claudio monteverdi
TRANSCRIPT
@&Claudio Monteverdi
Country ItalyBirth May 15, 1567 in Cremona, Italy
Death Nov 29, 1643 in Venice, ItalyPeriod Baroque
Composition Types
All Works (369) Choral Music (340) Vocal Music (20) Opera (4) Ballet Music (3)
If one were to name the composer that stitches the seam between the Renaissance and the Baroque, it would likely be Claudio Monteverdi--the same composer who is largely and fre-quently credited with making the cut in the first place. The path from his earliest canzonettas and madrigals to his latest operatic work exem-plifies the shifts in musical thinking that took place in the last decades of the sixteenth cen-tury, and the first few of the seventeenth. Monteverdi was born in Cremona, Italy on the 15th of May, 1567. As a youth his musical talent was already evident: his first publication was is-sued by a prominent Venetian publishing house
when he was fifteen, and by the time he was twenty a variety of his works had gone to print. His first book of five-voice madrigals, while bearing a dedication to his Cremonese mentor Ingegnieri, succeeded in establishing his reputation outside of his provincial home-town, and helped him find work in the court of the Duke Gonzaga of Mantua. His compositions from the Mantuan period betray the influence of Giaches de Wert, who Mon-teverdi eventually succeeded as the maestro di cappella. It was around this time that Monteverdi's name became widely known, due largely to the criticism levied at him by G. M. Artusi in his famous 1600 treatise "on the imperfection of modern music." Artusi found Monteverdi's contrapuntal unorthodoxies unacceptable, and cited several excerpts from his madri-gals as examples of modern musical decadence. In the response that ap-peared in the preface to Monteverdi's fifth book of madrigals, the com-poser coined a pair of terms inextricably tied to the diversity of musical taste that came to characterize the times. He referred to the older style of composition, in which the traditional rules of counterpoint superseded ex-pressive considerations, as the prima prattica. The seconda prattica, as characterized by such works as Crudi Amarilli, sought to put music in the servitude of the text by whatever means necessary-including "incorrect" counterpoint-to vividly express the text. In 1607, Monteverdi's first opera (and the oldest to grace modern stages with any frequency) L'Orfeo, was performed in Mantua. This was followed
in 1608 by L'Arianna, which, despite its popularity at the time, no longer survives except in libretti, and in the title character's famous lament, a polyphonic arrangement of which appeared in his sixth book of madrigals (1614). Disagreements with the Gonzaga court led him to seek work else-where, and finally in 1612 he was appointed maestro di cappella at St. Mark's Cathedral in Venice. His earliest years at Venice were a rebuilding period for the cappella, and it was some time before Monteverdi was free to accept commissions out-side his duties at the cathedral. In 1616 he composed the ballet Tirsi i Clori for Ferdinand of Mantua, the more-favored brother of his deceased and disliked ex-employer. The following years saw some abandoned oper-atic ventures, the now-lost opera La finta pazza Licori, and the dramatic dialogue Combattimento di Tancredi e Clorinda. The 1630s were lean musical years for Monteverdi. Political battles and an outbreak of the plague left him without commissions from either Mantua or Venice. However, with the opening of Venetian opera houses in 1637, Monteverdi's operatic career was revived. A new production of L'Arianna was staged in 1640, and three new operas appeared within two years: Il ri-torno d'Ulisse in patria, Le nozze d'Enea con Lavinia, and L'incoronazione di Poppea. This resurgence preceded his death by just a few years: he passed away in Venice in 1643. -- J. Neal
Musica coral ca. 1614
A Dio, Florida bella, madrigal for 5 voices (from Book 6), SV 110
Madrigal
ca. 1587
A che tormi il ben mio, madrigal for 5 voices (from Book I), SV 25
Madrigal
ca. 1619
A quest'olmo, a quest'ombre, madrigal for 6 voices, 2 vio-lins and 2 recorders/flutes (from Book 7), SV 119
Madrigal
ca. 1603
A un giro sol de' bell'occhi lucenti, madrigal for 5 voices (from Book 4), SV 84
Madrigal
ca. 1640
Ab aeterno ordinata sum, motet for bass (from Selva morale e spirituale), SV 262
Baroque Motet
ca. 1620
Adoramus te, Christe, motet for 6 voices & continuo, SV 289
Baroque Motet
ca. 1603
Ah dolente partita, madrigal for 5 voices (from Book 4), SV 75
Madrigal
ca. 1619
Ah, che non si conviene romper la fede?, madrigal for 2 voices (from Book 7), SV 125
Madrigal
Ahi che si parte il mio sol adorno, for 3 voices, SV 290 Choral Music ca. 1605
Ahi, com'a un vago sol cortese giro, madrigal for 5 voices (from Book 5), SV 101
Madrigal
ca. 1619
Al lume delle stelle, madrigal for 2 sopranos, tenor & bass (from Book 7), SV 138
Madrigal
ca. 1651
Alcun non mi consigli, madrigal for 3 voices (from Book 9), SV 169
Madrigal
ca. 1651
Alle danze, alle gioie, madrigal for 3 voices (from Book 9), SV 174
Madrigal
ca. 1638
Altri canti d'amor, dramatic madrigal for 6 voices, 2 violins & 4 violas (from Book 8), SV 146
Madrigal
ca. 1638
Altri canti di Marte, madrigal for 6 voices and 2 violins (from Book 8), SV 155
Madrigal
ca. 1607
Amarili onde m'assale, madrigal for 3 voices (from Scherzi musicali á 3 voci), SV 231
Madrigal
ca. 1619
Amor che deggio far, madrigal for 2 sopranos, tenor, bass, 2 violins and chittarone/harpsichord (from Book 7), SV 144
Madrigal
ca. 1587
Amor per tua mercè vatene a quella, madrigal for 5 voices (from Book 1), SV 26
Madrigal
ca. 1587
Amor s'il tuo ferire, madrigal for 5 voices (from Book 1), SV 37
Madrigal
ca. 1605
Amor, se giusto sei, madrigal for 5 voices (from Book 5), SV 103
Madrigal
ca. 1607
Amorosa pupilletta, madrigal for 3 voices (from Scherzi musicali á 3 voci), SV 238
Madrigal
ca. 1582
Angelus ad pastores ait, motet for 3 voices (from Sacrae cantiunculae), SV 222
Baroque Motet
ca. 1603
Anima del cor mio, madrigal for 5 voices (from Book 4), SV 91
Madrigal
ca. 1603
Anima dolorosa, madrigal for 5 voices (from Book 4), SV 90
Madrigal
ca. 1603
Anima mia, perdona, madrigal for 5 voices (from Book 4), SV 80
Madrigal
ca. 1638
Ardo e scoprir, ahi lasso, io non ardisco, madrigal for 2 tenors (from Book 8, & Book 9), SV 158
Madrigal
ca. 1587
Ardo si ma non t'amo, madrigal in 3 sections for 5 voices (from Book 1), SV 39
Madrigal
ca. 1638
Ardo, avvampo, mi struggo, madrigal for 8 voices and 2 vi-olins (from Book 8), SV 152
Madrigal
ca. 1632
Armatevi, pupille, madrigal for soprano (from Scherzi musicali), SV 247/2
Madrigal
ca. 1638
Armato il cor d'adamantina fede, madrigal for 2 tenors (from Book 8, 9, & Scherzi musicale), SV 150
Madrigal
ca. 1610
Audi, coelum, verba mea, motet for 7 voices (from Vespro della Beata Vergine), SV 206/9
Baroque Motet
ca. 1619
Augellin, che la voce al canto spieghi, madrigal for 3 voices (from Book 7), SV 133
Madrigal
ca. 1582
Ave Maria, gratia plena, motet for 3 voices (from Sacrae cantiunculae), SV 213
Baroque Motet
ca. 1610
Ave maris stella, for soprano, tenor & chorus (from Vespro della Beata Vergine), SV 206/12
Baroque Motet
ca. 1587
Baci soavi e cari, madrigal for 5 voices (from Book 1), SV 27
Madrigal
ca. 1614
Batto, qui pianse Ergasto, madrigal for 5 voices (from Book 6), SV 115
Madrigal
ca. 1640
Beatus Vir (I), motet for 6 voices, 2 violins, 3 violas/trombones and continuo (from Seva morale e spirituale), SV 268
Baroque Motet
ca. 1640
Beatus Vir (II), motet for 5 voices (from Seva morale e spir-ituale), SV 269
Baroque Motet
ca. 1650
Beatus Vir, motet for 7 voices & 2 violins (from Messa a quatro voci, et Salmi), SV195
Baroque Motet
ca. Begli occhi, all'armi, madrigal for soprano (from Scherzi Madrigal
1632 musicali), SV 247/3 ca. 1651
Bel pastor dal cui bel guardo, dialogue of a nymph & a shepherd for soprano & tenor (from Book 9), SV 168
Madrigal
ca. 1590
Bevea Fillide mia, madrigal for 5 voices (from Book 2), SV 41
Madrigal
ca. 1590
La bocc'onde l'asprissime parole solean uscir, madrigal for 5 voices (from Book 2), SV 54
Madrigal
ca. 1590
Cantai un tempo, e se fu dolc'il canto, madrigal for 5 voices (from Book 2), SV 59
Madrigal
ca. 1615
Cantata Domino canticum novum, motet, version for 2 voices, SV 292
Baroque Motet
ca. 1615
Cantate Domino canticum novum, motet, version for 6 voices, SV 292
Baroque Motet
1584 Canzonettas, for 3 voices, SV 1-21 Madrigal ca. 1584
Canzonette d'amore, (from Canzonettas for 3 voices), SV 2 Madrigal
ca. 1587
Ch'io ami la mia vita, madrigal for 5 voices (from Book 1), SV 23
Madrigal
ca. 1592
Ch'io non t'ami, cor mio, madrigal for 5 voices (from Book 3), SV 70
Madrigal
ca. 1605
Ch'io t'ami e t'ami piu de la mia vita, madrigal for 5 voices (from Book 5), SV 98
Madrigal
ca. 1605
Che dar più vi poss'io, madrigal for 5 voices (from Book 5), SV 99
Madrigal
ca. 1640
Chi vol che m'innamori, motet for alto, tenor, bass & 3 strings (from Selva morale e spirituale), SV 256
Baroque Motet
ca. 1638
Chi vol haver felice e lieto il core, madrigal for 5 voices (from Book 8), SV 162
Madrigal
ca. 1584
Chi vuol veder d'inverno un dolce aprile, (from Canzonet-tas for 3 voices), SV 14
Madrigal
ca. 1584
Chi vuol veder un bosco, (from Canzonettas for 3 voices), SV 20
Madrigal
ca. 1619
Chiome d'oro, bel thesoro, madrigal for 2 sopranos, 2 vio-lins and lute/harpsichord (from Book 7), SV 143
Madrigal
ca. 1620
Christe, adoramus te, motet for 5 voices, SV 293Baroque Motet
ca. 1607
Clori amorosa, madrigal for 5 voices (from Scherzi musicale), SV 243
Madrigal
ca. 1651
Come dolce hoggi l'auretta spira, madrigal for 3 voices (from Book 9), SV 173
Madrigal
ca. 1584
Come farò, cuor mio, (from Canzonettas for 3 voices), SV 11
Madrigal
ca. 1650
Confitebor tibi, Domine I, motet for 1 voice & 2 violins (from Missa á 4 voci et Salmi), SV 193
Baroque Motet
ca. 1640
Confitebor tibi, Domine I, motet for 3 voices & 5-part cho-rus (from Salve morale e spirituale), SV 265
Baroque Motet
ca. 1650
Confitebor tibi, Domine II, motet for 2 voices & 2 violins (from Missa á 4 voci et Salmi), SV 194
Baroque Motet
ca. 1640
Confitebor tibi, Domine II, motet for 3 voices & 2 violins (from Salve morale e spirituale), SV 266
Baroque Motet
ca. 1640
Confitebor tibi, Domine III (Terzo alla francese), motet for 5 voices/or 1 voice & 4 strings (from Salve morale e spiri-
Baroque Motet
tuale), SV 267 ca. 1627
Confitebor tibi, Domine, motet for 4 voices, SV 295Baroque Motet
ca. 1603
Cor mio, mentre vi miro, madrigal for 5 voices (from Book 4), SV 76
Madrigal
ca. 1603
Cor mio, non mori?, madrigal for 5 voices (from Book 4), SV 77
Madrigal
ca. 1584
Corse a la morte il povero Narciso, (from Canzonettas for 3 voices), SV 12
Madrigal
ca. 1640
Credidi propter quod locutus sum, motet for 8 voices (from Selva morale e spirituale), SV 275
Baroque Motet
ca. 1640
Crucifixus (alternative parts for Credo section of Mass SV257), motet for 4 voices (from Selva morale), SV 259
Choral Music
ca. 1610
Crucifuxus, Et Resurrexit, Et iterum venturus est (alterna-tive parts for Credo section of Mass SV257), SV 259-261
Mass Section
ca. 1605
Cruda Amarilli, madrigal for 5 voices (from Book 5), SV 94 Madrigal
ca. 1590
Crudel, perchè mi fuggi?, madrigal for 5 voices (from Book 2), SV 55
Madrigal
ca. 1607
Damigella tutta bella, madrigal for 3 voices (from Scherzi musicali), SV 235
Madrigal
1614Darà la notte il Sol, madrigal for 5 voices (from Lagrime d'amante al sepolcro dell'amata), SV 111/3
Choral Music
1605Deh, bella e cara, madrigal for 5 voices (from Ch'io t'ami e t'ami), SV 98/2
Choral Music
ca. 1640
Deus tuorum militum sors et corona, motet for alto, tenor, bass & 2 violins (from Selva morale et spirituale), SV 280
Baroque Motet
ca. 1640
Deus tuorum militum sors et corona, motet for tenor & 2 violins (from Selva morale e spirituale), SV 278a
Baroque Motet
ca. 1651
Di far sempre gioire amor speranza dá, madrigal for alto, tenor & bass (from Book 9), SV 170
Madrigal
ca. 1619
Dice la mia bellissima Licori, madrigal for 2 voices (from Book 7), SV 124
Madrigal
1614Ditelo, o fiume e voi ch'udiste, madrigal for 5 voices (from Lagrime d'amante al sepolcro dell'amata), SV 111/2
Choral Music
ca. 1650
Dixit Dominus (I), motet for 8 voices (from Messa a quatro voci, et Salmi), SV 191
Baroque Motet
ca. 1650
Dixit Dominus (II) (alla breve), motet for 8 voices (from Messa a quatro voci, et Salmi), SV 192
Baroque Motet
ca. 1640
Dixit Dominus I, motet for 8 voices, 2 violins & 4 violas/trombones (from Selva morale et spirituale), SV 263
Baroque Motet
ca. 1640
Dixit Dominus II, motet for 8 voices, 2 violins & 4 violas/trombones (from Selva morale et spirituale), SV 264
Baroque Motet
ca. 1610
Dixit Dominus, motet for 6 voices and 6 strings (from Ves-pers), SV 206/2
Baroque Motet
ca. 1590
Dolcemente dormiva la mia Clori, madrigal for 5 voices (from Book 2), SV 52
Madrigal
ca. 1607
Dolci miei sospiri, madrigal for 3 voices (from Scherzi musicali á 3 voci), SV 242
Madrigal
ca. 1590
Dolcissimi legami di parole amorose, madrigal for 5 voices (from Book 2), SV 42
Madrigal
ca. Dolcissimo uscignolo, madrigal for 5 voices (from Book 8), Madrigal
1638 SV 161 ca. 1582
Domine Pater et Deus vitae meae, motet for 3 voices (from Sacrae cantiunculae), SV 214
Baroque Motet
ca. 1610
Domine ad adiuvandum, motet for 6 voices (from Vespers), SV 206/1
Baroque Motet
ca. 1620
Domine, ne in furore tuo arguas me, motet for 6 voices, SV 298
Baroque Motet
ca. 1614
Una Donna fra l'altre honesta e bella vidi, madrigal for 5 voices(from Book 6), SV 109
Madrigal
ca. 1590
Donna, nel mio ritorno, madrigal for 5 voices (from Book 2), SV 47
Madrigal
ca. 1587
Donna, s'io miro voi, giaccio divengo, madrigal for 5 voices (from Book 1), SV 38
Madrigal
1605Dorinda, ah dirò mio, se mia non sei, madrigal for 5 voices (from Ecco Silvio), SV 97/3
Choral Music
1614Dunque amate reliquie, madrigal for 5 voices (from Lagrime d'amante al sepolcro dell'amata), SV 111/6
Choral Music
ca. 1610
Duo Seraphim clamabant, motet for 3 tenors (from Ves-pers), SV 206/7
Baroque Motet
ca. 1605
E così a poc'a poco torno farfalla, madrigal for 5 voices (from Book 5), SV 105
Madrigal
ca. 1590
E dicea l'una sospirando, madrigal for 5 voices (Part 2 of Non si levav'ancor) (from Book 2), SV 40
Choral Music
ca. 1640
È questa vita un lampo, motet for 5 voices (from Selva morale et spirituale), SV 254
Baroque Motet
ca. 1625
Ecce sacrum paratum convivium, motet for solo voice and continuo, SV 299
Baroque Motet
ca. 1590
Ecco mormorar l'onde, madrigal for 5 voices (from Book 2), SV 51
Madrigal
1605Ecco piegando le ginocchie a terra, madrigal for 5 voices (from Ecco Silvio), SV 97/4
Choral Music
ca. 1619
Ecco vicine, o bella tigre, l'hore, madrigal for 2 voices (from Book 7), SV 127
Madrigal
ca. 1605
Ecco, Silvio, colei ch'in odio hai tanto, madrigal for 5 voices (from Book 5), SV 97
Madrigal
ca. 1619
Eccomi pronta ai baci, Ergasto mio, madrigal for 3 voices (from Book 7), SV 135
Madrigal
ca. 1625
Ego dormio et cor meum vigilat, motet for soprano and bass, SV 300
Baroque Motet
ca. 1624
Ego flos campi et lilium convallium, motet for alto, SV 301Baroque Motet
ca. 1582
Ego sum pastor bonus, motet for 3 voices (from Sacrae cantiunculae), SV 209
Baroque Motet
ca. 1651
En gratulemur hodie, motet for tenor & 2 violins, SV 302 Madrigal
ca. 1605
Era l'anima mia già presso a l'ultim' hore, madrigal for 5 voices (from Book 5), SV 96
Madrigal
ca. 1640
Et iterum venturus est (alternative parts for Credo section of Mass SV257), motet for 2 altos & bass (from Selva morale), SV 261
Baroque Motet
ca. 1640
Et resurrexit (alternative parts for Credo section of Mass SV257), motet for 2 voices & 2 violins (from Selva morale),
Baroque Motet
SV 260 ca. 1629
Exulta filia Sion, madrigal for soprano, SV 303Baroque Motet
ca. 1629
Exultent caeli et gaudeant angeli, motet for 5 voices, SV 304
Baroque Motet
1605Ferir quell petto, Silvio, madrigal for 5 voices (from Ecco Silvio), SV 97/5
Choral Music
ca. 1584
La fiera vista, (from Canzonettas for 3 voices), SV 3 Madrigal
ca. 1587
Filli cara e amata, madrigal for 5 voices (from Book 1), SV 29
Madrigal
ca. 1607
Fugge il verno dei dolori, madrigal for 3 voices (from Scherzi musicali a tre voci), SV 232
Madrigal
ca. 1620
Fugge, anima mea, mundum, motet for soprano, alto & violin, SV 305
Baroque Motet
Fuggi cor, canzonet Choral Music ca. 1587
Fumia la pastorella, madrigal for 5 voices (from Book 1), SV 31
Madrigal
ca. 1584
Già mi credev'un sol esser in cielo, (from Canzonettas for 3 voices), SV 15
Madrigal
ca. 1592
La giovinetta pianta, madrigal for 5 voices (from Book 3), SV 60
Madrigal
ca. 1607
Giovinetta ritrosetta, madrigal for 5 voices (from Scherzi musicali a tre voci), SV 241
Madrigal
ca. 1638
Gira il nemico insidioso, madrigal for alto, tenor & bass (from Book 8), SV 148
Madrigal
ca. 1584
Giù li a quel petto giace, (from Canzonettas for 3 voices), SV 17
Madrigal
ca. 1640
Gloria in excelsis Deo, motet for 7 voices, 2 violins & 4 violas/trombones (from Selva morale et spirituale), SV 258
Mass Section
ca. 1584
Godi pur del bel sen felice, (from Canzonettas for 3 voices), SV 16
Madrigal
ca. 1582
Hodie Christus natus est, motet for 3 voices (from Sacrae cantiunculae), SV 218
Baroque Motet
ca. 1638
Hor ch'el ciel e la terra e'l vento tace, madrigal for 6 voices and 2 violins (from Book 8), SV 147
Madrigal
ca. 1584
Hor, care canzonette, (from Canzonettas for 3 voices), SV 21
Madrigal
ca. 1607
I bei legami, madrigal for 3 voices (from Scherzi musicali a tre voci), SV 230
Madrigal
ca. 1640
Iam moriar, mi Fili, motet for soprano (from Selva morale e spirituale), SV 288
Baroque Motet
ca. 1582
In tua patientia, motet for 3 voices (from Sacrae cantiuncu-lae), SV 221
Baroque Motet
ca. 1619
Interrotte speranze, madrigal for 2 voices (from Book 7), SV 132
Madrigal
ca. 1590
Intorno a due vermiglie e vaghe labbra, madrigal for 5 voices (from Book 2), SV44
Madrigal
ca. 1594
Io ardo, sì ma'l fuoco di tal sorte, madrigal for 2 sopranos & bass, SV 309
Madrigal
ca. 1603
Io mi son giovinetta, madrigal for 5 voices (from Book 4), SV 86
Madrigal
ca. 1584
Io mi vivea com'aquila, (from Canzonettas for 3 voices), SV 8
Madrigal
ca. 1584
Io son fenice e voi sete la fiamma, (from Canzonettas for 3 voices), SV 19
Madrigal
ca. 1619
Io son pur vezzosetta pastorella, madrigal for 2 voices (from Book 7), SV 121
Madrigal
ca. 1640
Iste confessor Domini sacratus (I), motet for tenor & 2 violins (from Selva morale e spirituale), SV 279
Baroque Motet
ca. 1640
Iste confessor Domini sacratus (II), motet for 2 sopranos & 2 violins (from Selva morale e spirituale), SV 279
Baroque Motet
ca. 1640
Jubilet tota civitas, motet for soprano (from Selva morale e spirituale), SV 286
Baroque Motet
ca. 1582
Justi tulerunt spolia impiorum, motet for 3 voices (from Sacrae cantiunculae), SV 229
Baroque Motet
ca. 1650
Laetaniae della Beata Vergine, motet for 6 voices (from Messa a quatro voci, et Salmi), SV 204
Baroque Motet
ca. 1650
Laetatus sum (I), motet for 6 voices, bassoon, 2 trombones & 2 violins (from Messa a quatro voci, et Salmi), SV 198
Baroque Motet
ca. 1650
Laetatus sum (II), motet for 5 voices (from Messa a quatro voci, et Salmi), SV 199
Baroque Motet
ca. 1614
Lagrime d'amante al sepolcro dell'amata, madrigal in 6 sections for 5 voices and instruments (from Book 6), SV 111
Madrigal
ca. 1638
Lamento Della Ninfa, madrigal in 3 sections for 1-4 voices (from Book 8), SV 163
Madrigal
ca. 1614
Lamento d'Arianna, madrigal in 4 sections for 5 voices (from Book 6), SV 107
Madrigal
ca. 1582
Lapidabant Stephanum, motet for 3 voices (from Sacrae cantiunculae), SV 207
Baroque Motet
ca. 1650
Lauda, Jerusalem, Dominum (I), motet for alto, tenor & bass (from Messa a quatro voci, et Salmi ), SV 202
Baroque Motet
ca. 1650
Lauda, Jerusalem, Dominum (II), motet for 5 voices (from Messa a quatro voci, et Salmi), SV 203
Baroque Motet
ca. 1610
Lauda, Jerusalem, Dominum, motet for 7 voices (from Ves-pers), SV 206/10
Baroque Motet
ca. 1582
Lauda, Sion, salvatorem, motet for 3 voices (from Sacrae cantiunculae), SV 225
Baroque Motet
ca. 1640
Laudate Dominum in sanctis eius, motet for solo voice (from Selva morale e spirituale), SV 287
Baroque Motet
ca. 1650
Laudate Dominum, O omnes gentes, motet for bass (from Messa a quatro voci, et Salmi), SV 197
Baroque Motet
ca. 1640
Laudate Dominum, omnes gentes (I), motet for 5 voices, chorus, 2 violins & 4 violas/trombones (from Selva morale e spiritual), SV 272
Baroque Motet
ca. 1640
Laudate Dominum, omnes gentes (II), motet for 8 voices & 2 violins (from Selva morale e spirituale), SV 273
Baroque Motet
ca. 1640
Laudate Dominum, omnes gentes (III), motet for 8 voices (from Selva morale e spirituale), SV 274
Baroque Motet
ca. 1640
Laudate, pueri, Dominum (I), motet for 5 voices & 2 violins (from Selva morale e spirituale), SV 270
Baroque Motet
ca. 1640
Laudate, pueri, Dominum (II), motet for 5 voices (from Selva morale e spirituale), SV 271
Baroque Motet
ca. 1650
Laudate, pueri, Dominum, motet for 5 voices (from Messa a quatro voci, et Salmi), SV 196
Baroque Motet
ca. 1610
Laudate, pueri, Dominum, motet for 8 voices & organ (from Vespers), SV 206/4
Baroque Motet
ca. 1607
Lidia, spina del mio core, madrigal for 5 voices (from Scherzi musicali a tre voci), SV 244
Madrigal
ca. 1603
Longe da te, cor mio, struggomi di dolore, madrigal for 5 voices (from Book 4), SV 92
Madrigal
ca. 1603
Luci serene e chiare, voi m'incendete, madrigal for 5 voices (from Book 4), SV 81
Madrigal
ca. 1592
Lumi miei, cari lumi, madrigal for 5 voices (from Book 3), SV 73
Madrigal
ca. 1605
M'è più dolce il penar per Amarilli, madrigal for 5 voices (from Book 5), SV 100
Madrigal
1605Ma se con la pietà non è in te spenta, madrigal for 5 voices (from Ecco Silvio), SV 97/2
Choral Music
1614Ma te racoglie, o ninfa, madrigal for 5 voices (from Lagrime d'amante al sepolcro dell'amata), SV 111/4
Choral Music
1605Ma tu più che mai dura, madrigal for 5 voices (from Chi'io t'ami e t'ami), SV 98/3
Choral Music
1651 Madrigals (& canzonettas), Book 9, for 2 & 3 voices Madrigal 1587 Madrigals, Book 1, for 5 voices, SV 23-39 Madrigal 1590 Madrigals, Book 2, for 5 voices, SV 40-59 Madrigal 1592 Madrigals, Book 3, for 5 voices, SV 60-74 Madrigal 1603 Madrigals, Book 4, for 5 voices, SV 75-93 Madrigal 1605 Madrigals, Book 5, for 5 voices, SV 94-106 Madrigal 1614 Madrigals, Book 6, for 5 voices, SV 107-116 Madrigal 1619 Madrigals, Book 7, for 1,2,3,4 & 6 voices, SV 117-145 Madrigal
1638Madrigals, Book 8 (Madrigali guerrieri, et amorosi), for 1,2,3,4 & 6 voices, SV 146-167
Madrigal
ca. 1640
Magnificat (I), for 8 voices, 2 violins and 4 violas/trombones (from Selva morale e spirituale), SV 281
Magnificat
ca. 1640
Magnificat (II), for 4 voices (from Selva morale e spirituale), SV 282
Magnificat
ca. 1610
Nisi Dominus aedificaverit domum, for 10 voices (from Vespers), SV 206/8
Magnificat
ca. 1610
Magnificat II, for 6 voices and organ (from Vespers), SV 206a
Magnificat
ca. 1610
Mass de Cappella for 6 voices on Gomberti's motet "In Illo Tempore" (from Vespers), SV 205
Mass
ca. 1650
Mass for 4 voices da cappella, for 4 voices & organ (from Mass for 4 voices & Psalms), SV 190
Mass
ca. 1640
Mass for 4 voices da cappella, for 4 voices & organ (from Selva morale et spirituale), SV 257
Mass
ca. 1590
Mentre io miravo fiso de la mia donna, gl'occh' ardenti e e belli, madrigal for 5 voices (from Book 2), SV 50
Madrigal
ca. 1638
Mentre vaga Angioletta ogn'anima gentil cantando alletta, madrigal for 2 tenors (from Book 8), SV 157
Madrigal
ca. 1584
Il mio martir tengo, (from Canzonettas for 3 voices), SV 6 Madrigal
ca. Misero Alceo, madrigal for 5 voices (from Book 6), SV 114 Madrigal
1614 ca. 1640
Momento, et omnis mansuetudini eius, motet for 8 voices (from Selva morale e spirituale), SV 276
Baroque Motet
ca. 1610
Nigra sum sed formosa, antiphon for tenor (from Vespers), SV 206/3
Baroque Motet
ca. 1638
Ninfa che scalza il piede, madrigal in 3 sections for 2 & 3 voices (from Book 8), SV 160
Madrigal
ca. 1650
Nisi Dominus aedificaverit domum (I), for soprano, tenor, bass & 2 violins (from Mass for 4 voices & Psalms), SV 200
Baroque Motet
ca. 1650
Nisi Dominus aedificaverit domum (II), for 6 voices (from Mass for 4 voices & Psalms), SV 201
Baroque Motet
ca. 1610
Nisi Dominus aedificaverit domum, for 10 voices (from Vespers), SV 206/8
Choral Music
ca. 1607
Non così tosto io miro, madrigal for 3 voices (from Scherzi musicali for 3 voices), SV 234
Madrigal
ca. 1619
Non è di gentil core chi non arde, madrigal for 2 sopranos (from Book 7), SV 118
Madrigal
ca. 1590
Non giacinti o narcisi, madrigal for 5 voices (from Book 5), SV 43
Madrigal
ca. 1590
Non m'è grave il morire, madrigal for 5 voices (from Book 2), SV 57
Madrigal
ca. 1638
Non partir, ritrosetta, madrigal for 2 altos & bass (from Book 8), SV 165
Madrigal
ca. 1603
Non più guerra pietate, madrigal for 5 voices (from Book 4), SV 88
Madrigal
ca. 1590
Non si levav'ancor l'alba novella, madrigal in 2 sections for 5 voices (from Book 2), SV 40
Madrigal
ca. 1590
Non sono in queste rive fiori così vermigli, madrigal for 5 voices (from Book 2), SV 45
Madrigal
ca. 1619
Non vedrò mai le stelle, madrigal for 2 voices (from Book 7), SV 126
Madrigal
ca. 1651
Non voglio amare per non penare, for 2 tenors and bass (from Book 9), SV 172
Madrigal
ca. 1582
O Domine Jesu Christe, motet in 2 sections & for 3 voices (from Sacrae cantiunculae), SV 219
Baroque Motet
ca. 1605
O Mirtillo, Mirtill'anima mia, madrigal for 5 voices (from Book 5), SV 95
Madrigal
ca. 1592
O Primavera, gioventù de l'anno, madrigal for 5 voices (from Book 3), SV 68
Madrigal
ca. 1620
O beatae viae, O felices gressus, motet for 2 sopranos, SV 312
Baroque Motet
ca. 1622
O bone Jesu, O piissime Jesu, motet for 2 sopranos, SV 313
Baroque Motet
ca. 1582
O bone Jesu, illumina oculos meos, motet for 3 voices (from Sacrae cantiunculae tribus vocibus), SV 226
Baroque Motet
1614O chiome d'or, neve gentil del seno, madrigal for 5 voices (from Lagrime d'amante al sepolcro dell'amata), SV 111/5
Choral Music
ca. 1592
O come è gran martire, madrigal for 5 voices (from Book 3), SV 61
Baroque Motet
ca. 1619
O come sei gentile, caro augellino, madrigal for 2 sopranos (from Book 7), SV 120
Madrigal
ca. O come vaghi, o come cari, madrigal for 2 tenors, SV 315 Madrigal
1624 ca. 1582
O crux benedicta, motet for 3 voices (from Sacrae cantiunculae), SV 217
Baroque Motet
ca. 1592
O dolce anima mia, madrigal for 5 voices (from Book 3), SV 63
Madrigal
ca. 1582
O magnum pietatis opus, motet in 2 sections & for 3 voices (from Sacrae cantiunculae), SV 216
Baroque Motet
ca. 1651
O mio bene, o mia vita, madrigal for 2 tenors & bass (from Book 9), SV 178
Madrigal
ca. 1607
O rosetta, che rosetta, madrigal for 3 voices (from Scherzi musicali a tre voci), SV 237
Madrigal
ca. 1592
O rossignuol ch'in queste verdi fronde, madrigal for 5 voices (from Book 3), SV 65
Madrigal
ca. 1638
O sia tranquillo il mare, madrigal for 2 tenors (from Book 8 & 9), SV 159
Madrigal
ca. 1619
O viva fiamma, o miei sospiri ardenti, madrigal for 2 voices (from Book 7), SV 122
Madrigal
ca. 1594
Occhi miei, se mirar, più non debb'io, madrigal for 2 sopranos & bass, SV 314
Madrigal
ca. 1592
Occhi un tempo, mia vita, occhi di questo cor fido sostegno, madrigal for 5 voices (from Book 3), SV 71
Madrigal
ca. 1638
Ogni amante è guerrier, madrigal in 4 sections for 1-3 voices (from Book 8), SV 151
Madrigal
ca. 1624
Ohimè ch'io cado, ohimè ch'inciampo, madrigal, SV 316 Madrigal
ca. 1614
Ohimè il bel viso, madrigal for 5 voices (from Book 6), SV 112
Madrigal
ca. 1619
Ohimè, dov'è il mio ben?, madrigal in 4 parts for 2 sopra-nos (from Book 7), SV 140
Madrigal
ca. 1603
Ohimè, se tanto amate di sentir dir ohimè, madrigal for 5 voices (from Book 4), SV 85
Madrigal
ca. 1619
Parlo, miser'o taccio?, madrigal for 2 sopranos & bass (from Book 7), SV 136
Madrigal
ca. 1607
La pastorella mia spietata, madrigal for 3 voices (from Scherzi musicali a tre voci), SV 236
Madrigal
ca. 1582
Pater, venit hora, motet for 3 voices (from Sacrae cantiunculae), SV 220
Baroque Motet
ca. 1619
Perchè fuggi tra salci, ritrosetta?, madrigal for 2 voices (from Book 7), SV 128
Madrigal
ca. 1651
Perchè se m'odiavi, madrigal for 2 tenors & bass (from Book 9), SV 175
Madrigal
ca. 1638
Perchè t'en fuggi, o Fillide?, madrigal for alto, tenor & bass (from Book 8), SV 164
Madrigal
ca. 1634
Perchè, se m'odiavi, aria for soprano, SV 320Baroque Motet
ca. 1592
Perfidissimo volto, madrigal for 5 voices (from Book 3), SV 69
Madrigal
ca. 1603
La piaga c'ho nel core, madrigal for 5 voices (from Book 4), SV 82
Madrigal
ca. 1603
Piagn' e sospira, madrigal for 5 voices (from Book 4), SV 93
Madrigal
ca. Più lieto il guardo, aria for soprano, SV 321 Baroque
1634 Motet ca. 1587
Poi che del mio dolore, madrigal for 5 voices (from Book 1), SV 30
Madrigal
ca. 1614
Presso un fiume tranquillo, dialogue for 7 voices & instruments (from Book 6), SV 116
Madrigal
ca. 1605
Prima vedrò ch'in questi prati, madrigal for 2 sopranos & bass, SV 322
Madrigal
ca. 1610
Pulchra es, amica mea, motet for 2 sopranos (from Vespers), SV 206/5
Baroque Motet
ca. 1584
Qual si può dir maggiore, (from Canzonettas for 3 voices), SV 1
Madrigal
ca. 1582
Quam pulchra es, motet for 3 voices (from Sacrae cantiun-culae), SV 212
Baroque Motet
ca. 1651
Quando dentro al tuo seno, madrigal for 3 voices (from Book 9), SV 171
Madrigal
ca. 1607
Quando l'alba in oriente, madrigal for 3 voices (from Scherzi musicali a tre voci), SV 233
Madrigal
ca. 1584
Quando sperai del mio servir mercede, (from Canzonettas for 3 voices), SV 10
Madrigal
ca. 1594
Quante son stelle in ciel, madrigal for 2 sopranos & bass, SV 324
Madrigal
ca. 1603
Quel augellin che canta si dolcemente, madrigal for 5 voices (from Book 4), SV 87
Madrigal
ca. 1590
Quell'ombra esser vorrei, madrigal for 5 voices (from Book 2), SV 48
Madrigal
ca. 1587
Questa ordì il laccio, madrigal for 5 voices (from Book 1), SV 35
Madrigal
ca. 1605
Questi vaghi concenti, madrigal for 5 voices (from Book 5), SV 106
Madrigal
ca. 1590
Questo specchio ti dono, Rosa, madrigal for 5 voices (from Book 2), SV 56
Madrigal
ca. 1614
Qui rise, O Tirsi, madrigal for 5 voices (from Book 6), SV 113
Madrigal
ca. 1582
Qui vult venire post me, motet for 3 voices (from Sacrae cantiunculae), SV 228
Baroque Motet
ca. 1582
Quia vidisti me, Thoma, credidisti, motet for 3 voices (from Sacrae cantiunculae), SV 224
Baroque Motet
ca. 1584
Raggi, dov'è il mio bene, madrigal for 3 voices (from Canzonette a tre voci), SV 4
Madrigal
ca. 1592
Rimanti in pace a la dolente e bella Fillida, madrigal in 2 sections for 5 voices (from Book 2), SV 74
Madrigal
ca. 1590
S'andasse amor a caccia, madrigal for 5 voices (from Book 2), SV 49
Madrigal
ca. 1619
S'el vostro cor, madonna, madrigal for 2 voices (from Book 7), SV 131
Madrigal
1582Sacrae cantiunculae tribus vocibus, motets for 3 voices, SV 207-229
Baroque Motet
ca. 1624
Salve O Regina, O Mater, motet for tenor, SV 326Baroque Motet
ca. 1640
Salve Regina (I), for 2 voices & 2 violins (from Selva morale e spirituale), SV 283
Baroque Motet
ca. Salve Regina (II), for 2 voices (from Selva morale e Baroque
1640 spirituale), SV 284 Motet ca. 1640
Salve Regina (III), for 3 voices (from Selva morale e spirituale), SV 285
Baroque Motet
ca. 1582
Salve, crux pretiosa, motet for 3 voices (from Sacrae cantiunculae), SV 223
Baroque Motet
ca. 1627
Sancta Maria, succurre miseris, motet for 2 sopranos, SV 328
Baroque Motet
ca. 1640
Sanctorum meritis inclita gaudia (I), motet for soprano & 2 violins (from Selva morale e spirituale), SV 277
Baroque Motet
ca. 1640
Sanctorum meritis inclita gaudia (II), motet for tenor & 2 violins (from Selva morale e spirituale), SV 278
Baroque Motet
1632Scherzi musicali Cioè Arie, e Madrigali in stil recitativo, con una Ciaccona a 1 e 2, madrigals for 1 & 2 voices, SV 246-251
Madrigal
1607Scherzi musicali a tre voci, arias & madrigals for 3 voices, SV 230-244
Madrigal
Se d'un angel' il bel viso, canzonet Choral Music ca. 1587
Se nel partir da voi, vita mia, madrigal for 5 voices (from Book 1), SV 32
Madrigal
ca. 1594
Se non mi date aita, madrigal for 2 sopranos & bass, SV 331
Madrigal
ca. 1592
Se per estremo ardore morir potesse un core, madrigal for 5 voices (from Book 3), SV 66
Madrigal
ca. 1587
Se per havervi oimè , madrigal for 5 voices (from Book 1), SV 24
Madrigal
ca. 1619
Se pur destina e vole il cielo, for tenor & continuo (from Madrigals, Book 7), SV 142
Madrigal
ca. 1587
Se pur non mi consenti, madrigal for 5 voices from Book 1), SV 28
Madrigal
ca. 1590
Se tu mi lassi, perfida, madrigal for 5 voices (from Book 2), SV 53
Madrigal
ca. 1638
Se vittorie si belle, madrigal for 2 tenors (from Book 8 & 9), SV 149
Madrigal
1610Second Vespers for the Feast of Santa Barbara (as recon-structed by Graham Dixon)
Sacred Choral Music
1640 Selva morale e spirituale, mass & motets, SV 252-288Baroque Motet
ca. 1603
Sfogava con le stelle un infermo d'amore, madrigal for 5 voices (from Book 4), SV 78
Madrigal
ca. 1603
Si ch'io vorrei morire, madrigal for 5 voices (from Book 4), SV 89
Madrigal
ca. 1584
Si come crescon alla terra i fiori, (from Canzonettas for 3 voices), SV 18
Madrigal
ca. 1624
Si dolce è'l tormento, madrigal for solo voice, SV 332 Madrigal
ca. 1651
Si si ch'io v'amo, occhi vaghi, occhi belli, madrigal for 3 voices (from Book 9), SV 176
Madrigal
ca. 1619
Soave libertate, madrigal for 2 voices (from Book 7), SV 130
Madrigal
ca. 1584
Son questi i crespi crini?, (from Canzonettas for 3 voices), SV 7
Madrigal
ca. Sonata sopra 'Sancta Maria,' ora pro nobis, for soprano, 3 Baroque
1610horns, 2 trombones, 2 violins & cello (from Vespers), SV 206/11
Motet
ca. 1592
Sovra tenere herbette e bianchi fiori, madrigal for 5 voices (from Madrigals, Book 3), SV 62
Madrigal
ca. 1640
Spuntava il dì, motet for alto, tenor & bass (from Selva morale e spirituale), SV 255
Baroque Motet
ca. 1592
Stracciami pur il core, madrigal for 5 voices (from Book 3), SV 64
Madrigal
ca. 1584
Su su, su che'l giorno è fore, (from Canzonettas for 3 voices), SV 9
Madrigal
ca. 1638
Su, su, su, pastorelli vezzosi, madrigal for 2 sopranos & alto (from Book 8), SV 166
Madrigal
ca. 1582
Surge propera, amica mea, motet for 3 voices (from Sacrae cantiunculae), SV 210
Baroque Motet
ca. 1582
Surgens Jesus, Dominus noster, motet for 3 voices (from Sacrae cantiunculae), SV 227
Baroque Motet
ca. 1605
T'amo mia vita!, madrigal for 5 voices (from Book 5), SV 104
Madrigal
ca. 1624
Taci, Armelin, deh taci, madrigal for alto, tenor & bass, SV 334
Madrigal
ca. 1590
Ti spontò l'ali amor, la donna mia, madrigal for 5 voices (from Book 2), SV 58
Madrigal
ca. 1619
Tornate, o cari bac, madrigal for 2 voices (from Book 7), SV 129
Madrigal
ca. 1587
Tra mille fiamme e tra mille cathene, madrigal for 5 voices (from Book 1), SV 33
Madrigal
ca. 1605
Troppo ben può questo tiranno amore, madrigal for 5 voices (from Book 5), SV 102
Madrigal
ca. 1619
Tu dormi? Ah crudo core, for soprano, alto, tenor & bass (from Book VII), SV 137
Madrigal
ca. 1582
Tu es pastor ovium, motet in 2 sections & for 3 voices (from Sacrae cantiunculae), SV 215
Baroque Motet
ca. 1584
Tu ridi sempre mai, (from Canzonettas for 3 voices), SV 13 Madrigal
ca. 1590
Tutte le bocche belle in questo nero volto, madrigal for 5 voices (from Book 2), SV 46
Madrigal
ca. 1582
Ubi duo vel tres congregati fuerint, motet for 3 voices (from Sacrae cantiunculae), SV 211
Baroque Motet
ca. 1587
Usciam, ninfe, homai fuor di questi boschi, madrigal for 5 voices (from Book 1), SV 34
Madrigal
ca. 1640
Ut queant laxis resonare fibris, motet for 2 sopranos & 2 violins (from Selva morale e spirituale), SV 279a
Baroque Motet
ca. 1587
La vaga pastorella sen va tra fiori, madrigal for 5 voices (from Book 1), SV 36
Madrigal
ca. 1619
Vaga su spina ascosa, madrigal for 2 tenors & bass, (from Book 7), SV 134
Madrigal
ca. 1607
Vaghi rai di cigli ardenti, madrigal for 3 voices (from Scherzi musicali a tre voci), SV 239
Madrigal
ca. 1638
Vago augelletto, che cantando vai, for 7 voices, 2 violins & bass (from Book 8), SV 156
Madrigal
ca. 1592
Vattene pur, crudel, con quella pace, madrigal in 3 sec-tions for 5 voices (from Book 3), SV 67
Madrigal
ca. 1582
Veni in hortum meum, motet for 3 voices (from Sacrae cantiunculae), SV 208
Baroque Motet
ca. 1624
Venite siccientes ad aquas Domini, motet for 2 sopranos, SV 335
Baroque Motet
ca. 1645
Venite, videte martyrem quam sit carus, motet for soprano, SV 336
Baroque Motet
1610Vespro della beata vergine, for chorus & instruments, SV 206
Choral Music
ca. 1607
La violetta, madrigal for 3 voices (from Scherzi musicali a tre voci), SV 240
Madrigal
ca. 1584
Vita de l'alma mia, (from Canzonettas for 3 voices), SV 5 Madrigal
ca. 1592
Vivrò fra i miei tormenti e le mie cure, madrigal in 3 sec-tions for 5 voices (from Book 3), SV 72
Madrigal
ca. 1640
Voi ch'ascoltate in rime sparse, motet for 5 voices & 2 vio-lins (from Selva morale e spirituale), SV 253
Baroque Motet
ca. 1603
Voi pur da me partite, anima dura, madrigal for 5 voices (from Book 4), SV 83
Madrigal
ca. 1603
Volgea l'anima mia soavemente, madrigal for 5 voices (from Book 4), SV 79
Madrigal
ca. 1619
Vorrei baciarti, o Fill, madrigal for 2 voices (from Book 7), SV 123
Madrigal
ca. 1632
Zefiro Torna, madrigal for 2 tenors (from Book 9 & Scherzi musicali), SV 251
Madrigal
ca. 1614
Zefiro torna e'l bel tempo rimena, madrigal for 5 voices (from Book 6), SV 108
Madrigal
Vocal ca. 1619
Con che soavità, labbra odorate, madrigal for so-prano and instruments (from Book 7), SV 139
Madrigal for Solo Voice and Contiuo
ca. 1625
Currite populi, psallite timpanis, motet for tenor, SV 297
Madrigal for Solo Voice and Contiuo
ca. 1632
Ecco di dolci raggi, madrigal for tenor (from Scherzi musicali), SV 249/1
Madrigal for Solo Voice and Contiuo
ca. 1632
Eri già tutta mia, madrigal for soprano (from Scherzi musicali), SV 248
Madrigal for Solo Voice and Contiuo
ca. 1632
Et è pur dunque vero, madrigal for soprano (from Scherzi musicali), SV 250
Madrigal for Solo Voice and Contiuo
Exulta filia Sion, motet for 3 voices & continuo Vocal Music ca. 1632
Io che armato sin hor, madrigal for tenor (from Scherzi musicali), SV 249/2
Madrigal for Solo Voice and Contiuo
ca. 1620
Lamento d'Olimpia, madrigal in 3 sections for soprano, SV A2
Madrigal for Solo Voice and Contiuo
ca. 1632
Maledetto sia l'aspetto, madrigal for soprano (from Scherzi musicali), SV 246
Madrigal for Solo Voice and Contiuo
ca. 1624
La mia turca che d'amor, madrigal for solo voice, SV 310
Madrigal for Solo Voice and Contiuo
ca. 1640
O ciechi il tanto affaticar che giova, motet for 5 voices & 2 violins (from Selva morale e spirituale), SV 252
Miscellaneous Vocal Music
ca. O quam pulchra es, amica mea, motet for solo Madrigal for Solo
1625 tenor, SV 317 Voice and Contiuo
1615Parnassus Musicus Ferdinandeus di G.B. Bonometti (1615)
Vocal Music
ca. 1632
Quel sguardo sdegnosetto, madrigal for soprano (from Scherzi musicali), SV 247/1
Madrigal for Solo Voice and Contiuo
ca. 1625
Salve Regina, motet for tenor, SV 327Madrigal for Solo Voice and Contiuo
ca. 1619
Se i languidi miei sguardi (Lettera amorosa), madrigal for soprano (from Book 7), SV 141
Madrigal for Solo Voice and Contiuo
ca. 1617
Su le penne de' venti, (Prologue to "La Maddalena" by Gio. Battista Andreini), for tenor & 5 instruments, SV 333
Solo Voice(s) and Small Ensemble
1620Symbolae Diversorum Musicorum di L. Calvo (1620)
Vocal Music
ca. 1619
Tempro la cetra, madrigal for tenor & strings (from Book 7), SV 117
Madrigal for Solo Voice and Contiuo
Voglio di vita uscir, madrigal for soprano (in manuscript)
Madrigal for Solo Voice and Contiuo
Operaca. 1638
Combattimento di Tancredi e Clorinda, dramatic cantata (from Book 8), SV 153
Italian Baroque Opera
1607 La favola d'Orfeo, opera, SV 318Italian Baroque Opera
1642 L' Incoronazione di Poppea, opera in 3 acts, SV 308Italian Baroque Opera
1640 Il ritorno d'Ulisse in patria, opera in 3 acts, SV 325Italian Baroque Opera
Ballet
1638Ballo delle ingrate, semi-dramatic ballet (from Book 8), SV 167
Baroque Ballet
ca. 1638Movete al mio bel suon le piante snelle, semi-dramatic ballet (from Book 8), SV 154
Baroque Ballet
ca. 1619 Tirsi e Clori, ballet (from Book 7), SV 145 Baroque Ballet