critical response view annotation - arc2.nesa.nsw.edu.au · this critical response is a discussion...

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View Annotation Band E1/2 - Sample 3 HSC 2002 - English Extension 2 Critical Response

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Page 1: Critical Response View Annotation - arc2.nesa.nsw.edu.au · This Critical Response is a discussion of transcendence, which is grounded in a comparison of Keats’s poetry and Baz

View Annotation

Band E1/2 - Sample 3

HSC 2002 - English Extension 2

Critical Response

Page 2: Critical Response View Annotation - arc2.nesa.nsw.edu.au · This Critical Response is a discussion of transcendence, which is grounded in a comparison of Keats’s poetry and Baz

Band E1/2 - Sample 3

HSC 2002 - English Extension 2

Page 3: Critical Response View Annotation - arc2.nesa.nsw.edu.au · This Critical Response is a discussion of transcendence, which is grounded in a comparison of Keats’s poetry and Baz

HSC 2002 - English Extension 2

Band E1/2 - Sample 3

Page 4: Critical Response View Annotation - arc2.nesa.nsw.edu.au · This Critical Response is a discussion of transcendence, which is grounded in a comparison of Keats’s poetry and Baz

Band E1/2 - Sample 3

HSC 2002 - English Extension 2

Page 5: Critical Response View Annotation - arc2.nesa.nsw.edu.au · This Critical Response is a discussion of transcendence, which is grounded in a comparison of Keats’s poetry and Baz

Band E1/2 - Sample 3

HSC 2002 - English Extension 2

Page 6: Critical Response View Annotation - arc2.nesa.nsw.edu.au · This Critical Response is a discussion of transcendence, which is grounded in a comparison of Keats’s poetry and Baz

Band E1/2 - Sample 3

HSC 2002 - English Extension 2

Page 7: Critical Response View Annotation - arc2.nesa.nsw.edu.au · This Critical Response is a discussion of transcendence, which is grounded in a comparison of Keats’s poetry and Baz

Band E1/2 - Sample 3

HSC 2002 - English Extension 2

Page 8: Critical Response View Annotation - arc2.nesa.nsw.edu.au · This Critical Response is a discussion of transcendence, which is grounded in a comparison of Keats’s poetry and Baz

Band E1/2 - Sample 3

HSC 2002 - English Extension 2

Page 9: Critical Response View Annotation - arc2.nesa.nsw.edu.au · This Critical Response is a discussion of transcendence, which is grounded in a comparison of Keats’s poetry and Baz

Band E1/2 - Sample 3

HSC 2002 - English Extension 2

Page 10: Critical Response View Annotation - arc2.nesa.nsw.edu.au · This Critical Response is a discussion of transcendence, which is grounded in a comparison of Keats’s poetry and Baz

Band E1/2 - Sample 3

HSC 2002 - English Extension 2

Page 11: Critical Response View Annotation - arc2.nesa.nsw.edu.au · This Critical Response is a discussion of transcendence, which is grounded in a comparison of Keats’s poetry and Baz

Band E1/2 - Sample 3

HSC 2002 - English Extension 2

Page 12: Critical Response View Annotation - arc2.nesa.nsw.edu.au · This Critical Response is a discussion of transcendence, which is grounded in a comparison of Keats’s poetry and Baz

Band E1/2 - Sample 3

HSC 2002 - English Extension 2

Page 13: Critical Response View Annotation - arc2.nesa.nsw.edu.au · This Critical Response is a discussion of transcendence, which is grounded in a comparison of Keats’s poetry and Baz

Band E1/2 - Sample 3

HSC 2002 - English Extension 2

Page 14: Critical Response View Annotation - arc2.nesa.nsw.edu.au · This Critical Response is a discussion of transcendence, which is grounded in a comparison of Keats’s poetry and Baz

Band E1/2 - Sample 3

HSC 2002 - English Extension 2

Page 15: Critical Response View Annotation - arc2.nesa.nsw.edu.au · This Critical Response is a discussion of transcendence, which is grounded in a comparison of Keats’s poetry and Baz

Band E1/2 - Sample 3

HSC 2002 - English Extension 2

Page 16: Critical Response View Annotation - arc2.nesa.nsw.edu.au · This Critical Response is a discussion of transcendence, which is grounded in a comparison of Keats’s poetry and Baz

Band E1/2 - Sample 3

HSC 2002 - English Extension 2

Page 17: Critical Response View Annotation - arc2.nesa.nsw.edu.au · This Critical Response is a discussion of transcendence, which is grounded in a comparison of Keats’s poetry and Baz

Band E1/2 - Sample 3

HSC 2002 - English Extension 2

Page 18: Critical Response View Annotation - arc2.nesa.nsw.edu.au · This Critical Response is a discussion of transcendence, which is grounded in a comparison of Keats’s poetry and Baz

Band E1/2 - Sample 3

HSC 2002 - English Extension 2

Page 19: Critical Response View Annotation - arc2.nesa.nsw.edu.au · This Critical Response is a discussion of transcendence, which is grounded in a comparison of Keats’s poetry and Baz

Band E1/2 - Sample 3

HSC 2002 - English Extension 2

Page 20: Critical Response View Annotation - arc2.nesa.nsw.edu.au · This Critical Response is a discussion of transcendence, which is grounded in a comparison of Keats’s poetry and Baz

Claims are made in the Reflection Statement about ‘liberal investigation’ but the nature of this investigation appears to be generalised and more about the circumstances of Keats’s early death than about the poetry. Textual/critical analysis of either the poetry or the film is scant.

ENGLISH EXTENSION 2 — Critical Response

Band E1/2 Sample 3

Title: Preserving The Moment – A Quest for Transcendence

This Critical Response is a discussion of transcendence, which is grounded in a comparison of Keats’s poetry and Baz Lurhmann’s Moulin Rouge. The candidate demonstrates developing insights on the links between texts. The independent investigation is limited and it detracts from the integrity of the response and the complexity of the candidate’s assertions.

The major work is original in its subject matter but the shift to a personal, didactic voice towards the end of the response, marked by rhetorical questions and musings on life and death, also detracts from this major work. It is not, in this sense, sustained. The structure is loose and the argument lacks substance.

The identified purpose, articulated in the Reflection Statement ‘to explore the themes of Transcendence, Impermanence and Jouissance present in Keats’s Odes… and… Moulin Range…’ in relation to the statement ‘Preserving The Moment; a Quest For Transcendence’ is only superficially achieved.

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Band E1/2 - Sample 3

HSC 2002 - English Extension 2

View Sample

Critical Response