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    Dr. Nilesh Patel

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    Chapter 9: Color Copyright 2004 by Prentice Hall

    In this class you will learn about:Physical and perceptual aspects of color

    Several color models and the advantages ofeach

    Four color-harmony schemesSome examples of color in nature, relatingthem to our vocabulary of color

    Tool programs available to you for studyingcolor

    How color can make Web pages pleasingand easy to read

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    The spectrum of visible light

    The electromagnetic spectrum

    Human response to color

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    340 630

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    An artists color wheel: red,yellow, and blue (RYB)

    Additive color: red, green, blue

    (RGB)

    Subtractive color: cyan, magenta,

    yellow, and black (CMYK)Hue, saturation, and brightness

    (HSB)

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    Non-spectralColors

    SpectralColors

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    Red + Green =

    Red + Blue =

    Green + Blue =

    Not the case for print

    Subtractcolors.

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    Cyan subtracts red Magenta subtracts green

    Yellow subtracts blue

    In photography, thats it: all threetogether subtract all light, giving black

    In print, the dyes arent that good, and

    we need black ink too Hence, four-color printing: CMYK

    K from blacK; B already means Blue

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    Hue: where a color lies around acolor wheel: red, green, yellow, blue-green, etc.

    Saturation: the purity of a color; afully-saturated color has no whitemixed with it, in paint terms

    Brightness: light, dark, or inbetween?

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    White, black, and all grays are zeropercent saturated

    A color becomes more saturated as itmoves away from gray to a pure color

    A pure (fully-saturated) color, in RGBterms, in one that contains:

    Only red, green, or blue, or

    Only yellow (= red + green), or Only magenta (= red + blue)

    Only cyan (= blue + green)

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    Monochromatic: colors of same orsimilar hue, differing in brightnessand/or saturation

    Complementary: colors approximatelyopposite each other on a color wheel

    Analogous: colors adjacent to eachother, from any segment of a color

    wheel

    Triadic: three colors approximatelyequally spaced around a color wheel

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    All blue All orange

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    Ten pictures of flowers, taken at theHeather Garden, in northern Manhattan,New York City, June and July, 2003

    One picture taken at sunrise in Arizona,of frost on glass

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    Copyright 2004 by Prentice HallChapter 9: Color

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    Copyright 2004 by Prentice HallChapter 9: Color

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    Copyright 2004 by Prentice HallChapter 9: Color

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    Copyright 2004 by Prentice HallChapter 9: Color

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    Copyright 2004 by Prentice HallChapter 9: Color

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    Permits simple experimentation with theconcepts, e.g.: What is pink? (Desaturated red)

    Can a dark color be saturated? (Yes)

    Does adding red and green really give yellow?(Yes)

    Is gray ever saturated? (No)

    What does saturation mean at low brightness

    levels? (Not much) In RGB, how do you add white to red?

    (Increase the amounts of green and blue)

    http://www.prenhall.com/mccracken/

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    The axis of the color cone (Slide 20) runsfrom black at the bottom, through thegrays, to white at the top

    All points on the axis are unsaturated

    Near the bottom of the color cone there isvery little space between the axis and thepure colors

    And the pure colors at the bottom of the

    cone are dark Hence: saturation is not a helpful term for

    low-brightness colors

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    Two versions: match using RGB or HSBmodel

    Start with any of the hundreds of namedcolors available

    That color appears in a top rectangle;bottom rectangle is black

    Move sliders to match colors Hints given; warmer means your last

    change got you closer When you get a match, the number of

    adjustments taken is reported

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    Chapter 9: Color Copyright 2004 by Prentice HallCopyright 2004 by Prentice HallChapter 9: Color

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    Chapter 9: Color Copyright 2004 by Prentice HallCopyright 2004 by Prentice HallChapter 9: Color

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    Color Wheel

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    Monochromatic: colors from onecolumn

    Complementary: any two colors whosecolumn numbers differ by 6

    Analogous: several colors from adjacentcolumns, with 12 considered next to 1

    Triadic: colors from columns:

    1, 5, and 9, or 2, 6, and 10, or

    3, 7, and 11, or

    4, 8, and 12

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    3 7 11

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    But dont do this casuallythe clash can be almostpainful; you need to have a reason to do it

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    Big Important Words

    Nice words, but not headline-type words.Text. The story, now that I have your

    attention.

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    Chapter 9: Color Copyright 2004 by Prentice Hall

    Rule #1: Provide adequate contrast

    Rule #2: But not too much, and forextended use, black on white is too muchcontrast

    Rule #3: Dark on light is better than lighton dark, for text

    Rule #4: There are no other rules

    Complements work

    So does a dark color on a background of thesame hue but much lighter

    Light on dark is occasionally OK for headings

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    Chapter 9: Color Copyright 2004 by Prentice Hall

    It is rare that the color choices for Web pages are leftentirely in the hands of a developer or designer. In mostcases, the client will already have some colors in mind,based on a corporate logo, a school insignia or personalpreference. Color harmonies provide options forchoosing colors that are compatible with the clients

    wishes. Applying guidelines for text and background

    color will foster readability. Finally, using color toorganize text and focus attention will result in easiernavigation.

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    There is quite a bit of overlap in the response curves.The peak sensitivities for the first and second typesare actually in the yellow range. There is a big disparity

    in the height of the three curves. This is due to the factthat human eyes are most sensitive in the green rangeof the spectrum and are dramatically less sensitive inthe blue range.

    Black on white may not look too bad here. Butsuppose you sat at a monitor six hours a day. Wouldntyou prefer a pastel background? And text that is darkbut not black?

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    Offer expires 07/31/03. Offer available to new High SpeedInternet subscribers only. May not be used in conjunctionwith any other offer. Service is not available in all areas.

    Certain taxes and fees may apply. DSL: Offer requires a 12month subscription. First six months will be billed at $29.95per month, 49.95 thereafter. Early termination fees apply.Includes Standard DSL Installation Kit. Does not includeshipping and handling charges. Additional equipment may be

    required.

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    Chapter 9: Color Copyright 2004 by Prentice Hall

    Below is the same text as on the previous slide, except pureblue instead of pure yellow. According to Adobe they bothhave 100% brightness, and according to Microsoft they bothhave luminance of 128. But that it not how we perceive them.

    Offer expires 07/31/03. Offer available to new High SpeedInternet subscribers only. May not be used in conjunctionwith any other offer. Service is not available in all areas.Certain taxes and fees may apply. DSL: Offer requires a 12month subscription. First six months will be billed at $29.95per month, 49.95 thereafter. Early termination fees apply.Includes Standard DSL Installation Kit. Does not includeshipping and handling charges. Additional equipment may berequired.

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    Chapter 9: Color Copyright 2004 by Prentice Hall

    Red on green also hurts the eyes. I refuse toshow any more of it!

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    But: same hues, except a very light green background anda very dark red textdifferent story. In fact, this is rather

    nice, so Ill show some more of it.One reason this works is that there is adequate contrastbetween the text and the background. As noted, our lowsensitivity to blue makes it hard to give rules on what the

    difference in brightness should be. Use judgment andcommon sense. And maybe do some user testing.

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    Thats It For

    Text/Background

    You have seen combinations that workand combinations that dont work. Be

    bold! Experiment! Just maintain

    adequate contrast.

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    Why major caution signs on our roads are usuallyyellow?

    Pure yellow strains your eye more than any othercolor - your eye will fix on it first

    Using this color for banners and advertisements willreceive more attention from the viewer's eye.

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    Green is a cool color that symbolizes nature and the natural world.

    Green also represents tranquillity, good luck, health, and jealousy.

    Researchers have also found that green can improve reading ability. Somestudents may find that laying a transparent sheet of green paper over readingmaterial increases reading speed and comprehension.

    Green has long been a symbol of fertility and was once the preferred color

    choice for wedding gowns in the 15th-century. Even today, green M & M's (anAmerican chocolate candy) are said to send a sexual message.

    Green is often used in decorating for its calming effect.

    For example, guests waiting to appear on television programs often wait in agreen room to relax.

    Green is thought to relieve stress and help heal. Those who have a greenwork environment experience fewer stomach aches.

    Consider how green is used in language: green thumb, green with envy,greenhorn.

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    Blue is described as a favourite color by many people and is the color mostpreferred by men. Women tend to buy blue clothing for men because theybelieve men prefer it.

    Blue calls to mind feelings of calmness or serenity. It is often described aspeaceful, tranquil, secure, and orderly.

    Blue can also create feelings of sadness or aloofness.

    Blue is often used to decorate offices because research has shown thatpeople are more productive in blue rooms.

    Blue is one of the most popular colors, but it is one of the least appetizing.Some weight loss plans even recommend eating your food off of a blueplate. Blue rarely occurs naturally in food aside from blueberries and someplums.

    Also, humans are geared to avoid foods that are poisonous and bluecoloring in food is often a sign of spoilage or poison.

    Blue can also lower the pulse rate and body temperature.

    Consider how blue is used in language: blue moon, blue Monday, blue blood,the blues, and blue ribbon.

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    Use color in addition to other information, not

    instead Do not use to many colors (3 by apple)

    Do not use saturated colors

    Choose the background for text on the basis ofcontrast

    Use white. Use space. Please!White in its nothingness acts as a wonderfulbalance between colors.

    Use web-safe colors(only these 216 colors can be displayed

    by every web browser)

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    Rule 1 Exaggerate lightness differences

    between foreground andbackground colors, and avoidusing colors of similar lightnessadjacent to one another, even if

    they differ in saturation or hue. Dont assume that the lightness

    you perceive will be the same asthe lightness perceived by peoplewith color deficits. You cangenerally assume that they will

    see less contrast between colorsthan you will. If you lighten thelight colors and darken the darkcolors in your design, you willincrease its visual accessibility.

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    Rule 2

    Choose dark colors with hues from thebottom half of this hue circle againstlight colors from the top half of thecircle. Avoid contrasting light colors

    from the bottom half against darkcolors from the top half. Theorientation of this hue circle waschosen to illustrate this point.

    For most people with partial sight

    and/or congenital color deficiencies,the lightness values of colors in thebottom half of the hue circle tend tobe reduced.

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    Example: color coding inaccountancy

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    Chapter 9: Color Copyright 2004 by Prentice Hall

    In this chapter you learned about:

    The color spectrum; our eyes sensitivityto red, green, and blue

    Additive (RGB) and subtractive (CMYK)

    color models The hue, saturation, and brightness (HSB)

    color model

    Four color-harmony schemes:

    monochromatic, complementary,analogous, and triadic

    Text and background color combinationsthat are legible and easy on the eyes

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    http://freevideolectures.com/Course/2712/Human-Computer-Interaction-Seminar-2009-2010/4http://www.youtube.com/watch?v=Ukl9yecLxIQ&feature=youtu.be&hd=1