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Chapter 2- Shadow archives of torture In his essay, 'Breakdown in the Gray Room: Recent Turns in the Images of War,' David Levi Strauss perceives the  photographs of torture at Abu Ghraib as u nprecedented and exceptional: 'When I first saw t he Abu Ghraib images, I didn't quite know what I was looking at. I didn't recognize them, because I'd never seen anything quite like them." My response was distinctly different as I was struck by their profound historical resonance. On seeing the Abu Ghraib images, I experi- enced a visual double haunting as the images evoked a vast, den se, historically stratified archive of images of co lonial violence and torture that rendered the Abu Ghraib photographs only too reco gnizable. This visual archive encompassed everything from lynching photography, Orientalist views of the harem, f ascist and white supremacist iconography, colonial and imperial photography, pornography and certain harro wing images from the final film of the Italian director. Pier Paolo Pasolini: Said o le 120 Giomate di Sodoina (Said or the 120 Days of Sodom). 2  Instead of experiencing a failure 'to recognize' what I was looking at, I experienced a type of frenetic visual montage in which I was struck by a constellation of recognizable archival spectres effectively superimposed one over the other. In other words, contra Levi Strauss's scripting of the Abu Ghraib torture photographs as artefacts of'exceptionalism' in relation to the history of US  politico-cultural production, i n the course of this chapter I proceed to demonstrate that these torture photographs were enabled by an historical series of discursive practices that is constitutive of hegemonic US culture. Iterative practices of US exceptionalism The notion that the practices of torture that were captured in the Abu Ghraib photographs were somehow 'exceptional' was given an official imprimatur with the findings of the Schlesinger Report. On 24 August 2004, in the wake of the international outcry over the documented abuse and torture of Iraqi prisoners at Abu Ghraib, the 'Final Report of the Independent Panel to Review DoD [Department of Defense] Detention Operations' (The Schlesinger Report) submitted their findings to Donald Rumsfeld, US Secretary of Defense. The Executive Summary of the Schlesinger Report begins thus: The events of October through December 2003 on the night shift of Tier 1 at Abu Ghraib prison were acts of  brutality and purposeless sadism. We know that these abuses occurred at the hands of both military police and military intelligence personnel. The pictured abuses, unacceptable even in wartime, were not part of authorized interrogations nor were they even directed at intelligence targets. They represent deviant behavior and a failure of military leadership and discipline . . . No approved procedures called for or allowed the kinds of abuse that in fact occurred. There is no evidence of a policy of abuse promulgated by senior officials or military authorities.' In many respects, the Schlesinger Report is an interesting document. In textual terms, the Report is marked by a series of rhetorical strategies designed to shift responsibility for the torture of Iraqi prisoners at Abu Ghraib from the highest governmental level of authority to the circumscribed parameters of a few 'deviant' individuals. The repeated use of the chronotope of'night shift' functions to establish a time and place symbolically marked as underworldish: night shift is positioned as a time of licence within which the enlightened laws and civilized rules of day are suspended. Under cover of night, unreason, lawlessness and violence are unloosed. In the context of a nation governed by white supremacist ideologies, the racial charge of night, as exemplary colonial trope of blackness, sets the scene for the inevitable descent of US military personnel into the heart of darkness. Abu Ghraib, as Orientalized space of absolute licence from Western norms, is where law and reason will be suspended under the command of a few Kurtz-like figures. These are the white mythologies that the West never tires of telling itself: of the temporary descent into the darkness (of 'night shift') that is always ready to be redeemed by the white light of official  procedure, investigations and reports. In this manner, the investigation and punishment of every individualized act of transgression functions to validate the operation of law. In this white inythos of the descent into the heart of darkness, the key players are seen to be a few aberrant US military personnel who abused some 'sand niggers,' the racist epithet used by US military personnel to describe the Iraqi prisoners. The use of this racist epithet, as Andrew Bacevich has documented, 'penetrated into the upper echelons of the American command.' Bacevich cites this comment from a senior officer: 'The only thing these sand

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deployed to theatricalize and maximize the spectacle of the torture of Henry Smith, who was repeatedly poked with hot

irons that seared his flesh to the bone before finally being soaked in oil and set alight. 'Almost immediately afterward the

scouring of the area for buttons, teeth, and other mementos began, and continued through the night.""1

I draw attention to this theatricalized history of lynching and torture in order to underscore the performative manner in

which torture has been aesthetically codified in the US. The materiality of this white supremacist shadow archive of theat-

ricalized and aestheticized racialized torture belies claims that what happened at Abu Ghraib was somehow merely an

aberrant instance of violence that was due to the 'predilections' of a few 'deviant' individuals. On the contrary, the materialexistence of this white supremacist shadow archive points to the very historical, discursive and performative politico-

cultural conditions of possibility that enabled and informed the exercise of torture at Abu Ghraib. The now iconic image of 

the hooded Iraqi prisoner with his arms splayed in a crucifix-like position evokes the K .U Klux KJan's Christian-inflected

iconographic repertoire of aestheticized techniques and conventions of white supremacist torture.

Penal archives: internal gulags and the US export of violence

The shadow archive of white supremacist history that I have been tracking needs to be located within foundational

moments of US colonial violence that I discussed in my Introduction. The US military's scripting of the sexual violence

and torture that was perpetrated at Abu Ghraib in terms of the aberrations of a few deviant individuals becomes untenable

when situated within this larger colonial framework of state-sponsored terrorism and legislated violence. Andrea Smith,

Cherokee historian and cultural theorist, underscores the significance of this colonial history:

white supremacy, colonialism, and economic exploitation are inextricably linked to US democratic ideals rather than

aberrations from it. The 'freedom' guaranteed to some individuals in society has always been premised upon the radical

unfreedom of others. Very specifically, the US could not exist without the genocide of indigenous peoples. Otherwise

visitors coming to this continent would be living under indigenous forms of governance rather than under US empire.''7

Situated in this context, the acts of sexual violence and torture that were committed at Abu Ghraib reproduce, within the

extended locus of empire, foundational moments of colonial rule. As Antonia Castaiieda documents in her 'Sexual

Violence in the Politics and Policies of Conquest' in the context of the establishment of the state of California:

the sexual and other violence toward Amerindian women in California can best be understood as ideologically justified

violence institutionalized in structures and relations of conquest initiated in the fifteenth century. In California as

elsewhere, sexual violence functioned as an institutionalized mechanism for ensuring subordination and compliance. It

was one instrument of sociopolitical terrorism and control - first of women and then of the group under conquest.'

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At Abu Ghraib, the military rape of Arab women instantiates the contemporary reproduction of this colonial violence as a

form of sociopolitical terrorism and control, even as the reach of this sexual violence is expanded to encompass the

 phallocentrically transgendered bodies of conquered Arab men. Operative in this geopolitics of conquest, violence and

continuing state terrorism is a double movement that situates the borders of whiteness as both internal and external to the

US nation-state. Securing white hegemony at home is predicated on extending imperial white supremacist relations of 

 power abroad. This unsettling of seemingly distinct categories - inside/outside - ramifies precisely along the ongoing

securing of national sovereignty and borders within explicitly colonial relations of power predicated on the ongoing

usurpation of Native American sovereignty and lands. Moreover, if the US-led war on terror illustrates anything, it is that

the integrity of national sovereignty is only selectively respected and that national borders become flexible and moveable

according to the politico-economic-military power that the aggressor nation can exercise. I am referring here to the US

administration's imperial doctrine that the borders of the US begin wherever its national interest is at stake (see Chapter 6).

Mumia Abu-Jamal, African American death row prisoner and radio commentator, has drawn attention to other officiallyeffaced histories that are also constitutive of contemporary US white supremacist violence. Since the public release of the

Abu Ghraib torture photographs, Abu-Jamal has broadcast a number of searing analyses that insistently situate the Abu

Ghraib torture of Iraqi prisoners within the context of US penal policies and practices. In his radio essay, 'In the Shadow of 

Abu Ghraib Prison,' Abu-Jamal incisively identifies the US penal archive that informed the acts of torture at the Iraqi

 prison: 'Many of the Americans working in the prisons of Iraq, especially in the reserves, are cops or prison guards in their 

civilian lives. Indeed, one of the men identified as a suspect in the brutal mistreatment of people in Abu Ghraib, indeed a

corporal in the Army, works here, at SCI-Greene [Green County state correctional institution, south-western

Pennsylvania]! The horrific treatment of Iraqis at Abu Ghraib has its dark precedents in the prisons and police stations

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across America."1'1

In his sardonically titled 'True American Values,' Abu-Jamal proceeds to track the genealogy of US

 penal violence that was operative in the exercise of torture at Abu Ghraib:

The government. . . selected a man named Lane McCotter, a private prison company executive, to run the now notorious

Abu Ghraib gulag on the outskirts of Baghdad. The US chose a man who worked for a company that was under 

investigation by the US Justice Department following the brutality charges against Management and Training Corporation

[M & T]. Before his career at M & T took off, McCotter headed the Utah state prison system, until a scandal forced him to

resign from his post in 1997. A naked prisoner was shackled to a chair in one of his prisons for 16 hours, until he died . . .When McCotter joined M & T, it was the nation's third largest prison company, with 13 prisons online, and an unenviable

record of brutality. Whatever can be said of McCotter, it can't be said that he wasn't qualified for the violence and

depredations that would emerge at Abu Ghraib. Who better to run this colonial outpost of brutality, than one who ran

internal gulags, both for the state and for the Dollar? In January 2004, McCotter, in an interview, announced that Abu

Ghraib 'is the only place we agreed as a team was truly closest to an American prison.' And so it was, with violence,

 brutality, beatings, torture, and state-sponsored sadism. It is, pre-eminently, America's cultural gift to the people of Iraq. It

demonstrates US domination, US repression, US violence, and US contempt.™ 

In his series of radio essays, Abu-Jamal proceeds systematically to unfold the imperial lines of penal connection between

Abu Ghraib and America's own internal gulags by drawing attention to the criticality of the military-industrial-prison

complex; that carceral conglomerate that, as discussed in my Introduction, mixes penal punishment and violence with the

drive for corporate profits through the increasing privatization of prisons and the consequent reconfiguration of prisons as

sources of cheap, non-unionized labor for multinational corporations. Situated in this context, Angela Davis notes that the

tortures perpetrated at Abu Ghraib 'cannot be dismissed as anomalies. They emanate from techniques of punishmentdeeply embedded in the history of the institution of the prison.'

71Abu-Jamal situates the military-prison-industrial

complex, and its attendant institutional regimes of violence, within global economies of US imperial export of penality and

colonization. In his essay 'When the Prison Nation Goes International: Attica to Abu-Ghraib,' he tracks the manner in

which the US prison template, Attica, established the conditions of possibility for the export of US penal violence to Iraq:

Big Black, the late veteran of Attica, told stories of the torture and beatings that he endured, as he was naked, and held

under gunpoint. It is an eerie precursor of the treatment of Arab prisoners at Abu Ghraib. Nor is it mere coincidence that

some of the most brutal, most vicious actors at Abu Ghraib were US Reserves, who, in their civilian lives, were prison

guards. How else could they learn it? One of the most infamous was from SCI-Greene, in Southwestern Pennsylvania,

named Charles Graner . . . Welcome to US 'corrections' as the Prison Nation goes Global.'"

The crucial relations that hold between the tortures perpetrated at Abu Ghraib and the US prison system and its

institutionalized regimes of racialized punishment are brought into sharp focus by the regime of police torture practised in

Chicago's Area 2. Between 1971 and 1992, a section of Chicago's jails known as Area 2

was the epicentre for what has been described as the systematic torture of dozens of African American males by Chicago

 police officers. In total, more than 135 people say they were subjugated to abuse including having guns forced into their 

mouths, bags placed over their heads, and electric shocks inflicted to their genitals. Four men have been released from

death row after government investigators concluded torture led to their wrongful convictions.73

John Conroy, the Chicago

 journalist who exposed this institutionalized system of domestic police torture, has documented in detail the regime of 

racialized torture the victims were compelled to endure. On so many levels, it graphically reproduces the violent practices

that were unleashed at Abu Ghraib, including hooding, hanging by handcuffs, electroshock, and so on: 'Darrell Gannon . . .

claimed that the policemen had addressed him as "nigger" when they put a shotgun into his mouth; that he had been

handcuffed behind his back and then lifted by his handcuffs in an attempt to cause excruciating pain in his arms; that they

 pulled his pants down to his ankles and shocked his testicles with a cattle prod; and that they had also put the cattle prod in

his mouth.'74

The use of a cattle prod on Darrell Cannon is facilitated by his branding with the racio-speciesist descriptor 

'nigger,' a racist term inscribed with a violent history of positioning blacks as non-human animals.

The lines of continuity that interlink the practices of torture that were enacted in two radically different sites - Abu Ghraib

and a Chicago police station  —  contest the notion that what transpired at Abu Ghraib was somehow exceptional; the result

of a few aberrant individuals. On the contrary, they demonstrate the existence of a matrix of racialized state violence that

is firmly embedded in the operations of everyday domestic practices in the service of maintaining 'law and order.' To

frame the 'spectacle' of torture that unfolded at either Abu Ghraib or Area 2 as somehow anomalous or exceptional,

 because excessive and extravagant, is to lose sight of the quotidian status of this violence in the lives of its racialized

targets. As Steve Martinot andjared Sexton note, 'The spectacular event camouflages the operation of police law as

contempt, as terror, its occupation of neighbourhoods.'^1

The camouflage offered by the spectacular occludes the reality of 

the everydayness of state violence: 'If the hegemony of white supremacy is already (and only) excessive, its acts of 

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