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Teaching creativityTeaching creativity
Pupils cannot be taught to be creativePupils cannot be taught to be creativeany more than seedsany more than seeds
can be taught to grow.can be taught to grow.
However, we can prepare the optimum However, we can prepare the optimum environment for seeds to grow: environment for seeds to grow:
likewise we can create the optimum likewise we can create the optimum environment for creativity to flourish.environment for creativity to flourish.
Teaching creativityTeaching creativity
Creativity is no excuseCreativity is no excusefor woolly thinking.for woolly thinking.
Providing children with the best Providing children with the best environment for creativityenvironment for creativitydoes not mean giving themdoes not mean giving them
absolute freedomabsolute freedomwithout rules or guidance.without rules or guidance.
Teaching creativityTeaching creativity
Why encourage creativity?Why encourage creativity? The opposite of creativity is The opposite of creativity is
repression.repression. Thoughts are only oursThoughts are only ours
when we have thought them when we have thought them ourselves.ourselves.
Creativity makes money.Creativity makes money.
Teaching creativity: nine Teaching creativity: nine questionsquestions
How can I checkHow can I checkthat a crown has been made of pure that a crown has been made of pure
gold?gold?
Why do apples fall?Why do apples fall?
Teaching creativity: nine Teaching creativity: nine questionsquestions
How did Zeno’s frog jump all How did Zeno’s frog jump all the way to the edge of the the way to the edge of the
pool?pool?
Why is it so hard to cook Why is it so hard to cook potatoes at the South Pole?potatoes at the South Pole?
Teaching creativity: nine Teaching creativity: nine questionsquestions
Why do cars getWhy do cars getsuch muddy behinds?such muddy behinds?
Why do we see neither the earliest Why do we see neither the earliest sunrise nor the latest sunset on sunrise nor the latest sunset on
the longest day?the longest day?
Teaching creativity: nine Teaching creativity: nine questionsquestions
Which piece of equipment in your Which piece of equipment in your lounge collects the most dust? lounge collects the most dust?
Why does Pernod become cloudy Why does Pernod become cloudy when you add a drop of water?when you add a drop of water?
Teaching creativity: nine Teaching creativity: nine questionsquestions
What does the habit of laying flowersWhat does the habit of laying flowersat the site of road accidentsat the site of road accidents
tell us about contemporary beliefs?tell us about contemporary beliefs?
Graham Wallas:Graham Wallas:the four elementsthe four elements
PreparationPreparation
IncubationIncubation
IlluminationIllumination
VerificationVerification
Teaching creativityTeaching creativity
The story of BrunelleschiThe story of Brunelleschiand the Florence Dome.and the Florence Dome.
““Although Brunelleschi solved the Although Brunelleschi solved the mechanics of his problem by mechanics of his problem by
examining the classical architecture examining the classical architecture of Rome - on a visit with Donatello - of Rome - on a visit with Donatello - his design represented the height of his design represented the height of
Gothic architecture.”Gothic architecture.”
Teaching creativityTeaching creativity
PREPARATIONPREPARATION
The model of GCSE/ A-level Art.The model of GCSE/ A-level Art. Preparation is important: it should Preparation is important: it should
become part of the final piece, and become part of the final piece, and not seen as something to be not seen as something to be
ashamed of.ashamed of. The “back of the book” mentality.The “back of the book” mentality.
Teaching creativityTeaching creativity
PREPARATIONPREPARATION
A new kind of exam paperA new kind of exam paperfor more creative coursework?for more creative coursework?
Examples from art and EnglishExamples from art and English
Teaching creativityTeaching creativity
PREPARATIONPREPARATION
ENGLISH Original Writing Coursework: Writing to explore, imagine and entertain
Time allowed: a maximum of 3 hours. Preparatory period: 4 weeks
You have a four week preparatory period. During this time, all your homework time will be devoted to researching, investigating and developing your ideas. Your work during this period could take many forms: reading, note-making, sketching, planning, scrapbook-making.
Teaching creativityTeaching creativity
PREPARATIONPREPARATION
W S Graham, the poet, prepared carefully in W S Graham, the poet, prepared carefully in order to harness inspiration:order to harness inspiration:
““Pinned to the wall [of his cottage at Pinned to the wall [of his cottage at Gurnard’s Head] or stuck down on old Gurnard’s Head] or stuck down on old sheets of cardboard there were drafts of sheets of cardboard there were drafts of the current poem, or fragments that the current poem, or fragments that might turn into something.”might turn into something.”
Teaching creativityTeaching creativity
PREPARATIONPREPARATION
Every novel relies on other novelsEvery novel relies on other novelsto give it meaning.to give it meaning.
In order to understand Hindemith,In order to understand Hindemith,you probably needyou probably need
to have understood Mozart.to have understood Mozart. In order to understand Matisse,In order to understand Matisse,
you probably need to know you probably need to know something about Picasso.something about Picasso.
Teaching creativityTeaching creativity
PREPARATIONPREPARATION
Tasks must be clearly defined.Tasks must be clearly defined. Models must be honestly shared.Models must be honestly shared.
Why do we not habitually begin our Why do we not habitually begin our coursework teaching coursework teaching
by showing pupils what a good piece by showing pupils what a good piece of coursework actually looks like?of coursework actually looks like?
Is it a secret?Is it a secret?
Teaching creativityTeaching creativity
INCUBATIONINCUBATION
The decline of the essay:The decline of the essay:why do sixth-formers refuse to mull?why do sixth-formers refuse to mull?
What do we doWhat do we dowhen we’re doing nothing? when we’re doing nothing?
(We shall have to return to that.)(We shall have to return to that.)
Teaching creativityTeaching creativity
ILLUMINATIONILLUMINATION
Analysts of the creative process Analysts of the creative process recognise that here, recognise that here,
in the moment of illumination, in the moment of illumination, is a collision is a collision
between lateral or associative between lateral or associative thinking and logical or convergent thinking and logical or convergent
thinking.thinking.
Teaching creativityTeaching creativity
ILLUMINATIONILLUMINATION
This is the hard bit.This is the hard bit.
Illumination is the moment of Illumination is the moment of germination. germination.
Practice makes perfect.Practice makes perfect.
Teaching creativityTeaching creativity
VERIFICATIONVERIFICATION
Time scale: Time scale: so many weeks of preparation, so many weeks of preparation,
so many hours of execution.so many hours of execution.
Craft.Craft.
Teaching creativityTeaching creativity
VERIFICATIONVERIFICATION
When we ask ourselves,When we ask ourselves,“How can we learn this craft?” “How can we learn this craft?”
we realise that learning we realise that learning craftcraft is the is the activity which will fill our “incubation” activity which will fill our “incubation”
period.period.
Verification also involvesVerification also involvesreader/ audience/ testing.reader/ audience/ testing.
Teaching creativityTeaching creativity
Wallas’s four stepsWallas’s four steps
PREPARATIONPREPARATION
INCUBATIONINCUBATION
ILLUMINATIONILLUMINATION
VERIFICATIONVERIFICATION
The KS3 StrategyThe KS3 Strategy
RECALLRECALL
MODELMODEL
TRYTRY
APPLY/ SECUREAPPLY/ SECURE