color theory

41
Color Theory It’s like a tetanus shot: It isn’t fun but you need to get it.

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Page 1: Color theory

Color Theory

It’s like a tetanus shot:

It isn’t fun but you need to get it.

Page 2: Color theory

Supplies

• Layout– 15”*22” watercolor

paper– 30-60-90 triangle

– 18”ruler– Compass– Tape– Eraser– Pencil

• Painting– Water dish– Mixing pan(s)

– Test paper– Paper toweling– Brush

Page 3: Color theory

Vocabulary• Primary• Secondary• Tertiary/Intermediate• Hue• Intensity

• Value

• Tint• Shade• Complementary• Analogous• Black/White

Page 4: Color theory

Layout

On the Left hand side of your paper measure 2” down from the top and draw a horizontal line segment about 10” long

2”

Page 5: Color theory

Layout

On the Left hand side of your paper measure in 2” from the left and draw a vertical line segment about 10” long

2”

2”

Page 6: Color theory

Layout

Measure from hereMeasure in 3 ½” from the intersection point of the two lines and draw a mark

Page 7: Color theory

Layout

Measure from hereMeasure 3 ½” down from the intersection point of the two lines and draw a mark

Page 8: Color theory

Layout

Set your compass from the intersection point to the measured point.

Page 9: Color theory

Layout

Place the point of the compass on the measured point and draw a circle, repeat for the other point

Page 10: Color theory

Layout

Leave the compass set to the same size. Place the point on the intersection point of the two circles and draw a third circle

Page 11: Color theory

Layout

Leave the compass set to the same size. Place the pencil on the upper intersection point of the circle and the horizontal line. Place the point on the edge of the circle and strike an arc through the center of circle

pencil

point

Page 12: Color theory

Layout

Place the point of the compass on the lower intersection point and strike another arc.

pencil

point

Page 13: Color theory

Layout

Continue to work around the circle using each new intersection to create a new arc.You should get a flower pattern

Page 14: Color theory

Layout

Connect every other point on the compass to form a triangle( this is also how to layout an equilateral triangle)

Page 15: Color theory

Layout

Connect the three remaining points( this is also how to layout hexagon)

Page 16: Color theory

Layout

Draw a line that connects the opposing corners of the hexagon and extent the line to touch the outer edge of the circle.

Page 17: Color theory

Layout

Draw lines through the remaining points.

Page 18: Color theory

Layout

Draw an 1 ½” circle centered on each point.

Page 19: Color theory

Layout

Draw an 1 ½” circle centered on each point.

Page 20: Color theory

Layout

Measure 1” in the right hand edge of the paper.

Measure down 1” from the top of your paper.(10” across).

Page 21: Color theory

Layout

Measure 9 points along the top edge 1”apart

Page 22: Color theory

Layout

Measure down the side line, putting marks at:

2”2 ½”

4 ½”

5”

7”

7 ½”

9 ½”

12”

10”

Page 23: Color theory

Layout

Use these points to make a grid:

Page 24: Color theory

Layout

Measure in 1” from the lower left edge and draw a line segment 4” long

Page 25: Color theory

LayoutMeasure up 1” from the lower edge and draw a line segment 7” long

Page 26: Color theory

LayoutMeasure in 3” in from the intersection point and place a mark

Page 27: Color theory

Layout Draw a line segment 3” up from that point and from the end.

Page 28: Color theory

Layout Close off the rectangle

Page 29: Color theory

Layout Find the center of each square.

Page 30: Color theory

Layout Draw a 1” square in the middle of each larger square.

Page 31: Color theory

Painting Primaries

Page 32: Color theory

Painting Secondary

Page 33: Color theory

Painting Intermediate

Page 34: Color theory

Painting Grey Scale

Page 35: Color theory

Painting Tint Scale

Page 36: Color theory

Painting Shade Scale

Page 37: Color theory

Painting Analagous Scale

Page 38: Color theory

Painting Complimentary Scale

Page 39: Color theory

Painting Color and Ground

Page 40: Color theory

Painting Procedure

1. Make sure you are set up2. Never overload your brush.3. Keep the paint to the lower half of the bristle.4. Check the consistency of the paint. It should be the

consistency of heavy cream.5. You should always be able to see the edge of the shape

and the tip of your brush. The tip of the brush should be aimed at the edge of the shape you are painting.

6. Try all the colors out on a separate sheet of paper and Dry them with a hairdryer.

7. Mix colors from the lightest to the darkest.

Page 41: Color theory