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DANCE

MUSIC

THEATER

The Wallis

WALLIS ANNENBERG CENTER FOR THE PERFORMING ARTS

2018/2019 SEASON

Welcome to THE WALLIS’ 2018/2019 SEASON delivering you the very best in dance, music and theater.

Our commitment to Los Angeles

artists and companies

1 2018/2019 SEASON

18/19 Company-in-Residence: Jacob Jonas The Company

Our commitment to Family Friendly

programming

Dear Friends,We look forward to welcoming you back to The Wallis for the 2018-2019 Season, or welcoming you for the very first time.

This season we are happy to bring back old friends such as Jacob Jonas The Company, which will be our Company-in-Residence this season. It is great to be collaborating again with For The Record on Love, Actually, as well as to be developing the new musical Witness Uganda with creators Matt Gould and Griffin Matthews.

We’re equally excited to be working with new friends. L.A. Master Chorale, National Sawdust from New York, Malpaso Dance Company from Cuba, Pig Pen Theater Company, and Film Independent will all be joining us for the first time.

We are also bringing to Los Angeles the National Theatre of Great Britain’s Tony and Olivier Award-winning production of An Inspector Calls, directed by Stephen Daldry. It is among the most remarkable and unique productions of modern times. Not to be missed.

As you can see our relationships are across both the country and the world, and it is with great pride that we are able to invite so many great artists and companies to our wonderful Performing Arts Center in Beverly Hills. There are too many to mention them all, but we value every single artist that is appearing in our new season.

The relationship with our community is equally important, as we continue to grow and develop as a creative and educational space. We value our partners, collaborators and educators, exploring new and innovative ways of working together. Arts learning, alongside the work on our stages, is at the core of everything we do, creating remarkable opportunities and experiences for all ages.

And most importantly we value you, our audience.

Thank you for your continued support.

Paul Crewes, Artistic Director

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The Wallis is a dynamic performing arts hub and vital community resource where local, national and international artists share their artistry with eager audiences; where learning opportunities for students of all ages abound; and where everyone is welcome. The Wallis is committed to robust and distinctive programming you won’t find anywhere else—from producing our own work to presenting accomplished artists, as well as nurturing emerging voices across all performing arts disciplines.

Our artistic team curates with both creativity and social impact in mind.

Our GRoW @ The Wallis education and outreach programs connect diverse audiences of all ages with the very best in the performing arts; use the power of the arts to build community; and respond to critical needs in the broader community through arts leadership, collaboration and partnership.

As we launch our sixth season in Southern California, we’re pursuing bold and ambitious goals to establish The Wallis as everyone’s performing arts center—and we need your help. Ticket sales provide a fraction of the income needed to support the important work we do. Please consider making a tax-deductible contribution with your subscription order. Your gift will ensure that The Wallis is open for generations to come—embracing the future and meeting the growing needs of our community.

We look forward to welcoming you to The Wallis family!

Fondly,

P.S. When you include your tax-deductible gift with your subscription order, you’re not only contributing to the growth of The Wallis, but accessing a number of one-of-a-kind benefits that begin as soon as we receive your donation. Thank you!

Rachel Fine, Managing Director

Join The Wallis Family!

3 2018/2019 SEASON

FLEX PASS SUBSCRIPTIONS

valid on all

2018/2019

programs!

See order form for details.

With Gratitude To Our Season Sponsors

PREFERRED HOTEL

OFFICIAL AIRLINE SPONSOR

OFFICIAL AUTOMOTIVE SPONSOR

SEPTEMBER 201821-27 L.A. Film Festival

OCTOBER 201820-21 L.A. Master Chorale/ Tears of St. Peter

24-27 Jacob Jonas The Company

27 Chris Walden Big Band

NOVEMBER 20181-3 Alonzo King LINES Ballet

3-4 Shadow Play

9 Alisa Weilerstein

11 Dance Sunday / Story Pirates

14-17 The Bitter Game

DECEMBER 20184-31 Love, Actually

6-23 The Sorting Room

8 Story Pirates

9 Dance Sunday

JANUARY 201910-12 Hubbard Street Dance Chicago & Third Coast


15 Film Independent Screening Series

16 Jorge Federico Osorio

22-31 An Inspector Calls

FEBRUARY 20191-10 An Inspector Calls

5-24 Witness Uganda


15-16 Ate9

20-21 ASCAP Musical Theater Workshop

22 Stephen Schwartz & Friends

23 Kaleidoscope

MARCH 20192-17 The Old Man & The Old Moon

9 Story Pirates

10 Dance Sunday

14-15 National Sawdust / (M)/iyamoto is Black Enough


22 Judy Collins: A Love Letter to Stephen Sondheim

23 Dee Dee Bridgewater

28-30 Malpaso Dance Company

APRIL 201914 Dance Sunday


26 Tetzlaff Trio

26-28 Black Beauty

MAY 20193-5 Black Beauty

10-11 Jacob Jonas The Company

11 Story Pirates

12 Inna Faliks

12 Dance Sunday

24-31 Hershey Felder as Claude Debussy: A Paris Love Story

30-31 National Sawdust / Forward Music Project

JUNE 20191-9 Hershey Felder as Claude Debussy: A Paris Love Story

9 Dance Sunday

13-30 The Sorting Room

22 Inon Barnatan


2018/2019 Season Overview

Key:Dance

Theater

Music

Free/Outdoors

The Sorting Room

Cinema

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DANCE@ THE WALLIS

JOIN US FOR POST-SHOW TALK

BACKSAFTER SELECT DANCE

PERFORMANCES!

5 2018/2019 SEASON

October 24 - 27, 2018 / Lovelace Studio TheaterMay 10 - 11, 2019 / Bram Goldsmith Theater

JACOB JONAS THE COMPANY

18/19 COMPANY-IN-RESIDENCE

After a sold-out run in The Wallis’ 16/17 Season, Jacob Jonas The Company returns as the 18/19 Season Company-in-Residence. The Company – led by its dynamic namesake - is gaining international acclaim for its honest storytelling, visceral performances and cutting-edge content creation – including the #CamerasandDancers visual arts movement. Whether you were lucky enough to catch The Company at The Wallis, their To the Sea festivals at the Santa Monica Pier or are new to their mix of contemporary ballet and acrobatic movement, you won’t want to miss two engagements in the 18/19 Season, which includes an intimate studio series in the Lovelace Studio Theater and a world premiere in the Bram Goldsmith Theater.

OCT: $35MAY: $29/ $39 / $59 / $79 / $89

“IF BREAK DANCING AND CONCERT DANCE HAD A BABY”

– Los Angeles Times

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ALONZO KING LINES BALLETAlonzo King LINES Ballet creates work drawing on a diverse set of deeply rooted cultural traditions, imbuing classical ballet with new expressive potential. Choreographer King understands ballet as a science – founded on universal, geometric principles of energy and evolution – and continues to develop a new language of movement from its classical forms and techniques, connecting audiences to a profound sense of shared humanity.

November 1-3, 2018 / Bram Goldsmith Theater

$35 / $45 / $65 / $85 / $105

“VISIONARIES IN THE BALLET WORLD”

– San Francisco Chronicle

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HUBBARD STREET DANCE CHICAGO & THIRD COAST PERCUSSION

A new, full-length collaboration between the acclaimed Chicago companies Hubbard Street Dance Chicago and Third Coast Percussion with sensational choreography by Emma Portner and Movement Art Is, and a rousing score by Devonté Hynes.

January 10 - 12, 2019 / Bram Goldsmith Theater

“A CURE FOR THE ILLS OF THE ERA”

— The New York Times

$35 / $45 / $65 / $85 / $105

Hubbard Street dancers Jessica Tong and Elliot Hammans. Concept by Alejandro Cerrudo. Photo by Quinn B Wharton.

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Emmy Award-winner Debbie Allen returns with the 4th season of FREE, outdoor dance events for the whole family.

Dance Sundays with Debbie Allen & FriendsEvery Second Sunday of the Month, beginning November 11 @ 12-2pm

ATE9 DANCE COMPANYLos Angeles’ Ate9 Dance Company presents the world premiere of a Blind LAdy and the highly acclaimed calling glenn, which features live music by Wilco percussionist Glenn Kotche. Both works by choreographer and Artistic Director Danielle Agami highlight her deep artistry in movement and need to create personally relevant work.

Programa Blind LAdycalling glenn

“AGAMI HAS BECOME CHOREOGRAPHY’S IT GIRL.”


February 15-16, 2019 / Bram Goldsmith Theater

FREE!

7 2018/2019 SEASON

$29 / $39 / $59 / $79 / $89

All of the 18/19dance companies will

perform for our

Focus and Partner schools.

Cuba’s hottest contemporary dance company shares a little slice of Havana in a sparkling program of movement and music featuring works by Artistic Director Osnel Delgado, as well as international choreographers Aszure Barton, Cecilia Bengolea and Ohad Naharin.

March 28-30, 2019Bram Goldsmith Theater

“MALPASO DANCE BRINGS ITS BREEZY, CHARMING SURPRISES FROM CUBA.”

— Los Angeles Times

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$35 / $45 / $65 / $85 / $105

AN ASSOCIATE COMPANY OF JOYCE THEATER PRODUCTIONS

Photo by Nir Arieli

$45 / $55 / $75 / $95

October 20-21, 2018 / Bram Goldsmith Theater

LOS ANGELES MASTER CHORALE’S

LAGRIME DI SAN PIETRO/TEARS OF ST. PETERBy Orlando di LassoConducted by Jenny WongDirected by Peter Sellars

“A MAJOR ACCOMPLISHMENT FOR THE MASTER CHORALE... AND A MAJOR ACCOMPLISHMENT FOR MUSIC HISTORY.” - Los Angeles Times

9 2018/2019 SEASON

MUSIC@ THE WALLIS

From the creative mind of acclaimed director Peter Sellars comes his very first a capella staging and most personal and emotionally-charged work to date. Twenty-one singers transform this 75-minute Renaissance masterpiece — committed to memory and dramatically staged — into both a biblical parable of St. Peter’s disavowal of Jesus Christ and a contemporary allegory for our fractious times.

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November 9, 2018 / Bram Goldsmith Theater

ALISA WEILERSTEIN, CELLOCOMPLETE BACH CELLO SUITESThe young cellist Alisa Weilerstein, a recipient of a 2011 MacArthur “Genius” Fellowship, has justly earned international acclaim for emotionally resonant performances of both traditional and contemporary music. Weilerstein will bring her technical precision and impassioned musicianship to the extraordinary task of performing all six of Bach’s solo cello suites in one evening.

$45 / $55 / $75 / $95

“ALISA WEILERSTEIN IS TOO BIG A TALENT TO BE PIGEONHOLED.”

– New York Magazine

October 27, 2018 / Bram Goldsmith Theater

CHRIS WALDEN BIG BANDThe Grammy-nominated Chris Walden Big Band — comprised of the very best studio musicians based in Los Angeles — makes its Wallis debut with a program that pays tribute to the “Rat Pack” era, featuring 4 fantastic guest vocalists accompanied by Walden’s hand-crafted and swinging arrangements.

$45 / $55 / $75 / $95

“THE REAL STAR OF THE EVENING WAS WALDEN’S WRITING” - Los Angeles Times

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Jorge Federico Osorio has been lauded throughout the world, and his native Mexico, for his superb musicianship, powerful technique, vibrant imagination and deep passion. He is the recipient of several international prizes and awards, including the prestigious Medalla Bellas Artes, the highest honor granted by Mexico’s National Institute of Fine Arts. Osorio’s program includes works by Bach, Schubert, Liszt, Debussy, Albéniz and fellow countrymen Ricardo Castro and Manuel Ponce. Mr. Osorio is a Steinway Artist.

June 22, 2019 / Bram Goldsmith Theater

January 16, 2019 / Bram Goldsmith Theater

INON BARNATAN, PIANOVARIATIONS ON A SUITE

JORGE FEDERICO OSORIO, PIANO

“ONE OF THE MORE ELEGANT AND ACCOMPLISHED PIANISTS ON THE PLANET.”


ProgramJOHANN SEBASTIAN BACH Two Chorale PreludesFRANZ SCHUBERT Sonata in A Major, D. 959 FRANZ LISZT Vallée d’ObermannCLAUDE DEBUSSY Three Preludes

ISAAC ALBÉNIZ Mallorca (Barcarola)RICARDO CASTRO BarcarolaMANUEL PONCERapsodia Cubana Balada Mexicana

11 2018/2019 SEASON

Inon Barnatan is celebrated for his poetic sensibility, musical intelligence, and consummate artistry. Recently named the music director of the La Jolla Music Society’s 32-year-old SummerFest, Barnatan will make his Wallis debut with one of his typically adventurous concert programs.

ProgramHANDEL Chaconne in G Major, HWV. 442BACH Allemande from Partita in D Major, BWV. 828RAMEAU Courante from Suite in A minor, RCT. 5COUPERIN L’AtalanteRAVEL Rigaudon from Le Tombeau de CouperinADES Blanca VariationsLIGETI Musica Ricercata Nos. 11 & 10

BARBER Fugue from Sonata for Piano, Op. 26BRAHMS Variations and Fugue on a Theme by Handel, Op. 24

“ONE OF THE MOST ADMIRED PIANISTS OF HIS GENERATION.” – The New York Times

$45 / $55 / $75 / $95

$45 / $55 / $75 / $95

Kaleidoscope is a conductorless chamber orchestra dedicated to enriching lives through exhilarating concert experiences that connect diverse communities of Los Angeles.Kaleidoscope will bring over 40 musicians to the Bram Goldsmith

stage for an evening of Beethoven, Prokofiev — featuring pianist Irene Kim — and a brilliant contemporary work by Pulitzer Prize-winning composer Caroline Shaw.

February 23, 2019 / Bram Goldsmith Theater

KALEIDOSCOPE WITH IRENE KIM, PIANO

“A KALEIDOSCOPE PERFORMANCE ADDS LAYERS OF INTENSITY TO THE USUAL CHAMBER ORCHESTRA”


ProgramCAROLINE SHAWEntr’acte (for string orchestra)

SERGEI PROKOFIEVPiano Concerto No. 3LUDWIG VAN BEETHOVENSymphony No. 5

February 22, 2019 / Bram Goldsmith Theater

The ASCAP Foundation andThe Wallis present

STEPHEN SCHWARTZ & FRIENDSTony, Oscar and Grammy Award-winning composer/lyricist Stephen Schwartz returns once again for an always-exhilarating evening of music and conversation with composers, lyricists and artists he has mentored and inspired.

The popular ASCAP Foundation Musical Theatre Workshop in partnership with Universal Pictures Theatrical and The Wallis returns February 20-21, 2019.

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$25 / $35 / $45 / $55

$25 / $35

For over five decades, Judy Collins has inspired audiences with sublime vocals, captivating presence and firm commitment to social activism. Collins celebrates one of the most gifted composers in American music history, Stephen Sondheim, with stunning versions of some of the most moving songs ever written for the stage – including, of course, her chart-topping, Grammy-winning version of “Send in the Clowns.”

March 22, 2019 / Bram Goldsmith Theater

JUDY COLLINS: A LOVE LETTER TO STEPHEN SONDHEIM

“THERE’S SOMETHING IMMENSELY SATISFYING IN MS. COLLINS’S CHOICE TO MINE THESE SONGS FOR POLITICAL AND INTERPERSONAL RELEVANCE.”

– The New York Times

“MS. BRIDGEWATER SPILLS WITH THEATRICS AND SENSUALITY”


She’s simply a music legend. Triple Grammy winner, Tony winner, UN Goodwill Ambassador and NEA Jazz Master Dee Dee Bridgewater makes her Wallis debut with a tribute to the rich soul tradition of the city where she was born.

March 23, 2019 / Bram Goldsmith Theater

DEE DEE BRIDGEWATER ANDTHE MEMPHIS SOULPHONY:MEMPHIS: YES, I’M READY

13 2018/2019 SEASON

$45 / $55 / $75 / $95 / $125

$25 / $35 / $45 / $55

Three of the most prominent performers in classical music - violinist Christian Tetzlaff, cellist Tanja Tetzlaff and pianist Lars Vogt - join forces for a perfectly paired evening of Schumann and Dvorák. This might just be the ideal way to celebrate post-Tax Day.

April 26, 2019Bram Goldsmith Theater

TETZLAFF TRIO

“CHAMBER MUSIC IS NOT AN OCCASIONAL INDULGENCE FOR THESE PLAYERS BUT AN ESSENTIAL COMPONENT OF THEIR MUSICAL LIVES.” – Boston Globe

ProgramROBERT SCHUMANNTrio No. 1 in D minor, Op. 63ANTON DVOŘÁKTrio No. 3 in F minor, Op. 65

“ADVENTUROUS AND PASSIONATE”

– The New Yorker

Ukrainian-born American pianist Inna Faliks, Head of Piano at UCLA, has established herself as one of the most exciting, committed, communicative and poetic artists of her generation. Her Wallis debut features the world premiere of “Eleven Bagatelles for Piano” by Iranian-American Richard Danielpour, Professor of Composition at UCLA, as well as two masterworks by Robert Schumann.

May 12, 2019 / Bram Goldsmith Theater

INNA FALIKS, PIANO D A N I E L P O U R & S C H U M A N N

ProgramRICHARD DANIELPOUREleven Bagatelles for PianoROBERT SCHUMANNKinderszenen Op 15Symphonic Etudes Op 13 (With Posthumous Variations)

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$45 / $55 / $75 / $95

$25 / $35 / $45 / $55

PRELUDES @ THE WALLISTake a deeper dive into The Wallis' program offerings! Join Classical KUSC Radio’s Brian Lauritzen and other guest moderators for free pre-concert conversations an hour before each performance in the Bram Goldsmith Theater with the artists prior to select classical music performances, along with a complimentary glass of wine.

@ THE WALLISBrooklyn’s National Sawdust is one of the most innovative venues in the country, a place where emerging and established artists can share their music with serious fans and casual listeners alike. The Wallis is thrilled to partner with National Sawdust, led by the visionary co-founder, Artistic Director and Composer Paola Prestini, for two boundary-breaking concerts in the intimate Lovelace Studio Theater this season.

“PAOLA PRESTINI IS A COMPOSER AND IMPRESARIO WHOSE INTERDISCIPLINARY VISION IS HELPING TO SHAPE THE FUTURE OF NEW MUSIC.” – Broadway World

15 2018/2019 SEASON

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A contemporary band performs a riveting piece about Ariana Miyamoto, the mixed-race winner of Miss Universe Japan 2015, who weathered backlash for her lack of “pure” parentage – that she was not Japanese enough. Prepare yourself for a brash symphony of hard-driving rhythms and biting social commentary.

March 14-15, 2019 / Lovelace Studio Theater

(M)IYAMOTO IS BLACK ENOUGHComposer, Andy AkihoLyricist, Roger Bonair-AgardPercussion, Sean DixonCello, Jeffrey Zeigler

“Consistently self-possessed, and alternately delicate and fierce in her musical approach, Gookin displayed impressive reserves of emotional and technical energy.”

– San Francisco Classical Voice

Performer, Amanda GookinComposers: Angélica Negrón, Nathalie Joachim, Leila Adu, Jessica Meyer, Allison Loggins-Hull, Amanda Feery, Morgan Krauss

The startlingly visceral cellist Amanda Gookin performs stylistically contrasting commissions by seven female composers that explore a range of issues facing women today, from the LGBTQ+ to reproductive rights, sexual violence and empowerment.

May 30-31, 2019 / Lovelace Studio Theater

FORWARD MUSIC PROJECT

“THIS IS EXACTLY WHAT WE NEED TO HEAR RIGHT NOW.”

– Arts & Culture Texas

$40

$40

Photo by Ryan Scherb

THEATER@ THE WALLIS

After a sold-out engagement in The Sorting Room last December, For The Record returns with an expanded, multi-media theatrical celebration of the soundtrack to Love Actually. The beloved holiday rom-com will be brought to life through Christmas and pop hits by Mariah Carey, Kelly Clarkson, The Beach Boys, Joni Mitchell and many more, performed by an eclectic mix of artists from the worlds of music, stage and screen. Join For The Record in the Bram Goldsmith Theater and you’ll find that Love Actually is all around.

WINNER of 2 LA Stage Alliance Ovation Awards for For the Record: Scorsese - American Crime Requiem at The Wallis!

December 4-31, 2018 Bram Goldsmith Theater

“SEARINGLY VISCERAL, THE MOVIES SING!”


17 2018/2019 SEASON

The Wallis & For The Record production of

live

$35 / $45 / $65 / $85 / $105

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January 22 - February 10, 2019Bram Goldsmith Theater

“ SUPERBLY TENSE. B R E AT H TA K I N G , D A R I N G AND FAULTLESS EXECUTION.”

– Daily Telegraph

When Inspector Goole arrives unexpectedly at the prosperous Birling family home, their peaceful dinner party is shattered by his investigations into the death of a young

woman. Director Stephen Daldry (“The Crown”) returns to his landmark 1992 production, which was hailed as the theatrical event of its generation, winning multiple Olivier

and Tony Awards. More relevant now than ever, this is a must-see for a whole new generation of theatergoer.

The National Theatre of Great Britain’s Landmark production of J B Priestley’s Classic Thriller

AN INSPECTOR

CALLSDirected by Stephen Daldry

$35 / $45 / $65 / $85 / $105

WITNESSUGANDA

“AN AWESOMELY POWERFUL

MUSICAL THAT WILL THRILL YOU TO THE BONES.”- CBS

A DOCUMENTARY MUSICALBy Matt Gould & Griffin Matthews

February 5 - 24, 2019 / Lovelace Studio Theater

Devastated when his New York City church kicks him out for being gay, Griffin escapes across the world to volunteer in a small village. His "good intentions" are tested against the backdrop of an incurable epidemic, corruption and a dangerous

abduction that leaves him questioning everything he has ever known. Witness Uganda is a groundbreaking documentary journey that expands the possibilities

of the American musical.

$50

19 2018/2019 SEASON

THE WALLIS PRODUCTION OF

“IT’S LIKE WATCHING CHILD GENIUSES AT PLAY.”

– The New Yorker

Who keeps the moon shining bright? The Old Man charged with that task embarks on an epic adventure of land, sea and sky in search of his missing wife in this swirling tale of love, accopmanied by a live, indie-folk band. The endlessly imaginative PigPen Theatre Co. finally arrives in Los Angeles with a luminously lo-fi spectacle that elevates traditional storytelling to high art. Recommended for all ages

JOIN US FOR POST-SHOW TALK BACKSAFTER SELECT DANCE PERFORMANCES!

$25 / $35 / $45 / $65 / $85

March 2-17, 2019 / Bram Goldsmith Theater

A NEW MUSICAL FOLKTALE BY

May 24 - June 9, 2019 Bram Goldsmith Theater

Virtuoso Hershey Felder takes us on his own personal journey as he explores

the life and music of Impressionist composer Claude Debussy. From the

sweeping La mer to the evocative L'après-midi d'un faune and the mystical

Clair de lune, this soaring tribute will never be forgotten.

LOS ANGELES PREMIERE

WRITTEN AND PERFORMED BY HERSHEY FELDERDIRECTED BY TREVOR HAY

21 2018/2019 SEASON

$35 / $45 / $65 / $85 / $105

Special Guest Star Patton Oswalt with The Story Pirates.

The Story Pirates aren’t your typical swashbuckling sailors. They don’t steal gold - they’re searching for kids’ wildest, most imaginative stories. The Pirates then adapt these tales into a musical sketch comedy show, performed by the best actors from the Groundlings, Second City and elsewhere. Recommended for ages 5+

STORYPIRATES@ THE WALLIS

“A THEATRICAL TREASURE” – The New York Times

December 8, March 9 & May 11 @ 2PMLovelace Studio Theater

November 11, January 13 & February 10 @ 11am Promenade Terrace

STORY PIRATES The kid-centric company is back for more FREE outdoor musical sketch comedy based on stories written by children, geared especially for toddlers!

FREE!

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Submit YOUR stories for our three themed shows this season! TheWallis.org/Pirates

$25

With its five acts structured as the four quarters and overtime of a basketball game, The Bitter Game tells the story of Jamel Smith, who witnesses a neighborhood act of violence as a child and later must learn to navigate his interactions with police. Based on the playwright-actor Keith A. Wallace’s youth in Philadelphia, this multi-character performance brilliantly explores the experience of being Black in America. Warning: contains strong language.

“HIGH-IMPACT ... A SHARP REMINDER OF THE PERSUASIVE POWERS OF LIVE THEATER.”


November 14-17, 2018Bram Goldsmith Theater

CREATED, WRITTEN & PERFORMED BY KEITH A. WALLACEDIRECTED & CO-CREATED BY DEBORAH STEIN

“BLURRING THE BOUNDARIES BETWEEN THE IMAGINED AND THE REAL” – The New York Times

HAVE YOU EVER WONDERED WHAT HAPPENS TO YOUR SHADOW WHILE YOU SLEEP?Well, it turns out that some shadows are more mischievous than others. And soon after moving to his new home, Flash discovers that his shadow has moving plans of his own! Follow the playful adventures of Flash and his exciting quest to reunite with his shadow in this multimedia performance for the youngest of audiences (ages 2+) and the young at heart.

November 3-4, 2018Lovelace Studio Theater

23 2018/2019 SEASON

$40

$25

From the cosy horsebox they call home, Andy and Andy take the bit firmly between their teeth and tell the classic tale as you’ve never seen it before. Blending storytelling, music and puppetry, this re-telling of Black Beauty is sure to warm your heart. Recommended for ages 5+

April 26 – May 5, 2019 / Lovelace Studio Theater

RED BRIDGE ARTS & TRAVERSE THEATRE COMPANY PRESENT

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$25

“ A GALLOPING, FIVE-STAR TRIUMPH.”

– The Guardian

Created by Andy Manley, Andy Cannon and Shona Reppe

25 2018/2019 SEASON

CINEMA@ THE WALLIS

SCREENING DATES:

JANUARY 15, 2019MARCH 19, 2019APRIL 23, 2019JUNE 25, 2019

Bram Goldsmith TheaterCinema @ The Wallis in partnership with Film Independent present

4 SPECIAL EVENTSFOR FILM LOVERS

September 21–27, 2018

LA FILM FESTIVAL @ THE WALLISWe are thrilled to partner with the

LA Film Festival, produced by Film

Independent, to host the 2018 LA Film

Festival at The Wallis, along with a

number of other esteemed venues. From

dramas to documentaries to filmmaker

discussions, there is something for

everyone at the LA Film Festival.

To learn more, visit TheWallis.org/Cinema

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B. Slade

DECEMBER 7-23, 2018 & JUNE 13 - 30, 2019IN THE LOVELACE STUDIO THEATER

Named in honor of the room’s original purpose as a mail sorting room during Hollywood’s Golden Age, The Sorting Room’s rustic elegance

returns for its third fabulous season of both winter and summer series. Wallis subscribers ALWAYS have first access to the very best

singers, dancers, comedians, poets and more!

Pia Toscano

Sandra Bernhard will launch the winter series with Sandemonium!

Clint Holmes

The Wallis believes everyone deserves to learn and grow through the arts...Arts learning is integral to all that we do at The Wallis: connecting audiences with the very best in the performing arts; investing in young artists; using the power of the arts to address important social issues; and responding to critical needs in the greater community through arts leadership, collaboration and partnership. These efforts are informed and inspired by the artists and art forms we present on our stages.

GRoW @ THE WALLIS EDUCATION AND OUTREACH PROGRAMS ARE GENEROUSLY SUPPORTED BY:Actors’ Equity Foundation; Annenberg Foundation; GroW @ Annenberg Foundation/Gregory Annenberg Weingarten & Family; California Arts Council; The Johnny Carson Foundation; City of Beverly Hills; Dan Clivner and Steve Cochran; Friars Charitable Foundation; Donna Ellman Garber; The Rosalinde and Arthur Gilbert Foundation; In Memory of Morris Hazan; David Kobrin Leon Lowenstein Foundation; Pasadena Showcase House for the Arts; Arline and Buddy Pepp; Rotary of Beverly Hills; Dwight Stuart Youth Fund; The Wasserman Foundation; Wells Fargo.

A gift of Gregory Annenberg Weingarten and Family and the Annenberg Foundation

A SPACE FOR ARTS EDUCATION

Now in its sixth season,The Wallis is housed in the beautifully restored and repurposed historic Post Office in Beverly Hills. It is a significant cultural hub for local, national and international artists. The Wallis is one of few performing arts centers in the country that presents and produces a wide range of offerings in classical and contemporary music, theater, dance and spoken word along with a robust arts education and outreach program.

T H E A R T S DELIVERED

THE BRISKIN BAR @ THE WALLISAudiences are invited to enjoy craft cocktails, a handpicked bottle of wine or draft beer at The Briskin Bar @ The Wallis located in the beautiful Jim and Eleanor Randall Grand Hall before and after each performance. Patrons are encouraged to arrive early for Happy Hour featuring special drink prices from 5:30pm – 6:30pm, and can now enjoy drinks at their seats during the performance.

ARRIVE IN STYLELocated in the heart of Beverly Hills, The Wallis is among the most accessible theaters in all of Los Angeles county. Adjacent to our campus we offer hassle-free parking, allowing easy access to our Ticket Services office and theaters. We also have several public transportation stops nearby.

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TICKETINGSINGLE TICKETSTickets to individual performances are available online, in person, or by phone beginning July 24, 2018

GROUP TICKETSGroups of 10 or more quality for a 10% discount to selected shows. Contact the Ticket Services office for more information.

STUDENT TICKETSDiscounted tickets are available for students with a valid student ID for select performances.

CHILD TICKETSAll children age three and up must have a valid ticket and sit in their ticketed location. Children under age 3 will require a lap ticket at a cost of $5 per child and are required to sit on a parent or guardians lap for the duration of the performance.

TICKET FEESFor season subscriptions, a one-time $19 handling fee will be added to your order. For single ticket purchases, a $6 per ticket handling fee will be added to your order when purchasing online or by phone. There is a $2 per ticket fee when purchasing single tickets in person at the Ticket Services office.

TICKET LIMITLimit of eight tickets per performance per patron (regardless of the number of transactions). Ticket purchases are monitored and any tickets purchased above the limit will be voided without notice.

REFUNDS All ticket purchases are final. There are no refunds.

EXCHANGES Subscription tickets can be exchanged for a different performance date of the same event (limit of four exchanges for Premier and Design Your Own subscribers and one exchange for Flex Pass subscribers). Seating

is subject to availability. Please note that exchanging into a different series or seating section may require an additional charge. Exchanges are required to be made 24 hours prior to the original show date. If you missed your scheduled performance, it is possible to exchange into a another performance of the same production on a different date based on availability for $20 per ticket plus applicable upgrade costs.

TICKET REPRINTSLost, damaged or stolen tickets may be reprinted for reserved-seating performances only and will be available for pick-up one hour prior to the performance. Please present your current picture ID to the Ticket Services Associate for pick-up. There is a $1 per ticket reprint fee. Subscribers receive free reprints.

Policies and ticket prices subject to change without notice.

TICKET SERVICES OFFICEHours: 10AM – 6PM M-F12PM – 6PM Saturdays**By phone only on non-performance days

IN PERSON 9390 North Santa Monica Blvd.Beverly Hills, CA 90210

BY PHONE 310.746.4000

ONLINE TheWallis.org [email protected]

During performance dates, Ticket Services will be open two hours before curtain time and a half hour after the performance begins. Please note that Ticket Services is unable to process exchanges and future sales one hour prior to curtain time on performance dates.

PATRON INFORMATIONVENUE INFORMATIONTHE BRAM GOLDSMITH THEATER is a 500 seat venue where no seat is more than 50 feet from the stage, creating an intimate environment for you to enjoy your favorite performer.

THE WALLIS@ A GLANCE

29 2018/2019 SEASON

2018/2019 Restaurant

Sponsors

The Garden BarMontage Beverly Hills

310.860.7800 montagehotels.com

GeorgieMontage Beverly Hills

310.860.7800 montagehotels.com

Lawry's The Prime Rib310.652.2827

LawrysOnline.com

Palm Restaurant 310.550.8811 thepalm.com

Porta Via Beverly Hills310.274.6534

portaviabh.com

THE LOVELACE STUDIO THEATER is an intimate flexible space with traditional theater seating of eight rows of raked seats and cabaret style seating with cocktail tables and chairs.

QUIET ROOMThe Lyn and Les Bider Family Foundation Quiet Room is available during most performances for patrons who wish or need to step away for a moment. You can still see and hear the performance in progress but the audience can’t hear you.

LATE SEATINGLate comers are seated at the discretion of the House Staff and may wait until intermission to be seated or be asked to sit in a different location than printed on their ticket.

PARKINGConvenient onsite parking is available at 450 N. Crescent Drive and South Santa Monica Blvd. We encourage patrons to arrive 30 minutes prior to performance time to enjoy our first-rate amenities.

Self-Parking is available at a flat rate of $8 for evening performances and $5 for matinees. [Please note: Flat parking rates start two hours before the performance start time. Parking before noon or 6pm is pro-rated with a maximum charge of $22.]

Valet parking is available for $16 for evening performances and $13 for matinees. Valet service closes an hour after the end of the performance.

Handicapped Parking is available for patrons displaying a handicapped placard for the same flat rates.

Parking rates at The Wallis are determined by the City of Beverly Hills and are subject to change without notice.

ACCESSIBILITYAccessible seating for patrons with mobility limitations are located in several locations on the main floor of the theater. Wheelchair accessible restrooms are also available on the main floor level.

A state-of-the-art telecoil induction system is installed in the Bram Goldsmith Theater. Assisted Listening Devices are also available at no cost to our patrons.

Please contact Ticket Services to notify us of any special needs, so we can help make your experience exceptional.

TheWallis.org 30

Heritage Wines310.888.8042

HeritageBeverlyHills.com

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LOCK IN SAVINGS AND RESERVE YOUR PREFERRED SEATS NOW! SUBSCRIBE TODAY!

P R E M I U M S U B S C R I B E R S E R I E SSelect a minimum of one qualifying series to secure your subscription benefits and 15% savings.

• Preferred seating from the best seats available and advance access to tickets before the general public. Current subscribers also receive the first opportunity to change seat locations at renewal time.

• A savings of 15% off full price single tickets. [Subject to availability.]

• Advanced notice of special events and performances.

• Guaranteed choice of show date and priority seating at time of purchase. [For subscription

series only, subject to availability.]

• Additional discounts on single tickets when purchased with your subscription.

• As a subscriber, you have insurance on lost tickets. We’ll gladly replace them.

• Four free ticket exchanges.

• Guaranteed locked in pricing. When a show is popular, prices increase. Lock in your discounts now.

• Save on Ticket Fees. Premium subscribers pay only $19 in handling fees for the entire season! Non-subscribers pay $6 per ticket.

• Purchase 10 or more events and receive complimentary self-parking to those performances.

D E S I G N Y O U R O W N S U B S C R I P T I O NSelect a minimum of 4 qualifying events from Price Level 1 or 2 (PL3 & PL4 not available for DYO Subscription) to design your own experience and receive a 10% subscription discount and benefits.

• Preferred Seating after Premium Subscribers are seated.

• Free Ticket Replacement.

• Advanced notice of special events and performances.

• Four free ticket exchanges.

• Only $19 in handling fees for the entire season

3 - S H O W F L E X PA S S S U B S C R I P T I O N3-SHOW FLEX PASS: $99

A new subscription option for young professionals, 39 and under with busy schedules! Giving you the greatest flexibility to use your subscription any way you like!

• The greatest flexibility to choose any combination of shows or dates. Can’t decide now? Purchase the Flex Pass and decide later. [Tickets subject to availability in PL3 and PL4 seating only. Flex Pass may not be valid for select performances or special added events, Broadway @ The Wallis concerts and other special dates and events.]

• A savings of up to 25% off of single tickets.

• Last minute decision making flexibility—mix and match up to three shows or bring 2 friends with you to see just one performance!

• One free ticket exchange if used prior to the day of the performance. [No refunds or exchanges

for unused tickets.]

• Additional 10% discounts on single tickets when booked with your Flex Pass purchase (Subject to availability of PL3 and PL4 seating.)

• Priority Seating. With a Flex Pass you get a reserved seat. (Subject to availability of PL3 & PL4

seating.)

• Take advantage of the discount now before prices increase—choose your shows and seats. (Tickets subject to availability.)

• One Free Drink Voucher—Flex Pass holders receive one free drink voucher per subscription, redeemable at The Bar @ The Wallis.

• Early Ticket Access. Get the chance to reserve tickets before the general public for certain events. (Requires e-mail opt-in.)

TheWallis.org

SUBSCRIBE BYJULY 10!

Shadow PlayDATE PL1

S AT , N OV 3 , 1 2 : 3 0 & 2 : 0 0 P M $ 2 5S U N , N OV 4 , 1 2 : 3 0 & 2 : 0 0 P M $ 2 5

LOV E L A C E S T U D I O T H E AT E R

The Bitter GameDATE PL1

W E D , N OV 1 4 , 7 : 3 0 P M $ 4 0T H U R , N OV 1 5 , 7 : 3 0 P M $ 4 0F R I , N OV 1 6 , 7 : 3 0 P M $ 4 0S AT , N OV 1 7 , 7 : 3 0 P M $ 4 0

B R A M G O L D S M I T H T H E AT E R

Love, ActuallyDATE DC PL1 PL2 PL3 PL4

T U E S , D E C 4 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5W E D , D E C 5 , 7 : 3 0 P M $ 1 0 5 $ 9 5 $ 7 5 $ 5 5 $ 4 5T H U R , D E C 6 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5F R I , D E C 7 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S AT , D E C 8 , 2 : 0 0 & 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S U N , D E C 9 , 2 : 0 0 & 7 : 0 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5T U E S , D E C 1 1 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5W E D , D E C 1 2 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5T H U R , D E C 1 3 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5F R I , D E C 1 4 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S AT , D E C 1 5 , 2 : 0 0 & 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S U N , D E C 1 6 , 2 : 0 0 & 7 : 0 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5T U E S , D E C 1 8 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5W E D . D E C 1 9 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5T H U R , D E C 2 0 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5F R I , D E C 2 1 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S AT , D E C 2 2 , 2 : 0 0 & 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S U N , D E C 2 3 , 2 : 0 0 & 7 : 0 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5W E D , D E C 2 6 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5T H U R , D E C 2 7 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5F R I , D E C 2 8 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S AT , D E C 2 9 , 2 : 0 0 & 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S U N , D E C 3 0 , 2 : 0 0 & 7 : 0 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5M O N , D E C 3 1 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5


Alonzo King LINES BalletDATE DC PL1 PL2 PL3 PL4

T H U R , N OV 1 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5F R I , N OV 2 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S AT , N OV 3 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5


Malpaso Dance CompanyDATE DC PL1 PL2 PL3 PL4

T H U R , M A R 2 8 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5F R I , M A R 2 9 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S AT. M A R . 3 0 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5


Ate9DATE DC PL1 PL2 PL3 PL4

F R I , F E B 1 5 , 7 : 3 0 P M $ 8 9 $ 7 9 $ 5 9 $ 3 9 $ 2 9S AT. F E B . 1 6 , 7 : 3 0 P M $ 8 9 $ 7 9 $ 5 9 $ 3 9 $ 2 9


Jacob Jonas The CompanyDATE DC PL1 PL2 PL3 PL4

F R I , M AY 1 0 , 7 : 3 0 P M $ 8 9 $ 7 9 $ 5 9 $ 3 9 $ 2 9S AT , M AY 1 1 , 7 : 3 0 P M $ 8 9 $ 7 9 $ 5 9 $ 3 9 $ 2 9


Hubbard Street Dance Chicago & Third Coast Percussion

DATE DC PL1 PL2 PL3 PL4

T H U R , J A N 1 0 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5F R I , J A N 1 1 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S AT , J A N 1 2 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5


Jacob Jonas The CompanyDATE PL

W E D , O C T , 2 4 , 8 : 0 0 P M $ 3 5T H U R , O C T 2 5 , 8 : 0 0 P M $ 3 5F R I , O C T 2 6 , 8 : 0 0 P M $ 3 5S A T , O C T 2 7 , 8 : 0 0 P M $ 3 5


MusicARTISTS DATE DC PL1 PL2 PL3 PL4

L A M A S T E R C H O R A L E - T H E T E A R S O F S A I N T P E T E R S AT , O C T 2 0 , 2 0 1 8 | 7 : 3 0 P M $ 9 5 $ 7 5 $ 5 5 $ 4 5L A M A S T E R C H O R A L E - T H E T E A R S O F S A I N T P E T E R S U N , O C T 2 1 , 2 0 1 8 | 7 : 3 0 P M $ 9 5 $ 7 5 $ 5 5 $ 4 5C H R I S WA L D E N B I G B A N D S AT , O C T 2 7 , 2 0 1 8 | 7 : 3 0 P M $ 9 5 $ 7 5 $ 5 5 $ 4 5A L I S A W E I L E R S T E I N F R I , N OV 9 , 2 0 1 8 | 7 : 3 0 P M $ 9 5 $ 7 5 $ 5 5 $ 4 5J O R G E F E D E R I C O O S O R I O W E D , J A N 1 6 , 2 0 1 9 | 7 : 3 0 P M $ 9 5 $ 7 5 $ 5 5 $ 4 5S T E P H E N S C H WA R T Z & F R I E N D S F R I , F E B 2 2 , 2 0 1 9 | 7 : 3 0 P M $ 3 5 $ 2 5K A L E I D O S C O P E S AT , F E B 2 3 , 2 0 1 9 | 7 : 3 0 P M $ 5 5 $ 4 5 $ 3 5 $ 2 5N AT I O N A L S A W D U S T - ( M ) I YA M ATO I S B L A C K E N O U G H ( LOV E L A C E ) T H U R , M A R 1 4 , 2 0 1 9 | 8 : 0 0 P M $ 4 0N AT I O N A L S A W D U S T - ( M ) I YA M ATO I S B L A C K E N O U G H ( LOV E L A C E ) F R I , M A R 1 5 , 2 0 1 9 | 8 : 0 0 P M $ 4 0J U D Y C O L L I N S : A LOV E L E T T E R TO S T E P H E N S O N D H E I M F R I , M A R 2 2 , 2 0 1 9 | 7 : 3 0 P M $ 1 2 5 $ 9 5 $ 7 5 $ 5 5 $ 4 5D E E D E E B R I D G E WAT E R S AT , M A R 2 3 , 2 0 1 9 | 7 : 3 0 P M $ 5 5 $ 4 5 $ 3 5 $ 2 5T E T Z L A F F T R I O F R I , A P R 2 6 , 2 0 1 9 | 7 : 3 0 P M $ 9 5 $ 7 5 $ 5 5 $ 4 5I N N A FA L I K S S U N , M AY 1 2 , 2 0 1 9 | 7 : 3 0 P M $ 5 5 $ 4 5 $ 3 5 $ 2 5N AT I O N A L S A W D U S T - F O R WA R D M U S I C P R O J E C T ( LOV E L A C E ) T H U R , M AY 3 0 , 2 0 1 9 | 8 : 0 0 P M $ 4 0N AT I O N A L S A W D U S T - F O R WA R D M U S I C P R O J E C T ( LOV E L A C E ) F R I , M AY 3 1 , 2 0 1 9 | 8 : 0 0 P M $ 4 0I N O N B A R N ATA N S AT , J U N 2 2 , 2 0 1 9 | 7 : 3 0 P M $ 9 5 $ 7 5 $ 5 5 $ 4 5


Witness UgandaDATE PL1

T U E S , F E B 5 , 8 : 0 0 P M $ 5 0W E D , F E B 6 , 8 : 0 0 P M $ 5 0T H U R , F E B 7 , 8 : 0 0 P M $ 5 0F R I , F E B 8 , 8 : 0 0 P M $ 5 0S AT , F E B 9 , 2 : 3 0 & 8 : 0 0 P M $ 5 0S U N , F E B 1 0 , 2 : 3 0 & 7 : 3 0 P M $ 5 0T U E , F E B 1 2 , 8 : 0 0 P M $ 5 0W E D , F E B 1 3 , 8 : 0 0 P M $ 5 0T H U R , F E B 1 4 , 8 : 0 0 P M $ 5 0F R I , F E B 1 5 , 8 : 0 0 P M $ 5 0S AT , F E B 1 6 , 2 : 3 0 & 8 : 0 0 P M $ 5 0S U N , F E B 1 7 , 2 : 3 0 & 7 : 3 0 P M $ 5 0T U E S , F E B 1 9 , 8 : 0 0 P M $ 5 0W E D , F E B 2 0 , 8 : 0 0 P M $ 5 0T H U R , F E B 2 1 , 8 : 0 0 P M $ 5 0F R I , F E B 2 2 , 8 : 0 0 P M $ 5 0S AT , F E B 2 3 , 2 : 3 0 & 8 : 0 0 P M $ 5 0S U N , F E B 2 4 , 7 : 3 0 P M $ 5 0


Black BeautyDATE PL1

F R I , A P R 2 6 , 7 : 0 0 P M $ 2 5S AT , A P R 2 7 , 2 : 0 0 & 5 : 0 0 P M $ 2 5S U N , A P R 2 8 , 2 : 0 0 & 5 : 0 0 P M $ 2 5F R I , M AY 3 , 7 : 0 0 P M $ 2 5S AT , M AY 4 , 2 : 0 0 & 5 : 0 0 P M $ 2 5S U N , M AY 5 , 2 : 0 0 & 5 : 0 0 P M $ 2 5


Story PiratesDATE PL1

S AT , D E C 8 , 2 : 0 0 P M $ 2 5S AT , M A R 9 , 2 : 0 0 P M $ 2 5S AT , M AY 1 1 , 2 : 0 0 P M $ 2 5


An Inspector CallsDATE DC PL1 PL2 PL3 PL4

T U E S , J A N 2 2 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5W E D , J A N 2 3 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5T H U R , J A N 2 4 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5F R I , J A N 2 5 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S AT , J A N 2 6 , 2 : 0 0 & 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S U N , J A N 2 7 , 2 : 0 0 & 7 : 0 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5T U E S , J A N 2 9 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5W E D , J A N 3 0 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5T H U R , J A N 3 1 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5F R I , F E B 1 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S AT , F E B 2 , 2 : 0 0 & 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S U N , F E B 3 , 2 : 0 0 & 7 : 0 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5T U E S , F E B 5 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5W E D , F E B 6 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5T H U R , F E B 7 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5F R I , F E B 8 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S AT , F E B 9 , 2 : 0 0 & 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S U N , F E B 1 0 , 2 : 0 0 & 7 : 0 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5


Hershey Felder: Debussy Debussy in A Paris Love StoryDATE DC PL1 PL2 PL3 PL4

F R I , M AY 2 4 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S AT , M AY 2 5 , 2 : 0 0 & 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S U N , M AY 2 6 , 2 : 0 0 & 7 : 0 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5T U E S , M AY 2 8 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5W E D . , M AY 2 9 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5T H U R , M AY 3 0 , 7 : 0 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5F R I , M AY 3 1 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S AT. J U N . 1 , 2 : 0 0 & 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S U N , J U N 2 , 2 : 0 0 & 7 : 0 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5T U E S , J U N 4 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5W E D , J U N . 5 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5T H U R , J U N 6 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5F R I , J U N . 7 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S AT , J U N 8 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5S U N , J U N 9 , 7 : 3 0 P M $ 1 0 5 $ 8 5 $ 6 5 $ 4 5 $ 3 5


The Old Man & The Old MoonDATE DC PL1 PL2 PL3 PL4

S AT , M A R 2 , 7 : 3 0 P M $ 8 5 $ 6 5 $ 4 5 $ 3 5 $ 2 5S U N , M A R 3 , 2 : 0 0 & 7 : 0 0 P M $ 8 5 $ 6 5 $ 4 5 $ 3 5 $ 2 5T U E S , M A R 5 , 7 : 3 0 P M $ 8 5 $ 6 5 $ 4 5 $ 3 5 $ 2 5W E D , M A R 6 , 7 : 3 0 P M $ 8 5 $ 6 5 $ 4 5 $ 3 5 $ 2 5T H U R , M A R 7 , 7 : 3 0 P M $ 8 5 $ 6 5 $ 4 5 $ 3 5 $ 2 5F R I , M A R 8 , 7 : 0 0 P M $ 8 5 $ 6 5 $ 4 5 $ 3 5 $ 2 5S AT , M A R 9 , 2 : 0 0 & 7 : 3 0 P M $ 8 5 $ 6 5 $ 4 5 $ 3 5 $ 2 5S U N , M A R 1 0 , 2 : 0 0 & 7 : 0 0 P M $ 8 5 $ 6 5 $ 4 5 $ 3 5 $ 2 5W E D , M A R 1 3 , 7 : 3 0 P M $ 8 5 $ 6 5 $ 4 5 $ 3 5 $ 2 5T H U R , M A R 1 4 , 7 : 3 0 P M $ 8 5 $ 6 5 $ 4 5 $ 3 5 $ 2 5F R I , M A R 1 5 , 7 : 3 0 P M $ 8 5 $ 6 5 $ 4 5 $ 3 5 $ 2 5S AT , M A R 1 6 , 2 : 0 0 & 7 : 3 0 P M $ 8 5 $ 6 5 $ 4 5 $ 3 5 $ 2 5S U N , M A R 1 7 , 2 : 0 0 & 7 : 0 0 P M $ 8 5 $ 6 5 $ 4 5 $ 3 5 $ 2 5


[email protected] | 310.746.4000 | TheWallis.org

PREMIER SUBSCRIBER SERIES

R E N E W O R S U B S C R I B E TO D AY A N D C H O O S E T H E B E S T T I C K E T S AT T H E B E S T P R I C E ! For each of the series circle your preferred series and seating section choosing the same number of seats and section for each series purchased. Prices are per seat and include all shows listed in each series!

TheWallis.org

DANCE DC PL1 PL2 QTY TOTALAlonzo King LINES Ballet 11/1–3, 7:30PMHubbard & Third Coast 1/10–12, 7:30PMAte9 2/15-16, 7:30PMMalpaso Dance 3/28-3/30, 7:30PMJacob Jonas (Goldsmith) 5/10–11, 7:30PM

$419 $351 $266

Add Additional Dance Performances and Receive 10% off when you subscribe to one of the Dance Series! Prices listed are already discounted 10%.ADDITIONAL DANCE SELECTIONS

Jacob Jonas (Lovelace) 10/24–27, 7:30PM $31

MUSIC DC PL1 PL2 QTY TOTALAlisa Weilerstein 11/9, 7:30PMJorge Federico Osorio 1/16, 7:30PMTetzlaff Trio 4/26, 7:30PMInon Barnatan 6/22, 7:30PM

$323 $255

Add Additional Music Performances and Receive 10% off when you subscribe to one of the Music Series! Prices listed are already discounted 10%.

ADDITIONAL MUSIC SELECTIONS

LA Master Chorale 10/20-21, 7:30PM

Chris Walden Big Band 10/27, 7:30PM

Stephen Schwartz 2/22, 2:30PM

Kaleidoscope 2/23, 7:30PM

Judy Collins 3/22, 7:30PM

Dee Dee Bridgewater 3/23, 7:30PM

Inna Faliks 5/12, 7:30PM

NS: (M)Iyamoto Is Black Enough 3/14-15

NS: Forward Music Project 5/30-31

$86 $86——

$112————

$68$68$31$49$85$49$49$36$36

$50$50$22$40$67$40$40——

THEATER SERIES DC PL1 PL2 QTY DATE /T IME TOTALLove, Actually Live 12/4-31An Inspector Calls 1/22-2/10Witness Ugnada 2/5-24Hershey Felder: Debussy 5/24-6/9

$310 $259 $208

FAMILY SERIES DC PL1 PL2 QTY DATE /T IME TOTALStory Pirates 12/8, 3/9, 5/11Black Beauty 4/26-5/5Shadow Play 11/3-4The Old Man and The Old Moon 3/5-17

$136 $119 $102

Add Additional Theater Performances and Receive 10% off when you subscribe to one of the Theater Series! Prices listed are already discounted 10%.ADDITIONAL THEATER SELECTIONS

The Bitter Game 11/14-17, 7:30PM $36

THEATER

Love, Actually X =

An Inspector Calls X =

Witness Uganda X =

The Old Man And The Old Moon X =

Hershey Felder: Debussy X =

Story Pirates X =

Shadow Play X =

The Bitter Game X =

Black Beauty X =

ENGAGEMENT DATE TIME LEVEL PRICE X # SEATS = TOTAL

MUSIC

LA Master Chorale-Tears of St. Peter X =

Chris Walden Big Band X =

Alisa Weilerstein X =

Inon Barnatan X =

Jorge Federico Osorio X =

Stephen Schwartz & Friends X =

Kaleidoscope X =

Judy Collins X =

Dee Dee Bridgewater X =

Tetzlaff Trio X =

Inna Faliks X =

NS: (M)Iyamoto Is Black Enough X =

NS: Forward Music Project X =

Premier Subscriber Series Subtotal =

Design-Your-Own Subscription Subtotal =

Design-Your-Own Subscription, DEDUCT 10% =

Design-Your-Own Subscription Subtotal =

Single Ticket Subtotal =

*Donation (Suggested amount: $100) =

**Handling Charge (per order) = $19.00

Handling Charge Single Tickets ($6/ticket) =

GRAND TOTAL =

NEED ASSISTANCE?If you have any questions, please call us at 310.746.4000

DANCE

Jacob Jonas The Company (Lovelace) X =

Alonzo King LINES Ballet X =

Hubbard Street & Third Coast X =

Ate9 Dance Company X =

Malpaso Dance Company X =

Jacob Jonas The Company (Goldsmith) X =

Design-Your-Own & Flex Pass Subscription PREFER TO CREATE YOUR OWN CUSTOM SUBSCRIPTION?Choose 4 or more shows below and receive a 10% discount on every show and preferred seating after Premier Subscriptions are seated! Discount will be taken off the full price ticket. Choose 10 or more and receive complimentary self-parking to selected performances. Design-Your-Own must choose from PL1 or PL2. Flex Pass must choose from PL3 or PL4.

Single Tickets PURCHASE SINGLE TICKETS AT FULL PRICE. JUST CHOOSE YOUR SHOWS, NUMBER OF SEATS AND TOTAL UP!

*Your tax deductible gift helps support education and outreach, and brings the best of the arts to The Wallis!

** Includes a $5 Historic Building Preservation Fee

Please return your completed form by June 26, 2018 for Subscription Renewal or by July 10, 2018 for New Subscription Orders.

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I Prefer: Center Sides Aisle Mezzanine Special Needs Seating

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PLEASE NOTE: We will charge your credit card upon receipt of your order, and later contact you about your seating locations.

ORDER YOUR 2018/2019 SEASON SUBSCRIPTION TODAY!

TheWallis.org

ORDER YOUR 2018/2019 SEASON SUBSCRIPTION TODAY!EMAIL: [email protected] MAIL: 9390 N SANTA MONICA BLVD, BEVERLY HILLS, CA 90210PHONE: 310.746.4000FAX: 310.557.9827

SUBSCRIPTION RENEWAL PRIORITYDEADLINE: June 26, 2018NEW SUBSCRIPTION PRIORITY

DEADLINE: July 10, 2018

dance music theater the wallis1).pdfricardo castro and manuel ponce. mr. osorio is a steinway...

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