AUG-SEPT 2014 : SUMMER ISSUE #07

CondignArtWORLD CONTEMPORARY ART

ART EVENTS // INTERVIEWS // REVIEWS // ART MARKET // ART COLLECTORS TIPS & TRICKS

A TRIBUTE TOPABLO PICASSO

SOTHEBY S|2 GALLERY BANKSY EXPO CURATED BY STEVE LAZARIDES

ROTTERDAM INTERNATIONALART FAIR

::: :::

WYNWOOD MIAMI'S ART&SOUL

BANKSY SOTHEBY’S S’2 GALLERY

Exhibition

R'DAM INT'L ART FAIR

PREVIEW

SPONSOR OF AMSTERDAM SHOWCASE BY GLOBAL ART AGENCY

WORLD CONTEMPORARY ART

S ISSUE 07 · AUG/SEPT · 2014 T

008 WYNWOODMiami’s Art & Soul

016 R’DAM INT’L ART FAIRWhat to expect

022 A TRIBUTE TOPablo Picasso

024 BANKSY LONDONExhibition

028 FEATUREDGallery & Artist

OThe publishers would like to thank everyone who has contributed to this issue. All featured

articles and related images in Condign Art retain copyright. Every effort has been made to reach copyright owners or their representatives.

CONDIGNART (ISSN #AUG 2014, Volume 002, Number 007. Published bi-monthly by Global Art Agency Limited, Oxford, UNITED KINGDOM. All rights reserved. Printed version not yet available. Reproduction in whole or in part without written permission is prohibited. Opinions expressed

in articles are those of the author. All rights reserved on entire contents. Advertising enquiries should be directed to office@globalartagency.com. Subscriptions are free of charge and available online. When issues become available in hardcopy we will announce on our website. Subscriptions

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INTRODUCTION006INVESTINTOART018BANKSY024BARCELONAARTFAIR027ARTEVENTCALENDAR028MARIARADMAN031

CondignArt

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Nini Martni

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IntroductionSummer 2014 Issue #007

p. 006

Welcome to the seventh issue of Condign Art! An Art Magazine created for Art lovers, Art enthusiasts, Art collectors and Art fans on a global level, connecting the art world! Featuring Worldwide Contemporary Art, design and events from international artists, galleries, organisations and societies.

WYNWOOD ARTS DISTRICT

One of our Editors Natal Vallve recently visited Miami’s trendy art hub the Wynwood Arts District contains over 70 galleries, museums and collections. It is the center of “cool” in Miami right now, drawing in thousands during Art Basel for its pop up parties and galleries and inspiring unusual collaborations between musicians, artists, graphic designers, commercial brands and all kinds of creative types. Find out more on page 8-12

ROTTERDAM INTERNATIONAL ART FAIR

A preview of what is on show during the upcoming Rotterdam International Art Fair 12-13 September 2014 at de Laurenskerk. Page 16.

Further more in this issue are featured some of the best to-be-discovered contemporary artists. Page 18.

Enjoy issue #007Editor, at Condign Art

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IN JUST A FEW YEARS WYNWOOD HAS TURNED INTO AN ART HUB

Wynwood is a trendy arts hub. The Wynwood Arts District contains over 70 galleries, mu-seums and collections. It is the center of “cool” in Miami right now, drawing in thousands during Art Basel for its pop up parties and galleries and inspiring unusual collaborations between musicians, artists, graphic designers, commercial brands and all kinds of crea-tive types.

WYNWOOD MIAMI'S ART&SOUL

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WYNWOOD MIAMI'S ART&SOUL

The streets of Wynwood are bustling; the once quiet neighborhood surrounded by wa-rehouses is now in the midst of a gentrified renaissance. Enjoy clever plates of food al fresco in a café or scope out the Wynwood Walls, a giant set of outdoor murals decorated by some of street art’s most famous names including, Shepard Fairey of the Obama Hope poster fame. Some have called the entire Wynwood area an outdoor street art museum, unrivaled by any other in its mix of high-brow artists joining in on the up-and-coming scene and street artists who claimed a wall as their own.

Wynwood is a neighborhood in the City of Miami located north of downtown and roughly bounded by NW 36th Street (north), NW 20th Street (south), I-95 (west) and NE 1st Avenue (east). Gallery nights are held monthly, and the area is bustling during many of the annual art fairs held in Miami.

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The Wynwood Walls was conceived by the renowned community revitalizer and placemaker, the late Tony Goldman in 2009. He was looking for something big to transform the warehouse district of Wynwood, and he arrived at a simple idea: “Wynwood’s large stock of warehouse buildings, all with no windows, would be my giant canvases to bring to them the greatest street art ever seen in one place.” Starting with the 25th–26th Street complex of six separate buildings, his goal was to create a center where people could gravitate to and explore, and to develop the area’s pedestrian potential.

The Wynwood Walls became a major art statement with Tony’s commitment to graffiti and street art, a genre that he believes is under appreciated and not respec-ted historically. He wanted to give the movement more attention and more respect: “By presenting it in a way that has not been done before, I was able to expose the public to something they had only seen periphera-lly.” Murals by renowned street artists have covered the walls of the Wynwood Walls complex since 2009, and to create more canvases and bring more artists to the project, Tony opened the Wynwood Doors in 2010 with 176 feet of roll-up storefront gates. The painted exte-riors and interiors of the doors reveal a portrait gallery. Murals have also been commissioned for Outside the Walls through 2011, in key locations outside the park itself.

The Wynwood Walls has brought the world’s greatest artists working in the graffiti and street art genre to Mia-mi. Jeffrey Deitch co-curated the first successful year of the project in 2009, collaborating with Tony before his appointment as museum director of MOCA Los Angeles. In 2010 and 2011 Tony selected the artists with the help of Goldman Properties Arts Manager Me-ghan Coleman, and Medvin Sobio of the Visual Arts Collective Viejas Del Mercado, alongside input from a network of artists, curators, and international experts in the street art genre. “We have strived for a diverse representation of both American and international ar-

tists that encompasses everything from the old school graffiti artists to the newest work being created around the world. The project has truly evolved into what my friend Jeffrey Deitch calls a Museum of the Streets,” Tony had summarized.

From around the United States, Brazil, Belgium, Mexi-co, Portugal, Ukraine, Portugal, Greece, Spain, Ger-many, France, England, Japan and Singapore, the ce-lebrated artists who have contributed to the Wynwood Walls include:

Os Gemeos, Invader, Kenny Scharf, FUTURA 2000, Dearraindrop, FAILE, BÄST, Shepard Fairey, Aiko, Sego, Saner, Liqen, Nunca, Ben Jones, HOW & NOSM, Ryan McGinness,

Jim Drain, Ara Peterson, Retna, Ste-lios Faitakis, Clare Rojas, The Date Farmers, avaf, ROA, Ron English, Jeff Soto, Logan Hicks, b., PHASE

2, Joe Grillo, COCO 144, Gaia, Vhils, Interesni Kazki, Neuzz, Swo-

on, Ben Wolf, David Ellis, Barry McGee, Brandon Opalka, Friends With You, Dal East, Faith 47, San-tiago Rubino, Daze, Krink, Momo, Miss Van, Lady Pink, Fafi, Sheryo,

Kashink, Maya Hayuk and Lakwena.

The world-class murals and spirit of the project conti-nues to attract thousands of people to the Wynwood Walls each year. Among other things, it is an inspiring model for the revitalization of run-down, abandoned historic communities and a must-see destination for the city.

THE WYNWOOD WALLS ...

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Martha is legendary in the graffiti and street art com-munity for authoring Subway Art (1984), a seminal book that documented the explosion of graffiti writing and subway art in New York City in the late ‘70s and ‘80s.

Her work inspired young artists, spreading the move-ment around the world, so we are especially fortunate to present her as the official Wynwood Walls photogra-pher. She brings her knowledge and understanding about street culture to the project, and her dedication to her craft still involves climbing buildings, lifts, scaffolding or staying with artists through the night to get the memo-rable shots she does. Other books by Martha include Hip Hop Files: Photographs 1979–1984 (2004), Street Play (2005), We B*Girlz (2005), Tag Town (2008), and Going Postal (2009).

Martha writes: “Having seen graffiti and street art over the past thirty plus years grow from a secret underground culture to the biggest art movement in the history of the world, photographing the Wynwood Walls was a dream assignment for me. I loved meeting and interacting with the roster of in-ternational artists and watching as their walls took shape. At the same time I saw an unprepossessing district transformed before my eyes. It took the creative genius of Tony Goldman to imagine that those windowless warehouses could become the center of a vibrant arts community. I feel privileged to have been a part of this trans-formation.”

New York-based photographer Martha Cooper joined the Wynwood Walls as a contributing artist in its first year.

She traveled to Miami alongside other invited artists to document the murals in progress and create an indoor exhibition for the Wynwood Walls’ grand opening. Her photographs provided viewers with an important inside look into the making of the walls and the personalities that brought the project together. Since 2009 Martha has continued to document the epic mural project, re-cording the transformation of the Wynwood center, and her photographs are featured on this site as well as in the new book from Goldman Properties that celebrates three years of the Wynwood Walls through 2011.

THE WYNWOOD WALLS ...

martha cooper

barry mcgeeThere is perhaps no graffiti writer more...

synonymous with the West Coast scene than San Fran-cisco–based artist Barry McGee. A lauded and much respected cult figure in a bicoastal subculture that that comprises skaters, graffiti artists and surfers, he has been working on the streets under the moniker TWIST since the mid-1980s. His images continue to appear on walls, mailboxes and other surfaces despite ongoing efforts by public authorities to paint them out. In the work he shows in galleries, Barry has managed to crea-te a completely original style based on the graffiti expe-rience, through installations that fuse found and inven-ted imagery, drawings, tags and assorted objects. He is still active on the streets while simultaneously showing in the world’s most prestigious museums and galleries.

Barry contributed two large works to the Wynwood Walls project. The first, completed in 2009, covers the façade of a building with his trademark geometric pat-tern in fluorescent green and orange, and is emblema-tic of his more recent gallery work. On the wall facing 24th Street, a monochromatic face with droopy eyes and an awkward grimace appears, and on the electric pole on 2nd Avenue we can find the smaller signature faces he painted on city hardware. In this installation,

which wasn’t complete until the artist’s addition of an overturned truck, Barry included a shout out to his alter ego and occasional pseudonym “Ray Fong.” More recently, in 2010, Barry covered one wall of the Goldman Warehouse on 26th Street in silver and black graffiti throw-up, like a giant version of the filled-in tags that proliferate in urban areas.

Much of Barry’s work deals with the downtrodden and those who live on the margins of society. His expressive faces, a recurring image in his work, stem from the homeless and the down-and-out cha-racters he encountered in San Francisco, people who are often overlooked or forgotten by mains-tream culture.

His work is both visually striking with its bold colors and compassionate with its themes. Barry’s influence on contemporary art reaches far and wide, so we are honored to see his work at the Wynwood Walls.

Source: wynwoodwalls.com / N.V. Bertran

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Paintings, sculptures, photography art and illustrations leading (inter)national artists, suiting each budget, commission free. That is the success formula of the traveling International Art Fair.

After busy editions in other parts of the World the Global Art Agency has now opted for Rotterdam. In the St Laurens Church will be seen on 12 and 13 September work from over 200 artists and galleries from all over the world.

MUST - SEESSeveral works by the well-known British street artist ‘Banksy’ will be exhibited. And the fair also includes works by the Funky Art Gallery of Hollywood famous artist Filippo Ioco. His photographed body art works have been used for the filming of several popular American TV series. Also taking part are talented local artists, such as Maxime Osseman from Rotterdam, who uses blood as a medium through the symbolic image of the border between life and death.

WIN ARTBesides buying art, visitors also have the chance to win € 500 worth created by well-

known and award-winning Australian artist Ellen Stapleton. All donations will go to the chosen charity for the children of orphanages in Nepal and Africa.

GLOBAL ART AWARDS CEREMONYVisitors can also vote for their favorite artists for the Global Art Awards Ceremony on Saturday, September 13 from 17:00. The final decision is taken by the jury consisting of several well-known artists and celebrities.

Friday 12 September 18.00 - 22.00 VIP Private View Grand Opening Champagne Reception and € 7.50 per ticket.

Saturday 13 September 11.00am-18.00 FREE access.

If you wish to visit this wonderful art exhibition with more than 200 exhibitors coming from 36 countries. Contact the organisaton on office@globalartagency.com for more information or visit:

www.artfairrotterdam.com

AFTER BARCELONA, VIENNA, OXFORD AND TOKYO IT IS NOW TURN TO ROTTERDAM.

AFTER BARCELONA, VIENNA, OXFORD AND TOKYO IT IS NOW TURN TO ROTTERDAM.

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JOHN “JOSIMO” PATTERSONwww.lovejosimo.com

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A TRIBUTE TO

PABLO PICASSO

Several paintings by Picasso rank among the most expensive paintings in the world. Garçon à la pipe sold for US$104 million at Sotheby’s on 4 May 2004, es-tablishing a new price record.

Pablo Ruiz y Picasso, also known as Pablo Picasso; 25 October 1881 – 8 April 1973), was a Spanish painter, sculptor, printma-ker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. As one of the greatest and most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most fa-mous works are the proto-Cubist Les De-moiselles d’Avignon (1907), and Guernica (1937), a portrayal of the German bom-bing of Guernica during the Spanish Civil War. Picasso, Henri Matisse and Marcel

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Duchamp are regarded as the three artists who most defined the revolutionary deve-lopments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting, sculpture, printmaking and ceramics.

Picasso showed a passion and a skill for drawing from an early age. According to his mother, his first words were “piz, piz”, a shortening of lápiz, the Spanish word for “pencil”. From the age of seven, Picasso received formal artistic training from his father in figure drawing and oil painting. Ruiz was a traditional academic artist and instructor, who believed that proper trai-ning required disciplined copying of the masters, and drawing the human body from plaster casts and live models. His son became preoccupied with art to the detri-ment of his classwork.

The family moved to A Coruña in 1891, where his father became a professor at the School of Fine Arts. They stayed almost four years. On one occasion, the father found his son painting over his unfinished sketch of a pigeon. Observing the precision of his son’s technique, an apocryphal story relates, Ruiz felt that the thirteen-year-old Picasso had surpassed him, and vowed to give up painting, though paintings by him exist from later years.

In 1895, Picasso was traumatised when his seven-year-old sister, Conchita, died of diphtheria. After her death, the family moved to Barcelona, where Ruiz took a position at its School of Fine Arts. Picasso

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thrived in the city, regarding it in times of sadness or nostalgia as his true home. Ruiz persuaded the officials at the academy to allow his son to take an entrance exam for the advanced class. This process often took students a month, but Picasso completed it in a week, and the jury admitted him, at just 13. The student lacked discipline but made friendships that would affect him in later life. His father rented a small room for him close to home so he could work alone, yet he checked up on him numerous times a day, judging his drawings. The two argued frequently.

Picasso’s father and uncle decided to send the young artist to Madrid’s Royal Aca-demy of San Fernando, the country’s fore-most art school. At age 16, Picasso set off for the first time on his own, but he disli-ked formal instruction and stopped atten-ding classes soon after enrollment. Madrid held many other attractions.

After acquiring some fame and fortune, Picasso left Olivier for Marcelle Humbert, who he called Eva Gouel. Picasso included declarations of his love for Eva in many Cu-bist works. Picasso was devastated by her premature death from illness at the age of 30 in 1915.

Towards the end of World War I, Picasso

made a number of important relationships with figures associated with Serge Diaghi-lev’s Ballets Russes. In the summer of 1918, Picasso married Olga Khokhlova, a balleri-na with Sergei Diaghilev’s troupe, for whom Picasso was designing a ballet, Erik Satie’s Parade, in Rome; they spent their honey-moon near Biarritz in the villa of glamorous Chilean art patron Eugenia Errázuriz.

Khokhlova introduced Picasso to high so-ciety, formal dinner parties, and all the so-cial niceties attendant to the life of the rich in 1920s Paris.

At the time of his death many of his pain-tings were in his possession, as he had kept off the art market what he did not need to sell. In addition, Picasso had a considera-ble collection of the work of other famous artists, some his contemporaries, such as Henri Matisse, with whom he had exchan-ged works. Since Picasso left no will, his death duties (estate tax) to the French sta-te were paid in the form of his works and others from his collection.

These works form the core of the immense and representative collection of the Musée Picasso in Paris. In 2003, relatives of Picas-so inaugurated a museum dedicated to him in his birthplace, Málaga, Spain, the Museo Picasso Málaga.

Pablo Picasso died on 8 April 1973 in Mougins, France, while he and his wife Jacqueline entertained friends for dinner. He was interred at the Chateau of Vauvenargues near Aix-en-Provence, a property he had acquired in 1958 and occupied with Jacqueline

between 1959 and 1962.

Source: wikipedia & pablopicasso.org

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BAN KSY.Th e U nauthorised RetrospectiveCu rated by Steve Lazari des

ART EXHIBITION NEWS

Sotheby’s S|2 presents the first, unauthorized, retrospec-tive exhibition of works by the internationally renowned artist Banksy, curated by Steve Lazarides.

Heralded as the “Entrepreneur of the Urban Art Scene”, Steve Lazarides was Banksy’s agent from the outset of his career until 2008. The forthcoming selling exhibition fea-tures works from that period - sculptures, paintings and prints – which Lazarides considers seminal to the rise of Banksy during the time that they worked together. Inclu-ded are signature early works such as Avon and Somerset Constabulary, an image famous from the 2000 Bristol Se-vernshed show, right up to the politically charged Guanta-namo Bay ‘Crude Oil’ painting from Banksy’s Los Angeles exhibition Barely Legal. (Via www.sothebys.com)

Fru Tholstrup, Director of S|2 in London, commented: “Banksy is more than just a street artist - he is a true cultu-ral phenomenon of our time. Although we all feel we know the images he’s produced over the years, there’s hardly ever been an opportunity to see together the full range of his bes-t-known works. We’re also thrilled to be working with Steve Lazarides, the man who saw and cultivated this remarkable artist from the very beginning.”

With prices ranging from £4,000 to over £500,000, the se-lling exhibition includes everything from signature early works such as Avon and Somerset Constabulary – an ima-ge famous from the 2000 Bristol Severnshed show – right up to the politically charged Guantanamo Bay ‘Crude Oil’ painting from Banksy’s Barely Legal show in Los Angeles in 2006.

Many of the works in the exhibition have never been seen before, having been purchased directly from Lazarides and Banksy at the moment they were produced. Others have been seen, but only very briefly: Banksus Militus Vandalus, for instance, was illegally installed by Banksy in the Natural History Museum in 2004, where it remained for two hours before being spotted by officials and remo-ved. It has only been seen once in public since then.

BANKSYBanksy has become the most famous graffiti artist of his generation. Beginning his career in Bristol in the early 1990s with the graffiti gang DryBreadZ Crew, he worked largely freehand, but later in the decade moved increasin-gly towards the use of stencils. His work is characterised by striking images, frequently combined with slogans – many of them critical of war, capitalism, hypocrisy and greed – and notable for their edgy themes and boldness of execution. Banksy is also known for his subversion of classic images, such as his ‘Ballerina’ sculpture, reminis-cent of that by Degas but wearing a gas mask. The 2010 documentary about the artist, Exit Through the Gift Shop, was premiered at the Sundance Film Festival and was no-minated for an Academy Award. Previous exhibitions of Banksy’s work include:

2000: Severnshed Show, Bristol.2003: Turf War, Dalston. Banksy’s first ever official exhibi-tion. Ran for 3 days. 2005: Crude Oils.2006: Barely Legal, Los Angeles. Billed as a ‘three-day vandalized warehouse extravaganza’, and featuring a live painted elephant.2009: Banksy v. Bristol Museum, Bristol. Featured over 100 works, 78 of which were new pieces. Over the course of the twelve weeks, over 300,000 people visited the show.

Pest Control - Banksus Mi-litus Vandalus (2004)Illegally installed in the Natural History Museum in 2004, com-plete with spray can, sun glas-ses and rucksack, the Banksus Militus Vandalus remained on the wall for two hours before being removed by officials. Sin-ce then, it has only been seen once in public – at the legen-dary Banksy v. Bristol Musuem exhibition in 2009.

Sotheby’s S|2 presents the first, unauthorized, retrospective exhibition of works by the internationally renowned artist Banksy, curated by Steve Lazarides.

From Sotheby’s London by Mitzi Mina & Deirdre Fitzgerald

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Avon & Somerset Constabulary (2001)Produced in Bristol in 2001, when the police were hunting for Banksy, this image was shown at Banksy’s first major exhibition in the UK – The Severnshed show in 2000.

Burger King (c.2006)A unique work - oil and emulsion on canvas. Never seen in public before.

Monkey Queen (2001)A unique work – oil and emulsion on canvas. Exhibited in Glasgow in 2001. Not seen since.

Sunflowers from Petrol Station (2005) Exhibited at the Crude Oil show in Westbourne Grove in 2005, this unique oil on canvas has not been seen since.

Bronze Rat (2006)Twelve were made specifically for the Barely Legal show in Los Angeles in 2006, where they were screwed into the streets around the city – a number were stolen. A similar piece sold for £163,250 at Sotheby’s in 2011.

Morons (Gold Frame) (2006)Made in response to a series of high prices for Banksy’s work at Sotheby’s, prompting Banksy to put an image on his website showing people in an auction room bidding for a work on which was written: “I Can’t Believe You Mo-rons Actually Buy This Shit”. This particular print edition, with the work on the easel in a gold frame, was the first edition, produced in LA and exhibited at the Barely Legal show in 2006.

Flying Copper (2003) Suspended from the ceilings at the Turf War show in Dals-ton in 2003, Banksy’s Flying Coppers were never intended for sale – as a result, only a very small number have been authenticated by the artist.

Monkey Queen

Flying Copper

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DraumList PresentsAqua Libra

Carin Verbruggen Ferry drenthem-Soesman

DracorubioNico Brons

“Awesome and Incredible Creative Photography Art, at the Rotterdam International Art Fair.”

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BCN ART12 & 13 DESEMBRE 2014

FIRA INTERNACIONALD’ART CONTEMPORANI

B A R C E L O N A I N T E R N AT I O N A L A R T FA I R 2 0 1 41 2 & 1 3 D E C E M B E R 2 0 1 4

C A S A B AT L L Ow w w. b c n a r t f a i r . c o m

ART GALLERY

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AUGUST 2014

02-03 AugustPOW DER HORN ART FAIR

MINNEAPOLIS // USAwww.powderhornartfair.com

09-17 AugustART NOCTURNE KNOCKE

KNOKKE-HEIST // BELGIUMwww. artnocturneknocke.com

13-17 AugustMELBOURNE ART FAIR

MELBOURNE // AUSTRALIAwww. melbourneartfair.com

15-16 AugustANTIQUE INDIAN & ETHNO GRAPHIC ART

SHOW SANTA FE // NEW MEXICO

www. whitehawkshows.com

21-24 AugustBAL TI MORE SUM MER ANTIQUES SHOW

BALTIMORE // USAwww.baltimoresummerantiques.com

22-24 AugustASIA HOTEL ART FAIR

SEOUL // KOREAwww.http://hotelartfair.byus.net

29-31 AugustCHART | ART FAIR

COPENHAGEN // DENMARKwww.chartartfair.coM

30 August-02 NovemberFOLKESTONE TRIENNIAL

KENT // UNITED KINGDOMwww.folkestonetriennial.org.uk

Articblue Gallery, opened in Ibiza 2012 and has played a leading role in international cultural composition since creation. represented a strong team of established and emerging con-temporary artists working in a variety of media and through a wide range of styles.Its direct,curator Bellemur Rose Marie,with a team of professionals,is responsible for his third gallery,taken with great momentum and expertise already demostrated,continuing its promoting artists and actively partici-pating in art fairs.www.articbluegallery.com

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· FEATURED ·

ARTIST

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SEPTEMBER 2014

05-07 SeptemberTEXAS CONTEMPORARY

TEXAS // USAwww. txcontemporary.com

10-14 September20/21 BRITISH ART FAIR

LONDON // UNITED KINGDOMwww.britishartfair.co.uk

11-14 SeptemberARTRIO 2014

RIO DE JANEIRO // BRASILwww.artrio.art.br

12-13 SeptemberROTTERDAM INTERNATIONAL ART FAIR

ROTTERDAM // THE NETHERLANDSwww.artfairrotterdam.com

16-21 SeptemberASIA ART FAIR NEW YORK

NEW YORK // USAwww.theasiaartfair.com

18-21 SeptemberART BERLIN CONTEMPORARY

BERLIN // GERMANYwww.artberlincontemporary.com

18-21 SeptemberEXPO CHICAGOCHICAGO // USA

www. expochicago.com

18-21 SeptemberSUMMA CONTEMPORARY ART FAIR

MADRID // SPAINwww.summafair.com

19-21 SeptemberHOUSTON FINE ART FAIR

HOUSTON // USAwww.houstonfineartfair.com

25-29 SeptemberKIAF: KOREAN INTERNATIONAL ART

FAIRSEOUL // KOREA

www.kiaf.org

Year after year the artist Jos Deenen produces a steady flow of collages - linking up with the illustrious traditions of trends in art like Dada and Surreal-ism. Deenen’s engaged, critical and at times also deliberately erotic works of art are characterized by an amazing imagination and an ingenious sense of composition. The considered and meticulously constructed collages by Deenen are committed, critical, naugh-ty, unabashedly provocative, bold and

vicious.

www.josdeenen.exto.nl

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· FEATURED ·

“Artworks that stand out for its’ unique

and seemingly contradictive

combination of vibrant colours and

the sense of serenity.”

www.macmootr y-everaert-art.com

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Phosphorescent Silhouettes by Maria Marta Radmanhttp://mariamarta-radman.tumblr.com/

CondignArt

Maria Marta Radman's phosphorescent installation was created as a sarcastic comment on the party tourism that takes place each summer on the Croatian island of Hvar, where she resides. Sometime this summer, these silhouettes will glow out of the dark and reflect the island's atmosphere.

WORLD CONTEMPORARY ART

YOUR ART STORY IN THIS MAGAZINE.... www.condignart.com

“Paintings that surprises people and sparks their imagination.”

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