St. Anne, Virgin & Child

c.1508-10

oil on panel

66 3/8 X 51 3/4 in

Leonardo's contributions:

spatial claritysimplicity

rich vocabulary of gesture and movementconvincing light and atmosphere, using

sfumato

cultural and artistic changes:

change in status of art

change in the organizational structure for artists' work

patterns of patronage

regularization of perspective

cheap paper and more drawing

Leonardo, Raphael and Michelangelo: Italian Art in

the 16th Century

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Leonardo Michelangelo and Raphael.shw

Mona Lisa (La Gioconda)

1503-07, oil on wood, 30 1/4 x

20 7/8 in

Cecilia Gallerani, Lady with an

Ermine

c.1483-86

oil on panel

21 3/4 X 15 7/8 in

Leonardo da Vinci: Last Supper (1495-8)

fresco (oil with some tempera), 13'9 x 29'10

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David

1501-04

marble, 17' ht.

Michelangelo

Pietà (in the Vatican)1498-1500

pieta = piety, pitytoday: Mary holding Christ after the

deposition

MICHELANGELO AND THE MOODS OF THE 16TH CENTURY

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Sistine Chapel:

views of ceiling frescoes, 1508-1512, (photographed after most

recent cleaning)

and the Last Judgement, on the altar wall, 1538-41

Tomb for Julius II, commissioned

in 1503, this design from 1505

Moses, 1505-451513-16, marble

h.92 1/2"

Rebellious Slave1513-1515, marble

7' 5/8"

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Raphael: School of Athens in the Stanza della

Segnatura (the Pope's library), 1509-11, fresco, 19' x 27'

Why is this painting important? Art historically, what influenced it?

Interpretively, where does it come from and what does it mean?

RAPHAEL

comparison with Leonardo:

(left): Leonardo: St. Anne, Virgin & Child

(rt): Raphael: Madonna and Child with the Young St. John, c. 1505, oil on wood, 3'8 x

2'10

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Leonardo Michelangelo and Raphael.shw

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Leonardo Michelangelo and Raphael.shw

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Rome, Villa Farnesina: Salon de Galatea,Raphael, 1511-12

f

Portrait of Pope Julius II

1511, oil on panel107 x 80 cm

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Leonardo Michelangelo and Raphael.shw