in need” programme.www.amref.it

african Medical and Research Foundation

Printed in Italy by Grafiche Milani

’58 ’65

Wire Chair Aluminum Group

H e r m a n m i l l e r

’57

MMG Modern Management GroupFabric’s patterns

’56

a lva r a a lto | k ay b oj e s e n | a r n e j a c o b s e n | f i n n j H u l | p o u l k j a e r H o l m | H a n s w e g n e r

Stool 60 Sea puffin Egg chair Chair 45 Pk24 Chair 44

c H a r l e s & r ay e a m e s | a l e x a n d e r g i r a r d | g e o r g e n e l s o n

Founding of IcF De Padova, with headquarters in Vimodrone, near Milan, for the production in Italyof the office furnishings of Herman Miller. From her encounters with that company ’s american designers, Maddalena De Padova absorbs the secrets that would become the core of her philosophy: the importance of the environmental context, from George Nelson, of “connections” from charles Eames, the role of objects, from alexander Girard, a métissage of technology and everyday useful things, often produced by the folk tradition.

The large showroom is opened at corso Venezia in Milan, for the display and sale of collections of furnishings and accessories for the home and office, produced by IcF De Padova. The shop becomes a launching pad for emerging young designers like Ingo Maurer, whose first lamps and objects are introduced by De Padova.

1958 icf de padova plant 1960 the icf showroom 1965 the store at corso venezia

(protest)(consumption)

On a trip to Basel Maddalena

De Padova happens to discover the

Wire Chair by charles Eames.

The encounter changes her life.

a few months later, in fact, through

Willi Fehlbaum, the founder of

Vitra, Maddalena meets with the

american company Herman Miller

and acquires a license to produce the

products designed by charles Eames

(Aluminum Group and Lounge Chair)

and George Nelson in Italy.

FiFties the boom of the fiat 500 and a mcdonald’s advertisement.

1969 moon landing

1968 poster from the may protests in france

(international style)

Fernando and Maddalena De Padova begin their business activities by importing scandinavian furniture and objects, sold at the store on via Montenapoleone in Milan. This marks the debut of design from Northern Europe in Italy: a revolution that has had a permanent impact on our way of living. “…I chose what I liked, I was blown away by certain pieces of furniture, by those lines, by the diversity. I think I had an instinctive sense of aesthetics… let’s just say I understood perfectly when something was ugly”. (Maddalena De Padova).

1956 milan, store on via montenapoleone 1956 the de padova sign 1956 shop window on via montenapoleone

De PADOVA HistORY AND PLACes

De PADOVA tHe eNCOUNteRs

De PADOVA AND tHe WORLD

1958 seagram building, new york city. ludwig mies van der rohe in collaboration with philip johnson 1959 Some Like it Hot,

by billy wilder with marilyn monroe, tony curtis and jack lemmon.

m a d d a l e n a a n d fe r n a n d o d e pa d o v a

7

’84

Shaker rocking chairr e n z o p i a n o

’90’80’70

v i c o m a g i s t r e t t i | a c H i l l e c a s t i g l i o n i | d i e t e r r a m s

Screen 606 U.S.S.MaroccaPLR

r o s s l i t t e l l

De Padova introduces a new collection of office furniture (home/office) that completely overthrows the traditional concept of furnishings and spaces for work. achille castiglioni designs a series of displays for the De Padova shop windows, adding another unique aspect to the company ’s style.

“It was an epoch-making event. We discovered an unknown people, the Shakers, and it brought heightened credibility to De Padova”. This is how Pierluigi cerri, who did the graphic design for the exhibition on the shakers, recalls the evening of 27 February 1984, when the De Padova shop windows introduced Italy, for the first time, to the furniture of a previously unfamiliar community from Maine.

(deconstructivism)

sHaker exHib it ion, de pad ova sHowroom, 1984 display by acHille castigl ioni | grapHics by p ierluigi cerri

1993 showroom, display by a. castiglioni and p. cerri

1993 showroom, display by a. castiglioni1992 showroom, display by a. castiglioni

Important steps are also taken in the contract sector. at the end of the Nineties the company begins to work with Renzo Piano on the furnishings of the cafe of the centre Georges Pompidou in Paris. This collaboration would continue in the future, with the furnishings for the Morgan Library ’s restaurant in New York and the headquarters of Il sole 24Ore daily newspaper in Milan.

ca f e t e r i a c e n t r e g e o rg e s p o m p i d o u pa r i s | H e a d Q ua rt e rs o f t H e n e w s pa p e r i l s o l e 2 4 o r e m i la n

1980 Portland Public Service Building by michael graves

1987 reagan and gorbachev sign the inf treaty

1997bilbao, Guggenheim Museum by frank o. gehry

1989 fall of the berlin wall

De Padova cedes the IcF brand with the license to make Herman Miller products, and launches a line of furniture and objects under the De Padova trademark. “Edizioni De Padova” is founded, which would later become “è De Padova”, with the collaboration of great designers like achille castiglioni and Dieter Rams, and above all Vico Magistretti.

after Fernando’s death, Maddalena De Padova runs the company herself, supervising production and distribution. Besides the Herman Miller products, for several years De Padova has already been making pieces that would become icons of the era, like the Sofabank by Rolf Heide, the PLR chair by Ross Littel and, under license, the Interparete by Herbert Hirche: an aesthetic and functional revolution whose force was immediately understood by De Padova. Vico Magistretti begins his long collaboration with the company in this period, designing a collection of office furniture.

1984 showroomseventies displays in the store at corso venezia

(postmodern)(high-tech)

Technologically advanced products are mixed with traditional and ethnic objects chosen by Maddalena De Padova. The store on corso Venezia is like an eye, open to distant worlds: that of the shakers represents the high point.

1970 Zabriskie Point by michelangelo antonioni

1969-74 paris, Centre Georges Pompidou by renzo piano and richard rogers

1970Flowers by andy warhol

seVeNtiesthe punk fashion




’06 ’09

Framura NidoRokumaru

n e n d o | d a m i a n w i l l i a m s o n | j a s p e r m o r r i s o n | a k s u / s u a r d i

AtalanteSpring

’99 ’04

Crédence Bergère-Légère

g a e ta n o p e s c e x av i e r lu s t | pat r i c i a u r Q u i o l a

The 50th anniversary of the founding of the company is celebrated with a book and an exhibition, retracing its history through encounters, interviews, comments and images.

Maddalena De Padova completes the phase of transition in the company, passing the helm to her children Valeria and Luca, who further develop its managerial structure. They begin to work with new designers like Jasper Morrison, and consolidate De Padova’s presence in both traditional and emerging foreign markets.

(neo-ecology)

2009 showroom, display by f. laviani2008 showroom, christmas2007 showroom, christmas, display by f. laviani

2007 showroom, display by f. laviani

Patricia Urquiola, who was manager of the R&D division of De Padova from ’91 to ’96, begins to work with the company as a designer: she creates the Ola chair, soon to be followed by other successful pieces that have become part of the collection.The Japanese design studio Nendo creates several new products for De Padova, combining functional quality and oriental delicacy.

2006paris, Musée du Quai Branly by jean nouvel

2008barack obama time magazine’s Person of the Year

2001 apple introduces the ipod

When Gaetano Pesce and De Padova join forces in september 1999, it is the meeting of two unique entities: the uniqueness of the works of Pesce, and that of the De Padova showroom, a crossroads of ideas and stimuli. “A store ought to move, to produce sensations, to offer visitors a meeting place for cultural initiatives that generate interest, curiosity, emotion.”(Maddalena De Padova).

Maddalena De Padova wins the compasso d’Oro for her career, in the 20th edition of the prestigious award. The jury ’s reasoning: “The great commitment of Maddalena De Padova in the production and spread of design, as a shared culture and field of interaction for different international spheres, represents a unique case of consistency and quality in our country.”

(the fluid society)

2001 showroom, display by f. laviani2000 showroom, exhibition Middle of the Woods

1995 Balloon Dog by jeff koons

1997 Harry Potter and the Philosopher’s Stone

YeARs 2000spread of the low cost airlines




“i multipli” by gaetano pesce

B o o k c a s e s a n d c a B i n e t s

1 .6 0 6 U N I V E R s a Ls H E LV I N G s Y s T E M> 2 9 i n f o > 2 2 0

2 .K a N T> 3 5 i n f o > 2 2 0

3 .Ta N I M O T O> 3 6 i n f o > 2 2 1

4 .s H I G E T O> 3 9 i n f o > 2 2 1

5 .c R é D E N c E> 4 0 i n f o > 2 2 1

6 .s W I N G> 4 3 i n f o > 2 2 2

7.R E F L E x s E c R é Ta I R E> 4 9 i n f o > 2 2 3

8 .R E F L E x > 4 9 i n f o > 2 24

9 .s H I N E > 5 1 i n f o > 2 24

1 0 .T O O L s> 5 2 i n f o > 2 24

a r m c h a i r s a n d s o f a s

1 1 .B a s K E T> 5 5 i n f o > 2 2 5

1 2 .L O U I s I a N a> 5 6 i n f o > 2 2 5

1 3 .c L U B> 5 9 i n f o > 2 2 6

1 4 .TaT T O M I> 6 1 i n f o > 2 2 6

1 5 .s P R I N G L O W> 6 2 i n f o > 2 2 6

1 6 .s U s a N N a> 6 5 i n f o > 2 2 6

1 7.T O N D O 0 5> 6 6 i n f o > 2 2 7

1 8 .L é G è R E – L é G E R> 6 8 i n f o > 2 2 7

1 9 .B E R G è R E> 7 1 i n f o > 2 2 7

2 0 .B E R G E R> 7 2 i n f o > 2 2 8

2 1 .a s s U a N> 7 5 i n f o > 2 2 8

2 2 .aTa L a N T E> 7 6 i n f o > 2 2 8

2 3 .s U I T E> 8 0 i n f o > 2 3 0

24 .H O V E R c R a F T> 8 2 i n f o > 2 3 0

2 5 .P I L L O W> 8 4 i n f o > 2 3 0

2 6 .s q U a R E> 8 8 i n f o > 2 3 1

2 7.z I P !> 9 0 i n f o > 2 3 2

2 8 .T U a R E G> 9 2 i n f o > 2 3 2

2 9 .Pa L E s T R O> 9 4 i n f o > 2 3 3

3 0 .c H E s T E R F I E L D > 9 6 i n f o > 2 3 3

3 1 .P O U F c a P I T O N N é> 9 6 i n f o > 2 3 3

3 2 .R a F F L E s> 9 9 i n f o > 2 3 4

3 3 .R E G E N T ’ s> 1 0 0 i n f o > 2 3 4

B e d s

3 4 .T W I s T> 1 0 2 i n f o > 2 3 4

3 5 .P I L G R I M> 1 0 5 i n f o > 2 3 5

3 6 .a s s E M a N> 1 0 6 i n f o > 2 3 5

3 7.s L E E P I N G c a R> 1 0 9 i n f o > 2 3 5

t a B l e s

3 8 .M a N T I s> 1 1 1 i n f o > 2 3 6

3 9 .c a M P O D ’ O R O> 1 1 5 i n f o > 2 3 6

4 0 .B E Y L E> 1 1 8 i n f o > 2 3 7

4 1 .B L O s s O M> 1 2 1 i n f o > 2 3 7

4 2TaV O L O ‘ 9 5> 1 2 2 i n f o > 2 3 7

4 3 .D I N N E R> 1 24 i n f o > 2 3 8

4 4 .V I D U N> 1 2 7 i n f o > 2 3 8

4 5 .s H I N E> 1 2 8 i n f o > 2 3 9

4 6 .N a R a> 1 3 1 i n f o > 2 3 9

4 7.O T I s> 1 3 2 i n f o > 24 0

4 8 .q U a D R aT O> 1 3 5 i n f o > 24 0

4 9 .T O O L s> 1 3 6 i n f o > 24 0

5 0 .P I ù> 1 4 0 i n f o > 24 1

c h a i r s

5 1 .L aV E N H a M E x E c U T I V E> 1 4 2 i n f o > 24 2

5 2 .M a R O c c a > 1 4 5 i n f o > 24 2

5 3 .c I R E N E 0 3 > 1 4 5 i n f o > 24 2

5 4 .c I R E N E> 1 4 6 i n f o > 24 3

5 5 .O L I M P I a> 1 4 6 i n f o > 24 3

5 6 .F L O W E R> 1 4 9 i n f o > 24 3

5 7.I N c I s a> 1 5 0 i n f o > 24 4

5 8 .L aV E N H a M> 1 5 2 i n f o > 24 4

5 9 .P O L L a c K> 1 5 5 i n f o > 24 4

6 0 .P O L L a c K I I> 1 5 5 i n f o > 24 5

6 1 .s I LV E R> 1 5 6 i n f o > 24 5

6 2 .s P R I N G > 1 5 9 i n f o > 24 6

6 3 .U R a G a N O> 1 6 0 i n f o > 24 6

6 4 .s U N D a N c E> 1 6 2 i n f o > 24 6

a c c e s s o r i e s

6 5 .c a M P O a R aT O > 1 6 5 i n f o > 24 7

6 6 .T E T R I s> 1 6 5 i n f o > 24 7

6 7.q U a D R aT O E s P O s I T O R E> 1 6 5 i n f o > 24 7

6 8 .s aT U R N O > 1 6 7 i n f o > 24 8

6 9 .D a N > 1 6 7 i n f o > 24 8

7 0 .s W I s s> 1 6 7 i n f o > 24 8

7 1 .M aT E > 1 6 8 i n f o > 24 9

7 2 .M I N I M aT E > 1 6 8 i n f o > 24 9

7 3 .c H a B -Ta B L E > 1 6 8 i n f o > 24 9

74 .s c R I T Ta R E L L O > 1 7 1 i n f o > 2 5 0

7 5 .c O N s O L E > 1 7 1 i n f o > 2 5 0

7 6 .T R I O > 1 7 2 i n f o > 2 5 0

7 7.D T L I G H T > 1 7 2 i n f o > 2 5 1

7 8 .F I N D E R > 1 7 5 i n f o > 2 5 1

7 9 .B O O K > 1 7 5 i n f o > 2 5 1

8 0 .M O B Y 1 E M O B Y 2> 1 7 7 i n f o > 2 5 2

8 1 .N a R c I s O > 1 7 8 i n f o > 2 5 2

8 2 .P R ê T- à - P O R T E R > 1 7 8 i n f o > 2 5 2

8 3 .R O K U M a R U > 1 8 1 i n f o > 2 5 3

8 4 .R a I N Y D aY > 1 8 1 i n f o > 2 5 3

o u t d o o r

8 5 .F R a M U R a / c H a I s E + P O U F > 1 8 3 i n f o > 2 5 3

8 6 .F R a M U R a /D O N D O L O> 1 8 3 i n f o > 2 5 3

8 7.F R a M U R a /N I D O> 1 8 7 i n f o > 2 5 4

8 8 .F R a M U R a /L E T T I N O P R E N D I s O L E> 1 8 8 i n f o > 2 5 4

8 9 .L aV E N H a M O U T D O O R> 1 9 1 i n f o > 2 5 4

i n d e X

f lo w e r tav o lo ‘ 9 5 6 0 6 u n i v e r s a l s H e lv i n g sys t e m lo u i s i a n a d a n

There are rooms you have to cross along paths. Some are practically empty, some full of light. They are the

ta n i m oto s w i s s l é g e r l é g è r e ta n i m oto s p r i n g v i d u n

result of the objects that inhabit them, that put you at ease. Things that may not have a value, others that are

s w i s s s Q u a r e r e f l e x i n c i s a b e y l e f i n d e r s H i n e

full of life, a sort of city, and anything can exist in there, a whirlwind of stuff, even useless things, but it makes

s p r i n g ot i s s w i n g to o l s c H a b ta b l e s l e e p i n g c a r m o by 2

you feel good. There are objects that fade like postcards on dressers, and objects that go on living.

n a r c i s o r e f l e x s e c r é ta i r e f lo w e r s w i n g s at u r n o t u a r e g s p r i n g lo w t r i o

They don’t go with the others, because they have timeless signs and lives. There are seas painted on walls, women

b a s k e t t e t r i s s u i t e k a n t p i lg r i m t r i o d t l i g H t

on buildings, some say it’s the same, but instead it is not, we like different things, the ones that have an

s w i n g b o o k r o k u m a r u s c r i t ta r e l lo s w i n g d a n t w i s t s u s a n n a s w i n g

authenticity that speaks and gets noticed, leaps out at you and makes you wonder: how did they do that?m a r c o c i r i e l l o

1 . 6 0 6 U N I V E R s a L s H E LV I N G s Y s T E M 2 . K a N T 3 . T a N I M O T O 4 . s H I G E T O 5 . c R é D E N -

c E 6 . s W I N G 7 . R E F L E x s E c R é T a I R E 8 . R E F L E x 9 . s H I N E 1 0 . T O O L s 1 1 . B a s K E T 1 2 .

L O U I s I a N a 1 3 . c L U B 1 4 . T a T T O M I 1 5 . s P R I N G L O W 1 6 . s U s a N N a 1 7 . T O N D O 0 5 1 8 .

L é G è R E – L é G E R 1 9 . B E R G è R E 2 0 . B E R G E R 2 1 .a s s U a N 2 2 .a T a L a N T E 2 3 . s U I T E 2 4 .

H O V E R c R a F T 2 5 . P I L L O W 2 6 . s q U a R E 2 7 . z I P ! 2 8 . T U a R E G 2 9 . P a L E s T R O 3 0 . c H E -

s T E R F I E L D 3 1 . P O U F c a P I T O N N é 3 2 . R a F F L E s 3 3 . R E G E N T ’ s 3 4 . T W I s T 3 5 . P I L-

G R I M 3 6 . a s s E M a N 3 7 . s L E E P I N G c a R 3 8 .M a N T I s 3 9 . c a M P O D ’ O R O 4 0 . B E Y L E 4 1 .

B L O s s O M 4 2 . T a V O L O ‘ 9 5 4 3 . D I N N E R 4 4 . V I D U N 4 5 . s H I N E 4 6 . N a R a 4 7 . O T I s 4 8 .

q U a D R a T O 4 9 . T O O L s 5 0 . P I ù 5 1 . L a V E N H a M E x E c U T I V E 5 2 . M a R O c c a 5 3 . c I -

R E N E 0 3 5 4 . c I R E N E 5 5 . O L I M P I a 5 6 . F L O W E R 5 7 . I N c I s a 5 8 . L a V E N H a M 5 9 . P O L-

L a c K60 .P O L L a c K I I61 .s I LV E R62 .s P R I N G63 .U R a G a N O64 .s U N D a N c E65 . c a M P O -

a R aT O 6 6 . T E T R I s 6 7 .q U a D R aT O E s P O s I T O R E 6 8 . s aT U R N O 6 9 . D a N 7 0 . s W I s s 7 1 .

M aT E72 .M I N I M aT E73 . c H a B Ta B L E74 .s c R I T Ta R E L L O75 . c O N s O L E76 . T R I O77 .D T-

L I G H T7 8 . F I N D E R7 9 . B O O K8 0 .M O B Y 1 - M O B Y 2 8 1 .N a R c I s O 8 2 . P R ê T- à - P O R T E R8 3 .

R O K U M a R U 8 4 .R a I N Y D a Y 8 5 . F R a M U R a / c H a I s E + P O U F 8 6 . F R a M U R a / D O N D O L O

87 . F R a M U R a / N I D O88 . F R a M U R a / L E T T I N O P R E N D I s O L E89 . L aV E N H a M O U T D O O R

2 9

6 0 6 u n i v e r s a l s h e l v i n g

s y s t e m

d e s i g n D i e t e r R a m s

1 9 8 4

1

2 8 B O O K c a s E s a N D c a B I N E T s |

“a b o o k c a s e s h o u l d

b e n e u t r a l , i t s l i fe c o m e s

f r o m t h e b o o k s i t c o n t a i n s ”.

a g a i n s t t h e w a l l o r a s

a r o o m d i v i d e r, t h e p r o j e c t

b y D i e t e r R a m s s t a r t s

w i t h t h i s p r e m i s e .

a f l u i d , e x t r e m e l y f l e x i b l e

p r o g r a m D e P a d o v a o f fe r s

e n t i r e l y i n n a t u r a l o r w h i t e

p a i n t e d a l u m i n i u m . L i g h t ,

l u m i n o u s , s c r a t c h p r o o f.

I n t h e h o m e , i t i s a b o o k c a s e ,

a s t o r a g e u n i t , a w a r d r o b e .

I n t h e o f f i c e i t c a n b e u s e d

fo r f i l e s , i n a s h o w r o o m

t o d i s p l a y o b j e c t s a n d

a c c e s s o r i e s . Yo u d o n ’ t

n o t i c e i t , b u t i t ’s t h e r e .

i n fo > 2 2 0

3 0 3 1B O O K c a s E s a N D c a B I N E T s |

3 2 3 33 3| B O O K c a s E s a N D c a B I N E T s

N o t j u s t a b o o k c a s e b u t

a t r u e , v e r s a t i l e s y s t e m ,

r e a d y fo r d i f fe r e n t u s e s .

T h e 6 0 6 U n i v e r s a l s h e l v i n g

s y s t e m b e c o m e s a w a r d r o b e

w i t h r o d s fo r h a n g i n g c l o t h i n g ,

c o m b i n e d w i t h s h e l v e s

a n d d r a w e r s . T h e m o d u l e s

w i t h s l i d i n g d o o r s a r e i d e a l

fo r b a r a r e a s i n t h e h o m e ,

w h i l e c D s a n d DV D s c a n b e

s t o r e d i n s p a c i o u s d r a w e r s .

3 5

k a n t

d e s i g n F o r m f ü r s o r g e

1 9 9 3

2


a s i n g l e p i e c e o f c u t ,

p e r fo r a t e d , fo l d e d

a n d p a i n t e d s h e e t m e t a l .

N o s c r a p . a n d a b o o k c a s e

c o l u m n i s r e a d y. W h i t e , e a s y,

o n i t s o w n o r i n g r o u p i n g s .

a s t o r a g e u n i t w i t h a n

i n d u s t r i a l t o n e , u n d e r s c o r e d

b y t h e h o l e s o f t h e fo l d s

a n d t h e r i v e t s t h a t h o l d

t h e s h e l v e s . I t i s i d e a l fo r

t h e l i v i n g r o o m o r b e d r o o m

fo r b o o k s . I n t h e k i t c h e n

i t c a n c o n t a i n j a r s a n d

s p i c e s , i n t h e b a t h t o w e l s

a n d p e r f u m e s . O r f i l e fo l d e r s ,

i n t h e o f f i c e .

i n fo > 2 2 0

3 6

t a n i m o t o

d e s i g n V i c o M a g i s t r e t t i

1 9 9 1

3

3 7| B O O K c a s E s a N D c a B I N E T s

a r m c h a i rl é g è r e

> 6 8

Japanese de l i cac y fo r

a se l f-suppor t ing modular

bookcase , fo r inf in i te

and a lso corner conf igurat ions .

a few s imple l ines g ive

fo rm to a t rue c lass i c

fo r the home or off i ce .

The st ructur e , in oak o r beech ,

i s b r ightened by the i vor y

co lour of the d iv iders

and she lves .

The s lender interna l par ts

can be ad justed for storage

of books of d i f fe r ent s izes .

info > 221

3 9

4

3 8

s h i g e t o


1 9 8 9

B O O K c a s E s a N D c a B I N E T s |

Oak and c lean forms in an

interpr etat ion of a t rad i t iona l

i tem, with over tones

of zen min imal ism.

To stor e c r ysta l and ch ina ,

sh igeto i s a modern , sk i l l fu l l y

const ructed cupboard , so l id

yet v isua l l y l ight . Beaut i fu l

when c losed , w i th i ts so l id

wood st ructur e , gorgeous

when open, w ith i ts she lves

and d iv iders e xposed . a lso

for use as a d isp lay cab inet .

i n fo > 2 2 1

4 0

5c r é d e n c e

d e s i g n x a v i e r L u s t

2 0 0 3

4 1| B O O K c a s E s a N D c a B I N E T s

shiny, l i ke a rac ing car,

w i th cur ved l ines that appea l

to the sense of touch .

Pur e tact i le and v isua l

p leasur e combined .

Furn i tur e -scu lptur e generated

by the sk i l l o f c raftsmen

in the shap ing of meta l .

The cab inet of the futur e ,

in a l imited , s igned

and number ed ed i t ion .

a work of a r t , ba lanced

bet ween indust r ia l des ign

and hand ic rafts .

i n fo > 2 2 1

s w i n g

d e s i g n M o r i t z E n g e l b r e c h t /

l e m o n g r a s

2 0 0 1

6

4 34 2 B O O K c a s E s a N D c a B I N E T s |

a big fami ly with a shared

feature : the “swing ”, or

the spec ia l bend in the doors .

This aesthet ic but a lso

funct ional s ign is a handle .

a system of containers

or wardrobes, independent

or in composit ions,

swing is des igned for both

the home and the off ice .

P layful , with i ts tones of

orange, lemongrass, china

red and terracotta red.

ser ious, in shades of white ,

gray, s i lver and earth beige ,

a l l with a part icu lar matt

s i lk f in ish. swing comes

with e ither s lender shiny

a luminium runners or a

lacquered base or wheels .

i n fo > 2 2 2

4 4 4 5| B O O K c a s E s a N D c a B I N E T s

s w i n g i s e x t r e m e l y

a d a p t a b l e : i n t h e d i n i n g a r e a

t h e l o n g l o w c a b i n e t o f fe r s

a h e l p f u l s u r fa c e fo r d i s h e s ,

g l a s s e s a n d f l a t w a r e .

t a B l eB e y l e

> 1 1 8

c h a i rp o l l a c k

> 1 5 5

4 74 6 B O O K c a s E s a N D c a B I N E T s |

4 9

r e f l e X s e c r é t a i r e


1 9 9 2

7

4 8

r e f l e X


1 9 9 0

8

c h a i rf l o w e r > 1 4 9

B O O K c a s E s a N D c a B I N E T s |

T h e s e c r é t a i r e c a n b e

r e i n v e n t e d . T h i s c a b i n e t

o f a n t i q u e o v e r t o n e s

b e c o m e s a m o d e r n c o n t a i n e r

t h a n k s t o i t s e s s e n t i a l l i n e s ,

w h e e l s a n d c o m b i n a t i o n s

o f d i f fe r e n t m a t e r i a l s .

T h e s a t i n -f i n i s h a l u m i n i u m

i n t e r a c t s w i t h c h e r r y

o r o a k i n t h e v a n i s h i n g

r o l l -t o p a n d t h e s l i d i n g

d e s k t o p , a p r a c t i c a l p l a c e

t o w r i t e n o t e s o r e - m a i l .

L i k e a j e w e l r y b o x ,

i t i s e q u i p p e d w i t h a l o c k .

i n fo > 2 2 3

L u m i n o u s , t h a n k s t o t h e

a l u m i n i u m . Wa r m , t h a n k s

t o t h e w o o d i n d i f fe r e n t t o n e s

o f o a k , c h e r r y o r w e n g e s t a i n .

P r a c t i c a l , o n w h e e l s , fo r u s e

i n t h e h o m e o r t h e o f f i c e

b e s i d e a d e s k .

T h e t o p i s d e e p , o f fe r i n g

s p a c e fo r a p r i n t e r o r a fa x

m a c h i n e . T h e l o c k s o n

t h e d r a w e r s p r o t e c t e v e n

t h e m o s t p r i v a t e d o c u m e n t s .

B u t i t c a n a l s o b e u s e d

i n t h e b e d r o o m : t h e s p a c i o u s

d r a w e r s c a n c o n t a i n l i n g e r i e ,

w h i l e b e s i d e t h e b e d i t m a k e s

a n a t t r a c t i v e n i g h t s t a n d .

i n fo > 2 24

5 1

s h i n e c o n t e n i t o r i


1 9 9 5

L I B R E R I E E c O N T E N I T O R I | r e f l e X s e c r e t a i r e | i n f o > 1 3 5

9


I n t h e l i v i n g r o o m ,

fo r d i s h e s a n d g l a s s e s ,

o r fo r a c o l l e c t i o n o f f i l m s .

I n t h e o f f i c e , fo r d o c u m e n t s

t o b e k e p t u n d e r l o c k

a n d k e y. a v e r s a t i l e c a b i n e t

w i t h d o o r s a n d d r a w e r s ,

a r o o m y b u t d i s c r e e t p r e s e n c e .

T h e s a t i n -f i n i s h a l u m i n i u m

i s c o m b i n e d w i t h a s t r u c t u r e

i n w o o d , a d d i n g l u s t e r. s h i n e

t a k e s t h e n a m e o f t h e t a b l e

d e s i g n e d b y V i c o M a g i s t r e t t i ,

w i t h w h i c h i t fo r m s a p e r fe c t

p a i r. But i t a lso works we l l in

any conte xt . In the d in ing room,

i t can be used as a ser v i ce un i t .

i n fo > 2 24

10

5 2 5 3

t o o l s

d e s i g n st u d i o ce r r i

& a s s o c i a t i

2 0 0 1

| B O O K c a s E s a N D c a B I N E T s

a s y s t e m o f s t o r a g e a n d

d r a w e r u n i t s , fo r f r e e

c o m p o s i t i o n s . To o l s c a n b e

a l o w o r h i g h c a b i n e t , a g a i n s t

t h e w a l l o r a s a s p a c e d i v i d e r.

I t s c l e a n fo r m s a n d t o t a l

w h i t e n e s s m a k e i t e s s e n t i a l .

T h e p o l i s h e d a l u m i n i u m

h a n d l e s s t a n d o u t a g a i n s t

t h e p a i n t e d s t e e l . P r a c t i c a l ,

a p l a c e fo r e v e r y d a y o b j e c t s ,

i t i s p e r fe c t fo r b o t h

t h e h o m e a n d t h e o f f i c e .

s m a l l d e s i g n t o u c h e s ,

l i k e t h e w h e e l s a n d t h e l o c k s ,

m a k e t h e d r a w e r u n i t i d e a l

fo r u s e b e s i d e a d e s k .

i n fo > 2 24

B a s k e t


2 0 0 4

11

5 4 5 55 5a R M c H a I R s a N D s O Fa s |

T h i s o n e g e t s n o t i c e d .

I n s p i r e d b y s c a n d i n a v i a n

d e s i g n , w i t h c u r v e d , g r a p h i c

l i n e s fo r t h e e n v e l o p i n g

b a c k a n d a r m r e s t s .

T h e B a s k e t a r m c h a i r h a s

e n o u g h p e r s o n a l i t y

t o b e s t r i k i n g o n i t s o w n .

I t c o m p l e t e s a c o n v e r s a t i o n

z o n e i n t h e l i v i n g a r e a ,

o r o f fe r s a c o m fo r t a b l e e x t r a

s e a t i n t h e b e d r o o m .

B o r n t o t r a n s fo r m , i n fa b r i c

o r l e a t h e r, i t c h a n g e s i t s

m o o d d e p e n d i n g o n t h e b a s e :

f i x e d , fo r q u i e t m o m e n t s a t

h o m e , s w i v e l i n g fo r d y n a m i c

d a y s i n t h e o f f i c e , r o c k i n g

fo r a b i t o f g o o d c h e e r, j u s t

a b o u t a n y w h e r e .

i n fo > 2 2 5

5 6 5 7

l o u i s i a n a

d e s i g n V i c o M a g i s t r e t t i /

ce n t r o D e s i g n B i n fa r é

1 9 9 3

12

| a R M c H a I R s a N D s O Fa s

B o o k c a s e6 0 6 u n i v e r s a l

s h e lv i n g s y s t e m> 2 9

a n a r m c h a i r t h a t c o m e s

f r o m a s a d d l e . a m a s t e r p i e c e

o f c r a f t s m a n s h i p , t o t o u c h ,

fo l l o w i n g t h e s t i t c h e s .

T h e f i n g e r s c a r e s s t h e h a n d -

f i n i s h e d c o w h i d e .

T h e a r t f u l l y r o u n d e d c u r v e s

g a i n b e a u t y o v e r t i m e ,

a s t h e l e a t h e r a g e s w i t h u s e .

W h e n y o u s t r e t c h o u t

y o u r l e g s o n t h e p o u f,

t h e a t m o s p h e r e s h i f t s

t o s e r i o u s r e l a x a t i o n .

T h e s u p p o r t s t r u c t u r e

e n c l o s e s a s o f t , p a d d e d

h e a r t . D e t a i l s , l i k e t h e c o t t o n

r i b b o n fo r t h e e d g e s

o f t h e r e m o v a b l e i n n e r

c o v e r, r e v e a l a v e r y

B r i t i s h e l e g a n c e .

i n fo > 2 2 5

5 9

c l u B


1 9 9 8

13

5 8 a R M c H a I R s a N D s O Fa s |

c l a s s i c a n d r e a s s u r i n g ,

i t ’s t h e a r m c h a i r w e a l l

h a v e i n o u r i m a g e - b a n k .

a p r o t a g o n i s t i n t h e l i v i n g

r o o m , c l u b i s i d e a l

fo r l o n g b o u t s o f r e a d i n g

o r i n t e n s e c o n v e r s a t i o n .

T h e d e e p , s o f t s e a t w i t h

g o o s e d o w n f i l l e r m a k e s

i t v e r y c o m fo r t a b l e .

T h e s m o o t h c u r v e s o f

t h e a r m r e s t s a n d b a c k

s h a v e t h e t i m e l e s s l i n e s

o f p i e c e s t h a t g e t p a s s e d

d o w n f r o m o n e g e n e r a t i o n

t o t h e n e x t . a n t i q u e c o m fo r t

w i t h s o m e t h i n g m o r e : t h e

b r u s h e d a l u m i n i u m fo o t r e s t s

a d d a m o d e r n t o u c h .

i n fo > 2 2 6

14

6 16 16 06 0

c h a i rl a v e n h a m e X e c u t i v e > 1 4 2

a R M c H a I R s a N D s O Fa s |

T h r e e i n o n e . a r m c h a i r,

c h a i s e l o n g u e a n d b e d .

M u l t i p l e f u n c t i o n s m a d e

p o s s i b l e b y c h a n g i n g

t h e p o s i t i o n o f t h e d i f fe r e n t

p a r t s o f t h e f r a m e .

F o r a n u n e x p e c t e d g u e s t .

F o r a p a u s e t h a t t u r n s i n t o

a n a p . O n e g e s t u r e a n d v o i l à ,

Ta t t o m i o p e n s .

O r fo l d s b a c k u p . M i n i m a l

l i n e s o f J a p a n e s e i n s p i r a t i o n ,

b e c a u s e i t s t a y s c l o s e

t o t h e f l o o r, a n e s s e n t i a l

p r e s e n c e . co m fo r t a b l e w h e n

y o u ’ r e a l o n e , t o w a t c h a g o o d

f i l m . I n t h e d o u b l e v e r s i o n

i t ’s e v e n m o r e c o m fo r t a b l e ,

fo r c o u p l e s o r j u s t f r i e n d s .

i n fo > 2 2 6

t a t t o m i

d e s i g n J a n a r m g a r d t

a n d I n g o M a u r e r

1 9 8 5

6 2

s p r i n g l o w

d e s i g n D a m i a n W i l l i a m s o n

2 0 0 7

15

6 3| a R M c H a I R s a N D s O Fa s

B o o k c a s ek a n t

> 3 5

s m a l l t a B l et r i o > 1 7 2

L i g h t a n d f l e x i b l e .

s p r i n g , i n t h e s e n s e

o f a f l e x i n g s u p p o r t .

T h e c a n t i l e v e r e d a r m r e s t ,

s e p a r a t e f r o m t h e b a c k ,

a d d s e l a s t i c i t y t h a t

a c c o m p a n i e s t h e m o v e m e n t

o f t h e s e a t e d b o d y.

a c o m fo r t a b l e a r m c h a i r

fo r c o n v e r s a t i o n i n t h e l i v i n g

a r e a , o r t o c o m p l e t e

t h e d e c o r o f t h e b e d r o o m .

M a d e w i t h s o l i d a s h

i n n a t u r a l , w h i t e - s t a i n e d

o r w e n g e - s t a i n e d f i n i s h ,

w i t h a w o o d e n s e a t ,

o r p a d d e d a n d c o v e r e d w i t h

l e a t h e r. T h e s l e n d e r p a d d i n g

i s s u r p r i s i n g l y s o f t a n d

c o m fo r t a b l e , b e c a u s e i t i s

r e c e s s e d i n t h e s t r u c t u r e

o f t h e f r a m e . a l i t t l e t r i c k .

i n fo > 2 2 6

6 5

16s u s a n n a


1 9 9 0

6 4 a R M c H a I R s a N D s O Fa s |

a woman’s name for a minute ,

g racefu l a rmcha i r. D isc r eet

and compact , just c lass i c

enough, susanna i s per fect

fo r d i f fe r ent env i ronments ,

wher e space i s at a p r emium

but comfor t i s a lso a must .

I t works in the bedroom,

fo r r ead ing, o r in the l i v ing

a r ea , ne xt to the sofa .

cover ed in white den im or

other fabr i cs , w i th complete ly

r emovab le covers , i t has

a f r esh look of youthfu l candor.

info > 226

6 6

17


t o n d o 0 5


w i t h B i r g i t Lo h m a n n

2 0 0 2 / 2 0 0 5

a h i g h b a c k . a c o m fo r t a b l e

h e a d r e s t . T h e c o n t e m p o r a r y

i n t e r p r e t a t i o n o f t h e c l a s s i c

b e r g è r e i s c o m p a c t , w i t h

a s i m p l e d e s i g n a n d a l i g h t

p r e s e n c e . Tw o c u r v e d l i n e s

fo r m t h e a r m r e s t s a n d s i d e s ,

l i k e a p r o t e c t i v e s h e l l .

a p l a c e fo r r e a d i n g t h a t

i s a l s o a b i t o f a r e f u g e ,

fo r m a x i m u m c o m fo r t :

i n t h e q u i e t e s t c o r n e r

o f t h e l i v i n g r o o m , o r i n

t h e b e d r o o m . a l o n e a t l a s t ,

i n y o u r To n d o.

i n fo > 2 2 7

6 9

18l é g è r e / l é g e r

d e s i g n P a t r i c i a U r q u i o l a

2 0 0 7

6 8 | a R M c H a I R s a N D s O F a s

s i s t e r a n d b r o t h e r, w i t h

a s h a r e d fe a t u r e : t h e l o w

b a c k t h a t fo l d s t o fo r m

a c o m fo r t a b l e s u p p o r t .

Lé g è r e i s t h e a r m c h a i r,

Lé g e r t h e s o fa . B o t h h a v e

t h e s a m e b a s e , i n c h r o m e -

p l a t e d o r p a i n t e d m e t a l ,

w i t h s q u a r e d l i n e s .

a n d b o t h w e a r t h e s a m e

c l o t h i n g : t h e c o v e r i n g

i n fa b r i c o r l e a t h e r i s e a s y

t o r e m o v e t h a n k s t o a z i p p e r.

a c o m fo r t a b l e g a r m e n t ,

w i t h c o t t o n b o r d e r t r i m , a l s o

a v a i l a b l e i n a c o n t r a s t i n g

s h a d e .

i n fo > 2 2 7

19B e r g è r e + p o u f


2 0 0 7

7 17 0 a R M c H a I R s a N D s O Fa s |

a h igh-back r ead ing a rmcha i r,

based on t rad i t iona l fo rms,

but with an updated look .

Bergèr e has a c lass i c a i r

but a modern character.

The squar ed base in chrome -

p lated or pa inted meta l has

a surpr is ing rock ing movement :

the dua l ang le of the seat

offers t wo pos i t ions , fo r

conversat ion o r r e la xat ion .

The cover ing in fabr ic

or leather, with cotton border

t r im, a lso in a contrast ing

shade, can be removed thanks

to a z ipper. L itt le touches

that make this p iece unique .

The pouf is perfect for

stretching out one’s legs,

in a state of complete

re la xat ion.

i n fo > 2 2 7

7 2 7 3

B e r g e r


2 0 0 7

20


s m a l l t a B l et e t r i s

> 1 6 5

an e legant sofa with a wide ,

fu l l back . For decorous

seat ing and conversat ion ,

sh ie lded f rom pr y ing eyes .

Berger has bygone charm,

but in a contemporar y way.

The fabr i c o r leather cover

w ith cotton border t r im,

a lso in a contrast ing co lour,

i s easy to r emove for c lean ing

thanks to the z ipper.

The feet a r e in chrome -p lated

or pa inted meta l .

a st r ik ing cho ice .

i n fo > 2 2 8

7 5

21a s s u a n


2 0 0 0

74 a R M c H a I R s a N D s O Fa s |

a r m c h a i rB a s k e t > 5 5

E s s e n t i a l a n d m o d e r n ,

fo u n d w h e r e v e r g o o d d e s i g n

i s a p p r e c i a t e d . a fe w c l e a r

l i n e s fo r t h e c o n t o u r s .

co v e r e d i n fa b r i c , t h e s e a t

i s s m o o t h a n d a l w a y s i n

o r d e r. F r o m m o r n i n g t o n i g h t ,

n o m a t t e r w h o s i t s t h e r e ,

a s s u a n i s a l w a y s i m p e c c a b l e .

B e s i d e s t h e s o fa , t h e fa m i l y

a l s o i n c l u d e s a n e x t r a - l a r g e

a r m c h a i r a n d a p o u f.

a l l o f t h e m h a v e s l e n d e r

p o l i s h e d a l u m i n i u m fe e t .

i n fo > 2 2 8

7 6 7 7

22a t a l a n t e

d e s i g n J a s p e r M o r r i s o n

2 0 0 9


M i n i m a l i s t c o m p o s u r e ,

b u t w i t h i n f i n i t e s o l u t i o n s .

at a l a n t e i s t h e m o s t f l e x i b l e

o f s o fa s : l i n e a r a n d c o r n e r

m o d u l e s i n d i f fe r e n t s i z e s ,

fo r f r e e c o m b i n a t i o n s .

Ea s y t o a s s e m b l y

a n d r e a r r a n g e i n d i f fe r e n t

c o n f i g u r a t i o n s , w i t h e a s i l y

r e m o v a b l e c o v e r s .

a c o m p o n e n t s y s t e m i n s t e p

w i t h t h e t i m e s , i n c l u d i n g

m o d u l e s w i t h o u t b a c k s ,

a l o w t a b l e a n d t w o p o u fs .

T h e d e e p s e a t a n d

h a r m o n i o u s l i n e s g i v e i t

d i s c r e e t c h a r a c t e r, w i t h g r e a t

c a p a c i t y fo r a d a p t a t i o n .

i n fo > 2 2 8

7 97 8 | a R M c H a I R s a N D s O Fa s

8 0

s u i t e

2 0 0 8

23


B o o k c a s et o o l s

> 5 2

s m a l l t a B l et e t r i s

> 1 6 5

F o u r v o l u m e s a d m i r a b l y

i n t e r l o c k e d . I t s b u l k

i s r e d u c e d t o a m i n i m u m .

I d e a l w h e r e s p a c e

i s a t a p r e m i u m .

s u i t e h a s a s e a t t h a t

i s n o t v e r y d e e p ,

a n d c a n b e p o s i t i o n e d

a g a i n s t t h e w a l l , b e c a u s e

t h e b a c k i s s t r a i g h t ,

w i t h t h e s a m e h e i g h t

a s t h e a r m r e s t .

i n fo > 2 3 0

8 2 P O LT R O N E | h o v e r c r a f t | i n f o > 1 3 5

h o v e r c r a f t


1 9 9 6

24


s m a l l t a B l ec a m p o a r a t o

> 1 6 5

s i m p l e , c l e a n l i n e s , b a s e d

o n t h e r o u n d s h a p e s

o f a m p h i b i o u s v e h i c l e s .

a r e s e r v e d p r e s e n c e .

N e u t r a l a n d v e r s a t i l e ,

s u i t a b l e fo r a n y s p a c e .

s o f t l y s q u a r e d , w i t h c l a s s i c

o v e r t o n e s , b u t a l w a y s u p

t o d a t e . T h e d e e p , s o f t

g o o s e d o w n s e a t m a k e s

i t v e r y c o m fo r t a b l e .

i n fo > 2 3 0

8 4 8 5

25p i l l o w


2 0 0 4


I n fo r m a l a n d n o n c h a l a n t .

P i l l o w h a s l o t s o f c u s h i o n s

c o v e r e d w i t h c o o l fa b r i c s ,

l i k e p i l l o w s t o s h a p e

a n d a d j u s t , a n d a s o f t

g o o s e d o w n c o r e . a p e r fe c t

s o fa fo r c o n v e r s a t i o n :

t h e s i d e s , h i g h a n d s l i m ,

l i k e t h e b a c k , w r a p

t h e s c e n e a n d fo r m

a s p a c e o f i n t i m a c y.

W i t h l i m i t e d b u l k ,

i t c o n s e r v e s i t s e t h e r e a l

a i r i n t h e c o m p o n e n t

v e r s i o n a s w e l l .

i n fo > 2 3 0

8 6 8 7| a R M c H a I R s a N D s O Fa s

26

8 8 8 9

s q u a r e

2 0 0 4

a R M c H a I R s a N D s O Fa s |

a r i g o r o u s , c l e a r, s q u a r e d

s i l h o u e t t e , s o f t e n e d

b y d o w n c u s h i o n s .

s q u a r e h a s h a r m o n i o u s

p r o p o r t i o n s .

T h e s l e n d e r s t e e l fe e t

a r e a r e m i n d e r o f t h e s i x t i e s .

a s o p h i s t i c a t e d s o fa ,

b o t h i n t h e v e r s i o n w i t h

r e m o v a b l e fa b r i c c o v e r i n g

a n d t h e l e a t h e r m o d e l .

T h e c o m fo r t a b l e s e a t s h o w s

a l l i t s p o t e n t i a l i n t h e

c o m b i n a t i o n s o f c o m p o n e n t s ,

i n c l u d i n g a c h a i s e l o n g u e

e l e m e n t .

i n fo > 2 3 1

9 0

27

9 19 1| a R M c H a I R s a N D s O F a s

z i p !


w i t h B i r g i t Lo h m a n n

2 0 0 3

O n e z i p a n d t h e j o b ’s d o n e …

t h e c o v e r i s r e m o v e d

i n t h e b l i n k o f a n e y e .

a b r i l l i a n t s o fa s o l u t i o n

fo r e a s y, q u i c k m a i n t e n a n c e .

T h e c o v e r i s m a d e w i t h fo u r

p i e c e s . a z i p p e r j o i n s t h e m

a n d b e c o m e s a d e c o r a t i v e

fe a t u r e . T h e s e a t i s n o t t o o

d e e p , b u t v e r y c o m fo r t a b l e .

T h e a r m r e s t s a n d b a c k h a v e

t h e s a m e h e i g h t .

T h a n k s t o i t s c o m p a c t s i z e

a n d s i m p l e fo r m , i d e a l

fo r y o u n g , i n fo r m a l s e t t i n g s .

i n fo > 2 3 2

| x x x x x x

t u a r e g


1 9 9 4

9 2 9 3

28


L i k e d e s e r t s a n d , t h e s e a t

h a s t h e g e n t l e c u r v e s

o f d u n e s . T h e s l e n d e r,

p r o f i l e d b a c k h i n t s

a t a n a r c h . T h e e l e g a n t ,

e s s e n t i a l l i n e s o f Tu a r e g

w e r e d r a w n b y a m a s t e r,

V i c o M a g i s t r e t t i .

H i s u n i q u e t o u c h c a n b e s e e n

i n t h e d e t a i l s : t h e v e r t i c a l

o p e n i n g a t t h e c o r n e r,

t h e s c a t t e r e d c u s h i o n s .

a s o fa w i t h c h a r a c t e r, a l s o

v e r y a p p e a l i n g i n c o r n e r

c o m p o s i t i o n s .

i n fo > 2 3 2

29p a l e s t r o


1 9 9 8

9 59 4 | a R M c H a I R s a N D s O F a s

T h e n a m e i s a t r i b u t e

t o M i l a n , a n d i n a w a y i t

r e s e m b l e s t h a t c i t y.

s o b e r, c o n c r e t e , c o m fo r t a b l e ,

w i t h j u s t o n e c o n c e s s i o n t o

c h a r m : t h e fo l d a t t h e c o r n e r

o f t h e c u s h i o n . a n i m p o r t a n t

d e t a i l , a s o r t o f s i g n a t u r e .

P a l e s t r o i s e l e g a n t , l i k e

t h e s t r e e t fo r w h i c h i t i s

n a m e d , b o r d e r i n g t h e P u b l i c

G a r d e n s . I n t h e l i v i n g r o o m ,

a m i d s t b o o k s a n d p a i n t i n g s ,

i t i s t h e p e r fe c t s o fa fo r

c h a t t i n g a b o u t a n e x h i b i t i o n ,

o r r e a d i n g t h e p a p e r.

i n fo > 2 3 3

9 6

c h e s t e r f i e l d 0 4

1 9 8 3 / 2 0 0 4

30

9 7

31p o u f c a p i t o n n é

2 0 0 4


B o o k c a s e6 0 6 u n i v e r s a l

s h e lv i n g s y s t e m> 2 9

The c lass ic Engl ish c lub sofa,

rev is ited. Updated in terms

of forms and proport ions,

s lender, with l ighter st itching.

In fabr ic or leather,

the capitonné work adds

rhy thm to the cover ing

only on the back and armrests ,

whi le the seat is a s ingle ,

soft cushion. Rel iable

comfort , outstanding image.

i n fo > 2 3 3

Big or b iggest , a pouf

that p lays a leading ro le .

In the l iv ing room it becomes

a centra l is land, for art books

and trays. In f ront of the sofa,

i t welcomes outstretched

legs, or offers a seat for one

more guest . a prec ious square

e lement , covered in soft

leather.The capitonné work

is done by hand.

To admire and to touch.

i n fo > 2 3 3

9 9

32r a f f l e s


1 9 8 8

9 89 8 a R M c H a I R s a N D s O Fa s |

F o r a b o o k y o u c a n ’ t p u t

d o w n , o r a l o n g n i g h t

o f c i n e m a . a s o fa - r e f u g e ,

fo r c o d d l i n g a n d c u d d l i n g .

T h e s e a t i s d e e p , t h e

l o w e r b a c k c u s h i o n s o f t ,

fo r e x c e p t i o n a l c o m fo r t .

R e l a x a t i o n p a r e x c e l l e n c e .

R a f f l e s h a s a n i n b o r n ,

t y p i c a l l y E n g l i s h e l e g a n c e ,

w i t h t h a t e x t r a t o u c h t h a t

c a n b e s e e n i n t h e s m a l l e s t

d e t a i l s , l i k e t h e f r o n t fe e t

i n t u r n e d w o o d , o n s m a l l

w h e e l s . s e a t e d o n g o o s e d o w n

c u s h i o n s , t h e r e ’s r o o m fo r

t h e w h o l e fa m i l y. O n c e y o u ’ r e

a l o n e , l y i n g d o w n i s a m u s t .

I m p o s s i b l e t o r e s i s t .

i n fo > 2 3 4

| x x x x x x

33r e g e n t ’ s

1 9 8 3

1 0 0 1 0 1| a R M c H a I R s a N D s O Fa s

T h e c l a s s i c , t i m e l e s s m o d e l ,

a s a l w a y s . D e P a d o v a

r e i n v e n t s t h e s o fa :

w i t h a r e m o v a b l e w h i t e

c o v e r, i t b e c o m e s c o o l

a n d l i g h t . a n e w l i fe .

a b i g h i t . G o o s e d o w n d o e s

t h e r e s t , f i l l i n g t h e c u s h i o n s

a n d h u g g i n g t h e b o d y

i n a s o f t e m b r a c e .

i n fo > 2 3 4

34t w i s t

d e s i g n Va l e r i a D e P a d o v a

2 0 0 6

1 0 2 1 0 3| a R M c H a I R s a N D s O Fa s

Live ly and l ight , w i th a Twist .

a s imple bed , idea l fo r young

coup les , o r a vacat ion house .

The st ructur e i s s imple ,

in s i l ve r-tone tub ing.

The headboard i s cover ed

with a weave of e last i c

be l t ing in éc ru mélange ,

o r sand- co lour ed cotton

be l t ing with saff ron edges .

The weave i s p leasant

to look at and touch , even

f rom beh ind , w i th the bed

at the center of the room.

i n fo > 2 3 4

35p i l g r i m


1 9 97

1 0 4 1 0 5B E D s |

Ve r y s i m p l e , b u t w i t h a n

a d d e d s i g n . T h e u p h o l s t e r e d

h e a d b o a r d fo r m s j u s t t h e

h i n t o f a n a r c h . a c o m m a ,

a b r e a t h , t o s i t b a c k i n

c o m fo r t , i m m e r s e d i n

r e a d i n g . P i l g r i m w o r k s w e l l

i n t h e m i d d l e o f t h e r o o m ,

fa r f r o m t h e w a l l s .

T h e a l u m i n i u m fe e t e n h a n c e

t h e e s s e n t i a l o v e r a l l f i g u r e .

i n fo > 2 3 5

1 0 6 L E T T I | a s s e m a n | i n f o > 1 3 5

36a s s e m a n

d e s i g n P a t r i z i a ca g l i a n i

1 9 8 4

1 0 7| B E D s

s m a l l t a B l es c r i t t a r e l l o

> 1 7 1

o u t d o o rf r a m u r a /

l e t t i n o p r e n d i s o l e

> 1 8 8

a c a n o p y b e d , u n d e r a w h i t e

c l o u d . R o m a n t i c , w i t h i t s

m o s q u i t o n e t o f d r a p e d

t u l l e ; m o d e r n , w i t h i t s w h i t e

c o t t o n t o p . T h e s t r u c t u r e

i n w h i t e t u b i n g fo r m s t h e

p e r i m e t e r, w i t h a l i g h t t o u c h .

i n fo > 2 3 5

x x x x x x |

37s l e e p i n g c a r


2 0 0 4

1 0 91 0 8 B E D s |

a b e d fo r r e a d i n g o n l a t e i n t o

t h e n i g h t . T h e c o m fo r t a b l e

h e a d b o a r d , h i g h a n d p a d d e d ,

s u p p o r t s t h e p i l l o w s .

I t i s a l a r g e , r e l i a b l e s u p p o r t .

s l i g h t l y r e c l i n e d , w i t h

a h o r i z o n t a l o p e n i n g t h a t

u n d e r l i n e s t h e b e n t fo r m .

a p r e c i s e g r a p h i c s i g n

o f p e r s o n a l i t y.

i n fo > 2 3 5

1 1 1

m a n t i s


2 0 0 8

38

1 1 0 Ta B L E s |

c h a i rl a v e n h a me X e c u t i v e> 1 4 2

“an object that f l ies , on four

legs ”. That ’s how Patr ic ia

Urquio la descr ibes Mantis ,

her “gent le table”. Gent le

l ike sheet metal , a mal leable

industr ia l mater ia l , bent to

create the form of the legs.

Jo ined to the centra l beam,

they make a backbone

for the s lender, tapered top,

l ike the wing of an a i rp lane .

Mantis is an impressive ,

long or ver y long table ,

to seat many people .

a synthesis of innovat ion

and craftsmanship, so l id ity

and l ightness, i t is perfect

for a large d in ing room

or for a board room.

i n fo > 2 3 6

1 1 31 1 2 | Ta B L E s

x x x x x x |

39

1 1 51 1 4 Ta B L E s |

c h a i r s i lv e r> 1 5 6

Ve r s a t i l e a n d d y n a m i c ,

ca m p o d ’o r o n e v e r c e a s e s

t o a m a z e . W h e n c l o s e d i t

i s s q u a r e , b u t w h e n o p e n

i t ’s a t a b l e i n a s t a t e o f

b e c o m i n g . T h r e e t r a p e z i u m

t o p s r o t a t e o n t w o h i n g e s

a n d t h e m a g i c h a p p e n s .

T h e f r e e l y p o s i t i o n e d t o p s

o p e n a n d c l o s e , i n d i f fe r e n t

c o m b i n a t i o n s .

F o r d i n i n g , w o r k , s t u d y.

F o r t w o, t h r e e o r m a n y

p e r s o n s , ca m p o d ’o r o b r e a k s

d o w n b a r r i e r s a n d a d a p t s

t o a l l n e e d s . I n f l u i d , o p e n

s p a c e s , fo r t o t a l l i v i n g

f l e x i b i l i t y. a c h o i c e o f g r e a t

h a r m o n y a n d g r e a t f r e e d o m .

i n fo > 2 3 6

c a m p o d ’ o r o

d e s i g n P a o l o P a l l u c c o

a n d M i r e i l l e R i v i e r

2 0 0 5

1 1 71 1 71 1 6 Ta B L E s |

40B e y l e


1 9 9 4

1 1 8 1 1 9| Ta B L E s

a table with minimal ,

apparent ly s imple l ines.

The sol id structure

in natura l or wenge-stained

oak is l ightened by a detai l ,

in the point of connect ion

to the base : a careful ly

c rafted inter lock

of the t r iangular leg.

Highly sk i l led workmanship,

for d in ing or work ing.

info > 237

1 2 1

41B l o s s o m


2 0 0 2

1 2 0 Ta B L E s |

c h a i r c i r e n e 0 3> 1 4 5

P o e t i c a n d l i g h t .

T h e l e g s o f B l o s s o m s e e m

t o b l o o m , l i k e f l o r a l c h a l i c e s .

T h e m a g i c o f c u r v e d p l y w o o d ,

a r t f u l l y s h a p e d .

a d i n i n g t a b l e w i t h a N o r d i c

b a c kg r o u n d , fo r h o m e s t h a t

a r e a l w a y s o p e n t o f r i e n d s .

N e v e r w i t h a t a b l e c l o t h ,

t h o u g h : f l o w e r s n e e d l i g h t .

i n fo > 2 3 7

1 2 2

t a v o l o ‘ 9 5

d e s i g n a c h i l l e ca s t i g l i o n i

1 9 9 5

42

1 2 3| Ta B L E s

c h a i ru r a g a n o

> 1 6 0

a t i m e l e s s t a b l e , f r o m

t h e c r e a t i v e b r i l l i a n c e

o f a c h i l l e ca s t i g l i o n i .

R e f i n e d d e t a i l s , l i k e

t h e h e l i c o i d a l p r o f i l e

o f t h e b o r d e r a n d p r e c i o u s

m a t e r i a l s m a k e i t s p e c i a l .

T h e t o p i n w h i t e a r a b e s q u e

m a r b l e f l o a t s l i g h t l y,

a s i f s u s p e n d e d o v e r

t h e b a s e . s l e n d e r h i d d e n

b r a c k e t s s u p p o r t i t

a n d g e n e r a t e t h i s p a r t i c u l a r

v i s u a l e f fe c t .

s o s o l i d , y e t s o e t h e r e a l .

T h e l e g s a r e s t u r d y, i n s o l i d

b e e c h , a n d n i c e l y s h a p e d .

i n fo > 2 3 7

43d i n n e r


2 0 0 4

1 2 51 24 | Ta B L E s

Enti re ly in wood, Dinner

has a d iscreet character

and a s l im f igure .

The top, of minimal th ickness,

a lso in an extensib le vers ion,

is attached to the base

at just a few points ,

as i f i t were f loat ing on a i r.

The structure , with a square

sect ion, is in natura l

or wenge-stained sol id oak.

The open-pore f in ish

br ings out the natura l

beauty of the mater ia l .

info > 238

1 2 7

v i d u n


1 9 8 7

44

1 2 6 Ta B L E s |

c h a i r s p r i n g> 1 5 9

In Mi lanese d ia lect i t means

a b ig screw: Vidun.

The screw, a smal l , useful

object , generated the idea

of the f i rst table in the

De Padova co l lect ion.

The b ig wooden screw

is a masterpiece of inter locks,

made in the f i rst prototype

by P ier lu ig i Ghianda,

the master cabinet maker.

In natura l or b lack beech,

or co loured in coordinated

tones: v io let with turquoise

and green, red with ye l low

and goose-bi l l . Theatr ica l ,

l ike a sculpture . The tempered

g lass top offers a v iew

of the base . “ I t is a lways

the conceptual detai l that

attracts people’s attent ion”,

V ico Magistrett i sa id .

info > 238

1 2 8

s h i n e


1 9 9 1

45

1 2 9| Ta B L E s

c h a i rc i r e n e

> 1 4 6

shiny l ike i ts base , in pol ished

a luminium. shine is the most

versat i le of tables . at home,

for d in ing and study, in the

off ice , as a prest ig ious desk

or for meet ing rooms.

Oval , rectangular or square ,

the top in white laminate

is jo ined by d ifferent types

of wood: amer ican cherr y,

natura l or wenge-stained oak.

The rounded sol id wood border

makes i t extremely l ight .

i n fo > 2 3 9

1 3 1c a s a | TaV O L I | n a r a | i n f o > 1 3 5

46n a r a


1 9 9 8

1 3 0 Ta B L E s |

c h a i r s i lv e r> 1 5 6

a d i n i n g t a b l e w i t h l i g h t

l i n e s . T h e s a t i n a l u m i n i u m

o f t h e b a s e i m p e r c e p t i b l y

s u p p o r t s t h e e x t r a - c l e a r

e t c h e d g l a s s t o p .

a s i f s u s p e n d e d , t h e t o p

f l o a t s l i g h t l y. N a r a c a n a l s o

b e e x t e n d e d , t w o w i n g s s l i d e

t o i n c r e a s e t h e s u r fa c e w i t h

a s i m p l e g e s t u r e .

i n fo > 2 3 9

1 3 2

47o t i s

d e s i g n Lo r e n z * Ka z

2 0 0 7 / 2 0 0 8

1 3 3| Ta B L E s

c a B i n e ts w i n g

> 4 3

c h a i rl a v e n h a m

> 1 5 2

F o r a t ê t e - à -t ê t e ,

o r a fo u r s o m e , fo r t e a .

O t i s i s a r o u n d t a b l e

fo r t h e s m a l l d i n i n g a r e a s

o r c a fe s . T h e b a s e i s i n

b e n t s h e e t m e t a l , l i k e o l d

i n d u s t r i a l s t o o l s . W i t h t h r e e

o r fo u r l e g s , d e p e n d i n g

o n t h e d i a m e t e r o f t h e t o p .

i n fo > 24 0

1 3 5TaV O L I | q u a d r a t o | i n f o > 1 3 5

48q u a d r a t o

1 9 8 6

1 3 4 Ta B L E s |

c h a i r f l o w e r> 1 4 9

G r a p h i c , m i n i m a l i s t ,

t h e e s s e n c e o f t h e t a b l e .

a t h i n w h i t e l i n e d e f i n e s

t h e b a s e i n p a i n t e d s t e e l .

T h e t o p r e v e a l s i t s l a y e r s

a l o n g t h e e d g e s : a d i s t i n c t i v e

q u a d r a t o t r a i t t h a t h a s

l e d t o m a n y i m i t a t i o n s .

s o s i m p l e i t b e c o m e s

s o p h i s t i c a t e d , s o N o r d i c

i n i t s fo r t h r i g h t s p i r i t .

a t a b l e fo r d i n i n g o r w o r k ,

a p l a c e t o p u t b o o k s a n d

s c u l p t u r e s . E x t r e m e l y

v e r s a t i l e , i t w o r k s w i t h a l l

t y p e s o f c h a i r s , i n a l l t y p e s

o f s p a c e s .

i n fo > 24 0

1 3 6

49t o o l s

des ign stud io cer r i & as soc iat i

2 0 0 2

1 3 7| Ta B L E s

c a B i n e t s t o o l s

> 5 2

c h a i s e s i lv e r

> 1 5 6

p i Ù s t o r a g e

a c c e s s o r i e s> 1 4 0

t o o l s +

design Lorenz*Kaz

2007

Even more pract ica l .

The Tools table gets outf itted

with a system of accessor ies

for people who study or work.

They increase the usable

surface without adding bulk .

i n fo > 241

M u c h m o r e t h a n j u s t a t a b l e .

To o l s i s r e a l l y a w o r k i n g

t o o l . F u n c t i o n a l q u a l i t y

a n d g o o d l o o k s c o m b i n e d

i n a fe w p a r t s . T h e s h i n y

c a s t a l u m i n i u m b a s e r e f l e c t s

t h e c l a s s i c l i n e s o f g r e a t

a m e r i c a n d e s i g n .

D e s i g n e d t o b e a s c o m p a c t

a s p o s s i b l e , i t c a n e a s i l y

b e f i t t e d w i t h a d r a w e r u n i t .

T h e t o p , i n w h i t e l a m i n a t e ,

h a s a t r a n s p a r e n t P Vc

b o r d e r t o r e s i s t i m p a c t .

I n t h e h o m e , fo r d i n i n g

o r fo r t h e s t u d y.

I n t h e o f f i c e , a s a d e s k .

i n fo > 24 0

| x x x x x x1 3 8 1 3 9| Ta B L E s

1 4 1

p i Ù

d e s i g n Lo r e n z * Ka z

2 0 0 2

50

1 4 0 1 4 1| Ta B L E s

Two t r est les and a top .

With someth ing mor e .

Idea l in the home for the

stud io zone or the ch i ldern’s

room, P iù i s a s imple tab le ,

but not bana l .

The r ectangular top , in white

laminate with a natura l

border o r temper ed g lass ,

r ests on tubu lar stee l

t r est les . K ids l i ke the sheet-

meta l f i l e box to hang on the

tab le’s edge : a conta iner w ith

compar tments fo r d ra wings ,

notepads and books .

i n fo > 241

1 4 2

l a v e n h a m e X e c u t i v e


2 0 1 0

51

1 4 31 4 3| c H a I R s

t a B l eq u a d r a t o

> 1 3 5

For d in ing and meet ing

tables , or behind a desk.

Lavenham Execut ive

repr ises the qui l ted pattern

on the back of the chassis

of the Lavenham chai r.

a versat i le , t ransformable

seat : nude, with a smal l

cushion, or covered with

a matelassé housse ,

put on or removed with

a s ingle gesture .

The base p lays with the

mater ia ls and f in ishes.

The legs are in oak-stained

ash wood, whi le the swivel

vers ion has a base in

a luminium, pol ished or with

white or b lack paint f in ish.

i n fo > 24 2

1 4 5

c i r e n e 0 3


2 0 0 3

52 53m a r o c c a


1 9 8 7

1 4 4 c H a I R s |

Based on c lass ic b istro

seat ing, but updated in terms

of co lours , proport ions

and detai ls . The beech

of the structure and the seat

is sta ined in a soft tea co lour,

or takes on graphic impact

in b lack lacquer. The s imple

image conceals c rafted detai ls

of great ref inement . also

in a vers ion with armrests ,

Marocca is the perfect chai r

for the d in ing table .

i n fo > 24 2

a d ist ingu ish ing graph ic

featur e : the t wist

of the a rmr est . a movement

of the wood, inv i t ing

to the touch . The ash wood

cur ves thanks to the effects

of steam. Workmansh ip

t yp ica l of Nord ic des ign ,

ent i r e ly f in ished by hand.

i n fo > 24 2

c i r e n e


1 9 9 9

54 55o l i m p i a

2 0 0 8

1 4 6 1 4 7| c H a I R s

Ve r s a t i l e a n d c o m fo r t a b l e ,

c i r e n e h a s a n a n a t o m i c a l

c h a s s i s i n c u r v e d b e e c h

a n d a s l e n d e r s t r u c t u r e i n

s h i n y p o l i s h e d c h r o m e d s t e e l .

W i t h o r w i t h o u t a r m r e s t s ,

i n f i x e d o r s w i v e l v e r s i o n s

w i t h w h e e l s , a l s o c o v e r e d

i n fa b r i c o r l e a t h e r.

I n a l l o f i t s m a n y v a r i a t i o n s ,

i t c o n s e r v e s a d i s t i n c t i v e

s e n s e o f e l e g a n c e .

i n fo > 24 3

a s t a c k a b l e s t o o l w i t h s i m p l e

l i n e s a n d a N o r d i c i m a g e ,

i d e a l fo r a n y t y p e o f s p a c e .

I n h i g h a n d l o w v e r s i o n s ,

w i t h a n a n a t o m i c a l w o o d e n

c h a s s i s . a l w a y s c o m fo r t a b l e ,

t h a n k s t o t h e b a c k s u p p o r t

a n d fo o t r e s t .

i n fo > 24 3

56

1 4 91 4 8 c H a I R s |

f l o w e r


w i t h P a t r i c i a U r q u i o l a

1 9 9 6

an upholstered armchair,

l ike the corol la of a f lower.

The armrests and back are

rounded petals. a comfortable

embrace in wel l-proportioned

and gentle forms. In f ixed

or swivel versions, covered

with fabric , Flower is perfect

in the home or off ice.

i n fo > 24 3

1 5 1

i n c i s a

d e s i g n V i c o M a g i s t r e t t i /

ce n t r o D e s i g n B i n fa r é

1 9 9 2

57

1 5 0 1 5 1| c H a I R s

t a B l ev i d u n

> 1 2 7

a swive l a rmcha i r w i th outer

cowhide cover, l i ke a sadd le .

Hand st i tch ing adorns

the back and s ides , fo rming

soft cur ves , p r ec ious to

the touch . The padded inner

cover ing, w i th cotton t r im,

can be r emoved thanks

to a z ipper. With a desk ,

at home or in the off i ce ,

a g r eat image f rom a l l ang les .

i n fo > 24 4

1 5 2

l a v e n h a m


2 0 0 8

58

1 5 3| c H a I R s

Ver y g lossy b lack or white .

Eye catching. The matelassé

motif moulded on the chassis

is i ts d ist inct ive feature .

Lavenham gets i ts name

from the Engl ish town,

the home of d iamond-qui l ted

fabr ic . With or without

armrests , stackable ,

with a s lender steel structure

that enhances the design.

a qui l ted pattern to touch,

for a ver y mater ic chai r.

i n fo > 24 4

1 5 4 1 5 5

p o l l a c k i i


1 9 9 9

59

60

p o l l a c k


1 9 9 8

1 5 4 c H a I R s |

B o o k c a s e6 0 6 u n i v e r s a l s h e lv i n g s y s t e m> 2 9

U p h o l s t e r e d c h a i r

a n d a r m c h a i r. E x t r e m e l y

c o m fo r t a b l e , t h a n k s t o

t h e f l e x i b l e b a c k , i d e a l

fo r d i n i n g , e v e n w h e n

t h e m e a l l a s t s t o o l o n g .

P e r fe c t w i t h a n y t a b l e ,

t h e s i m p l e l i n e s a l l o w fo r

d r a m a t i c t r a n s fo r m a t i o n s :

l e g s i n a l u m i n i u m o r w o o d ,

r e m o v a b l e fa b r i c c o v e r s ,

o r f i x e d l e a t h e r c o v e r i n g .

P o l l a c k I I c a n a l s o w e a r

a l o n g h e m l i n e , fo r fo r m a l

o c c a s i o n s .

i n fo > 24 4 a n d 24 5

1 5 6

s i l v e r


1 9 8 9

61

1 5 7| c H a I R s

F ixed , swive l , w i th

o r w ithout a rmr ests ,

fo r indoor and outdoor use ,

a lso in stackab le vers ion :

s i l ve r i s 20 years o ld now,

but st i l l l ooks b rand new.

V ico Magist r ett i based

i ts des ign on the propor t ions

of the legendar y Thonet cha i r,

fo r a seat in po lypropy lene

and a lumin ium that

i s comfor tab le , l ight ,

ve rsat i le and sturdy.

around the d in ing tab le

o r in the stud io, i t adapts

to any env i ronment .

s i l ve r : a new c lass i c .

i n fo > 24 5

1 5 9

s p r i n g

d e s i g n D a m i a n W i l l i a m s o n

2 0 0 6

62

1 5 8 c H a I R s |

s m a l l t a B l es c r i t t a r e l l o> 1 7 1

a l i g h t , e s s e n t i a l , v e r y N o r d i c

s t a c k a b l e c h a i r. I n s o l i d a s h

w o o d , w i t h i n c i s i o n s o n t h e

b a c k t o t a k e a d v a n t a g e o f

t h e n a t u r a l e l a s t i c i t y o f t h e

m a t e r i a l . T h e v e r y f l e x i b l e

b a c k m a k e s t h e c h a i r e v e n

m o r e c o m fo r t a b l e .

i n fo > 24 6

1 6 0

u r a g a n o


1 9 9 2

63

1 6 1| c H a I R s

a modern des ign ,

but with a h int of r et ro.

Uragano i s based on the

c lass i c bamboo armcha i r,

r eworked for today ’s homes.

The st ructur e i s in wood,

whi le the cur ved wicker

p ieces of the seat and

s ides a r e c rafted by hand.

On the verandah,

in the winter garden ,

a round a d in ing tab le ,

o r f i t ted with a cush ion

for a f r iend ly conversat ion .

i n fo > 24 6

1 6 3

s u n d a n c e

d e s i g n P a o l o G o l i n e l l i

2 0 1 0

64

1 6 2 c H a I R s |

F o l d i n g , l i g h t , h a n d y.

T h e d i r e c t o r ’s c h a i r,

i n a n e w i n t e r p r e t a t i o n ,

b e c o m e s a c o m fo r t a b l e s e a t

w i t h p a d d e d a r m r e s t s .

T h e h i n g e , w i t h i t s i n d u s t r i a l

l o o k , i s b a s e d o n c a m p c o t s .

I d e a l fo r o u t d o o r u s e ,

i n t h e g a r d e n o r o n t h e p a t i o ,

b u t a l s o i n t h e h o u s e , t o s e a t

a n u n e x p e c t e d d i n n e r g u e s t .

i n fo > 24 6t a B l ed i n n e r> 1 24

1 6 5TaV O L I N I | q u a d r a t o e s p o s i t o r e | i n f o > 1 3 5

q u a d r a t o

e s p o s i t o r e

1 9 9 6

67t e t r i s

d e s i g n N e n d o

2 0 0 7

66c a m p o a r a t o

d e s i g n P a o l o P a l l u c c o

2 0 0 8

65

1 6 4 a c c E s s O R I E s |

s e e n f r o m a b o v e i t i s l i k e

t h e c o u n t r y s i d e , w i t h i t s

g e o m e t r i c p a t t e r n s o f f i e l d s

a n d p l o w e d f u r r o w s .

T h e t h r e e t r a p e z o i d a l p a r t s ,

j o i n e d b y h i n g e s , o p e n a n d

c l o s e t o c h a n g e t h e t a b l e ’s

fo r m . s o l i d , i n o a k a n d a s h

h a r d w o o d , w i t h a t r i a n g u l a r-

s e c t i o n m i l l e d s u r fa c e .

i n fo > 24 7

O p e n a n d c l o s e d s e g m e n t s ,

l i k e a c h e s s b o a r d . Te t r i s .

F r o m t h e n a m e o f a g a m e ,

a l o w t a b l e . T h e u p p e r

s u r fa c e s a r e c a n t i l e v e r e d ,

a s i f s u s p e n d e d i n m i d - a i r

a t t h e c e n t e r.

The empty spaces for storage

compartments, for magazines,

books, or a p lant .

i n fo > 24 7

I n f r o n t o f t h e s o fa ,

fo r b o o k s a n d m a g a z i n e s .

I t ’s a l o w t a b l e w i t h

a n e x t r a s h e l f. a l l w h i t e ,

w i t h t e m p e r e d g l a s s t o p .

a c l a s s i c i s a l w a y s

t h e r i g h t c h o i c e .

i n fo > 24 7

1 6 7TaV O L I N I | s a t u r n o | i n f o > 1 3 5

s a t u r n o

d e s i g n D ’ U r b i n o – Lo m a z z i

2 0 0 8

68s w i s s

d e s i g n M i r t o zo c c a

2 0 0 3

70d a n

1 9 9 2

69

1 6 6 a c c E s s O R I E s |

L i k e a p l a n e t w i t h i t s

s a t e l l i t e s . s a t u r n o h a s t w o

s t a g g e r e d c i r c u l a r t o p s

o f d i f fe r e n t s i z e s .

Ea c h t o p r o t a t e s a n d t h e y

b o t h r o t a t e t o g e t h e r, a r o u n d

a c e n t r a l a x i s . N e a r a c h a i r,

t h e l a r g e r t o p i s a h a n d y

s u r fa c e fo r e a t i n g , w o r k i n g

w i t h a c o m p u t e r, d r i n k i n g

c o f fe e . T h e s m a l l e r t o p

o f fe r s s o m e a d d e d s p a c e .

G r e a t n e x t t o t h e b e d ,

fo r a r e a d i n g l a m p o r b o o k s .

i n fo > 24 8

a t a b l e w i t h a N o r d i c l o o k ,

a n a l u m i n i u m b a s e , a w h i t e

o r b l a c k t o p . R o u n d o r o v a l ,

i n d i f fe r e n t s i z e s , i t a d a p t s

t o a n y s p a c e , a n y u s e .

I n t h e l i v i n g r o o m o r b e s i d e

t h e b e d . F r o m t h e b i g g e s t

t o t h e s m a l l e s t , o n e D a n

t a b l e f i t s u n d e r a n o t h e r.

i n fo > 24 8

U p a n d d o w n .

s w i s s i s h e i g h t- a d j u s t a b l e .

W i t h a s i m p l e g e s t u r e ,

t h e c h r o m e d s t e e l b a s e

e x t e n d s o r l o w e r s . T h e t o p

h a s a m i n i m a l t h i c k n e s s ,

i n w h i t e l a m i n a t e o r w e n g e .

a s e r v i c e t a b l e t h a t f i t s

i n a n y w h e r e .

i n fo > 24 8

1 6 8

m a t e


1 9 9 2

71c h a B - t a B l e


2 0 0 5

73

72m i n i m a t e


1 9 9 3

1 6 9| a c c E s s O R I E s

F r o m t h e J a p a n e s e n a m e

c h a b u d a i , m e a n i n g a t e a

t a b l e , fo r a d e l i c a t e ,

i n t e l l i g e n t s u r fa c e .

T h e w h i t e t o p w i t h b o r d e r

i n c u r v e d b e e c h r e s t s

o n a c r i s s c r o s s b a s e .

a l i g h t s t r u c t u r e t h a t c a n b e

r e p o s i t i o n e d t o o b t a i n t w o

d i f fe r e n t h e i g h t s , fo r g r e a t e r

u s a g e f l e x i b i l i t y.

T h e t o p i s a c t u a l l y a t r a y,

a l s o fo r s e p a r a t e u s e .

i n fo > 24 9

a t a b l e , a t r a y, a fo o t r e s t .

a d i s c r e e t c o m p a n i o n n e x t

t o a n a r m c h a i r o r a s o fa .

a c h i l l e ca s t i g l i o n i p l a y s

a n d d r a w s a s u m m a r y

o f s i m p l i c i t y. Ea s y t o m o v e

i t a r o u n d . s e a t e d o n t h e

s o fa , t r a y o n l e g s , fe e t

r e s t i n g o n t h e b e l t i n g .

B u t a l s o b e s i d e t h e b e d ,

a s a n i g h t s t a n d . I n t w o s i z e s ,

M a t e b e c o m e s M i n i , s m a l l e r

a n d h i g h e r.

i n fo > 24 9

1 7 1

s c r i t t a r e l l o


1 9 9 6

74c o n s o l e

2 0 0 3

75

1 7 0 a c c E s s O R I E s |

a m a s t e r p i e c e o f l i g h t n e s s ,

i n s p i r e d b y t h e I t a l i a n

r a t i o n a l i s t s c h o o l o f t h e

1 9 3 0 s- 4 0 s . I t m a k e s y o u

w a n t t o w r i t e , d r a w,

o r j u s t t h i n k . s c r i t t a r e l l o .

a l i t t l e w r i t i n g d e s k , a l m o s t

a n e o l o g i s m , fo r r e l a x e d

a c t i v i t y w i t h p e n a n d p a p e r.

a s i m p l e s u r fa c e fo r w o r k ,

w i t h t w o s h e l v e s a t t h e

s i d e s . T h e s l e n d e r l e g s a r e

i n n a t u r a l b e e c h ; t h e t o p s

c o m e i n w h i t e l a m i n a t e ,

w i t h b i r c h p l y w o o d b o r d e r s .

P e r fe c t i n t h e b e d r o o m

o r i n a c o r n e r, fo r s t u d y i n g

a n d r e a d i n g .

i n fo > 2 5 0

B e s i d e t h e w a l l i n t h e

v e s t i b u l e o r a c o r r i d o r,

b e h i n d t h e s o fa i n t h e l i v i n g

r o o m , o r t o o f fe r a h a n d y

s u r fa c e i n t h e b e d r o o m .

co n s o l e i s a l w a y s u s e f u l ,

a n d w h e n i t ’s g o n e y o u m i s s

i t . I n n a t u r a l o r w e n g e -

s t a i n e d o a k , w i t h s t e e l t i e s

t h a t r e v e a l i t s y o u t h .

i n fo > 2 5 0

1 7 2

t r i o


1 9 97

76d t l i g h t

d e s i g n P h i l L u i t h l e n

2 0 0 3

77

1 7 3| a c c E s s O R I E s

B e dp i l g r i m

> 1 0 5

T h r e e s l e n d e r, s h i n y

a l u m i n i u m l e g s .

a s m a l l t a b l e w i t h a r o u n d

t o p , t o p u t n e a r t h e s o fa

o r t h e b e d . a l s o o n w h e e l s ,

fo r e a s y m o v e m e n t

w h e n i t ’s n e e d e d e l s e w h e r e .

i n fo > 2 5 0

L i k e t h e M o b i l e s o f a l e x a n d e r

ca l d e r, t h i s h a n g i n g l a m p

i s a l i g h t g a m e o f b a l a n c i n g

p a r t s . T h e s h a d e f l o a t s i n

t h e a i r, s u s p e n d e d o n a l o n g ,

s l e n d e r, a l m o s t i m p e r c e p t i b l e

a r m . T h e h e i g h t- a d j u s t a b l e

l a m p i s b a l a n c e d , o n t h e

f l o o r, b y a c o u n t e r w e i g h t ,

a n d c a n r o t a t e 3 6 0 ° .

i n fo > 2 5 1

1 7 5

B o o k

d e s i g n P e t r a R u n g e

2 0 0 0

79f i n d e r


2 0 0 1

78

1 74 a c c E s s O R I E s |

a r e f l e c t i n g b o o k , t o o p e n

w h e n e v e r y o u w a n t t o .

at t a c h e d t o t h e w a l l ,

B o o k i s a m i r r o r

a n d a d e c o r a t i v e o b j e c t .

F o r e v e r y s p a c e i n t h e h o m e ,

b u t a l s o i n t h e o f f i c e .

I f y o u d o n ’ t fe e l l i k e s e e i n g

y o u r r e f l e c t i o n , j u s t c l o s e

t h e m i r r o r a n d i t d i s a p p e a r s .

i n fo > 2 5 1

a m a g a z i n e o r d o c u m e n t

r a c k t o h a n g o n t h e w a l l .

F i n d e r p u t s e v e r y t h i n g

i n o r d e r : o n t h e v e r s i o n

w i t h a w h i t e l a c q u e r

s u r fa c e , m a g n e t s c a n b e

u s e d t o d i s p l a y i n v i t a t i o n s ,

p h o t o g r a p h s a n d m e m o s .

i n fo > 2 5 1

1 7 7

m o B y 1 e m o B y 2

d e s i g n M a r c o za n u s o J r.

2 0 0 8

80

1 7 6 a c c E s s O R I E s |

a T V t r o l l e y, w i t h o n e

o r t w o s h e l v e s , i n s i z e s

s u i t a b l e fo r t h e n e w s c r e e n s .

L i g h t , t h a n k s t o s l e n d e r,

s u p e r- s t r o n g m a t e r i a l s ,

e n h a n c e d b y a g l o s s y f i n i s h .

B e l o w t h e t o p , o n t h e b r a c k e t

s t r u c t u r e , a s m a l l e r s h e l f

c a n b e u s e d fo r a c a b l e b o x

o r DV D p l a y e r.

i n fo > 2 5 2

1 7 8

p r Ê t - à - p o r t e r

d e s i g n a n n e t t e La n g

1 9 8 7

82

n a r c i s o

d e s i g n E n r i c o F r a n z o l i n i

1 9 8 7 / 1 9 97

81

1 7 9| a c c E s s O R I E s

The c lass i c accessor y

becomes modern .

P rêt-à-por ter i s the c lothes

va let w ith s lender l ines ,

in pa inted stee l . a wrapped

leather b ind ing cover keeps

the garments f rom s l ipp ing.

i n fo > 2 5 2

F o r t h e fa i r e s t o f t h e m a l l ,

a m i r r o r t h a t fo l l o w s h e r

e v e r y w h e r e . O n w h e e l s ,

N a r c i s o h a s a h a n d l e

a t t h e c e n t e r, fo r m o v i n g

i t h e r e o r t h e r e .

T h e fo l d i n g s t a n d h a s h o o k s

fo r g a r m e n t s o n t h e b a c k ,

fo r a q u i c k c o s t u m e c h a n g e .

i n fo > 2 5 2

r a i n y d a y


2 0 0 3

84r o k u m a r u


2 0 0 8

83

1 8 11 8 0 a c c E s s O R I E s |

T h e e n j o y a b l e s i d e o f r a i n .

a n u m b r e l l a s t a n d i n s t e e l

s h e e t , i n t h e fo r m o f

a c r o s s . L i t t l e r e f i n e m e n t s

m a k e i t s p e c i a l : t h e t r a y

i n t h e b a s e fo r r e m o v i n g

w a t e r, t h e i n t e r n a l s h e l f fo r

s m a l l e r fo l d i n g u m b r e l l a s .

i n fo > 2 5 3

a p o e t i c v i s i o n o f a t r e e

t h a t b e c o m e s a c o a t r a c k .

N e n d o i n t e r p r e t s n a t u r e w i t h

o r i e n t a l s y m b o l i s m : t h e s i x

b r a n c h e s a r e t h e r a d i i o f a n

i m a g i n a r y c i r c l e , t h e u n i o n

o f t h e J a p a n e s e w o r d s r o k u –

s i x - a n d m a r u - c i r c l e .

s i m p l y p e r fe c t , i n i t s

d i s g u i s e d c o m p l e x i t y.

T h e t h r e e l e g s h a v e

a r h o m b o i d a l s e c t i o n .

T h e a n g l e d b r a n c h e s a r e c u t

a t t h e e n d s , t o h a n g j a c k e t s

a n d o v e r c o a t s .

i n fo > 2 5 3

1 8 3

85

86

1 8 2

f r a m u r a

c h a i s e + p o u f

d e s i g n a k s u / s u a r d i

2 0 0 9

f r a m u r a

d o n d o l o


2 0 0 9

O U T D O O R |

a r o c k i n g c h a i r fo r r e l a x i n g

i n t h e s h a d e o f a n o l i v e t r e e ,

a c h a i s e fo r s n o o z i n g w i t h

y o u r fe e t r e s t i n g o n t h e p o u f.

M a d e i n w e l d e d a l u m i n i u m

t u b i n g , t h e s e a t a n d b a c k

h a v e s o f t c u s h i o n s a t t a c h e d

t o t h e s t r u c t u r e w i t h

c o l o u r e d b e l t i n g . Wa t e r t i g h t

i n c a s e o f r a i n , t h e y d r y

i m m e d i a t e l y w h e n t h e s u n

c o m e s b a c k o u t .

i n fo > 2 5 3

f r a m u r a


2 0 0 9

F r o m t h e n a m e o f t h e

v i l l a g e i n L i g u r i a , n e s t l e d

o n h i l l s o v e r l o o k i n g t h e s e a .

F r a m u r a i s a fa m i l y o f h y b r i d

f u r n i s h i n g s , fo r i n d o o r

o r o u t d o o r u s e , w i t h a f r e s h ,

n o n c h a l a n t l o o k . s p i r i t e d ,

i r o n i c p i e c e s fo r m o m e n t s

o f r e l a x a t i o n a n d i n fo r m a l

s o c i a l i z i n g .

1 8 4 1 8 5| O U T D O O R

1 8 7

87f r a m u r a

n i d o


2 0 0 9

1 8 6 O U T D O O R |

N i d o i s a s e a t fo r m o r e t h a n

o n e p e r s o n : a s h e l l m a d e

o f t u b i n g , a d e n s e w e a v e

o f c o l o u r e d r i b b o n s ,

t o f i l l w i t h s o f t c u s h i o n s .

a n e n c l o s u r e t o t i l t a t

d i f fe r e n t a n g l e s , t o d e t a c h

a n d h a n g o n t h e w a l l i n

t h e w i n t e r, w a i t i n g fo r s p r i n g .

i n fo > 2 5 4

1 8 8

88

1 8 9

f r a m u r a

l e t t i n o p r e n d i s o l e


2 0 0 9

| O U T D O O R

B y t h e p o o l , o n t h e t e r r a c e ,

i n t h e g a r d e n . T h e s u n c o t

h a s a n a d j u s t a b l e b a c k a n d

c u s h i o n s t o a t t a c h t o t h e

s t r u c t u r e w i t h c o l o u r e d

b e l t i n g . T h e w h e e l s a r e

r u b b e r, fo r e a s y m o v e m e n t

o n a n y t e r r a i n . T h e l a t e r a l

t a b l e , a t t a c h e d t o t h e s i d e ,

a d d s m a x i m u m c o m fo r t .

i n fo > 2 5 4

1 9 1

89l a v e n h a m o u t d o o r


2 0 0 9

1 9 0 O U T D O O R |

O n t h e t e r r a c e , i n t h e g a r d e n ,

a r o u n d a d i n i n g t a b l e ,

La v e n h a m d r e s s e s

u p fo r o u t d o o r u s e .

T h e q u i l t e d p a t t e r n m o u l d e d

o n t h e c h a s s i s , i n g l o s s y

w h i t e o r b l a c k , s h o w s

i t s c o n t o u r s i n t h e s u n l i g h t ,

a n d s t a n d s u p t o a l l k i n d s

o f w e a t h e r. st a i n l e s s s t e e l

b a s e w i t h s a t i n f i n i s h .

i n fo > 2 5 4

léger > 68

info > 227

berger > 72

info > 228

assuan > 75

info > 228

atalante > 76

info > 228

suite > 80

info > 230

hovercraft > 82

info > 230

pillow > 84

info > 230

square > 88

info > 231

zip! > 90

info > 232

tuareg > 92

info > 232

chesterfield > 96

info > 233

raffles > 99

info > 234

regent’s > 100

info > 234

cH

es

te

rf

iel

d

ra

ff

le

s H

ov

er

cr

af

t s

uit

ea

tal

an

te

pouf capitonné > 96

info > 233

palestro > 94

info > 233

zip

! l

ég

èr

e

sofas for conversing

and relaxing, thanks

to different fillers,

in goosedown or blended.

The finely crafted structures

in wood or metal,

the construction details

and the wide range

of fixed or removable covers,

in fabric or leather,

make the De Padova sofas

recognizable always,

everywhere.

The armchairs have

goosedown or blended

filler to guarantee the best

support for reading, waiting,

conversing or relaxing.

The fabric or leather covers

can be fixed or removable,

and are available in a large

range of colours.

basket > 55

info > 225

louisiana > 56

info > 225

club > 59

info > 226

tattomi > 61

info > 226

spring low > 62

info > 226

tondo 05 > 6 6

info > 227

bergère > 7 1

info > 227

susanna > 65

info > 226

légère > 6 8

info > 227

De Padova sofas and armchairs: a vast range of different proposals with a unique style. The sofas include models with classic lines, based on the timeless forms of English sofas, and contemporary models with clean, rigorous silhouettes. Models with two seats or more, to adapt to all requirements of space and comfort. The armchairs are traditional or modern, ample or minimalist. Their character and shape may differ, but they all have a strong personality. In the living area, the bedroom or waiting rooms.

sofas and armchairs

mantis > 111

info > 236

campo d’oro > 115

info > 236

beyle > 118

info > 237

blossom > 121

info > 237

tavolo ‘95 > 122

info > 237

shine > 128

info > 239

tools > 136

info > 240

dinner > 124

info > 238

vidun > 127

info > 238

nara > 131

info > 239

quadrato > 135

info > 240

più > 140

info > 241

otis > 132

info > 240

blo

ss

om

Wood, in the different

tones of its many varieties,

brings warmth to the whole

collection. But not on its

own. Different materials

used for tops and legs

are combined to generate

surprising contrasts: bases

in aluminium, wood or steel

sheet support tops in glass,

marble or laminate.

skilled craftsmanship adds

refined construction details

for striking effects.

Tops that seem to magically

float over the base, wood

worked with steam in the

form of a corolla, hinges that

alter the geometric form

of the tops, masterpieces

of cabinet making featuring

daring grafts and forms that

have written the history

of design, like the giant bolt

of the Vidun table.

campo arato > 1 6 5

info > 247

tetris > 1 6 5

info > 247

quadrato espositore > 1 6 5

info > 247

saturno > 1 6 7

info > 248

dan > 1 6 7

info > 248

swiss > 1 6 7

info > 248

mate > 1 6 8

info > 249

mini mate > 1 6 8

info > 249

scrittarello > 171

info > 250

console > 171

info > 250

trio > 172

info > 250

chab table > 1 6 8

info > 249

tables and small tablesVersatility of use and unmistakable details for the collection of large and small tables by De Padova.The large tables can be used for dining, but also in work spaces in the home or office, as a desk or a meeting table. Their measurements can be compact to adapt to limited space, or reach surprising lengths for vivid visual impact. The small tables can be placed by a sofa or used as coffee tables, but with an added touch: ingenious solutions like height adjustment, tops that rotate or can be used as trays, make them valuable allies in the home, for the living area, or as a nightstand in the bedroom.

lavenham executive > 142

info > 242

marocca > 145

info > 242

cirene 03 > 145

info > 242

cirene > 146

info > 243

olimpia > 146

info > 243

flower > 149

info > 243

incisa > 150

info > 244

lavenham > 152

info > 244

pollack > 155

info > 244

silver > 156

info > 245

spring > 159

info > 246

uragano > 160

info > 246

sundance > 162

info > 246

pollack i i > 155

info > 245

sil

ve

ru

ra

ga

no

Materials and lines inspired

by Nordic design, with light

wood, aluminium and slender

steel for the bases, combined

with moulded plastic frames

for striking materic effects.

The seats can also be padded

and covered with fabric

or leather, available in a wide

range of colours. Precious

construction details reveal

the savoir-faire of the

craftsman: the stitching

of cowhide, the lathe-work

of wooden legs and armrests,

the flexibility of a back made

with special techniques

to increase comfort.

The outdoor collection

is made with waterproof

materials: satin-finish

stainless steel and a plastic

chassis for the Lavenham

Outdoor chair, aluminium

tubing and polyester

for the cushions and belting

of Framura.

framura | chaise + pouf > 183

info > 253

framura | dondolo > 183

info > 253

framura | nido > 187

info > 254

framura | lettino prendisole > 188

info > 254

lavenham outdoor > 191

info > 254

chairs and outdoora large, historic collection of chairs and a small, fresh outdoor furnishings collection. De Padova reinvents classic models like the famous Thonet, the traditional tavern chair or wicker verandah seating, and combines them with striking contemporary creations. chairs with or without armrests, swiveling, stackable, folding. chairs for all the spaces in the home, from the dining room to the work zone, and models for the office: all the chairs shown in the catalogue are easily combined with the tables of the De Padova collection.

The new outdoor collection includes seats that can also be used indoors, featuring ironic, unconventional designs for armchairs with pouf, rocking chairs and group seating, combining great comfort with sturdy construction and durability. On the terrace, in the garden, by the pool, on the patio… but also inside the home.

descriptions and dimensions

NOTEs The measurements of products are indicated in cm (in inches for the Us market) and can vary by +/- 2 cm (+/- 1 inch) for the upholstered furniture and +/- 1 cm (+/- 1/2 inch) for the other furniture and accessories.

The colours of the products shown in the photographs are indications, and may not correspond to the real colours.

De Padova products stand out for their use of fine materials treated to enhance their natural, characteristic beauty. The workmanship makes it possible to appreciate all the specific qualities of the materials utilized, making every product unique. Products made with natural materials like wood and marble, and with natural dyes and colours, may differ slightly from one another in terms of both colour and grain. Exposure of the products to natural or artificial light can cause alterations of the original colours.

De Padova reserves the right to eliminate, aesthetically modify or improve its products without prior notice.

The products are manufactured in compliance with the safety regulations that apply in their intended markets: please contact our customer service department ([email protected]) for specific information.

For information on conditions of sale and warranties please contact customer service.

The De Padova distribution network is shown at the website www.depadova.it in the section ‘distribution’.

2 2 0

01

02

6 0 6 U N i V e R s A L s H e LV i N g s Y s t e m > 29

k A N t > 35

2 2 1

03

04

05

tA N i m O t O > 36

C R é D e N C e > 40

s H i g e t O > 39

design Dieter Rams, 1984

design Formfürsorge , 1993

type Bookcase, a very flexible storage device. Freestanding or wall-mounted. material

Uprights and sections in anodized extruded aluminium. shelves, containers and mobile

internal shelves in anodized aluminium sheet. Drawer units with two or three draw-

ers in anodized aluminium sheet. finish/colour Uprights: anodized satin-finish silver.

sections, shelves, containers, mobile internal shelves for containers, drawer units: ano-

dized satin-finish silver or white epoxy powder coated. notes The uprights are used for

floor-to-ceiling installation and can be adjusted by 4 cm at the top and the bottom. Up-

rights are always paired with sections. supports: used when the uprights are placed on

the wall, to attach the bookcase to the wall. Highly recommended for bookcases bearing

heavy loads, and for all uprights taller than 3 m. Reinforcement crossbars in anodized

aluminium, used only for bookcases with uprights; inserted in every span, one for each

meter of height. The section is directly attached to the wall or combined with the up-

right, in the case of a divider bookcase. section of 57, 114, 171 cm have a perforation

interval of 7 cm and can be put one over the other. The sections with heights of 11 and

39.5 cm can only be used for the positioning of the single shelf (11 cm) and the single

container (with door or drawers, 39.5 cm). In the case of use of wall-mounted sections,

test the consistency of the wall to find the best attachment point.

type column bookcase. material structure made with a single steel sheet, 200x100 cm,

bent and riveted, without scrap. finish/colour White powder paint coating.

b o o k c a s e s a n d c a b i n e t s

6,2 6,2

· · 91 · 91 · 66,5 · ·

· 11

4 ·

114

·

· 33,5 ·· 47,5 ·

· 54 ·· 82 ·

1 1

1 1

· · 66,5 · 66,5 · 66,5 · 66,5 · · · 25 ·· 39 ·

· 40

·

50 ·

35

· 35

· 3

5 · 1

1 ·

· · 66,5 · 91 · 91 · 91 · ·

· 39

,5 ·

· 26 ·

· 19

7 ·

· 30 ·

design Vico Magistrett i , 1991

design xavier Lust , 2003


type Modular bookcase. material structure in solid oak or beech. Wood particle-board

panels, veneered in oak or beech. Mobile internal shelves and vertical dividers in painted

wood particle board. Base (feet/wheels) adjustable feet. finish/colour Oak finished

with open-pore acrylic varnish, natural beech finished with closed-pore polyurethane

varnish. shelves and vertical dividers painted in eggshell white. notes The internal

shelves can be placed in five positions, at a perforation interval of 32 mm.

Type Two-door cupboard with three shelves and four vertical dividers. Material struc-

ture in solid natural oak. Doors, sides, shelves, back and internal dividers made with

particle-board panels, veneered with natural oak. Base (feet/wheels) swivel castors

with front wheel blocking. Finish/Colour Natural oak, open-pore acrylic varnish. Notes

For the 160 cm models, a fifth central wheel is provided in case of heavy load.

type Two-door cabinet with vertical divider and internal shelves. Limited edition of 150

signed, numbered pieces. material Outer structure in painted aluminium sheet. Inner

structure, doors, vertical divider and shelves in satin-finish anodized aluminium sheet.

steel frame. Base (feet/wheels) adjustable aluminium feet, coated with polyurethane

paint. finish/colour structure and doors painted on the outside with polyurethane

paint in china red, Rover green or midnight blue. anodized satin silver internal finish.


· 20

7 ·

· 80 · 80 ·

· 120 ·

· 60 · 60 ·

· 160 ·

· 45,5 ·

· 17

2,5

·

· 140 · · 71 ·

· 79

·

· 60

·

· 13

2 ·

· 33 ·· 104 ·

06

2 2 2

s W i N g _ U N i t s & C H e s t U N i t s > 43

s W i N g _ U N i t s 6 07

2 2 3

s W i N g _ U N i t s b O x

R e F L e x s e C R é tA i R e > 49

design Mor itz Engelbrecht / lemongras, 2001


type system of independent cabinets with doors, internal shelves or drawers. Wall con-

sole with one drawer and open side compartment. material structure, doors and tops

in wood particle-board panels, drawers with birch plywood panels on slide runners with

cushioning mechanism. Base (feet/wheels) available on different bases: runners in pol-

ished aluminium section; rubber swivel castors with chromed-plated support and front

wheel blocking; painted wood particle-board base with height-adjustable feet. finish/

colour silkmat lacquer finish in the colours: earth beige, orange, stone gray, dark gray,

silver, ivory white, china red, lemongrass, terracotta red. Internal finishes: lacquered like

the exterior, or in white melamine. notes Units 1, 2 and 3 are supplied already assembled.

One of the internal shelves is always fixed in a lower position. For compositions the tops

should always be ordered together with the modules. It is not possible to attach tops to

existing single elements; in case of additions or modifications, indicate that the modules

are to be used for compositions.

type Wardrobe system. material structure and doors in wood particle-board panels,

drawers in particle-board panel mounted on slide runners with cushioning mechanism.

Base (feet/wheels) available on different bases: rubber swivel castors with chromed-

plated support and front wheel blocking; painted wood particle-board base with height-

adjustable feet; runners in polished aluminium section. finish/colour silkmat lacquer

finish in the colours: earth beige, orange, stone gray, dark gray, silver, ivory white, china

red, lemongrass, terracotta red. Internal finish in white melamine. accessories Interior

equipped with wooden shelves and drawers, and metal hanger rod, for personalized

configuration.


· 40

·

·18,

5·

wall unit - sw / r wall unit - sw / l

10 ··15

· 38

·

unit / 1 - cHest unit / 1 unit / 2 - cHest unit / 2

unit / 3 - cHest unit / 3 unit / 4 unit / 5

·18,

5·

unit / 6a unit / 6b

· 100 · · 100 ·

· 40

·

· 45 ·· 110 ·10 ··1

5 ·

74

·· 90 · · 45 ·

· 90 · · 45 ·

10 ··15 ·

11

0 ·

· 90 · · 45 ·

· 90 · · 45 ·

· 90 · · 60 ·

·6·1

0·15

·

178

·

· 16

1 ·

·15·

146

·

· 19

7 ·

·15·

182

·



type secrétaire with four drawers. material structure, internal dividers and extractable

writing shelf in particle-board panels, veneered with american cherry or natural oak.

Roll-top in solid american cherry or natural oak. Drawers in plywood panel veneered

with american cherry or natural oak, on metal runners. Drawer fronts in satin-finish

anodized aluminium. Base (feet/wheels) swivel castors with front wheel blocking. fin-

ish/colour aniline stained american cherry with closed-pore polyurethane varnish, or

natural oak with open-pore acrylic varnish. accessories Equipped with lock.

type Wardrobe system. material structure and doors in wood particle-board panels,

drawers in particle-board panel mounted on slide runners with cushioning mechanism.

Base (feet/wheels) available on different bases: rubber swivel castors with chromed-

plated support and front wheel blocking; painted wood particle-board base with height-

adjustable feet; runners in polished aluminium section. finish/colour silkmat lacquer

finish in the colours: earth beige, orange, stone gray, dark gray, silver, ivory white, china

red, lemongrass, terracotta red. Internal finish in white melamine. accessories Interior

equipped with wooden shelves and drawers, and metal hanger rod, for personalized

configuration.


unit / 6c unit / 6d unit / 6e

box / a box / b

· 78 · · 60 ·

·6·1

0·15

·

178

·

box / ebox / c bo x / d

· 100 · · 50 ·

· 60

,5

·

· 85 ·

· 10

0 ·

08

09

10

2 2 4

R e F L e x > 49

s H i N e C O N t e N i t O R i > 51

t O O L s > 52

11

12

2 2 5

b A s k e t > 55

L O U i s i A N A > 56



design studio cerr i & assoc iat i , 2001

type Three drawers unit. material structure in particle-board panels, veneered with

american cherry or natural oak. Drawers in birch plywood, stained in the various wood

tones, all with white wood particle-board bottoms, on metal runners. aluminium drawer

fronts and doors. Base (feet/wheels) swivel castors with front wheel blocking. finish/

colour aniline stained american cherry with closed-pore polyurethane varnish, natural

or wenge-stained oak with open-pore acrylic varnish. Drawer fronts in silver satin-finish

anodized aluminium or white powder coated, only for the version in natural oak. acces-

sories Lock positioned to the upper right.

type cabinets with internal movable shelf. material structure in particle-board panels,

veneered with american cherry or natural oak. Drawers in birch plywood, stained in the

various wood tones, all with white wood particle-board bottoms, on metal runners. alu-

minium fronts for drawers and doors. Base (feet/wheels) structure in powder-coated

steel and legs in polished anodized aluminium tubing, or painted white, only for the

natural oak version. adjustable plastic feet. finish/colour aniline stained american

cherry with closed-pore polyurethane varnish, natural or wenge-stained oak with open-

pore acrylic varnish. Drawer fronts in silver satin-finish anodized aluminium or white

powder coated, only for the version in natural oak. accessories Drawer units with lock

positioned inside the door (inside the lateral compartment on the divider upright).

type Drawer and storage units. material structure in powder-coated steel. Ties of open

unit in chromed-plated steel. Polished anodized aluminium handles. Tops in layered

laminate (thickness 4 mm) equipped with magnets to be fixed to storage units. Base

(feet/wheels) adjustable feet in polished anodized aluminium. finish/colour White

powder coating. White laminate top. accessories Drawer units also available with lock.

notes stacked elements should always be attached to the wall.


· 85 · · 60 ·

· 60

,5

·

· 170 · · 48 ·

· 65

·

· 48 ·

· 65

·

· 48 ·· 255 ·

· 80 · · 45 ·

· 80

·

· 40

·

· 80 · · 45 · · 80 · · 45 · · 80 · · 45 ·· 80 · · 45 ·

· 80

·

· 170 ·

· 65

·


design Vico Magistrett i - centro Design Binfaré, 1993

type Drawer unit on wheels with two or three drawers, including one equipped for hang-

ing file folders. material structure in powder-coated steel. Polished anodized alumin-

ium handles. Base (feet/wheels) Thermoplastic swivel castors. finish/colour White

powder coating. accessories Drawer unit with lock and numbered keys; the drawer out-

fitted for hanging folders has a front wheel to prevent overturning. Internal accessories:

stationery tray and inclined dividers in black plastic, redactor for hanging folders with 29

cm (Us format) span, in black metal.

type armchair. material structure in steel with elastic seat belting and polyurethane

foam. Base Fixed, on four legs, or rocking in satin-finish stainless steel, sliding blocks

in solid natural or wenge-stained ash, or swiveling base with four chromed-plated steel

spokes. finish/covering Fabric or leather, not removable cover.

type armchair with pouf. material structure in steel with elastic seat belting and poly-

urethane foam. seat cushion in polyurethane foam covered with polyester batting.

Lower back cushion with down filler. Pouf with rigid polyurethane frame, cushion in poly-

urethane foam covered with polyester batting. Base Painted steel legs, swivel castors,

including one wheel with braking device. Pouf on swivel castors, including one wheel

with braking device. finish/covering Outer cover in cowhide, in the colours natural, Bul-

garian red, brown or black. Removable inner cover with zipper, in fabric or leather, padded

with polyester batting, bordered with cotton ribbon, in the colours: natural, raw, camel,

rust, brown, black, gray, blue, dark blue or red. The lower back cushion is covered in fabric,

also in the leather version.

b o o k c a s e s a n d c a b i n e t s | a r m c H a i r s a n d s o f a s

· 42 · · 52,4 ·

· 55

,5

·

· 42 · · 52,4 ·

· 55

,5

·

· 72 ·

· 42

·

· 82

·

· 56 ·

· 72 · · 72 ·· 56 ·

· 82

·

· 82

·

· 73 ·

· 78 · · 62 ·

· 35

·

· 85 ·

· 86

·

· 86 ·

· 40

·

· 42

·

· 45

·

13

14

15

16

2 2 6

C L U b > 59

tAt t O m i > 61

s P R i N g L O W > 62

s U s A N N A > 65

17

18

19

2 2 7

t O N D O 0 5 > 66

L é g è R e / L é g e R > 68

b e R g è R e > 71


design Jan armgardt and Ingo Maurer, 1985

design Damian Wi l l iamson, 2007


type armchair. material structure in steel with seat springs, padded with polyurethane

foam covered with polyester batting. Goosedown seat cushion with polyurethane foam

support. Base Feet in cast satin-finish aluminium or wood, upon request. finish/cover-

ing Non-removable fabric or removable technical fabric cover.

type Multifunctional unit, converted by changing the angles of the frame parts: chair,

chaise longue, bed. material structure in steel with elastic belting, covered with poly-

urethane foam and polyester batting. Base Runners in black painted wood. finish/

covering Removable fabric cover. notes Not available in austria, Germany and swit-

zerland.

type armchair. material structure and seat in solid ash. also available with padded seat

with sheet steel support, filled with polyurethane foam and down. finish/covering

Natural, wenge-stained or white-stained ash, finished with open-pore acrylic varnish.

Leather cover for the version with padded seat.

type armchair. material structure in steel with elastic seat belting, polyurethane foam

filler covered with polyester batting. seat cushion filled with goosedown. Base Wooden

feet. finish/covering Removable fabric cover.

a r m c H a i r s a n d s o f a s

· 75 ·

· 76

·

· 80 ·

· 43

·

· 95 / 125 ·

· 77

·

· 45

·

·20·

· 215 ·

· 65 ·

· 75

·

· 62 ·

· 38

·

· 58

·

· 62 ·

· 78

·

· 85 ·

· 44

·

· 90 · · 185 / 195 ·

design Vico Magistrett i with Bi rg it Lohmann, 2002 f i rst edit ion - 2005 modif ied re- issue

design Patr ic ia Urquio la , 2007


type Bergère armchair. material steel structure with elastic seat belting, polyurethane

foam covered with polyester batting. Base Painted steel legs with front swivel cas-

tors or fixed wheels, in wenge-stained oak. finish/covering Removable fabric or fixed

leather cover.

type armchair and two or three-seater sofa. material structure in steel with elastic

seat belting, padded with polyurethane foam. seat cushion in polyurethane foam.

Lower back cushion filled with down. Base Powder-painted steel in white, black, red or

chrome-plated. finish/covering Removable zippered cover in fabric or leather, padded


rust, brown, black, gray, blue, dark blue or red.

type Bergère with two positions swing movement and pouf. material structure in

steel with elastic seat belting, padded with polyurethane foam. seat cushion in poly-

urethane foam. Lower back cushion filled with down. Pouf with cushion in polyurethane

foam covered with polyester batting. Base Powder-painted steel in white, black, red or

chrome-plated. finish/covering Removable zippered cover in fabric or leather, padded


rust, brown, black, gray, blue, dark blue or red.


· 73 ·

· 10

0 ·

· 84 ·

· 43

·

· 73 ·

· 10

0 ·

· 84 ·

· 43

·

· 86

·

· 40

·

· 86

·

· 38

·

· 40

·

· 10

6 ·

· 36

·

· 80 · · 79 · · 90 ·· 205 / 240 ·

· 80 / 90 ·· 80 · · 60 · · 40 ·

20

21

22

2 2 8

b e R g e R > 72

A s s UA N > 75

AtA L A N t e > 76

2 2 9



design Jasper Morr ison, 2009

type Two or three-seater sofa. material structure in steel with elastic seat belting, pad-

ded with polyurethane foam. seat cushion in polyurethane foam. Lower back cushion

filled with down. Base Powder-painted steel in white, black, red or chromed-plated.

finish/covering Removable zippered cover in fabric or leather, padded with polyester

batting, bordered with cotton ribbon, in the colours: natural, raw, camel, rust, brown,

black, gray, blue, dark blue or red.

type armchair, two to five-seater sofa and pouf. material structure in steel with elas-

tic seat belting, padded with polyurethane foam and polyester batting. Throw cushions

filled with goosedown (45x45 and 45x60 cm). Base steel with polished aluminium legs

and adjustable feet. finish/covering Removable fabric cover.

type Two to five-seater sofa, or modular sofa, and pouf. attachment system for infinite

compositions. material structure in wood and steel with variable-density polyurethane

foam filler, covered with polyester batting. The seat is made more comfortable by elastic

belting and a down-filled pad built into the structure. Base adjustable steel feet. finish/

covering Removable fabric cover. The back separated from the seat for easy removal.

accessories Table with white powder-coated tubular steel base, top in gray painted wood

particle board. notes armrests cannot be added to or removed from existing composi-

tions.


· 10

6 ·

· 205 / 240 ·

· 36

·

· 95 ·

· 240 · · 390 ·

· 140 ·

· 75

·

· 95 ·

· 43

·

· 140 · · 72 ·

· 210 ·

· 43

·


· 95 · 95 ·

· 67

·

· 190 · · 95 ·

· 38

·

ata / 190

· 120 · 95 ·

· 215 ·

ata / 215

· 120 · 120 ·

· 240 ·

ata / 240

· 285 ·

· 95 · 95 · 95 ·

ata / 285

· 21

5 ·

· 285 ·

· 95

·

· 310 ·

· 21

5 ·

· 95

·

· 28

5 ·

· 285 ·

· 95

·

· 310 ·

· 95

·

· 28

5 ·

·38·

· 95 ·

· 95

·

·36·

· 93 ·

· 93

·

· 310 ··

310

·

· 95

·

· 310 ·

· 95 · 95 · 120 ·

ata / 310

· 120 · 95 · 120 ·

· 345 ·

ata / 345

comp a / p comp a / a comp b / p comp b / a

comp c / p comp c / a comp d / p comp d / a

comp e / p comp e / a

·38·

· 73 ·

· 73

·

ata / p73 ata / p95 ata / tav

23

24

25

2 3 0

s U i t e > 80

H O V e R C R A F t > 82

P i L L O W > 84

26

2 3 1

s q UA R e > 89

2008



type Two or three-seater sofa. material structure in steel and wood with elastic seat

belting, variable-density polyurethane foam covered with polyester batting. Base ad-

justable steel feet. finish/covering Removable fabric or leather cover.

type Two or three-seater sofa. material structure in wood with elastic seat belting,

filler in polyurethane foam covered with polyester batting. seat cushions filled with

goosedown, reinforced with expanded polyurethane inserts. Goosedown throw cushions

(45x45 cm). Base adjustable steel feet. finish/covering Removable fabric cover.

type Two to four-seater sofa, or modular sofa, also with chaise longue unit. Two throw

cushions included. material structure in wood and steel with elastic seat belting, varia-

ble-density polyurethane foam filler covered with polyester batting. seat and back cush-

ions filled with goosedown mixed with polyurethane foam particles. Base adjustable

steel feet. finish/covering Removable fabric cover.


· 175 / 225 / 250 ·

· 200 / 230 / 250 ·

· 42

·

· 76

·

· 97 ·

· 86

·

· 47

·

· 190 · · 92 ·

· 44

·

· 86

·

· 78 ·

· 230 / 275 ·

· 86

·

· 150 · · 81 ·

2004

type Two or three-seater sofa or modular sofa, also with chaise longue unit. material

structure in wood with elastic seat belting, variable-density polyurethane foam filler

covered with polyester batting. seat and back cushions filled with goosedown mixed

with polyurethane foam particles. Base adjustable stainless steel feet. finish/cover-

ing Removable fabric or fixed leather cover. technical notes The armrest is a character-

istic element of this sofa: compositions without armrests are not available. In composi-

tions, the corner unit is integrated only in the two-seater side unit. armrests cannot be

added to or removed from existing compositions.


· 15

0 ·

· 231 · · 296 ·

· 23

9 ·

· 239 ·

· 23

9 ·

· 304 · · 239 ·

· 30

6 ·

· 92

·

· 142 ·

· 73

·

· 85 ·

· 45

·

· 206 ·

· 85

·

· 15

5 ·

· 270 ·

· 279 ·

· 217 ·

· 28

1 ·

· 155 ··

155

·

· 21

7 ·

· 85

·

· 21

7 ·

· 217 · · 279 ·

· 28

1 ·

· 155 ·

· 85

·

· 85

·

· 85

·

· 85

·

· 206 ·

· 15

0 ·

· 304 ·

· 30

6 ·

· 92

·

· 92

·

· 92

·

· 92

·

· 92

·

27

28

2 3 2

z i P ! > 90

t UA R e g > 92

29

30

31

2 3 3

P A L e s t R O > 94

C H e s t e R F i e L D > 96

P O U F C A P i t O N N é > 96

design Vico Magistrett i with Bi rg it Lohmann, 2003


type Two or three-seater sofa. material structure in wood with elastic seat belting, poly-

urethane foam filler covered with polyester batting. Base adjustable feet in walnut-stained

wood. finish/covering Removable fabric cover. The cover is composed of four segments

joined by zippers, a decorative feature that makes its removal easy.

type Two or three-seater sofa, or modular sofa, also with chaise longue unit, throw cush-

ions in polyester batting included. material structure in steel and wood with elastic seat

belting, variable-density polyurethane foam filler covered with polyester batting. Base

adjustable steel feet. finish/covering Removable fabric cover. notes armrests cannot

be added to or removed from existing compositions.

· 180 / 200 / 220 / 240 · · 78 ·

· 75

·

· 44

·

· 234 ·· 168 ·

· 77

·

· 84 ·

· 44

·

· 234 · · 234 · · 234 ·

· 15

0 ·

· 84

·

· 23

4 ·

· 300 ·

· 15

0 ·

· 300 ·

· 23

4 ·

· 84

·

· 30

0 ·

· 84

·

· 84

·

· 84

·


1983 f i rst edit ion - 2004 modif ied re- issue

2004

type armchair, two to four-seater sofa and pouf. material steel structure with elastic

seat belting, polyurethane foam filler. Back and armrests cushions in polyurethane foam,

covered with polyester batting. Goosedown seat cushions reinforced with expanded

polyurethane inserts. Goosedown throw cushions, (45x45 cm). Base Polished aluminium

feet. finish/covering Removable fabric cover.

type Three or four-seater sofa. material structure in wood with elastic seat belting. In-

ternal filler in variable-density polyurethane foam covered with polyester batting. seat

cushion in polyurethane foam covered with polyester batting for the version in fabric.

seat cushion in goosedown for the leather version. Base Wooden feet, stained black for

the fabric sofas and mahogany for the leather sofas. finish/covering Fixed cover in fab-

ric or leather, with capitonné work on the back and armrests.

type Pouf. material structure in wood. Internal filler in polyurethane foam. Base In

wood. finish/covering Fixed cover in leather, with capitonné work.

· 195 · · 275 ·· 235 ·

· 135 ·

· 71

·

· 93 ·

· 46

·

· 100 · · 80 ·

· 46

·

· 205 / 235 / 275 ·

· 80

·

· 98 ·

· 46

·

· 120 / 150 ·

· 40

··

120

/ 150

·

32

33

34

2 3 4

R A F F L e s > 99

R e g e N t ’ s > 100

t W i s t > 102

36

37

2 3 5

A s s e m A N > 106

s L e e P i N g C A R > 109

P i L g R i m > 10535design Vico Magistrett i , 1988

1983

design Valer ia De Padova, 2006

type armchair, two to five-seater sofa and pouf. material structure in wood with elastic

seat belting; internal filler in polyurethane foam with polyester batting. Goosedown seat

cushions. For more support, the seat cushions are also available with blended down and

polyurethane particles. Lower back cushions filled with polyester batting. Base Front feet

in wood with swivel castors (except for the five-seater model), back feet in wood. finish/

covering Removable fabric cover.

type armchair, two to five-seater sofa and pouf. material structure in wood with elastic

seat belting; internal filler in variable-density polyurethane foam, covered with polyester

batting. cushions with goosedown filler or, upon request, with polyurethane foam insert

(only for seat cushions). Base Wooden feet. finish/covering Removable fabric cover.

type Double bed. material Headboard: tubular steel structure with silver powder paint

finish, covered with cotton or stretch fabric belting. Base in aluminium with beech staves.

structure Demountable structure in satin-finish anodized extruded aluminium. finish/

covering Headboard belting available in écru mélange stretch fabric, or stripes with écru

central part and white and saffron lateral stripes, in cotton.

a r m c H a i r s a n d s o f a s | b e d s

· 165 / 202 · · 245 / 302 ·

· 80 ·

· 83

·

· 110 ·

· 45

·

· 80 · · 52 ·

· 33

·

· 98 ·

· 85

·

· 90 ·

· 46

·

· 218 / 243 · · 312 ·

· 75 · · 55 ·

· 175 / 218 ·

· 46

·

· 176 ·

· 10

7 ·

· 220 ·

· 30

·

design Patr iz ia cagl iani , 1984


type Double bed. material Headboard: steel structure with polyurethane foam padding,

covered with polyester batting. Wooden borders upholstered with polyester batting.

Base with beech staves. structure Demountable structure in extruded aluminium on ad-

justable feet. finish/covering Removable fabric cover for headboard and base.

type Double canopy bed. material Tubular steel structure, white powder coated. Base in

painted beech plywood. The headboard has two poplar plywood panels with polyester

filler and fabric cover as pillow supports. finish/covering canopy available with fabric

ceiling or mosquito curtain. White cotton fabric ceiling with lateral laces. Tulle mosquito

curtain with lower and upper borders in white cotton. The headboard has a removable

fabric cover.

type Double bed. material Headboard: steel structure with polyurethane foam, covered

with polyester batting. Wooden borders upholstered with polyester batting. Base with

beech staves. structure Demountable structure in extruded aluminium, on adjustable

feet. finish/covering Removable fabric cover for headboard and base.

b e d s


· 182 ·

· 20

0 ·

· 211 ·

· 33

·

· 181 ·

· 10

0 ·

· 196 ·

· 218 ·

· 32

·

· 181 ·

· 89

·

· 185 ·

· 227 ·

· 32

·

38

39

2 3 6

m A N t i s > 111

C A m P O D ’ O R O > 115

40

41

42

2 3 7

b e Y L e > 118

b L O s s O m > 121

tAV O L O ‘ 9 5 > 122


design Paolo Pal lucco and Mire i l le Riv ier, 2005

type collection of tables. top Wood particle-board panel covered with laminate, with

beveled edges, or wood particle-board veneered in oak, with beveled solid oak border

and shaped ends. Base In folded metal sheeting with aluminium central beam. adjust-

able feet. finish/colour Top: white laminate with white painted border; natural oak

with open-pore acrylic varnish. Base: steel sheet and central aluminium beam, powder-

painted in white or rust. accessories The tops (from 3 m) can be equipped with one or

more electrical or telephone sockets. The set is composed of two boxes, containing:

schuko socket, normal socket, two RJ45 data/telephone sockets, complete with cables;

wiring channel; vertical wire spiral channel.

type Table with a modular structure. a game of hinges and three trapezoidal parts that

form the top permit movement to create a table with different forms. When closed,

it is square; moving the parts, the table takes on different configurations, all the way

to a trapezoidal form. top Birch plywood panels covered with laminate, or aluminium

laminate flush with the structure. Base Base composed of three structures in steel sec-

tion. Hinges and adjustable feet in stainless steel. finish/colour Top: white laminate

or satin-finish aluminium laminate. Base: steel with white or aluminium-tone powder

paint coating.

ta b l e s

· 74

·

· 220 ·

· 10

0 ·

· 74

·

· 11

0 ·

· 12

0 ·

· 14

0 ·

· 74

·

· 74

·

· 74

·

· 70 · 70 ·

· 140 ·

· 87

·

53

·

· 14

0 ·

· 72

·

· 280 ·

· 87

·

· 53

·

· 360 · · 420 ·

· 260 · · 300 ·



design achi l le cast ig l ioni , 1995

type Rectangular table. top Particle-board panel veneered in oak, set into the shaped

solid oak frame with internal steel reinforcements. Base solid oak legs with 45° joint at

top. finish/colour Top: natural or wenge-stained oak, open-pore acrylic varnish. Base:

natural or wenge-stained oak, open-pore acrylic varnish.

type Rectangular or square table. top Particle-board panel veneered in maple or lami-

nated, with shaped solid maple border. Base Legs in curved beech plywood with ash

veneer. finish/colour Top: maple with transparent acrylic varnish; white laminate with

solid maple border. Base: maple-stained ash with open-pore acrylic varnish.

type Rectangular or square table. top In marble with shaped border. Base steel frame

with cast aluminium brackets. Legs in solid evaporated beechwood. finish/colour Top:

white arabesque cervaiole marble. Base: aluminium-tone powder painted aluminium

brackets. Legs in solid evaporated beechwood finished with polyurethane varnish.

ta b l e s

· 240 / 260 ·

· 10

0 / 1

20

··

75

·

· 180 / 220 ·

· 98

·

· 72

·

· 140 ·

· 14

0 ·

· 72

·

· 140 ·

· 73

·

· 210 ·

· 73

·

· 85

·

· 14

0 ·

43

44

2 3 8

D i N N e R > 124

V i D U N > 127

45

46

2 3 9

s H i N e > 128

N A R A > 131



type square, rectangular and extendable-rectangular table. top Particle-board panel

veneered in oak. The extendable top includes aluminium segments. Base In solid oak,

with aluminium mechanism in the extendable version. finish/colour Top: natural or

wenge-stained oak with open-pore acrylic varnish. Base: natural or wenge-stained oak

with open-pore acrylic varnish.

type Rectangular or round table. top Tempered plate-glass, thickness 12 mm. Base

Natural beech with three feet, height-adjustable from 63 to 80 cm by means of the

big wooden screw. finish/colour Top: transparent plate-glass. Base: natural or aniline-

stained beech, in the colour combinations violet-turquoise-green or red-yellow-goose-

beak, finished with polyurethane varnish or black paint.

ta b l e s

· 180 ··

90

·

· 220 · · 260 ·

· 10

0 ·· 200 ·

· 140 ·

· 73

·

· 14

0 ·

· 73

·

· 73

·

· 90

·

· 10

0 / 1

20

·

· 220 / 250 ·

· 63

› 80

·

· 130 ·

· 73

·



type collection of oval, rectangular and square tables. top Wood particle-board panel

covered with laminate, with beveled border, or wood particle-board panels with oak

veneer and beveled solid oak border. Base In tubular aluminium section with internal

steel reinforcements; cross-pieces and supports of the top in steel. finish/colour Top:

aniline-stained american cherry finished with closed-pore polyurethane varnish; natu-

ral or wenge-stained oak finished with open-pore acrylic varnish; white laminate with

white painted border. Base: mirror-finish aluminium protected by transparent varnish;

cross-pieces and supports in aluminium-tone powder coated steel.

type Rectangular or extendable-rectangular table. top Tempered plate-glass, thick-

ness 12 mm. Base In aluminium. adjustable feet. finish/colour Top: extra-clear etched

glass. Base: satin-finish anodized aluminium.

ta b l e s

· 13

0 ·

· 73

·

· 300 · · 480 ·

· 240 ·

· 150 ·

· 360 / 420 ·

· 73

·

· 200 ·

· 10

0 ·

· 20

0 ·

· 200 / 240 ·

· 73

·

· 180 / 200 ··

73

··

90 /

100

·· 260 ·

· 73

·

· 10

0 ·

· 200 ·

47

48

49

2 4 0

O t i s > 132

q UA D R At O > 135

t O O L s > 136

50

2 4 1

t O O L s + > 136

P i ù > 140

P i ù > 140

design Lorenz*Kaz, 2007 - 2008

1986

design studio cerr i & assoc iat i , 2002

type Round table. top Birch plywood covered with laminate. Base With three or four

legs, in shaped steel sheet. finish/colour Top: black or white laminate, with birch ply-

wood trim finished with closed-pore polyurethane varnish. Base: white or black powder

coated steel.

type square or rectangular table. top Wood particle-board panels covered with laminate,

with plywood border. Base In steel. finish/colour Top: white laminate with exposed ply-

wood border, finished with transparent varnish. Base: white powder coated steel.

type Rectangular table. material Top in birch plywood covered with laminate, PVc bor-

der. Base cast aluminium and aluminium section. finish/colour Top: birch plywood

covered with white laminate, semi-transparent PVc border (thickness 1 cm). Base: pol-

ished aluminium.

ta b l e s

· 100 · · 124 ·

· 71

·

· 130 / 140 / 155 ·

· 73

·

· 13

0 / 1

40 /

155

·

· 160 / 180 ·

· 80

/ 90

·

· 80

/ 90

/ 100

·

· 160 / 180 / 200 ·

· 73

·

· 71

·

design Lorenz*Kaz, 2007



type system of accessories for Tools tables, composed of: side extension, computer

rack, cable slot, rail for attachment of accessories-stand bracket, bracket with bookshelf

and bracket with paper shelf. material side extension: in curved birch plywood covered

in white laminate, semi-transparent white PVc border (thickness 1 cm). adjustable feet

and separators: anodized aluminium. computer rack: polished anodized aluminium.

cable slot: satin-finish anodized aluminium. Rail for attachment of accessories-stand

bracket: satin-finish anodized extruded aluminium. Bracket with bookshelf and bracket

with paper shelf: satin-finish anodized aluminium. notes The cable slot can be attached

to the rail or, if accessories are not used, directly to the table top using the brackets

already supplied.

type Hanging space savers. material sheet steel. finish/colour Powder coated in silver

metallic matt or white. notes available in two sizes and adaptable to tops of different

thickness: for tops up to 22 mm and tops up to 40 mm. They come with rubber inserts

to adjust the thickness of the opening to that of the top. Removable shelves permit

great usage flexibility. The hanging space savers can also be used with tables other than

those of the Più series.

ta b l e s

type Trestle table. top Melamine coated panel with PVc border, or tempered plate-

glass (thickness 12 mm). Base Tubular steel trestle with 4-cm height regulation. fin-

ish/colour Top: white melamine coated panel with maple-colour border, or transparent

tempered glass. Trestle: powder coated in aluminium gray or white.

· 26 ·

· 52

·

· 21 ·· 45 · · 77 ·

· 68

·

· 90 / 110 / 130· · 45 · · 26 ·

· 13 ·

· 24 · · 25 ·

· 13 ·

17

·

· 90 / 110 / 130·

· 80 · · 39 ·

· 69 ·

· 72

·

· 160 / 180 / 200 ·

· 80

/ 90

·

· 31 ·· 24 ·

· 26

·

· 16,5 ·

· 31 ·· 24 ·

· 43

·· 16,5 ·

51

52

53

2 4 2

L AV e N H A m e x e C U t i V e > 142

m A R O C C A > 145

C i R e N e 0 3 > 145C i R e N e 0 3 > 145

54

55

56

2 4 3

C i R e N e | C i R e N e i m b O t t i tA > 146

O L i m P i A > 146

F L O W e R > 149




type armchair. material chassis in moulded plastic. Base Fixed base in steel, powder

coated in white or black, legs in oak-stained ash wood. Plastic feet. Four-spoke swivel

base in cast aluminium, polished or powder coated in white or black. Plastic feet. Five-

spoke swivel base in cast aluminium, polished or powder coated in white. swivel cas-

tors in black plastic, with safety brake, for soft floors or carpeting; upon request, swivel

castors with soft treads, in gray, with safety brake, for hard floors like wood or marble.

finish/colour chassis in white or black with mat surface and quilted motif moulded on

the outer surface. By request: seat cushion: padded with polyurethane foam; removable

cover in fabric or leather, with slip-proof lower surface; cover: in removable quilted fabric

with elastic borders.

type chair, with or without armrests. material Beech structure. seat in beech plywood,

or padded with polyurethane foam and covered with leather. finish/colour structure:

tea-colour aniline-stained beech, finished with polyurethane varnish or painted semi-

polished black. seat: tea-colour aniline stained beech, finished with polyurethane var-

nish or painted semipolished black; covered in black leather.

type armchair. material structure in solid steam-bent ash wood, with anatomical chas-

sis in beech plywood. Upholstered version padded with polyurethane foam. finish/col-

our structure: blanched, maple-stained or wenge-stained ash, finished with transpar-

ent varnish. seat in white laminate with exposed beech plywood border, or veneered in

natural maple or wenge-stained oak, finished with transparent varnish. Upholstered

seat: removable fabric cover, for dry cleaning, or fixed leather cover.

c H a i r s

· 69 · · 56 ·

· 83

·

· 56 ·

· 77

·

· 46

·

· 46 · · 49 ·

· 46

·

· 57 · · 51 ·

· 64

·

· 77

·

· 76

·

· 46

·

· 54 · · 54 ·

· 64

,5

·

· 69 · · 69 ·

· 81

·

· 61 ·

· 81

·

· 45

·

· 66

·

· 44

·

· 65

·

· 44

·

· 65

·


2008

design Vico Magistrett i with Patr ic ia Urquio la , 1996

type stackable stool in two heights. material anatomical seat in laminated beech ply-

wood, veneered in maple or oak. Base steel tubing with stainless steel footrest. Plastic

feet. finish/colour seat: beech covered with white laminate, with exposed border; ve-

neered in natural maple or wenge-stained oak, finished with transparent varnish.Base:

polished chromed-plated steel, stainless steel footrest.

type Fixed or swivel armchair. material structure in rigid polyurethane, seat padded

with polyurethane foam and polyester batting. Base Fixed base with four steel legs.

swivel base with five steel spokes, height-adjustable; swivel castors in black plastic,

with safety brake, for soft floors or carpeting; upon request, swivel castors with soft

treads, in gray, with safety brake for hard floors in wood or marble. finish/colour Base

in polished chromed-plated steel. Removable fabric cover.

c H a i r s

type chair with or without armrests, stackable (up to ten units) or swiveling. material

anatomical chassis in beech plywood. Upholstered version padded with polyurethane

foam. Fixed chair in steel. swivel chair with five steel spokes: gas-piston height adjust-

ment mechanism. With swivel castors in black plastic, with safety brake, for soft floors

or carpeting; upon request, swivel castors with soft treads, in gray, with safety brake,

for hard floors like wood or marble. finish/colour Base: polished chromed-plated steel.

chassis: anthracite gray painted beech; white laminate with exposed beech plywood

border, or veneered in wenge-stained oak, natural maple or red aniline-stained beech,

finished with transparent varnish. Upholstered version: removable fabric cover, for dry

cleaning, or fixed leather cover. technical notes Hook for lateral connection in polished

chromed-plated steel. The hook calls for a special drilling in the structure of the chair, so

it cannot be used with previously purchased chairs.

· 53,5 ·

· 75

·

· 54 ·

· 46

·

· 56 ·

· 75

·

· 52 ·

· 46

·

· 64

,5

·

· 60 ·

· 76

› 83

,5

·

· 57,5 ·

· 44

› 51

,5 ·

· 60 ·

· 76

› 83

,5

·

· 57,5 ·

· 44

› 51

,5 ·

· 64

› 71

,5

·

· 85

·

· 48 · · 49 ·

· 65

·

· 10

0 ·

· 80

·

· 49 · · 51 ·

· 59 ·

· 80

·

· 57 · · 59 ·

· 80

› 86

·

· 57 ·

· 47

› 53

·

· 47

,5

·

· 66

› 72

·

· 66

·

57

58

59

2 4 4

i N C i s A > 150

L AV e N H A m > 152

P O L L A C k > 155

60

61

2 4 5

P O L L A C k i i > 155

s i LV e R > 156

design Vico Magistrett i - centro Design Binfaré, 1992



type swivel armchair. material structure in rigid polyurethane, seat padded with poly-

urethane foam. Outer cover in cowhide. Inner cover, removable with a zipper, in leather

or fabric, padded with polyester batting, cotton ribbon trim. Base Four-spoke fixed base

in steel. Five-spoke, swivel base in steel, on wheels. swivel castors in black plastic, with

safety brake, for soft floors or carpeting; upon request, swivel castors with soft treads,

in gray, with safety brake, for hard floors in wood or marble. finish/colour Base in pol-

ished chromed-plated steel. Outer cover: natural, Bulgarian red, brown or black cowhide.

Trim: natural, raw, camel, rust, brown, black, gray, blue, dark blue or red cotton.

type stackable chair (up to six units), with or without armrests. material chassis in

moulded plastic. Base In steel. finish/colour chassis: white or black with glossy sur-

face and quilted motif moulded on the inner surface. Base: chromed-plated steel, or

with white or black mat paint finish.

type small armchair. material structure in steel with elastic seat belting, padded with

polyurethane foam wrapped in polyester batting. Base Legs in beech, oak or aluminium,

with or without wheels. The version on wheels comes with swivel castors in black plastic,

with safety brake, for soft floors or carpeting; upon request, swivel castors with soft

treads, in gray, with safety brake, for hard floors in wood or marble. finish/colour alu-

minium legs: polished or satin anodized. Wooden legs: natural beech, natural or wenge-

stained oak, finished with transparent varnish. Removable fabric or fixed leather cover.

c H a i r s

· 58 ·

· 84

·

· 58 ·

· 48

·

· 58 ·

· 84

·

· 58 ·

· 48

·

· 69

·

· 69

·

· 78

·

· 57 · · 51 ·

· 46

·

· 57 · · 51 ·

· 78

·

· 46

·

· 65

·

· 59 ·

· 76

·

· 49 ·

· 47

·

· 59 ·

· 76

·

· 49 ·

· 47

·



type Upholstered chair. material structure in steel with elastic seat belting, with flex-

ible back, padded with polyurethane foam wrapped in polyester batting. Base Legs in

beech, oak or aluminium. finish/colour Legs: natural beech, natural or wenge-stained

oak, finished with transparent varnish; polished or satin-finish anodized aluminium.

Removable fabric cover, also for the chair with long cover.

type seating system composed of a chair, with or without armrests, a stackable chair

(up to six units), a swivel chair on wheel, and multiple bar-mounted chairs. material

Fixed chair: structure in aluminium tubing, seat frame in die-cast aluminium, polypro-

pylene seat and back. swivel chair: structure in aluminium tubing, seat frame in die-

cast aluminium, five-spoke steel base with swivel castors in black plastic, with safety

brake, for soft floors or carpeting; upon request, swivel castors with soft treads, in gray,

with safety brake, for hard floors in wood or marble. Height-adjustable seat. Multiple

bar-mounted chairs: in steel with die-cast aluminium supports. finish/colour Fixed

chair: structure in polished or satin-finish anodized aluminium. seat frame in polished

aluminium coated with transparent powder, or aluminium-tone powder coated, for the

satin-finish version. Fixed stackable chair: structure in polished anodized aluminium.

seat frame: polished aluminium coated with transparent powder. swivel chair: struc-

ture in polished or satin-finish anodized aluminium. seat frame in polished aluminium

coated with transparent powder, or aluminium-tone powder coated, for the satin-finish

version. Base in aluminium-tone powder coated steel. Multiple bar-mounted chairs:

structure in satin-finish anodized aluminium. cross-bar and bases in aluminium-tone

powder coated steel. seat and back: black, white, gray, warm gray, orange or cobalt blue.

accessories Hook for side connection in black plastic, for use only on stackable silver

chairs without writing surfaces. Writing surface in plywood covered with plastic lami-

nate, complete with die-cast aluminium joint. Trolley for transport of up to six chairs, in

polished anodized aluminium with rubber wheels. cushion in polyurethane foam, cov-

ered with black, white, gray, warm gray, orange or cobalt blue cotton, removable for dry

cleaning. attached to the seat with a plastic snap button. notes available upon request

with special protective treatment for outdoor use. Multiple bar-mounted chairs: for all

back-to-back double configurations two joint bars are needed.

c H a i r s

· 44 ·

· 86

·

· 50,5 ·

· 47

·

· 44 ·

· 86

·

· 50,5 ·

· 47

·

· 45 ·

· 80

·

· 51 ·

· 46

·

· 61 ·

· 80

·

· 51 ·

· 67

·

· 46

·

· 45 ·

· 62 ·

· 78

› 84

·

· 57 ·

· 44

› 50

·

· 63 ·

· 62 ·

· 78

› 84

·

· 57 ·

· 44

› 50

·

· 65

› 71

·

sil. s / 1 sil. p / 1

sil. s / ii sil. p / ii

· 52 ··

80

·· 51 ·

· 46

·

sil. s / 1im

· 59 ·

· 80

·

· 51 ·

· 46

·

· 68

,5

·

sil. p / 1im

· 50 ·

· 78

·

· 186 / 246 / 306 ·

· 60 · 60 ·

· 44

·

sil. p / b

· 162 / 216 / 270 · · 50 ·

· 78

·

· 45 · 9 · 45 ·

· 44

·

sil. s / b

62

63

64

2 4 6

s P R i N g > 159

U R A g A N O > 160

s U N D A N C e > 163

66

67

65

2 4 7

t e t R i s > 165

q UA D R At O e s P O s i t O R e > 165

C A m P O A R At O > 165design Damian Wi l l iamson, 2006


design P a o l o G o l i n e l l i , 2 0 1 0

type stackable chair (up to six units). material structure in solid ash wood. finish/

colour structure: natural, wenge-stained or white-stained ash, finished with open-pore

acrylic varnish.

type armchair. material structure in solid beech. Back and seat woven in natural wicker.

single back-seat cushion padded with polyester batting. finish/colour structure: ani-

line-stained beech in goosebeak yellow. seat and back in natural wicker with transpar-

ent acrylic varnish. cushion: covered in natural cotton fabric.

type Folding armchair. material structure in natural teak. Hinge in brushed stainless

steel. seat, sides and back in fabric; armrests padded with polyurethane foam. Base Fold-

ing teak base. Plastic feet. finish/covering Base in natural teak. Removable fabric cover

in white or black.

c H a i r s

· 81

·

· 45

·

· 46 · · 52 ·

· 57 ·

· 75

·

· 61 ·

· 45

·

· 61 ·

· 81

·

· 40 ·

· 44

·

· 63

,5

·

design Nendo, 2007

1996

design Paolo Pal lucco, 2008

type small table with a modular structure. a game of hinges and three trapezoidal

parts that form the top and permit movement to create a table with different forms.

When closed, it is square; moving the parts, the table takes on different configurations,

all the way to a trapezoidal form. top Poplar plywood covered with solid ash wood. Base

Legs and top frame in solid oak. stainless steel hinges. adjustable feet. finish/colour

Top: natural oak-stained ash wood, with triangular milled surface, treated with open-

pore acrylic varnish. Base: natural oak with open-pore acrylic varnish.

type square table. top Wood particle-board panels. Base structure in steel. finish/

colour Tops: finished with goffered polyurethane paint in white or black. Base: powder

coated steel, in white or black.

type square table. top Lower level: wood particle-board panel. Upper level: tempered

glass, thickness 12 mm. Base In steel. finish/colour Top: lower level in white faced

chipboard; upper level in transparent glass. Base: white powder coated steel.


· 38 ·

· 31

,5

·

· 80 ·

· 80

·

· 120 ·

· 12

0 ·

· 40

·

· 12

1 ·

· 121 ·

· 38

·

69

68

70

2 4 8

D A N | D A N O VA L e > 167

s At U R N O > 167

s W i s s > 167

72

71

2 4 9

73

m i N i m At e > 168

m At e > 168

C H A b - tA b L e > 168

1992

design D’Urbino – Lomazzi , 2008

design Mirto zocca, 2003

type Round or oval small table. top Dan: wood particle-board panel. Dan oval: wood

particle-board panel covered with laminate, with beveled border. Base In aluminium.

finish/colour Dan: white or embossed black paint finish. Dan oval: white laminate with

white painted border. Base: satin-finish anodized aluminium.

type side table. Made up of two staggered circular tops of different sizes mounted on

a diagonal support bar. The tops rotate independently and together on the central axis

welded to the support bar. top Wood particle-board panels. Base structure in steel and

layered laminate. finish/colour Top: goffered paint, white or black. structure powder

coated in white or black; base in white or black layered laminate.

type Round or oval height-adjustable small table. top Layered laminate panel with alu-

minium core. Base In steel. finish/colour Top: black layered laminate with aluminium

core and white surface; black layered laminate with aluminium core and surface in wenge

veneer, finished with open-pore acrylic varnish. Base: polished chromed-plated steel.


· 48 / 58 / 85 ·

· 40

/ 42 ·

· 150 ·

· 108 ·

· 63 ·

· 45 ·

· 62

·

· 41

·

· 55 ·

· 49

› 80

·

· 64 ·

· 45

,3

·

· 40

·

· 13

0 ·



design Nendo, 2005

type Tray with folding base. top Edges in solid beech, birch plywood panel with beech

veneer. Base Folding base in solid beech with cotton belting. finish/colour Tray: Natu-

ral beech finished with closed-pore polyurethane varnish. Base: natural beech finished

with closed-pore polyurethane varnish and blue cotton belting.

type Tray with folding base. top Edges in solid beech, birch plywood panel covered in

laminate. Base Folding base in solid beech with cotton belting. finish/colour Tray: Nat-

ural beech finished with closed-pore polyurethane varnish, top in white laminate. Base:

natural beech finished with closed-pore polyurethane varnish and blue cotton belting.


type small table with tray. The base rotates to obtain two heights, increasing usage

flexibility. The top can also be used as a tray. top Beech plywood covered with laminate,

border in curved solid beech. Base In steel. finish/colour Tray: white laminate with

waxed beech border. Base: white powder coated steel.

· 58

·

· 40

·

· 48 ·

· 55

·

· 45 ·

· 42

·

· 41

·

· 59 ·

· 48

·

· 45 ·

· 60 ·

· 53

·

· 60 ··

37

·

74

75

76

2 5 0

s C R i t tA R e L L O > 171

C O N s O L e > 171

t R i O > 172

77

78

79

2 5 1

D t L i g H t > 172

F i N D e R > 175

b O O k > 175


2003


type Desk. top Birch plywood panel covered in laminate. side trays in curved birch ply-

wood covered in laminate. Base In shaped solid beech. Footrest and tie-rods in steel. fin-

ish/colour Top and side trays: covered in white laminate. Base: natural beech with closed-

pore polyurethane varnish. Footrest and tie-rods powder coated in aluminium colour.

type small table. top Wood particle-board panel. Base In anodized aluminium, fixed

or on wheels. finish/colour Top: embossed white lacquer. Base: polished anodized

aluminium.

type console. top Wood particle-board panel with oak veneer. Base In shaped solid oak.

Tie-rods in stainless steel, aluminium crossbar. finish/colour Top: natural or wenge-

stained oak finished with open-pore acrylic varnish. Base: natural or wenge-stained oak

finished with open-pore acrylic varnish. Tie-rods in satin-finish stainless steel, crossbar

in natural anodized aluminium for the console in natural oak, or tie-rods in black painted

stainless steel and crossbar in black anodized aluminium for the wenge-stained version.


· 129 ·

· 72

·

· 65

·

· 159 ·

· 65

·

· 40

·

· 72

,5

·

· 61

·

· 70 ·· 70 · · 70 ·

· 55

·

design Phi l Luith len, 2003


design Petra Runge, 2000

type suspension lamp composed of an arm with three lengths suspended from the

ceiling and balanced on the floor by a steel cable with counterweight that allows the

lamp to rotate 360° and to be adjusted in terms of height and angle. material arm and

counterweight in aluminium. shades in parchment paper, percaline or PVc, supported

with plastic. finish/colour arm and counterweight in satin-finish aluminium. shades:

white parchment paper, silver-gray percaline, chrome metallized PVc. notes The cable

supplied covers a maximum floor-ceiling height of 4.5 m. For bigger heights (up to 8 m)

order the special cable. small lamp, shade ø 32 cm, E14 max 60 W bulb. Medium and

large lamps, shade ø 42 cm, E27 max 100 W bulb.

type Hanging magazine-document rack. available in vertical format with four pock-

ets, horizontal with six pockets, and horizontal with sixteen pockets. material steel or

stainless steel. finish/colour Glossy white painted steel or super mirror stainless steel.

notes Normal non-permanent markers can be used to write on the surface. The white

painted version can be used with magnetic paper clips. The open pocket version stores

small documents or postcards.

type “Book-shape” rectangular or square mirror, mounted on the wall, with 180° panel

rotation. material structure in aluminium sheet with aluminium hinges. Mirror in extra-

clear glass. finish/colour structure and hinges: satin-finish anodized aluminium.


· 124 / 170 / 201 ·

· 32 / 42 ·

·8·· 38 ·

· 88

·

·8·· 90 ·

· 56

·

·8·· 90 ·

· 56

·

·10·

· 88

·

· 116 ·

· 75 · · 37,5 ·

· 82

·

· 75

·

· 90 ·

· 12

9 ·

· 47 ·

· 12

2 ·

80

81

82

2 5 2

m O b Y 1 e m O b Y 2 > 177

N A R C i s O > 178

P R Ê t - à - p or t e r > 178

84

85

86

83

2 5 3

R A i N Y D AY > 181

F R A m U R A | C H A i s e + P O U F > 183

F R A m U R A | D O N D O L O > 183

R O k U m A R U > 181design Marco zanuso j r, 2008

design Enr ico Franzol in i , 1987 f i rst edit ion - 1997 modif ied re- issue

design annette Lang, 1987

type Trolley for LcD televisions and DVD players, with one or two shelves. top Lay-

ered laminate. Base structure, brackets and DVD stand in steel. Rubber swivel castors

with steel support, blocking for the front wheels. finish/colour Top: layered laminate

in glossy white or black, or with satin aluminium finish. Base: structure, brackets and

wheel support in polished chromed-plated steel. small shelf: in gray powder coated

steel.

type Mirror on wheels. The chromed-plated handle, like a ring at the center of the mirror,

facilitates movement. On the back, four hooks can be used to hang garments. material

Glass mirror, supported by a faced wood particle-board panel and a steel frame. Base

Industrial wheels, two fixed, one swivel. finish/colour support of the mirror: black or

light gray. Frame: gray aluminium-tone powder coating. chromed-plated handle.

type clothes-rack. material steel structure. The surface for clothes is finished with

wound cowhide cord to prevent slipping. finish/colour aluminium gray powder coated

steel. Natural cowhide cord.


· 100 ·

· 42

·

· 100 ·

· 25

·

· 42

·

· 42

·

· 45 ·· 50 ·

· 17

5 ·

· 45 · · 32 ·

· 65

·

· 11

7 ·


design aksu / suardi , 2009


design Nendo, 2008

type coat rack. material structure in solid ash with rhomboid section. Base Plastic feet.

finish/colour Natural or wenge-stained ash, finished with open-pore acrylic varnish.

type Umbrella stand with internal shelf for small umbrellas. material structure in steel

sheet. Internal plastic tray for water removal. finish/colour Powder coated steel in mat

metallized silver, glossy metallized gray, white or black.

type chaise and pouf. material Tubular aluminium structure with steel reinforcement.

cushions padded with polyester fiber, with semirigid insert in the lower part in contact

with the structure. cushions are attached to the structure with polyester belting. fin-

ish/covering structure powder coated in white or silver. cushions covered in fabric for

indoor use, polyester for outdoor use. Belting in orange, green or gray polyester.

type Rocking chair. material Tubular aluminium structure with steel reinforcement.

cushions padded with polyester fiber, with semirigid insert in the lower part in contact

with the structure. cushions are attached to the structure with polyester belting. fin-

ish/covering structure powder coated in white or silver. cushions covered in fabric for

indoor use, polyester for outdoor use. Belting in orange, green or gray polyester.

a c c e s s o r i e s | o u t d o o r

· 48

·

· 36 ·

· 39

·

· 84 ·

· 99

,5

·

· 105 · · 65 · · 53 ·

· 34

·

· 39

·

· 97

·

· 118 ·· 84 ··

161

·

· 62 ·

· 60 ·

· 60 ·

87

88

89

2 5 4

F R A m U R A | N i D O > 187

F R A m U R A | L e t t i N O P R e N D i s O L e > 188

L AV e N H A m O U t D O O R > 191




type Multiple seat. material Tubular aluminium structure with steel reinforcement,

woven with polyester belting. central cushion in polyurethane foam, through cushions

in polyester fiber. Base Jointed plastic feet. finish/covering structure powder coated in

white or silver. cushions covered in fabric for indoor use, polyester for outdoor use. Belt-

ing in orange, green or gray polyester. The central cushion comes only in white polyester

fabric. notes The structure can be reclined as desired. Five cushions are recommended

for the Nido.

type sun cot. material Tubular aluminium structure with steel reinforcement. cushions

padded with polyester fiber, with semi-rigid insert in the lower part in contact with the

structure. The cushions are attached to the structure with polyester belting. adjust-

ment handle in stainless steel. finish/covering structure powder coated in white or

silver. cushions covered in fabric for indoor use, polyester for outdoor use. Belting in or-

ange, green or gray polyester. accessories side table with structure in aluminium sheet

and tubing, powder coated in white or silver. notes Back adjustable in three positions.

type stackable chair (up to six units), with or without armrests, for outdoor use. mate-

rial chassis in moulded plastic. Base stainless steel. finish/colour chassis: white or

black, with glossy surface and quilted motif moulded on the inner surface. Base: satin-

finish stainless steel.

o u t d o o r

· 175 ·

· 42

·

· max

74

·

· 54

/ 69

/ 80

·

· 57 · · 51 · · 57 · · 51 ·

· 70 ·

· 80

·

· 39

·

· 214 ·

min 22·

·

· 78

·

· 46

·

· 78

·

· 46

·

· 65

·

We would like to thank the following companies for their cooperation, with their products, on the sets used for the photographs in this catalogue.

apple archivio Pietro consagraartemide Bocconi Trovato & Partners –Tivoli audioBodum Danese Flos Guido De zan Luceplan Mc selvini O Luce Orizzonti Paola c Plinio il giovane Radio Forniture sony Italia sounders Targetti

depadova casa 2010 (uk)

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