con safos vol2.1
DESCRIPTION
In Jose Antonio Burciaga’s Drink Cultura, he describes the origin of Con Safos as: "At one time or another many of us have seen the c/s sign-off on Chicano 'placas' and graffiti in the Southwest or Midwest. It's a very common Chicano symbol but its true origin and significance is nebulous. It is not a Mexican symbol but a Chicano, a Mexican-American, symbol. Its origin is unknown but, like the 'Pachuco', it probably originated in South El Paso's 'Segundo Barrio'. The c/s sign-off means 'con safos', and translates literally as "with safety"TRANSCRIPT
RESIST. TRY. CHANGE. BELIEVE. WRITE. RELEASE. SPEAK. ASK. FEEL. VOICE. HEAL. EMPOWER. EXPLORE. SPIRIT. CHALLENGE. QUESTION. INQUIRE. REALITY. CORAZON. SHARE. REPRESENT. INTIMACY. DEFY. DEVIANT. RISK. EXPOSE. REVEAL. NEGATE. DRAW. REFUTE. MAKE. CREATE. FAMILIA. STRENGTH. SING. SPACE. FORTITUDE. SOUL. SACRIFICE. LOVE. EXPERIENCE. REACT. WONDER. COMFORT. RELATE. FORGIVE. DISCOVER. WRITE. START. THRUST. CLOSURE. CLAIM. INHIBIT. MIGRATE. WITH. WITHOUT. FINISH. RESIST. TRY. DISCOVER. LIBERATE. CHANGE. BELIEVE. WRITE. RELEASE. SPEAK. ASK. FEEL. VOICE. HEAL. EMPOWER. EXPLORE. SPIRIT. CHALLENGE. QUESTION. LOSS. INQUIRE. REALITY. CORAZON. SHARE. REPRESENT. INTIMACY. DEFY. DEVIANT. RISK. EXPOSE. REVEAL. NEGATE. DRAW. REFUTE. MAKE. CREATE. FAMILIA. STRENGTH. SING. SPACE. FORTITUDE. SOUL. SACRIFICE. LOVE. EXPERIENCE. REACT. DISCOVER. WONDER. COMFORT. RELATE. FORGIVE. WRITE. START. THRUST. CLOSURE. CLAIM. INHIBIT. MIGRATE. WITH. WITHOUT. FINISH. RESIST. TRY. CHANGE. BELIEVE. WRITE. RELEASE. SPEAK. ASK. FEEL. VOICE. HEAL. EMPOWER. EXPLORE. SPIRIT. CHALLENGE. QUESTION. INQUIRE. REALITY. CORAZON. SHARE. REPRESENT. INTIMACY. DEFY. DEVIANT. RISK. EXPOSE. REVEAL. NEGATE. DRAW. LOSS. REFUTE. MAKE. CREATE. FAMILIA. STRENGTH. SING. SPACE. FORTITUDE. SOUL. SACRIFICE. LOVE. EXPERIENCE. REACT. WONDER. COMFORT. RELATE. FORGIVE. WRITE. START. THRUST. CLOSURE. CLAIM. INHIBIT. MIGRATE. WITH. WITHOUT. FINISH. RESIST. TRY. CHANGE. BELIEVE. WRITE. DISCOVER. RELEASE. SPEAK. ASK. FEEL. VOICE. HEAL. EMPOWER. EXPLORE. SPIRIT. CHALLENGE. QUESTION. INQUIRE. REALITY. CORAZON. SHARE. REPRESENT. INTIMACY. DEFY. DEVIANT. RISK. EXPOSE. REVEAL. NEGATE. DRAW. REFUTE. MAKE. CREATE. FAMILIA. STRENGTH. SING. SPACE. FORTITUDE. SOUL. SACRIFICE. LOVE. EXPERIENCE. REACT. WONDER. COMFORT. RELATE. FORGIVE. WRITE. START. THRUST. CLOSURE. CLAIM. INHIBIT. MIGRATE. WITH. WITHOUT. FINISH. RESIST. TRY. CHANGE. BELIEVE. WRITE. RELEASE. SPEAK. ASK. FEEL. VOICE. HEAL. EMPOWER. EXPLORE. SPIRIT. CHALLENGE. QUESTION. INQUIRE. REALITY. CORAZON. SHARE. REPRESENT. INTIMACY. DEFY. DEVIANT. RISK. EXPOSE. REVEAL. NEGATE. DRAW. REFUTE. MAKE. CREATE. FAMILIA. STRENGTH. SING. SPACE. FORTITUDE. SOUL. SACRIFICE. LOVE. EXPERIENCE. REACT. WONDER. COMFORT. RELATE. FORGIVE. WRITE. START. THRUST. CLOSURE. CLAIM. INHIBIT. MIGRATE. WITH. WITHOUT. FINISH. RESIST. CLAIM. CHALLENGE. CREATE. IDENTITY. EXPLORE. RESIST. TRY. CHANGE. BELIEVE. WRITE. RELEASE. SPEAK. ASK. FEEL. VOICE. HEAL. EMPOWER. EXPLORE. SPIRIT. CHALLENGE. QUESTION. INQUIRE. REALITY. CORAZON. SHARE. REPRESENT. INTIMACY. DEFY. DEVIANT. RISK. EXPOSE. REVEAL. NEGATE. DRAW. REFUTE. MAKE. CREATE. FAMILIA. STRENGTH. SING. SPACE. FORTITUDE. SOUL. SACRIFICE. LOVE. EXPERIENCE. DISCOVER. LIBERATE. REACT. WONDER. COMFORT. RELATE. FORGIVE. WRITE. START. THRUST. CLOSURE. CLAIM. INHIBIT. MIGRATE. WITH. WITHOUT. FINISH. RESIST. CLAIM. CHALLENGE. CREATE. IDENTITY. EXPLORE. RESIST. TRY. CHANGE. BELIEVE. WRITE. RELEASE. SPEAK. ASK. FEEL. VOICE. HEAL. EMPOWER. EXPLORE. SPIRIT. CHALLENGE. QUESTION. INQUIRE. REALITY. CORAZON. SHARE. REPRESENT. INTIMACY. DEFY. DEVIANT. RISK. EXPOSE. REVEAL. NEGATE. DRAW. REFUTE. MAKE. CREATE. FAMILIA. STRENGTH SING. SPACE. FORTITUDE. SOUL. SACRIFICE. LOVE. EXPERIENCE. REACT. WONDER. COMFORT. RELATE. FORGIVE. DISCOVER. LIBERATE. CORAZON. SHARE. REPRESENT. INTIMACY. DEFY. DEVIANT. RISK. EXPOSE. REVEAL. NEGATE. DRAW. REFUTE. MAKE. CREATE. FAMILIA. STRENGTH. SING. SPACE. FORTITUDE. SOUL. SACRIFICE. LOVE. EXPERIENCE. DISCOVER. LIBERATE. REACT. WONDER. COMFORT. RELATE. FORGIVE. WRITE. START. THRUST. CLOSURE. CLAIM. INHIBIT. MIGRATE. WITH. WITHOUT. FINISH. RESIST. CLAIM. CHALLENGE. CREATE. IDENTITY. EXPLORE. RESIST. TRY. CHANGE. BELIEVE. WRITE. RELEASE. SPEAK. ASK. FEEL. VOICE. HEAL. EMPOWER. EXPLORE. SPIRIT. CHALLENGE. QUESTION. INQUIRE. REALITY. CORAZON. SHARE. REPRESENT. INTIMACY. DEFY. DEVIANT. RISK. EXPOSE. REVEAL. NEGATE. DRAW. REFUTE. MAKE. CREATE. FAMILIA. STRENGTH. SING. SPACE. FORTITUDE. SOUL. SACRIFICE. LOVE. EXPERIENCE. REACT. WONDER. COMFORT. RELATE. FORGIVE. DISCOVER. LIBERATE. CORAZON. SHARE. REPRESENT. INTIMACY. DEFY. DEVIANT. RISK. EXPOSE. REVEAL. NEGATE. DRAW. REFUTE. MAKE. CREATE. FAMILIA. STRENGTH. SING. SPACE. FORTITUDE. SOUL.
Where is
your (C
/S)?
CO
N
SAFOS
WRITE.
In This Issue c s
Covert ArtPatsy Diaz
Editor’s NoteBrenda L. Rodriguez
3
Aunque No Te Conocí...Amanda Ontiveros
4
Familia: Words To My Fellow MEChistAs
Veronica Mora4
When I Roll Through My Hood
5Cultura I & Cultura II
Patsy Diaz5, 7
Broken Family & Con-sequences Erica Manzo
7
The LetterRaymond Morales
8-10
Do We Look Illegal? Thoughts on SB 1070
Mark Garcia11
MijaErica Manzo
11
Tomorrow & The Flawless Monster
A.Albor12
My Identity?Flor Arroyo
12
MinorityA.Albor
13
Estaré Entre Mariposas?Flor Arroyo
14
As The Ink Burns BlueBrenda L. Rodriguez
15
To WomynVeronica Mora
16
Mother-Like SymptomsErica Manzo
16
Scene No. 1Anonymous
17
Journey RootsJoel Torres
18-19
2
A Special thank You to all of our contributors. Thank you for
sharing your words, your experiences,
your c/s. Con Safos could not have been possible
without your submissions!
Welcome to the Spring 2011 issue of Con Safos (C/S)!
It is my privilege to introduce you to M.E.Ch.A. de UIUC’s Con Safos (C/S), a student-run publication focused on the experiences of Chican@s/Latin@s in the Midwest. The literal meaning of “con safos” as explained in Jose Antonio Burciaga’s Drink Cultura means “with safety.” But I prefer Burciaga’s later interpretation: It was meant as a safety precaution, a barrio copyright, patent pending. No one else could use or dishonor the graffiti. It was an honorable code of conduct, a literary imprimatur. Like saying “amen,” it ended discussion. Above all, it meant, “anything you say against me will bounce back to you. This is where Con Safos originates, but we decide where Con Safos continues. We decide where we stand and how we create our own Con Safos.
Con Safos attempts to create a space where we, as a community, can write and share our stories, our thoughts, and theories. The lack of representation is very real. The lack of solidarity, action, healing, and understanding from others and to one another is very real too. But this is where it begins. We are agents of ourstories and we decide how and when to represent them. Each semester we take submissions and while we are focused on Chican@s/Latin@s in the Midwest, our creation of space and solidarity exists without borders and the fixity of labels. Feel free to submit your sign-offs. There is no structure, nor rules or guidelines. You’re are free to write and share, to rant, to compel, to release, to inquire, to ask, to wonder, to reinvent, to redefine, to create, to be. From a fictional short story, to a poem, a comment, a written conversation, a painting, a sketch, a book review, a reaction to an event, an experience, a testimony, a comic panel, a critical essay, a song lyric, a photograph, to… however you seek to represent your voice, your reality.
I look forward to your sign-offs. c/s
Brenda L. Rodriguez
“It is not a newsletter, factual and cold.
It is not a top-down publication with an
agenda or censorship. This is our creation of
space.”
c s
Editor’s Note
When I first prompted my fellow MEChistAs to explore their c/s, I requested they looked introspectively. From our Latina/Latino Studies classes, we learn dominant society and the political system (mis)read our bodies through racial projects and our stories are tracked and annotated by others. But how do we choose to identify all the components of our persona and our experience when we reject society’s colonial misreading? With Con Safos, we can explore that area, we can explore ourstory with caution, respectfully, critically, with happiness, with sadness, in fragments, with love, with frustration, from all and any of the spaces that we are currently in. Identity, whether political or personal—ranging from race, sex, gender, sexual orientation, physical, mental to spiritual—is fluid, we are constantly carving and re-shaping our identities. Con Safos is our space to share a little part of us to others and to each other. It is not a newsletter, factual and cold. It is not a top-down publication with an agenda or censorship. This is our creation of space.
3
Aunq
ue n
o te
cono
cí...
Am
anda
Ont
iver
osA
cryl
ic o
n ca
nvas
2010
FAM
ILIA
: Wor
ds T
o M
y Fe
llow
MEC
hist
As
Ver
onic
a M
ora
Te h
aría
bie
n al
ejar
te a
un
luga
ral
l by
your
self
whe
re n
o on
e kn
ows y
oupe
ro so
mos
Mex
ican
asw
e’re
clos
e to
our
fam
ilies
.D
espu
és d
e un
rato
you
miss
them
,y
mie
ntra
s mas
pas
a el
tiem
pote
due
le m
as.
Has
ta q
ue a
l fina
lyo
u ca
n’t h
andl
e it
anym
ore,
que
hará
s has
ta la
impo
sible
para
ver
los o
tra
vez.
We
have
fam
ily ti
es th
at o
nly
deat
h ca
n br
eak
and
even
then
lleg
an lo
s tie
mpo
sth
at w
e ye
arn
for o
ur fa
mily
to b
e th
ere.
Yo
u be
com
e aw
are
of th
ese
bond
sev
en m
ore
in a
pla
ce w
here
win
ters
are
cold
quisi
eras
que
est
uvie
ra ay
i tu
mam
apa
ra h
acer
te u
n ch
ampu
rrad
o.Th
e en
viro
nmen
t is h
ostil
e to
peo
ple
like
usth
at tr
y to
mak
e ch
ange
hap
pen.
Som
os p
ocos
but
we
mak
e ou
r voi
ces b
e he
ard
or at
leas
t go
dow
n tr
ying
.It’
s har
d be
ing
Mex
ican
/Chi
can@
in th
e M
idw
est
spec
ially
if y
ou d
on’t
live
with
you
r fam
ilia.
Pero
, sab
es q
ue?
We
all s
tick
toge
ther
and
mak
e st
uff h
appe
n.W
e ke
ep fi
ghtin
g so
futu
re g
ener
atio
nsdo
n’t f
eel t
he su
fferin
g w
e go
thro
ugh
now.
Thro
ugh
that
, I h
ave
foun
d a
seco
nd fa
mily
.c/s
…W
hen
I Rol
l Thro
ugh
My
Hoo
d…
(My
Tear
s and
the R
eflec
tion)
M
RJ …
brig
htly
lid
and
colo
rful
……
gree
n, w
hite
, red
and
an
eagl
e ho
w tr
uly
won
derf
ul…
…th
e en
vy o
f non
e as
my
hood
rise
s……
land
bui
lt on
the
ashe
s of t
he fo
rgot
ten
with
no
com
prise
s……
the
push
over
s, th
e le
tdow
ns, a
nd th
e ho
rror
s……
whe
re w
e liv
e in
the
dyin
g pa
st w
ith n
o ho
pe fo
r to
mor
row…
…w
hen
I rol
l thr
ough
my
hood
, wha
t do
you
see?
…m
y tw
o fla
gs, t
he w
arm
colo
rs, a
nd o
ur il
lusio
n w
e ca
ll to
mor
row…
…th
at fu
ture
brin
gs g
reat
yea
rnin
g……
but w
hat c
omes
is o
nly
sorr
ow…
…cr
ies o
f def
eat t
hat n
o on
e is
hear
ing…
…fe
w if
alm
ost n
one
see
it co
me…
…th
at d
ay se
ems r
eser
ved
to o
nly
som
e……
num
b to
the
conc
ept o
f dea
th…
…LI
FE is
our
mos
t che
rishe
d gi
ft he
re…
…nu
mb
to th
e co
ncep
t of d
rugs
……
keep
ing
your
sani
ty is
rare
her
e……
num
b to
the
conc
ept o
f vio
lenc
e……
keep
ing
our b
roth
ers i
s har
d to
do
here
…
…in
her
e, w
e ar
e sla
ves t
o ou
r ow
n fe
ar…
…in
secu
re, c
ompl
acen
t, an
d de
cept
ive…
…co
nsid
erin
g su
cces
s fal
ls fr
om b
eing
rece
ptiv
e……
whe
n I r
oll t
hrou
gh m
y ho
od, w
hat d
o I s
ee?
…th
e cr
uelty
of o
ur “g
row
ing-
hood
” dre
ams…
…as
they
cras
h to
“gro
win
g-ho
od” t
hing
s……
gang
s, dr
ugs,
tear
s, an
d vi
olen
ce…
…m
y ho
od su
ffoca
tes a
nd d
ies i
n its
ow
n sil
ence
……
as I
roll
thro
ugh
my
hood
, for
my
last
tim
e, th
is is
wha
t I se
e……
faith
, hop
e, an
d pr
ide…
… O
nce
lost
but
nev
er fo
rgot
ten…
…le
t us f
orev
er re
mem
ber t
he fi
re o
f our
st
rong
em
ber…
…th
roug
h th
e gr
owin
g sa
dist
ic v
eins
, let
us r
ise…
…le
t us n
ot fa
ll in
vai
n, le
t us n
ot fa
ll in
dem
ise…
…le
t me
show
you
how
to m
aint
ain
thro
ugh
the
ever
last
ing
pain
……
as I
exte
nd m
y ha
nd th
roug
h th
is ba
rren
land
……
reco
gniz
e th
at w
e ca
n bu
ild o
ur o
wn
fate
from
the
with
erin
g sa
nd…
…no
mor
e ne
ed fo
r fea
r or n
eed
to h
ide…
…le
t us r
enew
our
true
prid
e…
…w
ith a
ll ou
r mig
ht w
e w
ill fo
rge
our o
wn
light
……
we
will
ven
ture
into
the
nigh
t to
reac
h a
new
he
ight
……
and
neve
r fea
r you
r son
is h
ere…
…th
e pr
odig
al so
n re
turn
ed, y
our a
ngui
sh h
as b
een
hear
d……
as I
roll
thro
ugh
my
hood
...…
I rea
lize
the
day
it w
ill n
o lo
nger
“be
hood
”…
Cultu
ra II
Pats
y D
iaz
(201
0)
“Kee
ping
our
bro
ther
s is
har
d to
do
here
”
“Let
us f
orev
er
rem
embe
r the
fire
of
our
stro
ng em
ber”
c s
Submit. Be Heard. Empower.
WHERE IS YOUR C/S?Currently Taking Submissions
Graphic Design by Patsy Diaz
Brok
en F
amily Th
ere
is a
fam
ily,
Con
sistin
g of
a m
othe
r,Fa
ther
,Si
ster
,A
nd M
ysel
fW
hat h
appe
ns w
hen
the
fam
ily d
ecid
es to
sepa
rate
?O
ne p
aren
t lea
ves,
Star
ting
a ne
w li
fe,
Fath
er le
ft w
ith th
e bu
rden
of a
hou
se,
One
he
cann
ot p
ay,
A d
augh
ter t
hat d
oes n
ot u
nder
stan
d w
hat i
s goi
ng o
n,St
ill y
oung
Ano
ther
dau
ghte
r tha
t witn
esse
s eve
ryth
ing,
The
obvi
ous a
nd th
e hi
dden
,O
ne th
at c
anno
t run
away
.
Con
sequ
ence
sSh
e fe
els l
ike
the
mot
her,
Taki
ng re
spon
sibili
ty fo
r the
unn
eces
sary
,Tr
ying
to li
ve h
er li
fe,
Yet f
eelin
g gu
ilty,
For l
eavi
ng,
Mos
t of a
ll le
avin
g he
r sist
er,
An
inno
cent
child
,Th
at is
livi
ng th
roug
h,Se
para
tion,
Of p
aren
ts,
But n
ow si
ster
,A
sist
er th
at h
as b
een
ther
e,Si
nce
birt
h,By
her
side
,Is
now
apar
t fro
m w
hat s
eem
s to
be th
e on
ly p
erso
n in
her
life
.
“Bro
ken
Fam
ily” &
“Con
sequ
ence
s”By
Eric
a M
anzo
Cultu
raPa
tsy
Dia
z(2
010)
The LetterRaymond Morales
Dear Ma,
You won’t believe it, but I received an e-mail last week that changed my life. I know, I know. It was just a few digital bytes transmitted over an impersonal listserv, but the ramifications for me as a scholar are long lasting. After years of speeches at the Board of Trustees, Illinois Student Senate and various other meetings asking for his removal (amongst other demands), I learned that the Regional Dean of the College of Medicine (COM) Prof. Bradford S. Schwartz is leaving the University of Illinois to go to the University of Wisconsin. Crazy, right? I know you told me to be patient and to give it time. And you were right. You know, I wish him no ill will, but he is the face of a struggle with which I have been confronted since my woes began in the Fall of 2006.
I never told you the full story of what they did, did I? Well, it was under his supervision and in his presence that another Dean (who has since left to Vanderbilt) uttered the words, “Ray, we want to work with you. We don’t want to have to send the police to your house.” Less than two months later, he sent the U of I Police to my laboratory and home to investigate chalking on the campus. I know you don’t know this, but chalking is a well-established University tradition and everybody does it. My chalking was literally juxtaposed to the chalkings of others. The school changed the rules within a few weeks on account of me. Talk about over reacting, right? And I know you knew that I wasn’t being paranoid when he was mysteriously selected to be on my original committee for my preliminary exam that was “randomly selected” amidst all that turmoil. And I never told you how he tried and failed to give me Professionalism violation. Instead, he resorted to “putting a letter” in my file with statements that I can prove to be false. Petty, right? He did this to ensure that Residency programs perceived these transgressions from his vantage when I apply in 2013.
I‘m sorry that you feel I changed. But I had to do it to survive here. This place is horrible. It took a lot out of me to have my life and career dangled in front of me again in such a meaningless fashion in spite of doing nothing to break a law or student code or professionalism violation. What’s worse is that people look at me like I was born with a silver spoon and that I am just complaining instead of fighting for what I believe. They don’t know how we struggled and the many nights we went without in spite of all your sacrifices. So, I know that it had to take people aback when I immediately retorted to Dean Schwartz and to many many others within this University that I perceived their actions to be discriminatory and selective. They couldn’t understand why I would sacrifice a free medical education, a hefty stipend that I receive each month, and my career to stand my ground.
I never did tell you what the catalyst for all this was, did I? I’ve been fighting for so long that I can’t even remember at this point. Well, the defining moment for me was when the only bastion of goodness at the COM (outside of a few folks in the MSP office) resigned.
What’s worse is that people look at me like I was born with a
silver spoon...
c s
8
Her name is Clarissa Williams and she was an Academic Skills Specialist who was also a 40-year-old African American scholar. She was the only person that I trusted with the responsibility of shepherding Scholars from Marginalized Populations and whom I believed could actually affect change. She had been trying for years to get transferred to Chicago and, on the day of her final interview to do so, she decided to not interview and to go live with her mom in Springfield with no immediate prospects for work. When I saw that she succumbed to the U of I in that way, my ire was raised. I thought to myself, this could be you or ‘buela or any one in our family. You could be amazing (like you always are) and be tortured by this University day in and day out simply for advocating for what was right. Maybe it was arrogant of me to think that I could butt heads with a College with hundreds of millions as a budget and whose overarching bodies ultimately award my degree. But I didn’t care. Honestly, I just wanted to make sure that no one ever experienced anything similar to what I went through. It was hard, Ma. I’m not even done, but I’m still making trying my best to think positively.
I apologize for never revealing just how deep the scars ran, but the ramifications were just too extensive for me to convey without tears. After a short series of e-mails and conversations, I went from being the COM poster child to the outcast overnight. I was eventually kicked out of my lab by Prof. Scott K. Silverman because he had “no scientific trust” in me even though he never gave one concrete example as to why. And it just so happened that this transpired less than one month after the Police visited my lab. I forgive him though. He just couldn’t support someone in my position. I just wish that he would have been a better person about how he did it instead of telling me on a random day that I had to pack up and turn in my keys.
This made it nearly impossible to get new funding because I clearly could not get a letter of reference from him. I could not touch the research that I had been conducting for over a year and it tainted me in the eyes of at least 14 other professors who would not take me in spite of having 1 year of guaranteed funding at the time and a 4.0 GPA. By the time I graduate, I will probably have been a Teaching Assistant for over eight 8 semesters which is almost unheard of in the sciences. Two to four semesters is most common around here. But it’s ok, Ma. If they really knew what it meant to be without and to sacrifice then they would know that there was no fire here hot enough to scorch my soul or temper my will. And I have you to thank for that.
But it’s ok, Ma. If they really knew what it meant to be without and to
sacrifice, then they would know that there was no fire here hot enough to scorch my soul or
temper my will. And I have you to
thank for that. So as I bid adieu to Dean Schwartz, I am optimistic about tomorrow, but not about the future of the College of Medicine. Trust me when I say that the problems go much deeper than just removing a figurehead. Did I ever tell you about Dr. Francis?? He is this really nice African American doctor in the area who is a premier medical educator. His story exemplifies the ineptitude of the leadership at the COM. Dr. Francis Ihejirika also used to work with the College of Medicine as a tutor and mentor back in the 90s, I think it was. He is also an Alum that was there as part of the 2nd class of minorities to be in Urbana back around the early 80’s. A direct result of this circumstance is that he has first hand knowledge of how the COM manipulated the money allocated for people like us. He vehemently opposed that and, just like Ms. Williams, severed ties with the COM to avoid dealing with their ignorance. He left to start a company called the PASS program focused on preparing students from across the globe for the medical licensing examinations. His program is one of the top 3 in the nation, if not the top program, and it is right here in Champaign. Isn’t that amazing?
c s
9
Check this out though. Once Clarissa Williams left the UHP Office, I was explicitly told that they would never consider Dr. Ihejirika for any position at the COM. In spite of the fact that he is the only physician with no ties to the COM who provides free tutoring (sometimes to over 50 people at a time) and funding to support students to attend conferences, they would not even recognize his contribution at the Celebration of Blacks & Latin@s in Medicine. Even though the students got together to buy a gift and card for him, we were told that there simply was “not enough time” in the agenda to recognize this African American physician who is a COM alum at the Celebration of Blacks & Latin@s in Medicine. Isn’t that messed up?
How do people live with themselves permitting these things to happen?
And then people wonder why I say that Champaign-Urbana is the worst place that I have ever been. In spite of the many beautiful people here who work hard to create a welcoming environment and who support those of us who are truly interested in pursuing knowledge, the depth of ignorance and hate to which many clutch with a vice grip at all levels is staggering. They don’t realize that I graduated from MIT or that I spent a summer at Yale or that I worked at Columbia for 2 years or took classes at a public university, CUNY before coming here. At none of those places did I ever encounter this level of deep seeded racism and privilege. And I wish this place was just an anomaly. But it’s not, ma. The graduate and professional programs across the country are peppered with offices and departments like this. There’s so many other places like that and I don’t know what to do.
If I stay quiet, I die on the inside. If I speak up, I’m reprimanded and opportunities are taken from me. A lot of times, a year will pass before it is revealed what
opportunities were taken. I don’t want to talk about that though, Ma. It will just depress me and it’s not worth it.
No one can really understand why I choose to just work and not socialize. They don’t know all the things that people in the community much less than University have said and done to me. Sometimes I get yelled at and I don’t even get an explanation for why. Sometimes they make me do things that no one else gets asked to do or is required to do. But such is life, Ma. I’m not mad. I know better. They just want to bring me down. I just smile and laugh on the inside. I can’t wait for the day when they ask me for donations and advice and support. And it will come, Ma. I just pray that I could be a good person and give a kind reply when it does.
I can see the end of the tunnel and I can’t wait to come back. I just want to walk through the door and smell that fresh pot of arroz con gandules and give you a big hug. Write back when you get a chance or I can give you a call this weekend. Either way, I will hear from you soon.
Bendiciones!
P.S. I have to apologize to the family for allowing this stress to get to me and for allowing my GPA to fall from a 4.0 to a 3.72. Without you all and my friends, I would have crumbled. And for that, I love you even more than you will ever know.
continued...c s
10
SB 1070 is affecting the lives of many in Arizona. My sister has to travel through Arizona to get back to Chicago from college. When I heard about the bill, I couldn’t believe that people were being ques-tioned about their citizenship in Arizona. My sister called me right after a State Sheriff had stopped her bus to check for “illegal immigrants.” She told me “We barely passed the “Welcome to Arizona” sign! This is ridiculous!”
I was shocked to realize this was affecting someone so close to me. I was also surprise how my sister’s confrontation with the State Sheriff challenged his stereotypical profile of “illegality.”
My sister informed me the sheriff questioned her citizenship status in a very rude manner. He had asked her if she was an “illegal immigrant” and if she wasn’t to hand over her “proof.” She was upset and said, “Do I look illegal? Do I sound illegal?” The Sheriff, then asked her to get off the bus, in which then she receded to present her Illinois State id and ask him why he had the audacity to question her in that manner. The sheriff apologized and let the bus pass without questioning others. But more importantly, why were certain bodies being targeted? There was an elderly woman sitting behind my sister. She had thanked my sister for being brave and acting the way she did. My sister felt great, and she felt like a super hero when she learned that the elderly woman was an undocu-mented immigrant going to see her family because she had just learned that her daughter had breast cancer.
Do We Look Illegal? Thoughts on SB 1070Mark Garcia
MijaErica Manzo
I wonder what it feels like,To be left without the one person that was there since the beginning,
The one person that looked after you,The one person that tucked you in at night,
The one person that loves you more than you can imagine.
c s
11
c sTomorrowA.Albor
I am Latino, born in this nationChicago-raised, second generation. My father’s parent’s, born MichoacánMy mother’s mother: a girl from San Juan.
As advantaged my life has always beenLife wasn’t easy as a child back thenI spent my childhood secretly afraidOf the life of drugs my father had made.
But I rose above the rift that he leftI’m moving on but I’ll never forgetI’m sorry papa, I’ll never hate youI am of your blood, it’s how God made you.
And there are others who share my storyBut one day soon, we’ll share the glorySo give us wisdom, and dreams to followTo become the people we’ll be tomorrow.
As I frowned in defeat, you crookedly smiled back. And only then did I see you for the sadistic Monster that you truly were. But then I realized, the Monster...
was me.
My identity?Flor Arroyo
Who do I identify myself with?Am I even first generation?
What am I considered?I was born in the U.S.
Pero he vivido un tercio o la mitad de mi vida en México tambiénI can speak English pretty well
But I can speak Spanish pretty well tooSometimes my friends poke fun at how well I can speak Spanish
I’ve heard “I am a Chicana. Born and raised in the U.S.”But I’ve never lived in Chicago or in “the city”
I’ve only lived in the suburbs when I’ve lived in the U.S.So who do I identify with?
Al parecer me identifico conmigo misma.
The Flawless MonsterA.Albor
12
Minority A.Albor
As a child, I was ignorant to the struggles of my people.I was an assimilated individual; the truth of my race, culture, my identity; unbeknownst to me.
The only thing I knew, was that me and my people were considered a Minority,but I had little concept of the word.
The word “Minority” was always present as I grew up in the Chicago Public Schools system.As a result of the frequent usage of this word, I associated it with my people.
I learned in elementary school that my people, who were more commonly referred to as Minorities, were more likely to score lower on state tests and exams.
Through textbooks, we learned of the heroic Americans that fought in World Wars, but never of the courageous Latinos that protested for the improvement of neglected education systems.
In high school for my history classes, one of the only times I would hear my teachers use the word “Latinos” was when the word “Immigrants” was also involved.
By then, I had formed negative opinions against my own race.But was I wrong?
It wasn’t my fault that the historical knowledge of my people was absent throughout my childhood.With no one to teach me the history of my own race, what it meant to be a Latino, or what a Chicano was,
I based my perspectives of these notions off the stereotypes and misconceptions held by society.My childhood only strengthened my ignorance.
It was an advantaged childhood, for I was an only child.My mother was college educated and brought in the wealth.
She stressed and instilled in me the importance of reading and education.She molded me into a curious individual;
to always question why and to always structure my thoughts using logic.She tough me to speak my words wisely;
whether they were either soft enough to heal or bold enough to hit their mark.Consequently, I developed a mentality of confidence; in which I was equal,
if not superior to others, based off my intelligence.I saw no differences between myself and a white person,
despite the color of our hair, skin, or eyes.I used to think that if I was capable of putting forth a competition to anyone intellectually or academically,
I was an equal.But after years of being in an education system that didn’t function off this belief,
but did neglect people of “Minorities”, it caught up to me.Ultimately, I view everyone as an equal. But I know that not everyone is treated equally.
So the naïve ignorant mentality I once fostered exists no more.I am older now, and I am continuously learning the disgusting feats of bigotry and attempts of oppression
that have been made on the people of “Minority” for decades.No longer am I completely blind to the ugliness and presence of racism,
for I see now almost every shadow it casts upon my gente; the so called “Minority”.
c/s
c s
13
Esta
ré E
ntre
Mar
ipos
as?
Flor
Arr
oyo Er
es ta
n he
rmos
o y
es t
u fo
rma
de se
r lo
que
me
enca
nta.
A c
ada
rato
me
recu
erda
n de
tu b
elle
za,
Y au
nque
yo
lo se
pa e
s tu
inte
rior l
o qu
e m
e tie
ne p
asm
ada.
Son
tus o
jos p
aral
izan
tes l
os q
ue m
e qu
itan
el a
lient
o,
Porq
ue v
eo e
n el
los l
a pu
reza
de
tu a
lma.
Qui
siera
pas
ar m
is m
anos
ent
re tu
cab
ello
, una
sedo
sa o
scur
idad
,Y
mie
ntra
s con
tus m
anos
fuer
tes t
ú so
stie
nes m
i cin
tura
Yo
te b
eso
a la
vez
por
una
ete
rnid
ad.
Pero
teng
o m
iedo
de
que
sea
sola
men
te m
i im
agin
ació
n,
sola
men
te u
na id
ea,
sola
men
te u
na fa
ntas
ía
Con
la q
ue su
eño
cada
día
.
Qui
siera
pod
er co
noce
rte
mej
or, p
oder
ace
rcar
me
más
a ti
Pe
ro e
s que
con
solo
con
solo
una
mira
da, u
na so
nrisa
, tu
pre
senc
ia m
e ha
ce se
ntir.
.. M
arip
osas
en
el e
stom
ago.
.. y
no sé
qué
hac
er
Y en
tonc
es te
eva
do tr
atan
do d
e hu
irte,
Pero
mis
ojos
trai
dore
s reg
resa
n a
ti pa
ra a
dmira
rte
Y en
cua
nto
volte
as h
acia
mí
Las m
arip
osas
regr
esan
, y d
e nu
evo
te te
ngo
que
evad
ir.Y
teng
o m
iedo
de
que
sea
sola
men
te m
i im
agin
ació
n,
sola
men
te u
na id
ea, s
olam
ente
una
fant
asía
Con
la q
ue su
eño
cada
día
.
Con
esp
eran
zas d
e en
cont
rart
e, te
bus
co p
or d
onde
cam
ino
y vi
sito
los l
ugar
es d
e tu
frec
uenc
ia
Pero
cua
ndo
encu
entr
o tu
figu
ra o
la m
ás m
ínim
a se
ñal d
e tu
pre
senc
ia,
Sigo
mi c
amin
o.
¿Me
preg
unto
qué
har
ás? ¿
Me
preg
unto
si p
ensa
ras e
n m
í?
¿Me
preg
unto
que
será
en
verd
ad lo
que
sien
to?
He
espe
rado
tant
o tie
mpo
por
est
e m
omen
to,
Rezá
ndol
e a
Dio
s sin
par
ar q
ue ap
arec
iera
s tu,
A
hora
que
me
ha co
nced
ido
a ti
no se
qué
hac
er, n
o sé
cóm
o re
acci
onar
,N
o m
ás m
e qu
eda
segu
ir re
zánd
ole
al S
anto
Esp
íritu
.Y
es q
ue te
ngo
mie
do d
e qu
e se
a so
lam
ente
mi i
mag
inac
ión,
so
lam
ente
una
idea
, sol
amen
te u
na fa
ntas
ía
Con
la q
ue su
eño
cada
día
.En
tre M
arip
osas
Flor
Arr
oyo
(201
0)
14
cris
scro
ssed
thre
ads o
f b
lack
and
whi
te,
that
ling
er b
etw
een
yes a
nd n
o.
cris
scro
ssed
thre
ads o
f b
lack
and
whi
te,
that
ling
er b
etw
een
yes a
nd n
o.
A
s The I
nk B
urns
Blu
e
Bren
da L
. Rod
rigu
ez
I wou
ld b
urn
this
plac
e do
wn,
st
artin
g w
ith o
ur w
alls,
th
en th
is ne
ck o
f min
e, en
ding
with
you
r fing
ertip
s.
But I
’ve m
ispla
ced
the
box
of m
atch
es, b
ox o
f scr
abbl
e le
tters
.
I wal
k w
ith a
thou
sand
diff
eren
t fac
es,
a va
rianc
e of
pos
e an
d ex
pres
sion
but y
ou,
you
wea
r my
wor
ds li
ke a
with
erin
g ch
ecke
red
scar
f,cr
isscr
osse
d th
read
s of b
lack
and
whi
te,
that
ling
er b
etw
een
yes a
nd n
o.
I wou
ld b
urn
this
plac
e do
wn,
fu
eled
by
phot
ogra
phic
mem
orie
s, di
ffere
nt st
ory
lines
, no
nexi
sten
t dia
logu
es,
and
disp
osab
le th
ough
ts.
But I
’ve fo
rgot
ten
the
scrip
t som
ewhe
rebe
twee
n th
e m
atch
, the
box
, and
littl
e pi
eces
of p
aper
.Yo
ur w
ords
hav
e fil
led
thes
e w
alls
to c
apac
ityye
t my
thou
ghts
kee
p sc
ream
ing
obsc
eniti
es.
I wal
k w
ith a
thou
sand
diff
eren
t sca
rs th
at sl
ip a
nd g
ive
me
away
, I d
on’t
deny
it.
I wal
k w
ith th
ousa
nd d
egre
es o
f sep
arat
ion,
I no
long
er w
ish to
hid
e it.
I sen
se y
ouC
onju
re y
ouCu
rse
you
Impl
ore
you
Dem
ean
you
Rede
em y
ou
All
to re
mem
ber y
ou a
s tha
t mom
ent,
capt
ione
d w
ith fa
int i
nvoc
atio
nsa
blur
ry st
ill m
emor
y ne
ver f
ails
to c
aptu
re,
fram
ed w
ithin
a u
nico
rn n
arra
tive,
inst
antly
impr
inte
d up
on m
y co
nsci
ousn
ess.
The
room
dar
kens
in co
nver
satio
n cr
isscr
osse
d w
ith th
e th
ings
I m
eant
to sa
yA
nd a
ll th
e sm
oke
linge
ring
upon
my
face
I wou
ld b
urn
this
plac
e do
wn,
star
ting
with
my
pen,
En
ding
with
you
r with
erin
g ch
ecke
red
scar
fC
rissc
ross
ed so
mew
here
bet
wee
n yo
ur li
ps a
nd m
ine.
I wou
ld b
urn
this
plac
e do
wn
Con
golp
es d
e pec
hoI c
onju
re y
oupa
lom
a ne
gra,
pal
oma
negr
aCu
rse
you
cuer
vo p
or fo
rtun
aI i
mpl
ore
you
devo
ram
e los
ojo
s I d
emea
n yo
uYa
no
si m
alde
cirte
Re
deem
you
o po
r ti r
ezar
For a
ll th
at is
wor
th, a
nd a
ll th
e th
ings
I ra
ther
not
kee
p.Fo
r all
that
it d
idn’
t mat
ter,
and
for a
ll th
at it
did
.
I str
ike
the
mat
ch fo
r the
faile
d w
ords
cr
isscr
osse
dso
mew
here
bet
wee
n m
e an
d yo
u.
As t
he sm
oke
elev
ates
us
With
a th
ousa
nd d
egre
es o
f sep
arat
ion.
Som
ewhe
re b
etw
een
me
and
you,
I sile
ntly
pra
y as
the
ink
burn
s blu
e.
c/s
Mot
her-
Like
Sym
ptom
sEr
ica
Man
zo
I’m h
er si
ster
, yet
I fe
el I’
m h
er m
othe
r,Fr
om a
you
ng a
ge,
I was
alw
ays t
here
,Lo
okin
g aft
er h
er,
Hel
ping
her
with
hom
ewor
k,Pl
ayin
g ar
ound
,W
atch
ing
mov
ies,
Just
spen
ding
qua
lity
time.
Now
that
I’m
mile
s apa
rt,
I fee
l as i
f I sh
ould
n’t b
e he
re.
So m
any
thin
gs ta
ke o
ver,
That
I fo
rget
.Fo
rget
that
I am
a si
ster
not
a m
othe
r,A
sist
er th
at n
eeds
to li
ve h
er li
fe,
Live
a li
fe fi
lled
with
exp
erie
nces
.Bu
t how
can
I w
hen
I fee
l gui
lty?
Gui
lty fo
r bei
ng so
far a
part
from
her
.Pe
ople
do
not r
ealiz
e ho
w m
uch
she
mea
ns to
me,
She’s
a y
oung
girl
,Th
at lo
oks u
p to
me,
Yet I
’m m
iles a
way
And
una
ble
to h
elp,
I wou
ld d
ie fo
r her
,I l
ove
her.
To W
omyn
Vero
nica
Mor
a
how
can
i no
t lov
e w
omyn
so st
rong
and
fier
ce.
how
can
i no
t ado
rein
depe
nden
t. po
wer
ful.
beau
tiful
.w
omyn
.sp
arkl
ing
eyes
, sm
iles t
hat s
hine
brig
htha
nds t
hat k
now
how
and
whe
reto
car
ess w
hen
you’
re sa
dor
wan
t to
mak
e lo
ve.
how
can
i no
t lov
e w
omyn
like
the
one
that
bro
ught
me
to th
is w
orld
carr
ied
me
with
in h
ernu
rtur
ed m
esh
aped
who
i am
.ho
w c
an i
not l
ove
wom
ynth
at la
y on
my
bed
as i
elic
it so
ft m
oans
and
sighs
of c
onte
ntw
ith th
ese
wom
yn h
ands
of m
ine.
how
can
i no
t lov
e w
omyn
with
thei
r soft
ness
and
cur
ves
as i
expl
ore,
bite
, kiss
, and
car
ess
with
thes
e w
omyn
lips
of m
ine.
how
can
i no
t lov
e w
omyn
as w
e m
ove
toge
ther
in p
erfe
ct e
qual
ityne
ither
stro
nger
or b
ette
r tha
n th
e ot
her
how
can
iho
w c
an i
not
how
can
i no
t lov
e w
omyn
16
Scene No. 1Anonymous
In it he found one picture of himself. Yellow Lane Tech embroidery and numbers sewed all over his green uniform. He was down on his right knee while his right arm cradled the trophy. His left hand pierced the sky above him as held one finger up, he was number one. But it wasn’t his finger that let you know he was the number one wide receiver. At the time he weigh 177 pounds, all muscle. There were no memorable missed catches, he was stronger than any linebacker on his team and he was faster than any cornerback or safety he had ever encountered. To his mother this all meant he was well on his way to receiving a scholarship for his talents. He was only a sophomore but anyone that saw the photograph always thought it was him as a senior. He however could never really look at the face. His beady eye balls zeroed in on the camera lens and made him feel like his past self was scolding him for letting things become the way they were today. He put the photograph back inside the white cardboard box that was to the right of his bed, on top of the mahogany table; the only thing in the room that wasn’t steel or colored a sterile white. In the box he found photographs of his boys, now men, 27 and 24. Underneath he found three photographs of his old motorcycle, the one his ex-wife made him sell when she was pregnant with their first boy. All the way at the bottom was one photograph of his younger sister, now back in Puerto Rico trying to save the world. He wondered if the box was his ex-wife’s way of visiting him. It had to be, who else could have dropped it off ? Certainly not his two men, one was in New York and the other in Utah. It had all started the previous morning when he felt pain in his upper back but just figured he had slept the wrong way. He was meaning to get a smaller bed but after all these years he still couldn’t find one that was as comfortable as the one he and his ex-wife had shared. By the time he got to work his chest had began to hurt as his hands began to numb up, but this was a common occurrence and felt it was his diabetes’ way of punishing him for drinking too much Coca-Cola the night before. When he was finally on his pallet jack trying to move the 250 bags of ruined starch his boss had been hassling him about he was losing his breath. This time he knew he was in trouble. He tried to run to the office but before his swollen feet could touch the ground his chubby right face cheek was positioning itself to soften the blow his head was about to take. He cupped and pulled in the left side of his chest as held his heart in his hands. Being the stubborn, old, man he was he still hoped it was just heart burn. He wasn’t about to let his doctor win, his mom made it to 92 with high cholesterol and diabetes, he could too. Lights out. A heart attack, the doctor explained, that if untreated could lead to death. Maybe him passing out was the best thing, the first main concern however was what the guys at work were going to say. What weren’t they going to say? Maybe his sons would finally fly out to visit. He asked the doctor if they had been contacted, to which the doctor replied he had no idea but told him a beautiful woman had came to visit him in the morning but left crying when she found him asleep.
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Journey RootsJoel Torres
“Aguántate joven, la calle es muy fea.” Jorge didn’t need to be told to hang on. He had been bracing himself in the middle of the backseat of the taxicab since it screeched out of the airport. The car was practically weaving nonstop the entire time they were on the mountainside roads. Every other curve seemed to bring on another obstacle. If it wasn’t a mule, it was a horse. If it wasn’t a horse, it was a goat. If it wasn’t a goat, it was a boulder that had fallen from the mountaintops. If none of these appeared in the middle of the road, the driver would zoom into the opposite lane in order to pass the cars in front of him moving slightly slower than he was. His annoyingly calm demeanor indicated to Jorge that none of these things were out of the ordinary. The fact that there were absolutely no guardrails to prevent the car from tumbling down the mountain did not make him feel any calmer.“Yeah… okay.” Was the only thing Jorge managed to squeeze out of his larynx.“¿Cómo? ¿No hablas español?” “Umm…” Jorge had to think really hard to retrieve his Spanish vocabulary. “Muy poco Señor.”“Bueno, pues entiendo inglés más o menos bien. Si prefieres háblame en inglés.”“Oh… you understand English?” Jorge was still having a hard time keeping himself composed since he felt like he was riding a chariot being pulled by a bull. The numerous makeshift shrines on the side of the road for victims of car crashes only added to Jorge’s anxiety.“Sí, ¿cómo te llamas joven?”“My name?” Jorge was about to tell him what he would tell everybody back home: that his name was “George” as in “George of the Jungle”, when he realized that he was in Mexico; he could go by his real name now, which is pronounced, “hor-heh”. “Me llamo Jorge,” he managed to say.
“Mucho gusto Jorge, me llamo Alejandro,” replied the driver, “no te preocupes, conozco este camino muy bien.” Alejandro telling Jorge not to worry was about as helpful as kicking a computer screen after it crashes. However, Jorge finally felt some relief when he noticed that they were out of the mountain roads and entering the city of Guanajuato.“Estaremos en tu destino en unos quince minutos,” announced the driver.“Fifteen more minutes?
Okay señor,” Jorge answered.Destino, Jorge thought to himself, he always found it interesting that in Spanish the same word could be used for “destination” and “destiny”. He wonders if making this trip was his destiny. He had only been to
Mexico once before when he was five years old.That was nearly seventeen years ago so heobviously doesn’t remember much. The only family he has here that matters to him is his grandmother, Julieta, waiting for Jorge on her deathbed. Her last wish is to see her belovedgrandson one last time before she passes on. Julieta’s son, Jorge’s dad, stayed behind in Arizona. His dad and his grandmother have been in a feud for a long time, and so they rarely speak to one another. Whenever Jorge brought up his grandmother, his dad would give him the same speech:“George, your grandmother is a hopelessly backwards woman. She would have us give up everything we’ve worked so hard for to go live in a place that many people die trying to escape from. From the moment I first set foot on US soil, I swore that I would never force any of my kids to grow up the way I did, and your mother and I have worked far too hard to give all of that up. As far as we’re concerned, we’re Americans now, and if your
It never escaped his attention that his dad called him
“George” instead of “Jorge”.
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To Be Continued on the Next
Issue of Con Safos!
grandmother can’t accept that than she’s dead to me.” It never escaped his attention that his dad called him “George” instead of “Jorge”.His mother would never think to betray her husband, and remained behind as well. When they came to Mexico the last time, Jorge’s father and grandmother had “the big fight”. In a fit of rage, his father swore he would never come back to this “hellhole of a country” ever again. When they returned to Phoenix, Arizona, hereaffirmed this declaration by burning his passport, assuring Jorge and his wife that he would never need it again. After “the big fight”, he did everything he could to erase his old heritage from his household. He legally changed his name from Felipe to Phillip, he never uttered a word of Spanish, and he proudly displayed the American flag everywhere in his house along with a number of portraits of famous Americans. One portrait stood out amongst the others, a giant painting of Theodore Roosevelt. Etched into a small golden rectangle at the bottom was a quote, “In this country, there is no room for hyphenated Ameri-cans”. It was to his father’s chagrin that Jorge chose to study Spanish throughout high school and college.“Ya llegamos joven, que te pasa buen día amigo.” The driver told Jorge as they pulled up to what could only be Jorge’s grandmother’s house. Jorge paid the driver his fare and made his way up to her front door while lugging his huge suitcase behind him. He vaguely remembered the house from when he was younger, so he knew he was at the right place. He knocked on the whitewashed metal door, echoing loudly into the house. A tiny slot on the door at eye level opened up, revealing the face of a woman dressed in a colorful and flowery frock. She greeted Jorge, and in the most broken Spanish possible Jorge told her he was looking for his grandmother, Julieta.
“¿Eres Jorge?” The woman asked.“Sí.” Jorge answered.Immediately the woman’s face lit up with happiness. She unlocked the door and let Jorge into the house. She gave him a tight hug. “(Spanish) Oh my goodness, look at how much you’ve grown! Oh, you probably don’t even remember me do you?”“Uhhh…” Jorge said, “(In broken Spanish) S-Sorry, I don’t remember you.”“I’m your aunt Marta, Felipe’s cousin.” She replied, “I was the one who used to watch you when your parents went out to the Jardín. They were too afraid to take you with them. We had lots of fun together.”Try as hard as he could, Jorge could not remember anything Marta was talking about. He was struggling to try to find the right words to say when Marta interjected.“You were only five years old at the time, it’s no surprise you don’t remember. I’ll take your luggage up to your room, your grandmother is straight down the hall from your room. You should go see her now.”“Bueno.” Was all Jorge could muster up at that moment. He followed Marta through the atrium of the house, which was technically outside since it had no roof, and up a flight of stairs to where there were three bedrooms and a bathroom. Marta pointed him in the direction of his grandmother’s room before turning towards the other direction to put his luggage in his room. He entered the room to see a tiny old woman resting on the bed, with pillows for her head and feet. Old age had really done a number on her, he barely recognized her behind all of her wrinkles and sags. She opened her eyes and turned her head towards Jorge. Her face lit up at having recognized her beloved grandson.“Jorge, qué milagro que te veo. I was afraid you wouldn’t come.”
In a fit of rage, his father swore he would never
come back to this “hellhole of a country” ever
again.