color theorycolor theorycolor theorycolor theory why is color theory important? please answer in...
TRANSCRIPT
Color Theory
Why is color theory important?Please answer in your notes using at least 2 complete sentences.
(2 minutes)
Primary Colors· Cannot be mixed· Make all the other color on the color wheel
Secondary Colors· Made by mixing equal parts of two primary colors.
Tertiary Colors· Made by mixing equal parts of one
primary and one secondary color.
Color has 3 properties:1)Value-The lightness or darkness of a color.
2)Hue – The Name of a color as it appears on the color wheel. (red, blue, yellow)
3)Intensity- The purity of a hue. A hue at its highest intensity has no other color mixed with it. A hue loses its intensity as another color is added to it.
Neutral ColorsNeutral are not seen on most color wheels. Black, gray, brown and white are neutral. Neutral colors can be made by mixing:
• Black and white
• Complementary colors
• All three primaries together (plus some black or white)
• THEY DO NOT AFFECT OTHER COLORS
Andy Warhol (American, 1928-1987)
Camouflage, 1986 acrylic and silkscreen
ink on linen 40 x 40 in.
The Andy Warhol Museum, Pittsburgh, Founding Collection,
Contribution The Andy Warhol Foundation for
the Visual Arts, Inc. © AWF
MonochromaticColor Scheme
Mono = ONE
Chroma = Color
ONE color art.
Uses shades or tints from the same hue.
Andy Warhol (American, 1928-1987) Sunset, 1972 Screen print on Paper34 x 34 in.The Andy Warhol Museum, Pittsburgh, Founding Collection Contribution Dia Center for the Arts © AWF
Analogous Color SchemeCOLOR NEIGHBORS
Any three to five colors which are side by side on a 12 part color wheel, such as yellow-green, yellow, and yellow-orange. Usually one of the three colors predominates.
Andy Warhol (American, 1928-1987)
Camouflage, 1987 Screen prints on Lenox
Museum Board 38 x 38 in.
The Andy Warhol Museum Pittsburgh Founding CollectionContribution The Andy Warhol Foundation for the Visual Arts,
Inc. © AWF
Andy Warhol (American, 1928-1987)
Cologne Cathedral, 1985 Screen prints with diamond
dust on Lenox Museum Board39 3/8 x 31 1/2 in.
The Andy Warhol Museum Pittsburgh Founding Collection Contribution The Andy Warhol Foundation for the Visual Arts,
Inc. © AWF
Complementary Color SchemeTwo colors that are the direct opposite of each other, such as red and green and blue-orange and yellow-violet. Complementary colors create the most contrast and balance in design.
Know 3 for a TEST!
Andy Warhol (American, 1928-1987) Flowers, 1970, screen print on paper, 36 x 36 in. The Andy Warhol Museum, Pittsburgh Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. © AWF
Space Fruit: Still Lifes (Pears), 1979 screen print on Lenox Museum Board 30 x 40 in. The Andy Warhol Museum, Pittsburgh Founding Collection, Contribution Dia Center for the Arts © AWF
Analogous with Complementary emphasis
Andy Warhol (American, 1928-1987)
Flowers, 1970 Screen print on paper
36 x 36 in. The Andy Warhol Museum,
Pittsburgh, Founding Collection
Contribution The Andy Warhol Foundation for the
Visual Arts, Inc. © AWF
Andy Warhol (American, 1928-1987)
Sunset, 1972 Screen print on Paper
34” x 34” The Andy Warhol
Museum, Pittsburgh, Founding Collection
Contribution Dia Center for the Arts © AWF
TemperatureColor temperate can help enhance the mood of an image.WARM COLORS - Red, orange, yellow, (red-violet, yellow-green), warm color tend to advance in visual space.COOL COLORS - Violet, blue, green, cool colors recede in space.
Andy Warhol (American, 1928-1987) Vesuvius, 1985
screen print on Arches 88 paper, 31 7/16 x 39 1/4 in.
The Andy Warhol Museum, Pittsburgh Founding
Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. © AWF
Color
Variations
Andy Warhol (American, 1928-1987) Camouflage, 1986acrylic and silkscreen ink on linen40 x 40 in. each The Andy Warhol Museum, Pittsburgh, Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. © AWF