complete lesson catalog april 2, 2008 · pdf filestyle:jazz level:02-beginner early ... funk...

Complete Lesson CatalogApril 2, 2008

As of: Apr 02, 2008

Instrument: BassLesson Name Visual Teacher Auditory Teacher

Style: Absolute Beginner-BassLevel: 01-Absolute-Beginner

Choosing a Bass Grado, Alfredo Kuffner, Chris

Parts of the Bass Grado, Alfredo Kuffner, Chris

Tuning Grado, Alfredo Kuffner, Chris

Right Hand Technique Grado, Alfredo Kuffner, Chris

Left Hand, Intro to TAB Grado, Alfredo Kuffner, Chris

String Crossing and Fretted Notes Grado, Alfredo Kuffner, Chris

Staff, Bass Clef, Musical Alphabet Grado, Alfredo Kuffner, Chris

Notes on the E String Grado, Alfredo Kuffner, Chris

Note Values and Time Signatures Grado, Alfredo Kuffner, Chris

The Sharp Sign and the Flat Sign Grado, Alfredo Kuffner, Chris

Notes Up to the 5th Fret of the E String Grado, Alfredo Kuffner, Chris

Notes on the A String Grado, Alfredo Kuffner, Chris

Notes on D String Grado, Alfredo Kuffner, Chris

Notes on G String Grado, Alfredo Kuffner, Chris

C Major C-D-E-F-G Grado, Alfredo Kuffner, Chris

Eighth-Note Notation Grado, Alfredo Kuffner, Chris

Combining Eighth, Quarter, Half and Whole Notes Grado, Alfredo Kuffner, Chris

Playing the Root Grado, Alfredo Kuffner, Chris

Playing Root-Fifth Grado, Alfredo Kuffner, Chris

Major Triads: Root-3rd-5th Grado, Alfredo Kuffner, Chris

Putting It All Together Grado, Alfredo Kuffner, Chris

Identifying the Bass Drum Grado, Alfredo Kuffner, Chris

Playing Quarter-Note Patterns Grado, Alfredo Kuffner, Chris

E, F, F#, G, G# Grado, Alfredo Kuffner, Chris

A, Bb, B, C, C#, D Grado, Alfredo Kuffner, Chris

Relative Tuning Grado, Alfredo Kuffner, Chris

Style: JazzLevel: 02-Beginner Early

Introduction to the Cycle of Fifths Ferguson, Tim

Introduction to Flat Keys Ferguson, Tim

Introduction to Sharp Keys Ferguson, Tim

Time Signatures Ferguson, Tim

Introduction to Jazz Time and Feel Ferguson, Tim

Relative Tuning Ferguson, Tim

One- and Two-Finger Right-Hand Technique Ferguson, Tim

Posture and Breathing Ferguson, Tim

Scale Construction and Formula Ferguson, Tim

C/G One-Octave Major Scale Ferguson, Tim

F/B-Flat One-Octave Major Scale Ferguson, Tim

E/A One-Octave Major Scale Ferguson, Tim

F-Sharp/B One-Octave Major Scale Ferguson, Tim

Page 1 of 42


Style: JazzLevel: 02-Beginner Early

A-Flat One-Octave Major Scale Ferguson, Tim

One-Octave Movable Major Scale Patterns Ferguson, Tim

Major Scales in Closed Position Around Cycle of Fifths Ferguson, Tim

Unisons, Octaves and Perfect Intervals Ferguson, Tim

Major and Minor Intervals Ferguson, Tim

Augmented and Diminished Intervals Ferguson, Tim

Major, Minor, Diminished, and Augmented Triads Explained Ferguson, Tim

Introduction to Diatonic Harmony Ferguson, Tim

Style: RockLevel: 02-Beginner-Early

Playing the Major Scale Overthrow, Dave Walton, Tracy

Hearing Scale Degrees 1 - 4 Overthrow, Dave Walton, Tracy

Hearing Scale Degrees 5-8 Overthrow, Dave Walton, Tracy

Diatonic Intervals Overthrow, Dave Walton, Tracy

Major Triad Overthrow, Dave Walton, Tracy

Introducing the F Triad Overthrow, Dave Walton, Tracy

Introducing the Sixteenth Note Overthrow, Dave Walton, Tracy

Sixteenth-Note Groove Overthrow, Dave Walton, Tracy

Sixteenth-Note Chord-Tone Groove Overthrow, Dave Walton, Tracy

Larger Intervals with Sixteenth-Note Patterns Overthrow, Dave Walton, Tracy

Playing with a Pick -- Getting a Sound Overthrow, Dave Walton, Tracy

Alternate Picking with Eighth Notes Overthrow, Dave Walton, Tracy

Alternate Picking with Sixteenth Notes Overthrow, Dave Walton, Tracy

Additional Major Scale Fingerings Overthrow, Dave Walton, Tracy

Groove with All Three Fingerings Overthrow, Dave Walton, Tracy

Additional Major Triad Fingerings Overthrow, Dave Walton, Tracy

Three-Chord Tune Overthrow, Dave Walton, Tracy

The Slide Technique Overthrow, Dave Walton, Tracy

Three-Chord Tune with Slides Overthrow, Dave Walton, Tracy

Groove Using Sixteenth Notes Overthrow, Dave Walton, Tracy

Level: 03-Beginner-Proficient

The Natural Minor Scale Overthrow, Dave

Closed Fingering of Natural Minor Overthrow, Dave

Minor Triads Overthrow, Dave

Closed Minor Triad Fingering Overthrow, Dave

Eighth-Note Triplets Overthrow, Dave

Level: 04-Beginner-Accomplished

Major Pentatonic Overthrow, Dave

Blues with Major Pentatonic Pattern Overthrow, Dave

Closed Fingering of Minor Pentatonic Scale Overthrow, Dave

Swing Eighths Overthrow, Dave

The Shuffle Overthrow, Dave

Page 2 of 42


Style: RockLevel: 04-Beginner-Accomplished

Additional Fingerings of Major Pentatonic Overthrow, Dave

Multi-Chord Major Pentatonic Groove Overthrow, Dave

Additional Fingerings for the Minor Pentatonic Overthrow, Dave

Level: 05-Intermediate-Early

Two Octave Major Scale Overthrow, Dave Ray, Sharon

Two Octave Minor Scale Ray, Sharon

Two Octave Major Pentatonic Overthrow, Dave Ray, Sharon

Two Octave Minor Pentatonic Overthrow, Dave Ray, Sharon

Three-Quarter Time Ray, Sharon

Three-Quarter Groove Ray, Sharon

Introduction to Dotted Whole, Half and Quarter Notes Walton, Tracy Ray, Sharon

Introducing the Bo Diddley Groove Walton, Tracy Ray, Sharon

Dotted Eighths Walton, Tracy Ray, Sharon

Funk Groove Walton, Tracy Ray, Sharon

Diatonic Construction on a I-IV-V Walton, Tracy Ray, Sharon

Two New Keys Walton, Tracy Ray, Sharon

Scale Approach Walton, Tracy Ray, Sharon

Chromatic Approach Walton, Tracy Ray, Sharon

Blues Groove with Chromatic Approaches Walton, Tracy Ray, Sharon

Reggae Groove Walton, Tracy Ray, Sharon

Diminished and Augmented Triads Walton, Tracy Ray, Sharon

Diminished and Augmented Intervals Walton, Tracy Ray, Sharon

Wrapping it Up Walton, Tracy Ray, Sharon

Level: 06-Intermediate-Proficient

The Blues Scale Walton, Tracy

Additional Blues Scale Fingerings Walton, Tracy

Grooves in the Style of Led Zeppelin Walton, Tracy

The Mixolydian Mode Walton, Tracy

Boogie Bassline Walton, Tracy

The ii, iii, vi and vii° Chords Walton, Tracy

The I-vi-IV-V Progression Walton, Tracy

The I-iii-vi-ii-V Progression Walton, Tracy

Dominant 7 Chords Walton, Tracy

Dominant 7 Chord Basslines Walton, Tracy

The Tie Walton, Tracy

Ties with Eighth Notes Walton, Tracy

Ties with Sixteenth Notes Walton, Tracy

Sixteenth-Note Rests Walton, Tracy

Sixteenth-Note Exercises Walton, Tracy

Pick Technique Walton, Tracy

Left-Hand Muting Walton, Tracy

Basic Building Walton, Tracy

Page 3 of 42


Style: RockLevel: 07-Intermediate-Accomplished

Altered Blues Scale Walton, Tracy

Quarter-Note Triplet Walton, Tracy

Level: 08-Advanced-Early

Diatonic Modes Kuffner, Chris Scharfglass, Matt

Parallel Modes Kuffner, Chris Scharfglass, Matt

Minor 7th Flat-5 Kuffner, Chris Scharfglass, Matt

Diminished 7 Chord Kuffner, Chris Scharfglass, Matt

Diatonic 7 Chords Kuffner, Chris Scharfglass, Matt

Tune with 7 Chords Kuffner, Chris Scharfglass, Matt

7 Chords and Passing Tones Kuffner, Chris Scharfglass, Matt

Phrygian Basslines Kuffner, Chris Scharfglass, Matt

Lydian Basslines Kuffner, Chris Scharfglass, Matt

Locrian Basslines Kuffner, Chris Scharfglass, Matt

Slap Technique Kuffner, Chris Scharfglass, Matt

The Pop and Muted Notes Kuffner, Chris Scharfglass, Matt

Using Hammer-Ons and Pull-Offs Kuffner, Chris Scharfglass, Matt

Slap and Pop Lines Kuffner, Chris Scharfglass, Matt

Bass Groove with Sixteenth Notes and Muting Kuffner, Chris Scharfglass, Matt

Bass Grooves Using Eighth-Note Triplets Kuffner, Chris Scharfglass, Matt

Flea Kuffner, Chris Scharfglass, Matt

Half-Note Triplets Kuffner, Chris Scharfglass, Matt

Half-Note Triplet Groove Kuffner, Chris Scharfglass, Matt

Rhythm Monster Kuffner, Chris Scharfglass, Matt

Slap and Pop Kuffner, Chris Scharfglass, Matt

Level: 09-Advanced Proficient

Descending Lines Kuffner, Chris

Pedal Tones Kuffner, Chris

Common Tone Lines Kuffner, Chris

11ths and 13ths Kuffner, Chris

Level: 09-Advanced-Proficient

6ths and Sus Chords Kuffner, Chris

Compound Intervals and 9ths Kuffner, Chris

5/4 Time Kuffner, Chris

7/4 and 7/8 Time Kuffner, Chris



Level: 10-Advanced-Accomplished

The Harmonic Minor Scale Overthrow, Dave

Altered Chords Overthrow, Dave

Introduction to Harmonics Overthrow, Dave

Playing Chord Voicings with Harmonics Overthrow, Dave

Major Triads Overthrow, Dave

Page 4 of 42


Style: RockLevel: 10-Advanced-Accomplished

Minor Triads Overthrow, Dave

Dominant 7th Chords Overthrow, Dave

Minor 7th Chords Overthrow, Dave

Major 7th Chords Overthrow, Dave

Sixteenth-Note Triplet Overthrow, Dave

Sixteenth-Note Triplet Groove Overthrow, Dave

James Jamerson Overthrow, Dave

Duck Dunn Overthrow, Dave

Tapping Overthrow, Dave

Slap-Hammer-Slap-Pop Pattern Overthrow, Dave

Slap-Hammer-Pop Overthrow, Dave

Hendrix Groove Overthrow, Dave

Slap and Pop Overthrow, Dave

Instrument: DrumsLesson Name Visual Teacher Auditory Teacher

Style: Absolute Beginner-DrumsLevel: 01-Absolute-Beginner

Parts of the Drumset Sweeney, Pete

Setting Up the Drumset Sweeney, Pete

Introduction to Drumsticks Sweeney, Pete

Tuning the Drumset Sweeney, Pete

Lines, Spaces and Note Values Sweeney, Pete

Drumset Notation Sweeney, Pete

Reading Sweeney, Pete

Rests Sweeney, Pete

Introduction to Eighth-Note Reading Exercises Sweeney, Pete

Introduction to Sixteenth-Note Reading and Exercises Sweeney, Pete

Single-Stroke Roll Sweeney, Pete

Double-Stroke Roll Sweeney, Pete

Short Roll Rudiments Sweeney, Pete

Accents Sweeney, Pete

Paradiddles Sweeney, Pete

How to Practice Sweeney, Pete

Bass Drum and Hi-Hat Technique Sweeney, Pete

Quarter-Note Beats Sweeney, Pete

Eighth-Note Beats Sweeney, Pete

More Advanced Eighth-Note Beats Sweeney, Pete

Sixteenth-Note Beats Sweeney, Pete

More Advanced Sixteenth-Note Beats Sweeney, Pete

More Practice Tips Sweeney, Pete

Drumset Sound Possibilities Sweeney, Pete

Two and Four Measure Phrases Sweeney, Pete

Page 5 of 42

Instrument: DrumsLesson Name Visual Teacher Auditory Teacher

Style: Absolute Beginner-DrumsLevel: 01-Absolute-Beginner

One-Beat Fills Sweeney, Pete

Two-Beat Fills Sweeney, Pete

Four-Beat Fills Sweeney, Pete

Basic Motions Around the Set Sweeney, Pete

Hand and Foot Combinations Sweeney, Pete

Style: HandrumLevel: 05-Intermediate-Early

Tuning, Posture, and Basic Playing Techniques Kalani

Setup Basics, Open and Edge Tones Kalani

Combining Bass, Open, and Slap Tones Kalani

Muted Edge and Thumb/Finger Combination Kalani

Hand-Finger Strokes Introduced and Rumba Columbia Kalani

Traditional Afro-Cuban 6/8 Patterns Kalani

The Marcha Pattern (The Rumba Columbia Revisited) Kalani

Traditional Salsa Patterns Kalani

Salsa Patterns: Mambo and Songo For Two Drums Kalani

Other Caribbean/South American Patterns Kalani

Rumba Guaganco (Tumbao and Segunda) Kalani

Advanced and Alternative Techniques and Rhythms Kalani

Carribean Rhythms: The Calypso and the Merengue Kalani

Contemporary Three-Drum Patterns Kalani

Mano Secreto (Secret Hand) Technique Kalani

The Caxixi and the Cabasa Kalani

The Clave and the Agogo Kalani

The Dundun Kalani

The Djembe: Bass Tone and Open Tone Kalani

The Djembe: Slap Tone Introduced Kalani

Traditional Dundun and Djembe Patterns: Part 1 Kalani




Developing Percussion Actions and Skills Kalani

The Maraca and the Shaker Kalani

The Tambourine Kalani

The Triangle Kalani

Instrument: GuitarLesson Name Visual Teacher Auditory Teacher

Style: Absolute Beginner-Acoustic GuitarLevel: 01-Absolute-Beginner

How to Buy a Guitar Manzi, Lou Mazer, Susan

Parts of the Guitar Manzi, Lou Mazer, Susan

Page 6 of 42


Style: Absolute Beginner-Acoustic GuitarLevel: 01-Absolute-Beginner

How to Hold the Guitar Manzi, Lou Mazer, Susan

Tuning Manzi, Lou Mazer, Susan

The Right Hand Manzi, Lou Mazer, Susan

The Left Hand Manzi, Lou Mazer, Susan

Chord Diagrams, One-Finger Chords, and Slash Notation Manzi, Lou Mazer, Susan

The One-Finger G7 Chord and 3/4 Time Manzi, Lou Mazer, Susan

The C and D7 Chords Manzi, Lou Mazer, Susan

The Full A Minor and E Minor Chords Manzi, Lou Mazer, Susan

Tablature Manzi, Lou Mazer, Susan

Fun Licks Manzi, Lou Mazer, Susan

Pitch Manzi, Lou Mazer, Susan

Notes on the 1st String Manzi, Lou Mazer, Susan

Time: Rhythms, Beats, and Measures Manzi, Lou Mazer, Susan

Notes on the 2nd String Manzi, Lou Mazer, Susan

Rests Manzi, Lou Mazer, Susan

Notes on the 3rd String Manzi, Lou Mazer, Susan

Notes on the 4th String Manzi, Lou Mazer, Susan



Introduction to Rhythmic Notation Manzi, Lou Mazer, Susan

The Full G and C Chords Manzi, Lou Mazer, Susan

A, D, and E Chords Manzi, Lou Mazer, Susan

A7 and E7 Chords Manzi, Lou Mazer, Susan

Relative Tuning Manzi, Lou Mazer, Susan

Introduction to Fingerstyle Manzi, Lou Mazer, Susan

Style: Absolute Beginner-Electric GuitarLevel: 01-Absolute-Beginner


Parts of the Guitar Manzi, Lou Mazer, Susan

How to Hold the Guitar Manzi, Lou Mazer, Susan


The Right Hand Manzi, Lou Mazer, Susan

The Left Hand Manzi, Lou Mazer, Susan

Chords and Chord Diagrams Manzi, Lou Mazer, Susan

The One-Finger G7 Manzi, Lou Mazer, Susan

C and D7 Manzi, Lou Mazer, Susan

Amin and Emin Manzi, Lou Mazer, Susan

Style: Absolute Beginner-GuitarLevel: 01-Absolute-Beginner


The Parts of a Guitar Manzi, Lou Mazer, Susan

How to Hold a Guitar Manzi, Lou Mazer, Susan

Page 7 of 42


Style: Absolute Beginner-GuitarLevel: 01-Absolute-Beginner


Basic Right Hand Techniques Manzi, Lou Mazer, Susan

Basic Left Hand Techniques Manzi, Lou Mazer, Susan

Chord Diagrams/One-Finger Chords/Slash Notation Manzi, Lou Mazer, Susan

The One-Finger G7 Chord and 3/4 Time Manzi, Lou Mazer, Susan

The C and D7 Manzi, Lou Mazer, Susan

The Full A Minor and E Minor Chords Manzi, Lou Mazer, Susan




Notes on 1st String (E, F, G) Manzi, Lou Mazer, Susan

Time Manzi, Lou Mazer, Susan







Introducing Rhythmic Notation Manzi, Lou Mazer, Susan

G and C Manzi, Lou Mazer, Susan

A, D and E Chords Manzi, Lou Mazer, Susan

A7 and E7 Manzi, Lou Mazer, Susan

Cool Chord Exercises Manzi, Lou Mazer, Susan



Two-Note Shuffle Manzi, Lou Mazer, Susan

Improvisation Manzi, Lou Mazer, Susan

Style: AcousticLevel: 02-Beginner-Early

Chord Switching Tips and Review Johnson, Pat Mazer, Susan

Introducing G7 and Dmin Johnson, Pat Mazer, Susan

Introducing Eighth-Note Strumming Johnson, Pat Mazer, Susan

More Strums Mixing Quarters and Eighths Johnson, Pat Mazer, Susan

The Bass-Note Strumming Pattern Johnson, Pat Mazer, Susan

The Chromatic Scale Johnson, Pat Mazer, Susan

The C Major Scale Johnson, Pat Mazer, Susan

Eighth Notes and Alternate Picking Johnson, Pat Mazer, Susan

Eighth Note Rest, Whole and Half Note Rest Review Johnson, Pat Mazer, Susan

Improvisation with the C Major Scale Mazer, Susan

Introduction to Fingerstyle Johnson, Pat Mazer, Susan

P-I-M-A Arpeggio Pattern Johnson, Pat Mazer, Susan

P-I-M-A-M-I Arpeggio Pattern Johnson, Pat Mazer, Susan

Page 8 of 42


Style: AcousticLevel: 03-Beginner-Proficient

Chromatic Warm-Ups Johnson, Pat Mazer, Susan

Introducing B7 and C7 Johnson, Pat Mazer, Susan

Slash Chords Johnson, Pat Mazer, Susan

Ties and Syncopated Strumming Johnson, Pat Mazer, Susan

Bass Note Strum Syncopation in the Style of Bob Dylan Johnson, Pat Mazer, Susan

Reading F-sharp Notes, Natural Signs and Ties Mazer, Susan

Reading B-Flat, 3/4 Time and Dotted-Halves Mazer, Susan

Introducing Pinches Johnson, Pat Mazer, Susan


Intro to Triad Spelling Cataldo, Tomas Manzi, Lou

Arpeggiating Chords with a Pick Howard, Paul Manzi, Lou

Triad Arpeggio Bass Lines Howard, Paul Manzi, Lou

Playing and reading in D Howard, Paul Manzi, Lou

Mute Strokes, Percussive Sounds and Backbeat Howard, Paul Manzi, Lou

Split Strumming Howard, Paul Manzi, Lou

Hybrid Picking Howard, Paul Manzi, Lou

Strumming with No Pick Howard, Paul Manzi, Lou

Travis Patterns Leading from the m Finger Howard, Paul Manzi, Lou

Travis Patterns Leading from the a Finger Howard, Paul Manzi, Lou

Travis Picking with Swing Eighths Howard, Paul Manzi, Lou

Intro with Tuning Notes, Strumming, and Fingerstyle Howard, Paul Manzi, Lou

Level: 06-Intermediate Proficient

A Tune with Travis Picking Howard, Paul


Augmented and Diminished Chords Cataldo, Tomas Manzi, Lou

Major, Minor and Dominant 7th Chords Cataldo, Tomas Manzi, Lou

Adding Color Tones: 6 and 9 Cataldo, Tomas Manzi, Lou

Sus2 and Sus4 Chords Cataldo, Tomas Manzi, Lou

Building Triads on Each Scale Degree Cataldo, Tomas Manzi, Lou

The Primary Chords: I-IV-V Cataldo, Tomas Manzi, Lou

Adding 7ths Cataldo, Tomas Manzi, Lou

The Relative Minor Scale Cataldo, Tomas Manzi, Lou

Primary Chords in Relative Minor Cataldo, Tomas Manzi, Lou

Three-Finger Power Chords Cataldo, Tomas Manzi, Lou

Movable Blues Shuffle Cataldo, Tomas Manzi, Lou

E-Form Barre Chords Cataldo, Tomas Manzi, Lou

A-Form Barre Chords Cataldo, Tomas Manzi, Lou

Barre Chord Review - Switching Howard, Paul Manzi, Lou

Closed-Position Major Scale Cataldo, Tomas Manzi, Lou

Closed-Position Minor Scales Cataldo, Tomas Manzi, Lou

Review Minor Pentatonic Scale Cataldo, Tomas Manzi, Lou

The Blues Scale Cataldo, Tomas Manzi, Lou

Page 9 of 42


Style: AcousticLevel: 06-Intermediate-Proficient

Major Pentatonic Scale Cataldo, Tomas Manzi, Lou

Barre Chords and Left-Hand Muting Cataldo, Tomas Manzi, Lou

Funk Strumming Cataldo, Tomas Manzi, Lou

Bo Diddley Strum Using Sixteenth Notes Manzi, Lou

Level: 07-Intermediate-Accomplished

Natural Harmonics Howard, Paul Manzi, Lou

Tuning with Harmonics Howard, Paul Manzi, Lou

Root Six Moveable 7 Chords - Strings 6,4,3,2 Howard, Paul Manzi, Lou

7 Chords - Strings 5, 4, 3, 2 Howard, Paul Manzi, Lou

Swing Rhythms Howard, Paul Manzi, Lou

Swing Rhythms with Movable 7 Chord Forms Howard, Paul Manzi, Lou

Improvising Using Minor and Major Pentatonic Manzi, Lou

Hybrid Blues Scale Manzi, Lou

Bends Manzi, Lou

Slides, Grace Notes, and Combined Slurs Manzi, Lou

Extending the Minor Pentatonic Manzi, Lou

Sliding Major Pentatonic Manzi, Lou

Combining or Switching Manzi, Lou

Open G Tuning and Basic Chords Marciano, Larry Horne, Greg

More Chords and Basic Scales Marciano, Larry Horne, Greg

Open G: Practical Application and Rocking Out Marciano, Larry Horne, Greg

Tuning to Open D and Intro to Basic Chords Marciano, Larry Horne, Greg


Feature Tune Marciano, Larry Horne, Greg

Tuning and Introduction to Basic Chords Marciano, Larry Horne, Greg


Feature Tunes Marciano, Larry Horne, Greg

Tuning and Introduction to Some Basic Chords Marciano, Larry Horne, Greg


The Southwind: An Irish Tune in DADGAD Horne, Greg


Intro to Harmonics Techniques Marciano, Larry Horne, Greg

5/4 and 7/4 Marciano, Larry

Strings 1-2-3: Major and Minor Triad Inversions Marciano, Larry Horne, Greg

Strings 2,3,4--Major and Minor Triads Marciano, Larry Horne, Greg

Strings 3,4,5 and 4,5,6--Major and Minor Marciano, Larry Horne, Greg

Combine All Major Forms - C,A,G,E,D Marciano, Larry Horne, Greg

Intro to Mode Derivation and Names Marciano, Larry Horne, Greg

Aeolian Scale and Chord Progressions Marciano, Larry Horne, Greg

Mixolydian Scale and Chord Progressions Marciano, Larry Horne, Greg

Dorian Marciano, Larry Horne, Greg

Phrygian Scale and Chord Progressions Marciano, Larry Horne, Greg

Page 10 of 42


Style: AcousticLevel: 08-Advanced-Early

Lydian and Locrian Marciano, Larry Horne, Greg

Identify Melody and Simple Chords Marciano, Larry Horne, Greg

Tune, Melody and Backup Marciano, Larry Horne, Greg

Lead-Backup Style Marciano, Larry Horne, Greg

Melodic-Lead Style Marciano, Larry Horne, Greg

Improvised Lead Style Marciano, Larry Horne, Greg

Harmonizing a Melody in Open G Marciano, Larry Horne, Greg


Exploring 9 Chords: Major, Minor, Dominant, and Altered-Dominant

Marciano, Larry

Exploring 11 and 13 Chords Marciano, Larry

Dominant 7 Progressions, Altered Chords, and Approach Slides Marciano, Larry

Add Melodic and Bluesy Fills to Groove Marciano, Larry

Hendrix/Curtis Mayfield Style Part 1 Marciano, Larry

Hendrix/Curtis Mayfield Style Part 2 Marciano, Larry

Harmonic Minor Scale and Chords Marciano, Larry

Melodic Minor Scale and Chords Marciano, Larry

Arranging Melody from Part I with Bass and Chords Marciano, Larry

Arranging a New Melody in a Second Voice Marciano, Larry

Delta Blues Style Tune Marciano, Larry

Piece Using 3rds, 6ths, and 10ths Marciano, Larry

Carter Family Style Marciano, Larry

Adding an Upstroke to the Boom-Chick: Boom-a-chick-a Marciano, Larry

Style: Acoustic Absolute BeginnerLevel: 01-Absolute-Beginner



Improvising with the A Minor Pentatonic Manzi, Lou Mazer, Susan

Style: BendingLevel: 05-Intermediate-Early

Finger-Bending Boot Camp Jacobson, Harry

Precision Bending Jacobson, Harry

Level: 06-Intermediate-Proficient Bending

Quarter-Tone Bends Jacobson, Harry

Double-Stop Bends Jacobson, Harry

Level: 07-Intermediate-Accomplished Bending

Multi-Note Bends Jacobson, Harry

Bends with Right Hand Tapping Technique Jacobson, Harry

Cool and Refreshing Bending Ideas Jacobson, Harry


Four More Kinds of Bends Jacobson, Harry

Multi-Target Bends Jacobson, Harry

Page 11 of 42


Style: BendingLevel: 08-Advanced-Early

Applying Vibrato to a Bent Note Jacobson, Harry

Style: BluesLevel: 02-Beginner-Early

Construction of Major Scale on One String Chavez, Reggie Bihlman, Jeff

Numbering Scale Degrees Chavez, Reggie Bihlman, Jeff

The Sound of the Blues - G7, C7 and D7 Bennett, Alan Smith, Scott A.

12-Bar Blues in G Bennett, Alan Smith, Scott A.

Open A7 McCumber, Dennis Smith, Scott A.

The Open E7 Chord McCumber, Dennis Smith, Scott A.

Introducing Two-Note Chords (I-IV-V in A) Chavez, Reggie Bihlman, Jeff

Left-Hand Technique & Straight-Eighth Notes Chavez, Reggie Bihlman, Jeff

Play a 12-Bar Blues in A Chavez, Reggie Bihlman, Jeff

The A5 & A6 Diads Chavez, Reggie Bihlman, Jeff

Using Diads over a 12-Bar Blues in A Chavez, Reggie Bihlman, Jeff

The Dotted-Eighth-Sixteenth Pattern Bennett, Alan Smith, Scott A.

I-IV-V in A over the Shuffle Pattern Bennett, Alan Smith, Scott A.

Open B7 & I-IV-V in E Chavez, Reggie Bihlman, Jeff

12-Bar Blues in E (Folk Style) Chavez, Reggie Bihlman, Jeff

The E5, E6 & E7 Diads in E Chavez, Reggie Bihlman, Jeff

Left-Hand Technique: Muting Strings Chavez, Reggie Bihlman, Jeff

The Walk-Up Between the I & IV Chords Chavez, Reggie Bihlman, Jeff

The Triplet and Swing Eighth Notes Bennett, Alan Smith, Scott A.

I-IV-V in E Using the Swing-Eighth Rhythm Bennett, Alan Smith, Scott A.

The Boogie Pattern in E (One-Chord Vamp) Bennett, Alan Smith, Scott A.

Transposing Bennett, Alan Smith, Scott A.

Boogie Pattern over a 12-Bar Blues in E Bennett, Alan Smith, Scott A.

Transpose the 12-Bar Boogie to G Bennett, Alan Smith, Scott A.


Introducing the Major Pentatonic Scale Chavez, Reggie Bihlman, Jeff

Introducing the Minor Pentatonic Scale Chavez, Reggie Bihlman, Jeff

The Blues Scale Chavez, Reggie Bihlman, Jeff

E-Shaped Barres, Root 6: A Major McCumber, Dennis Smith, Scott A.

A-Shaped Barres, Root 5: A Major McCumber, Dennis Smith, Scott A.

Standard I-IV-V Progression McCumber, Dennis Smith, Scott A.

Solo Construction Over A7: I-IV-V McCumber, Dennis Smith, Scott A.

Minor and Minor 7 Chords McCumber, Dennis Smith, Scott A.

Standard Minor I-IV-V Progression McCumber, Dennis Smith, Scott A.

E Minor Pentatonic to the Fifth Position McCumber, Dennis Smith, Scott A.

Building a 12-Bar Solo McCumber, Dennis Smith, Scott A.

Bending and the A Minor Pentatonic Scale McCumber, Dennis Smith, Scott A.

Half-Step Bends McCumber, Dennis Smith, Scott A.

Solo Construction Smith, Scott A.

Page 12 of 42


Style: BluesLevel: 03-Beginner-Proficient

Trills Bennett, Alan Smith, Scott A.

Return Bend to Pull-off Bennett, Alan Smith, Scott A.

Forward Rake Bennett, Alan Smith, Scott A.


Basic Phrasing Using the Top Three Strings Smith, Scott A.

Simple Slide Exercises Smith, Scott A.

Solo Combining 1st and 2nd Boxes Boye, David Smith, Scott A.

1st Box in 2nd Position Boye, David Smith, Scott A.

2nd Box in 4th Position Boye, David Smith, Scott A.

Major Pentatonic Versus Minor Pentatonic Boye, David Smith, Scott A.

Introduction to Overlapping Boxes (Mix Maj/Min Pentatonic) Boye, David Smith, Scott A.

Phrasing Boye, David Smith, Scott A.

Theory of 3rds Boye, David Smith, Scott A.

Theory of 6ths Boye, David Smith, Scott A.

Rhythm Patterns with 3rds and 6ths Boye, David Smith, Scott A.

Soloing with 3rds and 6ths Boye, David Smith, Scott A.

Riffs that Built the Blues: Classic Riff Examples McCumber, Dennis Smith, Scott A.

Introduction to Slide Boye, David Smith, Scott A.

Solo over a Minor I-IV-V Progression Boye, David Smith, Scott A.

A Minor Pentatonic and A Blues Scale Boye, David Smith, Scott A.

The Boogie Grind: 2-Finger A5/A6 in Closed Position McCumber, Dennis Smith, Scott A.

Double Stops McCumber, Dennis Smith, Scott A.

Turnarounds McCumber, Dennis Smith, Scott A.

Everything Plus the Kitchen Sink-Solo Construction McCumber, Dennis Smith, Scott A.


New Key-C7 (6th-String Root) McCumber, Dennis Smith, Scott A.

12-Bar Blues in C (5th-String Root) Boye, David Smith, Scott A.

12/8 Blues in C Minor, 6th-String Root McCumber, Dennis Smith, Scott A.

12-Bar Blues in C Minor (5th-String Root) Boye, David Smith, Scott A.

Major Pentatonic: Boxes 3, 4 and 5 McCumber, Dennis Smith, Scott A.

Position Switching Through All Five Boxes McCumber, Dennis Smith, Scott A.

Developing Bending Feel and Ear Boye, David Smith, Scott A.

Getting More Boogie to the Gallon--Two-String Chords McCumber, Dennis Smith, Scott A.

Closed Position in C: 6th-String Root McCumber, Dennis Smith, Scott A.

Combining Open and Closed Position Boogie Patterns McCumber, Dennis Smith, Scott A.

Introducing 9 Chords in E McCumber, Dennis Smith, Scott A.

A Shuffle and 9 Chords Boye, David Smith, Scott A.

Riff-Based Blues with 9-Chord Turnarounds Boye, David Smith, Scott A.

12/8 Blues in A McCumber, Dennis Smith, Scott A.

A Darker Shade of Blue McCumber, Dennis Smith, Scott A.

Standard Turnaround (I-IV-I-V) Smith, Scott A.

Augmented Chord Replaces Last V Chord Smith, Scott A.

Page 13 of 42


Style: BluesLevel: 05-Intermediate-Early

Strumming Dziuba, Mark Smith, Matt

Minor-Key Shuffle Dziuba, Mark


The 8-Bar Blues Dziuba, Mark Smith, Matt

In-the-Style-of [The Thrill is Gone] Dziuba, Mark Smith, Matt

In-the-Style-of [They Call It Stormy Monday] Dziuba, Mark Smith, Matt

Fourth-String Root 9 Chords Dziuba, Mark Smith, Matt


Minor Line Cliche Dziuba, Mark Smith, Matt

The Charleston Rhythm Dziuba, Mark Smith, Matt

The Upbeat Shuffle Rhythm Dziuba, Mark Smith, Matt

Advanced Boogie Patterns Smith, Matt

Root-6 Chords Dziuba, Mark Smith, Matt

6 and 9 Chords on the Top Three Strings Dziuba, Mark Smith, Matt

Single-Chord Boogie: Style of John Lee Hooker Slone, Eric

Eight-Bar Blues Slone, Eric

16-Bar Blues Slone, Eric

Gospel Slone, Eric

Blues with a B Section Slone, Eric

Rhythm Changes Slone, Eric

Eighth-Note Shuffle Slone, Eric

Clave Beat: The Bo Diddley Rhythm Slone, Eric

New Orleans Style Rhumba Slone, Eric

Speed Riffs and Repeating Licks Slone, Eric

Targeting Chord Tones Slone, Eric

Call and Response Slone, Eric

Fills Between Vocals Slone, Eric

Pinch (Artificial) Harmonics Explained Slone, Eric

Rakes Slone, Eric

Texas Power Rhythm Slone, Eric

Dominant 7 Sharp-9 Slone, Eric

Altered Dominant Chords: 7 Flat-9 and 7 Sharp-5 Slone, Eric

Diminished 7th Chords Slone, Eric

Dominant 9th Chords Slone, Eric

Adding 11 and 13 Slone, Eric


A7 Root-6 Arpeggio Barker, Jonathan Smith, Matt

D7 Root-5 Arpeggio Barker, Jonathan Smith, Matt

E7 Root-5 Arpeggio Barker, Jonathan Smith, Matt

A7 Arpeggio 5th String Barker, Jonathan Smith, Matt

D7 Arpeggio 4th (Or 6th) String Barker, Jonathan Smith, Matt

E7 Arpeggio 4th (Or 6th) String Barker, Jonathan Smith, Matt

Page 14 of 42


Style: BluesLevel: 08-Advanced-Early

Mixing Arpeggio Fingerings In The Key Of A (Dom7) Barker, Jonathan Smith, Matt

Introducing The Minor 7 Arpeggio Barker, Jonathan Smith, Matt

Show 6/4 Fingerings For Minor 7 Arpeggio Barker, Jonathan Smith, Matt

8-Bar Blues Barker, Jonathan Smith, Matt

Ionian Mode, Major Scale, Key Of G Barker, Jonathan Smith, Matt

D Mixolydian Barker, Jonathan Smith, Matt

E Aeolian Barker, Jonathan Smith, Matt

Mixolydian Mode & Dom7 & Dom7-Type Chords Barker, Jonathan Smith, Matt

Finger-Shifting Methods Through Major & Minor Pentatonics Barker, Jonathan Smith, Matt


Construction of an Inversion (3rd in the Bass) Barker, Jonathan

Hendrix Chord Inversion Barker, Jonathan Smith, Matt

R&B Inversions Barker, Jonathan Smith, Matt

Sixteenth-Note Rhythm Barker, Jonathan Smith, Matt

Style: Chop ShopLevel: 05-Intermediate-Early

Getting the Most Out of Daily Practice Smith, Matt

Mastering the Fretboard Smith, Matt

The Chord-Tone Approach Smith, Matt

Rhythms and Grooves Smith, Matt

Moving One Note in a Chord Smith, Matt

Funky Rhythm Fills Smith, Matt

Creating Chord Fills over a Minor Chord Smith, Matt

Open D Tuning Smith, Matt

Travis Picking in Open D Tuning Smith, Matt

Five Open Tunings for the Price of One Smith, Matt

The Secret Country Blues Diagram Smith, Matt

DADGAD Tuning Smith, Matt

DADGAD Tuning In Celtic Music Smith, Matt

Indian DADGAD Smith, Matt

Slide Guitar Techniques Smith, Matt

Hawaiian Slide Guitar I Smith, Matt

Hawaiian Slide Guitar II Smith, Matt


Harp Scales Smith, Matt

Creative Guitar Harmonics Smith, Matt

Words To Live By Smith, Matt

Style: ClassicalLevel: 05-Intermediate-Early

Basic Terminology, Positioning and Technique Masters, Martha

Basic Left-Hand Techniques Masters, Martha

Rest-Stroke, Unprepared Strokes: Beethoven (Right Hand) Masters, Martha

Page 15 of 42


Style: ClassicalLevel: 05-Intermediate-Early

Introducing Dynamics Masters, Martha

Introducing Free Stroke Masters, Martha

The Right-Hand Thumb: J.S. Bach Masters, Martha

Introducing Chords: Diabelli (Right-Hand) Masters, Martha

Ascending Arpeggios: Carulli (Right-Hand) Masters, Martha

Right-Hand String Crossing: Sor Masters, Martha

Left-Hand Shifts: Sor Masters, Martha

Good Study Habits Masters, Martha

Combining Right-Hand String Crossing & Left-Hand Shifts Masters, Martha

Descending Apeggios: Spanish Romance Masters, Martha

Combining Finger Rest-Strokes with Thumb Free Stroke Masters, Martha

Combining Rest Strokes & Free Strokes in Fingers Masters, Martha

Slurs (Hammer-Ons & Pull-Offs): Carcassi Masters, Martha

Introducing Tremolo (Right Hand) Masters, Martha

Thumb Rest-Stroke (Right Hand) Masters, Martha

Interpretation: Using Color (Right-Hand) Masters, Martha

Right-Hand Speed Development Masters, Martha

Style: Electric Absolute BeginnerLevel: 01-Absolute-Beginner




Notes on the 1st String Manzi, Lou Mazer, Susan

Time: Rhythms, Beats, and Measures Manzi, Lou Mazer, Susan







Introduction to Rhythmic Notation Manzi, Lou Mazer, Susan

The Full G and C Chords Manzi, Lou Mazer, Susan

A, D, and E Chords Manzi, Lou Mazer, Susan

A7 and E7 Manzi, Lou Mazer, Susan





Improvising with the A Minor Pentatonic Manzi, Lou Mazer, Susan

Style: FingerstyleLevel: 03-Beginner-Proficient

Basic Terminology, Positioning and Technique Mazer, Susan

Page 16 of 42


Style: FingerstyleLevel: 03-Beginner-Proficient

Basic Terminology and Arpeggios Mazer, Susan

Fingerpicks and Fingernails Mazer, Susan

Plucking Strings Simultaneously Mazer, Susan

Alternating Thumb and Fingers in 3/4 Time Mazer, Susan


p-i-m-a-m-i Mazer, Susan

Picking Patterns in 4/4 Mazer, Susan

Spanish Romance Mazer, Susan

Rock-Style Fingerpicking Pattern Mazer, Susan

Patterns and Descending Basslines Mazer, Susan

Playing In 3/4 Time Mazer, Susan


Alternate Bass Pattern Mazer, Susan

Travis Picking Mazer, Susan

Playing Bass Notes on the 4th & 3rd Strings Mazer, Susan

Drone Bass and the Blues Mazer, Susan


Drone Bass and the Blues II Mazer, Susan

Alternating Bass and Melody Mazer, Susan

Introducing Syncopation Mazer, Susan

Travis Pattern with a More Complex Melody Mazer, Susan

Hammer-Ons & Pull-Offs Mazer, Susan


Slides and Bends Mazer, Susan

A Classical Guitar Piece by Aguado Mazer, Susan

Fun Riffs Mazer, Susan

The Bossa Nova Rhythm Mazer, Susan

Chord Melody Mazer, Susan

Drop-D Tuning Mazer, Susan

Open G Tuning Mazer, Susan

Open D Tuning Mazer, Susan

Fingerstyle Warmups Mazer, Susan

Review of Fingerstyle Patterns Mazer, Susan

Style: JazzLevel: 02-Beginner-Early

The Major Scale on One String Dempsey, Tom Monaco, Amanda

One-Octave C Major Scale in Open and 2nd Positions Dempsey, Tom Monaco, Amanda

One-Octave C Major Scale in 5th, 7th, & 10th Positions Dempsey, Tom Monaco, Amanda

Using Major Scales Not Starting on the Root and Accidentals Dempsey, Tom Monaco, Amanda

Introduction to Key Signatures Dempsey, Tom Monaco, Amanda

Intervals on One String Monaco, Amanda

Unisons, 2nds, and 3rds Dempsey, Tom Monaco, Amanda

Page 17 of 42


Style: JazzLevel: 02-Beginner-Early

4ths and 5ths Dempsey, Tom Monaco, Amanda

6ths, 7ths, and Octaves Dempsey, Tom Monaco, Amanda

Introduction to Triads Dempsey, Tom Monaco, Amanda

Diminished and Augmented Triads Dempsey, Tom Monaco, Amanda

Intro to Major Barre Chords Dempsey, Tom Monaco, Amanda

Intro to Minor Barre Chords Dempsey, Tom Monaco, Amanda

Basic Progressions Dempsey, Tom Monaco, Amanda

Root-Position Major Triad Arpeggios Dempsey, Tom Monaco, Amanda

Root-Position Minor Triad Arpeggios Dempsey, Tom Monaco, Amanda

Diminished Triad Arpeggios Dempsey, Tom Monaco, Amanda

Augmented Triad Arpeggios Dempsey, Tom Monaco, Amanda

Standard Subdivision of the Beat Dempsey, Tom Monaco, Amanda

Introducing Four-to-the-Bar Comping Dempsey, Tom Monaco, Amanda

Introducing the Charleston Rhythm Dempsey, Tom Monaco, Amanda

Introduction to Basic Blues Progression with Triads Dempsey, Tom Monaco, Amanda

Pentatonic Solo Over a Blues Progression Dempsey, Tom

Hand Position with Exercises Dempsey, Tom

Finger Designation with Exercises Dempsey, Tom

A Simple Fingerstyle Piece Dempsey, Tom


Two Octave Major Scale, Single Position Dempsey, Tom Monaco, Amanda

Two-Octave Fingerings Dempsey, Tom Monaco, Amanda

More Fingerings Monaco, Amanda

Major Scale Fingerings Dempsey, Tom

Cycle of 4ths Dempsey, Tom

Interval Inversion Dempsey, Tom

Interval Inversion Application Dempsey, Tom

Ties and Dotted Note Values Dempsey, Tom

Shuffle Comping Techniques Dempsey, Tom

Intro to Triple Meter Dempsey, Tom

Waltz Comping Techniques Dempsey, Tom

Using Major Scales to Solo over Triads Dempsey, Tom

Using Arpeggios to Solo over Triads Dempsey, Tom

Combining Major Scales and Arpeggios over Triads Using Target Tones

Dempsey, Tom

Phrasing Techniques Using Repetition Dempsey, Tom

Review First Pentatonic Pattern Dempsey, Tom Monaco, Amanda

Introducing Two Pentatonic Patterns Monaco, Amanda

Two More Pentatonic Fingerings Dempsey, Tom Monaco, Amanda

Pentatonic Scale Patterns Dempsey, Tom

Pentatonic Improvisation Techniques Dempsey, Tom

Basic Blues Progression Dempsey, Tom Monaco, Amanda

Page 18 of 42


Style: JazzLevel: 03-Beginner-Proficient

Introducing the Blues Scale Dempsey, Tom Monaco, Amanda

Blues Scale Continued Dempsey, Tom Monaco, Amanda

Blues Scale Patterns 4 and 5 Dempsey, Tom Monaco, Amanda

Call-and-Response Technique Dempsey, Tom Monaco, Amanda

Blues Scale Patterns and Licks Dempsey, Tom

Construction and Theory of the Relative Minor Scale Dempsey, Tom

Continued Fingerstyle Exercises Dempsey, Tom

Fingerstyle Shuffle Comping Patterns Dempsey, Tom

Waltz Comping Patterns Dempsey, Tom


Construction of Major 7 Chords Dempsey, Tom Monaco, Amanda

Construction of Minor 7th Chords Dempsey, Tom Monaco, Amanda

Construction of Dominant 7 Chords Dempsey, Tom Monaco, Amanda

Constructing Minor-7-Flat-5 Chords Dempsey, Tom Monaco, Amanda

Constructing Diminished-7 Chords Dempsey, Tom Monaco, Amanda

Major Scale: Patterns and Licks Applied Dempsey, Tom Monaco, Amanda

Basic Blues Progression with Seventh Chords Dempsey, Tom Monaco, Amanda

Blues Scale: Patterns and Licks Dempsey, Tom Monaco, Amanda

Introducing the Clave Dempsey, Tom Monaco, Amanda

Basic Samba and Bossa Nova Comping Patterns Dempsey, Tom Monaco, Amanda


Ionian Mode: Theory and Fingerings Dempsey, Tom Monaco, Amanda

Dorian Mode: Theory and Fingerings Dempsey, Tom Monaco, Amanda

Mixolydian Mode: Theory and Fingerings Dempsey, Tom Monaco, Amanda

Modal Improvisation Overview Dempsey, Tom Monaco, Amanda

Improvising with the Ionian Mode Dempsey, Tom Monaco, Amanda

Improvising with the Dorian Mode Dempsey, Tom Monaco, Amanda

Improvising with the Mixolydian Mode Dempsey, Tom Monaco, Amanda

Major 7 Arpeggios Fisher, Jody Dziuba, Mark

Minor 7 Arpeggios Fisher, Jody Dziuba, Mark

Dominant 7th Arpeggios Fisher, Jody Dziuba, Mark

Swing Comping Patterns Fisher, Jody Dziuba, Mark

Construction and Diatonic Harmony Fisher, Jody Dziuba, Mark

The Anatomy of a Lick Fisher, Jody Dziuba, Mark

Using Target Tones Fisher, Jody Dziuba, Mark

Neighbor Tones Fisher, Jody Dziuba, Mark

Minor Blues Introduction Fisher, Jody Dziuba, Mark

Identifying Chord Tones in a Melody Fisher, Jody Dziuba, Mark

Harmonizing a Melody I Fisher, Jody Dziuba, Mark


Maj 7 Chord Diatonic Extensions Fisher, Jody Dziuba, Mark

Minor 7 Chord Diatonic Extensions (9, 11, 13) Fisher, Jody Dziuba, Mark

Page 19 of 42


Style: JazzLevel: 06-Intermediate-Proficient

Dominant 7 Chord Diatonic Extensions (9, 11, 13) Fisher, Jody Dziuba, Mark

Emphasizing Dorian Modal Flavor Fisher, Jody Dziuba, Mark

Emphasizing Mixolydian Modal Flavor Fisher, Jody Dziuba, Mark

Construction of the Harmonic Minor Scale Fisher, Jody Dziuba, Mark

One Octave Fingerings of the Harmonic Minor Scale Fisher, Jody Dziuba, Mark

Two-Octave Fingerings of the Harmonic Minor Scale Fisher, Jody Dziuba, Mark

Combining Upper And Lower Neighbor Tones Fisher, Jody Dziuba, Mark

Drop 2 Voicings And 4 String Combinations (5432) (5321) Fisher, Jody Dziuba, Mark

Intros (Lesson 2) Fisher, Jody Dziuba, Mark

Turnarounds (Lesson 2) Fisher, Jody Dziuba, Mark

Endings (Lesson 2) Fisher, Jody Dziuba, Mark


Modal Planing Fisher, Jody Dziuba, Mark

Construction of the Melodic Minor Scale Fisher, Jody Dziuba, Mark

One Octave Fingerings Of The Melodic Minor Scale Fisher, Jody Dziuba, Mark

Two-Octave Fingerings of the Melodic Minor Scale Fisher, Jody Dziuba, Mark


Diminished Scales Fisher, Jody

One-Octave Fingerings for the Whole-Half Diminished Scale Fisher, Jody

Two-Octave Fingerings for the Whole-Half Diminished Scale Fisher, Jody

Three-Octave Fingering for the Whole-Half Diminished Scale Fisher, Jody

One-Octave Fingerings for the Half-Whole Diminished Scale Fisher, Jody

Two-Octave Fingerings for the Half-Whole Diminished Scale Fisher, Jody

Three-Octave Fingerings for the Half-Whole Diminished Scale Fisher, Jody

One-Octave Diminished Arpeggios Fisher, Jody

Two-Octave Diminished Chord Arpeggios Fisher, Jody

Three-Octave Diminished Chord Arpeggios Fisher, Jody

The Dim7 Chord: Definition, Function, and Voicings Fisher, Jody

Harmonic and Melodic Duplication of Dim7 Chords Fisher, Jody

Extended and Altered Chords Fisher, Jody

Diminished Phrases Fisher, Jody

The Whole Tone Scale Fisher, Jody

One-Octave Fingerings for the Whole Tone Scale Fisher, Jody

Two-Octave Fingerings for the Whole Tone Scale Fisher, Jody

Three-Octave Fingerings for the Whole Tone Scale Fisher, Jody

Application of the Whole Tone Scale Fisher, Jody

Whole Tone Phrases Fisher, Jody

Harmonic Minor Derivation Fisher, Jody

Harmonic Minor Scale Usage Fisher, Jody

The Modes of the Harmonic Minor Scale Fisher, Jody

Dorian b2b5 or Locrian Natural 6 Application Fisher, Jody

Ionian Augmented Fisher, Jody

Page 20 of 42


Style: JazzLevel: 08-Advanced-Early

Ionian Augmented Application Fisher, Jody

Dorian #4 (or Lydian b3b7) Fisher, Jody

Dorian #4 (or Lydian b3b7) Application Fisher, Jody

Phrygian Dominant (or Mixolydian b2b6) Fisher, Jody

Phrygian Dominant (or Mixolydian b2b6) Application Fisher, Jody

Comping with Walking Bass Lines I Fisher, Jody

Walking Bass and Minor Chords Fisher, Jody

Walking Bass & Chords III Fisher, Jody

Walking Bass & Chords IV Fisher, Jody

Walking Bass & Chords V Fisher, Jody

Artificial Harmonics I Fisher, Jody

Artificial Harmonics II Fisher, Jody

Artificial Harmonics III Fisher, Jody

Diminished Scales Fisher, Jody

Diminished Scales II Fisher, Jody

Diminished Scales III Fisher, Jody

The Whole Tone Scale Fisher, Jody

Chord Melody I Fisher, Jody

Chord Melody II Fisher, Jody

Improvising and Arranging the Harmonization of Melodies Fisher, Jody

Improvising Melodies Without Full Chords Fisher, Jody

Ways To Vary Your Sound When Playing Solo Jazz Guitar Fisher, Jody

Solo Guitar Improvisation Fisher, Jody

A Cool Way To Think About Major Scales and Improvisation Fisher, Jody

Jazz Blues Fisher, Jody

Playing Songs With Walking Bass Lines Fisher, Jody


Inner Voice Movement (Lesson 2) Fisher, Jody Dziuba, Mark

Symmetrical Movement Fisher, Jody Dziuba, Mark

Style: KidsLevel: 01-Absolute-Beginner

Preparing to Play Manzi, Lou Mazer, Susan

Reading Music, the G Chord, and Notes on the 1st String Manzi, Lou Mazer, Susan

Quarter Notes and the C Chord Manzi, Lou Mazer, Susan

The G7 Chord and Notes on the 2nd String Manzi, Lou Mazer, Susan

Half Notes, Rests, and the Two-Finger C Chord Manzi, Lou Mazer, Susan

Whole Notes, Whole Rests, and the D7 Chord Manzi, Lou Mazer, Susan

Tablature, Notes on the 3rd String, and a Rock Song Manzi, Lou Mazer, Susan

Sound Effects and a Beethoven Tune Manzi, Lou Mazer, Susan

Power Chords and a Rock Tune Manzi, Lou Mazer, Susan

Dotted Notes and a Power Chord Progression Manzi, Lou Mazer, Susan

The E Minor Chord, Songs, and Notes on the 4th String Manzi, Lou Mazer, Susan

Page 21 of 42



New Strumming Patterns Manzi, Lou Mazer, Susan

Double Stops and 3/4 Time Manzi, Lou Mazer, Susan

Rock Guitar Riffs, New Strum, and Notes on the 5th String Manzi, Lou Mazer, Susan

The E7 and A7 Chords, New Strum, and a Tune Manzi, Lou Mazer, Susan

The E Chord, Rock Riff, and Songs Manzi, Lou Mazer, Susan

Boogie Woogie Melody and the A Minor Chord Manzi, Lou Mazer, Susan

Notes on the 6th String and the 12-Bar Blues Manzi, Lou Mazer, Susan

The D Chord and a New Strumming Pattern Manzi, Lou Mazer, Susan

The A Chord and Review Manzi, Lou Mazer, Susan

Style: RockLevel: 02-Beginner-Early

Introduction to the Electric Guitar and Amplifiers Hurwitz, Tobias Agresta, Ralph

Unisons and Octaves on the Guitar Hurwitz, Tobias Agresta, Ralph

Linear Major Scale & Natural Notes of the 6th String Hurwitz, Tobias Agresta, Ralph

Introduction to Eighth Notes Hurwitz, Tobias Agresta, Ralph

Octaves, 5ths, and Power Chords Hurwitz, Tobias Agresta, Ralph

The Natural Notes of the 5th String Hurwitz, Tobias Agresta, Ralph

More Chords Hurwitz, Tobias Agresta, Ralph

Chords Continued Hurwitz, Tobias Agresta, Ralph

Open-Position Minor Pentatonic Hurwitz, Tobias Agresta, Ralph

Introduction to Hammer-ons/Pull-offs Hurwitz, Tobias Agresta, Ralph

Introduction to Vibrato Techniques Hurwitz, Tobias Agresta, Ralph

Introduction to Bending (3rd Finger Only) Hurwitz, Tobias Agresta, Ralph

Introduction to Sliding Hurwitz, Tobias Agresta, Ralph

Applying Techniques to Solos I Hurwitz, Tobias Agresta, Ralph

Applying Techniques to Solos II Hurwitz, Tobias Agresta, Ralph


The Chromatic Notes of the 5th and 6th Strings Quick, Tim Hartwell, Geoff

Closed Position A Minor Pentatonic Quick, Tim Hartwell, Geoff

Moving the Pentatonic Scale to Other Keys Quick, Tim Hartwell, Geoff

Palm-Muting Techniques with Power Chords Quick, Tim Hartwell, Geoff

Alternate Picking Using Sixteenth Notes Quick, Tim Hartwell, Geoff

Hammer-On and Pull-Off Techniques Using the Minor Pentatonic Scale

Quick, Tim Hartwell, Geoff

Combining Slides and Bends Quick, Tim Hartwell, Geoff

Open Position Progressions 1 Quick, Tim Hartwell, Geoff

Soloing over the E, A, B7 Progression Quick, Tim Hartwell, Geoff


More E Minor Chord Progressions Quick, Tim Hartwell, Geoff

Open-Position Progressions III Quick, Tim Hartwell, Geoff

Simple Concepts For Improvisation I Quick, Tim Hartwell, Geoff

Open-Position Progressions IV Quick, Tim Hartwell, Geoff

Page 22 of 42


Style: RockLevel: 03-Beginner-Proficient

Simple Concepts for Improvisation II Quick, Tim Hartwell, Geoff


Soloing over the C7-F7 progression Quick, Tim Hartwell, Geoff


Strumming Syncopation Nolan, Alex Howard, Paul

Root-6 Forms Nolan, Alex Howard, Paul

Root-5 Movable Chord Forms Nolan, Alex Howard, Paul

Cool Progressions Using Movable Chords Nolan, Alex Howard, Paul

Movable Major Scales Nolan, Alex Howard, Paul

Soloing Over A Simple Major Vamp Using Moveable Major Scales

Nolan, Alex Howard, Paul

Connecting Minor Pentatonic Boxes 1 and 5 Nolan, Alex Howard, Paul

Minor Pentatonic Boxes 1, 5 and 2 Nolan, Alex Howard, Paul

Connecting Boxes 3, 4 and 5 Nolan, Alex Howard, Paul

Adding the Flat-5 Nolan, Alex Howard, Paul

Minor Pentatonic Scale System 5 Nolan, Alex Howard, Paul

The Major Pentatonic Scale Nolan, Alex Howard, Paul

Expanding Pentatonic Major Nolan, Alex Howard, Paul

Combining Major and Minor Pentatonic Nolan, Alex Howard, Paul

Sliding Power Chords and Root-4 Forms Nolan, Alex Howard, Paul

Open E and A Pedal Tones with Power Chords Nolan, Alex Howard, Paul

Chord Embellishments Nolan, Alex Howard, Paul

Introduction to Left-Hand Damping Riley, Glenn Quick, Tim

Exercises Using Common Chords Riley, Glenn Quick, Tim

Developing Bending Technique Nolan, Alex Howard, Paul

More Advanced Hammer-ons and Pull-offs Nolan, Alex Howard, Paul

Combining Bending and Vibrato Nolan, Alex Howard, Paul


Choosing the Right Strings and Pick Riley, Glenn Peretz, Jeff

Constructing Diatonic Intervals and Tuning with Harmonics Riley, Glenn

Applying Diatonic Intervals Riley, Glenn Peretz, Jeff

Introduction to Major Triads Riley, Glenn Quick, Tim

Introduction to Minor Triads Riley, Glenn Quick, Tim

Introducing the Major Scale and Modes Riley, Glenn Peretz, Jeff

Creating Ionian Lick, Riffs and Runs Riley, Glenn Peretz, Jeff

Introduction to the Mixolydian Mode Riley, Glenn Quick, Tim

Creating Mixolydian Licks, Riffs, and Runs Riley, Glenn Quick, Tim

Using Ionian and Mixolydian Phrases Riley, Glenn Quick, Tim

Major Triad Arpeggio Forms Riley, Glenn Quick, Tim

Soloing with Modes Riley, Glenn Quick, Tim

Developing Technical Skills Riley, Glenn Peretz, Jeff

Legato I Riley, Glenn Peretz, Jeff

Page 23 of 42


Style: RockLevel: 05-Intermediate-Early

Vibrato I Riley, Glenn Quick, Tim

Strumming Logic I Riley, Glenn Quick, Tim

Triplets Riley, Glenn Quick, Tim

Swing Eighths Riley, Glenn Quick, Tim

Fingerstyle II Riley, Glenn Quick, Tim

Pattern Playing I Riley, Glenn Peretz, Jeff

Tremolo, Tapping with One Finger, and Pinch Harmonics Riley, Glenn Quick, Tim

Sweep Picking I Riley, Glenn Quick, Tim

Introduce Natural Minor Scale/Aeolian Riley, Glenn Peretz, Jeff

Creating Aeolian Licks, Riffs and Runs Riley, Glenn Peretz, Jeff

Introducing the Dorian Mode Riley, Glenn Quick, Tim

Creating Dorian Licks, Riffs and Runs Riley, Glenn Quick, Tim

Using Aeolian & Dorian Phrases Riley, Glenn Quick, Tim

Minor Triad Arpeggio Forms Riley, Glenn Quick, Tim

Soloing with Minor Modes Riley, Glenn Quick, Tim

Guitaristic Chords Riley, Glenn Peretz, Jeff

Hendrix Fills 1 Riley, Glenn Peretz, Jeff

Movable Chords on the E/A String II Riley, Glenn Quick, Tim

Movable Chords on the E/A String III Riley, Glenn Quick, Tim

Cool Progressions Using Movable 7 Chords Riley, Glenn Quick, Tim


Compare Ionian Scale to Mixolydian Mode Gregoire, Joel Meeker, Jared

Expanded Fingerings for the Ionian Scale & Mixolydian Mode Gregoire, Joel Meeker, Jared

Using Ionian & Mixolydian In Musical Context Gregoire, Joel Meeker, Jared

Improvising Using Ionian & Mixolydian Modes Gregoire, Joel Meeker, Jared

Major Triad Arpeggio Form Gregoire, Joel Meeker, Jared

Bending with Vibrato Gregoire, Joel Meeker, Jared

Legato II Gregoire, Joel Meeker, Jared

Vibrato II Gregoire, Joel Meeker, Jared

Strumming Logic II Gregoire, Joel Meeker, Jared

Fingerstyle III Gregoire, Joel Meeker, Jared

Pattern Playing II Gregoire, Joel Meeker, Jared

Phrase Construction II Gregoire, Joel Meeker, Jared

Advanced One-Finger Tapping Gregoire, Joel Meeker, Jared

Sweep Picking II Gregoire, Joel Meeker, Jared

Aeolian Mode Expanded Fingerings Gregoire, Joel Meeker, Jared

Dorian Mode with Expanded Fingerings Plus Licks Steiger, Ken Martone, Dave

Compare Aeolian to Dorian Steiger, Ken Martone, Dave

Using Aeolian and Dorian in a Musical Context Steiger, Ken Martone, Dave

Minor Triad Arpeggio Form Steiger, Ken Martone, Dave

Guitaristic Chords II Steiger, Ken Martone, Dave

Hendrix Fills II Steiger, Ken Martone, Dave

Page 24 of 42


Style: RockLevel: 06-Intermediate-Proficient

Intro to Diminished 7th Chords/Connecting Chords Using Diminished Chords

Steiger, Ken Martone, Dave

Triadic Arpeggios Through Key (Extend To 2 Octave) Riley, Glenn Peretz, Jeff

7th Chord Arpeggios (2-Octave) Riley, Glenn Peretz, Jeff

7th Chord Arpeggios (2-Octave) Riley, Glenn Peretz, Jeff


Creating Vamps Using 3rds Over Pedal Notes Steiger, Ken Martone, Dave

Movable 6ths Patterns Steiger, Ken Martone, Dave

Harmonizing the Major Scale with Diatonic Triads Steiger, Ken Martone, Dave

Ionian and Dorian Modes Steiger, Ken Martone, Dave

Advanced Fingerings of Scales and Modes I Steiger, Ken

Phrygian and Lydian Modes Steiger, Ken Martone, Dave

Advanced Dorian Fingerings Steiger, Ken

Mixolydian and Aeolian Modes Steiger, Ken Martone, Dave

Five-Note-Per-String Phrygian Steiger, Ken

Locrian Mode Steiger, Ken Martone, Dave

Using Trills inside of C Lydian Steiger, Ken

New Ways of Playing the Major Pentatonic Scale Steiger, Ken Martone, Dave

Combining Major and Minor Pentatonic II Meeker, Jared

Bending with Vibrato II Steiger, Ken Meeker, Jared

Legato III Steiger, Ken Meeker, Jared

Vibrato III Steiger, Ken Meeker, Jared

Strumming Logic III Steiger, Ken Meeker, Jared

Guitaristic Chords III Steiger, Ken Meeker, Jared

Latin Rhythms Steiger, Ken Meeker, Jared

Fingerstyle IV Steiger, Ken Meeker, Jared

Pattern Playing III Steiger, Ken Meeker, Jared

Phrase Construction III Steiger, Ken Meeker, Jared

Advanced Tapping (Two-Finger) Meeker, Jared

Hybrid Picking I Steiger, Ken Meeker, Jared

Beginning/Middle/End Steiger, Ken Meeker, Jared

Sweep Picking III Steiger, Ken Meeker, Jared

Minor Pentatonic Lesson 1 Connecting Boxes Riley, Glenn Peretz, Jeff

Connecting Boxes 3 and 4 Riley, Glenn Peretz, Jeff

Blues Scales Lesson 1 Connecting Boxes Riley, Glenn Martone, Dave

Blues Scales Lesson 2, Connecting Boxes Riley, Glenn Martone, Dave

Advanced Minor Scales and Modes Lesson 1 Hurwitz, Tobias Martone, Dave




Suspended Chords Hurwitz, Tobias Martone, Dave

Root 4 and Higher Voicings (Major) Hurwitz, Tobias Martone, Dave

Page 25 of 42


Style: RockLevel: 07-Intermediate-Accomplished

Root 4 and Higher Voicings (Minor/Diminished) Hurwitz, Tobias Martone, Dave

Cool Progressions Using Root-4 Voicings Hurwitz, Tobias Martone, Dave

Constructing 7 Chord Scales Hurwitz, Tobias Martone, Dave

Hendrix Fills III Hurwitz, Tobias Martone, Dave

Diminished Triad Arpeggio Form: Expanded to 6 Strings Hurwitz, Tobias Martone, Dave

Diatonic 7th Chord Arpeggios Through Key (Extend to 6th String)

Hurwitz, Tobias Martone, Dave


Extending Intervals Beyond the Octave Hurwitz, Tobias Martone, Dave

Extended/Altered Chords (Add9) Hurwitz, Tobias

Expanded/Altered Chords Hurwitz, Tobias

Soloing With Double-Stops And Partial Chords Hurwitz, Tobias Martone, Dave

Syncopation Hurwitz, Tobias Martone, Dave

Advanced/Odd Time I Hurwitz, Tobias Martone, Dave

Advanced/Odd Time II Hurwitz, Tobias Martone, Dave

Harmonic Minor (Root Position) Hurwitz, Tobias Martone, Dave

Melodic Minor (Root Position) Hurwitz, Tobias

Whammy Bar I Hurwitz, Tobias Martone, Dave

Speed Picking I (Developing Speed) Hurwitz, Tobias Martone, Dave

String Skipping I Hurwitz, Tobias Martone, Dave

Sweep Picking/Tapping I Hurwitz, Tobias Martone, Dave

Slapping I Hurwitz, Tobias Martone, Dave

Multi-Finger Tapping Hurwitz, Tobias Martone, Dave

Hybrid Picking II Hurwitz, Tobias Martone, Dave

Advanced Harmonics I Hurwitz, Tobias

Advanced Arpeggios I Hurwitz, Tobias Martone, Dave

Modal Interchange Hurwitz, Tobias Martone, Dave

Creative Use of Pentatonic Scales I Hurwitz, Tobias Martone, Dave

Phrasing IV Hurwitz, Tobias

Hendrix Fills IV Hurwitz, Tobias Martone, Dave

Advanced Harmonics (Hand Tricks) Hurwitz, Tobias Martone, Dave


Advanced Altered Dominant Chords Hurwitz, Tobias

Advanced 9th and add 9 Chords Hurwitz, Tobias

Advanced 11th and 13th Chords Hurwitz, Tobias

Advanced Soloing Techniques with Double-Stops and Partial Chords

Hurwitz, Tobias

Advanced/Odd Time III Hurwitz, Tobias

Chromatic Scale Hurwitz, Tobias Martone, Dave

Diminished 7 Arpeggios Hurwitz, Tobias Martone, Dave

Advanced Arpeggios III Gregoire, Joel

Level: 10-Advanced Accomplished

Advanced 7th Chord Voicings Schauss, German

Page 26 of 42


Style: RockLevel: 10-Advanced Accomplished

Advanced Minor Chord Progressions Schauss, German

Advanced Syncopation Schauss, German

Advanced Time IV Schauss, German

Harmonic Minor Chord Scales (with 7ths) Schauss, German

Melodic Minor Chord Scales (with 7ths) Schauss, German

Advanced Arpeggios 5 Schauss, German

Advanced Arpeggios 6 Schauss, German

Whammy Bar III Schauss, German

Speed Picking III (Shredding) Schauss, German

Sweep Picking/Tapping III Schauss, German

String Skipping III (Harmonic/Melodic Variation) Schauss, German

Slapping III Schauss, German

Hybrid Picking IV Schauss, German

Modal Interchange (7th Chords) Schauss, German

Creative Use of Pentatonic Scales III Schauss, German

Phrasing VI Schauss, German

Hendrix Fills VI Schauss, German

Head to Hands Schauss, German

Other Extended Techniques II Schauss, German

Other Extended Techniques III Schauss, German

Level: 10-Advanced-Accomplished

Combining Scales and Modes Hurwitz, Tobias Martone, Dave

Style: SlideLevel: 02-Beginner-Early

Beginning Slide Guitar Horne, Greg


Basic Left-Hand Technique Horne, Greg

Basic Right-Hand Technique Horne, Greg


Major Chord Licks in Standard Tuning Horne, Greg

Moving Licks from Chord to Chord Horne, Greg

Scales and Licks in Standard Tuning Horne, Greg

Introducing Open G Tuning Horne, Greg

Licks and a 12-Bar Blues in Open G Horne, Greg


Delta Blues Licks in Open G Horne, Greg

Licks, Tricks and Special Effects in Open G Horne, Greg

Style: Song-AcousticLevel: 04-Beginner-Accomplished

Rocky Mountain High: Easy Chords Mazer, Susan

Level: 05-Intermediate Early

Like Red on a Rose: Part 1 Castleman, R.L.

Page 27 of 42


Style: Song-AcousticLevel: 05-Intermediate Early

Like Red on a Rose: Part 2 Castleman, R.L.

Style: Song-BluesLevel: 03-Beginner-Proficient

Midnight Special Bihlman, Jeff

St. Louis Blues Bihlman, Jeff

Gallows Pole Bihlman, Jeff

Crossroads Bihlman, Jeff


Midnight Special: Embellished Johnson, Pat

Kansas City Blues Bihlman, Jeff

Love in Vain Bihlman, Jeff


When the Levee Breaks Bihlman, Jeff

Style: Song-CountryLevel: 01-Absolute-Beginner

Folsom Prison Blues: Very Easy Bihlman, Jeff

I Walk the Line: Very Easy Bihlman, Jeff

Level: 02-Beginner-Early

I Walk the Line Mazer, Susan

Level: 03-Beginner Proficient

Lucky One: Easy Horne, Greg


Folsom Prison Blues: Easy Chords Bihlman, Jeff

Level: 04-Beginner Accomplished

Restless: Easy Horne, Greg

Like Red on a Rose: Easy Horne, Greg


Folsom Prison Blues: Intro and Solo Licks Bihlman, Jeff

Folsom Prison Blues: Rhythm Guitar Variations Bihlman, Jeff


Rocky Mountain High: Embellished Mazer, Susan

Style: Song-FolkLevel: 01-Absolute-Beginner

Skip To My Lou Horne, Greg

Keep Your Hand on the Plow (Hold On) Horne, Greg

Rock-a-My-Soul Horne, Greg

Gates to the City Horne, Greg

Yellow Rose of Texas Horne, Greg

I Shall Not Be Moved Horne, Greg


Shenandoah I (Basic Chords and Strums) Campbell, Ian

Wild Bill Jones Horne, Greg

Page 28 of 42


Style: Song-FolkLevel: 02-Beginner-Early

Hot Corn, Cold Corn Horne, Greg

Raleigh and Spencer Horne, Greg

Fly Around My Pretty Little Miss Horne, Greg

When Irish Eyes are Smiling Bihlman, Jeff

America the Beautiful Bihlman, Jeff

Bill Bailey Mazer, Susan

When Johnny Comes Marching Home Agresta, Ralph

Keep Your Lamps Trimmed Mazer, Susan

Dark Eyes Agresta, Ralph

Scarborough Fair Mazer, Susan


John Henry (Part I) Campbell, Ian

John Henry (Part II) Campbell, Ian

Old Dan Tucker Campbell, Ian

Shortnin Bread Bihlman, Jeff

Kumbaya Agresta, Ralph

Little Brown Jug Agresta, Ralph

Happy Birthday Mazer, Susan

Bicycle Built for Two Agresta, Ralph

Wade in the Water Bihlman, Jeff

Volga Boatman Agresta, Ralph

Nobody Knows You When Youre Down and Out Mazer, Susan

Motherless Child Agresta, Ralph

All Through the Night Mazer, Susan

CC Rider Mazer, Susan

Aura Lee Mazer, Susan

He's Got the Whole World in His Hands Mazer, Susan

Sloop John B Mazer, Susan

Sittin' on Top of the World Mazer, Susan

Down By the Riverside Mazer, Susan


Froggie Went a-Courtin I (Eighth-Note Strums) Campbell, Ian

House of the Rising Sun (Part I) Campbell, Ian

House of the Rising Sun (Part II) Campbell, Ian

Mrs. McGrath Part I (Fingerstyle) Campbell, Ian

Mrs. McGrath Part II (Fingerstyle) Campbell, Ian

Shenandoah II (Fingerstyle) Campbell, Ian

The Water Is Wide Part I Campbell, Ian

The Water Is Wide Part II Campbell, Ian

The Water Is Wide Part III Campbell, Ian

Tom Dooley Johnson, Pat

Swing Low, Sweet Chariot Rogers, Bess

Page 29 of 42


Style: Song-FolkLevel: 04-Beginner-Accomplished

On Top of Old Smokey Johnson, Pat

Oh Suzanna Rogers, Bess

Careless Love Johnson, Pat

We Three Kings of Orient Are Rogers, Bess

Midnight Special: Embellished Johnson, Pat

Home On The Range Rogers, Bess

Buffalo Gals Johnson, Pat

By The Light Of The Silvery Moon Rogers, Bess

Oh Sinner Man: Barre Chords Johnson, Pat

Auld Lang Syne Rogers, Bess

The Coo Coo Johnson, Pat

Where Did You Sleep Last Night Rogers, Bess

Worried Man Blues Johnson, Pat

Take Me Out To the Ballgame Rogers, Bess


Buffalo Gals Campbell, Ian

Froggie Went a-Courtin II (Travis-Pick Style Pt. I) Campbell, Ian

Froggie Went a-Courtin III (Travis-Pick Style Pt. II) Campbell, Ian

Frankie and Johnny Johnson, Pat

Joy To The World Rogers, Bess

Oh Sinner Man: Embellished Johnson, Pat

When The Saints Go Marching In Rogers, Bess

Corrina, Corrina Johnson, Pat

I've Been Working On The Railroad Rogers, Bess

Wayfarin' Stranger Johnson, Pat

Nobody Knows The Trouble I've Seen Rogers, Bess

Style: Song-HolidayLevel: 01-Absolute-Beginner

We Wish You a Merry Christmas Mazer, Susan

Silent Night Mazer, Susan

Up on the Housetop Mazer, Susan

O Come, All Ye Faithful Mazer, Susan

Angels We Have Heard On High (Instrumental Version) Mazer, Susan

Jingle Bells Mazer, Susan

Deck The Halls Mazer, Susan

What Child Is This Mazer, Susan

The First Noel Mazer, Susan


Frosty the Snowman: Easy Chord Version Mazer, Susan

God Rest Ye Merry Gentlemen Agresta, Ralph


Jingle Bell Rock: Easy Mazer, Susan

Page 30 of 42


Style: Song-HolidayLevel: 04-Beginner-Accomplished

Let It Snow: Easy Chords Mazer, Susan

We Three Kings of Orient Are with Bess Rogers Rogers, Bess

Let It Snow: Barre Chords Mazer, Susan

Jingle Bell Rock: Rhythm Guitar Mazer, Susan


Jingle Bell Rock: Lead Guitar Mazer, Susan

Joy To The World with Bess Rogers Rogers, Bess

Frosty the Snowman, Barres and Basslines Mazer, Susan

Style: Song-JazzLevel: 02-Beginner-Early

Sweet Georgia Brown: Melody Dempsey, Tom

How High the Moon: Melody Dempsey, Tom

Satin Doll Melody Dempsey, Tom

Honeysuckle Rose: Melody Dempsey, Tom


Our Love Is Here to Stay: Melody Saenger, David

They Can't Take That Away From Me: Melody Dempsey, Tom

I Can't Get Started: Melody Dempsey, Tom

All of You: Melody Dempsey, Tom

Summertime: Melody Dempsey, Tom

Alone Together: Melody Dempsey, Tom

Body and Soul: Melody Dempsey, Tom

Softly As In a Morning Sunrise: Melody Dempsey, Tom

What Is This Thing Called Love: Melody Dempsey, Tom


Satin Doll: Chords Dempsey, Tom

Summertime: Chords Dempsey, Tom

Honeysuckle Rose: Chords Dempsey, Tom


They Can't Take That Away From Me: Chords Dempsey, Tom

I Can't Get Started: Chords Dempsey, Tom

All of You: Chords Dempsey, Tom

My Funny Valentine: Melody Saenger, David

Come Rain or Come Shine: Melody Saenger, David

Summertime: Chord Melody Dempsey, Tom

They Can't Take That Away From Me: Chord Melody Dempsey, Tom

I Can't Get Started: Chord Melody Dempsey, Tom

All of You: Chord Melody Dempsey, Tom

Sweet Georgia Brown: Chords Dempsey, Tom

How High the Moon: Chord Melody Dempsey, Tom

Satin Doll: Chord Melody Dempsey, Tom

Honeysuckle Rose: Chord Melody Dempsey, Tom

Page 31 of 42


Style: Song-JazzLevel: 06-Intermediate-Proficient

Sweet Georgia Brown: Chord Melody Dempsey, Tom

How High the Moon: Chords Dempsey, Tom

Body and Soul: Chords Dempsey, Tom

Come Rain or Come Shine: Chords Saenger, David

Our Love Is Here to Stay: Chords Saenger, David

My Funny Valentine: Chords Saenger, David

Alone Together: Chords Dempsey, Tom

Misty: Chords Dempsey, Tom

Softly As In a Morning Sunrise: Chords Dempsey, Tom

What Is This Thing Called Love: Chords Dempsey, Tom

Misty: Chord Melody Dempsey, Tom

Alone Together: Chord Melody Dempsey, Tom

Body and Soul: Chord Melody Dempsey, Tom

Softly As In a Morning Sunrise: Chord Melody Dempsey, Tom

What Is This Thing Called Love: Chord Melody Dempsey, Tom


Misty: Melody Dempsey, Tom

Style: Song-RockLevel: 01-Absolute-Beginner

Domino: Very Easy Bihlman, Jeff

Hotel California: Very Easy Bihlman, Jeff

Friend of the Devil: Very Easy Green, Raleigh

Shake, Rattle and Roll Mazer, Susan


Wish You Were Here: Very Easy Bihlman, Jeff

Born to Be Wild: Very Easy Green, Raleigh

Communication Breakdown: Very Easy Green, Raleigh

After Midnight: Very Easy Bihlman, Jeff

Wake Me Up When September Ends: Very Easy Bihlman, Jeff

Boulevard of Broken Dreams: Very Easy Bihlman, Jeff

Hey You: Very Easy Bihlman, Jeff

Soak Up the Sun: Very Easy Bihlman, Jeff

Layla: Very Easy Bihlman, Jeff

Smooth: Very Easy Bihlman, Jeff

That's All Right Mama Mazer, Susan


Horse With No Name: Easy Strum Mazer, Susan

Holiday: Easy Riffs Green, Raleigh

Dazed and Confused: Very Easy Green, Raleigh

Wish You Were Here I: Chords and Strums Bihlman, Jeff

Moondance: Very Easy Bihlman, Jeff

Page 32 of 42


Style: Song-RockLevel: 04-Beginner Accomplished

It's Been Awhile: Chords and Dropped D Tuning Bihlman, Jeff


Stairway to Heaven: The Intro and Opening Verses Hurwitz, Tobias

Take a Chance Hurwitz, Tobias Bihlman, Jeff

Stairway to Heaven: The Chorus, Middle Verses, and Pre-Solo Hurwitz, Tobias

Wild Night: Van Morrison Mazer, Susan

Good Riddance--Time of Your Life Hurwitz, Tobias Mazer, Susan

Wish You Were Here II: Intro Licks Bihlman, Jeff

If I Had a Million Dollars: Chords and Strum Pattern Campbell, Ian

It's Been Awhile: Chords and Dropped D Tuning Bihlman, Jeff

Whole Lotta Love: Easy Chords Hurwitz, Tobias

Horse With No Name: Embellished Strum Mazer, Susan

Hotel California: Easy Mazer, Susan

Boulevard of Broken Dreams: Acoustic Rhythm Guitar Part with Ralph Agresta

Agresta, Ralph

Boulevard of Broken Dreams: Electric Guitar Rhythm Part Agresta, Ralph

Boulevard of Broken Dreams: Electric Guitar Solo Agresta, Ralph

She Talks to Angels: Open E Tuning and Chords Bihlman, Jeff

Lyin' Eyes: Chords Campbell, Ian

Holiday: Intro and Verse - Raleigh Green Green, Raleigh

Welcome to Paradise: Intro and Verse Green, Raleigh

Wake Me Up When September Ends: Intro and Verse Green, Raleigh

Wake Me Up When September Ends: Chorus and Solo Green, Raleigh

Communication Breakdown: Intro, Verse, and Chorus Green, Raleigh

Hey You: Part 1, Chords and Strumming Patterns Schauss, German

Another Brick in the Wall: Rhythm Guitar, Part 1 Hurwitz, Tobias

Another Brick in the Wall: Rhythm Guitar, Part 2 Hurwitz, Tobias

Stairway to Heaven Lesson 4 Hurwitz, Tobias

Black Dog Part 1: Rhythm Guitar Hurwitz, Tobias

Born to Be Wild: Intro, Verse, and Pre-Chorus Green, Raleigh

Born to Be Wild: Pre-Chorus and Chorus Green, Raleigh

Owner of a Lonely Heart: Part 1, Rhythm Guitar Schauss, German

Dazed and Confused: Interludes Green, Raleigh

Whole Lotta Love: The Intro, Verse, and Chorus Riffs Hurwitz, Tobias


She Talks to Angels: Licks Part 1 Bihlman, Jeff

She Talks to Angels: Licks Part 2 Bihlman, Jeff

Dazed and Confused: Bassline, Intro, and Verse Green, Raleigh

Over the Hills and Far Away: The Intro Hurwitz, Tobias

Born to Be Wild: Solo for Rhythm and Lead Guitars Green, Raleigh

It's Been Awhile: Intro Arpeggio Licks Bihlman, Jeff

Welcome to Paradise: Solo Green, Raleigh

Page 33 of 42


Style: Song-RockLevel: 05-Intermediate-Early

Hey You: Part 2, Picking Patterns Schauss, German

Stairway to Heaven Lesson 5 Hurwitz, Tobias

Holiday: Chorus, Interlude and Solo - Raleigh Green Green, Raleigh

Ramble On: Part 1, Rhythm Guitar Hurwitz, Tobias

Long Train Runnin': Intro Green, Raleigh

Long Train Runnin': Verse Green, Raleigh

Long Train Runnin': Conclusion Green, Raleigh


Another Brick in the Wall: Solo 1 Hurwitz, Tobias



Sunshine of Your Love, The Riff and Rhythm Part Agresta, Ralph

Sunshine of Your Love: The Riff and Rhythm Part Agresta, Ralph


Wish You Were Here III: Gilmour Blues Licks Bihlman, Jeff

Whole Lotta Love: The Solo Hurwitz, Tobias


Stairway to Heaven Lesson 3-A Hurwitz, Tobias

Stairway to Heaven Lesson 3-B Hurwitz, Tobias

Stairway to Heaven Lesson 3-C Hurwitz, Tobias

Sunshine of Your Love: The Solo Agresta, Ralph

Hey You: Part 3, the Solo Schauss, German

Owner of a Lonely Heart: Part 2, the Solo Schauss, German

Style: TheoryLevel: 01-Absolute-Beginner

Learning the Notes on the Guitar Dempsey, Tom

Pitch Notation Dempsey, Tom

Rhythm Notation I Dempsey, Tom

Rhythm Notation II Dempsey, Tom

Rhythm Notation III Dempsey, Tom


The Major Scale Dempsey, Tom

Key Signatures Dempsey, Tom

The Relative Minor Dempsey, Tom

Intervals (Unisons, 2nds and 3rds) Dempsey, Tom

Intervals (Perfect 4ths and 5ths) Dempsey, Tom


Intervals (Major and Minor 6ths) Dempsey, Tom

Intervals (Major and Minor 7ths and Perfect Octaves) Dempsey, Tom

Augmented and Diminished Intervals and Interval Inversion Dempsey, Tom

Chords (Major and Minor Triads) Dempsey, Tom

Diminished and Augmented Triads Dempsey, Tom

Page 34 of 42


Style: TheoryLevel: 04-Beginner-Accomplished

First Inversion Triads Dempsey, Tom

First Inversion Diminished and Augmented Triads Dempsey, Tom

Second Inversion Major and Minor Triads Dempsey, Tom

Second Inversion Diminished and Augmented Triads Dempsey, Tom

Diatonic Harmony of the Major Scale Dempsey, Tom


Diatonic Harmony of the Natural Minor Scale Dempsey, Tom

The Diminished 7th Chord Dempsey, Tom


Diatonic 7th Chords in Major Keys Dempsey, Tom

Diatonic Seventh Chords of the Natural Minor Scale Dempsey, Tom

Seventh Chords and their Inversions Dempsey, Tom

Seventh Chords and their Inversions II Dempsey, Tom

7th Chords and Their Inversions Dempsey, Tom

Instrument: KeyboardLesson Name Visual Teacher Auditory Teacher

Style: Absolute Beginner-KeyboardLevel: 01-Absolute-Beginner

Posture Rosser, Amy Sosin, Donald

Hand and Finger Position Rosser, Amy Sosin, Donald

Keyboard, Pitch, and the Musical Alphabet Rosser, Amy Sosin, Donald

Finger Warm-Ups in C Position Rosser, Amy Sosin, Donald

Rhythm and Notes Values Rosser, Amy Sosin, Donald

Time Signatures Rosser, Amy Sosin, Donald

Treble Clef Rosser, Amy Sosin, Donald

Bass Clef Rosser, Amy Sosin, Donald

The Grand Staff Rosser, Amy Sosin, Donald

Introduction to Rests Rosser, Amy Sosin, Donald

Dynamics and Tempo Rosser, Amy Sosin, Donald

Advanced Dynamic Markings and Other Common Musical Terms

Rosser, Amy Sosin, Donald

Melodic and Harmonic 2nds and 3rds Rosser, Amy Sosin, Donald

Melodic and Harmonic 4ths and 5ths Rosser, Amy Sosin, Donald

Eighth Notes Rosser, Amy Sosin, Donald

Ties, Slurs, and Phrases Rosser, Amy Sosin, Donald

Dotted Half Notes and 3/4 Time Rosser, Amy Sosin, Donald

Dotted Quarter Notes Rosser, Amy Sosin, Donald

Accidentals Rosser, Amy Sosin, Donald

Middle C Position Rosser, Amy Sosin, Donald

Scales and the Circle of 5ths Rosser, Amy Sosin, Donald

Key Signatures and the Circle of Fifths Rosser, Amy Sosin, Donald

G Position Rosser, Amy Sosin, Donald

Page 35 of 42


Style: Absolute Beginner-KeyboardLevel: 01-Absolute-Beginner

Chords and Inversions Rosser, Amy Sosin, Donald

Pick-Ups and Incomplete Measures Rosser, Amy Sosin, Donald

G7 Chord and Inversions Rosser, Amy Sosin, Donald

F Major Chord and Primary Chords in C Major Rosser, Amy Sosin, Donald

G Major I, IV, V Rosser, Amy Sosin, Donald

F Major I IV V Rosser, Amy Sosin, Donald

Relative Major and Minor Rosser, Amy Sosin, Donald

How to Practice and Get Better on Your Own Schane-Lydon, Cathy

Chords and Inversions: Review and Learn Some More! Schane-Lydon, Cathy

Chords and First Inversions Schane-Lydon, Cathy

Second-Inversion Chords Schane-Lydon, Cathy

Minor Chords Schane-Lydon, Cathy

Major and Minor Chords Schane-Lydon, Cathy

Broken Chords Schane-Lydon, Cathy

Introducing 7th Chords Schane-Lydon, Cathy

Introducing Scales Schane-Lydon, Cathy

Constructing Major Scales Schane-Lydon, Cathy

Fingerings for G and D Major Schane-Lydon, Cathy

Fingering for E and A Major Schane-Lydon, Cathy

Minor Scale Patterns Schane-Lydon, Cathy

Fingerings for A and E Natural and Harmonic Minor Schane-Lydon, Cathy

Fingering for B Natural and Harmonic Minor Schane-Lydon, Cathy

Variations in Scales Schane-Lydon, Cathy

Unisons and Octaves Schane-Lydon, Cathy

2nds and 3rds Schane-Lydon, Cathy

4ths and 5ths Schane-Lydon, Cathy

6ths and 7ths Schane-Lydon, Cathy

Combining Note Values in a Measure Schane-Lydon, Cathy

Syncopation Schane-Lydon, Cathy

Trickier Rhythms Schane-Lydon, Cathy

Sustain Pedal Techniques Schane-Lydon, Cathy

Practicing with the Sustain Pedal Schane-Lydon, Cathy

Reading a Piece Cold Schane-Lydon, Cathy

Exploring Different Styles of Music: Folk Schane-Lydon, Cathy

Blues and Jazz Schane-Lydon, Cathy

Pop and Rock Schane-Lydon, Cathy

Classical, Romantic, Baroque Schane-Lydon, Cathy

Style: Adult RefresherLevel: 01-Absolute-Beginner

Posture, Finger and Hand Positioning Marchildon, Leo Amos, Andrea

The Notes of the Grand Staff Marchildon, Leo Amos, Andrea

Counting Beats and Time Signatures Marchildon, Leo Amos, Andrea

Page 36 of 42


Style: Adult RefresherLevel: 01-Absolute-Beginner

Melodic and Harmonic Intervals Marchildon, Leo Amos, Andrea

Playing Hands Together Marchildon, Leo Amos, Andrea

Eighth and Sixteenth Notes Marchildon, Leo Amos, Andrea

Rests and Their Comparitive Values Marchildon, Leo Amos, Andrea

Phrasing, Ties, and Slurs Marchildon, Leo Amos, Andrea

Dotted Notes and Rests Marchildon, Leo Amos, Andrea

Accidentals Marchildon, Leo Amos, Andrea

Tempos: Speeding and Slowing Marchildon, Leo Amos, Andrea

Dynamics Marchildon, Leo Amos, Andrea

Changing Finger Positions Marchildon, Leo Amos, Andrea

The C Major Scale Marchildon, Leo Amos, Andrea

Triads and Their Inversions Marchildon, Leo Amos, Andrea

Dominant 7 Chords Marchildon, Leo Amos, Andrea

The Pedals Marchildon, Leo Amos, Andrea

Broken Chords and Arpeggios Marchildon, Leo Amos, Andrea

Beyond the C Major Scale Marchildon, Leo Amos, Andrea

Key Signatures Marchildon, Leo Amos, Andrea

Scales Starting from Any Note Marchildon, Leo Amos, Andrea

Minor and Major Intervals Marchildon, Leo Amos, Andrea

Introduction to Minor Scales Marchildon, Leo Amos, Andrea

Relative Scale Keys and Fingerings Marchildon, Leo Amos, Andrea

Compound Time Signatures Marchildon, Leo Amos, Andrea

Rhythmic Patterns and Syncopation Marchildon, Leo Amos, Andrea

Modal, Chromatic, Pentatonic, and Whole Tone Scales Marchildon, Leo Amos, Andrea

Blues Scales and Progressions Marchildon, Leo Amos, Andrea

Melodic Accompaniment Marchildon, Leo Amos, Andrea

Tips on Sight Reading Marchildon, Leo Amos, Andrea

Style: JazzLevel: 04-Beginner-Accomplished

Intervals Baerman, Noah

Triad Formation Baerman, Noah

Diatonic Harmony Baerman, Noah

Diatonic Harmony in G and F Baerman, Noah

Inversions Baerman, Noah

Combining Diatonic Harmony and Inversions Baerman, Noah

Voice Leading Baerman, Noah

Introduction to Improvisation Baerman, Noah

Combining Major Scale Improvisation with Left-Hand Chords Baerman, Noah

The Blues Scale Baerman, Noah

Combining Blues Scale Improvisation with Left-Hand Chords Baerman, Noah

Improvising with the Major Scale and the Blues Scale Baerman, Noah

Adding a Fourth Note to Triads - 7th and 6th Chords Baerman, Noah

Page 37 of 42


Style: JazzLevel: 04-Beginner-Accomplished

Diatonic Harmony with 7 Chords Baerman, Noah

Voice Leading with 7 Chords Baerman, Noah

ii-V-I, the Ever-Present Chord Sequence Baerman, Noah

Bebop-Style, Left-Hand Voicings Baerman, Noah

Modulation and Harmonic Analysis Baerman, Noah

Chord Tones: Using Arpeggios in Soloing Baerman, Noah

Understanding Minor Keys Baerman, Noah


Intro to Piano Schane-Lydon, Cathy Marchildon, Leo

Find Middle C, D, E, F, and G Schane-Lydon, Cathy Marchildon, Leo

Find Middle C, B, A, and G Schane-Lydon, Cathy Marchildon, Leo

Make the Connection: All the White Notes on the Keyboard Schane-Lydon, Cathy Marchildon, Leo

Rhythms of Notes: Quarter, Half, and Whole Notes Schane-Lydon, Cathy Marchildon, Leo

Rhythms of Rests: Quarter, Half, and Whole Rests Schane-Lydon, Cathy Marchildon, Leo

Loud and Soft Schane-Lydon, Cathy Marchildon, Leo

Starting to Play Songs with Both Hands: Part One Schane-Lydon, Cathy Marchildon, Leo

Start to Play Songs with Both Hands: Part Two Schane-Lydon, Cathy Marchildon, Leo

Start to Play Songs with Both Hands: Part Three Schane-Lydon, Cathy Marchildon, Leo

More Rhythms: Eighth Notes and Rests Schane-Lydon, Cathy Marchildon, Leo

Meter: Lets Try Some 3/4 Time Schane-Lydon, Cathy Marchildon, Leo

Dotted Notes and Ties Schane-Lydon, Cathy Marchildon, Leo

Playing a Song in 3/4 Time Schane-Lydon, Cathy Marchildon, Leo

Block Chords: Part One Schane-Lydon, Cathy Marchildon, Leo

Block Chords: Part Two Schane-Lydon, Cathy Marchildon, Leo

Block Chords: Part Three Schane-Lydon, Cathy Marchildon, Leo

How Fast Does it Go? Learning Tempo Schane-Lydon, Cathy Marchildon, Leo

Articulation: Legato and Staccato Schane-Lydon, Cathy Marchildon, Leo

Look at Me Play Now! Schane-Lydon, Cathy Marchildon, Leo

Style: Make Your Own MusicLevel: 01-Absolute-Beginner

Some Basic Concepts Schane-Lydon, Cathy

Using the Black Keys and a Pentatonic Scale Schane-Lydon, Cathy

Playing a Tune By Ear Schane-Lydon, Cathy

Tonic: The Home Key Schane-Lydon, Cathy

Spontaneous Improvisation Schane-Lydon, Cathy

Using All of the Notes on the Keyboard Schane-Lydon, Cathy

Understanding Chords Schane-Lydon, Cathy

Major and Minor Chords Schane-Lydon, Cathy

Altered Chords: 6ths, 7ths and Suspensions Schane-Lydon, Cathy

Making Your Own Music Schane-Lydon, Cathy

Page 38 of 42


Style: Pianist's ToolboxLevel: 02-Beginner-Early

Major and Minor Triads Pearl, David Rose, Joe

Augmented, Diminished, Suspended Triads Pearl, David Rose, Joe

7ths on Major and Minor Triads Pearl, David Rose, Joe

7ths on Diminished Triad Pearl, David Rose, Joe

More 7ths Pearl, David Rose, Joe

Slash Chords Pearl, David Rose, Joe

Root Position Chords in LH; RH melody Pearl, David Rose, Joe

Left-Hand Chord Inversions Pearl, David Rose, Joe

Open Position Chords, Hymn Style Pearl, David Rose, Joe

Open Position Chords, Folk Style Pearl, David Rose, Joe


Triad Arpeggios Pearl, David Rose, Joe

7 Chord Arpeggios Pearl, David Rose, Joe

Waltz - Part 1 Pearl, David Rose, Joe

Waltz - Part 2 Pearl, David Rose, Joe

Simple Stride Pearl, David Rose, Joe

Harmonizing a Melody with No Chord Symbols Pearl, David Rose, Joe


Single-Note Bass Line Pearl, David Rose, Joe

Octaves Pearl, David Rose, Joe

Open 5ths: Power Chords Pearl, David Rose, Joe

Chord Arpeggios Pearl, David Rose, Joe

Blues Patterns Pearl, David Rose, Joe

Boogie Pattern Pearl, David Rose, Joe

Stride Patterns Pearl, David Rose, Joe

Walking Bass Pearl, David Rose, Joe

Exploring 9 Chords Pearl, David Rose, Joe

Altered 9 Chords Pearl, David Rose, Joe

Exploring 11 Chords Pearl, David Rose, Joe

Exploring 13 Chords Pearl, David

Cuban Son Pearl, David

Bolero Pearl, David

Cumbia Pearl, David

Tango Pearl, David

Bossa Pearl, David

Samba Pearl, David

Merengue Pearl, David


Lavender's Blue Schane-Lydon, Cathy

Erie Canal, for Piano: Very Easy with Cathy Schane-Lydon Schane-Lydon, Cathy

Page 39 of 42



My Country 'Tis of Thee, for Piano: Very Easy with Cathy Schane-Lydon

Schane-Lydon, Cathy

Oh, Susanna, for Piano: Very Easy with Cathy Schane-Lydon Schane-Lydon, Cathy Marchildon, Leo

Give My Regards to Broadway, for Piano: Very Easy with Cathy Schane-Lydon

Schane-Lydon, Cathy Marchildon, Leo

Happy Birthday, for Piano: Very Easy with Leo Marchildon Marchildon, Leo

Amazing Grace, for Piano: Very Easy with Cathy Schane-Lydon Schane-Lydon, Cathy Marchildon, Leo

Lullaby and Good Night, for Piano: Very Easy with Leo Marchildon

Marchildon, Leo

Style: Song-HolidayLevel: 01-Absolute-Beginner

Let It Snow, for Piano: Very Easy, Part 1 Schane-Lydon, Cathy

Let It Snow, for Piano: Very Easy, Part 2 Schane-Lydon, Cathy

We Wish You a Merry Christmas, for Piano Schane-Lydon, Cathy

The First Noel, for Piano Schane-Lydon, Cathy

Deck the Halls, for Piano: Very Easy Schane-Lydon, Cathy

Up on the Housetop, for Piano Schane-Lydon, Cathy

Silent Night, for Piano Schane-Lydon, Cathy

Jingle Bells, for Piano Schane-Lydon, Cathy

O Come All Ye Faithful, for Piano Schane-Lydon, Cathy

Frosty the Snowman, for Piano: Part 1 Schane-Lydon, Cathy

Frosty the Snowman, for Piano: Part 2 Schane-Lydon, Cathy

Angels We Have Heard on High, for Piano Schane-Lydon, Cathy

What Child Is This, for Piano Schane-Lydon, Cathy

The Twelve Days of Christmas, for Piano Schane-Lydon, Cathy

Jingle Bell Rock, for Piano: Easy, Part 1 Schane-Lydon, Cathy

Jingle Bell Rock, for Piano: Easy, Part 2 Schane-Lydon, Cathy


Let It Snow, for Piano: Easy, Part 1 Schane-Lydon, Cathy

Let It Snow, for Piano: Easy, Part 2 Schane-Lydon, Cathy

Style: Song-JazzLevel: 02-Beginner-Early

They Can't Take That Away From Me, for Piano: Easy Sosin, Donald


Our Love is Here to Stay - Melody - Andrea Amos Amos, Andrea

Our Love is Here to Stay - Chords - Andrea Amos Amos, Andrea

Come Rain or Come Shine - Melody, for Piano Amos, Andrea

Come Rain or Come Shine, for Piano Amos, Andrea

I'm Beginning to See the Light: Melody - Andrea Amos Amos, Andrea

I'm Beginning to See the Light - Chords - Andrea Amos Amos, Andrea

Embraceable You for Piano: Melody - Andrea Amos Amos, Andrea

Embraceable You for Piano: Chords 1 - Andrea Amos Amos, Andrea

Embraceable You: Chords 2 - Andrea Amos Amos, Andrea

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Style: Song-JazzLevel: 04-Beginner-Accomplished

How High the Moon, for Piano: Melody Amos, Andrea

How High the Moon, for Piano: Chords Amos, Andrea

My Funny Valentine, for Piano: Melody Amos, Andrea

My Funny Valentine, for Piano: Chords 1 Amos, Andrea

My Funny Valentine, for Piano: Chords 2 Amos, Andrea

Satin Doll, for Piano: Melody Amos, Andrea

Satin Doll, for Piano: Chords Amos, Andrea

Summertime, for Piano: Melody Amos, Andrea

Summertime, for Piano: Chords Amos, Andrea

Sweet Georgia Brown, for Piano: Melody - Andrea Amos Amos, Andrea

Sweet Georgia Brown, for Piano: Chords - Andrea Amos Amos, Andrea

Misty, for Piano: Melody - Andrea Amos Amos, Andrea

Misty, for Piano: Chords - Andrea Amos Amos, Andrea

They Can't Take That Away From Me, for Piano: Embellished Lesson 1

Sosin, Donald

They Can't Take That Away From Me, for Piano: Embellished Lesson 2

Sosin, Donald


They Can't Take That Away From Me, for Piano: Advanced Lesson One

Sosin, Donald

They Can't Take That Away From Me, for Piano: Advanced Lesson 2

Sosin, Donald

Style: Song-RockLevel: 01-Absolute-Beginner

Born to Be Wild, for Piano: Very Easy Schane-Lydon, Cathy

Bang the Drum All Day, for Piano: Very Easy Schane-Lydon, Cathy

Forever Young, for Piano: Very Easy Schane-Lydon, Cathy

Desperado, for Piano: Very Easy Schane-Lydon, Cathy

Moondance, for Piano: Very Easy Schane-Lydon, Cathy

Stairway to Heaven, for Piano: Part 1 Schane-Lydon, Cathy



Boulevard of Broken Dreams - Melody Amos, Andrea


Boulevard of Broken Dreams - Chords Amos, Andrea

American Idiot, for Piano: Melody Amos, Andrea

American Idiot, for Piano: Chords 1 Amos, Andrea

American Idiot, for Piano: Chords 2 Amos, Andrea

Wake Me Up When September Ends - Melody Amos, Andrea

Wake Me Up When September Ends - Chords Amos, Andrea



Sunshine of Your Love, for Piano: Intro and Verse Sosin, Donald

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Style: Song-RockLevel: 04-Beginner-Accomplished

Lola, for Piano: Easy Schane-Lydon, Cathy

Take It Easy, for Piano: Easy Schane-Lydon, Cathy

Sunshine of Your Love, for Piano: Chorus Sosin, Donald

Lyin' Eyes, for Piano: Easy Schane-Lydon, Cathy

If I Had a Million Dollars, for Piano: Easy Schane-Lydon, Cathy

Moondance, for Piano: Melody Amos, Andrea

Moondance, for Piano: Chords Amos, Andrea

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complete lesson catalog april 2, 2008 · pdf filestyle:jazz level:02-beginner early ... funk...

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