community services report 2012-2013 - grammy.org

Community Services Report2012-2013

2 MISSION

2 INTRODUCTION

3–11 EDUCATION PROGRAMS AND IMPACT

11–15 PRESERVATION/ADVANCEMENT PROGRAMS AND IMPACT

16 COMMUNITY FEEDBACK

17 FUNDRAISING INITIATIVES

18-24 FINANCES AND SUPPORTERS

25 CONNECT AND CONTACT

Community Services Report 2012-2013

g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g

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M I S S I O NThe GRAMMY Foundation was established by The Recording Academy in 1988 to cultivate the understanding, appreciation and advancement of the contribution of recorded music to American culture — from the artistic and technical legends of the past to the still unimag-ined musical breakthroughs of future generations of music professionals.

I N T R O D U C T I O NThe GRAMMY Foundation’s Community Services Report brings the programs of the GRAMMY Foundation — music education, preservation and advancement — to life with accounts of programs and events held throughout the year across the country. Each year, we continue to expand our initiatives and attract diverse participants, whether they are

young people applying for our GRAMMY in the Schools programs, promising law students submitting papers for our Entertainment Law Initiative Writing Competition, or archivists, librarians, and scientific researchers submit-ting grant proposals to our GRAMMY Foundation Grant Program. While the term “forward-thinking” captures the GRAMMY Foundation’s strategy for our programmatic growth, the Community Services Report is a look back at our 2013 Fiscal Year (Aug. 1–July 31) and an opportunity to reflect on our achievements. This year, we’ve chosen to begin with a snapshot of our program participants over several years, and we hope you enjoy hearing about where they are now.

Jack Osbourne, of Fuse TV, interviewing the band Phoenix at a GRAMMY Foundation benefit concert at Club Nokia in Los Angeles.


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Many GRAMMY Camp alumni, both summer program and GRAMMY Camp — Jazz Session participants, have gone on to make impressive achievements in their professional careers. A few examples are:

Kristen Castro (GRAMMY Camp, 2010 and 2011) has released an EP titled The Heart Palette, produced her first music video for the song “Step,” filmed web series for VEVO titled “You Play Like a Girl” and “The Tavern,” and is performing across California.

Lisa Nicole (GRAMMY Camp, 2006) has opened Tampa Bay Performing Arts Academy in Palm Harbor, Fla. She teaches musical theater and voice to students ranging in ages 5 to 18 years old. Her academy works with Music Theater International to license official Disney productions and perform them in Tampa. In the past her students have won the Excellence in Music Award from the Junior Theater Festival. In addition to her work with youth, Nicole also has recorded two albums and is a voting member of The Recording Academy. She has aspirations to one day produce and write a children’s musical.

Billy Norris (GRAMMY Camp — Jazz Session, 2006) is currently musical director and guitarist for GRAMMY-nominated artist Gavin DeGraw.

Sergeant Travis Werling (GRAMMY Camp, 2010) recently returned from one year deployment to Afghanistan as a bassist for the 82nd Airborne rock band Green Light Go. He spent the year traveling around the war zone provid-ing entertainment for NATO forces from all over the world. He also taught music lessons and performed for citizens and diplomats in Afghanistan. Werling is currently involved with entertaining and providing music therapy for wounded warriors at Brooke Army Medical Center in San Antonio. He is performing public outreach concerts with his new band, 323D Fort Sams Own, at Fort Sam in Houston.

The majority of winners and finalists in our ELI Writing Competition are now practicing attorneys contributing to the field of entertainment law. Corey Field (ELI Writing Competition winner, 2000) is counsel in the intellectual property department, and a member of the entertainment and media, intellectual property litigation, and trademark and copy-right groups at Ballard Spahr LLP. He is the principal author of the treatise “Entertainment Law: Forms And Analysis,” published by Law Journal Press, New York, and from 2010-2012 he served as president of the Copyright Society of the USA. Matthew “Mac” Reynolds (ELI Writing Competition winner, 2008) currently serves as an attorney at Reynolds & Associates as well as an artist manager for Reynolds Management. His most notable clients are 56th GRAMMY winners for Best Rock Performance Imagine Dragons and GRAMMY-nominated pop/rock band the Killers.

The recipients of our Grant Program are impressive and inspiring. Descriptions of funded projects dating back to 2000 are available at www.grammyfoundation.org.

W H E R E A R E T H E Y N O W ?


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Music Educator AwardThe Music Educator Award was established to recognize current educators (kindergarten through college, public and private schools) who have made a significant and lasting contribution to the field of music education. This person also makes a commitment to promoting the broader cause of maintaining music education in the schools. A joint partnership and presentation of The Recording Academy and the GRAMMY Foundation, this special award was announced on the 55th Annual GRAMMY Awards by President/CEO of The Recording Academy and GRAMMY Foundation Neil Portnow, TV and radio host/producer and GRAMMY Foundation Honorary Board Chair Ryan Seacrest, and eight-time GRAMMY winner Justin Timberlake. The award is open to current U.S. music teachers and anyone is invited to submit a nomination — students, parents, friends, colleagues, community members, school deans, and administrators. Teachers are also able to nominate themselves. All nominees will be notified and invited to fill out a full application. Information is available at grammymusicteacher.com. The application process will adjust each year to allow the broad array of effective teaching styles and methods used in the discipline to be recognized and awarded.

Each year, one recipient will be selected from 10 finalists, and will be recognized for his/her remarkable impact on students’ lives. The recipient will be flown to Los Angeles to accept the award and receive a $10,000 honorarium at the Special Merit Awards Ceremony & Nominees Reception that recognizes recipients of the Lifetime Achievement Award, Trustees Award and Technical GRAMMY Award during GRAMMY Week. The recipient will also attend the annual GRAMMY Awards ceremony and a range of GRAMMY Foundation events. The nine finalists will receive a $1,000 honorarium and the schools of all 10 finalists will also receive matching grants. The honorariums and grants provided to the finalists and schools are made possible by the generosity and support of the GRAMMY Foundation’s Education Champions Box Tops For Education, Converse, Disney Performing Arts, Ford Motor Company Fund, Journeys, Microsoft Surface, and Universal Music Group.

Information is available at www.grammymusicteacher.com.

GRAMMY Camp — Basic TrainingGRAMMY Camp — Basic Training is held on university campuses and other venues across the country. The program provides students with insight into careers in the music industry through daylong conferences featuring workshops with artists and industry professionals. The continued support of the Ford Motor Company Fund allowed us to offer the GRAMMY Camp — Basic Training experience in three additional cities in 2012. Since 1988, more than 212,000 students have benefitted from the GRAMMY Camp — Basic Training program.

MUSIC EDUCATOR AWARD

In 2013 the GRAMMY Foundation received more than 32,000 nominations

between the award’s announcement during the 55th Annual GRAMMY Awards on

Feb. 10, 2013, and the deadline of April 15. That equates to roughly

493 nominations a day or a nomination every 2.9 minutes

for 65 days straight.

E D U C AT I O N P R O G R A M S A N D I M PA C T


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GRAMMY CampGRAMMY Camp is an interactive residential summer program for high school students that focuses on all aspects of the commercial music industry. The curriculum is led by core faculty, guest artists and music professionals across a wide range of career tracks. GRAMMY Camp covers all aspects of creating, perform-ing and recording music, and culminates in media projects, recordings and/or showcase performances.

In summer 2013 the ninth annual installment of GRAMMY Camp was held at the University of Southern California in Los Angeles and at Converse Rubber Tracks studio in Brooklyn, N.Y. GRAMMY Camp Los Angeles culminated with a launch party concert at the El Rey Theatre, while GRAMMY Camp New York wrapped with a launch party at the New School’s Auditorium. In 2013 the program selected 99 high school students from 87 cities and 27 U.S. states for

this unique music industry experience. In addition, through a partnership with GUCCI, four international students from Japan and England attended GRAMMY Camp in Los Angeles, bringing the total number of campers to 103.

The 2013 session of GRAMMY Camp was supported in part by AEG, ASCAP Foundation Irving Caesar Fund, Audio Technica, Avid, BET, Black River Entertainment, CenterStaging, Coca-Cola, Converse, Ella Fitzgerald Charitable Foundation, Guitar Center, JBL by Harman, KCRW-FM, Kroesche Music Group, Line 6, Les Paul Foundation, Mackie, M-Audio, the New School, The Recording Academy, Roland, Shure, Universal Music Group, and USC Thornton School of Music.

2013 BASIC TRAINING LOCATIONS

Austin, Texas | Lanier High SchoolCompton, Calif. | Compton High SchoolLos Angeles | Dorsey High SchoolLos Angeles — USC Thornton School of MusicMiami | University of MiamiNew York | Pace UniversitySpokane, Wash. | Deer Park High SchoolSpokane, Wash. | North Central High SchoolTucson, Ariz. | Catalina Foothills High SchoolTucson, Ariz. | Sahuarita High School

GRAMMY Winner Jimmy Jam moderates a music panel with Eman and Evan Bogart during GRAMMY Camp— Basic Training in Los Angeles.

GRAMMY CAMP 2012-2013 ETHNIC BREAKDOWN

GRAMMY CAMP 2012-2013 GENDER BREAKDOWN

19% Northeast 4% International 39% Southwest 3% Northwest 15% Midwest 21% Southeast

10% Northwest 33% Southwest 20% Midwest 14% Northeast 23% Southeast

37% Female 63% Male

49% Caucasian 5% Hispanic 20% African American 6% Asian 20% Other

GRAMMY Signature Schools 2012-2013 Geographic Breakdown

GRAMMY Camp 2012-2013 Gender Breakdown

GRAMMY Camp 2012-2013 Ethnic Breakdown

GRAMMY Camp 2012-2013 Geographic Breakdown

19% Northeast 4% International 39% Southwest 3% Northwest 15% Midwest 21% Southeast

10% Northwest 33% Southwest 20% Midwest 14% Northeast 23% Southeast

37% Female 63% Male

49% Caucasian 5% Hispanic 20% African American 6% Asian 20% Other

GRAMMY Signature Schools 2012-2013 Geographic Breakdown

GRAMMY Camp 2012-2013 Gender Breakdown

GRAMMY Camp 2012-2013 Ethnic Breakdown

GRAMMY Camp 2012-2013 Geographic Breakdown



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REGION BREAKDOWN Northwest

AlAskA • HAwAii • idAHo • MontAnA oregon • wAsHington • wyoMing

SouthwestArizonA • CAliforniA • ColorAdo • nevAdA

new MexiCo • texAs • UtAH

MidwestArkAnsAs • illinois • indiAnA • iowA • kAnsAs • kentUCky

MiCHigAn • MinnesotA • MissoUri • nebrAskA • nortH dAkotA oHio • oklAHoMA • soUtH dAkotA • wisConsin

NortheastConneCtiCUt • delAwAre • MAine • MArylAnd

MAssACHUsetts new HAMpsHire • new Jersey • new york pennsylvAniA • rHode islAnde • verMont • virginiA

wAsHington d.C. • west virginiA

SoutheastAlAbAMA • georgiA • floridA • loUisiAnA • Mississippi

nortH CArolinA • soUtH CArolinA • tennessee

InternationalJApAn • englAnd

GRAMMY Camp New York students with GRAMMY-winning singer/songwriter Vince Gill at Converse Rubber Tracks studio in Brooklyn, N.Y.

GRAMMY Camp L.A. students with GRAMMY Foundation Honorary Chair Ryan Seacrest

GRAMMY CAMP GEOGRAPHIC BREAKDOWN 2012-2013

19% Northeast4% International

41% Southwest3% Northwest

15% Midwest18% Southeast



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Zoe AdlerKelsey AlexanderWes AndersonHouston Averiett IIHudson Barineau Kellcee BatchelorColby BensonHarun BonnettHaleigh BowersConner BroomeRachel BrothersPatrick BucknorIsaiah CarterRyan CaseyBen CohenElizabeth CohenZoe ConchaCarter CouronCael DadianDaniel DavilaMark DiazShelby DibsIsaac DuribeSabrina ElamHayley Emerson

Brendan EprileJacob FeldmanJennifer FirestoneSophia ForinoDane FosterYasamin GhodsbinWyatt GiampaZach GospeAlecia GreeneRita GuzmanRaina HendersonSeth IrbyNasya JeffersNoah KovalickMikey LaSusaDevon LawrenceAnh Le David LiDanielle LoweWyatt LoweKennedi LykkenGraham MarshJacob McCoyJonathan McCoyEvan Mehta

2013 GRAMMY CAMP

LOS ANGELES SELECTEES

Christine MeisenhelterDevan MonroeAutumn MyersTakumi Nakayama Tanya OrlovPavlina OstaQuinn OultonRoss PhillipsJason SaittaTafari SalaamDorianSanders Ryota SasaguriJulian ScanlanDrew SchwendimanJahmori SimmonsAaron SpieldennerDominic SpitaliereTyler TalmadgeChloe TangCamille ThorntonLillianaVillinesChase WalkerMarcus WannerMaxwell Yi

Niki Bottoni Cody BradyBrooks Brown Michael CappellutiMackin CarrollLauren CraigDaniel DavilaIsabella EnglertMichael ErvinAmelia EversoleAdam GouldJadha GunawanAbby KanferSamuel KoryckiLogan LawrenceMichael MapleReath NeilsonWhitney NixonAngelica PollardVictoria PritchardValentina RicoHanani TaylorBen ThomasSamantha VickKyle WardIsaiah WeatherspoonEmily WeeksBobby WoodyT.J. Wooten

2013 GRAMMY CAMP

NEW YORK SELECTEES

GRAMMY CAMPAt GRAMMY Camp Los Angeles and GRAMMY Camp New York

more than 40 songs were written.



8GRAMMY Camp — Jazz SessionThe GRAMMY Camp — Jazz Session program selects top high school instrumentalists and singers for a once-in-a-lifetime experience to rehearse, perform and record together — often with GRAMMY-winning guest artists — at a series of high-profile GRAMMY Week events. The GRAMMY Foundation supports jazz as an indigenous American art form, and GRAMMY Camp — Jazz Session is vital to cultivating the next generation of jazz musicians. Many former GRAMMY Camp — Jazz Session members have gone on to have successful solo careers, and have performed with artists such as Terence Blanchard, Chick Corea, Gavin DeGraw, India.Arie, Branford Marsalis, Wynton Marsalis, and Christian Scott, as well as organizations such as the Jazz at Lincoln Center Orchestra and the New York Philharmonic. The GRAMMY Foundation covers all costs for this program, including roundtrip airfare to Los Angeles and room and board to ensure that each selected applicant can attend, regardless of their financial situation.

In 2013 GRAMMY Camp — Jazz Session selected 30 high school singers and instrumentalists and two journalists representing 31 cities and 15 states. The GRAMMY in the Schools Media Team — comprised of former GRAMMY Camp journalism campers — documented the GRAMMY Week experience for a range of GRAMMY Foundation websites and social media platforms. Highlights included a performance with GRAMMY winner Arturo Sandoval at Spaghettini Fine Dining and Entertainment in Seal Beach, Calif., and also with GRAMMY winner Juanes at GRAMMY In The Schools Live! at the University of Southern California’s Grand Ballroom. In addition, nearly $2 million in scholarships were offered to ensemble members by Berklee College of Music, Manhattan School of Music, New School for Jazz and Contemporary Music, and the USC Thornton School of Music.

GRAMMY Camp — Jazz Session is supported in part by Best Buy, Converse and the Ella Fitzgerald Charitable Foundation. Additional support is provided by Capitol Studios & Mastering (EMI Music), CenterStaging, Gibson, Guitar Center, Shure, Spaghettini Fine Dining and Entertainment, and Zildjian.

Members of GRAMMY Camp — Jazz Session perform at Spaghettini Italian Fine Dining and Entertainment in Seal Beach, Calif.

Members of the GRAMMY Camp – Jazz Session Choir record at the famous Capitol Studios

2013 Jazz Session Selectees

Chloe BrissonChris BurrusKate GratsonNathan HeldmanMark MekailianAshley PezzottiElena PinderhughesElliott Skinner

Simone BoszormenyiAdrian CotaJames FranciesAndrew Sommer

Matthew BabineauxJohnathan BlackMax BoikoBob BruyaFernando FerraroneFredric GriggsSam HartColeman HughesJulian LeeAidan LombardMatthew MalanowskiBlake ManternachMichael RaehpourFrancis SalernoLenard SimpsonHenry SolomonNathan SparksPeter Wikle

Cameron CapersAllison Spice

GRAMMY JAZZ COMBO

GRAMMY JAZZ BAND

GRAMMY IN THE SCHOOLS MEDIA TEAM

GRAMMY JAZZ CHOIR



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Teen Substance Abuse Awareness Through Music Contest In 2013, the MusiCares and GRAMMY Foundation’s Teens Make Music Contest offered a great opportunity for aspiring teen musicians to use the healing and uplifting medium of music to help spread messages about issues surrounding addiction. The contest asks young musicians to create original music and/or music videos that celebrate healthy and inspirational living, or accurately depict the dark side of drug abuse. The first–place winner received a cash award of $500. The second–place winner received a cash prize of $250 and other prizes. The third–place winner received $100 and other prizes. All three winners had the opportunity to attend the 55th Annual GRAMMY Awards backstage experience, which included a GRAMMY rehearsal and a guided tour of the Village studios. These winners had their original compositions posted on the MusiCares and GRAMMY Foundation’s GRAMMY website and the Vans Warped Tour website. In addition, prizes included iPads with the GarageBand app and an opportunity to release a record with Clarity Way, a drug and alcohol rehab facility in Hanover, Pa.

GRAMMY Signature Schools Community AwardJust as the GRAMMY Award recognizes excellence in recording, the GRAMMY Signature Schools program honors top public high school music programs with cash grants. Created in 1998, the GRAMMY Signature Schools program recognizes the top U.S. public high schools that make an outstanding commitment to music education during an academic school year. This application-based program has grown to include several categories: the top schools are designated Gold recipients. The best of the Gold recipients is named the National GRAMMY Signature School. The remaining schools are named GRAMMY Signature Schools. Understanding that many schools struggle to maintain a quality program the GRAMMY Foundation established the GRAMMY Signature Schools Enterprise Award for high-needs schools in economically-underserved communities. Since the program’s inception, 734 public high schools were selected as GRAMMY Signature Schools and have been awarded $1,290,500 in grants. A total of 10 schools were selected in 2013 with grants totaling $56,000. The GRAMMY Signature Schools program is approved by the National Association of Secondary School Principals and MENC: The National Association for Music Education.

Using the model of the GRAMMY Signature Schools program, the GRAMMY Foundation has also cre-ated the GRAMMY Signature Schools Community Award. Through this program, the GRAMMY Foundation partners with our corporate sponsors to identify deserving public high school music programs to receive the award and a $2,000 grant. Unlike the other GRAMMY Signature Schools programs, the Community Award pro-gram is not application-based. In 2013 funding for the program was provided by GRAMMY Foundation partners Best Buy and the Hot Topic Foundation and 103 schools received this award, with grants totaling $206,000.

GRAMMY SIGNATURE SCHOOLS

Six high school music programs across the country in economically underserved areas

were recipients of the GRAMMY Signature School Enterprise Award. With the $5,500

grant, these schools could now afford: • A bus for field trips or music festivals

• Sheet music of four new orchestra pieces for their choir or band• Three new trumpets

• Four clarinets• Three electric guitars



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GRAMMY Signature Schools | Total Schools: 113


25%

14%

27%15%

19%


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2013 GRAMMY SIGNATURE SCHOOLS ENTERPRISE AWARD ($5,500 EACH)Based primarily on financial needColony High School | Palmer, AlaskaCompton High School | Compton, Calif.John Marshall High School | Los AngelesNorth Central High School | Spokane, Wash.Palacios High School | Palacios, TexasSahuarita High School | Sahuarita, Ariz.

2013 NATIONAL GRAMMY SIGNATURE SCHOOL ($10,000)Highest-ranking Signature School recipientNeuqua Valley High School | Naperville, Ill.

2013 GRAMMY SIGNATURE SCHOOLS GOLD ($5,500 EACH)Recognizes quality string, wind/percussion and choral performance ensemblesMarcus High School | Flower Mound, TexasYork Community High School | Elmhurst, Ill.

2013 GRAMMY SIGNATURE SCHOOL ($2,000)Recognizes excellent performance ensembles and high-quality instructionNorthwood High School | Irvine, Calif.

2013 GRAMMY SIGNATURE SCHOOL COMMUNITY AWARD RECIPIENTS ($2,000 EACH)

Vigor High School | Prichard, AlaskaHayden High School | Phoenix, Ariz.Catalina Magnet High School | Tucson, Ariz.Fresno High School | Fresno, Calif.Cabrillo High School | Long Beach, Calif.East Oakland High School of the Arts | Oakland, Calif.Patrick Henry High School | San DiegoSan Jose High School | San Jose, Calif.West High School | Denver, Colo.Cross High School | New Haven, Conn.Trumbull High School | Trumbull, Conn.Waterford High School | Waterford, Conn.Clearwater High School | Clearwater, Fla.Stranahan High School | Ft. Lauderdale, Fla.Ft. Lauderdale High School | Ft. Lauderdale, Fla.Merritt Island High School | Merritt Island, Fla.Miami Edison Senior High School | Miami, Fla.Miami Jackson Senior High School | Miami, Fla.Miami Beach Senior High School | Miami Beach, Fla.Oak Ridge High School | Orlando, Fla.Cypress Creek High School | Orlando, Fla.Jones High School | Orlando, Fla.Pensacola High School | Pensacola, Fla.Pompano Beach High School | Pompano Beach, Fla.Crooms Academy of Information Technology | Sanford, Fla.Booker T. Washington High School | Atlanta Mountain View High School | Buford, Ga.

2013 GRAMMY Signature School Recipients

Roswell High School | Roswell, Ga.Nampa Senior High School | Nampa, IdahoChicago High School for the Arts | ChicagoLake View High School | ChicagoKenwood Academy High School | ChicagoAuburn High School | Rockford, Ill.Arsenal Technical High School | Indianapolis, Ind.Manhattan High School | Manhattan, Kan.Warren Central High School | Bowling Green, Ky.McDonogh 35 High School | New Orleans, La. Boston Arts Academy | Boston, Mass.Baltimore City College High School | BaltimoreWestlake High School | Waldorf, Md.Detroit School of the Arts | Detroit, Mich.Everett High School | Lansing, Mich.Burnsville High School | Burnsville, Minn.Washburn High School | Minneapolis, Minn.Stillwater Area High School | Oak Park Heights, Minn.Richfield Senior High School | Richfield, Minn.Roseville Area High School | Roseville, Minn.Johnson Senior High | St, Paul, Minn.Harding Senior High School | St. Paul, Minn.Hickman High School | Columbia, Mo.Lafayette High School | St Joseph, Mo.Normandy High School | St. Louis, Mo.Bayless Senior High School | St. Louis, Mo.



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The GRAMMY Foundation’s preservation and advancement initiatives foster dialogue about the compelling issues facing the music industry, support projects that increase the understanding of music and its role in society, and raise public awareness of the urgent need to preserve our nation’s recorded sound legacy.

The GRAMMY Foundation Grant ProgramThe GRAMMY Foundation Grant Program, with funding provided by The Recording Academy and the GRAMMY Foundation, awards grants to organizations and individu-als in two categories — scientific research studies that advance our knowledge of the impact of music on the human condition, and archive projects designed to preserve the music and recorded sound heritage of the Americas for future generations. The Grant Program continues to garner more qualified applications each year, resulting in our abilities to fund outstanding, meaningful and diverse projects.

In 2013 grants totaling more than $200,000 were awarded to 14 recipients in the United States to help facilitate a range of research, archiving and preserva-tion projects on a variety of subjects. Research projects included a study that will investigate a potential core deficit in rhythm processing in developmental stuttering, combining behavioral and neuroimaging studies in children with studies in songbirds. Preservation and archiving initiatives included a project that will preserve and provide access to a unique organ recording collection of master organ player rolls and noteworthy arrangements produced in the 1920s; and an effort to preserve and digitize the audiovisual collections of imperiled media of the Andrews Sisters, Bing Crosby, Benny Goodman, and Bob Hope, among others.

The recipients of our Grant Program, which will enter its 27th anniversary year in 2014, are impressive and inspiring. We’ve collected descriptions of funded projects dating back to 2000 and have featured three projects in the videos below. Please take a moment to view the stories of Caffé Lena, America’s oldest continuously running folk music coffeehouse; the Herman Leonard Jazz Archive of the late photographer’s historically significant archive of 65,000 negatives; and the University of California Los Angeles’ research project that studied the brain systems involved in emotional music perception in typically developing and autistic adolescents.

GRANT PROGRAMIn 2013 more than $89,000 in grants,

across four states, was awarded for scientific research on music’s impact on the human condition. Of this, more than

$35,000 was granted to researching music’s impact on childhood development.

The GRAMMY Foundation Grant Program allocated nearly $26,000 toward

preservation activities that focused strictly on the genre of jazz.

P R E S E R VAT I O N A N D A D VA N C E M E N T P R O G R A M S A N D I M PA C T


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Preservation ImplementationNew York Philharmonic — New York | Awarded: $20,000The New York Philharmonic Archives will digitize and preserve 52 hours of brittle lacquer discs documenting 36 unique live radio broadcasts from the 1930s and 1940s. The total cache of 245 radio broadcast recordings made between 1932–1962 comprise a total of approximately 350 hours of audio in various formats to be made available to the public at the philharmonic’s reading room and the New York Public Library for the Performing Arts. www.nyphil.org

New Orleans Jazz & Heritage Foundation — New Orleans | Awarded: $3,095The New Orleans Jazz & Heritage Foundation Archive will digitally preserve and make access copies of the 10 reel-to-reel master 2-inch tapes of the “Professor Longhair Fire Relief Benefit”, held April 22, 1974, to benefit Professor Longhair (Henry Roeland Byrd, 1918–1980). This work will result in the creation of preservation and access digital files, and the public will be welcomed to listen to the recordings in the archive. The original master tapes will be permanently stored in Iron Mountain’s special audiovisual vault. www.jazzandheritage.org

Center for Popular Music at Middle Tennessee State University — Murfreesboro, Tenn. | Awarded: $19,993There are nearly 4,000 tapes in the Charles K. Wolfe Audio Collection at the Center for Popular Music, many of which are oral histories of musicians or field recordings. Dating from the 1930s–2000, this is likely the premier collection in the American Mid-South region. The center will inventory the contents, conserve the recordings, transcribe to digital format when appropriate, and make the collection publicly accessible. www.popmusic.mtsu.edu

American Organ Institute Archive and Library at the University of Oklahoma School of Music — Norman, Okla. | Awarded: $20,000American Organ Institute Archive and Library will preserve and provide access to an incredibly unique organ recording collection. The collection’s emphasis is on the original and irreplaceable master organ player rolls produced by Moller Pipe Organ Co. in the 1920s (16 tons total), as well as recordings of organ arrangements by notable performers on organs lost to time. Many of the collection’s most treasured items are made of paper and are deteriorating rapidly. These will now be restored and shared with the public. www.ou.edu/aoi

The Arhoolie Foundation — El Cerrito, Calif. | Awarded: $20,000Since 2005, the Arhoolie Foundation has digitized more than 90,000 Mexican-American recordings on 78s, 45s and cassettes from their Strachwitz Frontera Collection. The collection has been made accessible through a partnership with the UCLA Digital Library Program. Arhoolie will complete their final stage to digitize the rare LPs and unissued reel-to-reel master tapes. The Strachwitz Frontera Collection is a one-of-a-kind, unique cultural treasure that needs preservation and accessibility. www.arhoolie.org http://frontera.library.ucla.edu/

ONE National Gay & Lesbian Archives at the University of Southern California Libraries — Los Angeles | Awarded: $10,000This implementation project will preserve, digitize, and provide public online access to one-of-a-kind, fragile, and historically significant audio recordings in the ONE Archives, the world’s largest LGBT historical collection. This project will make available 177 hours of recorded lectures, interviews, and oral histories that preserve the voices of the pioneering activists, scholars, and artists who launched the LGBT struggle for equality over the past six decades. www.onearchives.org



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Preservation AssistanceMichael Feinstein Great American Songbook Initiative — Carmel, Ind. | Awarded: $5,000The Feinstein Initiative will determine necessary storage, rehousing, remediation, conservation, preservation, and digitization of audiovisual collections that include but are not limited to 16” transcription discs, lacquer discs, cassette tape, CD, analog reel-to-reel, 16mm film, and slides that document the music of songbook legends such as Rudy Vallée, Meredith Willson and the Andrews Sisters. The preservation assessment will allow the initiative to find funding for preservation so that these items can be made accessible to researchers and the public. www.feinsteininitiative.org

Freedom Archives — San Francisco | Awarded: $5,000Art Sato, a leading authority on contemporary jazz and new music, has hosted “In Your Ear,” a two-hour weekly radio series on KPFA-FM from 1981 to the present. The Freedom Archives will prepare for the digital preservation of more than 80 in-depth, unique, extended, and exclusive interviews over the last 30 years. The collection contains great artists and innovative practitioners of jazz and Latin music, including many who are now deceased. www.freedomarchives.org

Preservation Implementation (continued)

Pacifica Foundation — North Hollywood, Calif. | Awarded: $10,000Pacifica Radio Archives will digitize, catalog, preserve, and promote 72 hours (93 tapes) of fragile reel-to-reel analog audio tapes holding unique broadcasts from Pacifica Radio’s listener sponsored noncommercial radio station, New York City’s WBAI-FM. Two significant series are to be preserved: The Free Music Store featuring Phil Ochs, Arthur Miller and Bill Vanaver and the Mind’s Eye Theatre, which produced radio plays created by premier artists and technicians. www.pacificaradioarchives.org

Scientific ResearchNorthwestern University — Chicago | Awarded: $19,895This study will assess the biological effects of musical training on child brain development in collaboration with the Harmony Project, a nonprofit organization providing free musical training to children in the gang reduction zones of Los Angeles. Specifically, the study will examine the effects of musical training on the neural processing of speech as well as on the development of critical language and learning skills. www.brainvolts.northwestern.edu

John Devin McAuley — East Lansing, Mich. | Awarded: $19,500Stuttering affects 3 million Americans. Children with chronic stuttering face lifelong struggles that can impact academic achievement and lead to negative psychosocial consequences. The project goal is to investigate a potential core deficit in rhythm processing in developmental stuttering, combining behavioral and neuroimaging studies in children with studies in songbirds, which under controlled conditions can be induced to stutter. psychology.msu.edu/TAPlab/index.htm



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Scientific Research (continued)

Regents of the University of California, University of California, San Diego — La Jolla, Calif. | Awarded: $19,860The SIMPHONY project is a unique collaboration designed to understand how music training affects children’s brains and the development of general cognitive skills like language and attention. It is the first study of its kind and will track 60 children annually starting at ages 5–10 as they engage in ensemble music training (versus nonmusic controls) using an extensive battery of neural and behavioral testing. www.chd.ucsd.edu/research/simphony-study.html

University of Washington — Seattle | Awarded: $10,000Research shows that musical experience can enhance and promote healthy child development. Synchronization between players is a key aspect of playing music together. Synchrony can also strengthen bonds and affiliation between individuals. The dual aims of the proposed project are to: (a) determine whether children prefer synchronous as opposed to asynchronous rhythms and (b) examine whether children’s preference for synchrony

11% Spoken Word Interviews11% Folk23% Jazz11% Blues/R&B/Other11% Latin Folk22% Classical11% Traditional Pop

20% Neuroscience & Cognitionand/or Emotion

40% Development40% Neuroscience Prevention

Intervention

is enhanced for musical interactions involving pitch, harmony and melody. We expect a musical context to increase the difference between synchronized and asynchronous interactions, illustrating music’s role as a vehicle for positive interpersonal interaction. ilabs.washington.edu

Pitzer College — Claremont, Calif. | Awarded: $19,900To what extent do music and language share neural resources? We propose to evaluate music perception and cognition in a group of 40 aphasic individuals whose language deficits and brain lesions are well characterized. Using voxel-based lesion-symptom mapping, we will identify the areas of the brain that are most essential to the perception of melody, harmony, and rhythm, and compare these with similar VLSM analyses of language in the same participants. www.pitzer.edu/academics/faculty/justus/index.asp


PRESERVATION GRANTEES BY CATEGORY 2012-2013

RESEARCH GRANTEES BY CATEGORY 2012-2013


17

GRAMMY Foundation Legacy ConcertThe Music Preservation Project is produced each year during GRAMMY Week to heighten public awareness of our work in protecting our cultural legacy. In 2013 “Play It Forward: A Celebration Of Music’s Evolution And Influencers” — the 15th Annual GRAMMY Foundation Music Preservation Project — celebrated the legacy of renowned performers and the music that’s influenced both a nation and generations of performers. The presentation featured a photo montage of a family tree of influencers, live musical performances and key excerpts of footage from the GRAMMY Foundation’s Living Histories archive and GRAMMY.com’s 5 Questions With series. Performers included GRAMMY winners Yolanda Adams, Rodney Crowell, Lupe Fiasco, Emmylou Harris, LeAnn Rimes, and Dionne Warwick; GRAMMY nominees Ed Sheeran; Michael Einziger of Incubus; and Kenny Wayne Shepherd; as well as Lianne La Havas, Guy Sebastian, Ann Marie Simpson, and George Thorogood & the Destroyers. “Play It Forward” was sponsored by Seagate.

The GRAMMY Living Histories ProgramThe GRAMMY Living Histories program preserves on visual media the life stories of key recording industry professionals and visionaries who helped create the history of recorded sound.

This footage is utilized by the GRAMMY Foundation and its partner organizations to develop educational video programs. To date, the Foundation has completed more than 200 interviews with artists, producers, executives, and technology pioneers. In 2013 Living Histories interviews were captured with legendary blues musicians Buddy Guy and Eddy Clearwater, and country music artist Connie Smith.

Ed Sheeran performs at “Play It Forward: A Celebration Of Music’s Evolution And Influencers” — the 15th Annual GRAMMY Foundation Music Preservation Project on Feb. 7, 2013, in Beverly Hills. Photo: Jesse Grant/WireImage.com



18

The Entertainment Law InitiativeThe Entertainment Law Initiative is comprised of three components: a legal seminar series, a national scholarship writing competition for law students, and a high–profile luncheon during GRAMMY Week that is attended by students, music attorneys, executives, and members of The Recording Academy. In 2013, a total of $11,000 in scholarships was awarded to five law students. Since its inception in 1999, the Entertainment Law Initiative has provided $165,000 in scholarships to aspiring law students.

The Entertainment Law Initiative’s Annual Scholarship Luncheon enjoyed significant success in 2013. The event sold out with more than 500 attend-ees and revenue topped the $200,000 mark.

For the first time ELI presented a moderated keynote discussion in place of the customary keynote address. This unique panel included Special Correspondent for NBC News Tom Brokaw, Interactive Content Consultant Andie Simon, and Special Advisor to SV Angel Ron Conway. Chuck Ortner, National Legal Counsel to The Recording Academy and Partner at Proskauer Rose LLP, received the ELI Service Award.

ELI also continued its writing competition workshops at law schools around the country. The workshops are designed to demystify the process of entering the competition, increase submissions and awareness and provide interaction with top entertainment attorneys.

The 1st Annual Breakfast with ELI in New YorkThe Entertainment Law Initiative presented its inaugural East Coast event, “Breakfast With ELI” on Oct. 23, 2012, at City Winery in New York. More than 200 members of the entertainment business and legal communities attended and heard a keynote address from Scott Borchetta, CEO of Big Machine Label Group. This unique networking event promises to become an annual activity for ELI.

(top row, l-r) Ron Conway, Special Advisor to SV Angel; Neil Portnow, President/CEO of The Recording Academy and GRAMMY Foundation; Tom Brokaw, Special Correspondent NBC News; Kristen Madsen, Senior Vice President of the GRAMMY Foundation; Rusty Reuff, Chair of the GRAMMY Foundation Board of Directors; Andie Simon, Interactive Content Consultant. (bottom row, l-r) ELI essay competition finalists Alex Krueger-Wyman; Katie Siuta O’Shea; Titilao Tinubu; ELI writing competition winner Tyrone Scott; and Nicholas Krebs at the GRAMMY Foundation’s 15th Annual Entertainment Law Initiative Luncheon & Scholarship Presentation on Feb. 8, 2013, in Beverly Hills, Calif.

(l-r) Daryl Friedman, Chief Advocacy & Industry Relations Officer, The Recording Academy; Scott Borchetta, CEO, Big Machine Label Group; Joe Levy, editor, Billboard magazine; Bob Donnelly, attorney, Lommen, Abdo, Cole, King & Stageberg, P.A.; Scott Goldman, Vice President, the GRAMMY Foundation



19

“ I have to say it was such an honor and a privilege to meet you and be a part of GRAMMY Camp 2013. The mass amount of knowledge and concepts I gained in the short period of time was invaluable. It definitely helped me become more in

touch with the music business and how it works. GRAMMY Camp was such a great opportunity for me, and again, I thank you guys for that. I also cannot thank you enough for having such a great spirit and the willingness to help out when needed

[and] share all of your wisdom. I will be applying again next year.” — 2013 GRAMMY Camp participant

“ Our principal Dan Harrison, Mike Finn, [my] songwriting teacher and myself, thank you for the beautiful presentation of our Signature Schools Enterprise Award

last night at the Greek! Our students are so proud and grateful and of course so am I. The GRAMMY in the award case is beautiful and thank you for the nice surprise of

the guitar! This honor will be remembered and treasured.” — 2013 GRAMMY Signature Schools Enterprise Award Recipient

C O M M U N I T Y F E E D B A C K


20

GRAMMY Charity Online AuctionsThroughout the year, the GRAMMY Foundation benefits from our GRAMMY Charity Online Auctions, which feature exclusive VIP experiences and memorabilia presented in partnership with Kompolt at www.ebay.com/grammy and CharityBuzz at www.charitybuzz.com.

Highlights included the launch of the fourth annual Black Friday auction, which commenced the day after Thanksgiving and targeted the massive amounts of shoppers looking for deals on the biggest shopping day of the year. The GRAMMY Foundation also brought one-of-a-kind experiences such as a unique “Day at DreamWorks,” that included a meeting with DreamWorks Animation CEO Jeffrey Katzenberg; VIP concerts and meet-and-greets with artists and celebrities such as Justin Bieber, Lil Wayne, Maroon 5, the Band Perry, and the coveted Tongue Pit passes to the highly anticipated Rolling Stones 50th Anniversary Tour. Our auctions also featured exclusive music memorabilia signed by artists including the Black Keys, Alicia Keys, Bruno Mars, Mumford & Sons, Katy Perry, Rihanna, Bruce Springsteen, and Carrie Underwood.

GRAMMY In The Schools Live!For the fourth year, the GRAMMY Foundation presented GRAMMY In The Schools Live! — A Celebration Of Music & Education. Held during GRAMMY Week, this event raised funds and awareness to support the education efforts of the GRAMMY Foundation. In 2013 GRAMMY In The Schools Live! featured performances by members of GRAMMY Camp — Jazz Session, GRAMMY Camp alumni and special guest artist and GRAMMY winner Juanes.

Sophomore animation student Cameron Butler meets DreamWorks CEO Jeffrey Katzenberg during her Day at DreamWorks VIP experience

Chris Chadwick receives a private guitar lesson with Phil Collen of Def Leppard

after being the winning bidder in a GRAMMY Foundation

Charity Online Auction

GRAMMY Camp — Jazz Session performs with GRAMMY winner Juanes during GRAMMY In The Schools Live!

F U N D R A I S I N G I N I T I AT I V E S


21

The GRAMMY Foundation continues to receive remarkable support for its GRAMMY in the Schools and archiving and preservation initiatives from a number of corporate partners:

ConverseConverse continued its support of the GRAMMY Foundation both financially and materially. Significant financial support was provided for GRAMMY Camp New York, and funded financial assistance for participating stu-dents. Converse also donated its Rubber Tracks Studio as the home of GRAMMY Camp New York.

Ford Motor Company FundThe Ford Motor Company Fund continued their longstanding support for GRAMMY Camp — Basic Training programs and GRAMMY Signature School awards in three select markets in 2013. Additionally, they supported GRAMMY In The Schools Live! and provided funding for the Music Educator Award campaign.

Hot Topic FoundationThe Hot Topic Foundation provided the support necessary to make 50 GRAMMY Signature School Community Award grants during the 2012–13 school year.

JourneysJourneys joined the GRAMMY Foundation in support of the Music Educator Award campaign. Journeys also demonstrated its commitment to music education by providing additional support for the GRAMMY Signature Schools Community Award Grants program.

SeagateSeagate continued it sponsorship of the annual GRAMMY Foundation Music Preservation Project event held during GRAMMY Week 2013.

F I N A N C E S A N D S U P P O RT E R S


22

ASSETS 2 0 1 3 2 0 1 2CURRENT ASSETS:

Cash and Cash Equivalents $1,707,496 $1,510,135 Accounts Receivable 153,605 197,152 Prepaids and Deposits 190,078 126,429 ____________ ____________TOTAL CURRENT ASSETS 2,051,179 1,833,716 ____________ ____________

NON CURRENT ASSETS: Property and Equipment, Net 329 1,385 Board-Designated Investments 4,436,666 3,938,716 Deferred Compensation Asset 59,324 39,864 ____________ ____________TOTAL NONCURRENT ASSETS 4,496,319 3,979,965 ____________ ____________

TOTAL ASSETS $6,547,498 $5,813,681 ____________ ____________ ____________ ____________

LIABILITIES AND NET ASSETS

CURRENT LIABILITIES: Accounts Payables and Accrued Liabilities $333,659 $256,244 Deferred Revenue 626,206 426,743 Payable to Affiliate 780,455 828,021 ____________ ____________TOTAL CURRENT LIABILITIES 1,740,320 1,511,008 ____________ ____________

DEFERRED COMPENSATION LIABILITY 59,324 39,864 ____________ ____________

TOTAL LIABILITIES 1,799,644 1,550,872 ____________ ____________

NET ASSETS:

Board Designated 4,436,666 3,938,716 Other Unrestricted Net Assets (207,183) 117,870 Temporarily Restricted 518,371 206,223 ____________ ____________

TOTAL NET ASSETS 4,747,854 4,262,809 ____________ ____________

TOTAL LIABILITIES AND NET ASSETS $6,547,498 $5,813,681 ____________ ____________ ____________ ____________

STATEMENT OF FINANCIAL

POSITION 2012 & 2013

Investment Income reflects

market losses $127K in 2012

and market gains of $409K in 2011.


F U N C T I O N A L E X P E N S E S 2 0 1 3

F U N C T I O N A L E X P E N S E S 2 0 1 2

2012 GRAMMYFoundationRevenue


41% Contribution/Sponsorship

34% The Recording Academy

2% Grants

13% Project Income

10% Investment Income



1% Grants

18% Project Income


2013 GRAMMYFoundationFunctional Expenses

71% Program Services

14% Management and General

15% Fundraising




15% Fundraising





2% Grants

13% Project Income




1% Grants

18% Project Income





15% Fundraising




15% Fundraising


23

REVENUES 2 0 1 3 2 0 1 2

Contributions/Sponsorships 2,263,291 1,814,721Support from The Recording Academy 1,889,272 1,652,117Grants 90,500 23,077Project Income 590,868 720,916Investment Income 523,656 (5,323)In-Kind Donations 116,641 59,269 ____________ ____________

TOTAL REVENUES $5,474,228 $4,264,777 ____________ ____________ ____________ ____________

EXPENSES

Program Services $3,388,383 $2,980,252Management and General 640,796 618,337Fundraising and Special Events 843,363 680,853In Kind Expenses 116,641 59,269 ____________ ____________

TOTAL EXPENSES 4,989,183 4,338,711 ____________ ____________

NET INCOME (LOSS) $485,045 $(73,934) ____________ ____________ ____________ ____________

Financial information is excerpted from The GRAMMY Foundation audited reports. Functional Expenses information is as reported on the IRS 990 filings.

STATEMENT OF ACTIVITIES

2012 & 2013


R E V E N U E S 2 0 1 3

R E V E N U E S 2 0 1 2





2% Grants

13% Project Income




1% Grants

18% Project Income





15% Fundraising




15% Fundraising





2% Grants

13% Project Income




1% Grants

18% Project Income





15% Fundraising




15% Fundraising


24

$1,000,000 and above

The National Academy of Recording Arts & Sciences, Inc.

$100,000 to $999,999

Bendheim Enterprises, Inc.

Best Buy Co., Inc.

Converse

Ford Motor Company Fund

Hot Topic Foundation

Audra Liemandt

Seagate Technology

Brian Sheth

$50,000 to $99,999

Best Buy Children’s Foundation

Lucky Brand Jeans

Martin Taylor

$10,000 to $49,999

David and Emily Breach

Tim Bucher

Cannon Family Foundation

Dreamer Media, LLC

The Ella Fitzgerald Charitable Foundation

Faegre Baker Daniels LLP

General Mills, Inc.

Genesco

Greenberg Traurig, LLP

The Gross Family Charitable Fund

Gucci America

Betty Hung

Keith Urban Foundation

Live Nation

Mission Fish

Mitchell Silberberg & Knupp LLP

Matthew Morrison

Nate Paul

PayPal Giving Fund

Proskauer Rose, LLP

Patti and Rusty Rueff

Mrs. Davey Silverman

Universal Music Group

Warner Music Group Services

$1,000 to $9,999

Anonymous (2)

The 1997 Solomon Family Trust

Gina Adams

Willard Ahdritz

Alliance Of Auotmobile Manufactures

Rocco Ancona

Anthony E. Meyer Family Foundation

ASCAP Irving Caesar Foundation

Martin Babler

Patrick and Nichole Baker

Paxton Baker

Erin Baldwin

Berger Family Fund

Black Entertainment Television, Inc.

Black Women In Entertainment Law Foundation

Jonathan Blaufarb

BMI

BMI Foundation

Book of Mormon Broadway, LLC

Borman Entertainment-Tennessee

Joanne S. Botka and Andrew Botka

Antoinette Bush

The Cain Foundation on behalf of Wofford Denius, Pc

Charlottesville Area Community Foundation

The Coca-Cola Company

The Community Foundation of Middle Tennesse on behalf of Taylor Swift

Anthony and Diane Cordova

Alex Cose

Bruce Cozadd

Benjamin Cunningham

Cheryl Daniels

Robert Aubry Davis

Kim Deffebach

Marnie Dowd

Dozoretz Private Foundation

Michael Dunn and Laura O’Donell

James Dykes

Ralph Everett

Fox Rothschild LLP

Mark and Heidi Friedman

Daryl P. Friedman

Gang, Tyre, Ramer & Brown Charity Fund

Grant Geissman

George Lucas Family Foundation

Goldman, Sachs & Co.

Bancroft Gordon

Jamie Gorelick

Eric Greenspan

Brian and Joanne Grigsby

John Hamm and Joanna Rees

Monte Harris

Julian Haywood

Denise and Jason Henderson

Hertz & Lichtenstein, LLP

Hilton HHonors Giving Back Program

Peter A. Hunt

George L. Jones

Jumamosi Tour LP

Chris Kasso

King, Holmes, Paterno & Berliner LLP

LaPolt Law, P.C.

Latter Day Tour LP

Lawrence F. Levy

Debra L. Lee

The Les Paul Foundation

Loeb & Loeb

Lommen Abdo Cole King & Stageberg

Stephen Luczo

The M&T Charitable Foundation

Gary Macvicar

Kristen Madsen

Donald Malter

Manatt, Phelps & Phillips

Marc Martin

Vonya McCann

Jeanne Meyer

Michael Dorf Presents

Jerry Moison

Elizabeth Moody

Gabriella Morris

William and Barbara Mosley

Munger, Tolles & Olson

Jimmie Paschall

Mike D. Pegler

(continued on next page)



25

Beverly Perry

Phoenix Restorations Inc

Albert and Laurie Pimentel

Stanley Porter

Neil R. Portnow

The Recording Academy Chicago Chapter

The Recording Academy Florida Chapter

The Recording Academy Los Angeles Chapter

The Recording Academy Nashville Chapter

The Recording Academy Washington D.C. Chapter

Nicol Richards Elm

Roger Richmond

Dr. Rania Rifai-Loewenberg

Adam Ritholz

Maxine Roach

Robins, Kaplan, Miller & Ciresi L.L.P. Charitable Foundation

Edward Ryan

Sunil Sabharwal

Peter Seghesio

Serling, Rooks & Ferrara, LLP

Todd Sheffield

Sidley Austin Brown & Wood LLP

Silicon Valley Community Foundation

Eric Simone

Reed Smith

Scott Smyers

SONY Music Entertainment

Arne Sorenson

SoundExchange

Earl Stafford

Daniel and Katie Stevens

Tickets for Charity, LLC.

Richard P. Triolo

Michael Truesdell

Ame Van Dyke

Jennifer Vernon

David Webster

Whole Foods Market

Shawn Widick

Ron Wilcox

James Winston

Alan Yates

Up to $999

Anonymous

Mindi Abair

Shari and Mike Abercrombie

Mohsin Adam

Victoria L. Adams

Stephanie Adwar

Alan Michael USA Corp

Christee Albino

Tiffany R. Almy

David Altschul

Maxine Amato

Shawn E. Amos

Christopher Anokute

Cynthia Arato

Peter Asher

Aileen Atkins

Christine Ballenger

Jennifer E. Baltimore

Joseph Baribeau

James Bates

Elizabeth Baylog

Tamera Bennett

Elizabeth Bergamo

Karen J. Bernstein

Cheri Bessellieu

Joshua Binder

Christie Bishop

Lawrence Blake

Mary Blalock

Stephen Block

Sherri Blount

Evan Bogart

Jason Boyarski

Luca Bozzo

Martha Braithwaite

Joyce Brayboy

Ilana Broad

Bronze Music

Shelley Brown

Joan P. Brown

Brumberger Foundation Inc.

Hillary Bunsow

John Burk

P. John Burke

Jeremy Cain

Christine Calip

Caplan & Ross LLP

Yolanda Caraway

Ruby Cariaso

Robert Case

Corinne Cater

Angelin Chang

Loren Chodosh

Gary Choen

Ronnie Christopher

City National Bank

Mike Clink

Jane Cohen

Katina Cokinos

Alija Coleman

Maurita Coley

Wallace Collins

Concert Support Services Inc.

Qiana Conley

Shayla Cooper

Victoria Cordova

Lorraine Coyle

Roger Cramer

Wendy Credle

Khanh Criswell

Jimmie K. Crowder

William Cunliffe

John Dallam

Ivory Daniel

Douglas S. Davis

Lisa E. Davis

Kendra Da

Francis E. Delaney/Blinky Nashville Records

Ted and Leslie Demos

Klaus Derendorf

Scott Dettmer

Waleed Diab

Joseph J. Dimona

Joyce Dollinger

Bob Donnelly

Stephen Downing

David M. Ehrlich

Eric Einisman

Bob Emmer

Leilah Escalera

Evolution Film & Tape Inc.

Elissa Felman

Patricia and Victor Ferreira

Adeline Ferretti

Corey Field

Aaron Fischer

Arlene Fishbach

Kathleen Flannigan

Micah Fox

Coleen Freeman

Tyne Freeman




26

F.L. Freeman

Christine Freire

Kenneth Freundlich

David Friedlander

Paul J. Friedman

Ira M. Friedman

Donald Friedman

Morton H. Fry

Stephanie Furgang Adwar

Monique Gallien

Richard A. Garza

Steve Gawley

Dara Gelbtuch

Kendra Gemma

Michael and Tracy Gifford

Donna Giles

Richard Glasser

Michael Glynn

Lisa M. Goich Andreadis

Scott Goldman

Amy Goldson

Henry Golis/Park Lane Drive Records

Melissa Goodman

Gordon Goodwin

Robert Grandstaff

Jeffrey B. Greenberg

Linda Greene

Leslie Greene

Joseph L. Grier

Claire Gros

Alex Gruzen

Shumetric S. Halford

Oliver Hammett

Candice S. Hanson

Duane Harley

Malcolm Harper

Gerald T Hathaway

Daryl Head

Marvin Heiman

David A. Helfant

Robert Herrmann

Howard and Wendy Hertz

Barry Heyman

David Hirshland

Robert S. Hodas

Felicity Holland

Bradley Holmes

Jonathan F. Horn

Leon Huff

Gwen Hughes

Nordia Hunt

Hurewitz, Boschan & Co LLP

Julie Ingram

Becky Jake

Thomas Jensen

Marc Joaquin

Joe D’Ambrosio Management Inc.

Khelia Johnson

Camille Johnson

Angelica Jones

Ayron Jones

Leslie Ann Jones

Tamika Jones

Terrany Jonhson

David Jordan

Daniel Kamalani

Mike Kappus

Robert Kaus

David Kazel

John P. Kellogg

Amy Keys

Parveen Khanuja

Michael King

Jeffrey L. Klein

Larry Kohorn

David B. Kokakis

David S. Koz

Stacy Kray

Angela Krempel

Sandra and Mark Kretsch

Heath Kudler

Michael Kushner

Eleanor Lackman

Laurie Lamar

The Latin Academy of Recording Arts & Sciences, Inc.

Eric Lassberg

Doretha Lea

William Leibowitz

Christopher Lennertz

Jonathan Leonard

Leonard Business MGMT., Inc.

Christine Lepera

Evan Levane

Jeff Levy

Vivien Lewit

Paul Licalsi

Jeff Liebenson

Cathy Lipetz

Dennis Lord

Miren Loveland

John T. Ludwig

Jeffrey Ma

Thaderine Macfarlane

Kerry S. MacIntosh

Loren Madden

Fran Mady

Sonam Majmundar

Brian Malouf

Carl Mancuso

Leslie Mann

Nancy Marcus

Valerie Marcus

Lisa Margolis

Mark S. Frey Attorney At Law

Ellen R. Marshall

Jean Martin

Harvey Mason Jr.

Cheryl Masri

Barry M. Massarsky

Steven Masur

Maya Mathews

Amanda Matossian

Diane Matthews

Alicia Matusheski

Susan Mazo

MBA Tax Consultants Inc.

MC Lyte

William T. McCrady

Donald McDaniel

Cori McGinn

Ain McKendrick

James McMillan Pc

Edwin F. McPherson

Susan A. Meisel

Ellen Meltzer-Zahn

Mary Jo Mennella

Rick Meuser

David Miller

Bethanne Moore

Lana Moorer

Michael Mordecai

Kris Munoz

Loretta Munoz

Elizabeth Naccarato

Zulaihat L. Nauzo

Deborah Newman

Melinda Newman

Dino Nicolosi

Liana M. Nobile

Danielle K. Nolan




27

Erica Novich

Deanna Oberdan

Michael O’Brien

Deidre O’Hara

Dayle Ohlau

David B. Oshinsky

Michelle Ozog

Pace Law P.C.

Thomas Page

Marilyn Palowitch

L. Peter Parcher

Ray Parker

Ronald Parker

Ivan J. Parron, Esq.

Maria Pavlick-Larsen

Cheryl Pawelski

Brendettae J. Payne

Michael Pemesiglio

Randy Penn

Christine Pepe

Peppermill Hotel & Casino

Ryanne E. Perio

Maruiel Perkins-Chavis

Joseph Perry

Keisha Perry

Melissa Peters

Sylvia Peters

Michael Petersen

Joseph A. Petro

Phillips, Erlewine & Given LLP

Michael Pickrum

Maurice Pilosof

Marisa Pizarro

Alex Ploegsma

Louann Pope

Eliot Popkin

Friederika Poulos

Prager and Fenton LLP

William Price

Productions on Seaspeed LLC

Harriet E. Raghnal

The Recording Academy Texas Chapter

Martha Redo

Wendy Rees

Octavius (Ted) Reid, III

Elliot Resnik

Jaimison Roberts

Robinson & Cole

Daniel Rocco

Stuart Rosen

Shmuel Rosenberg

Neil Ross

Brenda Ross

Paul Rothenberg

Uwe Mark Ruttke

Donna Sabin

Sue Sadik

Joseph P. Salvo

Andrew Sandoval

Brian Schall

Adina Schecter

Monica Schillan

Stanley H. Schneider

Scott Schreiber

Sarah Schubert

Emily Schulman

Frank Scibilia

Seiden & Schein, P.C.

Michael Seltzer

John Seminerio

Erica Senat

Peter Shapiro

Karen Shatzkin

Shenfeld Law, A Professional Corporation

Jay Shoemaker

Shukat Arrow Hafer Weber & Herbsman, L.L.P.

Lori Silfen

Stuart Silfen

John Simson

Carmen Skaggs

Andrea Skehan

Jay Sloan

Renee Spearman

Karen St. Claire

Tirsa L. St. Fort

Erika Stallings

Joseph Stallone

Lewis Stark

Statua Properties

Michael Steinberg

Rachel Stilwell

Structured Asset Sales, LLC

Ronald Stubblefield

SVB Foundation

Valerie Syme

Mori Taheripour

Elizabeth Tattersall

Brian Tauber

Andrew Tavel

Christopher N. Taylor

Temple of the Arts

Peter Thall

Christopher Tin

Judy Tint

Katie A. Trotta

Ellen Bligh Truley

Adam Tully

Thomas Valentino

Tatiana Vargas

Wanda P. Vint

Chris Walden

Darrell Walker

Jeff Walker

Shaunise Washington

Sheryn Waterman

Erin A. Watkins

Elizabeth and James Wemmer

Angela R. White

Debra White

H. Steven S. White

Ericka Whitson

David Wiener

Phillip Wild

Michael J. Wilhelm

Jo-Na Williams

Tres Williams

Carman Y. Wimsatt

Susan Witzenhausen

Dennis Wolfe

Kim Youngberg

Stephanie Yu

Wayne Zahner

Donald Zakarin

Howard Zeprun

Adam Zia

Eupremio F. Zizza

Daniel B. Zucker

Motisola Zulu

Sara Y. Zumstein

Zupe



28

Y O U R S U P P O RT As our industry responds to current technological and economic shifts, the need to broaden and sustain our mission increases. Your help is more important now than ever. When considering a charity for your personal contribution or corporate affiliation, please remember that you can make a real difference in the lives of the people we serve through support of the GRAMMY Foundation.

To make a donation, please visit our website at www.grammyfoundation.org.

T H E G R A M M Y F O U N D AT I O N 3030 Olympic Blvd. | Santa Monica, CA 90404 | Tel: 310.392.3777 | Fax: 310.392.2188

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The GRAMMY Foundation Community Services Report is published by:

The GRAMMY Foundation

© 2013 GRAMMY Foundation

Contents may not be reprinted without express written permission.

The GRAMMY Foundation®, GRAMMY® and The Recording Academy®

and their respective logos are registered trademarks and service marks.

Unless otherwise noted, photos courtesy of The Recording Academy, photographed by WireImage.com.

community services report 2012-2013 - grammy.org

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