calling all teachers, artists, and those who are ...open=change.pdf · in this way, we aim to...

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The use of and diet, habits and supplements to help prevent medical problems. Part III: Diet Choices, Healthy Habits and Supplements Every one desires to live long, but no one would be old. - Jonathan Swift (1667-1745), Thoughts on Various Subjects, Moral and Diverting 1 To lengthen thy life, lessen thy meals. - Benjamin Franklin, Poor Richard's Almanack, June 1733 2 Calories are a primary cause of aging, and the limiting factor in lifespan. Key insight: cutting calories slows the aging process and prolongs life. Aging is due to a combination of years of age and total calories eaten in your lifetime 3 ; The road to aging is paved with calories. The simplest way to reduce calories is to reduce portion size: use a small plate! By my calculations, every calorie above the absolute minimum ages your body and your mind and hastens death by about 31 seconds (+/- 10). This means that you age one day (and lose one day of life span) for every 2800 calories you eat - above a starvation diet with good nutrition (adequate protein, fats, vitamins and minerals). Carrying an extra pound of weight for one year costs 2 days of life span. In dollar terms, a candy bar might cost $20 in potential lost wages. (See “Effect of CR.XLS” for calculation details). A 40-year-old man can live 8 years longer by eating 25% less; a 15-year-old can live 16 years longer by eating 25% less. Slowing aging means MORE YOUTH, not more old age. Turn this around: it is VERY expensive – in terms of money, aging, disability and early death – to keep your weight up! Can you afford to stay plump? Last updated 2007-01-17 NOTE: This document is very long. I have not revised it thoroughly. Much in the last half of the document is outdated. I think that no supplement, food, or habit - by itself or in combination with others - will be as effective as moderate caloric restriction (CR, to a BMI of about 18.5). Table: Personal goals, many not yet achieved These parameters are directly affected by lifestyle choices (diet, CR, exercise, supplements, etc.), and have substantial effects on lifespan, quality of life, and risk of serious disease. Parameter Goal Current Date BMI (Weight) 4 17 (115 lbs) 20 (138 lbs) 2006-07-15 Blood pressure 5 < 115/75 114/66 2006-05-11 LDL cholesterol 6 < 80 83 2006-05-05 HDL cholesterol 7 > 50 70 2006-05-05 HbA1c 8 < 5.0 5.5 2001-10-01 Fasting glucose 9 < 90 or < 81 88 2006-05-05 Fasting triglyceride 9 < 150 58 2006-05-05

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Page 1: Calling All Teachers, Artists, and Those Who are ...Open=Change.pdf · In this way, we aim to stimulate conversation and co-create around issues of social justice and equitable access

During this year, ISKME offered a series of

workshops to Pre-Service and In-Service

Teachers and Teaching Artists in the

San Francisco-Bay Area and Los Angeles

Area. With continued support from

our foundation partners, including the

William and Flora Hewlett Foundation,

Ford Foundation, and others, ISKME trained over 500 teachers from over 20 countries. This work facilitates teachers’

use of open education and collaborative

learning in their quest for new and

innovative learning content that can be

adapted to fit the needs of their students,

and also engages them in a process that

enables them to support each other in their

teaching practice.

EVENT TEAM

Amee Evans Godwin Director, Strategic Initiatives, ISKME

Megan Simmons Education Program Manager, ISKME

Amy Critchett Event Producer

Cathy Goerz Social Media

Dan Doerner Technician, Photographer

and Visual Projectionist

Garrett Low GLow Media Productions

Videographer

Daya Ceglia Graphic Designer

OER ARTS FELLOWSKaty Hickman

Sumoha Jani

Leslie Keir

Emily Morrison

Leah Padow

Sam Robinson

Judy Shintani

Mary Beth Trautwein

Today’s event, Arts + Open = Change, is part of ISKME’s “Field Building in the Arts and Social Justice: Engaging Teachers, Learners, and Practitioners in the Collaborative Development and Use of Open Educational Resources”, a project to stimulate and explore OER during 2009-2010 and supported by the Ford Foundation’s Knowledge, Creativity, and Freedom Program.

WE WISH TO THANK:

The Ford Foundation

The William and Flora Hewlett Foundation

UCSF Mission Bay Conference Center and Staff

AC Eclectic Creative Services Worldwide

LINKS:

www.iskme.org

www.oercommons.org

oerarts.ning.com

www.bigideasfest.org

About ISKME

The Institute for the Study of

Knowledge Management in Education

(www.iskme.org) is an independent,

nonprofit research institute that

conducts social science research,

develops research-based innovations,

and facilitates field building to improve

knowledge sharing in education.

ISKME is an innovator working at

the forefront of understanding how

developments in open source, social

networking, resource use, and social

media can impact—and already have

impacted—educational practice and

policy. ISKME was named an Education

Laureate for technology benefiting

humanity by San Jose Tech Museum

for its development of OER Commons

(www.oercommons.org), an open

teaching and learning network launched

by ISKME in March 2007 to stimulate

an education ecosystem that thrives

on interaction and knowledge sharing.

Our goal today is to model peer learning experiences and teacher-led professional development using the arts. These practices can be shared and continuously improved upon through the co-creation of Open Educational Resources. In this way, we aim to stimulate conversation and co-create around issues of social justice and equitable access to arts education.

Our work with Open Educational Resources (OER) is a part of a shift happening in education that aims to support shared teacher expertise and peer-based learning. As such, free and open content is not only a new economic model for schools and students, but also a primary vehicle for disseminating more flexible, adaptable curricula that support learner-centric approaches.

Calling All Teachers, Artists, and Those Who are Passionate About Bringing the Arts Back to the Classroom

In K-12 education, equitable access to the arts and high-quality

teaching and learning are critical issues for students to achieve global

competencies. Arts-infused curriculum and teaching strategies

increase the potential for culturally relevant, participatory learning

that acknowledges and supports personal identity, ethnic and other

forms of diversity.

Our model for arts-integrated learning is about exploring how

knowledge collaboration itself can be a culturally transforming activity. This model supports the creation of shareable curricular

resources and the use of online social collaboration tools.

Page 2: Calling All Teachers, Artists, and Those Who are ...Open=Change.pdf · In this way, we aim to stimulate conversation and co-create around issues of social justice and equitable access

Anna Halprin’s diverse

career has spanned

the field of dance since

the late 1930s, creating

revolutionary directions for

the art form and inspiring

fellow choreographers to

take modern dance to new

dimensions.

Halprin is an early pioneer in

the expressive arts healing

movement. She has led

countless collaborative

dance programs with

terminally ill patients. She

has long been committed

to a belief in the connection

between movement and

the healing power of dance.

Halprin has also investigated

numerous social issues

through dance and through

theatrical innovations.

At the age of 86, she

continues to perform, travel

and teach with fervor. Anna

gets the most out of her life,

living by her adage “Aging

is like enlightenment at

gunpoint”.

Joel Slayton took the

helm of ZER01, the art and

technology network, in

June of 2008 after serving

as a both a board member

for the organization and

chairperson of the Inter-

Society for the Electronic

Arts (ISEA2006), which was

held in conjunction with the

inaugural San Jose,

CA-based global art festival,

01SJ Biennial. An artist, writer

and researcher, Joel is a

professor at San Jose State

University in the School of

Art and Design where he

is Director of the CADRE

Laboratory for New Media,

an interdisciplinary academic

program dedicated to

the development of

experimental applications

involving information

technology and art.

Established in 1984 CADRE is

one of the oldest and most

prestigious media art centers

in the United States.

Nancy Margulies has

traveled the world as a facil-

itator and graphic recorder,

and enjoyed the opportunity

to work with the Clinton

White House, corporate and

com munity leaders in the US,

South Africa, Israel, Turkey,

India, Thailand, Australia,

Switzerland and New

Zealand. She has authored a

number of books, including

Mapping Inner Space and

Visual Thinking, as well as a

several educational comics

and videos.

The graphic facilitation

process Nancy developed

is called Mindscaping.

During conferences and

other events, from strategic

planning meetings to

interfaith dialogue, she

literally draws the ideas

using pictures, symbols and

words on flip chart sheets,

capturing the content,

showing relationships among

ideas and creating a mem-

orable record of the event.

She is on the faculty of the

Bainbridge Graduate Institute

(a Green MBA program).

Judy Shintani brings

experience in the area of

art education for all ages —

preschool, school-age to

adults and seniors, as well as

inter-generational creativity.

She brings art making to

after school programs, senior

centers, elder assisted living

homes, preschools and

counseling centers.

Judy is also the owner

and facilitator of Kitsune

Community Art Studio

in Half Moon Bay, where

participants of all ages and

creativity levels can play and

engage in making art.

Her focus is on community

art and also on the use of

recycled art materials and

ecology —specializing in

creativity as spirit, thought

and process. Her art is about

remembrance, connection,

and storytelling.

One-Day Program March 6, 2010, 9:00am-5:45pm

9:00-9:30 Breakfast and Registration

9:30-10:00 Welcome to ISKME’s Deep Dive Into Open Social Learning Lisa Petrides & Amee Evans GodwinPresentation framing our work with teacher collaboration, Open Educational Resources (OER), and arts integration for systemic change in education

10:00-10:45 Tell A Story About… Megan Simmons & Amee Evans GodwinRapid prototyping workshop on turning collaborative experiences into shared learning resources

11:00-12:00 Using Our Collective Pulse Anna HalprinInteractive practice using the breath and a talk on connecting the arts and authenticity to learning

12:00-1:00 Buffet Luncheon

1:00-1:30 Arts In The Social Field Joel SlaytonRapid-fire talk and discussion on social collaboration as art, and why it matters

1:30-3:30 Mapping As A Creative Tool Nancy Margulies

Participatory concept drawing and synthesis to generate and connect ideas on teaching, learning, and social collaboration strategies

3:45-4:45 Share & Inspire Round Tables Judy Shintani & ISKME’s OER Arts FellowsBreakout discussions on lessons learned, teaching experiences, and curriculum incorporating the arts

4:45-5:45 Social Media Party

Networking wine and cheese reception accompanied by video and music DJ