case 2:15-cv-09938-rgk-e document 72-16 filed 11/16/16...
TRANSCRIPT
GARTH
I showed him a rough outline of myplan, and I said ‘what do youthink?’
SONYA
Sam sat there…
GARTH
He looked at it, and he looked atit…
GARTH (CONT’D)
Then he locked at me. And he said:
TRAVIS(Emphatically)
One-hundred percent insanity; ablood bath waiting to happen.
TRAVIS (CONT’D)
That was Axanar.
TACTICAL MAP OF AXANAR
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JOHN GILL (V.O.)
Axanar: its capture would put theKlingons within striking distanceof Andoria, Tellar Prime, Vulcan,and Terra. It is the heart ofFederation space.
EXT. STARFLEET CONSTRUCTION YARDS
JOHN GILL (V.O.)
Further, Kharn’s spies discoverthat Starfleet’s next generationheavy cruiser is being built inorbit over Axanar. This is hischance to destroy Starfleet’s onlymatch for the D7. Garth of Izarknows Axanar is a target that Kharncannot refuse.
INT. STARBASE 1
RAMIREZ
When Garth first presented his plantobattle the Klingons atAxanar...my first thought was(PAUSE) how far he’d come.
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RAMIREZ (CONT’D)
I mean, he was always anextraordinary explorer before thewar, but I knew, in his heart,
RAMIREZ (CONT’D)
...he was first a soldier.
GARTH
We didn’t sign up to be warriors.That’s not what Starfleet’s about.
GARTH (CONT’D)
We proved that we could do what weneed to do to defend theFederation.
GARTH (CONT’D)
I’m proud of everyone who I servedwith...
GARTH (CONT’D)(Regretfully)
Especially those that didn’t makeit back.
RAMIREZ
So I signed-off on the plan. Theend conflict with one, finalbattle. To end it (PAUSE) atAxanar.
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I/E. KRONOS AND IMPERIAL FLEET YARDS
KHARN
The D7 was the ultimate expressionof the Klingon warship, technologicallysuperior to anything in the quadrant.We would launch her and devastate theFederation fleet.
EXT. 3 KLINGON D-7’S
JOHN GILL (V.O.)
Stardate 2245.1. The D-7 enters thewar.
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CO-PRODUCERSJHENNIFER WEBBERLEY
CARTER SMITHNEAL FISCHER
VFX SUPERVISORTOBIAS RICHTER
DIRECTOR OF PHOTOGRAPHYMILTON SANTIAGO
EXECUTIVE PRODUCERALEC PETERS
WRITERSALEC PETERS
CHRISTIAN GOSSETT
DIRECTORCHRISTIAN GOSSETT
Special thanks to everyone who donated their time and talent, without whom this production would not have been possible. - Alec and Christian
COMMANDER KHARNRICHARD HATCH
ADMIRAL RAMIREZTONY TODD
CAPTAIN ALEXANDERKATE VERNON
ADMIRAL TRAVISJ.G. HERTZLER
AMBASSADOR SOVALGARY GRAHAM
CAPTAIN GARTHALEC PETERS
STAND-IN FOR ADMIRAL RAMIREZISAAC SINGLETON
KLINGON WARRIORSDARNELL DAVIS
ERIC HUSKRYAN T. HUSK
TERRY McINTOSH
LINE PRODUCERFRANK J. ZANCA
ASSOCIATE PRODUCERSRYAN T. HUSK
TERRY McINTOSH
UNIT PRODUCTION MANAGERSCOTT TRIMBLE
PRODUCTION COORDINATORRYAN T. HUSK
ASSISTANT PRODUCTIONCOORDINATOR
EMMA LEE
FIRST ASSISTANT DIRECTORT.K.SHOM
SECOND ASSISTANT DIRECTORLUCAS CANTOR
SCRIPT SUPERVISORBARBARA ABELAR
SET PRODUCTION ASSISTANTSSHAWNA KELLEYSARAH SOLANO
MATT MEIERCHRISTIAN MORTERAJONATHAN CROSKREY
ASSISTANT TO THE DIRECTORESTEBAN MELENDEZ
ASSISTANT TO THE PRODUCERDIANA KINGSBURY
PRODUCTION SOUND MIXERRAMSEY MELLETTE
BOOM OPERATORJESSE AKINS
CAMERA OPERATORTRISTAN BARNARDRICKY LEWIS, JR.
FIRST ASSISTANT CAMERAMENDARIN MILLERTOMMY IZUMI
JARED JORDAN
SECOND ASSISTANT CAMERAMENCHRIS OEURN
CHRIS FRIEBUS
GAFFERSHAWN ANDERSON
BEST BOY ELECTRICIANJOHN ELKIN
DIGITAL IMAGINGTECHNICIAN/COLORIST
BING BAILEY
ELECTRICIANSALEXANDER JELLVIGLENN McDOUGALD
MIKE WESTBY
KEY GRIPGINHY NAUMANN
DOLLY GRIPCARLOS CEJA
GRIPSJOSHUA CARRASCO
ALONZO PARKER
LOCATION MANAGERTOMMY WOODARD
KEY ASSISTANT LOCATION MANAGERSHASTA KINNEY
SPECIAL THANKSNICK COOPER
DAVID GERROLDSVEN KAMM
BRANDON HILEJACK MORRISSEY
JOHN SIMSMARK SMITH
DAMARIS DEGEN
CATERERJON laFLEUR
CATERING ASSISTANTSFRANK AREND
JEANNE LIBERTY
MAKEUP DESIGNED AND SUPERVISED BY
KEVIN HANEYBRAD LOOK
HAIR AND WIGS DESIGNEDAND SUPERVISED BY
GARY J PERTICONE
MAKEUP ARTISTLISA HANSELL
MAKEUP & EFFECTSLABORATORIES INC
PROSTHETICS PROVIDED BY MEL INCALLAN APONEPAUL ELLIOTT
THIRATI KULYINGWATTANAVITCHRISTOPHER BERGSCHNEIDER
BRITTANY DIETRICHKATIE THOMPSON
CHRIS GANTNICHOLAS FERNANDEZ
MOLLY PORTER
VISUAL EFFECTSON SET SUPERVISORS
TRENT SMITHADAM HOWARD
PRODUCTION DESIGNERSCOTT COBB
ART DIRECTORNATHAN LAY
SET DRESSERBRANDY RHEA
ART DEPARTMENT ASSISTANTALEXANDRA MAZIEKIEN
SET COSTUMERSKURT COX
CLAIRE MAX
COSTUME FABRICATIONUSA SEWING FACTORY
COSTUME CONSULTANTJAMES CAWLEY
ARCHER ARENA EXTRAS/SET PRODUCTION ASSISTANTS
MICHAEL AGUILARNAHJ BOGAN
ANGEL GUZMANMICHELLE SANCHEZ
SPENCER SMITH
EDITORROBERT MEYER BURNETT
COMPOSERALEXANDER BORNSTEIN
SENIOR SOUND DESIGNER/EDITORFRANK SERAFINE
SOUND DESIGNER/ RE-RECORDING MIXER
MARK EDWARD LEWIS
SOUND DESIGNERJESSE AKINS
VISUAL EFFECTS: THE LIGHT WORKSDIGITAL ARTISTS
STEFAN BELLERSHEIMJENNIFER MARXENRICO WEINERT
VISUAL EFFECTS: SCOPE VFXDIGITAL ARTISTS
THOMAS LOEDEROLIVER NIKELOWSKIARNOLD SAKOWSKI
ADDITIONAL DIGITAL ARTISTSKOJI KURAMURACHRIS MARTIN
GREG STITZDAN UYENO
ALI RIES
VISUAL EFFECTS COMPOSITORTOMMY KRAFT
CONCEPT ARTISTSTHOMAS MARRONE
SEAN P. TOURANGEAU
GRAPHIC ARTISTCHRISTOPHER BUNYE
GRAPHICSNEW WAVE MEDIA
MAPS DIGITAL ARTISTTHOR BENITEZ
DIRECTOR OF MARKETINGTERRY McINTOSH
PUBLIC RELATIONS DIRECTORKAYLA IACOVINO
BEHIND THE SCENES ARCHIVISTSBILL WATTERS
MARY ANNE BUTLERSEAN PATRICK KENNEDY
MARKETING CONSULTANTKYLE WHISNER
MARKETING ASSOCIATECURTIS WEBSTER
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QUIET ON SETSELECT SHOOTING SCRIPT PAGES
INCLUDING DIRECTOR’S NOTES
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THE STEED OF HEROESMEET THE U.S.S. ARES
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IT TAKES A VILLAGECANDID MOMENTS FROM THE SET
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WORDS GIVEN FORMTHE CONCEPT ART OF PRELUDE
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“I DO NOT FEAR THE KLINGON EMPIRE!”
Admiral Marcus RamirezFirst Address to the Federation CouncilStardate 2243.2
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