color theory, terminology, & color systems

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Color Theory, Terminology, & Color Systems

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Color Theory, Terminology, & Color Systems. Pigment Color System. The traditional color system Red, yellow, and blue are primaries 2-D media (painting & drawing). What is color theory?. - PowerPoint PPT Presentation

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Page 1: Color Theory, Terminology, & Color Systems

Color Theory, Terminology, & Color Systems

Page 2: Color Theory, Terminology, & Color Systems

Pigment Color System

The traditional color system Red, yellow, and blue are primaries 2-D media (painting & drawing)

Page 3: Color Theory, Terminology, & Color Systems

What is color theory?

Color Theory is a set of principles used to create harmonious color combinations. Color relationships can be visually represented with a color wheel — the color spectrum wrapped onto a circle.

Page 4: Color Theory, Terminology, & Color Systems

What is a Color Wheel?

Page 5: Color Theory, Terminology, & Color Systems

Monochromatic Color Scheme The monochromatic color

scheme uses variations in lightness and saturation of a single color. This scheme looks clean and elegant.

Monochromatic colors go well together, producing a soothing effect. The monochromatic scheme is very easy on the eyes, especially with blue or green hues.

Artist: Marc ChagallTitle: Les Amants Sur Le ToitForm of Art: abstract

Page 6: Color Theory, Terminology, & Color Systems

Monochromatic Color Schemes

#FF0000   #

1

#7E4747  

#2

#CCA4A4 

 #

3

#361F1F  

#4

#F0E8E8  

#5

                               

                               

                               

                               

                               

                               

                               

                               

                               

Page 7: Color Theory, Terminology, & Color Systems

Analogous Color Scheme The analogous color

scheme uses colors that are adjacent to each other on the color wheel.

One color is used as a dominant color while others are used to enrich the scheme.

The analogous scheme is similar to the monochromatic, but offers more nuances.

Artist: Vincent van GoghTitle: The IrisYear: 1889Form of Art: realistic

Page 8: Color Theory, Terminology, & Color Systems

Analogous Color Scheme

Page 9: Color Theory, Terminology, & Color Systems

Analogous Color Scheme

Page 10: Color Theory, Terminology, & Color Systems

Complementary Color Scheme The complementary

color scheme consists of two colors that are opposite each other on the color wheel.

This scheme looks best when you place a warm color against a cool color, for example, red versus green-blue. This scheme is intrinsically high-contrast.

Artist: Paul Cezanne Title: La Montage Saint VictoireYear: 1886-88Form of Art: abstract

Page 11: Color Theory, Terminology, & Color Systems

Complementary Color Schemes

1  

#FF0000  

        

        

 #009900

  2

3#FF757

5

        

        

 #002800

  4

5#FFFFF

F

        

        

 #111111

  6

Page 12: Color Theory, Terminology, & Color Systems

Split Complementary Color Scheme

The split complementary scheme is a variation of the standard complementary scheme.

It uses a color and the two colors adjacent to its complementary.

This provides high contrast without the strong tension of the complementary scheme.

Page 13: Color Theory, Terminology, & Color Systems

Split Complementary

This sample uses Yellow with the two neighbors of its complement, Violet (Red-Violet and Blue-Violet).

Page 14: Color Theory, Terminology, & Color Systems

Triadic Color Scheme The triadic color scheme

uses three colors equally spaced around the color wheel.

This scheme is popular among artists because it offers strong visual contrast while retaining harmony and color richness.

The triadic scheme is not as contrasting as the complementary scheme, but it looks more balanced and harmonious.

Page 15: Color Theory, Terminology, & Color Systems

Triadic Color Scheme

Page 16: Color Theory, Terminology, & Color Systems

Tetradic Color Scheme

The tetradic (double complementary) scheme is the most varied because it uses two complementary color pairs.

This scheme is hard to harmonize; if all four hues are used in equal amounts, the scheme may look unbalanced, so you should choose a color to be dominant or subdue the colors.

Page 17: Color Theory, Terminology, & Color Systems

Warm Colors Warm colors are vivid in nature. They are bold and energetic. Warm colors are those that tend to advance in space; therefore, caution needs to be taken so you do not overwhelm your content with eye catching hues. If an element in your design needs to pop out, consider using warm colors to do that.

Artist: Jan VermeeTitle: Girl Asleep at a Table Year: 1657Form of Art: realistic

The Fighting Temeraire by William Turner

Page 18: Color Theory, Terminology, & Color Systems

Warm Colors

Page 19: Color Theory, Terminology, & Color Systems

Cool Colors Cool colors are

soothing in nature. They give an impression of calm and rarely overpower the main content or message of a design. Cool colors tend to recede; therefore, if some element of your design needs to be in the background, give it cool tones.

Page 20: Color Theory, Terminology, & Color Systems

Cool Colors

Page 21: Color Theory, Terminology, & Color Systems

Neutral Colors Neutral colors or earth tones

are not seen on most color wheels. Black, gray, whites are neutral. Browns, beiges and tans are sometimes neutral too. Neutral colors can be made by mixing: black and white complementary colors all three primaries together (plus

some black or white)

Page 22: Color Theory, Terminology, & Color Systems

Name that Color Scheme #1

Page 23: Color Theory, Terminology, & Color Systems

Name that Color Scheme #2

Answer 1: Analogous

Page 24: Color Theory, Terminology, & Color Systems

Name that Color Scheme #3

Answer 2: Triadic

Page 25: Color Theory, Terminology, & Color Systems

Name that Color Scheme #4

Answer 3: Complementary

Page 26: Color Theory, Terminology, & Color Systems

A Little History The first color wheel was invented by Sir Isaac Newton.

He split white sunlight into red, orange, yellow, green, cyan, and blue beams; then he joined the two ends of the color spectrum together to show the natural progression of colors. Newton associated each color with a note of a musical scale.

Answer 4: Neutral

Page 27: Color Theory, Terminology, & Color Systems

A Little History A century after Newton, Johann Wolfgang

Goethe began studying psychological effect of colors. He noticed that blue gives a feeling of coolness and yellow has a warming effect. Goethe created a color wheel showing the psychological effect of each color. He divided all the colors into two groups – the plus side (from red through orange to yellow) and the minus side (from green through violet to blue).

Colors of the plus side produce excitement and cheerfulness. Colors of the minus side are associated with weakness and unsettled feelings.

Page 28: Color Theory, Terminology, & Color Systems

2 More Color Systems

The Subtractive System: used in the 4-color print process; the primary colors are Cyan, Yellow, and Magenta

Additive Color System: The 3 primary colors (Red, Green, & Blue) add to white light

Page 29: Color Theory, Terminology, & Color Systems

Additive & Subtractive Color Systems

Page 30: Color Theory, Terminology, & Color Systems

Color Systems:

Pigment Additive Subtractive

Page 31: Color Theory, Terminology, & Color Systems

Color Terms Hue – another name for color Tint – any color + white Tone – any color + gray (or + complement) Shade – any color + black Key color – main or focal point color in a color

scheme Saturation – the brightness or dullness of a color

(pure color 100% sat desaturated, gray Value – the lightness or darkness of a color

Page 32: Color Theory, Terminology, & Color Systems

Hue

When we call an object "red," we are referring to its hue. Hue is determined by the dominant wavelength. RED, ORANGE, YELLOW, GREEN, BLUE, CYAN, VIOLET (PURPLE), MAGENTA

Page 33: Color Theory, Terminology, & Color Systems

Value: Tints and Shades (Brightness) The purest value of a color

is its hue. A color's tint is a lighter value of the hue made by adding white; a color's shade is a darker value of the hue made by adding black.

Add white…

Add black…

Page 34: Color Theory, Terminology, & Color Systems

Saturation (Chroma, Intensity) Saturation refers to purity

100% color + 0% complement = saturated 50% color + 50% complement = gray, desaturated

Page 35: Color Theory, Terminology, & Color Systems
Page 36: Color Theory, Terminology, & Color Systems

Video – YUV Color Space The YUV model defines a color space in terms of one

luma and two chrominance components. The YUV color model is used in the PAL, NTSC, and SECAM composite color video standards. Previous black-and-white systems used only luma (Y) information and color information (U and V) was added so that a black-and-white receiver would still be able to display a color picture as a normal black and white pictures.

YUV models human perception of color more closely than the standard RGB model used in computer graphics hardware.

Y stands for the luma component (the brightness) and U and V are the chrominance (color) components.

Page 37: Color Theory, Terminology, & Color Systems

YUV An image along with its Y,

U, and V components.

Page 38: Color Theory, Terminology, & Color Systems

NTSC Colors

Page 39: Color Theory, Terminology, & Color Systems

SMPTE Gamut